FRESNELS MADE PORTABLE.

Astera’s new Fresnels offer a 15° to 60° beam angle and superior colors, thanks to its Titan LED Engine. Both models contain a battery and feature numours mounting options, making them the most portable Fresnel option for film, studio and event lighting.

Backside display with TouchSlider

Projection lens with Zoom coming end of 2023

ANTON/BAUER

The Anton/Bauer VCLX NM2 block battery delivers reliable power at 14.4V, 28V, and 48V for high-current cameras and lights. Its 2.4” colour LCD monitors the run-time, charge time, and active power draw, while VCLX smart technology maximises efficiency. The battery is made of anodized aluminium, has passive cooling and water-resistant casing, and includes fleet management software for real-time diagnostics. www.antonbauer.com www.videndum.com

Arri

After a successful NAB Show, ARRI is showcasing its multi-faceted expertise, diverse portfolio, and customtailored solutions at Cine Gear Expo 2023. At the show ARRI is highlighting Orbiter and its entire LED portfolio with a focus on Fresnel and Projection optics. Visitors can experience how ARRI’s sophisticated IP-based LED lights in combination with camera systems deliver cinematic images and efficient workflow synergies.

ARRI’s flagship large-format cinematography cameras, the Alexa 35 and the Alexa Mini LF, are also featured along with a workflow station focusing on Reveal Color Science. Signature Prime and Zoom lenses with the new Impression V Filters will be on display, along with the new Zoom Main Unit ZMU 4 that seamlessly transitions between wired and wireless configurations and enables versatile, clutterfree camera builds with faster on-set workflows. The new Tally System Gen.2 and Camera Control Panel CCP Live which make the ARRI Trinity and Artemis stabilisers even more suitable for live, multi-camera environments will also be at the show.

Aputure

Curious about the lights that Aputure has to offer?

With its reputation as an up-and-coming LED lighting manufacturer, with fans around the world, the company is bound to spark the interest of industry professionals. Stop by their booth during Euro Cine Expo 2023, where the Aputure Europe team will be on hand to bring you up to speed about the latest developments – from their flagship models like the LS 600c Pro, LS 1200d Pro and MC Pro, to the recently released, Infinibars. They guarantee that they can convince you of the power of LED when it comes to filmmaking.

www.aputure.com www.arri.com

ARRI Solutions, the company’s fully-dedicated business unit, has been established to meet the growing global demand for high-quality integrated systems within cuttingedge production environments. The division expands and solidifies ARRI’s activities in studio and virtual production and will demonstrate workflow solutions for studio owners, operators, and content producers.

Arri Rental

ARRI Rental will showcase its latest exclusive products, including the new Heroes lens collection, comprising Look primes that feature a third lens ring for instant detuning, and T.ONE primes that retain sharpness and contrast at T1.0.

The new fleet of ARRI Rental Monochrome cameras will be represented. The Alexa 65 Monochrome, Mini LF Monochrome, and XT Monochrome cover the 65 mm, full frame, and S35 formats. These cameras offer intriguing possibilities for infrared cinematography; DP Chayse Irvin CSC ASC used one on Blonde to shoot actress Ana de Armas in complete darkness.

Other exclusive ARRI Rental lens offerings will be on display: the Moviecam series, Alfa Anamorphics and DNA optics, used recently on All Quiet On The Western Front, The Rings Of Power, and House Of The Dragon Visitors can also try out the new Varicon 2, which uses RGB LEDs to facilitate targeted contrast control. www.arrirental.com

Avenger

Avenger’s Buccaneer is a heavy-duty cine lighting support which responds to industry demands for a low-loading height, TÜV-certified, wind-up stand that achieves a 3m/9.84ft maximum height.

There is a now a huge focus on safety during production and Avenger are fully onboard. Operator safety is Avenger’s biggest priority, which is why it offers one of the industry’s largest ranges of TÜV, CE and UKCAcertified grip and support equipment on the market. These certifications offer a guarantee to the user that the product has been thoroughly tested by an impartial external body, ensuring it meets the most stringent safety guidelines to help protect everyone on set.

