Inlander 02/17/2022 by The Inlander

FEBRUARY 17-23, 2022 | WILD AND FREE SINCE 1993

How the Colville tribes are bringing wildcats back to Washington state BY SAMANTHA WOHLFEIL

LONG JOURNEY 8 A CDA SUSHI RETURN 24 COMMUNITY THROUGH FILM 30

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INSIDE VOL. 29, NO. 19 | COVER DESIGN: DEREK HARRISON

COMMENT NEWS COVER STORY CULTURE

5 8 14 20

FOOD SCREEN MUSIC EVENTS

24 28 32 34

I SAW YOU ADVICE GODDESS GREEN ZONE BULLETIN BOARD

36 38 40 43

TUESDAY ANY LAR

EDITOR’S NOTE

ny time there’s work being done to reintroduce an animal to its old habitat after years away, there’s bound to be some controversy. That’s especially true in the West, where human development has pushed so many animals out of their natural homes, and often to dangerously low rates of reproduction. In this week’s cover story (page 14), reporter Samantha Wohlfeil treks to the Kettle Range along the Washington-Canada border to report on the Confederated Tribes of the Colville Reservation’s efforts at LYNX REINTRODUCTION, a remarkable project that’s bringing together parties from the tribes, Washington state government, environmental groups, even Canadian trappers to return the cats home to their historic range on the U.S. side of the border. Also this week, Daniel Walters catches us up with Spokane residents trying to help their families flee Afghanistan (page 8), the first-ever Spokane Comedy Film Festival prepares to launch on Tuesday (page 22), and Carrie Scozzaro reports on the rebirth of a favorite Japanese restaurant in Coeur d’Alene’s dining scene (page 24). — DAN NAILEN, editor

PRICE OF FREEDOM PAGE 6

LOCAL LAUGHS PAGE 22

Offer available at participating locations for a limited time on Tuesday only. In-store Family Size prices may vary. Includes Signature, Gourmet Delite®, Fresh Pan, Stuffed, or Create Your Own pizza up to 5 toppings; topping additions to recipe pizzas will result in additional charges.

FEBRUARY 25th - MARCH 6th

BING CROSBY THEATER CLASSES • CAMPS • SHOWS Tickets online: www.cytspokane.org AND…CUT! PAGE 28

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CANCER HASN’T STOPPED AND NEITHER WILL WE. Community Cancer Fund works collaboratively with existing regional cancer organizations to identify and fund gaps in services provided to cancer patients. We are committed to investing donated funds in local programs that benefit cancer patients, their families, and the Inland Northwest organizations that serve them. Join our fight against cancer across the Inland Northwest at: CommunityCancerFund.org

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COMMENT STAFF DIRECTORY PHONE: 509-325-0634 Ted S. McGregor Jr. (tedm@inlander.com) PUBLISHER

WHAT ANIMAL(S) ARE YOU MOST WORRIED COULD GO EXTINCT? JORDAN BARDO: Wolves. Locally and nationally these animals are being persecuted for their minor impact on cattle. Nationally we have 14,000 wolves and 93 million cows. I have empathy for ranchers losing cattle, but it pales in comparison to the genuine grief I feel for the slaughter of our wild dogs. I’m baffled that we can love our pet dogs so much and villainize our wild ones with such severity.

J. Jeremy McGregor (x224) GENERAL MANAGER

EDITORIAL Dan Nailen (x239) EDITOR

Chey Scott (x225) ASSOCIATE EDITOR Derek Harrison (x248) CREATIVE DIRECTOR Samantha Wohlfeil (x234) BREAKING NEWS EDITOR Daniel Walters (x263) SENIOR INVESTIGATIVE REPORTER Seth Sommerfeld (x250) MUSIC EDITOR

Carrie Scozzaro (x232) STAFF WRITER

Chris Frisella

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Young Kwak, Erick Doxey PHOTOGRAPHERS

Madison Pearson

EDITORIAL ASSISTANT

Alyssa Hughes, Jami Nelson INTERNS

Amy Alkon, Chase Hutchinson, Will Maupin, Tara Roberts

Every week, we ask our followers on social media to share their thoughts.

SHAMRA ANDREWS: Bees, elephants, manatees. BOBBY WHITTAKER: Some data would be great. Edification first… what’s threatened and already gone (from the Colville National Forest and area) that has a chance to do better or come back. Including salmon, red-band and bull trout. It’s gonna take a focus on habitat (all kinds). Make conservation and permanent protection of critical areas a priority.

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ADVERTISING Kristi Gotzian (x215) ADVERTISING DIRECTOR Carolyn Padgham (x214) SENIOR ACCOUNT EXECUTIVE Adrianne Haunert (x216), Jeanne Inman (x235), Tracy Menasco (x260), Autumn Adrian Potts (x251), Claire Price (x217), Wanda Tashoﬀ (x222) ACCOUNT EXECUTIVES

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Travis Beck (x237) CIRCULATION SUPERVISOR

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BRENDA SWADER-DOGGETT: The wolves of North America. The farmers hate them, and this year was really bad for them. The BEES! They are under constant threat from so many places. No bees… NO FOOD! They work hard to give us food. Big cats are also in the news more as people expand out into the rural areas. CARLIE HARDING LEE: Bees. They pollinate more than a third of the world’s crops. TODD MCLAUGHLIN: Jackrabbits in the Columbia basin. Loss of sagebrush habitat (conversion) is contributing to their decline. They are an important food source for large raptors (golden eagles, ferruginous hawks). and that loss in the food web would extend to these consumers.

WE DO YOUR BOOKS, SO YOU CAN DO BUSINESS

BOB HAUSS: Wolves and any big cats, because people have no respect for them. The further people move out of cities, they feel it should be animal free just because they have become squatters on natural habitat of native animals. ERIK ROCKLIFFE: Salmon. Steelhead. You know, the whole reason Spokane exists... n

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FEBRUARY 17, 2022 INLANDER 5

COMMENT | WORK

FAMILY LAW Divorce Spousal Maintenance / Alimony Child Support Modiﬁcations Parenting Plans

Craig Mason

AUTO INJURY • CIVIL LITIGATION

W. 1707 BROADWAY, SPOKANE, WA | 509443-3681

“The War That Destroyed America”

A Day in the Life The Gonzaga University History Department invites the public to our annual William L. Davis, S.J. Lecture, featuring Dr. Benjamin D. Hopkins, Professor of History and International Relations at The George Washington University. Dr. Hopkins will discuss his latest project, The War that Destroyed America, which will detail the costs-not only ﬁnancial, but also social and political--of America’s war in Afghanistan.

Tuesday, Feb 22 • 7pm Wolﬀ Auditorium in the Jepson School of Business

(located at the end of N. Astor Street behind St. Aloysius Church)

This presentation is FREE & open to the public Masks required regardless of vaccination status For more info: Robert Donnelly, History Department, donnelly@gonzaga.edu, (509) 313-3691

6 INLANDER FEBRUARY 17, 2022

How to be a freelance writer after you’ve quit your full-time job in the Great Resignation BY TARA ROBERTS

he start of my perfect post-career, fully freelanced day: Wake up at 6:30 am, because your kids and husband still have to be out the door by 7:45 and they are loud, and the dog needs out, and also you love elaborate breakfasts.  Actually get up at 6:54. Make elaborate breakfast (fast).  When the house is empty, have tea, do a crossword and soak in the quiet.  Decide it’s too quiet and start talking through crossword clues with the dog.  Hear your alarm going off for your first meeting. Brush hair and put on daytime sweatpants.  Work.  Think about Oreos. Decide you can run to the store, because you are the decider now.  Run into an acquaintance at the store and explain that you are at the store buying Oreos in your daytime sweatpants because you quit your full-time job in December. It wasn’t a bad job, you loved the students you advised, it was just time, you know? And you’ve got health stuff and family stuff, and also not-wanting-to-let-a-singleinstitution-dictate-so-much-of-your-life stuff. And also it’s the far edge of Year Two of the pandemic and it seemed like, why not take a leap? And it turns out to be OK, because you’ve hit the point in your life where you have pretty decent skills and people willing to pay you pretty decently to do them from home, which is a pretty big

privilege. No, not working full time. It’s lots of little jobs. Freelancing. You do still have to leave the house three mornings a week to teach a class, but that’s not today. Wait, is it Wednesday? Thursday? OK, good. (This is way more information than your acquaintance needed to know, but whatever. You are the decider.)  Work (while eating Oreos).  Take a walk with a friend, which is the best part of your working-from-home social life pandemic social life social life.  Add some of your former students on Facebook, because even if you’re not their adviser you can still be, like, their weird aunt who talks about writing and posts too many dog pictures.  Work.  Wordle 223 3/6

🟨🟩⬜🟨⬜ 🟨🟩🟨⬜🟩 🟩🟩🟩🟩🟩

Work. Start a load of laundry. Isn’t it nice that you can do laundry whenever now? (You won’t fold it till Sunday.)  Pick up your husband on his lunch break for a romantic stroll through Target. Drop him back off and feel overwhelmingly grateful  

Cookies might take on new importance after one joins the Great Resignation. because he supported you when you decided to quit your job without really knowing what would come next, and because he set up your cool new computer monitors, and because he has insurance benefits.  Feel incandescent rage over the fact that America ties health care to employment.  Work.  Tweet about working.  Type “I won’t be at my desk tomorrow afternoon and I don’t have email on my phone,” and soak in how good it feels to say that.  Take an afternoon break to do yoga (and eat Oreos) while watching PBS watching Joe Millionaire. Provide running commentary for the dog.  Work.  Walk through the house like a robot shouting BEEP BOOP BEEP BOOP because no one is here to think it’s weird. (Well, the dog is here, but she thinks you’re awesome.)  Work.  Pick up the kids. Share the Oreos. (Great mom!)  Play “Exploding Kittens” with the kids. Beat them. Gloat. (BEST mom!)  Work.  Work a little more, then stop working. You don’t need to check your email or Teams or Slack or anything. Work doesn’t control you. It doesn’t define you. Even if you love it, it’s only part of you.  Fill your evening with whatever you want. Hang out with your grandma. Cook an elaborate dinner. Beat the kids in some more card games. Recap the entire episode of Joe Millionaire to your husband. Call a friend. Take another walk. Write something no one will pay you for. Volunteer. Read. Rest. You decide.  Good workday. (If you’re super bummed I didn’t actually tell you how to be a freelance writer — well, I’m a rookie anyway, what do I know? “The Writers’ Co-op” podcast is a much better place to start. For more about reenvisioning creative and office work, read “Out of Office” by Anne Helen Petersen and Charlie Warzel. Also, support unions!) n Tara Roberts is a writer and educator who lives in Moscow with her husband, sons and poodle. Her work has appeared in The Belladonna Comedy, Moss, Hippocampus and a variety of regional publications. Follow her on Twitter @tarabethidaho.

GOLDEN HARVEST Flour Sacks from the Permanent Collection

January 29-October 30, 2022

Graphically striking flour sacks, vintage objects, art, and images from the late 19th/early 20th centuries provide a window into the early development of Eastern Washingtonʼs wheat industry.

2316 W First Ave, Spokane, WA northwestmuseum.org

FEBRUARY 17, 2022 INLANDER 7

Local Afghan refugee Kazim Abdullahi, pictured here at a rally for Afghanistan, flew to the Netherlands to visit his brother-in-law, stuck at a Dutch refugee camp. DANIEL WALTERS PHOTO

WORLD

The Neverending Netherlands Layover Afghans who escaped the Taliban hoped they’d join family in places like Spokane, only to get stuck in a Dutch refugee camp instead BY DANIEL WALTERS

ariq Safi had gone his entire life — about 28 years — without having a seizure. But just a few months after he’d escaped Afghanistan, via a military plane as his country fell to the Taliban, that changed. He blacked out in his room in a Dutch refugee camp, an ambulance rushed him to the hospital, and he was given a new diagnosis. “I got epilepsy here,” Tariq says. “I lost everything here.” Kazim Abdullahi, a former Afghan translator who migrated to Spokane eight years ago thanks to the Special Immigrant Visa program, dedicated the waning days before the United States’ withdrawal from Afghanistan to getting as many family members of local Afghans out as possible. Most on his list didn’t escape, but Tariq — Kazim’s brother-in-law — was one of the lucky ones. The plane lifted off the tarmac with Tariq on board. Tariq hoped he would be able to come to America under the “humanitarian parole” provision and join his brother-in-law in Spokane. But for many refugees, their final destination after leaving Afghanistan was beyond their control — and carried considerable consequences. “In a lot of cases, people didn’t know who was evacuating them,” says Adam Bates, policy counsel for the International Refugee Assistance Project. “There are folks in Kosovo, there are folks in the Netherlands, there

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are folks in Pakistan, there’s people in the UAE. It’s just turned into this, you know, logistical nightmare.” But while others ended up on planes that flew to Pakistan, to Germany, and then to the United States, Tariq ended on a plane bound for the Netherlands. He thought it would just be a temporary layover. “When we came here, the United States Embassy told us, ‘Your case will process in seven or 10 days, and we will take you to the United States,’” Tariq says. Instead, Tariq has been effectively trapped at an ad hoc Dutch refugee shelter at the Walaardt Sacré camp in Zeist, for six months — grappling with epilepsy, poverty, depression, hunger and a deep uncertainty about what happens next. “We are still in here,” Tariq says. “We really don’t know why.”

azim, who flew to the Netherlands to visit his brother-in-law last week, describes the despair at Walaardt Sacré as almost palpable. “It is a personal cell,” Kazim says, “a personal prison.” It’s like his brother-in-law can see the sunlight through the bars, he says, but it’s just out of reach — he can’t touch it, can’t feel the warmth on his face. During the 2002 trial of the terrorist who bombed

Pan Am Flight 103, the Zeist base actually did serve as a prison. And Tariq isn’t the only one who feels trapped. Asma Amin, an Afghan who worked with the U.S. Embassy in Kabul, sits next to Tariq on the Zoom call with the Inlander. As the Afghan government collapsed, Asma was one of those with the ability to decide who got to leave on the planes, Kazim says. She had a very good reason to be one of them. Her father had been killed by the Taliban, and her family was in danger. But while the rest of her family got on a series of flights that brought them to America, she and her diabetic mother landed in the Netherlands. “We had hoped to go to the U.S. and live a normal life,” Asma tells the Inlander, “but we are stuck here for like six months.” Typically, the Netherlands’ Central Agency for the Reception of Asylum Seekers runs 71 permanent camps for refugees, agency spokeswoman Sonja Kloppenburg writes in an email to the Inlander. “There, you get money to buy your own food,” she says. “Although you often share a living room and kitchen, you have a certain amount of privacy.” But Walaardt Sacré, where Tariq is staying, is a military barracks where soldiers trained, not a dedicated refugee camp. ...continued on page 10

FEBRUARY 17, 2022 INLANDER 9

NEWS | WORLD “THE NEVERENDING NETHERLANDS LAYOVER,” CONTINUED... “It’s not intended for permanent housing [of refugees], so we have to make do,” she writes. “Because we needed to shelter more people than the forecast in 2021, we opened dozens of temporary shelters, where the conditions are not up to our standards.” There’s little privacy, Kazim says. Refugees can’t lock their doors. Inspections are regularly conducted. And no, Kazim says, these refugees don’t get money to buy food. They weren’t allowed to cook their own food, either. Instead, the food they’ve been given is “garbage,” he says. He tried the breakfast offered one morning — cheese and milk — and promptly threw up. It had gone bad, he says. He sends over a photo of a carton of chocolate milk: It expired about a month ago. Worse, they’d receive meals stamped with labels warning Muslim refugees that the chicken or beef was not “halal.” Islam has strict dietary restrictions about what kind of food is allowed, and how it must be prepared. Food is either “halal” (permissible) or “haram” (forbidden). If, say, rice or vegetables even touches haram meat, Kazim says, you can’t eat any of it. But often, he says, the Muslim refugees at Walaardt Sacré haven’t been given another option. Instead, he says, they could either violate the commands of their faith or go hungry. “They will give you the ‘choice’ of not eating food,” Kazim says. Asma says she complained but was effectively told that it was better than being stuck in Afghanistan. In an email, Kloppenburg says she had never heard a complaint about non-halal food before, but would look into it. “It is possible that not all food is halal. That could

