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B1 Â Â Â 26 Â Jan. Â 2012

www.hillsdalecollegian.com

Drawn  by  Abigail  Newman

6WXGHQWÂśV PXVLF UHĂ€HFWV OLIHÂśV PLVVLRQ Roxanne Turnbull Arts Editor

ÂżUVW DOEXP ZKHQ KH ZDV in  his  room  with  a  friend.  The  second  album,  Greene  said,  LV PXFK EHWWHU WKDQ WKH ÂżUVW largely  due  to  the  work  done  by  The  words  â€œChristian  rapperâ€?  Chris  Waters. do  not  automatically  come  to   â€œChris  [Greene]  and  I  have  mind  when  you  look  at  junior  worked  together  since  our  Chris  Greene.  He  is  a  white  kid  sophomore  year,â€?  said  Waters.  from  Montana.  But  music  is  his  â€œWe  have  spent  a  year  and  a  half  passion,  and  God  is  his  life.  The  working  on  the  album.  Chris  more  you  come  to  know  Chris,  [Greene]  is  really  appreciative  the  easier  it  is  to  see  the  connec-­ and  gracious,  and  I  consider  it  tion  between  him  and  his  music. a  privilege  to  help  him  get  his   Ovadia,  Greene’s  musical  stuff  out  there.  He  puts  a  lot  pseudonym,  released  â€œEman-­ behind  his  music.  He’s  very  cipated,â€?  his  heartfelt  and  has  second  album,  D GHÂżQLWH WDOHQW OLLEGIAN ONLINE on  Jan.  15  for  it.â€? on  iTunes   Greene  is  and  Amazon.  proud  of  every  Check out Chris The  album  Greene’s preview music track  on  the  features  ten  album,  but  one  video of “Relentless songs  with  particular  song  Mercyâ€? on the Colleguest  vocals  stands  out  for  gian Website at www. by  juniors  him  and  for  all  hillsdalecollegian.com Mary  Wig-­ involved:  gins  and  Trent  â€œRelentless  Kramer,  and  Mercy.â€? piano  by  junior  Travis  Lacy.   The  song  features  Lacy  was  also  the  senior  ex-­ Lacy  on  the  piano  and  ecutive  producer  for  the  album.  begins  with  a  simple  in-­ Junior  Chris  Waters  helped  pro-­ strumental  lead.  Greene  duce  the  album  with  Lacy  and  comes  in  with  punchy  was  also  the  recording  engineer. syllables  conveying   â€œTravis  [Lacy]  loves  rap,  a  message  which  he  and  he  suggested  the  name  for  describes  as  his  â€œown  the  album,â€?  said  Greene.  â€œIt  deprivation.â€?  Wiggins’  really  is  based  on  emancipation  voice  then  melodically  and  being  free  from  sin.â€? cuts  through  singing  a  *UHHQH ZDV ÂżUVW SHUVXDGHG hook  from  â€œAmazing  to  give  the  Christian  rap  genre  a  Grace.â€? chance  by  his  youth  pastor  when   â€œIt  was  really  he  was  14.  Greene  knew  he  fun,â€?  said  Wiggins.  wrote  decent  poetry  and  thought  â€œI  didn’t  expect  him  writing  raps  might  be  a  good  to  ask  me  originally.  transition. [Greene]  is  really  talented.   â€œI  didn’t  think  it  was  that  When  you  look  at  him,  you  much  different,  but  it  actually  wouldn’t  expect  to  hear  this  really  is,â€?  Greene  said. incredible  rapping  come  out  of   Greene  then  recorded  his  his  mouth.â€?

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Junior Chris Greene (right) cut his second album, ‘Emancipated’ with the help of many Hillsdale students including junior Chris Waters (left), the recording engineer. (Schuyler Dugle/Collegian)

“Re-­ lentless  Mercyâ€?  is  part  of  a  three-­song  set,  which  starts  with  â€˜Far  Away’  and  ends  with  â€œEyes  on  Him.â€?  The  set  describes  â€œa Â

journey  dealing  with  the  de-­ prived  and  fallen  nature  of  this  world,â€?  Greene  said.  â€œRelentless  Mercyâ€?  has  made  everyone  on  the  Ovadia  team  very  proud.  â€œFirstly,  it’s  the  only  song  we  did  from  the  ground  up,â€?  said  Greene.  â€œIt  is  intimately Â

