Childhood “Troubles” come into focus in Belfast.
REVIEW
GROWING PAINS
Director Kenneth Branaugh taps his childhood for a moving glimpse at Belfast BY CHASE HUTCHINSON
T
he conflicts of the world — of our past as well as our present — when seen through the eyes of our children will always be filtered through a combination of profound curiosity and youthful innocence. It is that eventual loss of innocence, with all the pain that comes with it, that makes coming-of-age stories such stalwarts of cinema. It is all about growing up when the world is in chaos around you. That is the approach that Belfast chooses to take. It’s a heartfelt family drama set against the backdrop of sectarian violence in late 1960s Northern Ireland, and writer-director Kenneth Branagh takes us through a story closely aligned with his own childhood. He does so with a gentle hand that, while occasionally softening some of the more impactful elements, still arrives at something emotionally resonant. The story centers on 9-year-old Buddy, played by Jude Hill, who’s interested in all the things a boy his age would be. He is working to do well in school, in part to impress his crush, and enjoys seeing every movie imagin-
42 INLANDER NOVEMBER 11, 2021
able. Shot in black and white, it feels almost quaint to see Buddy navigating his early life. In an opening scene, this seemingly idyllic childhood is disrupted when violence breaks out as his community is attacked by those seeking to target his Catholic neighbors. The conflict known as “the Troubles” pitted Northern Ireland’s predominantly Protestant unionists and loyalists, who wanted to remain in the United Kingdom, against predominantly Catholic nationalists and republicans who wanted a united Ireland free of the United Kingdom. Branagh is less interested in delving much into the nitty gritty of the Troubles as he is about painting a portrait of a family trying to determine its own future. This is seen when Pa (Jamie Dornan) and Ma (Caitriona Balfe) hold frequent hushed conversations about whether to take Buddy and his brother, Will (Lewis McAskie), out of the country for a more stable future. There is a central tension at play in Belfast with how Branagh chooses to filter history through this narrative
lens. The film sands down much of the rougher edges and, especially early on, runs the risk of losing much in the process. Pain is a part of life, and this was indeed a painful time. If you take that away too much, you create the conditions to not feel as much as you should about the story. Thankfully, Branagh rights the ship and delicately threads this tonal needle. The elements of history and the conflict do remain distant, told mostly through news broadBELFAST casts, though it still comes Rated PG-13 Directed by Kenneth Branagh crashing in at key moments Starring Jude Hill, Judi Dench, that remind you how tenuous life is. It is that central issue, Jamie Dornan about having to decide whether to leave everything you know and love behind, that draws you in and holds you. Perhaps despite myself, I found my cynicism melting away. This is in part due to how many of the humorous breaks in the story are earned and genuine, with Hill giv-
