The List's Adelaide Summer Festivals Guide

ADELAIDE THE LIST SUMMER FESTIVALS

INNOCENCE

JOSH GLANC

LEWIS MAJOR

MARY FLOPPINS

BIG NAME, NO BLANKETS

DR LOU BENNETT AM

HEDWIG AND THE ANGRY INCH

DAISY DORIS MAY

MESSY FRIENDS

TASH YORK

WRITERS’ WEEK

ADELAIDE SUMMER FESTIVALS GUIDE 2025

FESTIVAL DATES FOR YOUR DIARY

ADELAIDE FRINGE 21 February–23 March

adelaidefringe.com.au

ADELAIDE FESTIVAL 28 February–16 March

adelaidefestival.com.au

WRITERS’ WEEK 1–6 March

adelaidefestival.com.au/writers-week

WOMADELAIDE 7–10 March

womadelaide.com.au

Welcome

Welcome to The List Adelaide Summer Festivals Guide. We’re here to put the very best of Adelaide’s brilliant summer festival season right into your hands.

Times are tough, but Adelaide continues to shine like a beacon of culture, excitement, risk-taking and, above all, fun. It’s exhilarating (and humbling) to see the way the city welcomes the performers, crew, producers and local audiences, as well as the visitors who come from upstate, out of state or across the world. Long may we cherish these beautiful summer weeks, where we get to come together in parks, pubs and places to celebrate the things that make us better humans.

So what’s inside the Guide? We’re stretching out those hammies with a leap into the world of dance and saying happy 60th birthday to Australian Dance Theatre. Tash York sprinkles some magic, brand-new clown Mary Floppins tidies up after us, and we go behind the scenes of genre-defying opera Innocence. We’ve got round-ups and recommendations for every conceivable kind of show, from kids to music to cabaret to theatre: you’ll never be short of something to do or see. Speaking of which, why not join us at our first ever Adelaide event? Find out how to grab a ticket to our fabulous The List Festival Party on page 14.

Over the last few years, Adelaide has put her arms around The List and our team. We think there’s nowhere better to be, so, to mates old and new, let’s make 2025 the best ever.

Jo Laidlaw EDITOR

Acknowledgement Of Country

We acknowledge and respect the Aboriginal peoples of South Australia as the first peoples and nations of South Australia.

We recognise them as the traditional owners and occupants of land and waters in South Australia and that their spiritual, social, cultural and economic practices come from their traditional lands and waters. We recognise that they maintain their cultural and heritage beliefs, languages and laws, which are of ongoing importance. We recognise that they have made, and continue to make, a unique and irreplaceable contribution to the State.

CONTRIBUTORS

CEO

Sheri Friers

Editor Jo Laidlaw

Art Director and Design

Seonaid Rafferty Subeditor

Paul McLean

Advertorial Designer

Bradley Southam

Writers

Annabel Fedcesin, Charlotte Kowald, Claire Sawers, Danny Munro, Fiona Shepherd, Hannah Homburg, Isy Santini, Jay Richardson, Jo Laidlaw, Katie Spain, Lucy Ribchester, Megan Merino, Neil Cooper, Rachel Cronin

Senior Business Development Manager

Jayne Atkinson

Media Sales Executives

Lachlan McMaster Reuben Lowenthal

Online News Editor and additional subediting

Kevin Fullerton

Print & Digital Content Editor and additional subediting

Murray Robertson

Digital Operations & Events Manager

Leah Bauer

“Has

Starring Samuel Barnett

By Kaija Saariaho Directed by Simon Stone Tanztheater Wuppertal + Terrain

A life in dance can mean many things: a journey, a collage, the development of a whole new movement language. Lucy Ribchester speaks to choreographer Lewis Major and Australian Dance Theatre’s artistic director Daniel Riley about radical creativity and harnessing years of work

Something radical began to form in South Australia in 1965. While dance in Australia was well established, it tended to look outwards for ideas, drawing on other cultures’ modes of storytelling or styles of movement. There was yet to be a company that looked inwards for inspiration, that strove to encompass a specifically Australian language of movement.

Enter Elizabeth Cameron Dalman, a young choreographer who had spent time overseas training with trailblazing artists such as Margaret Morris and Martha Graham. Against a backdrop of political change, Dalman strove to capture a distinctly Australian voice of dance, creating work that was rooted in the country’s history, lands and peoples, yet also spoke to the contemporary anxieties of a still-developing nation.

The result became Australian Dance Theatre (ADT). Lauded and critiqued for its bold vision in its early days, the company is celebrating its 60th anniversary in 2025. To commemorate the occasion, current artistic director Daniel Riley has drawn on the ADT archives to choreograph A Quiet Language, which premieres at Adelaide Festival.

‘Dance has always been a way for people, of all cultures, to process and understand the world around us,’ says Riley. ‘To tell stories. To communicate thoughts, feelings and emotions that may otherwise not be communicable via words.’

dancing

Riley began his career under Dalman’s wing, so welcoming her back into the ADT studio for a month to help guide and shape the piece was extremely special. ‘Elizabeth is a titan of our industry,’ he says. ‘Many dancers study her and the foundational years of ADT during their training, so to have her back in the room, in the building, in the heart of the organisation she founded, is incredibly exciting and timely.’

life through

Harnessing 60 years of work into one piece was no straightforward task. Riley was keen not to neglect the company’s radical history (‘the themes of body, politics, voice, people and place kept coming up for me whilst swimming through the archive’), but he also wanted to create a work that spoke to his own identity as a choreographer: ‘Being a First Nations artistic director and creative, the Blak lens is also an essential aspect to my work, and one that is reflected in the way I see the world and the work I make.’

A Quiet Language (top left), Triptych (this page)

PICTURE:

PICTURE: CHRIS HERZFELD

PICTURE: ALLESANDRO BOTTICELLI

More To See dance

Cross-collaboration has always been part of ADT’s remit, and the six dancers onstage in A Quiet Language will be joined by jazz musician Adam Page who will create a live looping score and play a multitude of saxophones. An exhibition (After Images at Adelaide Festival Centre’s galleries) will run alongside the performances, giving audiences the chance to delve deeper into ADT history. ‘Our bodies are the ultimate archive,’ says Riley. ‘Throughout this process we acknowledge the memory and history within our own bone, flesh, muscle and memory.’

Also journeying through a life’s work is Lewis Major, whose Triptych hits Adelaide as part of this year’s Fringe. A smorgasbord of geometric motion and folkloric passion, it weaves a path through Major’s journey as a choreographer, taking in both his own work and that of his mentors. The ever-evolving piece has already expanded in the brief time since it was presented (to a slew of five-star reviews) at Edinburgh Fringe in August.

Opening with a svelte, angular piece by Major’s former mentor Russell Maliphant, it leads into Major’s own bold experiments with clean lines and digital worlds, finally ending up in earthier territory with a beautiful, dust-covered solo, Epilogue. For Adelaide, Major has added in a piece by Hofesh Shechter, another mentor, representing the influence Shechter has had on him.

Though Triptych unfolds with its own visual logic, assembling something so vast was anything but logical for Major. ‘For years, especially in the early years as a maker, you’re constantly trying to examine “how did I do that?”’ says Major, over Zoom from Belgium where he is touring. ‘Like, what’s my process?’ He agonises over the question, talking through the phases of darkness to emerging movement. ‘And then bang: there’s a finished product at the end. I think just being okay with that has been a huge part of becoming the sort of maker that I am. I trust myself enough that, out of the mess, I’m going to be able to see the thing that makes sense.’

Much of Major’s own pieces in Triptych emerged this way. During the pandemic, he amassed a huge quantity of ideas. ‘And then we got into a theatre, and that was such a cathartic moment. This beautiful piece just emerged from it and I have no idea how. No idea. I just saw certain things and went, “Oh, that’s the crux of the piece. That needs to go there, that needs to be this long, that needs to be shortened a bit.” It happened really quickly.’

Budget is frequently an obstacle to creation, but the pressure to make work under tight restraints can also generate surprising results. ‘With Epilogue, we met in two weeks with no funding, just in a studio,’ Major says. ‘I guess it was born out of necessity, because we don’t have funding, we don’t have a lot of time to spend time researching. I wish we did, because I think there is a real space for that sort of work.’

Indeed, for Major, it was large-scale, ambitious pieces that sparked his love of dance in the first place. ‘ADT was my dream company. I grew up on a farm. I’d never been to a theatre. I saw ADT performing when I was 16.’ The piece was Birdbrain, a version of Swan Lake by former ADT director Garry Stewart. ‘It’s action packed for about an hour. It’s bodies flying through space and hitting the floor and rolling off into the wings.’ Major had never seen anything like it. ‘I was like, “oh, holy hell!” . . . and that was the thing that started me.’

A Quiet Language, Odeon Theatre, Norwood, 26 February–7 March, times vary; Lewis Major: Triptych, Adelaide College Of The Arts, 19–22 February, 7.30pm, 20 February, 11am.

CAÍDA DEL CIELO (FALLEN FROM HEAVEN)

Dance legend Rocío Molina brings her boundarybreaking flamenco style to Adelaide. With live music meshing flamenco with rock, Molina shapeshifts through feminine archetypes, ‘from virtuous beauty to bondage-clad toreador’.

n Her Majesty’s Theatre, 28 February–3 March, times vary.

CLUB AMOUR

Pina Bausch’s legacy is celebrated in a triple bill from Tanztheater Wuppertal. Aatt enen tionon and herses, duo by current artistic director Boris Charmatz are paired alongside the Australian debut of Bausch’s masterpiece Café Müller

n Adelaide Festival Centre, 10–16 March, times vary.

DUSTY FEET MOB

Bringing together young Aboriginal performers aged six to 31, Dusty Feet Mob scooped the Best Dance Award at the Fringe two years running, using song and dance to tell stories of the Stolen Generation and celebrate Country.

n Adelaide College Of The Arts, 12–14 March; Outback Bar & Grill, Coober Pedy, 23 March; times vary.

OVERTURE

Audiences are invited to peep behind the curtain into the private moments dancers experience before a performance. This immersive piece offers a glimpse of the ‘lives, dreams, torments of all those involved in the creation of a show’.

n The Queens Theatre, 6–8 March, times vary.

SHAN GAO SHUI CHANG

A collaboration between dancer Weichen Cui, visual artist Haocheng Zhang and musician Monica Lim. The piece transforms movement into visual images and sounds, using conductive paint, paper and contact mics.

n Adelaide College Of The Arts, 6 & 7 March, 7.30pm.

Caída Del Cielo

A Quiet Language (left), Triptych (right)

PICTURE: CHRIS HERZFELD

PICTURE: PABLO GUIDALI

BALLS TO THE WALL

Häns Off (left), Steve Porters (right)

More To See drag kings

Drag kings may be fewer on the ground than their queenly counterparts, but they’re still bringing plenty of swinging energy to Adelaide’s Fringe, says Claire Sawers

Lock up your daughters: here comes Steve Porters. He’s spraying his crotch with Lynx Africa and packing his Burberry baseball cap and airhorn. It’s Steve’s Australian debut at the Adelaide Fringe, just as it is for Häns Off, another drag king character dreamed up by multi-talented comedian Daisy Doris May. You’ll never catch Häns cracking a smile: this German club kid was born in the Berghain cloakroom queue and is always looking for the next after-after-after party. May, an actor, writer and voiceover artist, created both characters to ‘gently take the piss’ out of aspects of her own personality.

‘Steve is a self-taught feminist. He’s cringe, he’s tragic, he’s got horrendous chatup lines that he found on ChatGPT,’ explains May. ‘He comes across as superconfident, a lady magnet. But really, he’s a vulnerable, sensitive guy with a big heart. He gets things wrong, but bless him, he’s always willing to learn.’

Like May, Porters is from Surrey in the UK and is based on boys that she knew growing up. ‘Steve’s got all the lingo and chat, but he’s extremely awkward and shy, with anxiety. A lot of modern male comedy characters deal with toxic masculinity. Steve isn’t about that though; he’s more about male fragility. Instead of cancelling men for saying the wrong thing, I find it more interesting to act with love and kindness and see what guys like Steve can learn. He embraces change.’

Häns represents an exaggerated version of May’s party side; they both love raving and Berlin’s club scene. ‘But Häns takes the party scene too seriously,’ she points out. ‘He’s boldly rude. He’s the anti people-pleaser. I quite like that about him.’

In 2022, Häns Off won Man Up, Europe’s biggest drag king competition. ‘Drag is like a superpower. It’s very different from my acting work. Drag gives me confidence,’ beams May over WhatsApp. ‘I’ve been bullied in the past and I think I’m still trying to get things right. But drag has been a way to embrace my inner weirdo; to care less about what people think. Doing drag has really helped with my own genderqueerness and fluidity too,’ she explains. May has also been in the voguing scene for almost 20 years now, dancing, duck walking and competing in balls. ‘Dancing and sponging and learning, it’s become a very big part of my life.’

May’s husband, South African actor and musician Mpilo May, is also her director and Steve’s fictional best mate. ‘Queerness isn’t just about who you’re with. I look straight, I’m married to someone who’s AMAB [assigned male at birth], but I’m queer and it’s been important for me to create my own universe. Performing drag has changed the entire way I view myself.’

May’s Adelaide shows will blend theatre, lip-syncing, dance and drag, with VIP comedy guests joining her onstage each night. ‘It’s a whole party. I really enjoy taking control of what I do. Excuse the pun, but I really do have balls.’

Steve Porters – How To Flirt: The TED XXX Talk, The Garden Of Unearthly Delights, 11–23 March, 9.30pm (except Sundays, 8.30pm); Häns Off & VIPs, The Garden Of Unearthly Delights, 15, 22 March, 11.15pm.

The Full English

F@CKBOI GEORGE’S GUIDE TO FEMINISM

Australian actor/writer/clown Ellen Graham introduces her moustachioed drag king character F@ckboi George, who was literally born yesterday. He’s taking a break from swiping right on himself on Bumble to share his expert tips on being an ally to women.

 Various venues, 25 February–2 March, 7 & 8 March, times vary.

THE FULL ENGLISH

Barry, Brian and Bean return to Adelaide Fringe after winning a Best Comedy award last year with their show Cockroach. The UK drag king troupe wants to tackle patriotism, identity and Britishness, all while being bang-average blokes.

 The Courtyard Of Curiosities At The Migration Museum, 11–23 March, 8.20pm.

MILO STANDARDS: PENIS DE MILO

London-based activist and left-wing stand-up comedian Kate Smurthwaite brings drag alter-ego Milo Standards to town. This brash alpha male is a perfect way for Smurthwaite to explore gender norms and call out the Andrew Tates of this world.

 Fool’s Paradise, 5–16 March, 6.45pm..

SUNSLAY DRAG CABARET

Adelaide’s drag community rounds up their best kings, queens and everyone in-between for this wild variety show. Expect two hours of roastings, sashaying and smizing, with new themes weekly.  Norwood Hotel, 2–23 March, 7.30pm.

21ST FEB ~ 22ND MARCH

CURIOUS TO JOIN THE CLUB?

FParty on!

or the first time ever, we’re bringing The List Festival Party to the Adelaide Fringe. For 29 years, we’ve hosted the hottest ticket in Edinburgh: a party to end all parties and start the festival season with a swing. We’re delighted to bring all of that fun and excitement to Adelaide in February to cut the ribbon on 2025’s festivities.