Jazz takes off: festival, CD, logo Emily Johnston Senior Reporter

more  intimate  clinics.  Three  professionals  will  listen  and  critic  each  performance  for  40  minutes,  compared  to  the  15  Hillsdale  College’s  jazz  minute  sessions  at  the  Michigan  music  program  is  taking  on  Jazz  Fest. new  projects  this  year,  projects  Clinicians  include  all  of  the  that  will  continue  training  and  Hillcat  performers,  drummer  expanding  Hillsdale’s  already  Jim  Rupp,  and  vocalists  Briann  expansive  jazz  division. Perry. “Hillsdale  is  unique  because  During  clinics,  other  bands  our  [jazz]  combo  program  is  so  and  local  high  school  jazz  play-­ strong,â€?  said  Chris  McCourry,  ers  can  sit  in  and  listen. artist  and  teacher  of  music.  â€œI’m  interested  to  hear  from  â€œWe’ll  have  at  least  six  or  seven  the  pool  of  college  bands  and  combos  next  year.  We  just  keep  it’s  always  great  to  make  new  growing.â€? friends,â€?  O’  Luanaigh  said.  This  year,  in  addition  to  the  â€œOur  band  has  improved  so  regular  spring  concerts,  Mc-­ much.  We’re  at  the  peak  of  our  Courry  and  the  jazz  department  skill.â€? are  attending  two  festivals  in  Clinicians  will  still  announce  February  and  are  recording  a  outstanding  awards,  McCourry  CD  in  March. said. “We  have  got  to  put  in  the  L.A.  Jazz  Festival  Instructor  in  Art  Bryan  work  but  I’m  really  excited  Before  the  CD  project  gets  Springer  said  he  started  work-­ about  how  the  band  will  sound  in  full  swing,  the  Big  Band  and  ing  on  a  logo  for  the  L.A.  Jazz  come  spring,â€?  he  said. four  jazz  combos,  about  30  Fest  just  before  the  beginning   students  total,  will  attend  the  of  this  semester. Jazz  CD ÂżUVW /LEHUDO $UWV -D]] )HVWLYDO “As  an  instrument,  I  thought  The  Hillcats  and  the  Hill-­ at  Albion  College  on  Feb.  25. the  saxophone  communicated  sdale  College  Big  Band  will  One  week  earlier,  on  Feb.  the  idea  of  jazz  well,â€?  Springer  record  a  CD  in  March  featuring  11,  jazz  students  will  said.  â€œKnowing  Chris,  I  ex-­ perform  at  the  Michigan  perimented  with  a  trumpet  (of  Jazz  Festival. course),  but  the  sax  was  just  the   McCourry  said  he  has  most  successful  visual  idea.  The  been  working  on  plan-­ curvilinear  contour  and  oblique  ning  the  L.A.  Jazz  Fest  slant  give  the  logo  a  nice  â€˜cool’  with  James  Ball,  Albion’s  jazz  feel.  Of  course  it  is  blue— band  director  and  the  it’s  jazz  and  blues,  man.  It  also  bass  player  for  the  Hill-­ works  for  Hillsdale  College.â€? cats,  since  the  beginning  Springer  and  McCourry  of  the  year. went  through  only  one  revision  â€œThere  is  nothing  else  of  the  sax/L.A.  logo. like  this,â€?  he  said.  â€œIt’s  â€œIt’s  a  pleasure  working  with  focused  on  the  needs  Prof.  McCourry,â€?  Springer  said.  of  liberal  arts  colleges  â€œI  am  very  fortunate  that  he  is  a  without  grad  programs,  fan  of  my  work  and  has  so  often  like  Hillsdale  and  Albion.  replied  positively  to  my  initial  There  will  be  no  com-­ mock-­ups.â€? petition.  I  love  competi-­ Springer’s  logo  is  currently  tion  but  in  the  academic  being  created  into  a  festival  music  world,  it’s  frowned  t-­shirt  design. upon.â€?  Next  year,  Hillsdale  will  Instead  of  a  com-­ host  the  L.A.  Jazz  Fest. petition,  the  L.A.  Jazz         ejohnston@hillsdale.edu Senior Erin O’ Luanaigh sings vocals in the Hillsdale College Fest  features  longer  Big Band and sang for the The Hillcats’s recently recorded CD. performance  times  and  (Schuyler Dugle/Collegian)

jazz  singer  and  senior  Erin  O’  Luanaigh. “This  CD  is  kind  of  [Mc-­ Courry’s]  parting  gift  to  me,â€?  O’  Luanaigh  said.  â€œIt’s  a  big  favor  to  me.â€? The  CD  will  feature  between  10  and  12  tracks,  at  least  eight  in  which  O’  Luanaigh  will  sing.  The  tracks  will  be  recorded  in  a  recording  studio  in  either  Ann  Arbor  or  Albion,  O’  Luanaigh  said. Even  though  O’  Luanaigh  recorded  a  couple  CDs  in  high  VFKRRO WKLV ZLOO EH KHU ÂżUVW experience  recording  with  a  live  band. “I  love  performing  things  live,â€?  she  said.  â€œIt’s  one  my  great  joys  in  life  to  have  uned-­ ited  studio  cuts  of  tracks.â€?  McCourry  said  the  CD’s  theme  is  â€œErin  as  vocal  soloist.â€?  The  original  plan  was  to  record  an  Anita  O’Day  theme  but  Mc-­ Courry  and  O’  Luanaigh  keep  adding  other  new  tracks.  McCourry  has  intended  to  do  a  project  similar  to  this  one  since  her  sophomore  year,  O’ Â

Luanaigh  said. “It  will  also  be  a  great  me-­ mento  of  my  years  singing  jazz  here  and  all  of  the  work  I’ve  put  into  both  bands,â€?  she  said. The  CD  will  help  with  re-­ cruiting  jazz  and  music  students  and  in  fundraising  for  the  col-­ lege,  McCourry  said. “It  should  have  a  wide  ap-­ peal  and  be  accessible  to  any  listener,â€?  he  said. He  also  said  it  is  a  feature  for  O’  Luanaigh. “She’s  extremely  talented  and  I  don’t  get  students  of  her  talent  come  through  here  all  that  often,â€?  he  said. Jazz  CDs  should  be  released  before  the  end  of  the  semester  and  will  be  available  for  sale  to  students.

ours.  Somehow  the  lyrics  and  the  concept  of  it  suit  my  voice.  ,W LV WKH LGHDO ÂżW IRU PH ´  Looking  toward  his  future,  Greene  is  not  quite  sure  yet  ZKHUH PXVLF ZLOO ÂżW LQ +H ZLOO attend  seminary  after  college  to  pursue  his  dream  of  becoming  a Â

minister  in  the  inner  city.  â€œI’m  really  happy  and  really  proud  of  â€˜Emancipated,’â€?  said  Greene.  â€œI’m  not  sure  where  my  music  is  going,  but  I  would  GHÂżQLWHO\ OLNH WR SXUVXH LW LQ WKH future.â€?        rturnbull@hillsdale.edu

+HLPHYLW] )XVLRQ PXVLF ZLWK D ERZ Samantha Gilman Collegian Reporter Music  enthusiasts  should  be  sure  to  attend  the  cello  perfor-­ mance  by  David  Heimevitz  this  Saturday  at  8  p.m.  at  the  Sage  Center  for  the  Arts.  Young  but  widely  known,  Heimevitz  has  been  invited  to  share  his  talent  on  Hillsdale  College’s  campus  as  part  of  the  professional  artist  series,  a  series  that  seeks  to  expose  the  com-­ munity  to  good  music.  Some-­ times  over  a  year  in  advance,  the  program  selects,  invites,  and  pays  professional  artists  to  perform  at  the  school. Associate  Professor  of  Music  James  Holleman  said  Heimevitz  was  â€œyoung  and  very  experimen-­ tal.â€?  He  described  his  practice  of  crossing  classical  styles  with  jazz,  rock,  and  modern  music.  â€œWe’re  not  quite  sure  what  we’re  going  to  get  on  Saturday.  The  program  says  pieces  will  be  announced  from  stage.  It’s  going  to  be  very  interesting;Íž  it  is  not  going  to  be  your  grandpa’s  cello  recital,â€?  Holleman  said.  â€œ[Heimevitz]  is  world-­class  musician,â€?  he  continued,  â€œIt  is  a  great  opportunity  to  get  exposed  to  this;Íž  it  is  going  to  be  different  and  interesting,  and  possibly  chal-­ lenging  for  the  listener.â€?  It  is  not  just  a  visiting  artist  that  brings  us  more  modern  music.  Holleman  referred  to  Hill-­ sdale  students  as  â€œvery  openâ€?  to  a  more  modern  approach  to  music. “Elliot  Gaiser  arranged  last  year  Bohemian  Rhapsody  by  Queen,â€?  Holleman  said.  â€œOne  of  our  quartets  did  a  metal  rock  arrangement,  so  the  students  are  actually  crossing  borders  and  having  kind  of  a  fusion  of  differ-­

