The Loafer, Feb. 26, 2013 by The Loafer

Page 2, The Loafer • February 26, 2013

February 26, 2013 • The Loafer, Page 3

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Volume 27 Issue #12

!"#$%&'()*+*,%$$*-%$$%./&*0*12%34)*+*5')%&36*7(.8'*0*9:;8(*<.=.>()*+*7"8%*?.3( 54@()*A(&%>=*+*,%$$*<.6*0*B).C'%8*D)3&*A%)(834)*+*A4=*EC)%=F$(*0*!'434>).C'6*+*<.)F*<.)G"(33( D2@()3%&%=>*+*A.@(*5.)3()H*DF(6*I%=8.%2H*7%&.*764=&H*?.#%3'.*7./#()3H*?())6*!.33()&4= 54=3)%#"3%=>*E3.::*+*J%/*I($$6H*D=26*K4&&H*I(=*E%$@()&H*<.)F*<.)G"(33(H*!.3*,"&&.)2 !"#$%&'(2*#6*5)(.3%@(*!"#$%&'%=>H*L=8MH*!M9M*,4N*OPQRH*J4'=&4=*5%36H*?S*OTRUV !'4=(W*XVOYVZO+XOVX*[D\*+*XVOYVZO+XORQ www.theloaferonline.com • info@theloaferonline.com e-mail: editorial@theloaferonline.com (editorial) .284C6]3'($4.:()4=$%=(M84/*^.2@()3%&%=> D$$*.2@()3%&(/(=3&*.)(*.88(C3(2*.=2*C"#$%&'(2*#6*3'(*C"#$%&'()*"C4=*3'(*)(C)(&(=3.3%4=*3'.3*3'(*.>(=86*.=2Y4)*.2@()3%&()*%&*."3'4)%_(2*34*C"#$%&'*3'(*(=3%)(*84=3(=3&*.=2*&"#`(83*/.33()*3'()(4:M?'(*.>(=86*.=2Y4)*.2@()3%&()*a%$$*%=2(/=%:6*.=2* &.@(*3'(*C"#$%&'()*'.)/$(&&*:)4/*.=6*$4&&*4:*(NC(=&(*)(&"$3%=>*:)4/*8$.%/&*4)*&"%3&*#.&(2*"C4=*84=3(=3&*4:*.=6*.2@()3%&(/(=3H%=8$"2%=>*8$.%/&*4)*&"%3&*:4)*2(:./.3%4=H$%#($H)%>'3*4:*C)%@.86HC$.>%.)%&/H.=2*84C6)%>'3*%=:)%=>(/(=3M

Page 4, The Loafer • February 26, 2013

The Green Fields of Bluegrass Bluegrass music did not actually originate in the blue !"#$%&' ()' *#+,-./0' 123&&4' 3&' ,5#' uninitiated might guess. The term was an honor given to Bill 6(+2(#' 3+%' 5"&' 73+%4' ,5#' 8$-#' 923&&' 8(0&4' ,5#' "++(:3,(2&' ()' 7$-#123&&' ;-&".<' ' =+' >?@A4' 8"$$' 3+%' 5"&' 8(0&' ,((/' ,5#' &,31#' )(2' ,5#' 923+%' B$#' BC20' 23%"(' &5(D4' 3+%' ,5#' ;-&".3$' )(2;' D3&' 7(2+<'' E"15,' )2(;' ,5#' 7#1"++"+14' ,5#' "+!$-#+.#'()'F-2(C#3+')($/';-&".' D3&'.$#32<''=+',5#'C2#)3.#'()'Can’t G(-' H#32' 6#' I3$$"+JK' L5#' M")#' ()' 8"$$'6(+2(#4'N3,5#2'()'8$-#123&&4' Richard D. Smith gives this %#&.2"C,"(+'()'6(+2(#K' H"&' .5"#)' .$3";' ,(' )3;#' 53&' 7##+' 3&' ,5#' .2#3,(2' ()' 3' highly personal and instantly 2#.(1+"O37$#' &,0$#' ()' 3.(-&,".' .(-+,20' ;-&".<' ' =,' !$(D#2#%' )2(;' ,5#' 123),"+1' ()' ;-$,"C$#' musical roots and branches – &P-32#' %3+.#' !"%%$#' ,-+#&' 3+%' modal ballads rooted in British traditions … and the sheer .2#3,":",0' ()' 6(+2(#' 3+%' &.(2#&' ()' 5"&' "++(:3,":#' &"%#;#+Q<' Bluegrass was traditional‐style ;-&".' ;3%#' C2()#&&"(+3$<' ' H#' eschewed the old hayseed‐with‐ a‐jug image and dressed band members in sober ties and dress &5"2,&4'C($"&5#%'7((,&4'3+%'+#3,$0' C2#&&#%'&$3./&< Monroe was a hard musical ,3&/;3&,#2' ,(' D(2/' D",5<' ' H#' D3&' :#20' %#;3+%"+1' ()' 7(,5' the band’s physical appearance and their instrumental and vocal prowess. When being "+,#2:"#D#%4' 6(+2(#' D(-$%' )2#P-#+,$0'2#)#2',('5"&'F-2(C#3+' roots as a strong inspiration )(2' 5"&' 723+%' ()' ;-&".<' ' L5#' connection seems obvious to anyone who has listened to &(;#' ()' 7(,5' 7$-#123&&' 3+%4'

)(2' #R3;C$#4' =2"&5' S"1&<' ' L5#' $"$,"+1' ;3+%($"+' 3+%' 73+S(' 2"))&' %3+.#' (+' ,5#"2' (D+4' 3+%' ,5#' &(22(D)-$' 73$$3%&' &C#3/' ,(' ,5#' Irish blood in the listener’s veins. Religious themes are 3CC32#+,'"+'7(,5')(2;&'()';-&".4' 3&'D#$$'3&';0,5".3$'&,(2"#&'()',5#' supernatural. All mountains 53:#';-&".4'7-,'+(,'3$$';(-+,3"+' music is bluegrass. The term “bluegrass” is &(;#,";#&' -&#%' ,(' 2#)#2' ,(' ,5#' ;(2#' 1#+#23$' .3,#1(20' ()' T;(-+,3"+' ;-&".<U' ' H(D#:#24' 7$-#123&&';-&".'"&';(2#'&C#."!".4' 3+%' 2#)#2#+.#&' ,5#' ;-&".' that developed by blending D",5' &#:#23$' %"))#2#+,' .-$,-23$' &,0$#&4' "+.$-%"+1' F-2(C#3+' )($/' ;-&".' "+' 3$$' ",&' .(;C$#R",04' 3+%' V)2".3+' &$3:#' ;-&".<' ' W",5' ,5#' 3%%","(+&'()',5#&#':320"+1',0C#&' ()';-&".4'7$-#123&&'.53+1#%'"+,(' &(;#,5"+1'D5($$0'%"))#2#+,<''L5#' immigrants living in the hollows ()' ,5#' VCC3$3.5"3+' ;(-+,3"+&' D#2#' "&($3,#%' )2(;' ,5#' 2#&,' ()' ,5#' .(-+,204' C2(:"%"+1' ,5#' P-"#,4' -+%"&,-27#%' #+:"2(+;#+,' needed to birth something as unique and dynamic as bluegrass music. It changed as they needed ",' ,(4' 7-,' +(,' -++#.#&&32"$0<' ' =,' D3&'3+'#3&01("+1'!$(D'()'.53+1#4' ;-.5' $"/#' ,5#' 3,,",-%#&' ()' ,5#' people who enjoyed the music. Pioneers arrived in the ;(-+,3"+&' ()' VCC3$3.5"3' )2(;' F+1$3+%4' =2#$3+%4' 3+%' X.(,$3+%4'