When Avenger was asked by users for a low-loading, wind-up stand that would help improve safety-onset by reducing the chance of injury from heavy manual lifting, the challenge was set. Avenger’s team of engineers set to work. The company says the Buccaneer is in a class of its own with its treasure chest of features, helping it to revolutionise lighting supports and keep users safe.

www.videndum.com

Cineo Lighting

To be showcased at Cine Gear Expo Los Angeles (booth S1534) and Euro Cine Expo (booth 2-007), the single-zone Quantum Ladder from Cineo Lighting is the ideal solution for space and backdrop lighting for film, broadcast studios, commercials and streaming productions. With the Quantum Ladder’s high-output of 100,000 lumens, impressive colour temperature range of 2500K to 10,000K, and 64,000 presets/ effects, this rugged and durable light fixture is customisable for all settings. The lightweight frame is easily-transportable, weighing in at just 40lbs (18kg). The Quantum Ladder features a built-in power supply that also provides the extraordinary white spectrum standard in all Cineo lights.

The Quantum Ladder is equipped with Cineo StageLynx, the powerful lighting control software designed with lighting professionals in mind. Its intuitive, easy-to-navigate touchscreen interface, gives users the capability to control and network multiple Cineo light fixtures together with ease, whether through the builtin Cineo StageLynx OS or with the Cineo StageLynx mobile app.

The Cineo team will be providing demonstrations of the Cineo StageLynx OS and app along with their full suite of Cineo Lighting fixtures including the Quantum Ladder, Quantum Studio, Quantum II, LB800, and Reflex R15, at both upcoming events. www.cineolighting.com

Cmotion

As the industry moves on to cameras with bigger sensors, brighter lights and more powerful camera movements, the demand for power increases accordingly. Whilst progress is constant in other departments, power management has fallen behind. Until now!

Cmotion has launched the Mainstation MST1, claiming the first ultra-compact, high-power device of its kind, designed to solve the power problems encountered on most film sets. The Mainstation MST1 is an input manager, a high-power multi-rail power converter and a three bay charger. It has five hot-swappable inputs and six regulated, always-on, outputs, providing up to 1000W of power, designed to safely power devices in the 5VDC – 48VDC range. Extensive design ensures intuitive, safe and reliable operation covering all usual use-cases regardless of department. Complete capability list, technical details and specs can be found online. www.cmotion.eu channel on the DMX charts. www.creamsource.com

CRMX2 is now fully-supported, allowing users to work with LumenRadio’s Stardust and choose which of the 8 outputs to receive (A-H), or enter a linking key for manual linking. The Vortex now has the capability to act as a CRMX Transmitter, allowing for incoming sACN, wired DMX or Bluetooth data to be wirelessly forwarded via CRMX to other fixtures.

Additionally, the CRMX TimoTwo module firmware can be updated to the latest version (1.0.6.3) from within CreamOS, without needing to use the LumenRadio CRMX Toolbox Bluetooth app.

Dedolight

On show will be the latest technology from Dedolight, including Dedolight NEO next-generation ballasts, one of which can activate 34 different focussing LED Dedollights. Key features including: smooth dimming from virtually zero to 100%; colour temperature of 2700 to 6600K; power with V-lock or AC power; DMX control; and perfect colour reproduction.

NEO Color is an 80w adjustable multi-colour focussing Dedolight with a 6:1 variable beam angle with unparalleled Dedolight optics, and powered by a cutting-edge red, green, blue, amber, cyan, and lime “Hyperlight Color Engine” courtesy of Prolycht.

Cinetica

This year for the first time German company Cinetica will be at the Euro Cine Expo with its Nu.Tron camera arm/ jib, a versatile, patented and purely mechanical system that is developed and produced in Munich. The Nu.Tron triumphed at the TV und Fernseh Kamera Awards 2022 in the best grip and accessories category, and caused a lot of buzz on social media channels due to its flexibility in creating stable hand-held camera movements.