10 INLANDER FEBRUARY 17, 2022

well be the case, but there should be enough alternatives for all to eat a healthy meal,” Kloppenburg writes. “Food is important to people, especially when you don’t have your normal life.” Shortly after the Inlander’s questions, Tariq reports, they stopped receiving haram meat — and started receiving meat with the “halal” label instead. The lack of meal options wouldn’t be a problem if the Afghan refugees could afford to buy groceries. But when the Taliban took over, their Afghan bank accounts were shut down. “We had money in Afghanistan, but it’s all gone. Closed. Every bank. Every account,” Asma says. “We left everything in Afghanistan. Our homes, our jobs, everything.”’ Without money, transportation options are limited. Asma says she fell from the stairs and broke a tooth. Since she didn’t have money for a taxi, she had to ride a bike to the dentist. But because she didn’t have insurance or money to pay the bill, they told her they couldn’t help her. Tariq faced a similar problem when he was hit with a more than 800-euro ambulance bill after his seizure.

cording to Kloppenburg, to get a job in the Netherlands, a refugee needs a specific work permit. “Being here in transit, I assume they have no Dutch permit nor did they apply for one,” Kloppenburg writes. She stresses that the staff and the community at Walaardt Sacré have a reputation for being welcoming, and it’s a good camp overall. But she also recognizes the misery that some of the refugees are facing right now. “All in all, it is hard: leaving your country, waiting for a transfer, not being able to start your new life in the Netherlands, staying in a shelter, sharing your living spaces with limited privacy, not being able to cook,” Kloppenburg writes. “The waiting.”

et the bulk of the blame for that wait can’t be heaped upon the Dutch. All Asma and Tariq need to leave the refugee camp and join their families in America is approval from the United States. Asma has almost completed the entire lengthy “Special Immigrant Visa” process — her work for the American embassy offering the same route to the United States that Kazim took. “She’s basically done,” Kazim says. “She’s waiting on her visa interview.” But she’s been waiting for that interview for months. Back in August, just weeks before the American military withdrew, the U.S. created another special visa process for Afghans who worked for the U.S. as subcontractors, like Tariq. But that path has been effectively blown up for most Afghans who can’t verify that status. “After the Taliban got control, nobody was able to find a phone number for their boss,” Kazim says. “You’re

“We left everything in Afghanistan. Our homes, our jobs, everything.” “I told them, I don’t have even 5 euros to buy a burger to eat,” Tariq says. “How should I pay this much money?” Without a job, they didn’t have an income. And ac-

not using your work email anymore. You’re not using your work phone anymore.” Kazim was left with one last option for his brother-in-law Tariq — file for “humanitarian parole,” a route that would allow Tariq to stay in the United States temporarily, though it wouldn’t give him a pathway to citizenship. In the meantime, Tariq’s name is in the mix with more than 30,000 others waiting on a visa. Bates, from the International Refugee Assistance Project, says it’s hard to know exactly what’s happening with the thousands of Afghan refugees in various stages of the immigration process. “There’s just a severe lack of information and a lack of transparency from the [Biden] administration,” Bates says. Some of the problems refugees have faced can be blamed on the Trump administration or the poor planning in the lead-up to the withdrawal from Afghanistan. But there are problems that can be fixed right now, he says. President Biden has sweeping constitutional authority when it comes to immigration and foreign policy. “I just think it’s a lack of willpower to do the right thing,” Bates says. Using the history of Cuban immigration as a model, he says, Biden could easily declare that those who, like Asma, are in the final stages of awaiting approval of a Special Immigration Visa could do so from the safety of the United States instead of in Afghanistan or a refugee camp. Meanwhile, Tariq waits in the Netherlands. “Here, I can’t start a new life, another life,” Tariq says. “I’ve got depression. I’ve got epilepsy.” And for Asma, it’s not just her who’s feeling the despair. She says her mother wants to go back to Afghanistan. “She says Afghanistan was better than here.” At least the Taliban might only kill them once, Asma says — but here, in this camp, they’re killed every day “by depression or an uncertain future.” n danielw@inlander.com

Living Well in the

Inland Northwest FEBRUARY - MARCH 2022

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HEALTH Pets, Pets, PETS!

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FEBRUARY 17, 2022 INLANDER 11

NEWS | BRIEFS

Ayuda Para Hispanohablantes

Mujares in Action Executive Director Hanncel Sanchez (left) and Ana Trusty are among staff and volunteeers operating a new bilingual hotline.

Regional bilingual Spanish hotline opens for domestic violence, sexual assault; also, EPA to set limits on Spokane River PCBs, and Spokane’s former health officer sues for his job back BY SAMANTHA WOHLFEIL

he nonprofit Mujeres in Action has launched a new bilingual hotline for sexual assault and domestic violence help called “Primera Conexión.” Callers to the 24/7 hotline, which started up Feb. 14 at 509-795-2028, will connect with a bilingual advocate who can communicate with them in Spanish and English as they access a confidential support system. Mujeres in Action (MiA), which is operating the hotline, notes that one in three Latinx women and one in three Latinx men will experience physical and/or sexual violence in their lifetime, according to the 2010-2012 National Intimate Partner and Sexual Violence Survey. “Yet, many members of the Spokane Latinx community feel as if they have no voice or options when it comes to leaving an abusive relationship,” the nonprofit says in a news release. “This may be due to documentation status, language barriers, and/or lack of employment. Primera Conexión is the first step toward strengthening the Spokane Latinx community by offering crisis intervention, safety planning, information and/or resources to callers.” MiA has become a go-to resource for domestic and

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sexual violence survivors in the Latinx community in Spokane, according to the nonprofit’s founder and Executive Director Hanncel Sanchez. “We’ve been getting calls after office hours and over the weekend from community members searching for support for their loved ones in abusive relationships,” Sanchez says in the release. “This helpline is a resource by the Latinx and for the Latinx people.” The helpline received a grant from the Smith-Barbieri Progressive Fund, which also enabled MiA to hire a staff member to recruit and train volunteers. With eight new volunteers trained under Washington law as victim advocates (both for sexual assault and domestic violence), plus several MiA staff members trained to answer the hotline, people will be able to reach someone whenever the need arises, says Ana Trusty, communications director for MiA. The organization is able to offer a variety of resources and connections to other services, Trusty tells the Inlander. The team can connect people with mental health resources and Spanish-speaking therapists, assist with

COURTESY PHOTO

navigating the court system and filing protection orders, go along for hospital visits (typically for sexual assault), connect people with immigration legal assistance, and where needed, get people into safe housing situations. “We have a couple of apartments that were just donated to MiA that we can use for 30 days at a time, per person,” Trusty says. “So if they needed to leave their house right away, we could put them there until we find a more permanent solution.”

FEDERAL CLEANUP PLAN FOR SPOKANE RIVER

The Environmental Protection Agency will create a legally required cleanup plan for the Spokane River called a total maximum daily load, after a federal judge ruled last week in favor of environmental groups who claimed back in 2011 that Washington state wasn’t doing that work. The Sierra Club’s Upper Columbia River chapter and the Seattle-based Center for Environmental Law and Policy — with the support of the Spokane Tribe of Indians — requested last year that a federal judge rule in their favor in the case that stretched on for a decade, partly because the groups waited to see if a regional task force would tackle the pollution. Specifically the cleanup plan is meant to target cancercausing PCBs (polychlorinated biphenyls), which are chemicals that accumulate in fish and animals and continue to plague the area despite no longer being intentionally manufactured. The groups involved in the case argued that since Washington state’s Department of Ecology had so far failed to produce a sufficient cleanup plan, the EPA should be required to create one instead. Their request was granted Feb. 10, when U.S. District Judge Barbara Rothstein entered a “consent decree” settlement, which requires the EPA to complete the cleanup plan within three years. The plan will set a numeric limit on how many PCBs can enter the river to remain in compliance with water quality standards. When that limit is reached, the five

main polluters that discharge sources of PCBs into the river will be required to take further action to stay in compliance. “We need to get cancer out of the Spokane River,” said Tom Soeldner, who volunteers with the Spokane River Team of the Upper Columbia River Group, Sierra Club. “We waited 15 years for Washington’s state government to do its job under the law before filing the lawsuit. After more than a decade in court, this win for the Spokane River means the cleanup plan finally will get done. Now EPA will be responsible for the Spokane River’s PCB cleanup plan.”

LUTZ LAWSUIT

Dr. Bob Lutz, through his attorneys, has filed a formal suit for wrongful termination against Spokane Regional Health District, months after he filed an administrative claim that spelled out his grievances. Similar to the October 2021 claim, the new complaint alleges that health district Administrative Officer Amelia Clark wrongfully fired Lutz on Oct. 29, 2020, without a public hearing before the local health board, as required by law. Clark is also being sued as an individual. The lawsuit, filed in Spokane County Superior Court on Feb. 8, calls for Lutz to immediately be reinstated as health officer and asks for damages for lost wages and potential future wages, as well as other costs and damages.

coverage for them. peace of mind for you. With Medicaid and CHIP, kids and teens up to age 19 get essential medical care if they are sick or get injured. Children are covered for preventive and emergency services, regular check-ups, immunizations, doctor and dentist visits, mental health services, prescriptions and more through these free or low-cost health insurance programs. In Washington, families of four earning up to $56,000 may qualify. You and your children may now be eligible, even if you have applied before. Go to BetterHealthTogether.org/HealthyKids or call (509) 340-9008 to speak with an enrollment specialist and to enroll today. Enrollment is open year round.

healthy kids together

When Dr. Lutz was fired, supporters picketed at the health district.

YOUNG KWAK PHOTO

The complaint lays out examples of political pressure and disagreements between Lutz, Clark and politicians on the health board over gun control/suicide prevention, mask mandates, business and school closures, and more. The lawsuit alleges those incidents ultimately led to Lutz being fired despite his personnel file not including documentation of several apparent issues leading up to his firing. Lutz’s attorney Robert J. Carlson sent the Inlander the following statement by email: “The primary basis for Dr. Lutz’s complaint is the Wrongful Termination of Dr. Lutz from his position as Health Officer of SRHD. The Claim for Wrongful Termination has numerous bases, including violations of statutory protections under Washington law, violations of internal SRHD bylaws, lack of just cause, and violations of public policy and State and Federal Constitutional protections. As included in the complaint, Dr. Lutz is seeking reinstatement to his position as Local Health Officer, damages resulting from the SRHD’s and Ms. Clark’s actions, and costs and attorney fees.” The question of whether Lutz was fired under proper procedure has remained the biggest sticking point in the case. Clark has insisted that she placed Lutz on administrative leave on Oct. 29 until he was ultimately fired by the health board on Nov. 5. But the lawsuit mentions an email sent to the health board by their attorney Michelle Fossum on Oct. 29, 2020, informing board members that Lutz had been terminated. The email was first reported publicly by the Inlander in July 2021, but it was not mentioned in the October 2021 administrative claim that Lutz filed in advance of moving on to full-fledged litigation. The health district has declined to comment on matters related to the potential (now actual) litigation since late 2020. n

This printed material is supported by the Centers for Medicare and Medicaid Services (CMS) of the U.S. Department of Health and Human Services (HHS) as part of an award totaling $250,000. The contents are those of the author(s) and do not necessarily represent the official views of, nor an endorsement, by CMS, HHS or the U.S. Government.

FEBRUARY 17, 2022 INLANDER 13

s the big moment approaches, a hush falls over the dozen or so people gathered high on a snowy logging road in the Kettle Range in north central Washington. They walk through the snow as quietly as possible as a covered animal crate is delicately moved from the back of a truck and placed in front of a snowbank. Inside, a wild female lynx lets out a low growl as she hears the crunching footsteps of those gathered to document this moment. She’s the sixth lynx that the 12 Confederated Tribes of the Colville Reservation have captured in Canada in order to return the species to this lower stretch of their original high elevation range in the U.S. Over-trapping and western expansion contributed to the decline of the original population here, and now lynx are rarely seen on this landscape. But if all goes well, that’s about to change. Over five years, the tribes hope to relocate 10 lynx per season from a healthy population that lives in British Columbia, for a total of about 50 animals. If the wildcats

14 INLANDER FEBRUARY 17, 2022

stick around, the tribes and conservation groups working together could successfully reintroduce the species to the region. As the group prepares for this release on the afternoon of Sunday, Jan. 16, tribal council member JarredMichael Erickson (who previously worked as a tribal biologist) dons medical gloves and slowly opens the door to the crate. For a moment, the lynx lingers inside the carrier. But after Erickson gently taps on its back covering, the wildcat deftly hops up onto the snow, her oversized feet distributing her weight like furry snowshoes as she runs into the woods that will become her new home. Lynx are a little bigger than bobcats, usually weighing 15 to 30 pounds as adults. They’re known for their tufted ears, long legs and huge paws that enable them to chase prey in higher elevations where other predators can’t pass over the snow as easily. Most records in Washington point to their historic presence in Okanogan, Chelan, Ferry, Stevens and Pend Oreille counties.

“It’s getting those rare forest carnivores back on the landscape, righting a wrong that was done,” Erickson says of the lynx restoration work. “There’s a place for every animal in the ecosystem.” With 12 different tribes with 12 unique cultures represented within the Colville Reservation — which at 1.4 million acres represents just a small fraction of those tribes’ homelands — Colville Tribes Natural Resources Director Cody Desautel says he doesn’t want to speak specifically to the cultural importance of lynx for Native Americans in the area. But, he says there are cultural ties to every animal on the landscape. “I think tribes believe that all things have their place in nature,” Desautel says. “So we recognize that and do recognize that to have those proper functions, and to have those cultural ties that we had to those animals, they need to be present on the landscape.” As lynx-trapping efforts wrap up for this first season, the team of scientists working on the reintroduction are already eager to dive into many research opportuni-

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In bringing back wild lynx, Confederated Colville tribes hope to right historical wrongs and restore balance to wildlife on the landscape

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ties the project presents. GPS collars will help the tribes’ scientists track the animals’ locations twice per day for up to about four years each, and they’ll try to find each animal for further study once they perish. Among the questions they want to answer: How far will the cats roam? How much will they interact? How quickly could they reproduce and establish their homes here? The lynx are just the latest in a series of reintroduction efforts the Colville tribes have taken on over the past few decades in hopes that some of the many animals pushed out over the years can be restored. Land management, climate change, wildfires and food sources will all come into play as those species try to regain a foothold. “We’ve been very active in our management to try to build in some landscape resilience,” Desautel says. “It’s probably a good testing ground to see, will these things persist on the landscape in a changing climate and a changing disturbance regime? And if they do, where will they go, and how do they move across the landscape?” ...continued on next page

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The Kettle Range is getting some new residents this winter. ERICK DOXEY PHOTO

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FEBRUARY 17, 2022 INLANDER 15

The Confederated Colville tribes and partners released their sixth lynx on a snowy January day.