72"+1"+1'D",5',5#;',5#"2')3;"$"32' ;-&".' &,0$#&<' L5#' )3;"$0J&' musical instruments were small and portable compared ,(' "+&,2-;#+,&' $"/#' C"3+(&4' 3+%' they were easily transported along with the clothing and (,5#2'+#.#&&","#&<''L5#'&,2#3;'()' immigrants to the US increased "+' >Y@Z' D",5' ,5#' [(,3,(' N3;"+#' "+' =2#$3+%<' ' L5#' ;3S(2",0' ()' ,5#' settlers in America at that time .3;#')2(;'+(2,5'3+%'+(2,5D#&,' F-2(C#<''=+',5(&#'532&5'32#3&4',5#' D"+,#2&'D#2#'#&C#."3$$0'%")!".-$,4' causing nearly unbearable $#+1,5&' ()' ,";#' "+' D5".5' ,5#2#' was virtually nothing productive to be done. Those hours were !"$$#%' D",5' %":#2&"(+&' &-.5' 3&' &,(20,#$$"+14' %3+."+14' 3+%' &"+1"+1<' ' M321#' P-3+,","#&' ()' 3$.(5($".'%2"+/&'D#2#'.(+&-;#%' 3&' D#$$4' D5".5' #+53+.#%' ,5#' #RC#2"#+.#' )(2' 3$$4' 3+%' ;3%#' ,5#'5(-2&'C3&&',53,';-.5')3&,#2<'' W5#+' ,5(&#' 532%0' F-2(C#3+' )($/' 322":#%' "+' ,5#' #3&,#2+' ;(-+,3"+&' ()' ,5#' \+",#%' X,3,#&4' they discovered that the winters D#2#' &";"$32$0' ,(-154' 3+%' ,53,' ,5#"2' #+,#2,3"+"+1' &/"$$&' D(-$%' still be highly valued. Night‐ $(+1' 13,5#2"+1&' D#2#' )2#P-#+,4' /+(D+' 3&' ceilidhs, hooleys, or veglias4' %#C#+%"+1' (+' D5".5' $3+1-31#',5#'C32,"."C3+,&'&C(/#< L5#' ;-&".' ()' ,5#' B$%' W(2$%' was easy to retain. Ballads $#32+#%' 3&' .5"$%2#+' "+' F-2(C#'

were remembered in America by mothers who crooned them to ,5#"2' .5"$%2#+' 3,' +"15,<' ' N3,5#2&' taught their sons and daughters ,(' C$30' ,5#' !"%%$#' D",5' :"1(24' 3+%' ,5#' #+,"2#' )3;"$0' #+S(0#%' ,5#' #))(2,<' ' F:#20' C32#+,' D3+,&' to teach their child something )2(;' ,5#' )3;"$0J&' 5"&,(204' 3+%' it’s easier to accomplish when ,5#2#J&' $",,$#' #$&#' ,(' %(4' &-.5' 3&' during the interminable winters in the mountains. There is an #R,2#;#$0' #R,#+&":#' $"72320' ()' 7$-#123&&';-&".',53,'#R"&,&'&($#$0' "+' ,5#' ;"+%&' 3+%' 5#32,&' ()' ",&' C$30#2&4' &"+.#' ",' 53&' +#:#2' 7##+' transcribed; only taught by ear. F:#+' ,(%304' )3;"$"#&' 53+%' %(D+' 7(,5' ,5#' &/"$$&' 3+%' ,5#' &(+1&' themselves to their children. =,'"&')3"2$0'(7:"(-&',53,';-&".3$' ,3&,#'"&'#3&"$0'C3&&#%'(+')2(;'(+#' 1#+#23,"(+',(',5#'+#R,4'C2(:"%#%' an attentive younger audience "&' 3:3"$37$#<' ' =+' ](35' 632/J&' S(-2+3$'32,".$#'T8"2%&'()'3'N#3,5#2' X"+1' L(1#,5#24U' 5#' #RC$3"+&' 5"&' #R,#+&":#' 2#&#32.5' (+' ,5#' ,(C".' ()' 5(D' ,5#' #+S(0;#+,' ()' &C#."!".' 1#+2#&' ()' ;-&".' "&' &C2#3%' ,52(-15' .$(&#' )3;"$0' 3+%' )2"#+%&5"C' ,"#&<' ' L5#' 32,".$#' 1#,&' 23,5#2' ,#.5+".3$4' "+.$-%"+1' .532,&' 3+%' &,3,"&,".&4' 7-,' ,5#' basic principle he states is that “people develop musical tastes &";"$32' ,(' ,5(&#' ()' ,5#' C#(C$#' with whom they interact. People 32#' #RC(&#%' ,(' 3+%' $#32+' 37(-,'

:32"(-&' ,0C#&' ()' ;-&".' ,52(-15' ,5#"2' +#,D(2/' ,"#&<' ' L"#&' ,(' /"+' 3+%'.$(&#')2"#+%&'32#'C32,".-$32$0' "+!$-#+,"3$U<' ' L5"&' #&C#."3$$0' 3CC$"#&' ,(' ,5#' )($/' ()' ,5#' VCC3$3.5"3+';(-+,3"+&4'3&',5#"2' contact with the world outside their small communities was 3$$'7-,'.-,'())<''L5#'3&&(."3,"(+&' those people had were almost #R.$-&":#$0'D",5'.$(&#')3;"$0'3+%' )2"#+%&4' 3&' D#$$' 3&' ;(2#' %"&,3+,' 2#$3,"(+&' D5(' &,"$$' 3$$' $"/#%' ,5#' &3;#',0C#&'()';-&".< Once settled in their new 5(;#&4'";;"123+,&'&$(D$0'7#13+' to change their culture to adapt to the new country. Some new songs were practically copies ()' ($%' )($/' ;-&".4' ,5(-15<' ' N(2' #R3;C$#4',5#'!"%%$#',-+#'T^#:"$J&' Dream” is actually a Scottish reel called “Deil Amang the Tailors”. Tunes that were original were still written in the ($%' &,0$#<' ' L5#' &#.$-&"(+' ()' ,5#' immigrants in the Appalachian valleys and ridges let their own 7$#+%' ()' ;-&".' %#:#$(C' &$(D$0<'' Old music was still widely used 3+%' #+S(0#%4' 7-,' 3&' ,5#' D#7&",#' TV7(-,'=2"&54'I#$,".'3+%'8$-#123&&' 6-&".U' C-,&' ",4' T+#D' ,-+#&' D#2#' written an’ sung to spread news or retell stories or pass judgment on the sinnin’ neighbors.” A new $")#' 2#P-"2#%' +#D' &(+1&' ,(' 7#' sung. The close communities ()' ,5#' ;(-+,3"+' )($/' 3$$(D#%' ,5#' #3&0' &C2#3%' ()' ,5#' .53+1#&' happening with the music. It was 3'&5"),',53,'53CC#+#%',52(-15(-,' their small world. L5#'.53+1"+1'()',5#';(-+,3"+' ;-&".'D3&'"+!$-#+.#%'70'&#:#23$' .-$,-2#&<' ' N2#+.5' ";;"123+,&' 72(-15,',5#"2')(2;'()',5#'&P-32#' %3+.#4' D5".5' 3%3C,#%' ",&#$)' ,(' ,5#' ;(2#' )3;"$"32' :#2&"(+' D#' /+(D' ,(%304' ,53+/&' ,(' ,5#' "+,#123,"(+' ()' %3+.#' &,0$#&' &-.5' as the Irish jig and the British &3"$(2J&' 5(2+C"C#<' ' V)2".3+' &$3:#' melodies and rhythms were 3' .(+,2"7-,"+1' )3.,(2' 3&' D#$$4' D5".5'"+',-2+'D#2#'3%3C,#%')2(;' V)2".3+' ,2"73$' ;-&".' D5".5' ,5#' &$3:#&'72(-15,'3+%'3$,#2#%',('!",' ,5#"2' +#D' ."2.-;&,3+.#&<' ' F:#+' ,5#' 73+S(4' D"%#$0' 3..#C,#%' 3&' a unique and wholly American "+&,2-;#+,4';30'53:#'",&'(2"1"+&' "+'V)2".34'3&'&,3,#%'"+',5#'S(-2+3$' Continued on page 5

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February 26, 2013 • The Loafer, Page 5