Taking over the gorgeous Courtyard Of Curiosities At The Migration Museum, we’ve put together a cracking programe of the Fringe’s finest acts to entertain you, with support from our mates at House Of Oz. Expect heaps of fun from the rising stars of cabaret, comedy, music and more across the Courtyard’s three spaces, plus a DJ to keep the party going well into the evening.

That’s not all. Thanks to our fabulous sponsors, Hendrick’s Gin, all ticket holders will receive two complimentary Hendrick’s gin and tonics each. Soak up the atmosphere, catch up with friends from near and far, and above all, start your festival off right. See you there!

The List Festival Party, The Courtyard Of Curiosities At The Migration Museum, 24 February, 8pm (over-18s only).

It’s already a legendary night on Edinburgh’s cultural calendar. Now it’s Adelaide’s turn to join the fun as The List kickstarts festival season in the city with a very special celebration

PICTURES: STEWART BROOKS

With so much action centred in the CBD, don’t forget about the brilliant events and mini-festivals taking place outside the city centre and further afield. Charlotte Kowald broadens our horizons

INTO THE ‘BURBS

TWILIGHT SESSIONS

In its 30 years, Twilight Sessions has established itself as a beloved tradition, transforming Prospect Memorial Gardens into a bustling hub of community and fun. This year’s special anniversary program offers themed live music, delicious food, and kids’ activities every Friday in February.

 Prospect Memorial Gardens, 7–28 February, prospect.sa.gov.au/explore/events/twilight-sessions

DOCKSIDE FESTIVAL

Immerse yourself in everything Port Adelaide has to offer: water sports, living history exhibits and evenings soaking in good food, good music and a thriving arts scene. Dockside Festival is a free, family-friendly event celebrating the vibrant character, heritage and community of the Port River across two jam-packed days in historic Hart’s Mill.

 Hart’s Mill, 8–9 February, docksidefestival.com.au

THE WAREHOUSE THEATRE

Located off Unley Road just outside the CBD, The Warehouse Theatre offers an intimate space for audiences and artists to connect. With a diverse program of music, comedy, theatre, cabaret and dance parties, it encapsulates the artist-centred and collaborative spirit of the Fringe.

 Unley, 21 February–23 March, adelaidefringe.com.au/ fringetix/venues/the-warehouse-theatre

SLEEPS HILL TUNNEL

Returning to the Fringe after an award-winning 2024 debut, Sleeps Hill Tunnel offers an opportunity to immerse yourself in South Australian history. With mesmerising projections and light installations by local and global artists, it blends technology and history to shed light on the stories held within this state heritage-listed marvel in our own backyard.

 Grandview Crescent, Panorama, 14 February–30 March, adelaidefringe.com.au/fringetix/sleeps-hill-tunnel-af2025

BOWDEN FRINGE

Love music, cabaret and comedy but hate crowds, heat and Portaloos? This ‘luxe Fringe hub’ may be the answer to your prayers. Designed with accessibility and artists in mind, Bowden Fringe offers a dynamic program in an ubercomfortable setting.

 Plant 4 Bowden, 22 February–23 March, plant4bowden.com.au/bowdenfringe

theSpreading love

PICTURE: JENNY KWOK

OUTSIDE ADELAIDE

A DAY ON THE GREEN: THE SCRIPT

Close to three years since their last Australian show, awardwinning Dublin four-piece The Script return with the Satellites World Tour, supported by Calum Scott, Montaigne, X Ambassadors and Lotte Gallagher. Set against the magnificent backdrop of the Barossa Valley, it’s an unmatched experience of great food, wine, and music.

n Peter Lehmann Wines, Tanunda, 2 February, adayonthegreen.com.au/currenttours/thescript/ barossavalley

SINCLAIR’S

GULLY WINERY

Just 15 minutes from Magill, Sinclair’s Gully Winery is a rare gem offering visitors the chance to reconnect with nature, catch live music and enjoy fine wine at the same time. Their Fringe In The Forest program brings together an impressive line-up of local and emerging musicians to help you discover your new favourite among the candlebark gums.

n Adelaide Hills, 15 February–23 March, sinclairsgully. com/adelaide-hills-live-music

COONAWARRA

FRINGE

Experience the Coonawarra wine region as never before, with a diverse line-up of Fringe shows over three days, including Faulty Towers The Dining Experience and Bonnie Lee Galea’s tribute to Nina Simone. Spend the weekend under the stars and relax with a glass of wine after exploring this stunning region.

n Coonawarra, 21–23 February, adelaidefringe.com.au/ fringetix/coonawarra-fringe-af2025

COLOUR

TUMBY FESTIVAL

Tumby Bay comes alive with this biennial festival over the March long weekend, celebrating creativity, colour and community spirit. Packed with attractions and activities, from street-art installations to fishing competitions, it’s the perfect way to enjoy the stunning Tumby Bay coast with the whole family.

n Tumby Bay, 7–10 March, colourtumby.com

SUMMERSALT

SummerSalt returns to South Australia to celebrate the long days, warm nights and good times of Australian summer. With a dazzling line-up of homegrown greats, including Missy Higgins, John Butler, Fanning Dempsey National Park, The Waifs and The Whitlams, soak up the sunshine, picturesque locations and family-friendly atmosphere.

n Mount Gambier, 29 March & Victor Harbor, 30 March, summersaltmusic.com.au

Clockwise from below: SummerSalt, Bowden Fringe, Sleeps Hill Tunnel, Colour Tumby Festival, The Script, The Warehouse Theatre PICTURE:

CABARET

thrill of the big top or the naked emotion of a killer

song, cabaret and circus is the place to be if you want to lose yourself for an hour. Fiona Shepherd sorts the sequins from the sleight-of-hand

2 RUBY KNOCKERS, 1 JADED D**K: A DIRK DARROW INVESTIGATION

Australia’s favourite psychic detective is back with a magic/ comedy/mind-reading/film-noir tribute show (and yes, that’s definitely too many slashes for one person). Let’s just settle for ‘indescribably Dirk Darrow’.

 The Howling Owl, 25 February–2 March; The Griffins Hotel, 7–16 March; times vary.

ACCORDION RYAN’S POP BANGERS

Accordion bangers from an American-Austrian who can play both sides of the squeeze box. Never underestimate a performer who learned his trade on the street: strap in for a wild ride with the dude who left Simon Cowell speechless.

 Fool’s Paradise, 20 February–2 March, 6.45pm.

AN EVENING WITHOUT KATE BUSH

If we can’t have Kate, we’ll take the next best thing. SarahLouise Young’s explores the quirkier edges of fandom and invites the audience to unleash their inner hound of love.

 The Garden Of Unearthly Delights, 18 February–23 March, times vary.

BEATING UP THE BEATLES

Fringe Emerging Artist and Adelaide Cabaret Fringe Encore Award-winner Charlee Watt returns with a more extensive run of her 2024 show celebrating the Beatles’ immortal love songs.

 Arts Centre, Port Noarlunga, 21 February; Plant 4 Bowden, 22 February, 1 & 16 March; Shedley Theatre, Elizabeth, 26 February; Payinthi, Prospect, 27 February; times vary.

CHARLIE CAPER: MAGICAL

The Swedish sleight-of-hand star returns to Adelaide with a ‘best of’ show with a few surprises thrown in. Caper started off as a street magician: the tricks come thick and fast with more than a few ‘how did he do that?’ moments.

 The Garden Of Unearthly Delights, 19 February–23 March, times vary.

FLOP

It takes blood, sweat and tears to bring a musical to the stage, so surely even the ones that disappear without trace have at least one killer bop in them? Arthur Hull resuscitates the forgotten hits from the musicals that didn’t make it in this engaging show.

 The Garden Of Unearthly Delights, 4–16 March, times vary.

Best in

CABARET & CIRCUS show

From top: Accordian Ryan, An Evening Without Kate Bush, Flop

GEMMA CARUANA: UNDERWIRE

Another chance to see Caruana’s upfront meditation on her love/hate affair with her breasts; once the bane of her teenage years, now the inspiration for her debut autobiographical show. Mammary puns ensue.

 Gluttony – Rymill Park, 25 February–2 March, 6.45pm.

HANS: YOUNG, FUN & 21

Serial America’s Got Talent offender returns to the festival which first embraced his glittery lederhosen. We could have sworn our favourite camp Berliner had already reached the age of majority but we’ll happily join his birthday celebrations for a squeeze of his accordion.

 Gluttony – Rymill Park, 21 February–23 March, times vary.

KEVIN QUANTUM: UNBELIEVABLE MAGIC FOR NONBELIEVERS

Billed as the first ever magic show for people who . . . actually don’t believe in magic, Quantum dares his audience to believe the impossible. Throw in a bit of science and he’s got us convinced.

 The Garden Of Unearthly Delights, 14 February–23 March, times vary.

MICHELLE BRASIER: IT’S A SHAME WE WON’T BE FRIENDS NEXT

YEAR

Melbourne-based comedian Brasier has been mulling over her new show’s title since a boy in Year 6 addressed her with these very words. A mere quarter century later, she resolves to track him down and make a song and dance about the response.

 Gluttony – Rymill Park, 4–9 March, 7.20pm.

SKANK SINATRA

There are no flies on returning Best Cabaret winner Skank Sinatra, the frankly gorgeous creation of Melbourne-based drag performer and musician Jens Radda, who sprinkles some camp glamour on the classy catalogue of Ol’ Blue Eyes.

 Gluttony – Rymill Park, 11–16 March, 6.45pm.

SKINNY

Lycra and builds on her

Singer and comedian Michelle Pearson dons the body-hugging Comfort Food Cabaret in this personal odyssey through body image, fat shaming and social pressures, set to a soundtrack of body-conscious bangers.



Gluttony – Rymill Park, 20–23 February, 7.40pm.

SUHANI SHAH: SPELLBOUND

Qualified hypnotherapist and Indian mentalist Shah has a head-spinning reach on social media. She started young (aged seven) as an illusionist and has spent the last 20 years studying human behaviour, which means she almost certainly knows what you are thinking right now.

 times vary.

The Garden Of Unearthly Delights, 24 February–9 March,

From top: #Since1994, 360 All

From top: Skank Sinatra, Hans, Gemma Caruana

CIRCUS

THE BLACK BLUES BROTHERS

Amazing acrobatics, breathtaking co-ordination and a Blues Brothers soundtrack: The Black Blues Brothers’ show is a joyous ride for the whole family.

 Gluttony – Rymill Park, 21 February–23 March, times vary.

CIRQUE KALABANTE: AFRIQUE EN CIRQUE

Yamoussa Bangoura’s joyful show themed around daily life in his native Guinea combines athletic dancing, thunderous drumming, soulful kora playing and a gravity-defying predilection for human pillars and pyramids.

 Gluttony – Rymill Park, 8–23 March, times vary.

ELIXIR REVIVED

Four ripped lab rats ingest a mysterious elixir and are imbued with super-acrobatic powers in this witty narrative circus extravaganza. We’ll have what they’re drinking.

 Fool’s Paradise, 20 February–23 March, 7.55pm.

INFAMOUS

From big wheels to show-stopping burlesque routines, high-altitude trapeze work to stratospheric juggling feats, Infamous is circus-cabaret spectacular on such a scale that they had to create their own really big top venue.

 Infamous Theatre, 20 February–23 March, times vary.

KEEP IN TOUCH!

From the team behind the stunning #since1994 (also returning to Fool’s Paradise), Keep In Touch! looks at the impact of technology on the human experience. Thoughtprovoking, modern and always beautiful circus.

 Fool’s Paradise, 12–16 March, 8.15pm.

LIMBO: THE RETURN

Madonna’s favourite circus cabaret is still going strong after a 2024 reboot by its creators Strut & Fret. Limbo: The Return is driven by a live carnival soundtrack, infused with irreverent energy and built on outrageous skills.

 The Garden Of Unearthly Delights, 14 February–23 March, times vary.

THE MIRROR

Adelaide’s peerless acrobatic theatremakers Gravity & Other Myths have been all round the world with their latest show before bringing it home. Their amazing Ten Thousand Hours also returns to Gluttony.

 Gluttony – Rymill Park, 20 February–23 March, 9.30pm.

From top: Infamous, Keep In Touch!, The Mirror

and a Blues Brothers soundtrack: The Black Blues

She’s the self-proclaimed grande dame of drag and cabaret and it’s kind of hard to imagine the Fringe without her. Tash York talks to Isy Santini about embracing mayhem, dream divas and the wonder of wigs

Talk to me about your show, Tash York’s Chaos Cabaret. What can audiences expect? Chaos Cabaret is the lovechild of a game show, an improv show and a classic late-night variety show. The point is to get my guests to do the acts they would normally do, but in the last minute of their act, me and my co-producer will do all sorts of things to interfere, like making baby crying noises or phone call interruptions. I also do a bunch of improvised songs throughout the show, to show that, yes, I’m making the performers do all this stuff, but I have to do it too.

Would you describe yourself as a chaotic person? 100%! With the mixture of loving a wine or two and having ADHD, I think chaos is kind of in my nature. For many years I tried to mask it, but now I’m like, ‘let’s just embrace it!’

mask it, but now I’m like, ‘let’s just embrace it!’

What’s the most chaotic thing you’ve ever done? Making a balloon hat for the CEO of a charity with a 12-piece big band singing a version of ‘Wonderwall’ is pretty up there . . .

I just got

random skills, I could just throw one of

That definitely shows some great multitasking skills as well. good at lots of stuff because I was too scared of never being prepared for the chaos in my life. I thought if I had random skills, I could just throw one of them at the problem and it would go away.

What drew you to drag?

It was kind of a

natural progression. I was obsessed with divas growing up. They all had these fabulous costumes and big hair. Once I realised that many people on TV were wearing wigs to make their hair look so beautiful, it became a game of what I imagined my character to be and then trying to match my appearance to how far I wanted to go with that persona.

beautiful, it became a game of what I imagined she had her own variety show, I love how many styles of music she’s catered to over the years. But

Do you have a favourite old-school diva?

I love Cher deeply: I love her campery, I love that she had her own variety show, I love how many styles of music she’s catered to over the years. But I think my heart belongs to Tina Turner, because I’ve done a lot of vocal impersonations of her. When you’re trying to mimic someone, you can’t help but admire the longevity and power of a voice like that; it’s pretty epic.

Who’s your dream guest and why?

Someone like Jinkx Monsoon would be fricking amazing! Anyone who’s got the gift of the gab or is willing to be absolutely insane. Or someone like Björk would slay it. She’d come out in some kind of ridiculous costume and be bossing me around by the end.

Tash York’s Chaos Cabaret, Gluttony – Rymill Park, 11–23 March, 8.50pm.

Chaos is in my nature “

FRINGE: CIRCUS JOY

Following an international run of the award-winning Oat Milk & Honey, Sound Of Circus are back with their most ambitious work to date. Joy is a 60-minute world premiere that combines intrepid acrobatics with spirited contemporary choreography and an original soundtrack.

FRINGE: CABARET MESSY FRIENDS

After the world collectively endured a largely dismal 2024, the creative minds at the celebrated South Australian performance group concluded that humans needed to embrace exuberance this year. ‘Going into 2025, geopolitical and environmental shifts are straining what it is to be human, causing fatigue across communities worldwide,’ explain Sound Of Circus co-directors Amanda Lee and Nathan Chettle. ‘Joy has been created in direct response to this social shift. It’s a powerful experience of world-class skill, purpose-built to infuse joy back into communities on a global scale.’