The start-up from Munich has landed a real coup with the Nu.Tron – it has already been used on many feature film, music video and commercial sets, as well as and in documentaries, and also belongs to the fixed portfolio of ARRI Rental and other distributors. Cinetica will welcome you at Stand 1-028 in Hall 1 (Kohlebunker / Coal Bunker) across from the main entrance. www.cinetica.org

Creamsource

Creamsource has released new firmware for its flagship Vortex series. Multi-lingual support updates enable the user interface to be operated in several languages, including Chinese (Simplified), Japanese, Korean, French, Italian, German, Spanish, Portuguese and English.

The Reduced Zone DMX modes allow users to operate the light with 2 or 4 pixels in Split, Bars and Grid configurations, saving on DMX footprint when not all zones are needed. 30 new DMX modes have been introduced, providing even more flexibility for lighting professionals.

The new Control Channel feature allows users to change settings like High-Speed Mode, DMX Smoothing, Dimming Curve, and more over DMX without the need to physically access the fixture or use RDM. This is done using the previously ‘reserved’

Also on show will be the Dedolight PB70 2.5K parabolic light - this has over double the output of its predecessor the PB70. For those working with reflected light, and requiring high output, the Dedolight PB70 2.5K represents the pinnacle of what is available in the Dedolight Lightstream system.

Godox

Watch out! The Knowled MG1200Bi is coming. With determined pursuit of production-ready standards and the vision of Knowled brand, the all-new MG1200Bi promises performance on set, with 1200W full output across colour temperature, stunning brightness and other features.

Built as the ultimate workhorse for ultra-brightness on set, the MG1200Bi adopts Godox’s COB technology to ensure a full 1200W power draw in any colour temperature between 2800k to 6500K. The powerful fixture delivers brightness up to 78800Lux at 5600K, 3 meters with the Fresnel lens, on par a 1.8kW PAR. Blending technology is designed to enable flawless blending results with the MG1200Bi. Designed without chip optics, the MG1200Bi delivers an even, natural and sharp beam of light to mimic sunlight. Even equipped with optics like reflectors, Fresnel lens, or projection attachment, the light beam is still even and natural.

The power source can be adjusted by the finest grade, allowing for smooth dimming from 0.1% to 100% with increments of less than 2 watts. And the precision starts from 0.1%, ensuring fine tuning in the full brightness range. www.godox.com

K5600 Lighting

K5600 has introduced One Stop, a new company whose goal is to sell to everybody and rent to European rental companies exclusively, lighting fixtures and accessories. Apart from the obvious K5600 lights, such as Jokers and Alphas, the One Stop operation, based close to Paris CDG airport, is renting exciting existing products such as the Litemover remote system for pan, tilt and focus of big lights.

Designing solutions for every need is also a mission of One Stop. With 30 years manufacturing experience, making unique lights and grip in small quantities, these tools will be for rental to start with. In that spirit, 16 x 300W Bi-colour Slice panels are being made, and a redesigned Big Eye to receive a Joker 300W LED, a Forza 500 or an Evoke 1200 is also underway.

At Euro Cine Expo, One Stop will introducing a new brand, Performing Rigs, which produces a range of compact rig systems for food commercials to make water blow, cereals fly and liquids pour. Five easy set-up rigs for astounding results include: Jump Kit, a large format concussion platform with hollow design; Launch Kit, a multi-angle concussion platform for projecting solids & liquids. Jet Kit, a sprayer with adjustable pressure and flow rate; Twirl Kit, a compact, heavy-duty turntable, and Pour Kit, a rotational motion, modular design. www.k5600.eu www.performingrigs.com

Grip Factory Munich

GFM is thrilled to be returning to the Euro Cine Expo, where it will be showcasing its latest range of Grip Equipment and accessories.

One of the standout products is the GF-Mod Jib, a highlyversatile and customisable jib that provides smooth and stable movement, making it ideal for capturing dynamic, sweeping shots. The company is also showcasing its GFTurtle Base, a highly-durable and customisable dolly or bazooka base that can be adapted to meet the specific needs of any production.