Continued from page 4

article “Historical Origin and X,0$"&,".' ^#:#$(C;#+,&' ()' ,5#' N":#_X,2"+1'83+S(<U [2()#&&(2' ]3,53+' 53&' ;3%#' %#,3"$#%' &,-%0' ()' ,5#' (2"1"+&' ()' !":#_&,2"+1' 73+S(' ;-&".' 3+%' comes to the conclusion that it is #&&#+,"3$$0' 3+' 3;3$13;3,"(+' ()' early British Isles dance music "+' .(;7"+3,"(+' D",5' V)2".3+' 250,5;&<' ' H#' C("+,&' ,(' ,5#' )3.,' ,53,'&(;#'()',5#'#32$0'82","&5'S"1' music employed the technique ()' D#3/#+"+1' 3' ;#3&-2#' 70' ,5#' "+&#2,"(+' ()' 3' 2#&,' 3+%' demonstrates its compatibility D",5' ,5#' V)2".3+' C2#)#2#+.#' )(2' ()!7#3,'250,5;&4'(2'&0+.(C3,"(+<'' In addition to the technical similarities between British and V)2".3+';-&".4'3+(,5#2'"+%".3,(2' ()' 2#$3,"(+' "&' ,53,' ,5#' ;(-+,3"+' )($/' ;3%#' -&#' ()' ,5#' )3.,' ,53,' the banjo was particularly well‐ &-",#%' ,(' C#2)(2;"+1' (2"1"+3$' and adapted Irish reels. Banjo C"./"+1' %#:#$(C#%' ;3+0' %"))#2#+,' &,0$#&4' $"/#' ,D(_!"+1#2' (2',52##_!"+1#24',('3..(;;(%3,#' %"))#2#+,' ,0C#&' ()' ;-&".<'' 8$-#123&&4' 3$,5(-15' 5#3:"$0' "+!$-#+.#%' 70' &#:#23$' ;-&".3$' &,0$#&4' 53%' 3' $")#' ()' ",&' (D+<' ' =,' thrived and adapted; it was a ,#+3."(-&')(2;'()'#+,#2,3"+;#+,< As time passed and cities %#:#$(C#%4'C#(C$#';(:#%'(-,'()' the mountainous country and "+,(' -273+' $")#<' ' H(D#:#24' ,5#"2' +(&,3$1"3' )(2' ,5#' ($%' :3$-#&' ()' 532%'D(2/'3+%'C(D#2)-$'2#$"1"(+' /#C,' ,5#' 7$-#123&&' ;-&".' )(2;' alive and well. The music .(+:#0#%' ;(23$&4' ,($%' &,(2"#&4' and taught lessons to any who .32#%',('$"&,#+<''F:#+',(%304'.",0_ %D#$$#2&'.3+')##$',5#'$(+1"+1')(2' 3'.(-+,20'$")#&,0$#4'3+%'D5#+',53,' .3++(,' 7#' 3,,3"+#%4' ,5#' ;-&".' ()' ,53,' ,";#' "&' 3' 2".5' &-7&,",-,#<'' Many people insist that everyone D(-$%'$(:#'7$-#123&&4'")'(+$0',5#0' could hear it. Modern media -&#&' ()' 7$-#123&&' 53:#' 72(-15,' ",';(2#'"+,(',5#'C-7$".'&C(,$"15,4' #&C#."3$$0' D",5' ,5#' ;(:"#4' TB' 82(,5#24' W5#2#' V2,' L5(-`U'' More people are realizing they 3.,-3$$0' ^B' $"/#' ,5"&' T)-++0' 5"$$7"$$0' ;-&".4U' 3+%' ,53,' ",' "&' more than just banjos being C$-./#%' 3,' 3' 5-+%2#%' ;"$#&' 3+' 5(-2<' ' 8$-#123&&' "&' ;-&".' )(2' ,5#' )3;"$0' ,(' #+S(0' ,(1#,5#24' 3' gathering that can be rare in this %30' ()' "+%":"%-3$"&;<' ' N#&,":3$&' based solely on bluegrass music (..-2' (),#+4' 3,,23.,"+1' 5-1#'

.2(D%&' ()' "+&,2-;#+,3$"&,&4' &"+1#2&4' %3+.#2&4' 3+%' $"&,#+#2&<'' F:#20(+#' "&' #+.(-231#%' ,(' S("+' "+' ,5#' S3;' &#&&"(+&' ,53,' 72#3/' (-,4'2#132%$#&&'()'&/"$$<''I5"$%2#+' just barely big enough to handle ,5#'&;3$$#&,'!"%%$#'3:3"$37$#'C$30' 3$(+1&"%#',5#"2'C32#+,&4'3+%'C2#_ teens compete with their peers and seniors. All the competition "&'&#2"(-&4'7-,'&,"$$'$"15,_5#32,#%<'' =,&' C-2C(&#' "&' +(,' ,(' &5(D' ())4' but to let everyone listen and 2#:#$'"+',5#'&D#$$'()'#+#210',53,' accompanies every bluegrass gathering. L5"&' )2##' ;(%#2+' 3,,",-%#' ,(D32%&';-&".3$'C#2)(2;3+.#'"&' 2#;"+"&.#+,'()',5#'($%_)3&5"(+#%' :"#D&' (+' ,5#' P-3$",0' ()' ,5#' ;-&"."3+&<' ' X";C$#' )($/' S-%1#%' music by what they regarded 3&'T7"1+#&&<U''E#.3$$"+1',5#'$(+14' tedious winters in both the old .(-+,2"#&'3+%',5#'+#D4'",'"&'#3&0' ,('&##'D50',5#':3$-#'()'P-3+,",0' would be highly regarded. In a rather interesting journal article 37(-,' &,(20,#$$#2&' 3+%' &"+1#2&4' *#++#,5'9($%&,#"+'53&'!"2&,'3&/#%' people who the “best” singers 32(-+%'D#2#4'3+%',5#+'3&/#%',5#' interviewees to describe those they labeled as the best. The D(2%&',5#0'.5(&#'%"%'+(,'2#)#2',(' ,3$#+,4' &/"$$4' (2' P-3$",0<' ' =+&,#3%4' ,5#0'%#&.2"7#%',5#"2')3:(2",#&'3&' ones who had a large repertory ()'&(+1&'3+%',3$#&< Ta-3+,",04' +(,' P-3$",0U' "&' 3' C523&#' +(,' (),#+' 5#32%4' 7-,' ",' 2"+1&' ,2-#' )(2' ,5#' &",-3,"(+&' ()' 7(,5' ,5#' ($%' 3+%' ,5#' +#D' countries. The “best” singers

3+%' ;-&".3$' 12(-C&' 53%' $(+14' C(D#2)-$' b' +(,' +#.#&&32"$0' $(-%' b'&(+1&4'3+%'$(,&'()',5#;<' =+' ,5"&' 31#4' ,5#' ,3$#+,' ()' ,5#' C#2)(2;#2' "&' ;(2#' 3CC2#."3,#%4' 3+%' ;(2#' ";C(2,3+,4' ,53+' ,5#' +-;7#2' ()' &(+1&' "+' 3' C#2)(2;3+.#<' ' B+#' 232#$0' disputed talent‐laden group is L5#'I5"#),3"+&4'7#1-+'"+'>?Ac'70' [3%%0' 6($(+#0<' ' [3%%0' )(2;#%' ,5#' 12(-C' D",5' ,5#' %#&"2#' )(2' ;-&".' ,53,' D3&' ;(2#' $"/#' ,5#' ($%' &,0$#' ()' 5"&' .(-+,204' =2#$3+%<'' V+' 32,".$#' "+' ,5#' X3$,' M3/#' Tribune states that “Moloney was naturally interested in the instrumental‐heavy American )($/';-&".dQ<'',5#'%#&"2#',('C$30' e2#3$4J' 3-,5#+,".' 2((,&' ;-&".' "&' D53,' %2":#&' ;3+0' ()' V;#2".3J&' 7$-#123&&4'.(-+,204'3+%')($/'3.,&<U'' LD(' 3$7-;&' 70' L5#' I5"#),3"+&' )(.-&' &C#."!".3$$0' (+' ,5#' 2#$3,#%' 2((,&' ()' =2"&54' 8$-#123&&4' 3+%' Country music. Titled “Down the B$%' [$3+/' E(3%U' 3+%' TN-2,5#2' ^(D+' ,5#' B$%' [$3+/' E(3%4U' ,5#0' .(;7"+#' ,5#' ,3$#+,&' ()' ,5#' ;#;7#2&' ()' L5#' I5"#),3"+&4' as well as modern country and bluegrass artists. Paddy )##$&' ,53,' V;#2".3+' ;(-+,3"+' 7$-#123&&' 53&' 3$D30&' )#$,' =2"&5<'' The band originally intended to C2(%-.#'(+$0'(+#'3$7-;4'7-,',5#0' 3+%',5#"2'1-#&,&'53%'&(';-.5')-+' 2#.(2%"+14' ,5#0' #+%#%' -C' D",5' ,D#+,0' )(-2' ,23./&4' #+(-15' )(2' two albums. “We have a good (+#' .(;"+1' ,5"&' ,";#4U' 6($(+#0' &3"%'"+'2#)#2#+.#',('3+'-C.(;"+1' concert. “I call it my bluegrass/ green grass connection.”