Pulling together to present this message of hope is a team of eight versatile artistes, armed with a myriad of acrobatic talent, supported by a live high-tempo score crafted by Adelaide’s own groove providers, Nu Article. ‘The cast of Joy represent a group of artists who have not only dedicated their entire lives to reach an elite level of skill in their respective fields, but also represent complete and utter creative fearlessness,’ say Lee and Chettle. In their words, Joy is for ‘anyone looking to be inspired, rejuvenated and empowered’, at a time when messages of hope feel harder to find than ever. (Danny Munro)

 Gluttony – Rymill Park, 18–23 March, 8.40pm; 22 & 23 March, 3.45pm.

Weaving drag, lip-sync and burlesque around documentarystyle video interviews, MESSY FRIENDS returns to Adelaide Fringe aiming to expand on its themes of identity and resilience. According to co-producer and cast member Flynn Vincent (aka Flynn V), the show has developed a greater focus on immersion and audience connection as they return home. ‘The themes of queer identity, self-expression and resilience really resonate and everyone is incredibly supportive and enthusiastic. There’s pride in representing Australian queer excellence.’

Their trademark deeply personal and vibrant costumes are ‘labours of countless hours of brainstorming, designing, sewing and refining to ensure every detail is perfect’, says Vincent. They contrast with interviews that delve into the performers’ offstage lives to ‘highlight the humanity behind the glamour of drag and cabaret’. This creates an emotional bridge between performers and audience to show ‘the struggles, triumphs and inspirations that shape the artistry’. They’re also debuting a brand-new show, MESSY FRIENDS: Party Favours, which channels bawdy humour from early noughties party culture, while Vincent is also launching Freak

Out: The Afterparty, a late-night immersive circus, burlesque and drag show set to a 90s house-music playlist. Looks like a busy month ahead for a group that lives to mess with stereotypes, embrace imperfection and celebrate chaos.

(Jay Richardson)

 MESSY FRIENDS, 11–16 March, 7.20pm; MESSY FRIENDS: Party Favours, 12–23 March, 10pm; Freak Out: The Afterparty, 7–9 March, 11.15pm, all at Gluttony – Rymill Park. Freak

Skinny

BEN HART: UP CLOSE

This intimate performance allows Hart to show what he does best: think clever sleight-of-hand rather than smoke and mirrors. It’s subtle magic with a dark edge, but still with plenty of jaw-dropping moments.

 Gluttony – Rymill Park, 21 February–23 March, 7.20pm.

THE BANDSHE

The BandShe aren’t afraid to get political before going for a little lie-down. They blend comedy, commentary and stories with a poprock performance that screams female solidarity.

 The Jade, 16 March, 1.30pm.

THE LADYBOYS OF BANGKOK

The worldwide phenomenon that is the LadyBoys hits Adelaide in a month of camp celebration and music. Certainly among the hardest-working, hardest-touring acts in the world, the direct-from-Thailand cast promise a night of floor fillers and fun.

 Gluttony – Rymill Park, 21 February–23 March, times vary.

VILLAINS: A DIZNEY IN DRAG PARODY

The Hairy Godmothers explore the darker side of your favourite characters, all with tongue very firmly in cheek. Everyone knows that the baddies get the best lines; there’s no need to pretend you’re rooting for the princess in this show.

 Gluttony – Rymill Park, 21 February–22 March, 9.30pm.

STRANGE CHAOS

This site-specific work takes place in a secret venue in North Adelaide. Gritty and surreal, it’s circus for today with more than a sprinkling of punk spirit. Dark AF and completely compelling.

 Haus Of Ooze @ North Adelaide, 6–16 March, 7.30pm.

SUGAR BITS ARE: FEMINIST TRASH

Sketches, characters and songs abound in this trio’s take on the feminist experience. Sugar Bits’ star is very much on the rise, so take a chance and catch Steph, Nic and Tess now.

 Arthur Arthouse, 6–11 March 9.30pm.

BISEXUAL INTELLECTUALS

Bi icons Millicent Sarre, Jemma Allen and Rosie Russell bring the queer joy in a tight set that’s bursting with song, dance, tap breaks and a theme tune that will live rent-free in your head until April. You’re welcome.

 Gluttony – Rymill Park, 20 February–2 March, 7.20pm.

18th-23rd March 9.20pm Circulating Library Mary Floppins has cracked the s**ts!

MADDIE JOHNSTON

lley Cat at Rhino Room

irected by Kirsty Webeck

Brillliant, bonkers, and off-the-wall stand-up rtshub

Whether you’re after clowns, stand-up or fancy a song with your laughs, the comedy lineup at Adelaide Fringe is extraordinary.

Claire Sawers scours the packed programme to curate a shortlist to get your giggle on

FUNNY BUSINESS

CLOWNING AROUND

DON TOBERMAN: PING PONG CHAMP

American clown Chase Brantley introduces his comedy character, sportsman Don Toberman. Can Toberman become the world’s most decorated ping-pong player, with help from sponsor, Bolt Boost Energy Drink? Or will it all go pear-shaped?

 The Courtyard Of Curiosities At The Migration Museum, 11–23 March, 6.50pm.

IF YOU’RE FROM AFRICA?

A short four-night run for this first solo show from Harare-born, Melbourne-based artist Lukas Meintjes. Expect clowning and stand-up comedy in his tale of growing up gay in Zimbabwe.

 Arthur Arthouse, 6–9 March, 6pm.

KAREN HOUGE: DREAMGIRL

Norwegian clown Karen Houge invites you to a magical evening of burlesque. Her show has more than just glitter and glamour though: she’s sharing advice about breaking unspoken rules, liberating yourself and embracing being different.

 The Courtyard Of Curiosities At The Migration Museum, 4–16 March, 9.10pm.

KNOWS, NO’S, NOSE

Clown duo Alice Ridgway and Madeleine Johnston star as housemates, Clown A and Clown B. One is an industry veteran,

the other a total newbie. Join them for nihilistic, absurdist laughs and shellsuit tops.

 The Warehouse Theatre, 11–16 March, times vary.

LIL WENKER: BANGTAIL

This cowboy clown explores a male identity crisis through the rich medium of the spaghetti western. Bangtail is The Baddest Cowboy In Texas, but someone is about to knock him down off his dang hoss . . .

 The Courtyard Of Curiosities At The Migration Museum, 11–23 March, 7.40pm.

MEDICINE WOMAN

A sassy Venezuelan clown (Los Angeles-based artist Veronica Osorio) wants to heal her audience with a shamanic ritual. The ceremony involves dancing and comedy characters: Hollywood and Edinburgh Fringe audiences already loved it.

 The Courtyard Of Curiosities At The Migration Museum, 11–23 March, 9.30pm.

NUN SLUT

‘Nun slut’ is apparently a spectrum, and we’re all somewhere on it. Comedian and audience saviour Claire Robin wants to enlighten us about religion and bodies using the power of clowning, sketch comedy and live keyboards.

 Prompt Creative Centre, 11–23 March, times vary.

AMY HETHERINGTON: BYO BABY

GET UP , STAND UP show for

The Darwin-based comedian invites audiences to enjoy her daytime show about sleep deprivation and parenting chaos with a bub on their lap. She’s also performing evening show Proud As Punch grown-ups.

 BYO Baby, The Howling Owl, 22 & 23 February, 3pm; Proud As Punch, Rhino Room, 22 February–1 March, 6.15pm.

BEC HILL: GUESS WHO’S BEC, BEC AGAIN? BEC HILL’S BEC! (TELL A FRIEND)

A self-confessed dork, when Aussie-Londoner Hill isn’t presenting kids’ arts and crafts TV show Makeaway Takeaway, she’s creating the UK’s first pun-based comedy night, Pun Run. Move quick to catch this short-run stand-up show.

 Rhino Room, 11–15 March, 6.30pm.

DANNY BHOY: DEAR WORLD . . .

Scottish stalwart stand-up Danny Bhoy brings his new show to Australia. The sequel to 2014’s Dear Epson mixes stand-up with theatre in a short sixnight run that’s sure to sell out.

 Royalty Theatre, 18–23 March, times vary.

GARRY STARR: CLASSIC PENGUINS

Damien Warren-Smith’s mischievous and absurd alter ego Garry Starr performs every Penguin Classic book. Dressed as a penguin. Mostly trouser-free. His literary homage is a guessing game with many visual gags that went down a storm at Edinburgh Fringe.

 The Garden Of Unearthly Delights, 21 February–23 March, times vary.

JENNY TIAN: JENNY’S TRAVELS

Born in Finland but now living in London after growing up in Sydney (keep up), this Chinese-Australian wants to talk about downloading Hinge, freezing her eggs and looking for her next adventure.

 The Garden Of Unearthly Delights, 10–16 March, times vary.

PETE ROWSTHORN: KEEN

You may recognise Pete as Brett, long-suffering husband to Kim on the legendary Kath & Kim, or for a recent appearance on The Amazing Race reality show with daughter Frankie. The comedy icon returns to stand-up for the first time since the 80s.

 The Garden Of Unearthly Delights, 18–23 February, times vary.

ZOË COOMBS MARR: EVERY SINGLE THING IN MY WHOLE ENTIRE LIFE

It’s a lot to cram into an hour: the Australian comedian wants to revisit every moment in her life, so far. A playful show from an inventive trickster who has supported Hannah Gadsby, Ilana Glazer and Maria Bamford, as well as hosting Queerstralia

 The Howling Owl, 25 February–2 March, 6.30pm.

PICTURE: REBECCA

From top left, clockwise: Jenny Tian; Garry Starr; Zoë Coombs Marr; Knows, No’s, Nose; Medicine Woman; Don Toberman; Breaking The Musical

CALLING THE TUNES

AIDAN JONES: CHOPIN’S NOCTURNE

Jones played classical piano as a child and returned to tinkling the ivories during the pandemic. He mixes Chopin’s Nocturne (his favourite piece) with what he affectionately calls ‘jokes by a bald dickhead with a beard’.

ILA, 21 February–2 March, 7pm.

BREAKING THE MUSICAL

Comedian and musician Stephanie Broadbridge took her inspiration for this show from a certain Australian breakdancer’s journey to the Olympics. Expect celebration of an icon as well as satire on celeb worship.

 The Garage International @ Adelaide Town Hall, 28 February–2 March, times vary.

DAN LEES: THE VINYL COUNTDOWN

This comic clown’s schtick involves recreating the covers of completely obscure vinyl he’s found in the op-shop in a set that’s unpredictable, riotously funny and very, very silly.

 The Courtyard Of Curiosities At The Migration Museum, 20 February–9 March, 9.30pm.

FOUNTAIN LAKES:

A VERY FOXY PARODY MUSICAL

Join Kim, Kath, Kel, Brett and Sharon in this Kath & Kim musical parody, a hit at last year’s Adelaide Fringe (and if you’re a true Kath & Kim stan, there’s also drag musical Fountain Lakes In Lockdown: A Drag Parody Play at Arts Theatre to enjoy).

 Gluttony – Rymill Park, 11–23 March, 8.40pm.

GEORGE GLASS

This Adelaide art rock band loves musicals so much, they’re bringing three. Scientology The Musical (sadly minus Tom Cruise), Bradbury The Musical about speed skater Steve Bradbury and Cigarettes The Musical, about one of the world’s biggest killers.

 Scientology The Musical, 6–11 March; Bradbury The Musical, 28 February–3 March; Cigarettes The Musical, 13– 23 March; all at Arthur Arthouse, 8pm.

KOOK

Physical theatre and musical comedy collide in this dark mash-up of song, dance and visual art. Using absurd humour and some cool illustrations, this rock’n’roll show explores what unites us and what

The Mill, 21 & 22 February, 7.30pm.

SEZ: KEEPS ME YOUNG

This 25-year-old Australian comedian brings a guitar, omnichord and plenty of self-penned songs about growing up, feeling melancholy and setting her phone to ‘do not disturb’ for roughly 23 hours

separates us. a day.

Rhino Room, 4–9 March, 7.45pm.

PICTURE: CHRISTA HOLKA

She’s heading to Adelaide and she’s got big plans to clean up the city. Jo Laidlaw chats to Mary Floppins (aka Jessica Barton), star of new show Dirty Work, about gold stars, first dates and erotically charged produce

Good afternoon Miss Floppins. Or may I call you Mary? Tell me about your show. My mission is to turn as many messy boys into capable young men as I possibly can, so that more women will want to date them and more women can have time to do the things that they actually want to do.

How do you do that? I have a very clear reward system. I always pack sheets of gold stars in my case. And from the sessions I’ve done thus far with capable young men, when I whip out those gold stars they light up like little six-year-olds. They love rewards. But they only get rewards if they do the things. And so we have little games like folding sheets; making it fun really. That’s the Mary Method.

You say in your press info that you’re a triple threat: dancing, singing, acting? Not quite, dear. For a start, I don’t speak, I don’t say a word in my show. The triple threat is my golden voice to sing them into submission, my body for encouraging body language and, of course, those gold stars.

Where did you learn your tidy ways? Sunday is my favourite day: the day of the Sunday clean. My earliest memory. My parents always made us tidy our rooms and make sure everything was clean every Sunday. I love sorting things into nice, neat little piles. It gives me this exciting energy that something great is going to happen.

What were you like growing up? I was an absolute athlete in high school, up at the wee hours of the morning to go to different clubs and associations: house captain, student leadership team. You know when you see someone’s blazer pocket bedazzled with badges? Mine was blinged to the nines. I wanted to succeed: there’s no time for parties when you’re in Year 12!

How would a capable young man woo you? A first date for me is more like a business meeting. A job interview, if you will, to see if you’re able to step up: ‘How do you spend your Sundays? How often do you wash your bedsheets?’ If they look at you like they don’t, then absolutely not. Sorry. You didn’t pass the test. ‘Do you care about vegetables?’ If I see a man eating raw vegetables and raw fruit, the first thing I think of is how clean his privates must be. I really do. And then I’m happy to engage with those private parts.

It sounds like you’ve a lot of dirty work to do in Adelaide. Why should people come and see your show? Because clean bed sheets are a massive deal. No, I promise you, it’s a funny show. An interactive show. You will have a good time. And I won’t pick on you too much. Maybe.

Dirty Work, The Courtyard Of Curiosities

At The Migration Museum, 11–16 March, 7.50pm, 18–23 March, 9.20pm.

Practically perfect

FRINGE: COMEDY SELENA MERSEY: MADONNA WHORE

Making her international debut at Adelaide Fringe with Madonna/ Whore, British cabaret artist Selena Mersey adds ‘sparkle and glam’ to musical comedy with lively, playful burlesque. Featuring original songs, multiple costume changes, respectful audience interaction and a mocking impersonation of Sigmund Freud, her fun, filthy performance investigates sexuality and gender. ‘Burlesque quite naturally lends itself to exploring those subject areas,’ says Mersey, with the more risqué elements ‘less about what it’s adding and more about what it’s taking away: wahey!’