ent  styles.  I  think  they  are  going  to  be  very  excited  about  this.â€? 6KDURQ %DUUHWW D ÂżIWK \HDU senior  with  a  music  major,  looks  forward  to  the  concert.  â€œI  always  enjoy  a  professional  artist  series,â€?  Barrett  said.  â€œ  As  a  vocalist,  I  enjoy  going  to  hear  instrumentalists  because  it  gives  me  the  opportunity  to  just  enjoy  their  music.â€?  In  addition  to  the  concert  he  will  be  giving,  Heimevitz  will  be  teaching  two  master  classes  for  Hillsdale’s  cello  students.  These  master  classes  give  students  a  chance  to  play  their  music  for  the  professional  artist  and  receive  constructive  feedback  on  their  technique  and  musicality. 7KH ÂżUVW PDVWHU FODVV LV scheduled  for  Friday  at  4  pm  and  will  provide  feedback  to  students  on  a  selection  of  traditional  cello  music,  while  Saturday’s  master  class  will  be  reserved  for  the  more  modern  pieces.  Jennifer  Franklund,  a  junior  and  music  major,  will  be  attend-­ ing  the  Friday  master  class. “I’m  looking  forward  to  the  master  class  because  I  always  enjoy  learning  from  different  teachers,â€?  Franklund  said.  Victoria  Coe,  a  junior  and  mu-­ sic  major,  also  plans  to  attend  the  ¿UVW PDVWHU FODVV “I  want  to  hear  how  he  helps  the  concerto  competitors,â€?  Coe  said.  Students  are  grateful  that  the  Professional  Artist  Series  allows  them  the  opportunity  to  interact  with  and  learn  from  professionals  ZLWKLQ WKHLU ÂżHOG RI LQWHUHVW “I  don’t  think  there  is  another  time  in  our  lives  we’ll  get  to  see  so  many  professional  top  shelf  artists  for  free,â€?  Coe  said.  sgilman@hillsdale.edu


26 Â Jan. Â 2012 Â Â Â B2

!

ARTS

Knecht shows personal collection

IN FOCUS

TORY COONEY

Casey Harper Collegian Freelancer

DISCOVERING ETTA My  childhood  music  exposure  was  largely  limited  to  clas-­ sic  rock,  early  19th  century  operettas,  and  dirge-­like  hymns  coughed  out  by  cadaver-­like  Southern  Baptist  congregations.  Because  of  this  rather  eclectic  starting-­ground,  my  music  tastes  have  grown  and  expanded  in  strange  ways,  leaving  me  with  dozens  of  musicians  discovered  tragically  late  in  my  life.  One  of  these  tragically  recent  discoveries  is  the  powerful,  brazenly  talented  Etta  James,  who  died  last  Friday  morning  in  Riverside  Calif.  at  the  age  of  73  due  to  complications  from  leukemia.   Jamesetta  Hawkins  started  out  as  a  gospel  singer  at  the  ULSH ROG DJH RI ÂżYH EHOWLQJ RXW WKH FODVVLFV DW 6W 3DXO %DSWLVW Church  in  Los  Angeles  and  becoming  a  local  attraction.  Relocated  by  her  sometimes-­present  mother  to  San  Fran-­ sico,  James  turned  to  secular  music  and  formed  a  street  corner  singing  group,  The  Creolettes,  at  14.   James  wrote  the  group  a  sassy  comeback  to  Hank  Bal-­ lard’s  hit,  â€œWork  with  Me  Annie,â€?  titled  â€œRoll  with  Me  Henry.â€?  It  caught  the  attention  of  bandleader  Johnny  Otis,  who  renamed  JURXS (WWD -DPHV DQG WKH 3HDFKHV DQG UHFRUGHG WKH VRQJ LQ L.A.  $IWHU WKH\ FKDQJH WKH VRQJÂśV WLWOH WR Âł7KH :DOOĂ€RZHU ´² ÂłUROO ZLWK PH´ ZDV GHHPHG WRR VH[XDOO\ H[SOLFLW²WKH VRQJ rose  to  No.  2  on  the  R&B  charts  in  1954.   James  was  15.  Signed  to  Chess  Records  in  1959,  James  began  churning  out  the  hits,  including  her  signature  song  and  perennial  wed-­ ding  favorite,  â€œAt  Last.â€?   She  also  began  the  long  struggle  with  drugs  that  tanked  her  career  and  very  nearly  destroyed  it.  Unlike  Amy  Wine-­ house,  one  of  her  many  musical  progeny,  James  managed  to  clean  up  her  act  and  was  invited  to  perform  the  national  anthem  at  the  1984  Olympic  Games.  Four-­time  Grammy  Award  winner,  member  of  both  The  Rock  and  Roll  Hall  of  Fame  and  The  Blues  Hall  of  Fame,  James  left  an  indelible  mark  on  modern  music.  Adele  cites  -DPHV DV KHU ELJJHVW LQĂ€XHQFH )OR 5LGDÂśV Âł*RRG )HHOLQJ´ LV D tribute.  Beyonce  Knowles  played  James  in  the  movie  â€œCadillac  Records.â€?   Janis  Joplin,  Bonnie  Raitt,  R.  Kelly,  and  even  The  5ROOLQJ 6WRQHV DWWHVW WR KHU LQĂ€XHQFH  â€œA  lot  of  people  think  the  blues  is  depressing,  but  that’s  not  the  blues  I’m  singing,â€?  James  told  The  Los  Angeles  Times  LQ Âł:KHQ ,ÂśP VLQJLQJ EOXHV ,ÂśP VLQJLQJ OLIH 3HRSOH that  can’t  stand  to  listen  to  the  blues,  they’ve  got  to  be  pho-­ nies.â€?  So  take  a  moment,  pause  The  Eagles,  halt  The  Mikado,  and  turn  on  some  Etta  James.  At  last. +HUH DUH P\ ÂżYH IDYRULWH VRQJV RI KHUV 1.  At  Last 2.  Something’s  Got  a  Hold  of  Me 7KH :DOOĂ€RZHU 4.  Tell  Mama 5.  Security        vcooney@hillsdale.edu   Â