Page 6, The Loafer • February 26, 2013

Kruter Brothers to Headline Song of the Mountains Lincoln Theatre, March 2nd f($<' c4' 2#$#3&#%' "+' >??h<' L5#' *2-1#2' 82(,5#2&' ;(:#%' ,(' ,5#' \+",#%' X,3,#&' "+' ciic4' 3+%' 32#' 73&#%'"+'W"$/#&7(2(4']I< The group is highly regarded D",5"+' ,5#' D(2$%' ()' 3.(-&,".' ;-&".' "+' ](2,5' V;#2".34' "+' particular by those within the industry. They gained ,5#' 3,,#+,"(+' ()' &(;#' ()' ,5#' ;-&"."3+&4'"+.$-%"+1'8"$$'6(+2(#4' ^(.' W3,&(+4' L-,' L30$(24' 3+%' 8(770'H"./&4',53,'(+.#'&#2:#%'3&' ;(%#$&<' W3,&(+' (+.#' &3"%4' TL5#' *2-1#2' 82(,5#2&' 32#' S-&,' 37(-,' 3&'!"+#'3'73+%'3&'=J:#'#:#2'C$30#%' with. … I love to play music with them.” V$&(' S("+"+1' ,5#' *2-1#2' Brothers at the concert will be ,5#' *(+,23&' a-32,#,<' M3-%#%' 3&' 3' T,"15,$0' .23),#%' 3+%' 7#3-,")-$' "+&,2-;#+,U' 3+%' 3&' T(+#' ()' the most promising young

L5#' *2-1#2' 82(,5#2&' D"$$' 5#3%$"+#' ,5#' X(+1' ()' ,5#' Mountains public television taping at the Lincoln Theatre in 632"(+4' fV' (+' X3,-2%304' 632.5' c+%<' B2"1"+3$$0' )2(;' XD",O#2$3+%4' 72(,5#2&' \D#' 3+%' g#+&' *2-1#2' began play ing North American )($/' ;-&".' 3,' 3+' #32$0' 31#' 3+%' were particularly inspired by 2#.(2%"+1&' ()' ^(.' W3,&(+4' N$3,,' 3+%' X.2-11&4' 8"$$' 6(+2(#4' 3+%' (,5#2' C2(1#+",(2&' ()' .(-+,204' 7$-#123&&' 3+%' )($/' ;-&".<' L5#"2'

!"2&,' C-7$".' C#2)(2;3+.#&' D#2#' 3&'3'%-(4'7-&/"+1'(+',5#'&,2##,&' ()'.","#&',52(-15(-,'#3&,#2+'3+%' D#&,#2+' F-2(C#<' V),#2' 13"+"+1' a recording contract as well as 3' 23%"(' &5(D' (+' XE9' XXE4' ,5#' XD"&&' C-7$".' 72(3%.3&,'#24' ,5#0' teamed up with bass player g(#$' M3+%&7#214' "+3-1-23,"+1' a trio that has been playing C2()#&&"(+3$$0' ,(1#,5#2' &"+.#' 1995. Landsberg is an American .","O#+' )2(;' ]#D' G(2/4' ]G<' L5#' !"2&,'2#.(2%"+1'C2(S#.,',('"+.$-%#' M3+%&7#21'D3&'8#5"+%',5#'832+4'

P-32,#,&' _' ,#.5+".3$$0' #R.#$$#+,' 3+%' ;-&".3$$0' .(;C#$$"+1U4' ,5#' *(+,23&' a-32,#,' "&' 3' 72"$$"3+,' and invigorating string quartet D5(&#';#;7#2&'53"$')2(;'X(-,5' V)2".34'E-&&"34'g3C3+'3+%',5#'\XV<'' Highly in demand in both the concert hall and in classrooms ()' 3$$' 31#&4' ,5#' *(+,23&' a-32,#,' delights audiences with their pre‐concert conversations 3+%' %":#2&#' 2#C#2,("2#4' D5".5' "+.$-%#&' )3:(2",#&' )2(;' ,5#' established string quartet .3+(+' 3+%' .($(2)-$' +#D' D(2/&' )2(;' #3.5' ()' ,5#"2' +3,":#' .(-+,2"#&<''*(+,23&4'D5".5';#3+&' T.(+,23&,&U' "+' ,5#' V)2"/33+&' $3+1-31#4' .(;C#,#%' D",5' (,5#2' &#3&(+#%' &,2"+1' P-32,#,&' )2(;' across the country to win its current residency with the Western Piedmont Symphony in North Carolina. L5#' X(+1' ()' ,5#' 6(-+,3"+&' .(+.#2,' (+' 632.5' c+%' D"$$' also include the traditional Continued on page 7

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February 26, 2013 • The Loafer, Page 7 Mountains. Pinecastle Records is proud to announce that it has signed 632/' ]#D,(+' 3+%' Steve Thomas to its roster. Their debut album is titled Reborn and will be released on April ?4' ci>k<' W",5' ,5#' ,D(' 73+%#%' ,(1#,5#24',5#'T&"%#;3+U'7#.(;#&' 3'T)2(+,;3+4U'3+%',5#'T)2(+,;3+U' becomes a “partner.” Both men 32#' +3,":#' f"21"+"3+&' D5(' 7(,5' &,2-./' (-,' &#C#23,#$0' "+' ,5#' ;-&".'7-&"+#&&'%#.3%#&'31(4'D",5'

Continued from page 6

7$-#123&&' &(-+%' ()' ]3,53+' Stanley and the Clinch Mountain 8(0&<' 8(2+' V-1-&,' >A,54' >??c' Stanley was hoisted into the &C(,$"15,' 3,' ,5#' 0(-+1' 31#' ()' two under the diligent training ()' 5"&' 123+%)3,5#2' ;-&".3$' =.(+' Dr. Ralph Stanley. This was the 7#1"++"+1' ,(' 3' 12#3,' )-,-2#' "+' the music industry. Stanley has several solo recordings to his .2#%",' "+.$-%"+14' ciiA' TX3+%0' E"%1#U<' ciih' 5#' &-))#2#%' )(2' ;0' 2#D32%4' 3+%' ciiY' TW5#2#' W"$$' You Go”. 632/']#D,(+'j'X,#:#'L5(;3&' D"$$' 3$&(' C2#&#+,' ,5#"2' !"+#' ;-&".3$' &,0$#' (+' X(+1' ()' ,5#'

7(,5'53:"+1'.(;C$#,#$0'%"))#2#+,' #RC#2"#+.#&<' ](D' ,53,' 7(,5' ()' ,5#"2'C3,5&'53:#'.(+:#21#%4',5#0' are eager to blend their various ;-&".3$'!$3:(2&',(1#,5#2',('&532#' with bluegrass and Americana )3+&'#:#20D5#2#<'L5#0'32#'S("+#%' by bass player Matt Wallace who rounds out the trio that will be touring the country. V$&('W#&,'W#+%'D"$$'C#2)(2;' on the show. Westwend is 3' %-(' "&' .(;C2"&#%' ()' ,D('

complimentary talents. Jonathan Maness and Wendy Crowe met 3,',5#'I"%#2:"$$#'N32;'3+%'H(;#' X5(D' 23%"(' C2(123;' "+' ci>>' +#32' *+(R:"$$#4' L]<' V&' )(2' ,5#"2' musical style…Nashville will ;##,' 6#;C5"&4' 6-&.$#' X5(3$&' will meet Appalachia. Whichever D30' ,5#' D"+%' 7$(D&4' W#&,D#+%' 5(C#&'0(-'$"/#'",< E(-+%"+1'(-,',5"&'!"+#'#:#+"+1' ()';-&".'"&'[3-$3'^#$$#+73./'3+%' N(R'E":#2<'Paula Dellenback & Fox River is a bluegrass band born "+',5#')((,5"$$&'()',5#'8$-#'E"%1#' 6(-+,3"+&<' N(.-&"+1' (+' ,5#' (2"1"+3$' &(+1' D2","+1' ,3$#+,&' ()' [3-$3'^#$$#+73./4',5#0'C$30'3';"R' ()' ,23%","(+3$' 3+%' C2(12#&&":#' music. L5"&' X(+1' ()' ,5#' 6(-+,3"+&' .(+.#2,' (+' 632.5' c+%' ' 7#1"+&' 3,' hKii' C;<' L"./#,&' 3+%' "+)(2;3,"(+'"&'3:3"$37$#'3,'www. &(+1(),5#;(-+,3"+&<(21 or by .3$$"+1'chA_hYk_Ai?k< VC2"$' A4' ci>k' X(+1' ()' ,5#' Mountains will present the 923&.3$&4',5#'F3&,#2'82(,5#2&4',5#' Whitetop Mountains Band and g(+3,53+' 8-./+#2' 3+%' I5(&#+' Road. X(+1' ()' ,5#' 6(-+,3"+&'