GFM understands that grip equipment is an essential part of any production, and is committed to providing the highest-quality equipment and accessories to its clients. The team will be on hand at the Euro Cine Expo to provide demonstrations, answer any questions you may have, and offer advice on how to get the most out of your equipment.

GFM believes that building strong relationships with clients is crucial, and they look forward to connecting with fellow industry professionals, over a drink, and showing how the range of products and accessories can help take your production to the next level. www.gripfactory.com

Leitz

Ernst Leitz Wetzlar will be at Euro Cine Expo and Cine Gear Expo showing its latest and greatest lenses, including two new sets of full frame primes that are now delivering. Take a closer look at the Leitz Hugo and Leitz Elsie lenses, as well as the amazing optics of the Leitz Zooms.

The Leitz Elsie primes are specifically-designed for cinematography and well-matched with no breathing. They exhibit classic, slightly warm Leitz colour temperature for beautiful skin tones and true colours. Featuring a large image circle, they illuminate beyond full frame but focus and resolution starts to fall off towards the edges, drawing viewers’ attention inward.

The Leitz Hugo primes are compact, lightweight and fast at T1.5. They use the same iconic optics as Leica M and Leitz M 0.8 lenses, but with a cine-style housing, longer focus throws, closer minimum focus, and production-ready durability. They have strong field curvature over the full frame with notable loss of focus, resolution, and illumination in the corners.

The Leitz Zooms come in two focal ranges: 25-75mm and 55-125mm, both T2.8 with no ramping and full frame coverage. These parfocal lenses shoot like primes, are suitable for any production environment, and match beautifully with many lenses, especially Leitz. They work well with other lenses when seeking a more humane, less clinical look. You can take a closer look at all these lenses at the Leitz stand. www.leitz-cine.com

LICHT-TECHNIK

For 40 years, Licht-Technik Vertriebs GmbH has traded with self-developed and manufactured devices including motorised stirrups, mechanical dimmer shutters, colour changers, DMX desks and many other tools for lighting.

The company also offers lighting solutions like Bag-oLight and SkyLight. The Bag-o-Light is an inflatable light diffuser, the SkyLight, a rectangular overhead lighting rig which have become hits on car commercials. The BagO-Light light diffuser is based around a PAR headlight which shines into an inflatable tube, producing a soft shadow free source which be used as a fill light on commercials and film sets.

All products used worldwide in the movie industry, on TV productions, in theatres, opera houses, stages and at big show events. The rental side of the business supplies and supports hundreds of shoots every year, making the company a firm favourite amongst gaffers, directors of photography and lighting designers worldwide. www.licht-technik.com

Litegear

The LiteMat Spectrum (2023) series and the LiteDimmer Spectrum AC/DC 200 & 400 made their debut at NAB Show and will also be shown at Cine Gear Expo and at the Euro Cine Expo

The LiteMat Spectrum (2023) series offers six convenient sizes – LiteMat 1, LiteMat 2, LiteMat 2L, LiteMat 3, LiteMat 4, and LiteMat 8. Joining the next generation LiteMat Spectrum (2023) are the new LiteDimmer Spectrum AC/DC 200 & LiteDimmer Spectrum AC/DC 400.

The re-engineered LiteMat, powered by Spectrum technology, offers improved dimming performance, powerful companion dimmers, up to 8 pixel-mappable large-format pixels, and buttery smooth low-end dimming. This full-colour light source combines high-quality colour rendition and precision control in one sleek, easy-to-use package. For the first time, Spectrum colour technology is being brought to a LiteMat 8. With eight large-format pixels, the control and effects possibilities are endless. The large surface area, producing a broad soft quality of light, and full colour changing capabilities make it the most powerful and versatile LiteMat to date. LiteGear offers a full line of accessories for LiteMat including skirts, diffusions, grids, mounting options, and more.