ERICK DOXEY PHOTOS

“FIXING THE MISSING LYNX,” CONTINUED...

YEARS IN THE MAKING

While October and November 2021 marked the start of the first live lynx-trapping season for the tribes, the restoration project was many years in the making. Back in the early 1990s, the Bellingham-based environmental nonprofit Conservation Northwest started working on getting the Canada lynx federal protections under the Endangered Species Act, as well as state protection. With populations stretching across Alaska, Canada and northern parts of the U.S., Canada lynx are thriving and trapped for fur in Canada, while they’re considered threatened in the U.S. at the federal level, and endangered in Washington state. By 2007, Conservation Northwest had started a cross-border WildLinks conference with Canadian First Nations, Native American tribes, state and provincial government agencies, and more, meeting regularly to discuss land management and the survival of the species in western North America, explains Dave Werntz, science and conservation director for the nonprofit. Out of that work came three priorities, Werntz says: protect lynx habitat in the Okanagan/Okanogan region, identify different populations that can help maintain genetic diversity, and restore lynx to the Kettle Range. But getting there would mean finding someone interested in taking on the physical work. Animal restoration work was not new to the Colville tribes’ biology department. While it’s mostly been a small, passionate group, the staff there have taken on massive projects over the years. In his work as the principal wildlife biologist for the tribes, Eric Krausz helped oversee many of those restoration projects over the last 20 years.

16 INLANDER FEBRUARY 17, 2022

Early work included reintroducing elk back in the late 1970s and early 1980s. In the early 2000s, around the time that Krausz started working there, he says they started trapping sharp-tailed grouse in Idaho and relocating some of the birds to the reservation. In the mid-2000s, they relocated bighorn sheep from areas of the state near Yakima. The sheep specialize in rocky terrain with wide, horizontal views and are suited to parts of the reservation, Krausz says. “One of the things that’s always been a priority in our population program has been when we have an opportunity to try to right a wrong or bring back something that used to be here, we put that front and center,” Krausz says. More recently, around 2016, pronghorn antelope were brought back to some of the traditional areas they lived in. Krausz recalls meeting with hunting groups and land managers in Nevada as the tribes sought permission to relocate some of the antelope that are thriving there. One of the hunters asked why they should allow some of their herd to go to this tribe in north central Washington. Krausz says one of the head wildlife managers framed it elegantly: “He basically said, ‘If you’re not familiar with the history of our wildlife in the West, from elk to mountain goats, to bighorn sheep, most of the populations of these species in the Western United States have been reintroduced from other states or provinces in Canada that had an abundance,’” Krausz says. “He was like, ‘I feel like it’s our duty to give back, like we’ve been given to.’ That’s the whole idea of how we keep these populations thriv-

ing; we try to right our wrongs and help each other out as a management community.” After building a successful track record with the various reintroduction projects, Krausz says he was approached by several people at one of those WildLinks meetings a few years ago. “They asked, ‘Would you guys ever be interested in wanting to take on the lynx reintroduction? You’re right there in the heart of the Kettles,’” Krausz recalls.

“We have lynx on the ground in the Kettles, and to me that’s already been a success.” He took it back to his boss, and they dove right in. Most importantly, Krausz says their team was growing, and he was able to bring Senior Wildlife Biologist Rose Piccinini back on board to spearhead the project. Hands-on biology work like lynx reintroduction can often appear glamorous, with days spent adventuring out into the woods on snowmobiles and carefully handling animals the rest of us can only dream of getting close to. But Krausz emphasizes that the work is also a grind that often requires long stretches spent away from your family and lots of behind-the-scenes labor. “There’s a lot of hard work that’s involved,” Krausz says. “I’m super proud of our work we continue to do in our team, especially with the challenges we are faced with.”

WHAT IT TAKES TO MOVE A WILDCAT

ABOUT THE AUTHOR

Samantha Wohlfeil covers the environment, rural communities, breaking news and cultural issues for the Inlander. Since joining the paper in 2017, she’s reported on pollution, clean energy production, how people are working to address climate change, and more. She can be reached at samanthaw@ inlander.com or 325-0634 ext. 234.

By the time Piccinini is able to connect with the Inlander over the phone on Feb. 4, she’s just gotten home from three straight weeks working the trapline near Kelowna, British Columbia. In fact, she’s only home to spend two days with her family for a celebration, do some laundry and then head right back up north. “People have been amazing at shifting their working lives to accommodate this project,” Piccinini says. “It’s had a lot of growing pains, and if it hadn’t been my son’s 8th birthday party, I would still be up there.” While the team had hoped to capture all 10 lynx for this year before Feb. 4, by that point, they’d only caught and released seven. This time of year, the Colville Tribes Fish and Wildlife staff usually gears up for winter helicopter flights to track big game, she says, and that work needs to happen, too. But the team made the call to go back up to Canada last week for one more stretch, in hopes of snagging the last three lynx before returning to their other important biology work at home. Luckily, the decision to head back up paid off. By Wednesday, Feb. 9, they were able to transport and release a 30-pound male lynx, and on Thursday they released another female, making the total for this year five females and four males. “When I think about what we’ve already accomplished this year, it’s sort of mindblowing,” Piccinini says. “We have lynx on the ground in the Kettles, and to me that’s already been a success.” Just a year ago, she was helping coordinate seemingly endless calls with tribal, federal and private agencies in two different countries to get permits, permissions and paperwork. It takes a lot of coordination to export wild animals from one country where they are legal to hunt and import them into another where they are federally protected. Piccinini coordinated with the U.S. Department of Fish and Wildlife Services (USFWS), the U.S. Department of Agriculture, the First Nations that are part of the Okanagan Nation Alliance, and the British Columbia provincial government agency that oversees hunting and trapping. She notified the Washington

Department of Fish and Wildlife that lynx would be back, in case they stray onto state lands. Plus, she secured grants from USFWS and the Bureau of Indian Affairs, and helped coordinate funding with CREOi (Conservation, Research and Education Opportunities International), the National Fish and Wildlife Foundation, and Conservation Northwest, which has helped pay for the trappers. Part of the success of the project, it seems, is that everyone has just been plain excited about restoring the cats to the Kettles, she says. “That’s been one of the overarching themes for this thing: From the beginning, everybody we told about it was excited about it,” Piccinini says. “As our team came across the border with a cat, all the customs agents on both sides would be so excited, like, ‘Yes! You got one!’” The work is also helping establish relationships between some unlikely allies — those who’ve usually caught lynx to sell their pelts and those hoping to keep them alive.

LEARNING TO TRAP

Once the right permissions were in place, Piccinini’s team coordinated with a local trapping association in British Columbia to find trapline owners who were willing to forgo fur trapping in order to capture up to five live lynx on their lines this season under the agreement for the project. “Traplines” are geographic areas controlled by the trappers who own them. When it comes to fur trapping, they are largely self-regulated. But those who agreed to livetrap lynx for the project would not be allowed to kill trap at the same time. Thankfully, with the exciting prospect of helping the tribes restore the lynx population to the lower Kettles, two traplines agreed to help. Piccinini says the coordination has been incredible. For starters, no one had any experience livetrapping lynx, so they all had to figure it out together. “We kind of learned on the fly,” explains trapper Trent Weninger, a retired cemetery worker who grew up in Kelowna and invested in a roughly 300-square-kilometer trapline a few years ago with a friend as a hobby. “We’ve never done [livetrapping], never seen it, never even read about it.” ...continued on next page

FEBRUARY 17, 2022 INLANDER 17

“FIXING THE MISSING LYNX,” CONTINUED... Piccinini and the Okanagan Nation Alliance did some research on live traps and developed some box traps to use for the lynx project. But as with all new things, they are still making tweaks and realizing which improvements need to be made. At some points, cold weather and ice would freeze the metal lining and prevent the door — rigged with fishing wire and a mouse trap — from closing when a cat went in to take the bait, Weninger says. At other times, birds commonly referred to as whisky jacks would get into the traps to nip at the bait. Having the birds themselves hanging out around the trap is actually good to attract lynx, Weninger explains, even though the cats’ diet consists almost entirely of snowshoe hare. But sometimes the birds created missed opportunities when they triggered the traps. “Adjusting those traps is an ongoing process. We have trail cams on every trap,” Weninger says. “You could see the whisky jack shut the door and here comes a cat walking by. We got a couple videos of a cat sitting on the cage trying to figure out how to get in.” Next season they’ll likely try to make the traps appear more natural to increase success. The opportunity to work on live capture has been particularly rewarding for Weninger, who says he has been an avid outdoorsman since childhood. He’s always treated the animals he hunts with respect, but he says this allowed for a new type of fulfillment from the time spent outdoors. “I’m feeling better about trapping them live and they serve a purpose, rather than a little bit of money in your pocket,” Weninger says. “It feels better.” Werntz says Conservation Northwest is compensating the trappers well over what they would normally receive, and Weninger confirms that there’s not really much money to be made in fur trapping anyways. “For like a lynx you trap and kill, you might get about $75,” Weninger says. “It costs us like $60 to go out on the snowmobile for the day, and that’s not counting the truck to get there, so there’s no money in trapping.” It’s mostly been a hobby due to that, he says. But the project has opened up an even closer connection to the animals.

Part of the lynx team (from left): Rose Piccinini, Donovan Antoine, trappers Don Siebert and Trent Weninger, and Dave Werntz. Piccinini says there were some special moments with the trappers on the two different lines as they got to witness the biologists do their work. Once a lynx is captured and sedated, the scientists quickly work to take hair and DNA samples, put on an ear tag, adjust a GPS collar to the animal, and measure them. While they do so, someone is constantly monitoring the animal’s temperature, heart rate and breathing. “The human dynamics, the background of biologists working with trappers, it was a lot of fun,” Piccinini says. “We gave the stethoscope to the trappers so they could hear the heartbeat of the lynx. It’s making those connections that are pretty cool, and changing the way they might see an animal on the landscape.” Usually when scientists and outdoors people meet, they have two different theories, Weninger agrees. “But it’s almost like we’ve been friends for years when

LYNX MANAGEMENT ZONES IN WASHINGTON

Different areas of lynx habitat, as mapped in 2006.

18 INLANDER FEBRUARY 17, 2022

COURTESY OF WASHINGTON DEPARTMENT OF NATURAL RESOURCES

COURTESY PHOTO

you’re out there. It’s been great working with them,” he says. “I think it’s a good opportunity for us up here to be able to help introduce the lynx so they can be shared with the bands down there on their lands and looked after.”

NEW GENERATION, OLD CONNECTIONS

Back in the fall, as the team first started working to trap lynx on the two separate traplines in British Columbia, emotions were high on their first day of success. As Piccinini and Donovan Antoine, a Colville tribal wildlife technician, drove down the mountain in a side-byside utility vehicle, they had the first female lynx of the project in tow. That would have been exciting enough, but radio chatter from the team on the other trapline confirmed they’d also caught a male. With successful captures of a potential mating pair on the same day, it felt like things were falling right into place, Piccinini says. “It was an extremely exciting day,” she says. “We finally realized everything we had put into this was working — we had actually caught cats.” In academia, scientists are often taught not to name the animals they’re researching. But with this particular project, there is much more of a personal connection, she says. So, an enthusiastic Piccinini turned to Antoine and asked what they should name the animals. Even if science said not to, he agreed that seemed fitting, telling Piccinini that “these animals mean more to us than numbers.” The two talked about how to honor the cats’ return to the landscape. Rather than just think about the project as an experiment to see if they can thrive moving forward, it’s also important to remember that this is a way of returning the animals to their ancestral homelands, Piccinini says. “[Antoine] came up with the names ‘Grandfather’ and ‘Grandmother,’ because in tribal tradition, when you talk about grandfather, it’s almost like a conceptual idea of a creator all the way down for all the generations,” Piccinini says. “That’s so fitting, honoring all of the lynx that came before. But you’re also sort of preparing for this new generation back on the reservation. … I thought that was fitting, and cosmic that they both got caught on the same day.” n

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FEBRUARY 17, 2022 INLANDER 19

hotographer Rajah Bose has spent 20 years telling other people’s stories as both a commercial photographer and photojournalist. He’s photographed Spokane’s Jess Walter for the local author’s Cold Millions book tour, covered Northwest culture for the New York Times, documented campus life for Gonzaga’s marketing department and, yes, done photography for the Inlander, too. All told, Bose has made hundreds of thousands of images — closer to 2 million if you include personal photos, says Bose, who has been snapping photos since he was a teenager. Now in his early 40s, Bose is telling his own story, using his photographs as a framework for self-discovery in an exhibition titled middlelife at Whitworth University’s Bryan Oliver Gallery through March 25. The exhibition marks a turning point for Bose, who doesn’t describe himself as an artist. Last semester he and wife, Ellen Picken, — she is an artist, best known for her mural work — were co-teaching a class at Whitworth, when gallery director Lance Sinnema approached Bose about developing an art show. Drawing on the intuition

20 INLANDER FEBRUARY 17, 2022

that has guided his photographer’s eye and shutter finger, Bose said yes. “It almost feels like I’ve just been dropped in suddenly into this new world, one that I’ve never pursued, or been afraid to consider or think about,” says Bose, whose only previous solo art show was in 2007 at Washington State University’s Tri-Cities Gallery in Richland while he was working for the Tri-Cities Herald. Bose also exhibited with Picken in 2019, a few years after the couple launched their creative agency, Factory Town. Two images from the WSU show reappear in middlelife: a framed image of Jesus atop a pile of trash bags, and a top-down view of a cake resembling an American flag being cut up and consumed. Other images are personal, like Bose holding the hefty paw of his beloved husky, who had just died. “With [middlelife] I’m trying to take the editorial work and my documentation, observations of my own life and work, and put them all together in one and try to make something of a statement,” says Bose, who spent several months reviewing nearly 50 hard drives of images.

ose used 25,000 photographs to create a 10-minute film that runs continuously in the gallery. The speed — 30 images per second — is almost too fast for anyone but him to make any meaning from the piece. It’s certainly too fast for the brain to articulate what it’s seeing, a dichotomy of images versus words that Bose explores in another middlelife artwork. Bose selected another 32 photographs to create a 2-foot-tall black-and-white frieze, or continuous strip of imagery, beginning and ending at the doorway to the gallery, reading like a giant roll of film from a distance. Beneath the images, Bose included a continuous line of very small text, a kind of free-verse poem that refers to but doesn’t specifically narrate the photographs above them. One segment states: “the selection of images above is one version of an infinite number of stories that could have been told from the finite amount of moments collected. this is but one version of the truth.” In a role switch, choosing images for the exhibition cast Bose as editor — versus photographer — simultane-

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Photographer Rajah Bose has gone from commercial to conceptual.