portraits  of  42  Founders  along  with  meticulous  depiction  of  the  interior  of  Independence  Hall  left  me  in  a  state  of  happy  fa-­ 3URIHVVRU RI $UW 6DP .QHFKW tigue,â€?  he  said.  â€œI  joked  that  â€˜All  I  want  to  do  now  is  to  paint  a  will  open  the  doors  to  his  per-­ sonal  art  exhibit  Saturday  in  the  tree...something  that  won’t  com-­ plain  if  I  get  a  branch  wrong.’â€? Daughtry  Gallery  in  the  Sage  Knecht,  however,  did  not  just  Center  for  the  Arts  to  show  off  40  original  paintings.  The  artist’s  paint  a  tree  or  landscapes.  He  will  also  feature  portraits  in  the  reception  will  be  from  2-­5  p.m.  show. Sunday,  and  the  exhibit  will  â€œThe  exhibit  presents  several  close  Feb.  19. character  portraits  of  people  I  Knecht’s  work  will  primar-­ have  encountered  that  intrigue  ily  focus  on  inspiration  he  drew  me  on  a  visual  or  even  narra-­ from  the  surrounding  landscape. tive  level,â€?  he  said.   â€œOthers  are  â€œThere  will  be  paintings  of  portraits  of  student  models  that  waterfalls,  Great  Lakes  shore-­ have  posed  for  my  classes.   I  lines,  some  with  lighthouses,  often  teach  by  example,  by  dem-­ and  inland  rivers,â€?  Knecht  said.  onstrating  the  picture-­making  â€œOne’s  aim  is  to  capture  the  process  in  class  for  students’  essence  of  a  scene  in  how  it  EHQHÂżW ´ presents  light,  weather  condi-­ One  of  those  students,  senior  tions,  time  of  day  and  season  of  Nell  O’Leary,  has  decided  to  the  year.â€? pursue  advanced  education  in  art  To  capture  these  conditions,  because  of  Knecht’s  inspiration. he  often  had  to  hike  up  trails,  â€œWhat  I  appreciate  most  painting  equipment  in  tow,  in  DERXW 3URIHVVRU .QHFKWÂśV order  to  get  the  perfect  point  philosophy  is  his  love  of  the  of  view  for  his  piece.  He  saw  medium,â€?  O’Leary  said.  â€œHe  is  the  adventure  as  a  nice  change  masterful  in  capturing  the  energy  of  pace  after  completing  his  of  a  scene  merely  expressed  with  â€œSigning  of  the  American  Con-­ stitutionâ€?  painting  for  the  Kirby  the  handling  of  the  paint  and  emphasis  on  light.  Instead  of  Center  after  two  years  of  work. “[The  painting’s]  demands  of  SURGXFLQJ D Ă€DW DQG VWDWLF VFHQH

Holy  Trinity  has  performed  Sacred  Music  concerts  for  the  SDVW ÂżYH \HDUV (DFK \HDU KDV featured  a  different  theme,  including  Russian  Eastern  +RO\ 7ULQLW\ 3DULVK ZLOO Orthodox  church  music  and  hold  a  Sacred  Music  concert  3LHMHVX Sunday  Jan.  29  at  2  p.m.  The  The  theme  this  year  is  the  attire  is  casual  and  the  concert  favorite  sacred  music  songs  of  will  last  about  an  hour. Robert  Livington,  Hillsdale  Livingston  and  Mowry.  The  selections  include  a  variety  College’s  Music  Director  of  of  genres  of  music,  including  the  Wind  Symphony,  and  Gail  gospel  and  classical,  and  types  Mowry,  Holy  Trinity’s  music  including  slow  and  up-­beat. director  and  Hillsdale  College  0RZU\ GHÂżQHV VDFUHG PX-­ Alumna  (’04),  are  directing  the  sic  as  any  music  written  for  the  concert.  Emmaline Epperson Collegian Reporter

advantage  of  slow-­motion  footage.  Have  you  ever  dreamt  about  seeing  a  person  body  slam  someone  else  by  jumping  off  of  a  bar?  Yeah,  that’s  in  there.

“Underworld:  Awakening,â€?  A  Review Kate  Beckinsale,  fully  armed  and  leather-­clad,  returns  for  her  third  major  contribu-­ tion  to  the  â€œUnderworldâ€?  saga,  ³8QGHUZRUOG $ZDNHQLQJ ´ 6KH takes  up  the  character  Selene’s  death-­dealer  mantle  once  again  after  a  gap  of  six  years  from  WKH UHOHDVH RI Âł8QGHUZRUOG Evolution.â€?  Both  the  writer  and  director  of  the  series  have  been  replaced  during  the  interim.  3HUKDSV WKLV H[SODLQV ZK\ WKLV newest  installment  feels  less  like  a  continuation  and  more  akin  to  an  alternate  timeline. 7KH QHZHVW ÂżOP RFFXUV over  a  decade  after  the  event  of  â€œEvolution.â€?  Humanity  has  discovered  that  ravening  wolf-­ men  and  gun-­slinging  blood-­ suckers  are  in  fact  more  than  LQGXOJHQW IDQWDVLHV ÂżQDOO\" The  response  is  predictable.  Those  of  a  more  advanced  spe-­ cies  are  systematically  hunted  down  and  destroyed.  Selene,  after  being  captured,  has  not  been  destroyed  and  instead  been  kept  in  hibernation  within Â