The show also touches on feminist theory, Mersey’s neurodiversity and issues in her relationship with Dan, another comic who also serves as her tech and joke-sounding board. Writing such a candid and autobiographical introductory show was, she admits, reckless. ‘It could have gone horribly wrong. But I believe it bolstered our relationship in the early days. Talking to audiences about our struggles, I accidentally tricked myself into having some very frank and open discussions with my partner.’ They’ve since established ‘a pretty special dynamic and it’s strengthened our relationship in many ways.’

Mersey also performs a work-in-progress of new show, Bisexuelle, which she says draws upon ‘the shadowy world of film noir, old Hollywood and the femme-fatale archetype to explore bimisogyny, that thrilling cocktail of biphobia and misogyny.’ (Jay Richardson) n Madonna/Whore, 20–23 February; Bisexuelle, 25 February–2 March; both at The Courtyard Of Curiosities At The Migration Museum, 9.10pm.

FRINGE: COMEDY JOSH GLANC: FAMILY MAN

‘Who is Josh Glanc?’ repeats the comedian, laughing as he faces the task of defining himself. ‘An enigma, a kook . . . a song-and-dance man. Desperate for attention!’ Though hard to summarise in just a few words, the larger-than-life Aussie’s endearing blend of sketch work, stand-up and original music has been striking chords with audiences across the globe for several years now.

Originally a corporate lawyer, Glanc admits that watching other people perform created ‘a pain in [his] soul,’ which inspired him to swap the suits for the stage at the age of 30. He earned plaudits when he emerged from the pandemic armed with the fast-paced, multifaceted Vroom Vroom, a show that earned award nods in both Melbourne and Perth. And according to the good people of Edinburgh, his latest hour Family Man appears to be following on a similar trajectory. Among a crowded field of the mad and zany, Family Man stood out in August’s Fringe, successfully pulling busy crowds night after night, resulting in a deserved nomination for Best Comedy Show at the coveted Edinburgh Comedy Awards.

‘It’s just a crazy comedy party,’ Glanc says, when asked why crowds resonate so strongly with Family Man. ‘There’s a real element of risk and uncertainty. There’s a lot of parts in the show which will go in different directions based on what’s happening in the room. So it’s for people wanting a lot of excitement and spontaneity . . . it’s just really fun and really joyous.’ (Danny Munro)

n The Garden Of Unearthly Delights, 17–22 March, 7pm; 23 March, 6pm.

PICTURE:

KARLA

GOWLETT

COMEDY HIGHLIGHTS

COMPLETELY IMPROVISED SHAKESPEARE

The Bard, but with laughs, and no pesky script to memorise: top names from Melbourne’s vibrant improv scene gather to create a brand-new play every night. We think Big Will S would kinda love it.

 Ayers House, 19–22 March, times vary.

JAMES BARR: SORRY I HURT YOUR SON (SAID MY EX TO MY MUM)

Barr tackles the aftermath of an abusive relationship in a show with a strong message (and associated trigger warning) about intimate partner violence within queer relationships. A deeply personal emotional rollercoaster.

 Gluttony – Rymill Park, 20 February–2 March, 8.40pm.

KATE DOLAN: THE CRITIC

Anyone who’s witnessed one of Dolan’s unplanned unravellings on stage will be excited about the premise of this show. The emerging comedian’s brain is a strange and wonderful place; don’t miss this tour around her inner voice.

 Rhino Room, 18–22 March, 8.15pm.

JEROMAIA DETTO: WHEN I GROW UP . . .

Detto is a master of the art of silly playfulness: this new show, based on the audience’s childhood dreams, is sure to be more of the same. Always watchable, always daft, always with plenty of heart.

 Gluttony – Rymill Park,, 4–16 March, 9.15pm.

HOT PURSUIT: CONFESSIONS OF A SPEED DATER

Matt Bell’s deep dive into the world of speed dating provides ample comedy fodder: expect more than a few cringe moments and a parade of disappointing men, with enough laughs to blunt any recovered personal trauma.

 Fool’s Paradise, 1–8 March, 7.30pm.

MEL MCGLENSEY IS MOTORBOAT

After making her maiden voyage in Adelaide last year, this little boat has sailed the world and won awards in many a port.

Funny and fearless from the first honk, McGlensey’s world-building can’t be beat.

 Gluttony – Rymill Park, 4–16 March, 8pm.

HAN

ARBUTHNOTT: THEY/HEHE

Super-cutie freshly minted handsome trans dude heartthrob Han pauses their search for boyband fame for a brand-new show. Family is the theme, but handsome is still very much the vibe.

 Rhino Room, 21 February–1 March, times vary.

Monski Mouse

Fringe fun at the

MUSEUM Journey through time and space, from ancient civilizations to modern technology and discover how numbers shape our world. An exhibition packed with interactive displays, digital games and a hands on adventure as you challenge yourself, family or friends to a live board game.

Circus? Check. Magic? Check. Annabel Fedcesin takes a peek underneath the big top with Sam Hume, one of the talents behind some of Australia’s most beloved kids’ shows

Since they got together in 2018, Showmen Productions have been the power behind countless children’s hits, including The Greatest Magic Show, which has been packing in youngsters and families across the world, as well as at home in Australia.

Showmen co-founder Sam Hume is the resident producer and ‘do-er of things’. Alongside long-time friend and business partner Justin Williams he’s been performing for more than 14 years, and the pair have shared a love of entertaining since first meeting at Melbourne Magic Festival in 2012. But Hume’s passion for magic goes back even further, to his Year 6 camp’s talent show when he decided to perform some card tricks. He later attended Trick Or Treat magic school in Melbourne where he developed his craft further after meeting multiple magicians who had made magic into a career.

For Hume, part of keeping the magic alive for his loyal audience means taking some time outside of performing to rest and work on improving the show. He’s always on the lookout for new creative partnerships too, currently working with magicians like Magnus Danger Magnus, Richard Sullivan and Nathan Green on Showmen’s stable of productions.

Hume’s clear on the importance of magic and circus shows for kids. ‘I think all performing arts are important for kids to see. I think this is our sort of genre, our way of providing it to them,’ he explains. Referring to his time at Trick Or Treat, he says the experience he and Williams are trying to achieve is ‘like how it was for me at the magic school, meeting the older magicians doing it for a job. I never would have for a second contemplated that as a career until I’d seen someone else do it.’

ROLL UP! KIDS

Their hope is that ‘if any of the kids in the audience have weird or different interests or just want to try new things, we want to be a beacon, something that can show that hey, it’s possible to do the thing that you want to do even if no one else is doing it.’

It’s clear that ambition equals hard work though, with Showmen bringing all four of their productions to this year’s Fringe, including an adults-only evening show alongside the familiar family favourites of The Greatest Magic Show, Circus The Show and Kaboom! which all return for 2025.

The Greatest Magic Show, 22 & 23 February, 1 & 2, 8–10, 15 & 16, 22 & 23 March, noon.

Circus The Show, 22 & 23 February, 28 February–2 March, 7–10, 14–16, 21–23 March, times vary.

Kaboom!, 22 & 23 February, 1 & 2, 8–10, 15 & 16, 22 & 23 March, 10.30am.

Adults Only Magic Show, 21–23 March; all shows at Gluttony – Rymill Park, 9.45pm.

FRINGE: KIDS FORT

One of the best things about kids is their unlimited capacity for imagination. A child’s ability to turn the ordinary into the extraordinary is a form of magic and FoRT is the perfect showcase of this power. Everyday objects become tools for creation and play; sheets, broomsticks and wooden chairs transform into limitless opportunities to have fun, as our two quirky heroes find magic in the mundane in this children’s circus.

The show’s pair of protagonists are on a simple hunt for adventure, letting their imaginations take them to impossible places. Stumbling across a pile of seemingly useless objects, they begin their journey of making, exploring and dismantling. Complete with ridiculous circus and acrobatics, this show is for anyone who’s ever made their own fort from sheets, sofas and chairs. Challenging the idea that play needs the newest toys and games off the shelf, FoRT proves (yet again) that all you really need is a head in the clouds to have fun.

Brought to Adelaide by Asking For Trouble, FoRT aims to spark curiosity and imagination in little ones and parents alike. Founded by Christy Flaws and Luke O’Connor in 2008, they’ve been writing and performing award-winning circus to kickstart kids’ creativity across five original works to date.

In fact, FoRT didn’t start from a script or a brainstorming session; it was born from a spontaneous afternoon of play way back in 2015 with Flaws’ nephew. That good day’s play is certain to become a family favourite at this year’s Fringe.

(Rachel Cronin)

n The Garden Of Unearthly Delights, 15 & 16, 22 & 23 March, 11.30am.

FRINGE: KIDS LEVEL UP

Can you imagine being inside a supersized claw machine? That’s OK, you don’t have to. This acrobatic extravaganza grabs, swings and spins four daring performers in what’s sure to be a spellbinding performance. In a contemporary yet comedic form of circus, expect some hilariously poor 90s-style dance moves mixed with a 250kg steel claw. What could go wrong?

Crafting unique circus experiences since 2014, Gravity Dolls return with a change of pace in Level Up. After a decade of heavier, thought-provoking performances, the team decided to lighten up this year’s show to take us to new heights. Harlow Carey, the show’s director, explains: ‘After the challenges of the last few years, we felt compelled to create something lighter, both for ourselves as artists and for audiences. We wanted to offer a sense of reprieve, but more importantly, to celebrate togetherness.’

This tone shift from serious circus to playful performance (complete with giant grabber machine) means laughs for the whole family. ‘At its core,’ says Carey, ‘Level Up is about connection, joy and the simple power of play to bring a smile to people’s faces.’ (Rachel Cronin) n Fool’s Paradise, 8–10, 15 & 16, 22 & 23 March, noon.

KIDS HIGHLIGHTS

PETER COMBE IN WASH YOUR KIDS IN ORANGE JUICE!

The man, the songs: Peter Combe rules for kids and there’s real joy in watching the singing and dancing from a multigeneration audience who have all been raised on his songs. Welldeserved legend status, basically.

n The Garden Of Unearthly Delights, 8–23 March, 3pm.

GRANDPA POSEIDON

A seaside town, a retired god and a kid: magical storytellers

Wright&Grainger’s first family show features their trademark retelling of the Greek myths. Expect plenty of magic and wonder as they reinterpret this old story for a new generation.

n The Courtyard Of Curiosities At The Migration Museum, 21 February–23 March, times vary.

ALL STAR CIRCUS

From the creators of Godz, Head First Acrobatics bring all the circus skills to the yard in this show. Enough cutting-edge chops to keep even the most cynical older siblings enthralled too.

n Fool’s Paradise, 22 February–23 March, 3pm.

A PAPER TRAIL

Acrobatics and origami combine to tell a fairytale of friendship and courage, in a delightful children’s show that grown-ups will love as much as the kids. A real treat.

n Fool’s Paradise, 15–23 March, 1pm. Full listings details at list.co.uk/adelaide-festival

CARTOOOON!!

You just don’t see that many unicycle shows around these days, do you? Cartoooon!! brings the single wheel back, fusing their undoubted skills with a manga theme and plenty of giggles.

n Fool’s Paradise, 22 February–16 March, 2.30pm.

COMEDY FOR THE CURIOUS: ANIMALS

Marine biologist turned comedian is quite the CV, but Robyn Perkins’ engaging blend of comedy and science fun works brilliantly: curious minds need to laugh too. Adult show 2025 runs at the same venue from 22 February–16 March.

n Gluttony – Rymill Park, 1–23 March, 1pm.

MONSKI MOUSE’S BABY DISCO DANCE HALL

Nothing’s nicer than dancing with your little uns. DJ Monski Mouse sets the perfect scene for young family fun; her Baby Cabaret is also worth a look-in if you’re entertaining tinies.

n The Garden Of Unearthly Delights, 15 February–23 March, times vary.

MUSIC

A place called home

Aboriginal and Torres Strait Islander people are warned the subject matter of this article includes stories of the deceased.

The story of a Jaara girl brought home to Country after her bones were held for 99 years in a museum has been transformed into a song cycle. Composed by Dr Lou Bennett AM and Paul Stanhope, this moving composition gets its Australian premiere at this year’s Adelaide Festival, writes Lucy Ribchester

Dr Lou Bennett AM remembers vividly the first time she heard the story of the little girl who became known as the Jaara baby. ‘Ten years ago, I was sitting with my mum’s older sister, Auntie Fay, and her daughter Wendy, who’s my cousin (sister-cousin, as we call ourselves) and they said, “We have to tell you this story, Lou,”’ explains Bennett over Zoom from her studio. ‘They proceeded to tell me around the campfire. It was a family gathering, but it was just us women talking. So it was a beautiful setting, here on Jaara Country.’

The tale is harrowing, though not isolated. In 1904 on Jaara Country, the remains of a little girl were uncovered by a European woodcutter, wrapped in possum skin inside a tree trunk. The local coroner advised they be sent to the National Museum Of Victoria, where they remained for 99 years, until they were repatriated by Dja Dja Wurrung and Wurundjeri people in 2003. Bennett’s relatives were directly involved. ‘Once they got the logistics sorted, we had a ceremony. It was my Auntie Fay, Wendy and another beautiful Auntie of ours, Auntie Lillian, and they gave her a proper ceremony.’ Music formed an integral part. ‘The whole community came together and sung her back home.’

The impact on Bennett was profound; in 2020 she composed a piece, jaara nyilamum, naming the baby

nyilamum, which means ‘infant’ in Dja Dja Wurrung. Now, collaborating with Australian String Quartet and fellow composer Paul Stanhope, Bennett has gone deeper into nyilamum’s tale, creating a song cycle that tracks her return to Country through the journey of a day. ‘It starts at sunrise, and then we move through the day musically, storyline-wise, narrative-wise, and then we end with a lullaby at sunset. And it’s really me exploring the importance and the depth of connection that my family have here.’

Connection with the land goes beyond the song cycle’s themes, right into the bones of Bennett’s process which always begins with Country. ‘I walk Country. I’ll listen to Country. I listen to birds. I listen to the wind go through the grasses. I’ll try to use my instinct to feel, rather than go, “oh, these notes, this pentatonic scale is really exciting.”’ She is happy for her collaborators to use Western composition routes to bring in ‘beds of music’ which blend with her melodies. But those melodies come directly from the earth. ‘It’s like the earth there is acknowledging that I’m acknowledging the earth, the Country, and it gives me such abundance.’

nyilamum: song cycles, Adelaide Town Hall, 27 February, 7.30pm.

World party

Banish those bank holiday blues: WOMADelaide is back with a stunning line-up that will fill the city with global vibes, says Annabel Fedcesin

Continuing a 32-year tradition, WOMADelaide returns for 2025 celebrating world music and dance in a line-up filled with cultural icons from around the globe. With 74 artists across four days, around 35 countries are represented. Some 27 Australian creatives bring a strong home squad to discover from the Great Southern Land, with an important focus on First Nations people and voices.