COURTESY PHOTOS

ously distancing himself from the images so he could be more objective, yet still recognizing the resonant potential of each image to convey his story. “I waited for [the photographs] to really connect me again with the storyline that is my life,” says Bose, who points to the photo that occupies both the literal and metaphorical center of the narrative frieze. It’s from his 2011 trip to India with his mother. “India is a big piece of this show because it’s like a missing piece in my life, I can’t explain it,” says Bose, whose only connection to Indian culture was his father, at least until Bose visited India for himself. In the photo, shot from inside a car, a kid in a hooded windbreaker looks into the rolled-up passenger window at Bose and his mother seated inside. She has turned her face toward Bose, who took a photo, then filed it and forgot about it. When he was sorting through images for the exhibit, however, something about it resonated, he says. “In the moment, it’s not the thing you express but you interpret later,” says Bose, who interpreted the image as conveying a rite of passage; both the child and his mother were asking him: “What are you going to do…with your life?” The exhibition helped provide both a way to organize the images in this visual timeline and an answer to the question, Bose says. He is pausing commercial work for two years to focus on making art. “This is why it’s ‘middle life’ for me,” he explains. “This is a moment of choice going forward, figuring out the artist journey and what that even means.” n middlelife • Through March 25; open Mon-Fri from 10 am-5 pm, Sat from 10 am-2 pm • Free • Bryan Oliver Gallery, Lied Center for the Visual Arts • 300 W. Hawthorne Rd. • whitworth.edu/art • 509-777-3258

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FEBRUARY 17, 2022 INLANDER 21

CULTURE | COMEDY

Funny on Film Local laughs move from the stand-up stage to the movie theater at first Spokane Comedy Film Festival BY JAMI NELSON

pokane comedian Josiah Carlson is relatively new to the local comedy scene, inspired to try stand-up just over a year ago after getting a promotional email from Spokane Comedy Club about a class for aspiring jokers. “Maybe I’ll give it a shot,” he thought, but unlike so many, he actually followed through. He now realizes stand-up is something that was missing in his life, and he wishes he had started sooner. In getting to know other aspiring comic minds in the local scene, Carlson says, it seemed like every stand-up he met had ideas for skits or short-form films. Seeing creativity overflowing in the community, he came up with the idea of pushing his fellow local funny folks to actually

22 INLANDER FEBRUARY 17, 2022

Filmmaker Ron Ford’s home reflects his passion for the movies. create or finish their film projects. “I was thinking it’d be really cool to have this tentpole event, once a year, that gave everybody incentive to actually finish their video ideas,” Carlson says. Thus, the Spokane Comedy Film Festival was born. Its first edition happens this month at the Garland Theater, and Carlson hopes to make it an annual event. Giving the local comic creatives a deadline seems to have worked — there are well over 25 entries in the inaugural festival. Some of them are brand-new productions, while others are older projects that may or may not have been seen by audiences already. There weren’t any specific requirements for applicants to the festival other than keeping the films to seven minutes or less. Carlson is thrilled to get the first festival launched in the 500-seat historic spot in North Spokane. “The Garland has always been magical to me,” he says. Guests will enjoy a night full of laughs, but will also be a part of the action. Each attendee will receive a playbill listing all the entries. At the end of the night, everyone can vote for the “best in show” winner, who will receive a $100 prize.

ilmmaker, actor and animator Ron Ford has two films in this year’s festival, and is probably one of the event’s most-experienced participants. He’s been pursuing a film career for decades, it’s a lifelong passion that led him to Los Angeles for almost two decades. Through his experience on film sets, his passion for filmmaking was solidified. “In 1994, I wrote a film called The Fear,” Ford says.

YOUNG KWAK PHOTO

“It was a big hit on home video, and that’s how I got my beginning.” At the Spokane Comedy Film Festival, Ford will showcase both The Ravin and Pirouette. He considers The Ravin one of his best short films, and he’s landed it in several festivals. He dedicates the film to his late friend Mitch Tiner, who created the puppets and sets for the Edgar Allen Poe-inspired tale over the course of six years. Ford’s other film in the fest, Pirouette, was first featured in the 2016 50-Hour Slam film competition. That year’s theme required shooting in a specific location and a style of dance, and with Pirouette, Ford turned those constraints into a story of a rough-and-tough man assigned to community service after a run-in with the law. The experience gives him a new outlook on life. While Ford comes to the festival as an established filmmaking background, others, like Ryan McComb, are shifting gears from the stand-up stage to delve into filmmaking. McComb started doing stand-up eight years ago after attending an open-mic night with his father, a longtime comedian himself. In his film Wishes, a character named Daniel has made two terrible wishes of a genie, and he hopes his third wish will turn it all around. The film was made in 2017 but didn’t receive much traction after being posted online. “I am looking forward to getting it in front of a larger audience,” McComb says. n Spokane Comedy Film Festival • Tue, Feb. 22 at 7 pm • $10 • Garland Theater • 924 W. Garland Ave. • spokanecomedyfilmfestival.com • 509-327-2509

CULTURE | DIGEST

PRIME CRIME

THE BUZZ BIN

John Darnielle’s ability to tell a story through song translates onto page in his new book, Devil House BY MADISON PEARSON

he first time I heard a Mountain Goats song I was around 13 years old. My favorite author at the time recommended the band to his audience on numerous occasions, and I finally took a listen. I started with “This Year” and quickly found myself immersed in the world John Darnielle creates with every song he writes. Whether Darnielle is detailing tumultuous relationships that end in divorce in songs like “No Children,” or trying his hand at concept albums like Beat The Champ — The Mountain Goats’ 15th studio album, all about professional wrestling — the words he uses flow into stories that can twist your heart in knots, make you break down in tears from laughing or change your outlook on life forever. Imagine my surprise when I learned that my favorite lyricist had two published books and another set to arrive in January this year. Darnielle has a better understanding of words and how they interact with one another

than most, and that became evident to me while reading his latest, Devil House. Hell, he’s been writing fictional tales through song since the ’90s — long-form storytelling was the obvious next step. Devil House chronicles true-crime writer Gage Chandler on his exploration of a pair of notorious murders in a small California town. Gage purchases the house where the murders occurred and starts researching. Quickly he discovers there’s more to the story than he initially thought, and he must embark on a journey of self-exploration in order to do what’s right for his book and for the town. I wasn’t initially sold on the concept — I’m not huge into the true-crime sphere. I’ve tried listening to some true-crime podcasts, and they’re just not for me. But Darnielle’s clever and crafty style of writing was enough to keep me turning the pages of the hefty 400 page book for hours on end. As I started getting more invested in the story, I realized that I was being taken through Gage’s writing process along with him — the year would change abruptly, perspective would shift, and I would become disoriented only to realize that this was all intentional on Darnielle’s part. Gage is notorious for putting himself in the center of the topic of his books, giving him that first-person perspective of what happened. And there I was, along on the journey through the mystery of the Devil House with Gage. The meta-ness of the intertwining storylines leads the reader to question true crime as a genre: why we as humans are so fascinated with it, the ethics and morality of using real-life people in stories the author will benefit from financially, and the nature of knowledge itself. The sentiment and unique structure echo Darnielle’s songwriting, pulling one in and spitting them back out only to leave them questioning where they began and where they ended up. I’m not sure any other author could pull off something like Devil House. There’s a line in one of my favorite Mountain Goats songs, “Going to Georgia,” that encapsulates how I feel about Darnielle’s writing: “The most remarkable thing about you standing in the doorway is that it’s you, and that you’re standing in the doorway.” After nearly a decade of poring over the lyrics of Darnielle’s songs and carrying them with me through the various chapters of my life, it didn’t come as a surprise to me that Devil House followed the natural progression of my maturing interests and ideals because the most remarkable thing about Darnielle’s writing is that it’s Darnielle, and he’s writing. And it’s bound to be phenomenal. n

BACK TO SCHOOL The “mockumentary” format made palatable by The Office and Parks & Recreation feels a little dated, but there’s no denying new ABC show ABBOTT ELEMENTARY’s charms. Quinta Brunson created and stars in the workplace comedy about dedicated teachers in a chronically underfunded Philadelphia school, and while the characters are overwhelmingly likable, perhaps the biggest standout is the one designed to at least be a villain sometimes, the utterly unqualified principal played by Janelle James as someone far more interested in her social media following than serving kids. Abbott Elementary avoids being overly sentimental or preachy even while delivering its laughs laced with all-too-real drama built around race, class and the educational system’s deficiencies. Catch up on Hulu. (DAN NAILEN)

SURVIVE THE NIGHT At only $3, the entertainment value of the new indie game VAMPIRE SURVIVORS is exponentially high. Since being released in December 2021 in early access mode via Steam (there’s also a free, in-browser version) the game’s seen viral success, and it’s not even finished yet (updates are being regularly added). The premise is simple: destroy and outlast waves of enemies while collecting experience orbs to level up your character’s weapons and special items, which all auto-fire as you move. With roguelike gameplay elements, retro pixel art design and homages to legendary classics like Castlevania, Vampire Survivors is a pick-upand-play experience that manages to eat away the hours in the most satisfying way. (CHEY SCOTT) THIS WEEK’S PLAYLIST Noteworthy new music arriving in stores and online Feb 18: BEACH HOUSE, ONCE TWICE MELODY. The Baltimore indie dream-rock duo is at its most expansive on this sprawling new 18-track LP. It’s the ideal album to put on and let a sunny afternoon drift away. ANDY RUMSEY, RAH! RAH! JINGO! JINGO! The Spokane pop rocker returns with a new collection of optimistic and hyperupbeat tunes. (Out Feb. 21) VARIOUS ARTISTS, OCEAN CHILD: SONGS OF YOKO ONO. For loads of beloved musicians, Yoko Ono isn’t a punchline in some narrative about the Beatles. This Ben Gibbard-curated tribute album features loving renditions of her songs by David Byrne, Japanese Breakfast, Sharon Van Etten, and more. (SETH SOMMERFELD)

FEBRUARY 17, 2022 INLANDER 23

Takara Executive Chef Kenta Nishimori plates nigiri. YOUNG KWAK PHOTO

TAKARA, TAKE 2 OPENING

A former employee brings back a beloved Coeur d’Alene Japanese restaurant, blending old and newer traditions BY CARRIE SCOZZARO

alk about a déjà vu. When signs first appeared on a Lakeside Avenue building in November 2020 noting that Takara Japanese Cuisine & Sushi was “opening soon,” longtime Coeur d’Alene locals probably thought they were imagining things. After all, Takara closed in 2010 after an 18-year run when the restaurant’s founder, Ryuhei Tanaka, retired. In that span, however, Tanaka delighted diners, many of whom were likely new to Japanese cuisine, which was much less prevalent in the Inland Northwest than it is today. Moreover, Tanaka trained and inspired several generations of young sushi chefs, including one of the new owners responsible for resurrecting the restaurant. Kenta Nishimori was still in high school when he first worked at the original Takara, learning from and forming a lifelong bond with Tanaka, who retained ownership of the building after Takara closed. In fall of 2020, Tanaka reached out to him about starting a restaurant, says Nishimori, who’s worked at and helped develop Japanese restaurants throughout the region, including Wave Sushi Island Grill in Spokane and Syringa Japanese Café & Sushi Bar in Coeur d’Alene. After delays that became the norm for many construction projects these past two years, on December 31, 2021, Nishimori, the restaurant’s executive chef and general manager; his wife, Shiree; and business partner Joshua Williams officially relaunched Takara.

24 INLANDER FEBRUARY 17, 2022

“I don’t know for sure, but I think [Ryuhei Tanaka] wanted to know I was going to keep on the traditions,” says Nishimori, who describes Tanaka as a mentor and father figure. “A lot of stuff we do here is original Takara,” he says, noting that he continues to revise the menu, especially as some ingredients have been difficult to procure. Look for a blend of traditional and modern dishes at Takara. Try nanbanzuke or fried smelt ($10), sukiyaki or hot pot ($22) with beef, tofu, napa cabbage, enoki mushroom and udon noodles, or tonkotsu ramen ($16) with pork belly, bamboo shoots, marinated poached egg, scallion and seaweed. On the modern side, Takara serves both American and Japanese wagyu beef. The Snake River ribeye ($68) is from southern Idaho, while the A5 ribeye ($145) — A5 indicates the highest quality designation — hails from Japan and is served with rice and sauteed romanesco broccoli.

egardless of the origin or inspiration for the dish, says Nishimori, the emphasis is on the freshest ingredients and making everything from scratch. He makes his own tamago, or egg omelet, (versus purchasing premade) for one of 26 items on the nigiri/sashimi menu, which features mostly seafood. Look for beautifully marbled toro or fatty tuna ($18), ama ebi or sweet raw shrimp ($9), and lightly seared salmon ($9), as well as less commonly found items like madai (red snapper; $8) and bincho (albacore; $8). “I want to focus on the fish,” says Nishimori, whose background includes seven years working with a Japanese seafood company teaching importers, exporters and chefs in Los Angeles about seafood. Now he’s applying that expertise to Takara, so much so that he’s quickly gained a following of other restaurants and people of Japanese heritage who want to purchase seafood from him. Many chefs will say they get fresh fish, but often it’s frozen and maybe even pre-cut into sections, says Nishimori, who figures he goes through roughly 300 pounds of fresh fish per week, all of it shipped directly to the restaurant. Spanish bluefin tuna, for example, arrives in a 4-foot-long box that takes two of Nishimori’s sushi chefs to lug it into the open kitchen area. At roughly 100 pounds, it’s not even a quarter of the fish’s full weight. It takes Nishimori around an hour to break the fish down into suitable portions, including saku, or blocks, that can then be sliced into sashimi. Alongside him, the other chefs spend the three hours between lunch and dinner service prepping mostly seafood, which is the focal point of Takara’s extensive sushi menu.

Spokane String Quartet

n addition to assortments chosen by the chef, also known as omakase ($19-$300), Takara serves traditional maki, or rolls ($5-$8), whereby the ingredients — like cooked beef, pickled radish and raw fish — are encased in sticky rice and seaweed. More than three dozen variations of sushi rolls range from the more common spider roll with soft shell crab ($12) and Philadelphia roll with smoked salmon and cream cheese ($10) to ones that pay tribute to Nishimori’s life. The Momji ($19), for example, honors Momiji Japanese Red Maple Restaurant, where Nishimori held his first job at age 14, before he worked at the original Takara. The Hachimura roll is a nod to Gonzaga University’s former basketball star Rui Hachimura, and includes snow crab tempura, yellowtail tuna and a coconutbased salsa ($19). The Black Mamba ($24), meanwhile, pays tribute to the late Kobe Bryant.

WITH GUEST DERRICK PA R K E R , BASSB A R I TO N E 3 P.M. SUNDAY, FEB. 20 Bing Crosby Theater SAFETY NOTICE: STATE OF WASHINGTON MASK REQUIREMENT IN EFFECT. PROOF OF COVID VACCINATION OR NEGATIVE COVID TEST REQUIRED FOR ENTRY INTO THEATER.

w w w. s p o k a n e s t r i n g q u a r t e t . o r g The Black Mamba roll, named after the late Kobe Bryant. Nishimori’s gun-building hobby is reflected in the AR-15 roll ($18) with albacore, cream cheese, avocado and spicy elements like sriracha and Japanese seven spice. Takara also offers a 10 percent discount to customers in uniform or openly carrying a firearm. The Kimiko roll ($18), with salmon, green onions and cucumber honors his daughter, whom Tanaka’s mother helped name, Nishimori says. There are also a handful of deep-fried rolls ($12-$14) on the menu, which cater more toward Americanized expectations of sushi, like the Las Vegas roll ($14) with spicy tuna, snow crab, cream cheese, avocado and eel sauce. In addition to its menu, Takara blends traditional Japanese elements and more modern ones in the restaurant’s décor. “My roots are from Osaka, so I wanted to bring that style,” says Nishimori, who explains how the black walls are an homage to a castle he remembers visiting while growing up in Japan. Some of the ceramic dishware is from his wife, Shiree, an artist. She also made a stamp of the kanji symbol for takara, which means treasure, to embed into the new concrete and epoxy bar that wraps around the sushi counter area. Diners have their choice of eating at the sushi bar, in the main dining room or in several tatami rooms. These provide semi-private eating areas with low-slung tables surrounded by benches, ideal for larger groups and a more leisurely meal. n Takara Japanese Cuisine & Sushi • 309 E. Lakeside, Coeur d’Alene • Open Mon-Sat 11 am-2 pm and 5-9 pm; Sun 4-8 pm • takarasushicda.com • 208-771-7233

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FEBRUARY 17, 2022 INLANDER 25

FOOD | OPENING

Keepin’ It Low-Key

LEFT: LoKey Cafe owners Ben Butler and Kelly Stronk. RIGHT: Bibimbap egg bites.