"&' -+%#2D2",,#+' )(2' C-7$".' ,#$#:"&"(+' 70' LF^X4' ,5#' 9#+#23$' N23+."&' 632"(+' H(,#$' "+' 632"(+4' fV4' 8$-#' E"%1#' I(-+,20' ?Y<>' );4' L5#' 83+/' ()' 632"(+' 3+%' F;(20' j' H#+20' I($$#1#4' 8203+,' M37#$' I(<' ()' 8$(-+,:"$$#4' L]<' XC#."3$' &-CC(2,' )2(;' ,5#' L(D+' ()' 632"(+4' fV<' V$&(' X(+1' ()' the Mountains appreciates 3$$' ,5#' &-CC(2,' 2#.#":#%' )2(;' ,5#"2' )3",5)-$' &-CC(2,#2&' D5(' .(+,2"7-,#' %($$32&' ,(' /##C' ,5"&' .(+.#2,' &#2"#&' )-+%#%' 3+%' (+' public television across America. 6#;7#2&5"C&' 3+%' X(+1' ()' the Mountains merchandise are available at the website and your purchases help support the concert series. Donations are accepted at the website as well. Underwriting opportunities are available by contacting Song ()' ,5#' 6(-+,3"+&' ,52(-15' (-2' website. X(+1' ()' ,5#' 6(-+,3"+&lL5#' M"+.($+' L5#3,2#' "&' 3' +(+_C2(!",' organization. ''N(2'"+)('(2'"+,#2:"#D&'.(+,3.,'' L";' W5",#' 3,' @ck_kYk_hYc?' (2' timwhitemusic@charter.net 6(2#' "+)(' 3:3"$37$#' 3,K' DDD< &(+1(),5#;(-+,3"+&<(21

Page 8, The Loafer • February 26, 2013

Norwegian Pianist Ola Gjeilo, Saxophonist Ted Belledin Visit ETSU for Two Performances First Presbyterian Church March 3rd 3pm

L5#' F3&,' L#++#&&##' X,3,#' University Chorale will present 3' .(+.#2,4' T6(%#2+' 63&,#2K' L5#' 6-&".' ()' B$3' 9S#"$(4U' (+' X-+%304' 632.5' k4' 3,' k' C<;<' 3,' N"2&,' [2#&70,#2"3+' I5-2.54' >iZ' X<' 8((+#' X,<4' )#3,-2"+1' .5(23$' D(2/&' 70' ,5#' +(,#%' ](2D#1"3+' composer and pianist. 9S#"$(4'D5('D"$$'7#'"+'2#&"%#+.#' 3,' FLX\' 632.5' >_k4' D"$$' S("+' ,5#' I5(23$#'3,',5#'C"3+(4'3+%'3'1-#&,' &,2"+1'P-32,#,')2(;',5#'\+":#2&",0' ()' L#++#&&##_*+(R:"$$#' D"$$' 3$&(' C#2)(2;<'' The program will include ;-&".' )(2' 7(,5' -+3..(;C3+"#%' .5("2'3+%'C"#.#&')(2'.5("24'&,2"+1' quartet and piano. Gjeilo has .(;C(&#%' TF:#+"+1' [230#24U' 3'

&C#."3$' .$(&"+1' C"#.#' )(2' .5("2' with improvised piano and &3R(C5(+#' 3..(;C3+";#+,4' D5".5' D"$$' )#3,-2#' 1-#&,' 32,"&,' Ted Belledin on &3R(C5(+#< In addition to ,5#' X-+%30' .(+.#2,4' Gjeilo and Belledin will present a Guest Artist Recital ()' .(;C$#,#$0' improvised music (+' X3,-2%304' 632.5' c4' 3,' hKki' C<;<' 3,' N"2&,' [2#&70,#2"3+' Church. This program will include music re‐created )2(;' 9S#"$(J&' 2#.#+,$0' 2#$#3&#%' ";C2(:"&3,(20' C"3+(' 3$7-;&4' 3&' D#$$' 3&' )2##$0' ";C2(:"&#%' %-#,&' between the two musicians. Both artists will also conduct ;3&,#2' .$3&&#&' D",5' FLX\' ;-&".' &,-%#+,&'%-2"+1',5#'D##/#+%< 9S#"$(4'D5('"&'C2#&#+,$0'3')-$$_ ,";#' .(;C(&#2' 73&#%' "+' V,$3+,34' especially enjoys writing music )(2' .5("24' (2.5#&,23l&0;C5(+".' D"+%&' 3+%' ,5#' C"3+(4' 3+%' 5"&' D(2/&' 53:#' 7##+' .(;;"&&"(+#%' 3+%' C#2)(2;#%' 70' #+&#;7$#&4'

musicians and organizations worldwide. 63+0' ()' 5"&' .5(23$' D(2/&' 32#' )#3,-2#%'(+',5#'[5(#+"R'I5(23$#J&'

3$7-;4' T](2,5#2+' M"15,&K' I5(23$' W(2/&'70'B$3'9S#"$(4U'D5".5'"&',5#' !"2&,' 2#.(2%"+1' %#:(,#%' #+,"2#$0' ,('5"&';-&".')(2'.5("2<''L5"&'3$7-;4' D5".5' )#3,-2#&' &C#."3$' 1-#&,&' ,5#' H322"+1,(+' X,2"+1' a-32,#,4' 8#$$#%"+4' 3+%' 9S#"$(' 5";&#$)4' D3&' named the Best Classical Album ()'ci>c'70'"L-+#&'3+%'2#;3"+#%' "+',5#',(C'ci'.$3&&".3$'3$7-;&'(+' the Billboard' .532,&' )(2' (:#2' >Z' D##/&< 8#$$#%"+'53&'7#.(;#'(+#'()',5#' 7-&"#&,' )2##$3+.#' ;-&"."3+&' "+' V2"O(+34'C#2)(2;"+1'D",5'3'D"%#' :32"#,0' ()' 73+%&' 3+%' ;-&"."3+&<'' H#' "&' 3' 2#1-$32' ;#;7#2' ()' ,5#' Shining Star Band and Dennis E(D$3+%J&' g3OO' FRC#2"#+.#4' 3+%' 3$&(' C#2)(2;&' 2#1-$32$0' 3,' ,5#' I(+&#2:3,(20' ()' E#.(2%"+1' V2,&' and Sciences. In addition to playing &3R(C5(+#4' 8#$$#%"+' %(-7$#&' (+' C"3+(' 3+%' .$32"+#,4' .(;C(&#&4' 3223+1#&4' &#P-#+.#&' ;-&".4' 3+%' has a growing recording studio. L"./#,&')(2'#3.5'#:#+,'32#'m>i' )(2' 1#+#23$' 3%;"&&"(+' 3+%' mZ' )(2' &,-%#+,&' D",5' =^4' 3+%' ;30' be purchased by credit card in 3%:3+.#' 70' .3$$"+1' ,5#' FLX\' ^#C32,;#+,' ()' 6-&".' 3,' n@cko' @k?_@chA<' ' L"./#,&' D"$$' 3$&(' 7#' )(2' &3$#' 3,' ,5#' %((2' )(2' .3&5' (2' .5#./'(+$0'7#1"++"+1'ki';"+-,#&' 7#)(2#' ,5#' #:#+,&<' ' [#2&(+&' D",5' disabilities may request special assistance by calling the same number.