As always, there’s an emphasis on families and food, with a dedicated KidZone to help keep the wee ones occupied. As well as bars and food stalls, The Sanctuary Restaurant will host three top chefs: Jack Bird of Blanco Horner Catering, Jamie Musgrave from Restaurant Botanic, and Botanic Lodge’s Tom Tilbury. They’ll collaborate on a special menu featuring creative and delicious uses for South Australia’s diverse native flora. When it comes to the music, finding your way around such a stellar line-up is going to involve careful planning, scrutiny of the splits and firm meeting points for your mates. The big names include Ireland’s Róisín Murphy and the utter goddess that is PJ Harvey, alongside Nigeria’s Grammy-winning singer and activist Yemi Alade, American hip-hop icons Digable Planets and high-octane energy from Goran Bregovic & His Wedding & Funeral Band

But much of the pleasure of WOMADelaide is discovering something new. Start the long weekend off right with melodic a capella from The Joy, a gorgeous South African quintet. On Saturday, don’t miss Australia’s own Ms Chipeta, whose first single, ‘How Does It Feel?’, features smooth as silk vocals with a jazzy-rock synth accompaniment: one to watch. On Sunday, Ane Ta Abia, a collaboration between Australian Art Orchestra and Tatana Village Choir from Papua New Guinea, aims to nurture the soul in a new choral concert celebrating 50 years of Papua New Guinea’s independence. Or, if Sunday means losing yourself in a funky beat, the UK’s DJ Paulette will be bringing down the house with a storming disco, house and techno set. On Monday there’s a second chance to catch the Tatana Village Choir, or finish your weekend with Mariza, Portugal’s acclaimed fado singer, whose take on the poetics and melancholy of fado in her dance-inducing style will send you home happy (she’s also doing a set on Saturday). For blissful vocals, 16-million Spotify-streamed artist Emily Wurramara’s Monday set will no doubt feature tracks from her beautifully layered 2024 album, Nara, and is definitely worth catching.

WOMADelaide, Botanic Park/Tainmuntilla, 7–10 March, womadelaide.com.au

FESTIVAL: MUSIC THEATRE BIG NAME, NO BLANKETS

Following the story of musical icons Warumpi Band, Big Name, No Blankets (titled after their debut album) explores the beauty of music and community in theatre. Taking their popular songs featuring Luritja and Gumatj languages as a jumping-off point, Andrea James’ script encourages dancing, singing and joy for all ages. Presented by Ilbijerri, one of only a few major First Peoples theatre companies, it traces the history of music in Australia’s outback.

Co-director Dr Rachel Maza describes Big Name, No Blankets as the medicine of hope, saying the show’s beauty is its authenticity to ‘the artistic and cultural authorities’ of the story owners. Maza aims to capture a tale that is rich with joy, humour and cultural importance. Although one show can’t heal the hurt of western impacts on First Nations people, Maza says it’s a huge step in the right direction. ‘Aboriginal history is here and now, living among us, and it’s how we define ourselves,’ she explains. ‘It’s how we relate, how we connect. History is critically important but it’s only important if we talk about how it impacts us here and now today.’

Big Name, No Blankets is the kind of high-energy, good-time performance that brings people into the theatre. ‘It’s what all theatre should be,’ says Maza. ‘It’s complete joy.’ So stomp your feet and sing along: you’re cordially invited to ‘come and dance’ at this important milestone of Australian theatre. (Annabel Fedcesin) n Her Majesty’s Theatre, 14–16 March, times vary.

FESTIVAL: MUSIC THEATRE HEDWIG AND THE ANGRY INCH

Hedwig And The Angry Inch comes with heaps of pedigree. Originating as an off-Broadway hit in 1998, it became a cult classic film in 2001 and earned a Tony for Best Revival on Broadway in 2014. Yet the show feels box-fresh, as its titular star Seann Miley Moore confirms over the phone from Sydney after the first day of rehearsals.

‘It’s a show about queer spirit, liberation and becoming your true, fabulous authentic self. It’s always been about community; about the people who make you who you are.’

It’s also about the power of rock’n’roll, with influences like David Bowie, Iggy Pop and Lou Reed front and centre in Stephen Trask’s music. For Moore, it’s the idea of standing up in front of a live rock band and presenting Hedwig’s story that thrills: ‘It’s about finding that joy through music that helps you keep going.’ The world’s a dark place: maybe this salute to queer joy, queer chaos and queer celebration is exactly the ray of light everyone needs. And we really do mean everyone: as Hedwig says, ‘the wig fits all heads.’

(Jo Laidlaw)

n The Queens Theatre, 26 February–15 March, times vary.

PICTURE: JAMES HENRY

PICTURE: RYAN CARA

Starwheels

Iwakura

Star Dreaming

Whale Super Highway Fungi - Web of Life Ningaloo

Dark Side of the Moon

Holst’s The Planets 360

A FRIEND OF DOROTHY: ANTHEMS OF PRIDE

Local hero Lindsay Prodea makes his solo debut in a celebration of queer icons and unforgettable anthems. Backed by a four-piece band, expect powerful vocals and soaring torch songs in one of Adelaide’s newer spaces.

n Plant 4 Bowden, 22 February–16 March, times vary.

TELEGRAPH ROAD: DIRE STRAITS TRIBUTE

There’s much more to Glenn Skuthorpe than a simple tribute act. With six albums and countless soundtracks under his belt, alongside his tireless advocacy for First Nations musicians, expect a rare treat.

n Various venues, 22 February–15 March, 8pm.

THE NECKS

Cult band The Necks are playing for one night only in a show that’s not to be missed for jazz fans of all perspectives. Expect improvisation and stunning musicianship from a trio at the height of their powers.

n Woodville Town Hall, 21 February, 8pm.

MUSIC HIGHLIGHTS

FIVE YEARS FREE!

First Nations powerhouse Sonia Smith is a triple threat: artist, singer and songwriter. In Five Years Free! she shares her strength and resilience through story and song. Powerful stuff. n Gluttony – Rymill Park, 21, 23 February, 6pm.

27 CLUB

The infamous 27 Club reforms once again for Adelaide. Joplin, Winehouse, Cobain, Morrison and Hendrix all feature; the musicianship from a band formed of top local musos means this transcends the tribute to genuinely move. n Gluttony – Rymill Park, 21 February–23 March, 6.30pm.

ALL THESE PRETTY THINGS

What do you do when your husband leaves you for your teenage goddaughter? According to Tracey Yarad, you make a show. With book, music and lyrics by Yarad, this is a searing story of a devastating divorce.

n Woodville Town Hall, 23 February–7 March, times vary.

Australia’s synth masters return to Adelaide with Fade To Grey, a show dedicated to their 80s heroes. Expect Visage, Duran Duran, Pet Shop Boys and OMD alongside vintage synths. n The Gov, 15 March, 7pm.

PICTURE: RACHEL

BRADY

House of Oz proudly supports the first ever List Festival Party at Adelaide Fringe, taking place at The Courtyard of Curiosities at 8pm, 24 February 2025.

House of Oz is a philanthropic powerhouse with a mission to platform Australian creative arts for international cultural export. We provide Australian artists with grants for travel, accommodation, tech, show development and more.

House of Oz aims to showcase the diversity and excellence of Australian talent on the global stage.

Want to escape the city for the day? South Australia is waiting for you, so pack up the car and head for the hills. And the valleys. And the rivers. And the lakes.

DAY TRIPPIN’

ADELAIDE HILLS

The bucolic bliss of the Adelaide Hills with its charming country towns, orchards and wineries can be reached in less than half an hour from Adelaide. Rediscover its joy with an easy day trip: strawberry picking at Beerenberg Farm or 360-degree hilltop tasting sessions at The Lane Vineyard await.

View the stunning colours of Mount Lofty Botanic Gardens or take a walking tour around Hahndorf, Australia’s oldest surviving German settlement, a leafy land of giant pretzels and sumptuous steins. Notable landscape artist Sir Hans Heysen lived nearby and his home, The Cedars, is a monument to his life and work.

There is never a bad time to coo at koalas and kangaroos, wallabies and wombats. Cleland Wildlife Park has them all in their natural habitats, plus the opportunity to wonder at the lesser spotted spiny echidna, the only mammal which lays eggs.

Bon vivants can sample a cool climate wine from VIP daybeds at Sidewood Estate or a tipple of a different hue at Prancing Pony Brewery. If gin is your thing, head to Ambleside Distillers, or pair pear cider and pizza at Paracombe Premium Perry. And dairy queens should not miss the fromage factory that is Woodside Cheese Wrights. Green ants on cheese? Believe.

BAROSSA

Step this way: Barossa is a mere one hour north-east of Adelaide. Home of the world’s best shiraz (certified), it’s perfect for a mates’ day out.. The Barossa Valley boasts more than 80 cellar doors, including the boutique Kellermeister, home to that rarefied ruby red, The Meister, and the historic Seppeltsfield winery, founded in 1851, where the 100-year-old Para Vintage Tawny rules the roost.

It’s not all wine, wine, wine: the neighbouring Seppeltsfield Road Distillers make small batch gin using local botanicals including, yes, Barossa Shiraz Gin. Barossa Valley Cheese Company and Barossa Valley Chocolate Company provide treats while Maggie Beer’s Farm Shop satisfies pickle and chutney needs.

Barossa Farmers’ Market gathers the best of local produce every Saturday morning in the town of Angaston, or go straight to source on the 150-acre Hentley Farm to enjoy the paddock-to-plate dining.

Barossa is a main calling point on the foodie pilgrimage that is the Epicurean Way Road Trip (which winds through the Adelaide Hills and on to McLaren Vale). Barossa Helicopters can help you cover the ground speedily, with scenic aerial tours, deluxe travel to the region’s vineyards and onwards to remote outback pubs. Or make it super special and watch the sunrise from a hot air balloon: Barossa Valley Ballooning or Barossa Balloon Adventures will see you right.

Ambleside Distillers

Photo: Tourism Australia/South Australian Tourism Commission

The Scenic Hotel Photo: Frame

Two Hands Wines

Photo: Tourism Australia/South Australian Tourism Commission

Seppeltsfield

Photo: Tourism Australia/South Australian Tourism Commission

The Farm Eatery Photo: Frame

Barossa Balloon Adventures Photo: Santiago Gonzalez Redondo

Kenton Valley Photo: Frame

Beerenberg Farm Photo: Frame

MCLAREN VALE

Think you know McLaren Vale? The most forward-thinking wine makers in Australia are based here, so there’s always something new to discover in your glass.

The nine-kilometre Shiraz Trail from McLaren Vale to Willunga takes in a wealth of awardwinning wineries and quirky cellar door experiences. You can lounge on the lawn or hop on the static double decker bus at Down The Rabbit Hole or enter the giant Rubik’s-like d’Arenberg Cube. If biodynamic is your bag, Gemtree Wines is a local beacon of sustainable wine tourism.

The Vale is also home to some brilliant dining, so gather the gang. Whether it’s the beachside offering at Star Of Greece or the classic Salopian Inn (did you know chef Karena Armstrong is festival director of Tasting Australia?) there’s loads to explore.

If you prefer cliff and coastal hikes to sipping by the sea, Onkaparinga River National Park and the neighbouring Onkaparinga River Recreation Park offer dramatic gorge trails and wetland walks respectively. Or relax at Red Poles gallery and restaurant, home to the free Red Poles Indigenous Fringe Festival until 22 March.

MURRAY RIVER, LAKES

Water’s the theme here. Australia’s greatest waterway, The Murray River, meets her longest beach, at Coorong National Park, in a stunning region rich in First Nations history. Enjoy the slower life cruising on the Proud Mary paddle steamer, dining in riverside hotels and visiting Murray Bridge Makers’ Market. Or, for more hi-octane kicks, go burn rubber at Shell V-Power Motorsport Park.

On the final stretch of its 2500km journey, where the river meets Lake Alexandrina and the Southern Ocean at Goolwa, are the glories of Coorong National Park. This protected coastal lagoon ecosystem on the lands of the Ngarrindjeri people is where secluded beaches meet wetlands bursting with birdlife.

Further north, Juggle House Experiences offer stargazing trips into the River Murray International Dark Sky Reserve or immerse yourself in a dreamtime tour with a guide from the Mannum Aboriginal Community Association through their ancestral lands in the Ngaut Ngaut Conservation Park.

For accommodation, try something unique and drift off to sleep on an eco-pod or houseboat bobbing on the river. For longer road trips, the Mighty Murray Way Road Trip covers 382km of everything this amazing region has to offer.

Home of Plenty cellar door Photo: Home of Plenty

Big Duck Boat Tours

Photo: Tourism Australia/South Australian Tourism Commission

Onkaparinga River Recreation Park

Photo: South Australian Tourism Commission

Coorong National Park

Photo: South Australian Tourism Commission

Shell V-Power Motorsport Park

Photo: Josh Geelen

Murray River houseboat

Photo: South Australian Tourism Commission/ Adam Bruzzone

THEATRE & DANCE

As one of the UK’s most innovative theatre companies makes its Adelaide debut, Megan Merino finds out how a group of Shakespeare shunners ended up bringing the Bard’s tales into the kitchen

All The . .

It’s far from surprising to see Shakespeare reimaginings cropping up in an international arts festival, but Forced Entertainment’s tabletop series stands firmly on its own two (or should we say four) feet. In the Sheffield-based company’s Complete Works: Table Top Shakespeare, each of the Bard’s plays are cast using household items, the stage an everyday dining table seemingly lifted from someone’s kitchen. Split between six performers, the plays are summarised rather than recreated, relayed in a colloquial, non-scripted fashion in the vein of a folktale or bedtime story.

‘If you were telling a story to a kid at the breakfast table or showing somebody how a particular car accident went down, you might use the things on the table to be the vehicles and the people involved. That’s how we’re doing Shakespeare. It’s a sort of very crude, simple puppetry, if you like,’ explains creative director

Tim Etchells, who has watched this project successfully travel around the world for nearly a decade.

Despite the success of this work, Forced Productions began in 1984 as a subversive theatre company totally uninterested in traditional plays. ‘I would say this project was the first and only time that we’ve picked up a piece of what you’d call dramatic literature,’ Etchells admits. ‘As a theatre maker in the UK, you’re always asked “are you ever going to attempt Shakespeare?”. For 35 years the answer was “not really”. Suddenly we thought maybe there was an interesting way for us to do all of them and at the same time not do them, which is sort of what this project does.’

Whether you identify as a Bardolator or a complete Shakespeare novice, Etchells and team believe there is value in watching some of the world’s most famous plays being deconstructed and laid out; like taking out the engine of a car and seeing how all of its constituent

World’s A . Table?

parts fit together. ‘They’re really good ways of getting a grasp of the whole shape of a play,’ he elaborates. ‘In a two or three hour-long full production of something, there can be a case of not quite being able to see the wood for the trees. On the tabletop, it’s like seeing a circuit diagram of how something’s working electrically, you understand it in a different way than if you see the whole object.’

Of course, there’s also an element of absurdity involved in making a room full of adults stare at salt-and-pepper shakers and inject them with pathos. ‘On the one hand, it’s a joke, and people will laugh because the ghost of Hamlet’s father is a cheese grater,’ Etchells giggles. ‘But then you end up staring at the cheese grater like it’s a disturbing spectre from another dimension.’ The way to make us believe, he explains, lies in how the performer casts and handles each object.

‘We’re not making the objects walk across the table like they’re alive, but there’s something about how you pay attention to the objects, how you touch them, how you move them from

one place to another. If you do that right, then the audience goes with you and ends up looking at the objects like they matter. The jam jar filled with dirty paint brushes is only the murderer if you treat it in that way.’