New downtown, the LoKey Cafe brings a new meaning to grab-and-go food BY JAMI NELSON

ow-key locals Kelly Stronk and Ben Butler recently opened the LoKey Cafe, a keto-friendly, grab-andgo coffee shop on the corner of Lincoln Street and Riverside Avenue in downtown Spokane. The couple always spoke of business ideas for a bar, restaurant or cafe. Stronk says they’d say to each other, “‘Wouldn’t it be cool if we did this,’ or ‘Spokane doesn’t have this,’” but they didn’t move on any of those ideas until recently. The concept sparked during the initial COVID-19 shutdown when Stronk lost 30 pounds by eating at home and tracking her macronutrient intake. However, she found herself gaining the weight back after restaurants reopened and she began eating out again. “I couldn’t find any place that I could be like, OK, this is what you’re eating,” says Stronk, referring to traditional menus lacking a nutritional breakdown of the food. “So let’s do it ourselves.” When exploring potential locations for the cafe,

26 INLANDER FEBRUARY 17, 2022

Stronk mentioned to Butler that the location of the nowclosed Next Door Espresso would be her dream spot. Two weeks later, she found out it was for lease. LoKey Cafe opened its doors on Dec. 28, 2021. The two experimented with recipes crafted at home to bring a new look and taste to keto-friendly options in Spokane. Thus, the menu steers away from the traditional bread-heavy cafe items, instead offering salads, egg bites and chia puddings all prepared fresh daily. Egg bites aren’t a new concept, but the couple’s creative take on them is. Butler’s favorite, the Monte Cristo ($7), is the perfect example. The Monte Cristo egg bites contain all the classic sandwich ingredients: smoked turkey, prosciutto and Swiss cheese, topped with strawberry jam and sprinkled with powdered sugar. LoKey also features fun, fresh salads, including Stronk’s favorite: lemon blueberry kale ($12). Baby kale is tossed with blueberries, Cosmic Crisp apples, smoked blue cheese, and sunflower seeds, and paired with a

ALYSSA HUGHES PHOTOS

house-made blueberry avocado vinaigrette. There’s also the option to add a side of sous vide chicken breast or marinated, roasted tofu. This salad is the perfect combination of savory and sweet, says Stronk. LoKey’s owners understand the value of consistency, so popular items such as the chia pudding and a veggie bowl will stick around as others are rotated. The cafe offers a full line of drip coffee and espresso from Indaba Coffee Roasters, as well as hot and iced tea from Spokane-based Revival Tea Co. The two purposely started their menu small so as not to overwhelm new customers, but they plan to expand with new items. One idea Stronk mentions is adding “hearty and hot” comfort food that’s filling and nutritious. She hopes to add a microgreen salad to the grab-and-go selection this summer, featuring seasonal produce from local farms. The two value the importance of sourcing local produce and utilize local vendors as frequently as possible. “Knowing that we took a place [Next Door Espresso] that held its ground for so many years and took the opposite turn and made it into something that people want to come to that’s fresh and clean and progressive…” says Stronk. “I get chills when I think about it.” n The LoKey Cafe • 903 W. Riverside Ave. • Open MonFri 6:30 am-3:30 pm, Sat 7:30 am-2 pm • Facebook: The LoKey Cafe

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FEBRUARY 17, 2022 INLANDER 27

Leatherface will seemingly never die.

HORROR

PERFECT

Tobe Hooper’s original Texas Chainsaw Massacre changed horror as we know it

SKIN I

n 1974, horror cinema as the world knew it was torn to pieces and reborn into something new with the release of Tobe Hooper’s The Texas Chainsaw Massacre. One of the most influential films of its kind, its legacy reverberates to this day. It gave birth to a whole new kind of slasher. The original Chainsaw tells the tale of a group of friends driving through rural Texas who stumble upon what seems to be a deserted house that ends up containing something far more sinister: Leatherface. A man who wears the skin of those he kills as his own and wields a chainsaw as his weapon of choice, he quickly carved out his place as a horror icon for the ages. Made with a limited budget that utilized only a minute amount of actual gore, the film endures because of how every detail, from the precise sound design to the striking visuals, is finely tuned to create abject terror. Now, nearly 50 years since the original scared audiences, a new film is attempting to follow in its bloody, plodding footsteps. Simply titled Texas Chainsaw Massacre, dropping the all-important The, it arrives on Netflix Friday, Feb. 18, and is a direct sequel to the original set 50

28 INLANDER FEBRUARY 17, 2022

BY CHASE HUTCHINSON

years later. However, it is by no means the first sequel in what has been a long-running and mixed bag of films. Not including this newest entry, there have been an astounding seven Chainsaw sequels of largely declining quality. The first, 1986’s The Texas Chainsaw Massacre 2, is the one most worth seeing, primarily because it was the only sequel directed by the late Hooper himself. It has gained a cult following, and it is easy to see why as the director took the film in what was an undeniably new direction that saw him poking fun at his prior work. While not quite a spoof, it utilizes similar storylines and visual references that then become something new when blown up into absurdity.

nfortunately, there are oh so many other sequels that lacked this vision. I’ve seen them all, though it is hard to recommend them to anyone else. To finish out the original storyline, there was 1990’s Leatherface: The Texas Chainsaw Massacre III and then 1995’s Texas Chainsaw Massacre: The Next Generation. The former is an uncertain, roam-around-the-woods-type movie that

never finds its footing. The Next Generation is a deeply flawed film though it is admirable for how chaotic it gets in its finale. There are somehow also two separate additional storylines told across multiple films. There is the remake of the original, 2003’s The Texas Chainsaw Massacre, and then the 2006 prequel to said remake, The Texas Chainsaw Massacre: The Beginning. Both are dour imitations of what came before. Still with me? Then there is 2013’s Texas Chainsaw 3D, which tries to be a redemptive reimagining of the story. That was followed by 2017’s Leatherface, a prequel to both the original and Texas Chainsaw 3D. All of these follow-up films have muddled and stretched the story in a host of ways that have threatened to tarnish just how remarkable the original was. Yet they haven’t, which is a testament to just how much that first film endures as a horror masterpiece. This brings us back to the newest film. It is hard to imagine it will be as bad as some of the lowest points of the series. One hopes it will be like the newest Scream

ALSO OPENING THE CURSED

When an 1800s country village is terrorized by horrifying attacks, rumors spread of a curse and a vicious animal lurking in the woods. When the moon is out, take a beast-like bite out of this gothic horror. (SS) Not rated

DOG

An Army Ranger (Channing Tatum) must transport a troublesome military dog across the country. At first they hate each other, but then — and you’ll never believe this — they bond. (SS) Rated PG-13

DRIVE MY CAR

A stage director sorts through his past and the loss of his wife with assistance from his chauffeur in this Japanese character study. While that might not sound like a gripping plot, the Academy Awards begs to differ. The film is nominated for Best Picture, Best Director, Best Adapted Screenplay, and Best International Feature. (SS) Not rated. At the Magic Lantern.

UNCHARTED

Based on the hit action-adventure video game series, the film follows Nathan Drake (Tom Holland), a wise-cracking treasure hunter with a knack for getting in sticky situations that make for elaborate set pieces. (SS) Rated PG-13

and surprise us in how it complements all that came before. One fears it will be like the abysmal Halloween Kills that only succeeded at killing off an interest in any more sequels in that story. Based on what we have seen thus far, you must unfortunately be prepared for the latter. However it ends up, we can always find solace in returning to the magnificence of the original. After all, the prevailing impact of The Texas Chainsaw Massacre is that it can still remain such an incredible piece of horror filmmaking no matter how many sequels try and fail to live up to its legacy. n

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Pops is one of many films about struggling with one’s Jewish identity.

Creating Understanding The Spokane Jewish Cultural Film Festival returns with a diversified lineup and hybrid viewing options BY SETH SOMMERFELD

I MOVIE TIMES on

SEARCHABLE by Time, by Theater, or Movie

Every Theater. Every Movie. All in one place.

30 INLANDER FEBRUARY 17, 2022

t can sometimes be easy to overlook Spokane’s Jewish population. By most estimates, Jews make up less than 0.5 percent of the local population, meaning their circle is very small but tight-knit. That’s part of why the Spokane Jewish Cultural Film Festival is such a point of pride. As the biggest Jewish public cultural event in the Inland Northwest, the festival also serves as an important point of outreach to foster understanding. “Our region has had a history of White supremacy and anti-semitism with the Aryan Nations and so forth. Almost exactly a year ago, I came to work and discovered the swastikas and the White power symbol on the temple,” says Neal Schindler, the director of both the Spokane Jewish Cultural Film Festival and Spokane Area Jewish Family Services. “And so I think [the festival] is an opportunity for people who are not Jewish, who don’t have much knowledge of Jewish tradition, to get more insight into what it means to be Jewish. And as I often say, it can mean many things to be Jewish, as with any faith and cultural background. Each year we present some glimpses of what Jewish life is, and what Jewish tradition is. I like to think that it increases cultural understanding and religious understanding and tolerance and so forth.” The 2022 edition of SJCFF will be a hybrid, both in-person and online. The only in-person screening is opening night at the Garland Theater Feb. 17 (proof of COVID vaccination and masks required). The opening program features two films: the Italian feature A Starry Sky Above the Roman Ghetto and the U.K. short Pops. A Starry Sky tells the story of a girl who discovers a photo of a young girl from the Holocaust and attempts to track her down with the help of her high school pals and

a group of kids from a Jewish high school. The teens decide to create and stage a play to raise awareness of the missing girl’s story. Pops explores two adult Jewish siblings feuding over whether to bury their dead father or send his ashes into space. After the screening, there will be a discussion with Dr. Torunn Haaland, the director of Italian Studies at Gonzaga University and a film scholar. All 11 films will be available for streaming via sajfs.org/our-programs/sjcff. The other offerings include films about an Orthodox Jew doing standup comedy (A Jew Walks into a Bar), a teenage gang member hiding his Jewish heritage (Wet Dog), family members sorting through an interfaith marriage (American Birthright), and even shame brought on by being part of a “Human Centipede menorah” as part of a joke on Conan (Eight Nights). The films will be available in staggered three-day windows through Feb. 27 to spread out viewing and allow for Zoom Q&As for some films. Film critic Roger Ebert said “movies are like a machine that generates empathy,” and in many ways that’s the core idea behind what makes the Spokane Jewish Cultural Film Festival so vital. “Film is such an accessible medium … it resonates emotionally in ways that some other cultural products don’t as much,” Schindler says. “Ideally, I guess everyone would read books about Judaism and understand better, but that’s not necessarily going to happen. Film is a really great way for people to get a better sense of what it can mean to be Jewish.” n Spokane Jewish Cultural Film Festival 2022 • Feb. 17-21 • Festival Pass: $42 • Opening Night: Thu, Feb. 17 at 7 pm • $8 • Garland Theater • 924 W. Garland Ave. • sajfs.org/ourprograms/sjcff • 509-747-7394

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FEBRUARY 17, 2022 INLANDER 31

FAMILY BAND

LIGHTNESS AND VULNERABILITY Tow’rs use their creative couple chemistry to craft floating folk-rock songs BY SETH SOMMERFELD Gretta and Kyle Miller

32 INLANDER FEBRUARY 17, 2022

ow’rs sounds a bit like getting lost in the moment while sprawling in a meadow. There’s a sonic open air vibe to husband-and-wife duo Kyle and Gretta Miller’s harmonyrich folk-rock that feels unrestrained and freeing. Inspired by the nature surrounding their hometown of Flagstaff, Ariz., the couple has crafted a musical and personal life full of expression. “We met in college (at Northern Arizona University), and we actually started playing music together before we were even dating,” says Gretta. “We were just friends. So it’s always been a part of our relationship. We don’t really know our relationship without music being an element of that. But it wasn’t until after we’d been married for about a year that we had a collection of songs [where] we were like, we just need to just record these and just see what happens.” What happened was Tow’rs found an audience. Since 2014, the band has put out four albums of original tunes, plus a 2020 Christmas album (The Holly & the Ivy). The pair work in tandem with Kyle often being the poetic jumping-off point for songs and Gretta being the editorial voice in the room. The way the duo describes the process, it’s almost a metaphysical experience. “There’s kind of this mysterious feeling that I have with each [song],” Kyle says, “if it feels right in our bodies and has the right amount of lightness. And communicates clearly, but also poetically.” The lightness of their music draws on many influences which they’re not afraid to wear on their sleeves. Early in Tow’rs’ existence Kyle was particularly influenced by the ambient sounds and floating vocals of Sigur Rós, but more recently he has drawn from Canadian songwriter Leif Vollebekk and his songwriting storytelling hero, Jeff Tweedy (Tow’rs’ 2019 LP, New Nostalgia, specifically drew from the organic feel of Wilco’s Sky Blue Sky). For her part, Gretta has been inspired recently by the likes of Sylvan Esso and Madison Cunningham.

here are certainly many unique elements to being both a band and a married couple. While it’s fun working and traveling together, the biggest benefits of such a relationship — both positively and negatively — are felt most acutely during the song-creation process. “In songwriting, my goal at least is to try to be as honest [as possible] while also being poetic. And sometimes those things are really tough for me. I feel like I can get a little bit greedy with the poetry when I’m writing upfront,” says Kyle. “And one of the best things about writing with Gretta is that she’s so great at being able to help me decipher the things I’m feeling and put them into language that might be a little bit clearer, even to me.” “The hard part is that there’s an extra layer of vulnerability that you continue to have to dig up in songwriting,” he continues. “Sometimes that vulnerability can be really uncomfortable and cause a lot of tension. And you just have to be careful about how you communicate ideas, but I think we’re better because of our songwriting relationship. We’ve been able to dive into parts of our life that maybe wouldn’t have come up quite as naturally or easy.” An added element for the Millers is that they’re also parents. They have two children, ages 4 and 6. That can understandably add obstacles to a musical life. While still a baby, their oldest child joined them on the road because it was the only way they could work while Gretta was breastfeeding. At points, they’ve hired touring nannies to assist with the somewhat chaotic nature of road life. But the couple enjoys touring with the kids and will be bringing them along for the second leg of this upcoming tour. For now, Tow’rs is just trying to approach its music with a bit more joy and lightheartedness after the struggles of pandemic times. They’re scheduled to record a new album in Colorado in July with a full band, but currently they’re just in the mode of songcraft that sounds like an incredibly comforting creative version of domestic bliss. “Most of our energy right now is going toward just trying to write songs that Gretta and I enjoy sitting together in our kitchen.” n Tow’rs • Tue, Feb. 22 at 8 pm • $15 • Lucky You Lounge • 1801 W. Sunset Blvd. • luckyyoulounge.com • 509-474-0511

