Dinghy
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January 24 - February 6 2012
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I’ve always liked reading the introductions at the beginning of magazines. Oftentimes they will give you some background or anecdote, something to help take an insider perspective on what the coming pages hold. It was my intent to do the same here, provide some small insight that would make this issue come alive in your hands… Draft after draft was deleted, sentence upon sentence typed and backspaced into oblivion. Frustrated, I walked away several times, muttering to myself and poking through the refrigerator in search of inspiration (and snacks). Then it hit me. The reason I couldn’t come up with anything wasn’t because my usual wordy self had been laid speechless, but because there wasn’t anything that needed to be said. No behind-thescenes perspective or tale is needed, because we’re all a part of this. We all know the score. Life on Cape Cod is visceral. It doesn’t need an introduction, not to those of us who are already here. Get out there and enjoy. On the cover: A Seussian caterpillar goes for the gold. Photo James Joiner (Not so) fine print. Dinghy is published bi-weekly right here on Cape Cod, by a locally owned business. We believe in supporting local at every possible opportunity and think you should too. We’d love to hear your comments, story ideas, or submissions. Send ‘em to hey@thelittlemagazine.com. If you’re not of the digital persuasion, you can use the good ol’ USPS at P.O. Box 404 Cotuit, MA 02635. Although at that point you may as well just give us a call at (508) 348-9845. Can’t wait for the next issue? www.thelittlemagazine.com Or make it Facebook official: Facebook.com/dinghymagazine
BIG COLLAGE’S BIG FEBRUARY ART EXHIBITIONS CALL FOR SUBMISSIONS During the month of February 2012, the Big Collage Art & Music Collaborative will be hosting two art exhibitions. The following are guidelines for inclusion in the show(s). Big Collage’s past exhibitions have tended to represent the lesser-known art of Cape Cod and its surrounding areas. We enjoy giving the esoteric, outsider, unusual, daring, and strange art of the region a space to be seen.
WHAT WE LOVE
FEBRUARY 3rd - 16th
SHORT MONTH/SMALL ART
FEBRUARY 17th - 29th
February is known for Valentine’s Day; as a tribute to the idea of love, we invite you to submit work relating to what you love. This doesn’t necessarily mean romantic love - your work could be about whatever moves you, such as nature or color or darkness or life or... even pizza. If you love it, it qualifies.
February is the shortest month, and we are hosting a show of small works of art to reflect that aspect. Each piece must be 12” x 12” or under, and must be priced under $125 each. Artists’ work will be arranged in a cluster, surrounded by others’ work to create a densely packed art environment.
You are invited to submit one large or two small pieces of art related to the theme of What We Love.
You are invited to submit up to five of your smaller pieces of art to be hung in this large group show.
The show opens Friday, February 3rd with a reception from 7:30 to 10:00 pm. There will be refreshments as well as a live ambient score by Todd Goyette. The show will hang until February 16th.
The show opens on Friday, February 17th with a reception from 7:30 to 10:00 pm featuring refreshments as well as a live ambient score by James Anderson. The show will hang until Februrary 29th.
The deadline for entry in this exhibition is Friday, January 27th.
The deadline for entry in this exhibition is Friday, Feb. 10th.
Please email two or three photos of the pieces you are submitting or that exemplify the type of art you make to art@bigcollage.net for consideration. Include the medium, sizes, titles, and prices of work to be submitted when possible. We are looking to exhibiit art of all media, from photography to painting to sculpture to video. All are welcome. Please Note: The Guyer Art Barn will receive a 30% commission on all art sold during these exhibitions.
bigcollage.net � facebook.com/bigcollage
Dog a y s photos James Joiner
Because staying fit this winter shouldn’t be a stretch.
Taste Mozarella & black olive minestrone
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As we get closer to actual winter weather, one of the best ways to chase that New England chill from your bones is with a hearty home-made soup. Not only will this take on a classic minestrone put the rosy back in your cheeks, its delicious smell will warm your house and spirit as well. We recommend serving with fresh, locally made crusty bread and an age-appropriate beverage.
Ingredients 2 tablespoons olive oil 1/2 cup onion, chopped 1 clove garlic, minced 1/2 cup carrots, chopped 1/2 cup celery, chopped 1 teaspoon fresh oregano, chopped 1 teaspoon basil, chopped 2 14oz cana diced Italian seasoned tomato 1 bunch kale, rinsed and shredded 1 cup Lindsay olives, chopped 1 14oz can kidney beans, drained & rinsed 4 cups water 1 cup pasta shells 2 teaspoons coarse salt fresh mozarella, sliced
Taste
In a soup pan, heat olive oil, garlic, onions, carrots and celery. Cook for a few minutes, until slightly tender. Add in beans, oregano and basil. Then add tomoatoes and kale. Next, add the black olives and water. When the kale begins to wilt, add in the pasta. Bring soup to a boil, then reduce to a simmer for about 20 minutes or until all the veggies and noodles are tender.
photos James Joiner
Ladle into serving bowls and cover with fresh mozarella. Bake at 400 degrees until mozarella melts and becomes bubbly and slightly browned. Garnish with additional black olives and a sprinkle of oregano. Enjoy!