a  thinly-­regulated  government-­ LQGHSHQGHQW VFLHQWLÂżF FRUSRUD-­ WLRQ 1HHGOHVV WR VD\ VKH ÂżQGV herself  escaping  and  spends  the  rest  of  the  movie  franti-­ cally  searching  for  her  more  advanced  hybrid  lover  (who  ironically  always  seems  to  be  the  one  in  need  of  rescue).  The  twist  is  that  the  one  responsible  for  breaking  her  out  is  her  own  daughter,  known  only  as  â€œSubject  2.â€? The  introduction  of  a  daughter  could  have  been  an  opportunity  to  deepen  Se-­ lene’s  character  as  she  wrestles  with  learning  how  to  nurture  someone  weaker  than  herself.  And  though  there  is  at  least  one  touching  scene  of  vulnerabil-­ ity  between  them,  the  almost  non-­stop  blitz  of  carnage  restricted  both  character  and  narrative  development.  The  YLROHQFH LQ WKH ÂżOP WDNHQ DV its  own  element,  is  superbly  choreographed  and  seems  like  something  out  of  a  Tarantino  ¿OP DW WLPHV +RZHYHU RQH does  yearn  for  the  resurrection  of  a  vampire  character  with  the  cruel  aristocratic  hauteur  of Â

Buth/Collegian)

which  could  be  achieved  with  a  photograph,  the  viewer  is  capti-­ vated  by  the  life  and  expressed  motion.â€? That  appreciation  for  differ-­ ent  mediums  will  be  on  display  at  the  exhibit.  To  capture  both  the  landscapes  and  portraits,  Knecht  drew  on  his  experience  with  oil,  watercolor,  drawing  media  and  egg  tempera  paint.

church,  with  scriptural  text. Holy  Trinity’s  Choir,  community  members,  college  students  and  Hillsdale  Acad-­ emy  students  all  take  part  in  the  choir.  The  choir  has  held  practices  on  Thursday  nights  for  the  past  month. Amanda  Gehrke,  a  senior  at  Hillsdale  Academy,  sings  both  alto  and  tenor  parts  in  the  concert. “It’s  helped  me  learn  about  music  because  it  is  more  dif-­ ÂżFXOW WKDQ WKH $FDGHP\ FKRLU It  is  a  more  mature  sound,â€? Â

(Courtesy of Don Heckenlively)

Roxanne Turnbull Arts Editor E\ JHWWLQJ ZLWK WKH WLPHV DQG ÂżQDOO\ listening  to  the  band  Fun.  (yes  with  a  period  at  the  end).  The  band  features  the  lead  singer  from  The  Format  and  pairs  his  unique  vocals  with,  dare  I  say  it,  fun  music.  Their  song  â€œWe  Are  Youngâ€?  has  just  broke  its  way  onto  alternative  radio  stations  and  is  bound  to  make  it  onto  the  mainstreams  charts  in  no  time.  It  is  the  perfect  time  to  jump  on  to  the  Fun.  bandwagon.  Their  music  will  uplift  your  spirits  as  you  adjust  to  all  the  homework  you  undoubtedly  have  already. Be  sure  to  also  check  out  their  music  video  for  â€œWe  Are  Young.â€?  The  band  takes  full Â

Art Professor Sam Knecht will show his collection of landscape and portrait paintings this weekend in the Daughtry Gallery in the Sage Center for the Arts. (Joe “This  range  of  media  means  that  I  continually  set  forth  chal-­ lenges  for  myself  by  keeping  my  picture  methods  fresh,â€?  Knecht  said.   â€œI  let  instinct  and  response  to  the  subject  dictate  my  method.   It’s  a  kind  of  artistic  cross-­ training.â€?           charper@hillsdale.edu

HOLY TRINITY HOSTS HEAVENLY CONCERT

BE INSPIRED...

Andrew Kuiper Special to the Collegian

www.hillsdalecollegian.com

Viktor  (played  by  Bill  Nighy).  The  pseudo-­replacement  for  a  male  vampire  protagonist  lacks  ERWK WKH SUHVHQFH RU WKH VLJQLÂż-­ cance  for  an  audience  to  care.  But  don’t  get  me  wrong,  ladies,  ,ÂśP VXUH \RXÂśOO VWLOO ÂżQG 7KHR James  quite  a  looker. 7KH ÂżOP ODFNV WKH PRVW thoughtful  and  human  ques-­ tions  of  its  predecessors.  Once  again,  the  â€œVampires-­Good,  Lycans-­Evilâ€?  dichotomy  is  thoughtlessly  accepted.  Even  more  disturbing  is  that  at  the  end  of  the  movie  you  get  the  sense  that  it  would  be  better  for  Kate  Beckinsale  to  kill  all  the  humans  and  allow  vampires  to  subjugate  the  earth.  The  tragic  sense  of  losing  one’s  human-­ ity  which  was  characteristic  of  â€œEvolutionâ€?  is  here  completely  forgotten  and/or  discarded.  So,  ultimately  my  advice  is,  if  you  are  already  a  fan,  or  would  just  like  to  see  some  vampires  who  are  not  tainted  by  the  sentimen-­ tality  of  the  â€œTwilightâ€?  fran-­ chise  you  cannot  afford  to  miss  RXW RQ Âł8QGHUZRUOG $ZDNHQ-­ ing.â€?

Gehrke  said. The  chapel,  though  older  and  smaller,  was  built  with  acoustics  in  mind,  Mowry  said. “The  music  sounds  so  good  because  of  the  acoustics,â€?  Mowry  said.  â€œIt  is  music  for  the  soul.â€? The  chapel  seats  70  people,  DQG IRU WKH SDVW ÂżYH \HDUV WKH chapel  has  been  full. “We  will  be  done  before  the  CCA!â€?  Mowry  said,  en-­ couraging  college  students  to  attend  the  concert.        eepperson@hillsdale.