HOME OF THE SPOKANE SYMPHONY

UPCOMING SHOWS ARCIS SAXOPHONE QUARTET Thu, Feb. 17 at 7:30 pm Myrtle Woldson Performing Arts Center $30-$40 THE ELOVATERS Sat, Feb. 19 at 8 pm Lucky You Lounge $15 SOULFLY Sun, Feb. 21 & Mon, Feb. 22 at 6:30 pm The Big Dipper $27 THE CACTUS BLOSSOMS, KACY & CLAYTON Wed, Feb. 23 at 8 pm Lucky You Lounge $20 HEALING HARMONIES: COLLIN RAYE, THE FRONTMEN Thu, Feb. 24 at 8 pm Martin Woldson Theater at The Fox $10-$65 THE SOUL REBELS Thu, Feb. 24 at 8 pm Lucky You Lounge $22 KILLSWITCH ENGAGE, AUGUST BURNS RED, LIGHT THE TORCH Fri, Feb. 25 at 7:30 pm Knitting Factory $38-$40 BEATLES VS. STONES: A MUSICAL SHOWDOWN Sat, Feb. 26 at 7:30 pm Martin Woldson Theater at The Fox $35-$75

THE FOX THEATER Knitting Factory Presents

PATTON OSWALT LIVE: WHO’S READY TO LAUGH? RESCHEDULED TO SUN., JUNE 5, 7PM

HEALING HARMONIES: A BENEFIT CONCERT FOR CANCER CARE NORTHWEST FOUNDATION with Collin Raye and The Frontmen of Country Thurs., February 24, 8pm

BEATLES VS. STONES: A MUSICAL SHOWDOWN Sat., February 26, 7:30pm Fox Presents

BLACK VIOLIN

Thurs., March 3, 7:30pm Spokane Symphony Masterworks

THE GENESIS OF THE SPOKANE SYMPHONY

James Lowe, conductor • Archie Chen, piano Sat, March 5, 8pm • Sun., March 6, 3pm Emporium Presents

STRAIGHT NO CHASER BACK IN THE HIGH LIFE TOUR 2022 Mon., March 7, 7:30pm Spokane Symphony

CARMINA BURANA

James Lowe, conductor • Dawn Wolski, soprano Aaron Agulay, baritone • Christopher Pfund, tenor Spokane Symphony Chorale Sat., March 19, 8pm Spokane Youth Symphony

REJOICE IN ARTISTRY Sun., March 20, 4pm

JULIA SWEENEY: OLDER AND WIDER - LIVE TAPING Sat., March 26, 4pm and 8pm Presented by DDA

THE GLENN MILLER ORCHESTRA Wed., March 30, 7pm

COLE SWINDELL, TRAVIS DENNING, ASHLEY COOKE Sat, Feb. 26 at 7:30 pm First Interstate Center for the Arts $40-$70 TOBYMAC, CROWDER, COCHREN & CO, CAIN, TERRIAN Sun, Feb. 27 at 7 pm Spokane Arena $29-$92 Be sure to check with venues about vaccination/COVID test requirements.

Photo Credit: Mike Rollins

FOX PRESENTS

UNTAMED with Filipe DeAndrade

WED, MARCH 9, 7PM North American presenting sponsor:

Presented regionally in partnership with:

Box Office 624-1200

SpokaneSymphony.org • FoxTheaterSpokane.org Chec k websit e for COVID-19 Safety Prot ocols

FEBRUARY 17, 2022 INLANDER 33

Be sure to check with event organizers about vaccination/COVID test requirements.

MUSIC SONIC HISTORY

It shouldn’t come as a shock to anyone who’s even vaguely familiar with history that Black voices have been largely unheard in the realm of classical music. Spokane String Quartet is trying to shine a light on them during Black History Month with the group’s first-ever program composed entirely of Black composers. With the aid of acclaimed opera singer Derrick Parker, the Quartet will play works by Samuel Coleridge-Taylor, George Walker, plus Daniel Bernard Roumain’s feet-stomping number “Rosa Parks.” While it doesn’t negate literally centuries of silenced strings, it’s at least a step in the right direction. — SETH SOMMERFELD Spokane String Quartet with Derrick Parker • Sun, Feb. 20 at 3 pm • $17 • Bing Crosby Theater • 901 W. Sprague Ave. • spokanestringquartet.org • 509-227-7638

GET LISTED!

Submit events online at Inlander.com/getlisted or email relevant details to getlisted@inlander.com. We need the details one week prior to our publication date.

34 INLANDER FEBRUARY 17, 2022

DRINKS BEER IN TENTS

We’re all itching for spring, but in the meantime you can still drink and nosh outdoors at the South Perry Lantern’s Winterfest beer fest. A tent set up behind the pub is offering sips from Bud Light, alongside local and regional breweries including Elysian, Pfriem, Fremont, Iron Horse, Post Falls Brewing, River City, Brick West and Hidden Mother (the latter just closed, so enjoy this leftover keg while you can). Warm, hearty bowls of chili also help ward off the late-winter chill, and you can get moving to some live music all afternoon and night. On the performance lineup is the Jason Perry Band, Jade MC, the Justyn Priest Band and Kung Fu Vinyl. Entry includes five tasting tickets and a tasting glass; get additional tasters for $4 each, or five more for $20. — CHEY SCOTT Winterfest • Sat, Feb. 19 from 2-10 pm • $20 • South Perry Lantern • 1004 S. Perry St. • facebook.com/southperrylantern • 509-473-9098

SPORTS TIME TO PAR-TEE

With courses as far as the eye can see, Spokane is a golfer’s paradise almost year-round. In late winter, however, local golfers may resort to virtual golf and swing suites to work on their short game. So, if you haven’t stepped foot onto a fairway in a few months and you’re itching to get back out there, get a taste of what’s to come this golf season at the Spokane Golf Show. Rack up some great deals on golf rounds at local courses, try out the best new clubs, enter the long drive and long putt contests, and check out deals for courses located around the country. Cost of admission includes one free round of golf at Fairways Golf Course and an additional discounted round for purchase. — MADISON PEARSON Spokane Golf Show • Sat, Feb. 19 from 9 am-5 pm and Sun, Feb. 20 from 10 am-4 pm • $12 • Spokane Convention Center • 334 W. Spokane Falls Blvd. • spokanegolfshow.com • 509-621-0125

MUSIC MAX METAL

Max Cavalera was a bit of a legend before he even started Soulfly, thanks to being one of the founders of Brazilian metal pioneers Sepultura. After more than a decade of leading that band to the heights of the metal scene, Cavalera split due to some interpersonal drama and kick-started Soulfy, a band that blends thrash-metal roots with some world-music vibes and a taste for experimentation that’s not often seen in metal circles. Through the years, the growly-voiced Cavalera has collaborated with dozens of musicians; besides his rotating Soulfly lineups, he’s done music with members of Deftones, Cypress Hill, Slipknot and decidedly non-metal dude Sean Lennon. He’s bringing Soulfly to Spokane for two shows, the first of which is sold out, so you’re headbanging is now only available Monday night. A perfect night to get caught in a mosh! — DAN NAILEN Soulfly with Still We Rise, Dysfunktynal Kaos • Mon, Feb. 21 at 6:30 pm • $27 • All ages • The Big Dipper • 171 S. Washington St. • monumentalshows.com • 509-863-8098

THEATER BARRYMORE, ONCE MORE!

Patrick Treadway, known for his uncanny portrayals of historical icons including Mark Twain, is back for an encore, one-man performance in Barrymore at Stage Left. Set in 1942 at the tragic sunset of its titular character, the late American actor John Barrymore, Treadway transforms himself into the man as Barrymore strives to recapture his early career success with a comeback performance in Richard III. In reality, Barrymore died that same year from liver and kidney failure after a lifetime of hard drinking and hedonistic habits. In this local reprisal of Barrymore (last performed at the now-defunct Interplayers in 2014), Treadway returns to form, masterfully depicting a man once considered legendary, yet faded into a weak shadow of himself. — CHEY SCOTT Barrymore • Fri-Sat, Feb. 18-19 at 7 pm and Sun, Feb. 20 at 6 pm • $20-$30 • Stage Left Theater • 108 W. Third Ave. • stagelefttheater.org • 509-838-9727

FEBRUARY 17, 2022 INLANDER 35

properly on your face. We are so close to maybe being past the worst of this pandemic. Please keep wearing your masks in public for just a little while longer. Thanks.

CHEERS THANK YOU FAT TIRE BIKE GUY Your tracks led us most of the way up Mica Peak last Sunday. Without them, we wouldn’t have stuck to the trail when we would otherwise have called it a day and turned back. Thank you from some grateful snowshoers.

I SAW YOU TO THE SPRAGUE COSTCO GUY As you took my picture, you commented on my eyes. You said they were beautiful. You can’t even imagine how that made me feel with my messy hair and puffy clothes. Don’t worry, I didn’t think you were weird. Thanks for making my day :) GARLAND ROCKET BAKERY We passed each other grabbing coffee Monday morning and caught eyes. Sweet Arc’teryx jacket. Grab your drink next time? Climb? Ski?! IN THE PRODUCE SECTION I saw you in the produce section of the grocery store carefully squeezing the lemons, trying to find the best one. You caught my eye, and I was struck... by the sight of your nostrils hanging out above your mask rendering it so completely ineffective. As you breathed your potentially contagious droplets all over the food others may be taking to their homes that night, I couldn’t help to notice that while you may feel like a rebel who can’t be bothered to follow a basic safety rule intended to protect the most vulnerable in our society, you look like an absolute moron who can’t figure out how to put a mask

SOUND OFF

IT SEEMS APPROPRIATE... This is Black History Month, this is the week of Valentine’s, both enveloped in a year less than stellar. It seems appropriate to celebrate/remember the words of Dr. King: “As you press on for justice, be sure to move with dignity and discipline, using only the weapon of love. Let no man pull you so low as to hate him. Always avoid violence. If you succumb to the temptation of using violence in your struggle, unborn generations will be the recipients of a long and desolate night of bitterness, and your chief legacy to the future will be an endless reign of meaningless chaos.” Cheers to Dr. King, love and justice.

JEERS BOARD OF HEALTH The commissioners continue to prove just how corrupt they are! We all knew you wouldn’t allow an actual MD onto the board. We know you fear common sense and science. The community can rest easy knowing you brought on an ND whose spouse works at the health district. Glad there isn’t any conflict there. (His job is safe unless Amelia decides she dosen’t like him; then he will be “laid off.”) Maybe we can all receive an equitable Vitamin C shot to address all things public health. Glad to see

Frenchy Poo could actually show up for that meeting though, not like they are scheduled out a year in advance so you can plan for them. Kerns, Kuney, Freeman...sorry you all still lack a spine. P.S. Amelia, please don’t call your buddy Ozzy to file another “hurt feelings” police report about this post.

“

however, got a lucky break. Two men, of no relation to anyone on the team, stepped up to do YOUR job. I get that parents are busy, have conflicting work schedules, yada, yada, yada. But when the season was over, you didn’t even have the decency to attend a simple pizza party. You know, the

Does the city really have five Teslas? Who is driving them?

RECALL NADINE WOODWARD Jeers mayor, people are dying waiting for shelter & you are buying high-tech garbage cans. Now fencing in the walkways under bridges, heartless & dangerous, single file under a bridge, more chance of muggings, stabbings, assault. Homeless solution, nope, Housing solution, nope. Street repair, hell nope. How long have you been in office? Does the city really have five Teslas? Who is driving them? Now tax increases as streets look like a war zone, homeless all over, tent city, next to freeway. I’LL TELL YOU WHY Why why why? Here’s why: it’s a bit difficult to be shooting at a radiator from in front of a car while driving. I can tell you know nothing about guns. If you did, you’d know to (1) always keep your target in front of you, and (2) always know what’s behind your target. DEMOCRAT ELITES WANT YOU TO SUFFER Jeers to the Biden administration for its out-of-control inflation. A recent news station stated Americans are now spending an additional $250 per MONTH for basic necessities such as food and fuel. Is this what Democrats voted for? I understand Democrat politicians profit

1. Visit Inlander.com/isawyou by 3 pm Monday. 2. Pick a category (I Saw You, You Saw Me, Cheers or Jeers). 3. Provide basic info: your name and email (so we know you’re real). 4. To connect via I Saw You, provide a non-identifying email to be included with your submission — like “petals327@yahoo.com,” not “j.smith@comcast.net.”

36 INLANDER FEBRUARY 17, 2022

from human misery, but this is really getting out of hand. Democrats use to be for “the little guy,” but that is certainly not the case now. Hopefully voters will vote logically instead of emotionally next time. This country is really circling the drain thanks to them.

RE: WHY? WHY? WHY? Did you even think about your suggestion before posting it? You lack common sense. Your suggesting that during a police chase, an officer drive in front of perp and turn around and shoot the radiator. Most chases are high speed first of all. Second, what about innocent bystanders on the road? I don’t want to be on the road while officers are looking backwards shooting out radiators during a high speed chase. Who do you plan on having drive the car and watch the road? You watch too many action movies, this is the real world. RE: PARKING LOT BANDITS Do you hear what you are saying? You are complaining about people parking in an empty lot during non business hours. Who cares? Seriously! Your stupidity is negative advertising for your co op. I wouldn’t patronize your place just because of the parking nazi you are. I think you should turn in your plate numbers to the cops, it will give you something to do. IT TAKES MORE THAN A VILLAGE Shame on (most of) the parents of the YMCA basketball team. Not one of you volunteered to coach the next generation of players. Your kids,

”

one hour event where you have the opportunity to say “Thank You” to the coaches. One parent was willing to attend, and I’m pretty sure it was the same parent that organized it and collected money to purchase some small token of appreciation for the coaches. (Something that still hasn’t been received btw). The cool medallions they had for your kids will now just have to go to the next team, IF they decide to continue coaching. I hope you see this and maybe next time be more appreciative. Your kids are learning more than just a sport. Set a better example! n

THIS WEEK'S ANSWERS B E T S A D A M N U D E A I S C R D O H I N A F G R A Y S P A K A N T A S T R S E I G E N O D A

A C E E R L E A

P A L O M A

I X D E A O S H A T E S I D Z E H Z I Y D

E S R E N E W W I C E M A A R O G R A I F S S T C O A S E R C N C A O E R

M E D I C

A D E E R

L E A N E R

I N L E R A M F S

M A Y D A Y A S T E E A N T E S I A A E S A B A K O L A

R U T R E Y

NOTE: I Saw You/Cheers & Jeers is for adults 18 or older. The Inlander reserves the right to edit or reject any posting at any time at its sole discretion and assumes no responsibility for the content.