The new LiteDimmer Spectrum AC/DC 200 & 400 are part of a new class of dimmers packed with exceptional new features, an ergonomic design, and ultra-compact form factor. The AC/DC 200 & 400 can control multiple large-format pixels, making pixel mapping of the LiteMat Spectrum easier than ever. Specially designed with AC and DC power options, integrated power supply, advanced processing power, Ethernet switch, expanded memory, and a faster processor, this new hardware allows for easy operation and cutting-edge software features. www.litegear.com www.kinoflo.com

Driven by the Megapixel VR Helios LED processor, Mimik 120 delivers flexibility for control through either the Helios processor or by delegating certain functionality to the lighting desk. Embodied in a lightweight carbon fiber frame, Mimik 120 adapts to on-set configurations with easy mobility, revolutionising foreground lighting for virtual sets with future-proof technology that expands real-time and post-production options and enables latency-free synchronization to an LED volume.

Mimik 120 is a first of its kind that delivers extended spectral bandwidth and cinematic colour fidelity when lighting talent and set elements in virtual production environments.

Matthews Studio Equipment

Matthews is highlighting tools dedicated to safe support and handling of camera and lighting equipment. Its newest tool essential is small in size yet offers a new way to level-up the camera rig. The latest addition to the patented Infinity Arm family, new interchangeable ARRI-style Anti-Rotation Tip is designed to save time and energy while safely rigging the camera in any popular cage with 3/8” threads.

Don’t miss the Air

Climber pneumatically controlled, modular grip and lighting stand that safely raises lights or camera rigs 25 feet/7.62 meters! It’s the perfect a companion for Litemover which adjusts lighting fixtures once in place to provide smooth remote pan, tilt and spot/ flood focus control remotely from ground level. Another amazingly versatile support tool is the Academy SciTech-winning Max Menace Arm, which supports up to 175 pounds/80kg allowing light placement anywhere over walls and in places where lifts are restricted and a small footprint is essential—without damaging the integrity of the location.

Litepanels

The Litepanels Gemini 2x1 Hard LED Panel produces up to 23,000 lux of cinematic lighting and offers full RGBWW output with special effects. It has a 20° beam and a soft 100° wash, with perfect skin tone rendering and no colour shift or flicker. The fixture is lightweight, weighing only 25.3lbs, and includes integrated DMX and CRMX for efficient control during rigging.

www.litepanels.com www.videndum.com

Manfrotto

The Manfrotto Panoramic Background is a collapsible 4m (13’ wide), 2.3m (7’5” high) background that folds down neatly into its own carry case and fits easily into a car. Weighing 9kg (19.8lb) it is designed for busy image-makers on the move. The background is completely self-supporting and can be set up in minutes. The structure comprises three individual aluminium framed sections, connected together with a hinge clip to allow the background to be set up flat to lean against a wall or with the side frames folded in to create a wraparound effect. The Chroma Key Green cover just simply clips to the aluminium frame and creates a taught, seamless surface.

In keeping with Manfrotto’s existing chroma key range, modular floor strips offer the professional content creator flexibility; one day they may need only one panoramic background with a single floor strip, the next they may need two panoramic backgrounds joined together and a large floor area to work with in a wraparound studio set up. The beauty of this solution is that it gives the user the ability to customise their set up each time they use it.

Being vinyl, they are also wipe clean, crease free and reusable and they also have a matte finish, which prevents any unwanted reflections and aids seamless keying in post-production.

Kino Flo

Enter a new era with Kino Flo Lighting Systems and their award-winning Mimik 120 image-based lighting tile. An NAB Show 2023 Product Of The Year, it creates utmost realism on-set with its innovative ability to mirror content, whilst instantly applying a higher tonal and colour rendering range. Mimik 120 incorporates Kino Flo’s innovative and patented Matchmaker technology, translating an incoming RGB video signal into five individual emitters that generate synchronised full-spectrum foreground lighting.

www.manfrotto.com www.videndum.com www.msegrip.com

Known for its ubiquitous C-stand Matthews will show Monitor Stand II with Big F’ ing Wheels, Mini Mombo Combo, Slider Stand, and Mini-Max Boom, smaller version of its counterpart that fits about anywhere. For extreme camera positions there’s CAMTank and Dovetail CrossPlate to safely angle in how-do-I-do-that positions. As for support tripods, there’s the 3iSpreader for a better footing. Also highlighting the world’s most resourceful hardware solutions, Matthews will show the LB2 Location Baby Bracket mounting wonder, and the hold anything Goboplate plate Baby Pin. Check out versatile Gatorbuddy.