During their week-long run at Adelaide Festival, the company will take residency inside Adelaide Festival Centre’s Space Theatre, a room with a capacity of around 300 people. The staging requires an intimate set-up where the tabletop is visible and close (Etchells compares the blocking to a YouTube tutorial where someone is explaining how to fix a vacuum cleaner or use an item of make-up). ‘You should feel, in a way, that somebody’s sat with you in the pub telling you a story,’ he says, ‘so it’s got that kind of very direct, casual feeling to it. That’s how people really do tumble into the stories and get caught up in them.’

Complete Works: Table Top Shakespeare, Adelaide Festival Theatre, 8–16 March, times vary.

Tim Etchells

heroes and villains

Kaija Saariaho’s final opera before her death in 2023 is an uncompromising masterpiece. Its Australian premiere is one of the jewels in Adelaide Festival’s crown, reckons Neil Cooper

Innocence’s uncompromising portrait of the aftermath of a mass shooting has become a major international artistic event. It’s based on a libretto by best-selling novelist Sofi Oksanen, whose fusion of contemporary issues and Scandinoir type thriller has seen two of her books, Baby Jane and Purge, both adapted for opera. For Innocence, Oksanen transports us ten years post-shooting, to a wedding in the gunman’s family, where one of the victim’s mothers works as a waitress. For Finnish mezzo-soprano Jenny Carlstedt, who plays the waitress, Innocence is groundbreaking.

‘I think music should speak about the problems of our world right now, just as Mozart did with The Marriage Of Figaro,’ says Carlstedt. ‘I think we have to try to discuss things that are uncomfortable. Through art, we have a chance of approaching them in a more holistic way. That’s what attracted me to Innocence: it has a really difficult theme, but Sofi Oksanen’s brilliant, intelligent libretto looks at what happens to people after a tragedy, when all the cameras have gone and it stops being reported.’

Carlstedt continues: ‘Hollywood gives us this black and white idea of who is the villain and who is the good guy, but life isn’t like that. People are so much more complex. There are so many layers of trying to live a good life and do the right thing.’

Simon Stone’s production premiered at Festival d’Aix-en-Provence in 2021. Since

then, it has been performed at Finnish State Opera, London’s Royal Opera House, Dutch National Opera and San Francisco Opera, with its New York debut at the Metropolitan Opera planned for the 2025/26 season.

Oksanen’s original Finnish libretto is delivered in numerous languages by way of Aleksi Barrière’s multi-lingual translation, with Clement Mao-Takacs conducting Adelaide Symphony Orchestra accompanied by Adelaide Chamber Singers and State Opera Chorus.

‘There are no arias,’ points out Carlstedt, who will also perform a solo concert at Adelaide Festival. ‘As opera, I think Innocence is very bold. Hearing Kaija Saariaho’s music for the first time, I was blown away by the colours. Every single character has their own character colour. It’s not a cacophony of sounds. Everything comes out emotionally.’

‘I think what she and Sofi Oksanen have done with Innocence will give coming generations the permission to try and reflect our society right now, and to find the essence of our time. I think it educates us about compassion, about the complexity of being a human being, and about rising, somehow, from the depths of darkness.’

Innocence, Adelaide Festival Centre, 28 February–5 March, times vary; Jenny Carlstedt: From The Bliss Of Song And Lyre, The University of Adelaide, 6 March, 12.30pm.

FRINGE: THEATRE SWAN?

An irreverent blend of en pointe ballet and clowning, enchanting choreography and dick jokes, Canadian performer Lauren Brady’s Swan? reimagines Swan Lake if Odette hadn’t killed herself and was instead still seeking her prince. Parodying fairytale endings, we meet the now 147-yearold chain-smoking swan-ballerina princess as she looks for potential suitors from the audience. ‘Clown and ballet are very, very different beasts,’ Edmonton-based Brady observes. ‘The challenge of combining them is something I found very exciting.’ Yet, having initially staged the show as OWEaDEBT in Adelaide last year (it’s now been further developed, with the help of directing consultant Nicole Maloney), Brady has concluded they are similar in one area. ‘Impulse. In clown and comedy, you rely on your impulse to gauge the audience and your connection with them. In ballet, after a lifetime of training, technique becomes an impulse and is constantly there to support you.’ This gives the physical comedy in Swan? ‘a different level of strange yet beautiful choices’.

Brady’s Odette asks big questions: ‘How can women be heroes when our role models are damsels; why do we change ourselves for a romantic partner; why are women in competition with each other and what is pretty privilege?’ All the while, Brady brings the audience into Odette’s world, teaching us what it’s like to be a swan. ‘You’ll honk, learn a mating dance and earn a star. If you’re very lucky, you might even get to come on stage and be my hero.’

(Jay Richardson)

 The Courtyard Of Curiosities At The Migration Museum, 20 February–2 March, 6.10pm.

FESTIVAL: THEATRE TRENT DALTON’S LOVE STORIES

If love really does make the world go around, it’s confirmed by the stage version of Trent Dalton’s compendium of real-life love stories, collected on a Brisbane street corner and published in 2021. Captured in the moment on Dalton’s old-school typewriter, these hopelessly devoted everyday epiphanies include proposals by flashmob, reunions across generations and musings on how love lives on beyond death.

With Dalton riding high on the 2024 Netflix adaptation of his 2018 semi-autobiographical novel, Boy Swallows Universe, Love Stories was first seen on stage last year at Queensland Performing Arts Centre. Adapted by Tim McGarry and directed by Sam Strong, it reunites the trio behind the 2021 stage version of Boy Swallows Universe. Closer to home, additional writing and story comes from Dalton and fellow journalist Fiona Franzmann. Given that Dalton and Franzmann also happen to be married, this should give an extra frisson to the couple’s own story which is used as a framing device between each rapid-fire vignette. Despite the accompanying conflicts that come with the territory, Dalton and co have created an unashamedly gooey grown-up confection which has been brought to intimate life. For those starting out on a story of their own, it would also make an unforgettable date. (Neil Cooper)

 Adelaide Festival Centre, 12–16 March, times vary.

Confessions onfessions of a f Boba

ba Feb 20 - March 2 eb

BONDING

Stephen has always wanted to be James Bond. He’s got a tux and everything! Cyril Blake’s solo show examines masculinity, fatherhood and the enduring appeal of the celluloid hero.

n Gluttony – Rymill Park, 21 February–2 March, 8pm.

TRACY CRISP’S SIX PACK

Fringe stalwart Tracy Crisp has performed a self-penned solo show at Adelaide since 2018. Now she’s bringing every single one of them back for 2025, performing two shows every night so folks can catch up with any they’ve missed, or rewatch their favourites.

n Goodwood Theatre And Studios, 28 February–16 March, times vary.

SMILE: THE STORY OF CHARLIE CHAPLIN

Created and performed by Marcel Cole, there’s no doubting the power and impact of the source material. While Chaplin’s performances still resonate, we’re equally fascinated by the story behind the man.

n The Courtyard Of Curiosities At The Migration Museum, 11–23 March, 6.20pm.

WOMAN IN THE DUNES

Based on the novel by Kobo Abe, eastern dance meets western jazz in Shakti’s provocative performance. The score is composed by Steven Severin, ex of Siouxsie And The Banshees.

n The Garage International @ Adelaide Town Hall, 21–23 February, times vary.

ADDICTED

This world premiere uses music, mime and dance to explore addiction, stigma, mental health and recovery. It’s a message of hope, resilience and walking (or dancing) a mile in someone else’s shoes.

n Various venues, 14–23 March, times vary.

THE RITE OF SPRING

Stravinsky’s music sparked a riot the first time it was played; Taiwan’s celebrated Tussock Dance Theater embodies its themes of fear, resistance and the everlasting cycle between good and evil with power and grace.

n Adelaide College Of The Arts, 12–15 March, 7pm.

This’ll have the writers crying into their IPAs. A new cast perform a new version of a classic every night. The twist? The script’s been written by AI. Genuinely intriguing; check socials for a chance to vote on the story in question.

n Various venues, 20–23 March, times vary.

THE CEREMONY

Ben Volchok’s extraordinary skills put the audience firmly in control; he probably won’t say a single word. Always raw and by turns moving, hilarious and provocative, it’s a quintessential fringe experience.

n The Courtyard Of Curiosities At The Migration Museum, 20 February–9 March, 9.50pm.

BOOZE & THE BARD: THE SHAKESPEAREAN DRINKING GAME

Five actors perform a Shakespearean classic with a twist: one of them is drunk. Chaos ensues. Can’t blame them really, it would certainly have made Friday afternoon English go with a bit more of a swing.

n Various venues, 19–23 March, times vary.

IT IS I, SEAGULL

Lucy Mellors has had enough. But at least she knows the name of the first woman in space. Intertwining her experiences as an opera singer with astronaut Valentina Tereshkova, this show combines opera and comedy with a long, hard look at the patriarchy.

n Holden Street Theatres, 11–23 March, times vary.

CONFESSIONS OF A BOBA LIBERALIST

What does it feel like to belong? Could it be as simple as not dreading the question ‘where are you from?’ Juanita Navas-Nguyen shares how she’s found connection in a predominantly white society, with bubble tea for all.

n The Courtyard Of Curiosities At The Migration Museum, 20 February–2 March, times vary.

FAULTY TOWERS THE DINING EXPERIENCE

This tribute to the BBC sitcom is experiential perfection; in fact, it’s faultless. Audience involvement brings even more anarchy to the antics, and you do actually get fed. If you don’t know the OG show, check out Confetti & Chaos from the same team.

n The Terrace Hotel, 21 February–23 March, times vary.

THE ART OF STORMWHISTLING

‘When I was ten years old, my uncle disappeared at sea.’ It’s an arresting premise for a story about John, who’s kept his uncle’s secret for years before eventually following the maps to find the truth.

n The Courtyard Of Curiosities At The Migration Museum, 8 & 9, 15 & 16, 22 & 23 March, 4.50pm.

PLENTY OF FISH IN THE SEA

This beautifully performed little fable is a jewel-box of a treat where every detail is pin-sharp and perfect. Joyful and clever, with a multi-layered message, it’s also very funny. Perfection, in fact.

n The Courtyard Of Curiosities At The Migration Museum, 4–9 March, 9pm.

ART ATTACK

FPolitics and performance are at the international heart of Adelaide’s visual art programme this summer, finds Neil Cooper

rom fabric to family, there’s much to discover in Adelaide Festival’s tightly curated visual art programme.

The tellingly named Radical Textiles looks at one of the most quietly unsung of artforms that’s none the less been central to the visual identity of protest movements, from William Morris in the 19th century to Sonia Delauney in the 20th and beyond. The exhibition is a patchwork of more than 100 artists, designers and activists drawn from Art Gallery Of South Australia’s expansive collections of international, Australian and First Nations work, knitting together a history of textiles across 150 years.

VISUAL ART , LITERATURE & STORYTELLING

The meaning of family is behind Shared Skin, a group show at ACE Gallery of contemporary artists from a variety of cultures and backgrounds depicting family in myriad ways. Twelve artists from different countries and continents look at how family is defined by way of umbilical links to class, sexuality, culture and community across the global village.

The Taken Path chooses an even more forensic approach. Artists Catherine Truman and Ian Gibbins embark on a sisyphean experiment in repetition in a moving-image work based on the duo taking the same walk through the Carrick Hill estate every month for a year. This creates an ever-evolving document of changing seasons and landscapes, becoming a kind of psychogeographic durational meditation. Also keeping a straight and clear path is Direct, Directed, Directly, a group show at Samstag Museum Of Art that uses performance, moving image, installation and sound to attempt to map out an international language of communication that goes beyond words and borders.

At Adelaide Festival Centre, performance in its purest form can be seen in After Images: 60 Years Of Australian Dance Theatre, featuring photographs, films, costumes and other ephemera, providing a crucial insight into the company’s evolution from first baby steps to international institution.

Over at the Fringe, there’s also a busy visual art programme, with more than 60 exhibitions and events covering an array of themes. Highlights include the Red Poles Indigenous Fringe Festival, a mini-festival within the Fringe, showing work across all art forms. Susan Bruce’s Weathered is a series of paintings of solitary figures in industrial urban landscapes, while Female Politicians Of Adelaide is a short history of local politicos in sketches and paintings.

Finally, Sovereign Acts / Love Praxis is a major show at Flinders University Museum Of Art, where Unbound Collective celebrate a decade of radical thinking, making and doing in a cross-art form show, rethinking sovereignty and representation through First Nations perspectives and methodologies.

For full listings, go to list.co.uk/adelaide-festival

From top: Work by Sally Smart, part of Radical Textiles; The Boat People, part of Shared Skin; The Taken Path

PICTURE: SAUL STEED

FESTIVAL: WRITERS’ WEEK PODFEST

Want to get up close and personal with your favourite podcasters? Podfest invites audiences to connect with their playlists at a series of live recordings across the six days of Writers’ Week. The line-up includes the particularly apt Book Cheat, where Dave Warneke and guests share the plots of classic books with just enough detail to help you bluff your way through your next fancy-schmancy dinner party. True Crime: The Good, The Bad And The Ugly explores the almost universal appeal of true crime podcasts, with Hedley Thomas, Rachel Brown, Meshel Laurie and moderator Dan Box attempting to unpick the genre that’s become pretty much synonymous with the platform.

Ladies, We Need To Talk sees Yumi Stynes, 2024’s podcast host of the year, talking to Gina Chick, Jessie Tu and Anna Broinowski about living life on the edge, aiming to ignite the fearless risk-taker that lives inside every listener, while Black Magic Woman’s Mundanara Bayles works hard to amplify the voices of First Nations people from Australia and across the world. Matt Bevan’s If You’re Listening, Amanda Keller and Anita McGregor’s Double A Chattery, and hit ABC podcast Not Stupid round out the bill. Finally, there’s a lot to take in during an Adelaide season; if you want to make sure you remember where you’re supposed to be and when, try All In The Mind: The Magic Of Memory. Sana Qadar explores the latest thinking and research to offer practical ways to sharpen and improve our memories. (Jo Laidlaw)

n Torrens Parade Ground (except Not Stupid, Adelaide Town Hall), 1–6 March.

FESTIVAL: WRITERS’ WEEK 3 TO SEE

Any festival devoted to the joy of writing conjures up cosy vibes of happy authors and their readers. But Writers’ Week is also full of hard-hitting events that aim to help audiences explore the important topics of our times from contemporary, historical and fictitious viewpoints.

Sir Simon Schama On Antisemitism (Adelaide Town Hall, 2 March, 7.30pm) features the famous academic and historian bringing his laser-like focus to Jewish history as well as analysing antisemitism today. As he said in his book The Story Of The Jews: Finding The Words: ‘Whatever the cost in breaking it, silence is not a historian’s option.’ This oration, introduced by Peter Malinauskas, premier of South Australia, is sure to be informative and powerful.

Writers’ Week continues to place itself at the forefront of political and current affairs. Islamophobia: What’s the Problem? (Adelaide Town Hall, 2 March, 3.30pm) sees Waleed Aly and Susan Carland come together to lead a discussion on Australia’s fragmenting social landscape, evidenced by a recent spike in Islamophobia.