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February 26, 2013 • The Loafer, Page 9

Forbidden Stories Folklorist’s Turkish ‘Odyssey’ Replete with Culture, Adventure ETSU Culp Auditorium February 28th, 7:30pm When James Bond !"#$%&"'( )#$*( +( ,*#-),$. riddled locale, is held at gunpoint and escapes with secrets, no one is surprised. But when a storyteller from Boston experiences similar adventures, it’s a tale worth telling. Diane Edgecomb is known for her evocative adaptations of ancient myth accompanied by Celtic harp or zany tales of insects and other creatures of nature, but in 2001, she embarked on what she called “The Kurdish Story Collection Project,” an international endeavor to document the stories and storytelling traditions of the Kurdish people. Beginning by recording Kurdish tellers in the United States, then abroad, Edgecomb made numerous trips to villages in the Kurdish region of /%&0"1( 234)#5( +#6( +&,7)!)#5( a large complement of tellers. The project resulted in the book, A Fire in My Heart: Kurdish Folktales, a collection of more than 150 Kurdish tales and legends, including fairy tales, legends and animal fables. In her performance of “Forbidden Stories,” Edgecomb will bring her personal tales of Turkey and those she gathered from others to ETSU Thursday, Feb. 28, at 7:30 p.m. in ETSU’s Martha Street Culp Auditorium. “Forbidden Stories” is the second )#( +( $7&"".8+&$( 9+&1( :;( 9+&$)#( School series called “When Worlds Collide.” “Diane is a tremendously talented storyteller and a person whose passion has led her into some pretty astonishing cultures, that of the Turkish Kurds in particular, a persecuted minority in the Middle East,” says ETSU storytelling professor Joseph Sobol. “ ‘Forbidden Stories’ is a folklorist’s odyssey through some very dangerous political and geographic conditions that would make a lesser person shrink. In

)$<( +( &"+3.3)="( >#6)+#+( ?*#"'( 4""$'( contemporary folklore.” /7"(@AB@.BC(D,7**3(*=($7"(E&$'( storytelling series evolved because of an idea Sobol shared with Mary B. Martin School of the Arts Director Anita DeAngelis. “I think it’s really good for us to partner with ETSU faculty and to address some of their interests,” DeAngelis says. “Diane’s ‘Forbidden Stories’ is an important example of the +&$'( &"-",$)#5( *#( +( ,%3$%&"( #*$( '*( familiar to us and hopefully will help us better understand that culture. We anticipate an insightful evening but one that also will be a lot of fun.” X(7($' &3D' F%1#.(;7J&' TN(27"%%#+U' C#2)(2;3+.#' 3,' 3' ]3,"(+3$'X,(20,#$$"+1'I(+)#2#+.#<' “I was very impressed and ;(:#%' 70' ",' 3+%' $((/#%' )(2' 3+' (CC(2,-+",0' ,(' 72"+1' ",' 5#2#4U' 5#' &30&4' T&(' =' 3;' 123,#)-$' ,(' V+",3' 3+%' .(;C3+0' )(2' ;3/"+1' ,53,' 53CC#+<'=,'2#3$$0'!",&'"+',5#'&#2"#&' eW5#+' W(2$%' I($$"%#4J' D5".5' )#3,-2#&' %"))#2#+,' &,(20,#$$"+1' :#+,-2#&4' 2#3$$0' 2"&/0' #))(2,&' "+' .2(&&_.-$,-23$'#+%#3:(2&4'C-,,"+1' (+#J&' D5($#' &#$)' (+' ,5#' $"+#' )(2'

,5#' &3/#' ()' ,5#' ,2-,5' behind the story. F % 1 # . ( ; 7 J &' adventurous spirit #R,#+%&' ,(' +-;#2(-&' projects. She is also an #RC#2";#+,3$' ,5#3,#2' 32,"&,4' "+:($:#%' "+' “alternative theater” )(2' ;(2#' ,53+' ki' 0#32&<' Recently she developed 3' &($(' D(2/' ,53,4' 5#2' D#7&",#' &30&4' T&,2#,.5#&' ,5#' 7(-+%32"#&' ()' +(2;3$' ,5#3,#24' 2#$0"+1' (+' S-R,3C(&","(+&' 3+%' images to tell the story as opposed to traditional narration.” W53,#:#2' 5#2' :#5".$#4 Publishers Weekly calls F%1#.(;7' T3' &,(20,#$$#2' in the grand tradition … 3' :"2,-(&(' ()' ,5#' &C(/#+' word … an entire cast rolled into one.” She is a three‐time Storytelling World Honors award winner and Winner ()' ,5#' !"2&,' ]3,"(+3$' BEVIMF' 3D32%')(2'&,(20,#$$"+1'#R.#$$#+.#' in the Northeast. A regularly )#3,-2#%',#$$#2'3,'&,(20,#$$"+1'3+%' theater venues throughout the .(-+,204' "+.$-%"+1' ,5#' ]3,"(+3$' X,(20,#$$"+1' N#&,":3$' 3+%' ,5#' International Storytelling Center "+'g(+#&7(2(-154'D5#2#'&5#'D3&' X,(20,#$$#2'"+'E#&"%#+.#'"+'ci>c< L"./#,&' )(2' TN(27"%%#+' X,(2"#&U' (+' N#7<' cY' 3,' FLX\' 32#' mZ' )(2' 3$$' 32#3' &,-%#+,&4' m>Z' 1#+#23$' 3%;"&&"(+' 3+%' m>i' )(2' &#+"(2&' Ai' 3+%' (:#2<' I($$#1#' students need a valid student ID. 92(-C'%"&.(-+,&'32#'3:3"$37$#')(2' general admission and senior ,"./#,&< N(2' ;(2#' "+)(2;3,"(+' (+' F%1#.(;74' C$#3&#' :"&",' http:// livingmyth.com. N(2' "+)(2;3,"(+' 37(-,' ,5#' FLX\' 6320' 8<' 632,"+' X.5(($' ()' ,5#' V2,&4' .3$$' @ck_@k?_L*LX' nYZYho' (2' :"&",' www.etsu.edu/ cas/arts<' TM"/#U' FLX\' 6320' 8<' 632,"+' X.5(($' ()' ,5#' V2,&' (+' N3.#7((/' 3+%' N($$(D' ",' (+' LD",,#2'3,'L5#V2,&V,FLX\

Page 10, The Loafer • February 26, 2013

Party In Your Palate RSVP to Ginny Crispin at @ck<k?k<YYch'(2'1.2"&C"+p /"+1&C(2,.53;7#2<(21

;(&,'#R,2#;#'!$3:(2&',5#0'.3+'#R,23.,')2(;' #:#20'123"+4';3$,4'5(C&'3+%'0#3&,',('.2#3,#' 3'D(+%#2)-$'32,"&,".'#RC#2"#+.#')(2'3$$'0(-2' senses.

Live music provided by: this mountain “Kings Porter” 8(-27(+'7322#$')#2;#+,#%'2(7-&,'C(2,#2<<<< on nitrogen gas! L5"&'"&'3'2(7-&,'7##2')-$$'()'!$3:(2<'I5(.($3,#' 2(3&,'3+%',())##'32#':#20'C2#&#+,')2(;',5#' 123"+'D",5'3'5"+,'()'.323;#$',(D32%&',5#' !"+"&5'()',5"&'7##2<'W",5'3'$"+1#2"+1'()',5#&#' !$3:(2&'D",5'3'5"+,'()'7",,#2+#&&')2(;',5#' 5(C&';3/#&',5"&'3'D(+%#2)-$'7##2'7-,',(' ,(C'",'())'D",5']",2(1#+';3/#&',5"&'7##2' &;((,5'3+%'&"$/0'D",5'3'7#3-,")-$')(3;',53,' resembles angles lace. 8(-27(+'8322#$'N#2;#+,#%'E(7-&,'[(2,#2<<' on Nitrogen Gas.

Food pairings provided by: &,"2')20'.3)# Event hosted by: urban synergy Studio Brew',3/#&'3+'32,"&,".'3CC2(3.5'"+' .23),'7##2'(+#'%2(C'3,'3',";#<'80'-&"+1',5#' )2#&5#&,'$(.3$'12(D+'23D';3,#2"3$&'3&';-.5' 3&'C(&&"7$#4',5#0'.2#3,#',5#',2-#&,')(2;' ()'32,<'X,-%"('82#D'())#2&',5#'2".5#&,'3+%'

“Dragons Lair” X;(/#%'VCC$#D((%'I5"C(,$#'"+)-&#%'"+,(' the bourbon barrel robust porter. G#C<<'TX;(/#%'VCC$#D((%'I5"C(,$#qU'L5"&' 7##2'7#.3;#',5#'7##2'()'.5(".#'3,'3'2#.#+,' 7##2')#&,":3$<'L5#'X;(/#%'VCC$#D((%' Chipotle it is not over‐powering and the :3+"$$3l7(-27(+'!$3:(2'&$"%#&'"+'&('&;((,5' $"/#'3'.3,'7-21$32<'L5#'.5(.($3,#'2(3&,'j' Continued on page 11