Nanlux

Nanlux exhibited at NAB, and also plans to show at Cine Gear Expo and Euro Cine Expo.

The company will showcase the whole range of trustworthy and powerful LED fixtures for larger scale productions. Leading the family is the newly-released Evoke 900C LED RGBLAC Spot Light, incorporated with all state-ofthe-art technologies from Nanlux and equipped with a RGBLAC six-colour mixing system. The Evoke 1200 and LED Daylight and Bi-colour LED Spot Light, both lights feature 1200W power draw and can be comparable to a 1.8KW PAR or 2.5KW HMI Fresnel. Making the party more colourful will be Dyno 650C/1200C RGBWW soft panel lights boasting a variety of colour modes, such as HSI, RGBW, gels and XY coordinates.

Nanlite covers the demands for prosumer and contentcreators with its Forza and PavoTube lineups. Forza 720/720B can take care of power requirement all the way up to 800W, while PavoTube II X and PavoTube II C series just complement with their colour capabilities to make the set-up more complete and versatile. The Forza 60C is equipped with an RGBLAC six-colour system that provides a wider colour spectrum beyond RGBWW. The new updated of the Forza 300/300B/500/500B II added with G/M adjustment make it possible to match any light source. www.nglbg.com

Quasar Science

The Quasar Science Double Rainbow (RR) Linear LED light has two rows of high-fidelity RGBX pixels for vibrant colour and bright white light. The RGBX Spectral Science Colour Engine provides over a billion colour choices with a natural colour control experience. The light includes wireless and wired data connections, AC/DC inputs, and an Ossium Mounting System for versatile rigging.

www.quasarscience.com www.videndum.com

Teltec

Teltec is a leading supplier of moving picture technology in the European market, offering exclusive cinema solutions with market-leading partners. Its selling point is its ability to provide manufacturerindependent service. At Euro Cine Expo, Teltec will showcase its expertise by presenting the latest industry technology at the Moving Picture Pavilion on booth 5-039. The company will feature a range of exclusive cinema solutions, including products from renowned camera brands such as ARRI, Canon, Red, Sony and from video production equipment brands such as Fujinon, Sachtler, Oconnor, Litepanels, Quasar Science and bebob.

As a partner of this year’s show, Teltec will also showcase the latest in virtual production technology in collaboration with Bright! Studios and Precision Stage. Bright! Studios is a visual design and media technology studio specializing in augmented reality and virtual production. Stage Precision develops software tools and unique solutions that simplify workflows in augmented reality, virtual production, interactive immersive environments and live events.

P+S TECHNIK

For Cine Gear Expo in LA as well as the Euro Cine Expo in Munich, visitors can look forward to getting their hands on the innovative cine lenses from P+S Technik. Evolution 2X Silver Edition supports S35 as a strong narrative format, and P+S Technik has decided to develop an updated mechanic and give the lenses a more modern physical layout with an epic touch. These lenses are based on Kowa’s original Anamorphic lens design. They have a distinctive look, flare beautifully and are relatively lightweight.

The P+S Technik Technovision 1.5X series of zooms/ primes and AproXima close-focus lenses are characterised by outstanding optical and mechanical properties, as well as a large image circle. As far as character is concerned, the Technovision lenses have the big striking lens flares, oval bokeh, barrel distortion, and unique focus breathing of classic front-Anamorphic lenses.

The company also has a Hasselblad rehousing programme: multiple formats can be covered by just these lenses. These lenses are multi talents by format, resolution, and contrast, combined with an aesthetically pleasing bokeh signature. All in a modern and substantial, yet compact cine-style housing. www.pstechnik.de

Sony

Sony’s flagship cinematography camera, Venice 2 combines a compact body with full-frame image sensors. It also has internal recording capabilities, allowing users to capture more colours and detail, making for exceptional image quality. The Venice 2 is reliable and easy-to-use, with a simple navigation menu, connectors and a durable, compact build. The camera is also fast to set-up, meaning your focus can remain on the shoot, not the technology.