Turning to fiction, The Book Thief turns 20 this year. The novel draws on stories from Sydney-based author Markus Zusak’s German mother and Austrian father and quickly became a modern classic. In The Book Thief: 20th Anniversary (Adelaide Town Hall, 3 March, 11am), Zusak reflects on its extraordinary success and why it still resonates today. (Hannah Homburg)

n For full listings details, see list.co.uk/adelaide-festival

PICTURE: HUGH STEWART

Gina Chick

Markus Zusak

VISUAL ART, LITERATURE & STORYTELLING HIGHLIGHTS

NICK ROBERTSON: EVERYTHING THAT HAPPENED AT NUMBER 68

Everyone’s got at least one sharehouse story they can dine out on. Thankfully for us, Nick Robertson’s all happened at number 68, and he’s pulled them together in this hour of stories.

n Ayers House, 21 February–1 March, 8.15pm.

CHIHULY NIGHTS

Chihuly In The Botanic Garden is made up of 15 monumental glass sculptures and installations dotted around the beautiful garden. This is a chance to explore them (and the rainforest conservatory) at night, accompanied by live music and food and drink.

n Adelaide Botanic Garden, 14 February–16 March, 6.45pm.

BECOMES SURVIVAL

This solo biographical drama tells the story of an Irish backpacker who blagged his way onto a prawn trawler. This littleseen world is fertile ground for tall tales and redemptive grace.

n Various venues, 1–22 March, times vary.

HAVE YOU MET MY GRIEF?

Jodie Atkinson explores life after loss in an honest, heart-rending tale that is unpredictable, difficult and, at times, downright funny.

n Plant 4 Bowden, 23 February, 9, 16 March, times vary.

BETWEEN BREATH AND BARD

Local poet Paul R Kohn and WA creative Sally Newman bring an evening of poetry to Adelaide in an intimate show that connects poet and audience.

n Ayers House, 21 & 22 March, times vary.

LETTERS FROM AUSTRALIA: FULL DOME EXPERIENCE

Dom Polski Centre is the new home for Electric Dreams’ series of immersive digital events. This one’s guaranteed to pull at the heartstrings: it’s based on a trove of letters sent home from two Cornish lads who emigrated to Australia in the 1860s.

n Dom Polski Centre, 21 February–23 March, 3.30pm.

THE FELLOWSHIP TALES

Folklore and fantasy meet in this hour of storytelling, with a focus on contemporary fable. Let Letitia Kellion-O’Brien transport you to a magical place of reflection.

n Various venues, 27 February–8 March, times vary.

1 2 3

hot shots

The Earth Above: A Deep Time View Of Australia’s Epic History This stunning planetarium-style show transports viewers across the country to explore Australia’s creation story. See 140,000 years of traditional history and science come to life in stunning colour. Dom Polski Centre, 21 February–23 March, times vary.

Gluttony Liminal Immerse yourself in the city and join the Wandering Liminal Society in their quest to fight the Void. Solve puzzles, create art and make new friends while opening your eyes to the world around you. Gluttony – Rymill Park, 20 February–14 March, 6.30pm.

Mirror XR | Shards Of Memories This virtual and augmented reality experience is designed to flip the script on all things digital, encouraging viewers to challenge their perspective, create insight and build empathy. Serious messages delivered in a super-fun package. ILA, 21 February–23 March, times vary.

27TH, 28TH FEB, 1 MAR -BROADCAST BAR @ BAR OBI

3RD, 4TH, 6TH MAR - BASEMENT BAR @ THERAPY COCKTAIL BAR 5TH, 8TH MAR - BOOMERS BAR

Life is an adventure, especially in South Australia during festival season. From vineyards and cellar doors, to quaint restaurants in the great outdoors, this hub of food, wine and good times welcomes guests with open arms. Katie Spain explores the newest additions to three world-class wine regions, all less than an hour from Adelaide CBD

BAROSSA

History meets modernity: Barossa’s rich tapestry of culture, food, wine, characters, traditions and architecture is just 70km north-east of Adelaide. Cellar door-hop from the Barossa to Eden Valley, browsing galleries, wine bars and restaurants. The Barossa Farmers’ Market (Saturdays) is a must and, as quality country pubs go, The Greenock is a winner.

CELLAR DOORS

Forage Supply Co

4 Maria Street, Tanunda foragesupply.co

Warm fuzzies all round when best mates Scotty and Justin pour their scrumptious range. The focus is on sustainability, minimal intervention and approachability. Keep your eyes on socials to hear about pop-ups featuring guest chefs from around the globe.

Gibson Wines

190 Willows Road, Light Pass gibsonwines.com.au

A family-owned winery nestled off the beaten track in north-east Barossa, their German heritage dates back to the 1840s. Visitors are treated to a modern tasting room behind the historic cottage where founder Rob Gibson pours the good stuff.

New Wave Wines

457 Seppeltsfield Road, Marananga instagram.com/new_wave_wines

This new cellar door and collective showcases new Barossa producers and minimalist wine styles, among them The Cutting, Coulter Wines, Evan Evans Wines, Max & Me and Rollick Wines. Embark on a tasting flight, chill out on the verandah, and snack on sardines and Barossa sopressa. Cool cats unite.

Rieslingfreak

25 St Hallett Road, Tanunda rieslingfreak.com

Love riesling? You will after visiting this new cellar door. Winemakers

Belinda and John Hughes source fruit from some of Australia’s top producing riesling regions (Clare Valley, Eden Valley and Polish Hill River). They also happen to be two of the nicest people in the wine industry.

Spinifex Wines

46 Nuraip Road, Nuriootpa spinifexwines.com.au

New Zealand-born, Barossa-based Magali Gely and Peter Schell make small batch wines and finally have a space for their bright, light, expressive reds to be poured. The stunning homestead-style space sits smack-bang in vineyard surrounds.

EAT & SIP

Artisans Of Barossa

24 Vine Vale Road, Tanunda artisansofbarossa.com

Eight artisanal wine producers are showcased in this modern vineyard-framed building. The onsite Delikatessen (for relaxed all-day food), Essen restaurant and locally made gifts are also drawcards.

Casa Carboni

67 Murray Street, Angaston casacarboni.com.au

Want to graze like a local? Casa Carboni is popular for coffee and Italian treats (pasta from 12.30pm on Wednesdays to Saturdays, and a multicourse chef’s choice tasting menu on Friday nights). Chef Matteo Carboni also runs an Italian cooking school and wine bar here.

Fino Seppeltsfield

730 Seppeltsfield Road, Seppeltsfield | fino.net.au

You could easily spend a day at this palm tree-dotted estate where the award-winning restaurant shares the property with artist studios, galleries and gift stores. On the plate, expect fresh dishes made with local produce and a shared long-lunch menu.

Hentley Farm Restaurant

Cnr Gerald Roberts & Jenke Roads, Seppeltsfield | hentleyfarm.com.au

Long-lunch destinations don’t get much better than this winery restaurant. It’s fine dining with character (and plenty of wow moments). Floor-to-ceiling windows look out over a creek, vineyards and gum trees packed with wildlife.

Maggie Beer’s The Farm Eatery

50 Pheasant Farm Road, Nuriootpa maggiebeer.com.au

A farm-to-table dining experience on Maggie Beer’s pheasant farm. A great spot for sharing with pals and it’s family-friendly, too.

Otherness

38 Murray Street, Angaston otherness.com.au

The little wine bar on Angaston’s main street has chef Sam Smith to thank for an award-winning menu. Snack as you make your way through the impressive wine list (curated by owner Grant Dickson) or experience the full tasting menu (highly recommended).

Staġuni

457 Seppeltsfield Road, Marananga staguni.com.au

One of the most anticipated restaurant openings of late is led by chef Clare Falzon who serves Mediterranean-inspired dishes in the old Marananga School. Staġuni means ‘seasons’ in Maltese and Clare weaves her heritage through the set and à la carte menus. Grab a seat on the verandah.

OUT OF TOWN GUIDE

752 Stockwell Road, Angaston vintners.com.au

If you haven’t tried head chef and director Peter Clarke’s fried pigs’ ears, you simply haven’t lived. They’ve been on the menu at this Barossa institution for more than 15 years. Ask any local winemaker (many dine here) and they’ll tell you how good they are.

GETTING THERE

It takes around an hour to drive to Barossa Valley from Adelaide. Taxis must be pre-booked; local taxis operate in the area. The Metro train runs from Adelaide to Gawler Central, where you can pick up a bus to Nuriootpa via Lyndoch and Tanunda (adelaidemetro. com. au). Tour operators include TrailHopper Bus (trailhopper.com. au).

Vintners Bar & Grill

Maggie Beer’s The Farm Eatery

ADELAIDE HILLS

Location, location, location. This leafy, coolclimate wine region is just 20 minutes from the city. It’s a place of natural beauty and biodiversity, which means fresh produce and lots of it. For a quick snack, hit the bakeries, distilleries and pubs with a view (The Scenic Hotel, The Crafers Hotel, The Uraidla Hotel and Stanley Bridge Tavern are all top notch), or settle in for a tasting and meal at a character-packed cellar door or restaurant.

CELLAR DOORS

Hills Collide

1097 Greenhill Road, Summertown hillscollide.com

When The Summertown Aristologist closed its doors, fans of the little Hills’ haunt grieved. Fortunately, great people took over the space which is now home to Hills Collide, founded by winemaker Mitchell Fitzpatrick and bar owner Shane Ettridge. Expect close encounters with exciting grape varieties like gewürztraminer, grüner veltliner, dolcetto, barbera and nebbiolo, plus imaginative spritzes, wild rabbit toasties and Danishinspired open sandwiches.

Mt Bera

198c Torrens Valley Road, Gumeracha mtberavineyards.com.au

This family-run, organic and biodynamic wine brand has a fresh new cellar door, and renovated

EAT & SIP

Ernest Delicatessen

48–50 Mount Barker Road, Hahndorf | ernestdeli.com.au

restaurant (plus underground dining space) to celebrate after an impressive restoration effort following the 2015 Sampson Flat bushfire. The snacks and meals from Columbian head chef Manuel Prieto are a nod to his homeland and it’s all served with a view over the Torrens Valley. Expect to see cows, too.

Vinteloper

589 Cudlee Creek Road, Lobethal vinteloper.com.au

This cellar door pulls at the heart strings. Family-owned and operated, Vinteloper exemplifies strength in the face of adversity. Their beautiful new home is located in the lovingly reimagined ruins of a 1920s farmhouse tragically destroyed in the

2019 Cudlee Creek bushfire. It’s an architectural marvel (thanks to Detail Studio); a calm, welcoming place in which to taste seasonal shared plates, snacks and grazing boards. The wines are exceptional.

The Wine Room

15 Onkaparinga Valley Road, Verdun | ondeen.com.au

Nestled next to Ondeen restaurant is a small but beautiful tasting room dedicated to four small batch and boutique wine brands. Artis, Jericho, Silver Lining and Turon Wines don’t have their own cellar doors so this is a lovely place to experience their handiwork during an intimate tasting led by charismatic wine room manager Agnes Wyszomirska.

Arguably the best sangas in South Australia. Dine in or grab and go if you’re in a hurry. The team also serves up pasta nights and a breakfast plate you’ll dream about for days.

LVN Restaurant

150 Pfeiffer Road, Woodside birdinhand.com.au

Bird In Hand cellar door has always been a stunning spot but the addition of LVN Restaurant elevates the offering. Executive chef Jacob Davey (ex Restaurant Botanic) uses the bounty from the on-site garden and emphasises native Australian ingredients. You’re literally eating the garden and surrounds.

Mount Lofty Ranges Vineyard

166 Harris Road, Lenswood mtloftyrangesvineyard.com.au

Fittingly, newly appointed UK-born head chef Matt Rodgers has raised this cellar door restaurant to . . . lofty heights. The view from 550 metres above sea level is something special, especially from the restaurant and cellar door deck.

Ondeen

15 Onkaparinga Valley Road, Verdun | ondeen.com.au

Chef Kane Pollard helms this new restaurant on a much-loved 1850s property and homestead. The focus on local produce and no-waste is unwavering. Ingredients are handled with a minimalistic approach; either served fresh or cooked briefly over charcoal. The crème caramel is unforgettable. Pretty great for long lunches too.

Thelma

176 Piccadilly Road, Piccadilly thelmapiccadilly.com.au

Welcome to the epitome of wholesome. Farm-to-plate snacks and shared plates are king at this little bistro. Much of the produce comes from a nearby biodynamic market garden; it’s deftly handled by chef Tom Campbell. The natural wine list curated by co-owner Olivia Moore (who also owns LOC Bottle Bar) is spot on.

GETTING THERE

A TrailHopper bus is the simplest, most cost-effective way to get to the Hills. Guests are collected from the Stamford Plaza Hotel, or catch the bus in Hahndorf (trailhopper.com.au). Taxis/Uber can be difficult to find here, so plan ahead. Tours are available.

HILLS

MCLAREN VALE

Ernest Delicatessan

TASTING ROOM HOURS: FRIDAY - MONDAY 11AM - 5PM WILLUNGA100 COM

MCLAREN VALE

A sea view is part of the Fleurieu Peninsula’s charm, especially during warmer months when the clear blue sea and pristine beaches beg to be explored. Just 40 minutes south of Adelaide, McLaren Vale is a creative, progressive place, heaving with cellar doors, restaurants and natural wonders.

CELLAR DOORS

Aphelion Wine Co

67 Kays Road, McLaren Vale aphelionwine.com.au

This lovely little family-run winery calls a glorious hilltop home. Pouring grenache and Mediterranean varietals, winemaker Robb Mack has won many an award for his creations. Book a standard tasting, go for the private deck, or try the Back Of The Ute tasting led by the winemaker himself where (you guessed it) wines are poured from the back of their pickup. Aussie as.

Dandelion Vineyards

191 Chaffeys Road, McLaren Vale dandelionvineyards.com.au

Prepare to pick your jaw up off the floor. The view from Dandelion

Vineyard’s Wonder Room is a ripper, looking over Dandelion’s Firehawk Farm vineyards towards Gulf St Vincent and the Willunga Escarpment. Guided wine tastings are paired with Bulgarian dishes, inspired by winemaker Elena Brooks’ heritage.

Oliver’s Taranga

246 Seaview Road, McLaren Vale oliverstaranga.com

Winemaker Corrina Wright tells her family’s long McLaren Vale story through wine. The newly refurbished and extended cellar door space is slick. Try the falanghina; the crisp white variety is one to watch.

Sherrah Wines

148 McMurtrie Road, McLaren Vale sherrahwines.com.au

Alex Sherrah is one of the most forward-thinking winemakers in the region. Chances are he, or Lizzie Sherrah, will be there to pour you their thrilling range. Find them (and artisan wine brands Lino Ramble and Bondar Wines) in this history-packed sandstone cottage. Very cute.

Varney Wines

62 Victor Harbor Road, Old Noarlunga | varneywines.com.au

Alan Varney is an award-winning grape whisperer and his wife Kathrin Varney delivers one of the warmest welcomes in the region. This beautifully designed tasting room looks out over the jaw-dropping

Onkaparinga Gorge; a fitting backdrop for gasp-inducing, exciting varieties including vermentino, fiano, arinto and grenache. Local snacks are available if you’re peckish.

Willunga 100

188 Moritz Road, Blewitt Springs willunga100.com

Oh, for the love of grenache. The Grenache Room at Willunga 100 is a fresh-faced addition, specialising in grenache from Blewitt Springs and Clarendon. Taste Renae Hirsch’s wines in a restored stone cottage at the Blind Spot Vineyard, where service is stellar. Sit on the balcony and breathe a little bit deeper with an equally stellar crisp grenache blanc (white) or shiraz.