SPACES

   B3   26  Jan.  2012 Â

www.hillsdalecollegian.com

“

In  Their  Eyes

Professor  Matthew  Gaetano  reminisces  on  his  days  as  a  Hillsdale  student Emily Shelton Collegian Freelancer

“I  didn’t  know  very  much  when  I  left  high  school,  I  knew  a  lot  less  than  a  lot  of  other  freshman.  So  all  of  this  was  entirely  new  to  me.â€? Gaetano,  a  New  Jersey  native,  Listening  to  Assistant  Professor  PHQWLRQHG KLV ÂżUVW UHWUHDW ZLWK WKH of  History  Matt  Gaetano  reminisce  about  his  time  as  a  Hillsdale  College  Honors  Program,  saying  he  was  sure  his  mouth  was  agape  at  the  profound  VWXGHQW FRQÂżUPV WKDW VRPH WKLQJV things  Provost  David  Whalen  and  never  change.  This  college  that  the  Professor  of  History  Mark  Kalthoff  students  fondly  poke  fun  at  remains  strong  in  spirit,  just  as  it  did  a  decade  said.  Almost  as  common  as  those  ago.  profound  words  were  the  characters  Gaetano,  a  professor  of  history  since  the  beginning  of  last  semester,  who  brought  and  continue  to  bring  this  campus  so  much  joy  and  life.  was  an  honors  student  at  Hillsdale  â€œThere  were  people  who  would  from  the  fall  of  2001  to  spring  of  wear  the  most  absurd  garments,  2005.  After  graduating  he  went  like  this  one  guy  who  would  wear  to  the  University  of  Pennsylvania  top  hats  and  walk  with  a  cane,â€?  to  complete  his  Master  of  Arts  in  Gaetano  said.  â€œThere  was  also  a  History,  where  he  also  worked  as  a  teacher’s  assistant.  In  2010,  when  he  guy  who  would  climb  up  in  a  tree  in  the  old  quad  and  just  sit  up  there  was  researching  in  Italy,  the  college  with  people  studying  beneath  it.  He  QRWLÂżHG KLP WKDW LW ZDV DFFHSWLQJ applications  for  a  position  in  the  His-­ would  read  up  there  and  just  stare  off  into  space.  This  is  a  funny  place.â€? tory  department. Gaetano  said  the  college  replaced  â€œI  just  realized  that  at  Penn  a  lot  the  old  Delta  Tau  Delta  house  with  of  (my  class  ideas)  just  wouldn’t  work;Íž  it  just  would  not  have  worked  the  Suites  his  senior  year,  after  the  administration  removed  the  frater-­ to  do  a  class  on  Boethius,â€?  Gaetano  said.   â€œThere  might  be  a  few  schools  nity  from  campus.  Students  ate  in  like  (Hillsdale)  but  it  was  a  very  lim-­ the  Dow  Leadership  Center,  since  the  Grewcock  Student  Union  was  ited  number  where  I  could  feel  that  QRW ÂżQLVKHG XQWLO 6WXGHQWV DOVR the  things  that  I  could  offer  would  attended  classes  in  Kresge  Hall  since  be  really  important  to  the  schools  both  Lane  and  Kendall  Halls  were  general  mission.â€? not  completed  until  2005.  This  unique  pursuit  of  learn-­ Gaetano  explained  that  Lane  and  ing  impressed  Gaetano  when  he  Kendall  improved  upon  Kresge.   stepped  on  campus  as  a  freshman.  Senior  year,  when  he  took  Associ-­ He  referenced  the  same  feeling  that  PRVW IUHVKPDQ H[SHULHQFH WKHLU ÂżUVW ate  Professor  of  English  Stephen  Smith’s  class  on  Dante,  the  power  fall:  stark  awareness  of  their  own  went  out.  â€œDr.  Smith  just  kind  of  ignorance.  rested  in  the  silence  but  then  he  â€œFor  me  my  Hillsdale  education  said  â€˜I’m  not  a  Luddite.  I  appreciate  was  transformative,â€?  Gaetano  said.  modern  technology.’  It  was  kind  of Â

a  funny  moment  realizing  how  loud  that  building  was.â€? As  always,  the  Pantheon  of  Hillsdale  professors  was  strong,  yet  some  characters  have  been  added  since  then.  â€œDr.  [Justin]  Jackson,  who  is  certainly  a  part  of  that  Hillsdale  pantheon,  came  my  senior  year,â€?  Gaetano  said.  â€œ  And  Profes-­ sor  [Harold]  Siegel,  who  attracts  the  really  great  history  students,  was  new  when  I  left.  Dr.  [Stephen]  Smith  had  already  become  one  of  these  PDMRU ÂżJXUHV RQ FDPSXV Âą KH FDPH my  freshman  year.  â€Ś  Dr.  [Eric]  Hutchinson  graduated  my  freshman  \HDU Âą SHRSOH WDONHG DERXW KLP ´ However,  Gaetano  stated,  â€œA  lot  of  the  things  were  the  same.  Dr.  [John]  Somerville  had  a  reputation  for  being  a  really  tough  grader  but  very  worth  it.  I  took  Dr.  [David]  -RQHV DQG KH KDG D SUHVHQFH Âą MXVW always  impeccably  dressed.â€? And  of  course,  students  com-­ plained  about  SAGA  food,  many  seniors  lived  by  the  maxim  â€œring  by  spring,â€?  and  the  students  fondly  joked  about  the  transformative  and  quirky  learning  experience  that  is  unique  to  this  little  college  in  Hills-­ dale,  Michigan. Â

�

eshelton@hillsdale.edu We  are  excited  to  announce  a  new  series  for  this  semester’s  Spaces  page.  â€œIn  Their  Eyesâ€?  will  feature  former  Hillsdale  College  students  who  now  serve  in  the  administration,  or  as  members  of  the  faculty.  Assisstant Professor of History Matt Gaetano ‘05 and his girlfriend, Amy Plopper ‘06 who is now his wife, at the IV “barn danceâ€? in the fall of 2003. (Photograph courtesy of Matthew Gaetano)