Cape Cod is synonymous with art, with literally hundreds of galleries. These past few years have seen something of a revolution in the art world, however, as a new guard of contemporary, often younger talent has started taking a more prominent place in what has been mostly a traditional arena. We’re starting off a look at some of the players in this new game with artist collective Big Collage, who’s admittedly bold energy seeks to stir things up a bit. We could probably use it. Interview with Tim Graham & Marisa Lynn. Okay, first and foremost, what is Big Collage? Who are you all, how did the idea come about, and what are your goals? Big Collage is an uncommonly accepting art collective; a kaleidoscope of creative Cape Codders working in every medium imaginable: painters, print-makers, and poets; traditional musicians and circuit benders who turn old electronics into innovative new instruments; photographers, videographers, and sound technicians; comic book and collage artists; floral, fashion, and graphic designers; writers, actors, storytellers, sculptors, and some of the best gosh-darned chefs and bakers this side of the bridge-- taste our hors d’oeuvres before you tell us that ain’t art! We ARE serious artists, but we can’t get down with the pretensions of the fine arts community. See, Big Collage puts integrity above accolades. We don’t care who you know, where you went to school, or what you’ve done before. We want to know what you’re up to now, and we want to know why. Intention is important. An artist might paint a perfectly rendered seashell still-life, but if there’s
no trace of the artist in his or her work, we’re not interested. Don’t get us wrong-- we’ve got nothing against realism or nautical themes, but there are plenty of galleries already devoted to lighthouses and the like. Our geographic location lends itself to these motifs, so the expectation is that artists will err on the side of commerce, and seascapes sure do sell! But artists shouldn’t be locked into anything that doesn’t resonate-- which is how Big Collage came to be. Art needn’t be merely decorative. At best, it’s a vehicle for personal and social transformation. There’s more than enough entertainment these days. Our goal is to challenge our audience; to surprise, to inspire, and to present our own experiences so honestly that just bearing witness makes the audience feel alive. In an age of automation and isolation, we seek to shock people out of the silence of assumed consensus, and audience participation is our favorite. One needn’t identify as an artist, either. We’re all human, we all seek meaning, and we’re all in this together. Art can save the world, you know. We’re trying to act as conduits to that admittedly lofty end. What inspired you to buck the trend, so to speak, and attempt to create a scene for non-traditional Cape artists? Big Collage founders, Greta Ribb and Harley Gardener, saw that no one was facilitating progressive, playful, envelope-pushing art on Cape Cod and decided to do so themselves. Greta took up the reins and worked tirelessly for two years to turn a mere “wouldn’t it be great if...” into the thriving ensemble of interdependently dedicated artists and performers you see today, organizing seasonal multimedia exhibitions including, most recently: the Winter Blues Ball, Mayday, A Tribute to Cape Cod, and a whole host of Halloween events. She is now taking a much-deserved sabbatical in the backwoods of Maine, having entrusted the coordination of Big Collage’s Big
February at the Guyer Barn to the collective itself. How has the general reaction been to your shows thus far? Our events have been met with everything from confused disdain to profound enthusiasm. Complete strangers-- little old ladies, mind you-- folks you might not expect-- have thanked us for simply existing as an alternative to all that high-brow hogwash. Others are threatened by our disregard for decorum, as though it threatens the very serenity of Cape Cod’s cultural atmosphere. And maybe it does. We don’t think that’s a bad thing. Most local art presents Cape Cod as an idyllic haven by the sea where mermaids sing to old-timey sailors and nothing bad ever happens. The sad truth is that substance abuse is rampant, the suicide rate is through the roof, and young people are fleeing in droves because businesses and local governments cater almost exclusively to tourists and the elderly. We don’t steer clear of these taboos. We set a full-sail course straight toward them, cutlasses drawn and cannons loaded. I guess that makes people nervous. But we’ve encountered at least as much encouragement as we have opposition. We see the pervasive fear of change as a necessary antagonist, the classic adversary against which spontaneity, authenticity, and fun may be achieved. You mentioned in your email that you appreciated the defiance of definition. What do you mean by that? How would you define yourselves if you had to? We defy description because we represent so many unique characters-- and we do mean characters. For example, ethereal art-alchemist Richard Williams would likely define Big Collage in different terms than underground comic artist Ned Sonntag. Folks contribute to the collective according to their talents and take from the experience what they need as individuals. We wish to fulfill the full spectrum of creative needs, and by defining what we are, we inevitably define what we are not, which potentially leaves people out. Inclusion is where it’s at, y’all. Cape Cod’s got plenty of exclusive “members only” art organizations. We’ll take whoever’s left over. What’s been the biggest challenge as far as getting Big Collage off the ground and moving forward? What is your ultimate vision? Let’s just say our supporters don’t possess as much in the way of money or power as do our detractors. We’ve seen shows sponsored by associates at From the Heart Media shut down by police as early as eight o’clock in the evening-- and we were told that nearby residents began their crusade against us at six-thirty! We’re not
Do you know of an artist who is bucking the norm? Let us know at hey@thelittlemagazine.com. Check back next issue for a feature on Provincetown’s Helltown Gallery and their collective of outsider & lowbrow artists.