EAT & SIP

Angove’s Vineyard Kitchen

117 Chalk Hill Road, McLaren Vale angove.com.au

A winery restaurant hugged by vines. This hidden treasure’s à la carte menu champions McLaren Vale produce and is best shared. Angove’s awardwinning wine and spirit collection sits alongside the dishes and can be tasted onsite.

Coriole

79 Chaffeys Road, McLaren Vale coriole.com

Rolling vineyards and a butterflypacked garden surround the atrium home of this winery restaurant. Nestle in and be wowed by the fresh, seasonal ‘feed me’ tasting menus or opt for à la carte on weekdays. Coriole also hosts regular art, poetry, theatre and music events.

Fiore

233 Binney Road, McLaren Vale downtherabbitholewines.com.au

Down The Rabbit Hole cellar door attracts a fashionable influencer crowd dressed in pastel hues to match the décor. Their relaxed fine dining restaurant Fiore is a place to escape the crowds (though the buzz is still audible) with an Italian feast prepared by talented chef Nick Tadija. Produce is sourced from the surrounding Fleurieu Peninsula and every dish is on point. Stunning.

Harry’s Deli

255 Strout Road, McLaren Vale wirrawirra.com

Wirra Wirra winery’s onsite eatery ticks all the casual dining boxes; sensational salads, grab-and-go bites and satisfying large plates. For the full spread, opt for the multi-course What Harry Would Have experience. The famous Son Of Trott Pie (made with lamb and shiraz) nods to their history and is a must-try.

The Little Rickshaw

24 Old Coach Road, Aldinga thelittlerickshaw.com.au

A South East Asia-inspired feed-me menu with creativity and value at heart. The ramshackle, shed-like design and friendly service collide to make this an utterly relaxed, quirky place to dine. Book ahead as the wait list is testament to the restaurant’s charm.

Maxwell Wines

19 Olivers Road, McLaren Vale maxwellwines.com.au

German chef Fabian Lehmann is at the top of his game and has the accolades to prove it: this is a cellar door and winery restaurant with class. The multi-course fine dining experience comes with a view over the working winery and there’s even a large-scale maze to explore.

Pizzateca

319 Chalk Hill Road, McLaren Vale pizza-teca.com

A fun, family-run restaurant with Italian (Abruzzo) heart. The smallgoods, sugo, pizza dough and gelato are all made onsite from South Australian produce. The tiramisu and limoncello are a non-negotiable.

The Salopian Inn

Main Road, McLaren Vale salopian.com.au

A new organic kitchen garden wraps its way around this McLaren Vale favourite, with produce appearing alongside locally caught seafood and farm-grown meat. Welcoming staff, a perusable wine cellar and walls adorned with art make it an unforgettable setting that’s smileinducing on all fronts. Make sure you try the dumplings.

Vale Restaurant & Bar

128 Ingoldby Road, McLaren Flat valebrewing.com.au

A hilltop brewery with the works. Order snacks and large plates or let the chef feed you during a shared long-lunch experience. Vale Brewing beer features in some dishes and the place is family-friendly to boot.

GETTING THERE

McLaren Vale is a 40-minute drive from Adelaide. It’s possible to get taxis/Uber but be prepared to wait. The Route 31 Coastal Drive hugs the coastline from O’Sullivan Beach to Sellicks Beach (mclarenvaleandfleurieucoast.com. au). Metro rail services operate between Adelaide and Seaford and there are bus services between Adelaide and the area’s townships (adelaidemetro.com.au). Plenty of tours are also available.

Dandelion Vineyards

There’s no denying it.

Adelaide’s CBD is abuzz with places to dine and drink, many new to town. Katie Spain shares some of her favourite festival haunts, from fresh venues to much-loved icons and hidden hot spots

EAT

Africola 4 East Terrace africola.com.au (08) 8223 3885

Tighten your fun pants, you’re in for a ride: dining (African-inspired) comes with a hearty side of colour and raucous entertainment. The kitchen roars with fire and talent, while the walls are a kaleidoscope of colour. South Africa-born chef and co-owner Duncan Welgemoed serves the kind of food and atmosphere that make this a popular spot for A-list celebrities with spirit. As locations go, it doesn’t get much better.

Aurora

Ground Floor, ILA, 63 Light Square auroraadl.com.au 0422 245 511

A new chapter is quietly unfolding at Aurora and it’s a page-turner. New executive chef Robin Wagner is a talented sort; it’s fine dining with a burst of fun. The show-stealing moment goes to the desserts, in particular The Forbidden Fruit. The space also ignites the senses, oozing art and innovation. Part of ILA (Adelaide’s Centre Of Immersive Light And Art) so expect a light show as you dine.

Botanic Lodge

Main Lake, Plane Tree Drive, Adelaide Botanic Garden botaniclodge.com.au (08) 7082 0177

Another new kid on the block, or in the garden as the case may be. Chef Tom Tilbury takes inspiration from Adelaide Botanic Garden which surrounds this lakeside restaurant. The leafy setting is relaxing and this little sibling to adjacent (high-end) Restaurant Botanic serves a casual menu bursting with colour and fresh produce. Indoor or outdoor, there’s not a bad seat in the house. Make sure you order the crumbed tommy ruff sando. Wow.

Ding Hao

36 Wright Street (08) 8211 7036

Two words: open late. It can be difficult to find eateries open beyond 11pm which makes post-evening show munchies challenging. This longstanding Chinese restaurant can be found near Gouger Street and is open well into the wee hours, serving Peking duck, hot pots and yum cha in a laid-back setting.

Fino Vino 82 Flinders Street finovino.net.au (08) 8232 7919

Some restaurant experiences feel like a warm hug and this Italian haunt

delivers one of them. Co-owners Sharon Romeo and chef David Swain are heroes of service; their staff have been trained in cocklewarming kindness. Order the famous crema catalana.

Gluttony

Rymill Park

gluttony.net.au

Gluttony started out as a food and

CITY GUIDE

wine weekend, and they’re certainly returning to their roots this Fringe. New for 2025 is a champagne island in the middle of the lake as well as two pop-up dining experiences bringing fresh versions of well-loved Adelaide venues Lune Bar and Glenelg’s Oliveti to the park. A casual Greek-style seafood restaurant also joins the fun alongside all your street food faves, plus some new faces.

Aurora

Herringbone

72–74 Halifax Street

herringbonerestaurant. com.au 0428 926 977

Festival-going is hungry work. Escape the crowds and opt for a wholesome dining experience led by industry stalwarts who keep things stunning and simple, with dishes championing fresh produce and generous serves. The atrium space features a tree towering above dining tables. A local favourite and a secret best shared.

Kiin

73 Angas Street

kiinrestaurant.com.au (08) 8448 1221

Chef Ben Bertei’s fresh take on modern Asian dishes makes for adventurous dining. For a show of the edible variety, take a seat at the bar-style seating with a kitchen view. The spacious warehouse-vibe of the setting is great for quick lunches, long feasts, and cocktails and snacks with a street view. A head-turner in a relatively quiet street.

Longplay Bistro

131 Pirie Street

longplaybistro.com.au

A bistro with all the emotion and comfort factor you feel when settling into a pal’s lounge room. A carefully curated vinyl soundtrack adds to the laid-back vibe. Atmosphere is everything here. It’s run by the crew behind Clever Little Tailor, Pink Moon Saloon and Brighter Later gin; the wine and spirit list is testament to their hospo intel and global reach.

Mother Vine

22–26 Vardon Avenue, mothervine.com.au (08) 8227 2273

First and foremost, this is a wine bar, but the share plates alone (particularly pasta) are worth a visit. The four-course Mother Knows Best option lets the chefs feed you and allows you to focus on what show to see next. Indoors, it’s a sleek, dark space for in-depth conversations, while outdoor tables get rowdy when crowds surge through the East End.

Nina 38 Rosina Street ninarestaurant.com 0477 833 378

Embrace the joys of Spanish cuisine (and joyful dining) with a Basque cheesecake finale worthy of its devoted following. A real buzz and great for quick bites with pals; or settle in for the Ñom Ñom chef’s menu. The cocktails are beautifully executed, too.

Osteria Oggi

76 Pirie Street osteriaoggi.com.au (08) 8359 2525

Pasta, pasta, glorious pasta; there has long been a buzz about Oggi and its enduring popularity. It is high-octane (loud) and the award-winning interior design and fast-paced service creates a lively mood, seven days a week. Open late, too.

Sofia

16 Hutt Street

sofiabistro.com.au

0400 400 343

Finally, a bistro-style restaurant that opens daily and keeps its doors and kitchen open late. The atmosphere here is bustling. Chatter is loud and spirits high as diners graze on puffy pita and a Mediterranean mezze-style menu. Greek, Cypriot, Spanish and Croatian snacks all get their time in the limelight. It’s a fun place to be.

Soi 38

74 Pirie Street soi38.com.au

(08) 8223 5472

Authenticity is everything at this Thai restaurant. In the kitchen,

executive chef and co-owner Terry Intarakhamhaeng captures Thailand’s lesser-known regions, history and ethnic minority groups. The wine list puts small producers on a pedestal and the welcome is warm. Hospo with heart.

Station Road

1 Station Road

stnrd.com.au

(08) 8102 1980

Since opening in late 2024, this stylish Festival Plaza restaurant has swiftly become a hotspot for fashionable clientele. That’s largely thanks to globally renowned chefs and a menu reflecting their combined kitchen nous. The use of top local produce is a non-negotiable and there’s plenty of space to dine (and breathe); 100 outdoor seats and 110 indoor. Top spot is the bar seating overlooking the open kitchen and they do one of the best Bloody Marys in town.

Stem

188 Hindley Street

stembarandrestaurant.com.au

0411 343 072

A wise choice if you’re in the West End, either for a quick drink (let sommelier Henry Bampton guide you) or a full-blown modern Australian meal led by head chef Cain King. Part of the appeal here is space. The restaurant is a clever mix of tables (traditional and stool seating) split by an impressive collection of indoor plants, so solo, couples and group dining all work. The global wine list is stellar.

Station Road

Sofia

DRINK

2KW Bar & Restaurant

2 King William Street (08) 8212 5511

2kwbar.com.au

It’s no new kid on the block: this rooftop bar and restaurant turns ten this year. Punters dress to impress and kick back in booths, with cocktail in hand. The view looks out over North Terrace and Government House and it’s a great place to (quite literally) exist with your head in the clouds. Wear sunscreen.

Baddog

63 Hyde Street

Baddogbar.com

A real gem with blues tunes and top-shelf spirits front of mind. Fancy a Pickleback? Owner Zac Markov has your pickle brine dreams sorted. Or let him guide you through his impressive whisky and gin collection. This is an ‘in the know’ place to hide down a city side street. If the small light out front is on, it’s open.

East End Cellars

25 Vardon Avenue

eastendcellars.com.au (08) 8232 5300

Serious about wine? Look no further. With more than 10,000 bottles on show (in bar and bottle shop format) and some of the best outdoor drinking and dining possies in the

city, it’s got high-end guzzling and people-watching sorted. The bar and restaurant attracts a diverse crowd. Enjoy the ride.

Ela Bar At Hotel Alba

226 South Terrace hotelalba.com.au (08) 8223 2800

Hot tip: you don’t need to be a guest at Hotel Alba to make the most of the pool. Simply purchase a day pass and you can take a dip with your aperitivo and bar snacks. To really supercharge your day out, the bottomless poolside lunch is a winner.

The Exeter Hotel

246 Rundle Street theexeter.com.au (08) 8223 2623

This iconic watering hole attracts a motley crew of regulars, creatives, uni students, high-profile musicians, hospitality folk (pre and post knockoff) and winemakers (thanks to a ripper wine list and Krug by the bottle, for a steal). Play darts, hide from the world in the beer garden, or watch the Rundle Street action roll by at one of the kerbside mosaic tables.

Latteria

185 Hutt Street latteriabar.com.au (08) 8102 3775

Relatively new to Hutt Street, this is a fabulous place for an aperitivo and snack, especially on weekdays when the party crowd hasn’t yet commandeered the 70s-style lounge.

Managing director Nicola Pau knows his way around a stellar Italian beverage offering. It’s run by the Osteria Oggi crew and is hot right now.

Leigh Street Luggage

22a Leigh Street leighstreetluggage.com.au

0493 177 277

As the name suggests, what was once a luggage store is now a place to imbibe amaro and a Euro-inspired wine list, occasional live jazz and charcuterie plates. It’s a great place to explore cocktails: Experimental Mondays offer petit cocktails for a tiny taste of the mixologist’s latest creations.

LOC

6 Hindmarsh Square locdotcom.au

Arguably the best small, independent bar in Adelaide’s CBD, if minimal intervention wines and organic and sustainable stories are your jam. LOC always feels exciting, largely because the line-up of high-calibre guest chefs changes regularly. Experience their snacks all day on Wednesdays and a full dinner menu from Thursday to Sunday. It’s run by great, knowledgeable, soul-packed people, which counts for something.

Mary’s Poppin

5 Synagogue Place maryspoppin.com

One for queens of all persuasions, especially the dancing variety. This late-night gay bar welcomes everyone, particularly LGBTQ+ friends. It’s a great place to throw shapes on the dancefloor beneath a mammoth disco ball and watch some of the nation’s best drag queens in action. Late night fun, every time.

Memphis Slim’s House Of Blues 22 Gilbert Place memphisslims.com.au

Another treasure hidden beneath Adelaide’s streets. You’ll find this award-winning live music venue on the basement level below westernthemed Shotgun Willie’s. It’s the kind of hidden bar that makes visitors gasp, especially fans of

blues music. Expect dancing and lashings of whisky.

Nearly 179 Hindley Street instagram.com/nearlyabar

This cute-as-a-button bar has an admirable focus on small-scale South Australian wine producers, beer and cocktails. Hindley Street has a rambunctious reputation for a reason, but this hip little haunt offers a moment of peace within the storm. Walk-ins only (though you’ll need to slide into their DMs for a spot at the first Wednesday of the month quiz night).

Parc Brasserie & Bar Pullman Adelaide, 16 Hindmarsh Square parcadelaide.com.au (08) 8206 8888

A hotel bar done right. Leather booths are the place to be for a lowkey, stylish beverage before a wild night in the East End. Or, settle in and dine French-style for lunch and dinner seven days a week. The nonalcoholic cocktails are just as exciting as the real boozy deal, which is great news for designated drivers.

Proof

9a Anster Street proof-bar.com

A small bar with bags of heart. It’s located in a laneway off Waymouth Street and, as one of the city’s first small bars, it not only kickstarted a scene but is still trusted for savvy staff and great booze. Grab a perch at the bar or in the upstairs space and rooftop terrace. The toasties are top notch, too.

Two Suns

Level 8, 41 Currie Street twosunsadl.com

0477 171 113

Find this new rooftop bar and restaurant above Lady Burra Brewhouse. Think Palm Springs holiday vibes all round, with resortstyle décor, share plates (we’re talking prawn tacos and croquettes), and space for 250 party people. Live music followed by DJs until late on Friday and Saturday nights.

Leigh Street Luggage

Two Suns