February 26, 2013 • The Loafer, Page 11

www.theloaferonline.com Continued from page 10

,())##'73$3+.#',5#'!$3:(2'()' the chipotle so well the hop 7",,#2+#&&'!"+"&5#&'3&'3'C(2,#2' D",5'+('3),#2'7-2+< “Mosaic Sunset” L5"&'"&'C32,'()',5#'&-+&#,'&#2"#&<' Using Acoustic Sunset I.P.A. with the new Mosaic Hops.This Hop variety gives the presence ()'123C#)2-",4';3+1(4'(23+1#4' $#;(+l$";#4'2(&#'C#%%$#4'#32,50' C"+#'3+%'7$-#7#220<'L5#'.($(2'()' ,5"&'7##2'2#&#;7$#&'3'7#3-,")-$' &-+&#,'3,'%-&/'(+'&(;#' Caribbean Island. “Dancing Monk” V'8#$1"-;'^32/'X,2(+1')-$$'()' 7($%'!$3:(2&<'L5"&',3&,#&'3+%' )##$&';(2#'$"/#'3'$"P-#-2<'L5"&' ^32/'X,2(+1'53&'7##+'31"+1'"+' 3'7(-27(+'7322#$')(2'(:#2'#"15,' ;(+,5&<'L5#':3+"$$3'j'7(-27(+' "&'C2#&#+,<'L5#'7##2'",&#$)'53&' 2".5'%32/')2-",'!$3:(2&'()'C$-;4' raisin and with the yeast you get 3'&$"15,'C#CC#20'+(,#<'V&')(2',5#' !"+"&54'#:#+',5(-15'",'"&'7"1'j' 7($%'",'!"+"&5#&'3'7",'&D##,'3+%' ,5#'.5322"+1'()',5#'7322#$'1":#&'3' 5"+,'()'&;(/"+#&&<

Michael Landis Michael Landis is an American !"##$#%&'()#*+%!#,*)-)#.% Cheese Professional and has 7##+'3D32%#%',5#'#R.$-&":#',",$#' ()'932%#'#,'g-2r'3&'%#&"1+3,#%'70' N23+.#J&'9-"$%#'=+,#2+3,"(+3$#' %#&'N2(;31#2&'I(;)2r2"#'%#' X3"+,_\1-O(+'"+'ci>>< Michael Landis conducts cheese seminars around the United X,3,#&4'I3+3%3'3+%',5#'\+",#%' *"+1%(;4'3$(+1'D",5'C3"2"+1&'()' .23),'7##2&'D",5'32,"&3+'.5##&#&. La Bonne Vie Brie ‐ Double Crème Brie ["+#$3+%'N32;&'A'6(+,5'V1#%' I5#%%32'_'N32;&,#3%'I(DJ&'6"$/ Cypress Grove Lamb Chopper ‐ >iis'X5##CJ&'6"$/

I322'f3$$#0'I5##&#'I(;C3+0' 6#+31#'_'I(DJ&4'X5##CJ&'3+%' 9(3,J&'6"$/ Beehive Creamery Barely 8-OO#%'_'F&C2#&&('3+%'M3:#+%#2' hand‐rubbed La Bonne Vie Brie ‐ Double Crème Brie V'X;((,5';"$%'!$3:(2',53,' "+,#+&"!"#&'D",5'31#4'M3'8(++#' f"#'^(-7$#'I2t;#'82"#'"&';3%#' ()',5#'5"15#&,'P-3$",0'.(D&' ;"$/<''8#&,'&#2:#%'3,'2((;' ,#;C#23,-2#4',5"&'.5##&#'"&'3' 7$3+/'.3+:3&',(';3/#'0(-2':#20' (D+<'L(C'D",5'!"1'&C2#3%'j'+-,&' )(2'3'.2-+.50'&D##,'3CC#,"O#2'(2' ;#$,',('.2#3,#'3+'#R,23'.2#3;0' sauce. Pineland Farms 6 Month Aged Cheddar ‐ Farmstead Cow’s Milk ["+#$3+%'N32;&'C2(-%$0'.23),' ,5#"2'(D+'%#$"."(-&4'D(2$%_ .$3&&'.5##&#'2"15,'(+',5#')32;<' L5#"2'.5#%%32'53&'3'!$3:(24' ,#R,-2#4'%#C,5'3+%'.(;C$#R",0' ,53,'0(-';-&,'#RC#2"#+.#',(' appreciate. Its unique and 53+%.23),#%'P-3$",0'&,32,&'D",5' 3+'#R.#C,"(+3$'/#0'"+12#%"#+,K' ,5#')2#&5#&,';"$/'C(&&"7$#<'

The creamery is just a stone’s ,52(D')2(;',5#"2'732+&4'D5#2#' the internationally renowned 5#2%'()'["+#$3+%'N32;&J' Holstein cows grazes happily (+'5-+%2#%&'()'3.2#&'()'2".5' grasslands. Cypress Grove Lamb Chopper ‐ 100% Sheep’s Milk 8(2+',('7#';"$%4',5"&'&5##C' ;"$/'.5##&#'"&'7-,,#20'"+'.($(2' 3+%'!$3:(2'D",5'3'$(+14'.(;C$#R' !"+"&5<'L5#',#R,-2#'"&'&;((,5' 3+%'&(),_!"2;4';3/"+1'M3;7' Chopper™ an enchanting table (2'.((/"+1'.5##&#<'L5#'D5##$'"&' !"+"&5#%'"+'+3,-23$'D3R'3+%'"&' made in a similar style as Gouda. =,'53&'3'7-,,#204'+-,,0'!$3:(2<'L5#' ,3&,#'"&';"$%4'0#,'.(;C$#R4'D",5'3' $"+1#2"+1'3),#2,3&,#< Carr Valley Cheese Company Menage ‐ Cow’s, Sheep’s and Goat’s Milk 63%#')2(;'3'C3&,#-2"O#%'7$#+%' ()'.(DJ&4'&5##CJ&'3+%'1(3,J&';"$/4' 6#+31#'"&'%#&"1+#%',('7#'31#%4' )(2'3'&$"15,$0';(2#'"+,#+&#'!$3:(2' 3+%'3'%2"#2',#R,-2#<'I5##&#&'32#' %"CC#%'"+'12##+'D3R'C2"(2',(' 31"+1<''L5"&';"R#%_;"$/'7#3-,0' "&'31#%')(2'"+,#+&#'!$3:(2'3+%'

3'%2"#2',#R,-2#<'=,J&'%"CC#%'"+'3' $(:#$0'D3R'3&':"723+,'3+%'12##+' as Wisconsin’s summertime pastures. This cheese won 1st [$3.#'3,',5#'cii?'W(2$%'I5##&#' Competition and a Bronze 6#%3$'3,',5#'ci>>'W(2$%'I5##&#' Awards. Beehive Creamery Barely Buzzed ‐ Espresso and Lavender hand‐rubbed It’s all about the rub. Colorado Unique espresso and lavender hand‐rubbed cheese with &-7,$#'+(,#&'()'7-,,#2&.(,.5'3+%' .323;#$<'63%#')2(;',5#';"$/' ()'g#2&#0'.(D&d',5"&'"&'3')-$$_ 7(%"#%'.5##&#'D",5'3'&;((,54' .2#3;0',#R,-2#<'832#$0'8-OO#%' is our most popular cheese and is considered by many to be a great American original. The unique espresso blend is then ;"R#%'D",5'N2#+.5'X-C#2"(2' $3:#+%#2'7-%&'3+%')2#&5$0' 12(-+%'(+&",#<'L5#';"R,-2#' is diluted with oil to suspend the dry ingredients in the rub. Rubbing the cheese produces +(,#&'()'7-,,#2&.(,.5'3+%' .323;#$'+#32',5#'2"+%4'D5".5' !"+%',5#"2'D30',(',5#'.#+,#2'()' the cheese.