SPACES

www.hillsdalecollegian.com

B4 Â Â 26 Â Jan. Â 2012

SPICING UP THE COMPETITION Sarah Leitner Sports Editor

O

utside  in  the  falling  snow,  students  skate  around  the  ice  rink,  stand  around  WKH ZDUP ÂżUHV DQG ZDLW IRU ULGHV LQ WKH horse-­drawn  carriage.  Inside,  with  the  sound  of  a  coffeehouse  in  the  background,  a  welcome  scent  meets  the  students  coming  in  from  the  cold  â€”  chili.  Ten  students  tied  on  their  aprons  and  brought  out  the  secret  recipes  to  try  and  win  $100  of  AJ’s  money.   The  $100  was  awarded  to  the  judge’s  choice,  $30  was  awarded  to  the  people’s  choice,  and  $20  was  awarded  to  the  people’s  choice  runner-­up. Junior  Elizabeth  Anne  Odell  said  she  enjoyed  the  chance  to  enter  her  chili  in  a  competition. “My  family  has  a  good  recipe,  and  I  thought  it  would  be  fun  to  see  if  other  people  thought  it  was  good,â€?  she  said. And  Odell  did  get  good  feedback  from  Direc-­ tor  of  Student  Activities  Kevin  Boyle,  who  even  asked  for  leftovers. “He  said  it  had  a  good  consistency,  and  that  it  KDG D VPRN\ Ă€DYRU WR LW ´ VKH VDLG Junior  Cathy  Feeney  said  she  also  enjoyed  the  unique  opportunity  to  test  her  cooking  skills  at  Winter  Fest. “We  wanted  to  start  out  the  semester  doing  something  we  don’t  normally  do,â€?  said  Feeney,  who  made  her  â€œChilly  Chicken  Chiliâ€?  with  juniors  Maggie  Danaher,  Brittany  Parks,  and  Dani  Simp-­ son.  The  â€œChilly  Chicken  Chili,â€?  a  white  chili,  won  the  people’s  choice  award  in  the  contest.  â€œI  think  the  special  ingredient  in  this  was  the  tomatillo  salsa  verde  â€”  and  Velveeta  cheese,â€?  Feeney  said.  The  only  other  white  chili  in  the  contest,  made Â

“Chilly Chicken Chili�

Ingredients: 2-3 chicken breasts, cut into bite-sized pieces 1 onion, chopped 3-4 garlic cloves, minced 1 tablespoon oil 1 48-oz jar great northern beans (white) 1 16-oz jar of your favorite salsa (I used tomatilla salsa verde) 2 cans chicken broth

EA’s Chili

(from “Food to Live By� by Marsha Goodman) 2 tablespoons canola or olive oil 1 medium size onion, cut into 1/4 inch dice (about 3/4 cup) 1 tablespoon minced garlic 11/2 pounds lean ground beef 1 tablespoon ground cumin 1 tablespoon chili powder 2 teaspoons dried oregano

by  Garrett  Holt,  won  the  judges  over  for  the  top  prize.  â€œI  didn’t  try  it,â€?  Feeney  said.  â€œI  was  hoping  mine  would  be  the  only  white  chili.â€? Feeney  was  not  the  only  one  irked  by  Holt’s  entry. “I’m  kind  of  bitter  about  the  fact  that  Garrett’s  chili  won,â€?  Odell  said.  â€œI  drove  him  to  Kroger  to  get  his  ingredients,  so  I  facilitated  him  beating  me.  It  was  a  risk  I  shouldn’t  have  taken  â€”  being  nice  to  my  friends.â€? Holt  called  his  creation  â€œMomma  Holt’s  White  Chicken  Chili.â€? “When  I  taste  it,  I  imagine  I’m  skipping  WKURXJK D ÂżHOG RI GDLVLHV RQ D FORXG ZKLFK LV probably  heaven,  licking  my  favorite  ice  cream  cone  which  is  quite  possibly  bunny  tracks,â€?  he  said. While  Holt  was  not  surprised  his  chili  won,  he  said  senior  Nate  Jebb’s  â€œNomNom  Chiliâ€?  â€œtickled  his  taste  buds.â€? But  Odell  said  Jebb’s  chili  wasn’t  quite  to  her  liking. “I  was  biased  from  the  beginning  that  I  wasn’t  going  to  like  it.  I  thought  it  was  too  spicy,â€?  she  said.  â€œSo  we’re  not  on  very  good  terms  with  that.â€? But  Jebb  said  he  was  very  surprised  that  his  chili  did  not  receive  an  award.  He  described  the  taste  of  his  chili  as  â€œplayful,  yet  robust.â€? “I  tried  two  other  chilis  and  then  had,  like,  eight  servings  of  mine,â€?  he  said.  Jebb  said  he  made  his  own  chili  but  did  have  some  help. “I  was  under  the  tutelage  of  a  secret  mentor,â€?  he  said.  The  chili  contest  was  a  great  addition  to  the  Winter  Fest,  Jebb  said. “It  was  really  fun  with  the  anticipation  and  smack-­talking  leading  up  to  the  contest,â€?  he  said.  sleitner@hillsdale.edu

2 teaspoons cumin 16-oz velveeta cheese 1. In a medium sized pot, cook the chicken in the oil with the onion and garlic. 2. Add the beans, chicken broth, cumin, and salsa verde and bring to a boil. 3. Add the velveeta cheese and allow it to melt while the soup simmers. 4. Serve with cornbread or crackers.

1 can (15 oz.) black beans, undrained 1 can (15 oz.) pinto bean, undrained 1 can (28 oz.) crushed or diced tomatoes, in their juices 1 teaspoon salt, or more to taste Freshly ground black pepper 1. Heat the oil in a large, heavy pot over medium-low heat. Add the onion and cook for 5 minutes. Add the garlic and cook until the onion and garlic are soft,

(Sally Nelson/Collegian)

but not browned, about 1 minute longer. Add the beef, and break up the meat with a wooden spoon. 2. Increase the heat to medium-high and add the cumin, chili powder, and oregano. Cook, stirring frequently, until the meat is browned and cooked through, about 7 minutes. 3. Add the black beans, pinto beans, and tomatoes, with their liquids, and bring the chili to a boil. Reduce the heat to

low, cover the pot, and let the chili simmer, gently stirring occasionally until thickened and the flavors are concentrated, about 45 minutes. Add the salt, then taste for the seasoning, adding more salt as needed and black pepper to taste. If not serving at this time, hot, then let it cool to room temperature. It can be refrigerated, covered, for up to 3 days or frozen for up to 3 months.