EVENTS | CALENDAR

BENEFIT

TASTE OF LIFE Hospice of Spokane’s signature fundraising event happens virtually this year, with music, live and silent auctions, a short program and an opportunity to support the nonprofit and the patients and families it serves. Feb. 25, 7-8 pm. $35-$75. hospiceofspokane.org

COMEDY

ADAM CAROLLA IS UNPREPARED Carolla’s stand-up show shows just how unprepared he can be: He does the whole show based on audience suggestions and ideas. Feb. 17, 10:30 pm. $35-$75. Spokane Comedy Club, 315 W. Sprague. spokanecomedyclub.com THE ADAM CAROLLA SHOW LIVE The comedy podcast is live for one night only. 18+. Feb. 17, 7 pm. $35-$75. Spokane Comedy Club, 315 W. Sprague. spokanecomedyclub.com (509-318-9998) ANDY WOODHULL Woodhull has written multiple comedy albums, and now makes his way to Spokane for his newest special. Feb. 18-19 at 7:30 and 10 pm. $20-$28. Spokane Comedy Club, 315 W. Sprague. spokanecomedyclub.com I SAW YOU! Join the Blue Door Theatre Players as they pull improv suggestions from the “Cheers/Jeers/I Saw You” postings in the Inlander. Fridays in Feb. at 7:30 pm. $8. Blue Door Theatre, 815 W. Garland Ave. bluedoortheatre.com SAFARI A “Whose Line”-esque, fastpaced short-form improv show based on audience suggestions. For mature audiences. Saturdays at 7:30 pm. $8. Blue

Door Theatre, 815 W. Garland Ave. bluedoortheatre.com (509-747-7045) NEW TALENT TUESDAYS Watch comedians of all skill levels work out jokes together. Tuesdays at 7 pm (doors at 6 pm). Free. Spokane Comedy Club, 315 W. Sprague. spokanecomedyclub.com SPOKANE COMEDY FILM FESTIVAL A night of short-form comedy films from local comedians and filmmakers. Winner gets $100 cash prize. Feb. 22, 7-10 pm. $10. Garland Theater, 924 W. Garland Ave. spokanecomedyfilmfestival.com KANE HOLLOWAY Kane is a touring comedian, impressionist and podcaster and has worked on Laughs on FOX, VH1’s Walk of Shane Shuttle and was a punch-up writer for TV. Feb. 24, 7:30 pm. $10-$16. Spokane Comedy Club, 315 W. Sprague. spokanecomedyclub.com

COMMUNITY

GOLDEN HARVEST: FLOUR SACKS FROM THE PERMANENT COLLECTION The MAC’s collection of cloth flour sacks offers a unique window into the early development of Eastern Washington’s wheat industry, which today contributes billions of dollars to the state’s economy. The sacks are also a tangible reminder of the mills that played a critical role in Spokane’s early growth. Tue-Sun from 10 am-5 pm, Third Thu from 10 am-9 pm through May 15. $7-$12. Northwest Museum of Arts & Culture, 2316 W. First Ave. northwestmuseum.org (509-456-3931) VIRTUAL JEOPARDY EVENT YWCA staff are hosting a Jeopardy-style game via Zoom for youth. Topics are related to

dating, relationships and Teen Dating Violence Awareness Month. Feb. 22, 6-7:30 pm. Free. ywcaspokane.org/tdvam-2022 DOWNTOWN SPOKANE ANNUAL MEETING A celebration of leadership of the Downtown Spokane Partnership and Downtown Spokane Parking and Business Improvement District. Hear from representatives on accomplishments of 2021 as well as the goals and objectives for 2022 to continue building a dynamic, welcoming and vital downtown. Feb. 23, 4-5 pm. Free. Davenport Grand Hotel, 333 W. Spokane Falls Blvd. downtownspokane.org (800-918-9344)

FILM

SPOKANE JEWISH CULTURAL FILM FESTIVAL Since 2005, Jewish Family Services has brought international films to Spokane that share Jewish life and culture with the community. The festival is presented online and in person. Feb. 17-27, times vary, see website for details. Feb. 17-27. $5-$42. Garland Theater, 924 W. Garland Ave. sjcff2022.eventive.org/ welcome (509-747-7394) THIRD THURSDAY MATINEE MOVIE: BABETTE’S FEAST KSPS Saturday Night Cinema co-host and lifelong cinema fan Shaun Higgins continues his popular classic movie series at the MAC, featuring four films that focus on the theme of food in films. Babette’s Feast takes place in a strict religious community in a Danish village that takes in a French refugee from the Franco-Prussian War as a servant to the late pastor’s daughters. Feb. 17, 1-3 pm. $7. Northwest Museum of Arts & Culture, 2316 W. First Ave. northwest-

museum.org (509-456-3931) WILD AND SCENIC FILM FESTIVAL A curated collection of independent films about wild places and the people that are working to protect them. Feb. 25, 7 pm. $15-$200. Panida Theater, 300 N. First Ave. panida.org (208-263-9191)

FOOD & DRINK

TAPHOUSE BEER DINNER This beer dinner with Laughing Dog Brewing features five craft beer tastings, four chef-curated courses, and knowledge and conversation from brewery representatives. Feb. 17, 5:30 pm. $63. The Coeur d’Alene Resort, 115 S. Second. cdaresort.com (208765-4000) MURDER AT THE DEADWOOD SALOON Show off your sleuthing skills as you piece together clues and uncover “who dunnit.”During the event, you may even discover that you are the murderer or victim. Feb. 18, 7-10 pm. $69-$119. Two Winey Bitches Tasting Room, 107 S. Madison St. facebook.com/ events/3055169558089964 ROCKET WINE CLASS Rocket Market hosts weekly wine classes; sign up in advance for the week’s selections. Fridays at 7 pm. Call to reserve a seat, or register online. Price varies. Rocket Market, 726 E. 43rd Ave. rocketmarket.com (509-3432253) SCENIC HOT COCOA CRUISES A hotcocoa bar is available on-board for purchase, with original cocoa for the kiddos and spiked cocoa for the adults. Offered

February 11-27 featured events:

Our 48th year

Fri-Sun through March. Cruises depart from the Boardwalk Marina. $12-$16. The Coeur d’Alene Resort, 115 S. Second. cdacruises.com/hot-cocoa-cruises 10 BARREL BREWING BEERCAT TOUR The 10 Barrel Brewing Co. BeerCat is in the village at Schweitzer over Presidents’ weeken. Feb. 19-20 at 11 am. Schweitzer, 10,000 Schweitzer Mountain Rd. schweitzer.com/event/10-barrel-beer-cattour (208-263-9555) CEREAL BEER & BRUNCH A full brunch centered around sugary breakfast cereals paired with cereal-themed beers including a marshmallow hazy IPA, a fruit loop sour and a cocoa puff milk stout. Feb. 19, 10-11:30 am. $25. Garland Brew Werks, 603 W. Garland Ave. garland-brewwerks.square.site (509-863-9419) GEORGETOWN BEER PAIRING LUNCH Gander & Ryegrass is featuring a special all-inclusive, multi-course beer pairing lunch in partnership with Georgetown Brewing. Feb. 19, 11 am. $100. Gander & Ryegrass, 404 W. Main Ave. ganderandryegrass.com (509-315-4613) WINTERFEST 2022 A night of live music, food, drinks and socializing. Ticket includes five taster tickets and keepsake glassware. Feb. 19, 2-10 pm. $20. South Perry Lantern, 1004 S. Perry St. lanternspokane.com (509-473-9098) KILL THE KEG & SERVICE INDUSTRY NIGHT This weekly special includes $2 off select GHP beer, $1 off select guest beer and a 20% discount for service industry patrons. Tuesdays from 3-9 pm. The Golden Handle Project, 111 S. Cedar St. goldenhandle.org (509-868-0264)

2022

WEDNESDAY, FEBRUARY 16

MONDAY, FEBRUARY 21

FRIDAY, FEBRUARY 18

WEDNESDAY, FEBRUARY 23

LIVE MUSIC AT MICKDUFF’S DEVON WADE, FREE - 21+ - 6:30-9:30PM

FRIDAY, FEBRUARY 25

LIVE MUSIC AT EICHARDT’S LAUREN AND CHRIS LIVE MUSIC AT EICHARDT’S HEADWATERS

LIVE MUSIC AT EICHARDT’S JOHN FIRSHI

SATURDAY, FEBRUARY 19

FAMILY DAY AT THE GRANARY FUN FAMILY EVENTS AT MATCHWOOD / EVANS BROS MEL BROOKS YOUNG FRANKENSTEIN AT THE PANIDA LPO REPERTORY THEATER LIVE MUSIC AT THE 219 WITH SLO MOTION WALTER 9PM - MIDNIGHT, NO COVER 21+ LIVE MUSIC AT MATCHWOOD BREWING RUNAWAY SYMPHONY 8TH WINTER CARNIVAL CORNHOLE CLASSIC - NOON LIVE MUSIC AT MICKDUFF’S JOHN DAFFRON 6-9PM

SUNDAY, FEBRUARY 20

MARGHERITA MONDAY AT JALAPENOS

MEL BROOKS YOUNG FRANKENSTEIN AT THE PANIDA LPO REPERTORY THEATER MATINEE 3PM LIVE MUSIC AT THE LONG SHOT SWEET LILLIES

LIVE MUSIC AT EICHARDT’S HILLSTOMP LIVE MUSIC AT MICKDUFF’S OAK STREET CONNECTION, FREE - 21+ - 6:30-9:30PM

SATURDAY, FEBRUARY 26

WEIRD WONDERFUL PUB CRAWL NOON TO 6PM AT TRINITY/MICKDUFFS MEL BROOKS YOUNG FRANKENSTEIN AT THE PANIDA LPO REPERTORY THEATER CARNIVAL GAMES AT VARIOUS BUSINESSES DOWNTOWN SHOPPING DISTRICT LIVE MUSIC AT EICHARDT’S WAY DOWN NORTH LIVE MUSIC AT MICKDUFF’S OTHER WHITE MEAT, FREE 21+ - 6:30-9:30PM

SUNDAY, FEBRUARY 27 K9 KEG PULL NOON TO 6PM AT TRINITY/MICKDUFFS MEL BROOKS YOUNG FRANKENSTEIN AT THE PANIDA LPO REPERTORY THEATER MATINEE 3PM

Join us for our

For more festival info or lodging options please visit:

Weird WonderFul Winter carnival visitsandpoint.com or sandpointwintercarnival.com

SandpointChamberofCommerce_WinterCarnival_021722_10H_JI

FEBRUARY 17, 2022 INLANDER 37

RELATIONSHIPS

Advice Goddess DENSE LIKE NOBODY’S WATCHING

AMY ALKON

I read your column about why women apologize more than men, and the science makes sense. What you didn’t address is why men don’t admit they’re wrong or apologize. So while women operate according to the survival instincts you described, men oafishly bumble through life without a clue they screwed up and owe someone an apology. They don’t even know how to apologize in the first place! Explain that, science lady! —Annoyed

You’ve got loads of company in believing women default to “mea culpa” while men are all “mea do no wronga.” And sure, as you note, I did show that women apologize more often than men — both when they realize they’ve wronged somebody and in situations where an apology is beyond ridiculous: “I’m sorry, but could you pass the salt?” Women likewise use more hinty, tentative language (“I hate to bother you”) and “whimperatives,” linguist Jerrold Sadock’s term for direct orders — like “Stop yelling at me!” — meeked-up into questions: “Would you mind not yelling at me?” (Answer — at 90 decibels: “WELL, YEAH, I WOULD!”) Women don’t hide what they’re saying behind a bunch of verbal bramble because they’re weak. Female indirectness seems to have evolved to help ancestral mamas (and mamas-to-be) avert conflict and avoid retaliation and physical harm. A beatdown could easily break their reproductive “machinery” or jeopardize their ability to feed and care for babies they’d had — making it “goodbye forever!” for their genes. Because, right now in 2022, our minds are powered by antique, ancestral-era psychology, we women are still “programmed” to be mealymouths — despite how, these days, we can neatly take out any club-wielding brute with a well-aimed Hello Kitty-embossed Smith & Wesson. However, the fact that men apologize less frequently doesn’t mean they are less willing to apologize when they’ve wronged somebody. As social psychologist Karina Schumann put it in her research on sex differences in “apology behavior”: “Despite wide acceptance of the stereotype that women apologize more readily than men” (“more readily” being the important nuance), “there is little ... evidence to support this bias.” Schumann had male and female undergrads keep a diary for 12 days and log each time they apologized to someone — as well as each time they or someone else did something they felt called for an apology. There were four categories of offenses: failed obligations (like showing up late), inconveniences (calling a wrong number), physical offenses (denting a borrowed car), and “relational” offenses (hurtful interpersonal behavior like lying, cheating, or putting the toilet paper roll on “backward”). Schumann did find that the women apologized more than the men. But don’t gloat just yet! Women also reported doing more things they felt called for an apology. So, you could say, “Awww...see, they care more about how their behavior affects others!” However, the women also found more of others’ behaviors objectionable and apology-worthy. Men, on the other hand, showed more of a “whatever, dude” attitude about much of the stuff women found offensive. This attitude was reflected in research by psychologist Joyce Benenson on men’s and women’s issues with their college roommates. The women found their roommates much more obnoxious than the men found theirs: messier and louder, as well as smellier and more disgusting (“which is hard to believe,” writes Benenson, “as usually men care less than women about ... hygiene”). Schumann’s results suggest that “women offer more apologies than men do” (and are more likely to see an apology as necessary) “because women have a lower threshold for what constitutes offensive behavior.” This brings us to Schumann’s stereotypedebunking finding: “Men were no less willing than women were to apologize for their behavior once they categorized it as offensive.” And guess what: “Their apologies were similarly effusive.” Male-female differences in perception can lead to ugly misunderstandings. “For example,” Schumann notes, “If women perceive offenses that their male romantic partners do not notice, women might interpret an absence of an apology as evidence that their partners are indifferent to their well-being” (rather than the natural result of leaving a man to guess what he’s done). “Similarly, men may regard their female partners as overly sensitive.” However, the real issue seems to be that “men and women unwittingly disagree at an earlier stage in the process: identifying whether or not a transgression has even occurred.” Understanding this — what men and women don’t understand about each other — the supposedly worst apology (bordering on criminal!) that a husband or boyfriend can give, “I’m sorry you feel hurt,” isn’t necessarily the atrocity it’s made out to be. Look to a man’s intentions. Is he generally a good-hearted guy who shows you he loves you and wants to make you happy? If so, maybe give him credit for doing his semi-clueless best. Ultimately, for a man, love means never knowing exactly why you’re sorry. n ©2022, Amy Alkon, all rights reserved. • Got a problem? Write Amy Alkon, 171 Pier Ave, #280, Santa Monica, CA 90405 or email AdviceAmy@aol.com (www.advicegoddess.com)

38 INLANDER FEBRUARY 17, 2022

EVENTS | CALENDAR LONG SHADOWS WINEMAKER DINNER Winemaker Gilles Nicault co-hosts this all-inclusive, six-course pairing dinner featuring award-winning Long Shadows wine. $125, reservations and event deposit required. Feb. 23, 4:45 pm. $125. Gander & Ryegrass, 404 W. Main Ave. ganderandryegrass.com MEDICAL PERSONNEL APPRECIATION NIGHT All medical and healthcare-related personnel, students, staff and professionals receive a 20% discount off all GHP beer and food. Wednesdays from 3-9 pm. The Golden Handle Project, 111 S. Cedar St. goldenhandle.org (509-868-0264) WINE & PAINT Make an art piece for your home or to give as a gift while drinking wine with friends. New painting each month. Advance signup is required, cost of supplies included in registration cost. Fourth Wednesdays from 3-4:30 pm. $18-$22. Southside Community Center, 3151 E. 27th Ave. southsidescc.org (509-535-0803) INLANDER RESTAURANT WEEK The 10th annual, 10-day culinary celebration features almost 100 restaurants across the region serving three-course meals for $22, $33 or $44 each. This year’s charity partner is Big Table, which supports workers in the hospitality industry. Feb. 24-March 5. inlanderrestaurantweek.com THAI CURRIES Learn to make curries using authentic Thai curry paste with a variety of easy-to-find ingredients. You’ll make panang (red curry) with pork and winter squash, Thai red curry with shrimp, pineapple and peanuts, and Thai green curry with chicken, broccoli and mushrooms. Substitutions to accommodate dietary restrictions are available. Feb. 24, 6-8 pm. $69. Spokane Community College, 1810 N. Greene St. campusce.net/spokane/ course/course.aspx?c=1154

MUSIC

ARCIS SAXOPHONE QUARTET Munich’s award-winning quartet entertains audiences with their enthusiasm and passion for this rare form of chamber music. Feb. 17, 7:30-9:30 pm. $17$35. Myrtle Woldson Performing Arts Center, 211 E. Desmet Ave. gonzaga. edu/myrtle-woldson-performing-artscenter# (509-313-4776) BOGDAN OTA: WEDDING IN THE SKY He’s the winner of Norway’s Got Talent and a hidden gem living in Idaho. His one-of-a-kind concert celebrates the season of love. Feb. 18, 7:30 pm. $25$35. Kroc Center, 1765 W. Golf Course Rd. kroccda.org(208-667-1865) SATURDAY WITH THE SYMPHONY: A CHILDREN’S PROGRAM Join members of the Coeur d’Alene Symphony on for music-filled fun. This program is geared towards children, but parents are encouraged to join in the festivities. A music-themed storytime follows the symphony’s programming. Feb. 19, 11 am-noon. Free. Coeur d’Alene Public Library, 702 E. Front Ave. cdalibrary. org/library-events/symphony-february-2022/ (208-769-2315 ext 455) SPOKANE STRING QUARTET Featuring guest artist Derrick Parker, bassbaritone, and a celebration for Black History Month with works by Samuel Coleridge-Taylor and George Walker, plus Daniel Bernard Roumain’s String Quartet No. 5 “Rosa Parks.” Feb. 20, 3 pm. Bing Crosby Theater, 901 W.