Designed to liberate cinematographers without compromising on image quality, the Venice Extension System 2 separates the camera’s image sensor from its body, so you can shoot in smaller spaces and from difficult angles, such as ariel shots. The system has a 12-meter cable distance without need for a repeater box and is fully compatible with Venice 2 using an 8K or 6K sensor. It also comes with HD-SDI output and a 24V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces also make it easy to accessorise and fit on to a wide variety of rigs.

The world ’s first full frame PTZ with interchangeable lenses, the FR7 is perfect for adding a cinematic feel to live coverage, and live streaming from previously unreachable angles. The camera fits into existing workflows and matches other Sony system cameras, it can also be controlled remotely with up to 100 cameras able to be controlled by one operator. This helps to create an efficient workflow.

Ron has pics www.sonycine.com www.teltec.com

Together, these companies will present the Virtual Production Area that combines the latest in virtual production with Precision Stage’s innovative software tools. Attendees can expect to see a live demonstration and learn more about how it can be used to enhance their productions.

Tilta

The Nucleus Nano II is a product that brings professional gear within reach for filmmakers. With its intuitive touch screen, high-torque motor, longlasting battery and multi-channel communication, it’s a must-have item for all.

The device features an interactive touchscreen that allows the user to make quick adjustments without fumbling with buttons or menus. The touch screen is highly responsive and offers an concise operating experience.

The motor of Nucleus Nano II provides 5 times more torque than the original Nucleus Nano. It features an auto-adjustable torque design and high-efficiency cooling system, making it more reliable and durable. The motor is highly responsive, allowing the user to make quick adjustments with no lag.

It is equipped with an internal rechargeable battery that provides 7 hours of high power output with smart electronic control. The device also features multi-channel communication for controlling up to 4 motors. This allows the user to adjust focus, iris, zoom, and more.

One of the most impressive features of the Nucleus Nano II is its compatibility with other Tilta wireless control systems such as the original Nano, Nucleus-M, Mirage VND motor etc. The Nucleus Nano II is also the perfect companion for DJI gimbals. It is compatible with RS2 & RS3 Pro gimbals and supports efficient control and communication.

The Nucleus Nano II is the perfect product for the filmmaker looking for a reliable and efficient wireless lens control system. www.tilta.com

Vocas

Vocas’ goal is to make the life of the camera operator easier with solid accessories so they can concentrate on getting the shot. Its popular Vocas Sliding System is a great example.

Vocas builds on the success of the Sliding System with its Universal Sliding Top Handle. You have all experienced it, the camera isn’t completely balanced because the top handle is not in the right position for the set-up. This is solved with the Universal Sliding Top Handle.

The unique mechanism allows you to adjust the position of the top handle along the length of the camera, so it is always perfectly-balanced regardless of the weight distribution on the front- and rear of their setup. Plus, you can slide the handle onto the top plate in either a forward or backward direction, giving you even more flexibility.

The Universal Sliding Top Handle is compatible with a Top Plate for the ARRI Alexa 35, Red V-Raptor, Red V-Raptor XL and is available in kits with these Top Plates. It also mounts directly into the dovetail on top of a Sony Venice camera.

There are several accessories available that allow you to extend its length, attach other accessories, or mount an Easyrig onto the camera top plate with the centre bracket for all Vocas Universal Sliding Top Handle System plates.

www.vocas.com

Zeiss

At this year’s Cine Gear Expo in Los Angeles and Euro Cine Expo in Munich, Zeiss will be showcasing its entire offering of cinematography lenses, from the CP.3 and CP.3 XD to the Lightweight Zoom and Cinema Zooms to the Supreme Prime and Supreme Prime Radiance. Moreover, visitors can get a demo of Zeiss CinCraft Mapper, Zeiss’ service to easily provide frame-accurate lens distortion and shading data for compositing and matchmoving. Come by their booth, get your hands on some amazing lenses, and talk with their experts about all-things Zeiss and cinematography in general.

www.zeiss.com