IN SUPPORT OF LIFE Senior  Laura  Wegmann  brings  art  and  passion  to  the  pro-­life  movement Shannon Odell Spaces Editor

cause  resulting  in  this  award,  because  she’s  certainly  deserv-­ ing  of  it.â€? Wegmann’s  work  in  the  er  words  are  recorded  movement  dates  back  to  her  high  school  days,  when  she  in  the  Congressional  began  working  as  a  sidewalk  record,  and  her  re-­ sume  boasts  the  title  of  Alternate  counselor  at  a  local  abortion  clinic.  Director  to  the  National  Right  â€œI’m  glad  I  started  working  to  Life  board  of  directors.  She  worked  as  a  sidewalk  counselor,  there,â€?  Wegmann  said.  â€œThat  moment  of  the  woman  going  in  and  interned  with  the  Susan  B.  is  what  it’s  all  about.â€? Anthony  List,  a  Washington-­ As  a  junior  in  high  school,  based  pro-­life  group.  Now,  senior  Laura  Wegmann  is  being  Wegmann  represented  Indiana  recognized  for  her  service  to  the  in  the  National  Pro-­Life  Oratory  contest.  Her  speech  refuting  the  pro-­life  cause. practice  of  physician-­assisted  Wegmann  was  one  of  four  suicide  was  read  before  mem-­ women  who  recently  received  the  2012  Young  Pro  Life  Leader  EHUV RI &RQJUHVV RQ WKH Ă€RRU RI the  U.S.  House  of  Representa-­ of  the  Year  award  from  the  tives,  and  the  words  were  later  Susan  B.  Anthony  List.  Ac-­ recorded  in  the  Congressional  cording  to  the  group’s  website,  record. the  award  is  given  to  â€œyoung  â€œI  have  the  distinct  pleasure  women  who  embody  the  pro-­life  of  saying  Nancy  Pelosi  had  to  legacy  of  Susan  B.  Anthony.â€? hear  my  speech,â€?  Wegmann  President  of  Indiana  Right  to  Life  Mark  Fichter  nominated  said. “Laura  did  a  wonderful  job  Wegmann  for  this  award. as  a  high  school  student  present-­ “It  was  a  very  pleasant  sur-­ prise  and  very  exciting  to  realize  ing  a  strong  case  for  defending  the  sanctity  of  life,â€?  Fichter  that  someone  from  Indiana  is  said.  â€œWatching  her  engaging  in  going  to  be  receiving  such  a  prestigious  award,â€?  Ficther  said. such  roles  as  Susan  B.  Anthony  List  and  pro-­life  activities  at  Cathie  Humbarger,  commu-­ nications  director  for  the  nation-­ Hillsdale,  I  have  been  impressed  al  Right  to  Life,  is  excited  to  see  and  see  in  her  a  young  leader  who  has  enormous  potential  as  a  Wegmann’s  accomplishments.  leader  in  the  years  to  come.â€? “I  have  known  Laura  from  the  In  the  past  few  years,  Weg-­ beginning,â€?  Humbarger  said.  â€œI  mann  has  served  in  many  differ-­ have  watched  her  be  active  in  ent  positions  within  the  move-­ the  cause  and  prepare  herself  ment.  Wegmann  currently  serves  to  be  an  advocate.  It  has  been  a  Ficther  as  the  alternate  director  pleasure  to  see  her  strength  of  to  the  National  Right  to  Life  conviction  and  passion  for  the Â

H

board  of  directors  on  behalf  of  Ficther.  She  attends  the  National  Right  to  Life  board  of  directors  meetings  and  submits  votes  and  updates  the  board  of  directors  on  the  progresses  in  Indiana.  Wegmann  worked  for  the  Su-­ san  B.  Anthony  List  as  an  intern  with  their  political  coordinator  during  the  summer  of  2011.  Over  the  semester,  she  spent  ¿YH KRXUV HYHU\ GD\ ZRUNLQJ remotely  for  the  communica-­ tions  director. This  semester,  Wegmann  is  promoting  a  program  for  the  Indiana  Right  to  Life.  Called  â€œFriends  For  Life,â€?  the  training  course  is  directed  towards  teach-­ ing  college-­age  students  how  to  articulately  defend  the  pro-­life  message,  and  effectively  refute  pro-­abortion  rhetoric. Wegmann  wants  to  turn  her  involvement  into  a  career  in  the  pro-­life  movement,  primarily  helping  them  with  their  market-­ ing  and  advertising. “I  hope  to  help  work  on  their  aesthetics,â€?  she  said.  â€œIf  we  fail  to  package  the  message  appro-­ priately,  we  lose  an  audience.â€? While  she  appreciates  how  energetic  members  of  the  move-­ ment  are,  she  believes  they  have  fallen  short  in  presenting  the  pro-­abortion  case  in  a  winsome  manner. “I’d  like  to  use  my  aesthetic  sense  and  my  art  major  to  help,â€?  she  said.  â€œThe  question  is  not  if  the  movement  ought  to  be  judged  by  packaging;Íž  that  is  beside  the  point.  They  are  be-­ ing  judged  in  that  way,  so  it Â

does  a  disservice  to  the  truth  if  we  don’t  present  it  in  the  best  light.â€? Having  worked  in  both  the  state  and  national  level  of  the  movement,  it  is  apparent  to  Wegmann  that  the  strongest  groups  are  at  the  state  level.  Her  ultimate  goal  is  to  return  to  the  state  level,  bringing  organiza-­ tion  and  appealing  images  to  the  movement. “But  I  know  I  can’t  do  that  with  only  enthusiasm,â€?  she  said.  Wegmann  plans  on  return-­ ing  to  Washington,  D.C.  in  the  summer.  She  applied  to  a  few  programs  and  is  hoping  to  work  in  policy,  gain  a  few  yeas  of  experience,  and  then  return  to  the  state  level. “She  will  bring  to  the  table  the  understanding  and  vision  of  a  new  generation  of  leadership,â€?  Ficther  said.  â€œThat  is  very  much  needed  in  the  pro  life  movement  which  tends  to  be  dominated  by  people  of  40  years  or  above.â€? Humbarger  is  looking  forward  to  seeing  Wegmann’s  future  in  the  movement. “I  see  her  using  her  gifting  and  education  and  experience  to  advocate  for  the  unborn,  wherever  that  path  leads,â€?  Hum-­ barger  said.   â€œShe’s  capable  of  representing  the  cause  in  D.C.  or  the  state  level  and  I  would  trust  her  to  be  the  leader  in  the  next  wave,  the  students  who  are  going  to  win  the  cause.â€? sodell@hillsdale.edu

(Shannon Odell/Collegian)


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