Sprague Ave. bingcrosbytheater.com GONZAGA WINTER JAZZ CONCERT Featuring all seven Gonzaga Jazz Ensembles in a one-hour concert. A wide variety of jazz styles is performed, including classic jazz, big band jazz, contemporary/experimental jazz and jazz-rock fusion. Feb. 23, 7-8 pm. Free. Myrtle Woldson Performing Arts Center, 211 E. Desmet Ave. gonzaga.edu/ college-of-arts-sciences/departments/ music/performance-calendar-and-tickets (509-313-6733) WEDNESDAY EVENING CONTRA DANCE Join the Spokane Folklore Society each Wednesday for contra dancing. Proof of Covid-19 vaccination required. Wednesdays from 7:30-9:30 pm. $7-$10. Woman’s Club of Spokane, 1428 W. Ninth. womansclubspokane. org (509-869-5997) HEALING HARMONIES An evening of music and the stories behind the songs performed. Performers include Collin Raye and the Frontmen. Proceeds support Cancer Care Northwest Foundation. Feb. 24, 8 pm. $25-$65. Martin Woldson Theater at The Fox, 1001 W. Sprague Ave. ccnwf.org HOLD FAST TO DREAMS This GU Choir program has themes of resilience, remembrance and responsibility. Selections highlight the struggle for social justice, Black history and excellence, LGBTQIA+, gender equity, the COVID-19 pandemic and the plight of refugees. Feb. 26, 7:30 pm. Free. Myrtle Woldson Performing Arts Center, 211 E. Desmet Ave. gonzaga.edu (509-313-4776) ODYSSEY OF THE STARS: EWU CHAMBER MUSIC CONCERT A concert featuring EWU students and faculty performing a variety of works for small ensembles. Proceeds benefit the EWU Music Department. Feb. 27, 3-5 pm. $10-$20. Bing Crosby Theater, 901 W. Sprague Ave. bingcrosbytheater.com GONZAGA SYMPHONY ORCHESTRA CONCERT Internationally acclaimed pianist Alon Goldstein performs with the Gonzaga Symphony Orchestra for the spring concert. Free for Gonzaga students/employees. Feb. 28, 7:30 pm. $14-$17. Myrtle Woldson Performing Arts Center, 211 E. Desmet Ave. gonzaga.edu/gonzaga-symphony-orchestra/ performance-calendar (509-313-6733)

SPORTS & OUTDOORS

CROSS COUNTRY SKI LESSON Learn the basics of cross-country skiing at Mt. Spokane. Lessons are taught by Spokane Nordic Ski Association’s certified instructors. Additional information emailed after registration. Sessions offered on select dates through March, from 10 am-2 pm. $34/$59. Register at spokanerec.org (509-755-2489) NIGHT SKIING SESSIONS Mt. Spokane offers night-skiing sessions every Wed-Sat from 3-9 pm, through March 12. $32. Mt. Spokane Ski & Snowboard Park, 29500 N. Mt. Spokane Park Dr. mtspokane.com (509-238-2220) SANDPOINT WINTER CARNIVAL After a two-year hiatus, one of the biggest events of the winter is back. The 10-day festival includes the Parade of Lights downtown, events on Schweitzer Mountain, live music and parties, and the beloved K9 Keg Pull. Feb. 11-21. sandpointchamber.org BANFF MOUNTAIN FILM FESTIVAL

The prestigious mountain festival is held every fall in Banff, Alberta, after which it travels the globe. At each screening around the world, audiences see a selection of award-winning films and crowd favorites from the 100s of entries. Feb. 18-19 at 7 pm. $24. Bing Crosby Theater, 901 W. Sprague Ave. bingcrosbytheater.com WSU WOMEN’S BASKETBALL VS. ARIZONA STATE Regular season game. Feb. 18, 7 pm. $5-$10. Beasley Coliseum, 925 NE Fairway Rd. beasley.wsu. edu (509-335-3525) CROSS COUNTRY SKI LESSON Learn to cross country ski the trails of 49 Degrees North’s nordic area with certified ski instructors. Fee includes instruction, equipment, trail pass and a guided tour after lunch (BYO). Ages 13+. Feb. 19 and March 5, 10 am-2 pm. $53. Register at spokanerec.org (509-755-2489) SPOKANE GOLF SHOW Find deals on golf rounds, equipment and golf travel. Test your skills at the long-drive and long-putt contest. Also includes a free instructional area and kids area. Feb. 19, 9 am-5 pm and Feb. 20, 10 am-4 pm. $12. Spokane Convention Center, 334 W. Spokane Falls Blvd. SpokaneGolfShow.com (509-621-0125) LET IT GLOW FIREWORKS SHOW The annual, free community fireworks show over the Village in celebration of President’s Day weekend. Feb. 20, 6 pm. Free. Schweitzer, 10,000 Schweitzer Mountain Rd. schweitzer.com SNOWSHOE & MEAD TASTING A 2 to 3-mile snowshoe tour, open to beginners, followed by a mead tasting at Green Bluff’s Hierophant Meadery. Ages 21+. Feb. 20 and March 20, 9 am3:30 pm. $43. spokanerec.org WSU WOMEN’S BASKETBALL VS. ARIZONA WILDCATS Regular season game. Feb. 20, noon. $5-$10. Beasley Coliseum, 925 NE Fairway Rd. beasley. wsu.edu (509-335-3525)

THEATER

PETER AND THE STARCATCHER The Tony-winning play, based on the bestselling novels, upends the century-old story of how a miserable orphan boy becomes the legendary Peter Pan. Feb. 16-18 and Feb. 19-20, times vary. $13$15. TAC at the Lake, 22910 E. Appleway Ave. tacatthelake.com (509-432-1890) THE PLAY THAT GOES WRONG The story of Cornley Drama Society’s newest production, “The Murder at Haversham Manor,” where things are quickly going from bad to disastrous. Thu-Sat at 7:30 pm, Sun at 2 pm through Feb. 20. $10-$35. Spokane Civic Theatre, 1020 N. Howard St. spokanecivictheatre.com (509-325-2507) BARRYMORE Patrick Treadway reprises one of his famous roles as Barrymore returns to the stage. This oneman show is set in 1942, where the once world-famous actor is battling age and addiction while he attempts to make a theatrical comeback. Ages 16+. Feb. 1819 at 7 pm and Feb. 20 at 2 pm. $20$30. Stage Left Theater, 108 W. Third Ave. stagelefttheater.org DISNEY’S FREAKY FRIDAY - A NEW MUSICAL A new musical based on the celebrated novel by Mary Rodgers and the hit Disney films. Fri at 7 pm, SatSun at 2 pm through Feb. 20. $12-$16. Spokane Children’s Theatre, 2727 N. Madelia. spokanechildrenstheatre.org (509-328-4886)

LIVING VOICES: THROUGH THE EYES OF A FRIEND The enduring, inspiring story of Anne Frank told from a unique perspective. Feb. 18, 7 pm. $16. Panida Theater, 300 N. First Ave. artinsandpoint.org

BUSINESS ADVICE FOR THE REST OF US.

WORDS

ART HISTORY LECTURE: YAYOI KUSAMA Whitworth professor and art historian Dr. Meredith Shimizu, continues her lecture series on 20th century women artists with a look at the artwork of Japanese contemporary artist Yayoi Kusama. Feb. 17, 6:30-7:30 pm. $10. The MAC, 2316 W. First Ave. northwestmuseum.org AN EVENING WITH ROBIN WALL KIMMERER Award-winning author Robin Wall Kimmerer’s book “Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants,” is about alternative forms of Indigenous knowledge outside of traditional scientific methodologies. The book reframes the relationship between land and humans by exploring themes of reciprocity. Feb. 17, 5:30-7 pm. Free. gonzaga.edu/center-for-climatesociety-environment/events POETRY CELEBRATION FOR BLACK HISTORY MONTH Local poet Stephen Pitters shares from his book “Aftermath,” about change in the U.S., hope, adjustment, love and family. Feb. 17, 11:30 am-noon. Free. Online: events.spokanelibrary.org/ event/5891608 (509-444-5300) SPOKANE PRESERVATION ADVOCATES LECTURE SERIES: REVIVAL BY GEORGE J. Phillip Gruen, an associate professor in the School of Design and Construction at WSU is an architectural historian and focues on the early 20th-century development of the WSU campus, characterized by a red-brick, Georgian Revival architectural heritage. Feb. 17, 6 pm. $10 (free for SPA members). Online: spokanepreservation.org ARTIST TALK: POSIE KALIN Art program director Posie Kalin discusses “Deep Looking,” a group exhibition highlighting the works of high school students and artists from the Inland Northwest, the Willamette Valley, Washington’s coastal regions and Northern California. Feb. 18, 6 pm. Free. Saranac Art Projects, 25 W. Main Ave. facebook.com/ events/2199999616832107 SCC DIVERSITY SPEAKER SERIES: MICHELLE LIU Liu (she/her) is a professor of English and associate director of writing programs at the University of Washington. She specializes in writing and exploring ideas about identity, history, emotion, and storytelling. Feb. 23, 6:307:30 pm. Free. Hagan Foundation Center for the Humanities, 1810 N. Greene St. scc.spokane.edu WILLA RICHARDS The poet and fiction writer from Milwaukee, Wisconsin’s newest release, “The Comfort of Monsters,” released in July 2021. Feb. 23, 6 pm. Free. Whitworth University, Weyerhaeuser Hall Auditorium, 300 W. Hawthorne Rd. whitworth.edu (509-777-4765) DRAG CULTURE: BEYOND ENTERTAINMENT Join drag king performer Ceasar Hart and explore the history of drag culture and why it’s so important for many in the LGBTQ+ community. Feb. 25, 6:30 pm. Free. Online: humanities.org n

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Now on Inlander.com: National and international stories from the New York Times to go with the fresh, local news we deliver every day FEBRUARY 17, 2022 INLANDER 39

113 chemicals have been identified in cannabis.

EFFECTS

Cannabis’ Big Three

are known as cannabinoids. While they all play some role, however small, in the plant’s effects on users, there are three above all that users should be familiar with.

THC

BY WILL MAUPIN

Tetrahydrocannabinol, also known as Delta-9-THC or THC for short, is the chemical in cannabis most responsible for the plant’s intoxicating effects. As a result, consumers looking to determine the approximate strength of cannabis products can look to THC content as a guide, similar to how consumers can use the alcohol-by-volume content of beer or wine. In Washington, all cannabis products are required to list the percentage of THC by weight present on the product’s label. By and large, THC does not occur in the cannabis plant, but rather exists as the nonintoxicating tetrahydrocannabinolic acid. When heated, whether by a lighter, vaporizor or through the cooking process, tetrahydrocannabinolic acid breaks down into active THC.

nlike coffee, which perks drinkers up with caffeine, or booze, which imparts drunkenness through alcohol, the effects of cannabis come not from just one chemical, but more than 100. These chemicals, of which 113 have been identified in the plant,

Cannabidiol, also known as CBD, is a cannabinoid known to have many nonintoxicating effects. While CBD is not intoxicating on its own, its presence impacts the body’s response to THC, making it something of a sec-

When it comes to cannabis’ effects, three of the plant’s 113 chemicals do most of the work

CBD

7.4” wide by 2.6” high

ondary factor in determining a cannabis product’s effects. Higher concentrations of CBD relative to THC can, for example, diminish the “high” a user will experience. CBD has been studied for its numerous medicinal and therapeutic benefits, ranging from over-the-counter pain and anxiety relief to FDA-approved prescription seizure medications. CBD products have become widespread nationally since 2018, when the federal government legalized hemp.

CBN

Cannabinol, also known as CBN, was the first cannabinoid known to science. Researchers isolated CBN from cannabis in the late 1800s and by 1940 were capable of synthesizing it in a lab. CBN occurs in small amounts in fresh cannabis, with its concentration increasing in harvested plant matter over time. As a result, consumers can increase the amount of CBN in their cannabis by allowing it to age in the open air. CBN has less of an affinity to the body’s cannabinoid receptors compared with THC, making it a less potent intoxicant. Unlike CBD, however, CBN can produce noticeable intoxication. It is often used in combination with THC and CBD in topical products. n

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40 INLANDER FEBRUARY 17, 2022

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DOWN 1. Prohibit 2. Professor’s email address ending 3. Wee bit 4. Negative campaigner’s tactic 5. Alternative to Amtrak’s Northeast Regional 6. Pablo Picasso’s designer daughter 7. Suffix for east, west, north or south 8. “Get what I’m saying?” 9. Triage team member 10. “Doe, ____ ...” 11. One-point throw in horseshoes 12. Having foliage 17. ‘Fore

48 52

47 53

50 55

58 60

“ORONYM”

18. TV’s ____ Raw 21. Apt. units 22. Ugandan dictator Amin 23. Carol, e.g. 24. Deliberately grill too long 25. Ezra Pound, e.g. 26. Apt surname for a mechanic 31. Wray of “King Kong” 32. Words with a ring to them?

33. Critical marks on treasure maps 35. Stumblebum 36. Grammy winner for 2001’s “Lady Marmalade” 37. Costly Super Bowl purchases 39. Puzzle solvers’ cries 40. Suit to ____ 41. Some House votes 44. Rural road feature

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39 42

28 31

70. Action figure? 71. Maker of Ultimate Eye Cream

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9 15

19 22

ACROSS 1. Many are placed in Vegas 5. Some sign language users 9. Landlocked African nation 13. Name that derives from the Hebrew word for “earth” 14. Be emotionally invested 15. First home for 13-Across 16. Recovery program for naked fish? 19. Guthrie who sang at Woodstock 20. Frank 22. “My thing is yelling ‘butter pecan!!!’ and ‘mint chocolate chip!!!’”? 27. Head-slapper’s cry 28. Reddit Q&A 29. They play behind first and second basemen: Abbr. 30. Up the creek 34. Lead-in to therapy 38. Perfectly overcast 24 hours?

45. Genre that influenced No Doubt 46. How to collect $200 in Monopoly 47. Chipped in 49. Hard to come by 52. “Pull Over” rapper 53. Nervous state 54. Palindromic Dutch city 55. Award won twice by Hammerstein, fittingly 56. “Love Jones”

actress Long 57. ‘90s exercise fad 61. Laid low 62. Brian who composed the “Prophecy Theme” for the 1984 film “Dune” 63. It’s found on the rim of la copa de margarita 64. Letters between aliases 65. Daisy Ridley’s “Star Wars” role

FEBRUARY 17, 2022 INLANDER 43

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