1 minute read
Twitches
from The Little Hawk
funny movie that happens to have queer people in it. The majority of queer movies and shows only represent gay men, leading to many lesbians feeling underrepresented in their own community. On the rare occasion there is a lesbian film or show, it often includes some tragic story, but that’s not the case with Bottoms. This is why Bottoms’ representation is so important. It makes lesbians and sapphics feel seen in a lighthearted way that people can truly enjoy.
Looking back at other sapphic movies, there are few that are feel-good films that sapphics can enjoy. Bottoms is opening doors for this type of comedy in queer media. But Bottoms isn’t only a feel-good high school comedy, but also proof that there can be queer and especially sapphic representation in media without the character’s going through some dilemma about their queerness, displaying that all queer people are so much more.
Advertisement
the background of many of these scenes reveals the level of care Anderson puts into his films, which allows for a very pleasant rewatching experience. The props of the film are equally fitting in the scene of a small American town, while maintaining the level of absurdist humor that Anderson is known for. My only major critique of the cinematography and practically the entire film is its use of special effects. Although the film does not make use of these effects often, when it does, it’s in harsh contrast of visual style to the rest of the scenery, creating a very off-putting watching experience any time they are used.
The film certainly is not without its flaws, its vague and often confusing connotations and sudden pace changes can be rather overwhelming to process. Yet, its beautiful art direction and flawless comedy more than suffice for the hindrance. Allowing for a pleasant watch for a less invested audience, while creating a much deeper viewing experience for those willing to search for it. Asteroid City is certainly a film undeserving of its reviews.