photos courtesy Big Collage
talking about death metal here, either. When a local surf rock band like The Inframen can’t finish a set of Christmas music at a benefit show for the Noah Shelter, something is undeniably amiss. What Big Collage ultimately needs is a permanent venue. Nothing fancy, just a few walls to hang art on and enough room to dance-a space year-rounders can rely on for cultural camaraderie and conversation. There used to be an artist colony in Provincetown. I guess something like that is our ultimate end-game, but land is prohibitively expensive. Do hip philanthropists read your magazine? Please give them our number! In the mean time we’ll be hard at work on the Big February events at the Guyer Barn on South Street in Hyannis, which has graciously opened its doors to us for an entire month’s worth of art exhibitions, live music, avant-garde theme parties, open mics, and general midwinter revelry. We’re even hosting an epic indoor flea market! Send your readers over to our website (bigcollage.net) and facebook page (facebook.com/bigcollage) for the full Big February schedule. It’s a few weeks away yet, and we enthusiastically welcome input from the community. There are as many ways to become involved as there are brushstrokes on a danged Monet. Do something awesome this winter. Add to the Big Collage.
middle
Giving the seagulls some exercise. Photo James Joiner
P h o t o s
Marthas Vineyard is obscured by an icy haze as temps plunge to single digits. Photo James Joiner
A precariously perched seagull in Wellfleet. Photo James Joiner
A cardinal does his best to blend. Photo James Joiner
Ice begins to encroach. Photo James Joiner
A lone boat awaits spring. Photo James Joiner
A blue jay makes a break for it. Photo James Joiner
Dogs enjoy some winter frolic at the Sandwich Boardwalk. Photo James Joiner
Leap of faith. Photo James Joiner
Keeping watch. Photo James Joiner
Summer dreams. Photo James Joiner
Winter warmer yoga. Photo James Joiner
www.4jphotography.com
J. James Joiner Photography
facebook.com/jjamesjoinerjr
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Daddyism
Today we went to Whole Foods. This may not sound like any sort of momentous occasion, but the nearest one is almost an hour away, which is a long drive to spend too much money on things you probably don’t need. I’m glad that the cow I’m eating for dinner was gently massaged and whispered to whilst humanely put to death, but at the end of the day it’s still dead and I’m still going to burn it on the grill, so is it really worth the extra twelve bucks? My conscience says yes, but my non-designer wallet says. “WTF? That’s a twelve pack to go with the burgers”. Luckily the moral compass, AKA my wife, was along for the ride and spared me the added carb temptation (do “men” think about carbs? I have a hard time picturing Davy Crocket or Leif Ericsson’s paying much heed to such things) of drinking heavily while consuming ground beef (I think it’s un-American not to, but didn’t feel as though this was the time to bring it up. She had “that look” in her eyes). At the end of the day I totally get why we should treat animals with kindness, or better yet just let them live and be free, though I suspect that were we to throw open the gates of all the slaughterhouses there’d be a lot of very confused, very domesticated creatures milling about and bumping into each other. Can you imagine rogue flocks of chickens, meandering all over the bible belt, many of them so fat from those weird inbreeding practices employed to make them plump ‘n’ juicy that their friends have to push pull and roll them? It’s almost better that
Get Your Cape Cod On. we simply eat them. More humane in the long run,
“Wash-a-shore.”
keeps them from all starving to death when they realize they have no idea how to scavenge for food since any and all instincts have long since been bred out of them. Or so I’ll keep telling myself. So, before we came home and consumed enough bread and cheese to fuel a Tupperware party, we spent about an hour roaming the isles of “America’s first certified organic supermarket chain”, adding random sundries to our cart (even the grocery carts there are nicer and smoother rolling – I think it was a hybrid), things you just can’t acquire at our “normal” supermarket. Organic cola made with cane sugar (the healthy alternative!), humanely slaughtered cow leg bones for the dogs (who enjoyed them that much more, and even have a healthy shine to their coats), Ritz style crackers that are somehow different (and twice as expensive) as regular Ritz crackers, wax-free apples that look as though you could use them to tempt brunettes who cohabitate with dwarves, and ham made from (I assume by the price) magic pigs. How much did all this cost? Well, let’s just answer a question with a question, “are you hiring”? Our kid may not get to go to the college of her choice, but man, will her conscience be clear!
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