Page 12, The Loafer • February 26, 2013

WV’s Carpenter Ants !"#$%&'"()#*++,#$%+ March 3rd, 8pm

I#$#723,"+1'cA'0#32&'()';3/"+1';-&".',(1#,5#24' WfJ&'C2#;"#2#'1(&C#$_&(-$'73+%'72"+1&'",&'-+"P-#' 7$#+%' ()' .(-+,20_&(-$' ,(' ,5#' V.(-&,".' I())##' H(-&#' 3,' Y' C<;<4' X-+%304'632.5'k L5#'73+%J&'!"2&,')-$$_$#+1,5'I^' &"+.#'ciikJ&'TV+,&'=+'G(-2'[3+,&U' _' )#3,-2#&' %"#&#$_7"$$0' 1-",32"&,' 8"$$'*"2.5#+< Having logged more than k4iii'C#2)(2;3+.#&'3+%',52(-15' its close association with NPR’s internationally syndicated show T6(-+,3"+' X,31#4U' ,5#' I32C#+,#2' V+,&' 53:#' 3;3&&#%' )3+&' ,53,'

"+.$-%#' )3;#%' &"+1#2l&(+1D2",#2lC2(%-.#2' ^(+' ^"R(+'_'D5('C2(%-.#%',5#'V+,&J'$3&,')(-2'2#$#3&#&'_' 3+%',5#'E#:<'g#&&#'g3./&(+<'g3./&(+'#+$"&,#%',5#'73+%' )(2' 3' 732+&,(2;"+14' Y_.",0' ,(-2' C2"(2' ,(' ,5#' cii@' C2#&"%#+,"3$' #$#.,"(+4' 3' M37(2' ^30' 23$$0' ,53,' %2#D' hZ4iii' C#(C$#4' 3+%' 3' ;32.5' "+' V,$3+,3' ,53,' )#3,-2#%' X,#:"#' Wonder. Recently Dobro master g#220'^(-1$3&'5#32%',23./&')2(;' ,5#' 73+%J&' +#D' 2#$#3&#' TV+,&' j' \+.$#&U'3+%'())#2#%',('$30'%(D+' some lap steel on the rave‐up 1(&C#$',23./'TH#'X3:#%'60'X(-$<U The band has twice toured Moscow and appeared on ][EJ&' TW53%JG3' *+(D`U' 3+%' T6(-+,3"+' X,31#4U' 3&' D#$$' 3&' opening numerous shows )(2' ,5#' $"/#&' ()' L5#' H($;#&' 82(,5#2&4' [3-$' L5(2+4' ,5#' 8$"+%' 8(0&'()'V$373;34'I532$"#'6-&&#$D5",#4',5#'^"2,0' ^(O#+'823&&'83+%4'9(:J,'6-$#4']E8a'3+%'^#$7#2,' McClinton. TV+,&' j' \+.$#&U' ;32/&' ,5#' 73+%J&' !"2&,' )-$$_ $#+1,5'2#$#3&#'&"+.#'ciiZJ&'TV+,&'=+'G(-2'[3+,&<U' N(2' ,5#' (..3&"(+4' ,5#' 12(-C' 3&/#%' $(+1,";#' )2"#+%4' 2#+(D+' 1-",32"&,' 8"$$' *"2.5#+' ,(' 7#' S("+' ,5#'73+%')(2',5#'2#.(2%"+1< L53+/&' ,(' 1-",32"&,' 6".53#$' M"C,(+J&' ,D(' decade‐long association with the internationally syndicated radio show “Mountain Stage” as 5(-&#'1-",32"&,4'3'$(+1'3+%':32"#%'$"&,'()'C$30#2&' 53:#'&3,'"+'3,'3),#2_&5(D'S3;&')(2'&#,&',53,'C"+1_ C(+1')2(;'2(./'e+J'2($$'3+%'7$-#&',('.(-+,20'3+%' gospel. The list is a testimonial to the band’s :#2&3,"$",0'3+%'"+.$-%#&'E3%+#0'N(&,#24'8"$$'M$(0%4' g";;0' M3N3:#4' X($3&4' 6($$"#' BJ82"#+4' H30#&' I32$$4' L#220' E#"%4' 8#+' X($$##4' ^D"15,' LD"$$#04' L5#' V$,#2+3,#' E(-,#&4' E(%+#0' I2(D#$$4' E(70+' H",.5.(./4'L3S'6353$4'3+%',5#'$3,#'M-,5#2'V$$"&(+< L5#'73+%',(-2#%'"+',5#'\<X<'3+%'F-2(C#'73./"+1' F+1$"&5' 2(./' $#1#+%' *#:"+' I(0+#4' 3+%' C$30#%' D",5'(2"1"+3$']E8a'1-",32"&,'X,#:#'N#21-&(+'())_ 3+%_(+')(2'>Z'0#32&'nN#21-&(+'.3+'7#'5#32%'(+' ciiZJ&'TV+,&'"+'G(-2'[3+,&Uo4' N(2' ;(2#' "+)(4' :"&",K' DDD<.32C#+,#23+,&< +#,d' (2' DDD<)3.#7((/<.(;l,5#.32C#+,#23+,&<' G(-' .3+' 3$&(' 5#32' &(+1&' )2(;' ,5#' I^' 3,K' DDD< reverbnation.com/thecarpenterants

www.theloaferonline.com

February 26, 2013 • The Loafer, Page 13

Folk Soul Revival Carter Family Fold March 2nd, 7:30pm

X3,-2%304' 632.5' cnd4' ci>k4' 3,' hKki' C<;<' ,5#' I32,#2' N3;"$0' N($%' "+' H"$,(+&4' f"21"+"34' D"$$' C2#&#+,' 3' .(+.#2,' 70' N($/' X(-$' E#:":3$<'' V%;"&&"(+' ,(' ,5#' .(+.#2,' "&' m>i' )(2'3%-$,&4'm>')(2'.5"$%2#+'A',(>>4' -+%#2'31#'A')2##<'' N($/'X(-$'E#:":3$'"&'3'532;(+0' %2#+.5#%4' 7((,' &,(;C"+14' 2(D%0' 3+%' 2((,&0' 3.(-&,".' 12(-C' )2(;' right here in the Appalachian 6(-+,3"+&<' ' L5#"2' %":#2&",04' .2#3,":",04' 3+%' C3&&"(+' 32#' evident to anyone who’s ever &##+' ,5#;' C#2)(2;<' ' W",5' ,5#"2' %"&,"+.,' :(.3$' 3CC2(3.5#&4' 73./_ C(2.5' "+&,2-;#+,3,"(+4' 53-+,"+1' )(-2_C32,' 532;(+"#&4' 3+%' &5##2' ,3$#+,4' ,5#' 7(0&' 53:#' 132+#2#%' much success and have attracted 3' $321#' )($$(D"+1<' ' W",5' &,2(+1' &(+1D2","+14' &C(,' (+' :(.3$&4' #32,50' "+&,2-;#+,3,"(+4' 3+%' 3+' -+2#&#2:#%' 5(+#&,04' 3' N($/' X(-$' Revival concert is consistently #:#+,)-$<'' N($/' X(-$' 53&' &532#%' the stage with Jesse 6.E#0+($%&4' ^2<' E3$C5' X,3+$#04' 9((&#' I2##/' X0;C5(+04' 3+%' ;3+0' others. The Blue Plum N#&,":3$4' N$(0%)#&,4' 3+%' Rhythm and and Roots are some ()',5#')#&,":3$&',5#0'53:#' played. Recently named ,5#'ci>>'83+%'()',5#'G#32' 70' ,5#' f"21"+"3' L(-2"&;' I(2C(23,"(+4' N($/' X(-$' 53&'7##+')#3,-2#%'(+',5#' Music City Roots radio C2(123;' )2(;' ]3&5:"$$#' as well as Sirius/XM’s

Outlaw Country radio. Virginia Living magazine named them among the Top Three bands in ,5#'I(;;(+D#3$,5'()'f"21"+"3< L5#"2'!"2&,'3$7-;4'Good Enough, was released independently in VC2"$'()'cii?< Words Off a Tongue, their &#.(+%'2#$#3&#4')($$(D#%'"+'V-1-&,' ()'ci>i<''No Depression Magazine placed it in the Top 15 releases ()' ci>i<' ' N($/' X(-$' 2#.#+,$0' released a third CD – Prompting the Dapperness. I(;C$#,#$0' )3+_ )-+%#%4' ",' 2#3.5#%' +-;7#2' >c' on the iTunes country charts and number 99 on the overall .532,&' (+' ,5#' %30' ()' 2#$#3&#<' ' =,' has already charted on Billboard 6313O"+#J&' H#3,&##/#2&' I532,&' 3,'+-;7#2'>i'n,5#'&(-,5'V,$3+,".' %":"&"(+o<' ' N($/' X(-$J&' ;#;7#2&' are Daniel Davis – guitar and :(.3$&4' 823+%(+' X,-21"$$' b' -C2"15,' 73&&4' g-&,"+' f#+37$#' b'

1-",S(4' 532;(+".34' /3O((4' 3+%' :(.3$&4' ^3+"#$' f3+(:#2' b' 1-",324' 532;(+".34' %(72(4' 3+%' :(.3$&4' and Dan Witt on drums. They’ll 7#' 72"+1"+1' 3$(+1' 3' !"%%$#2' )(2' ,5"&' C#2)(2;3+.#<' ' N(2' ;(2#' "+)(2;3,"(+4' 1(' ,(' ,5#&#' &",#&' _'

http://www.reverbnation.com/ folksoulrevival or http://www. iheart.com/artist/Folk-SoulRevival<''60&C3.#'3+%'N3.#7((/' 7(,5'53:#'N($/'X(-$'E#:":3$'&",#&< W5"$#'3,'!"2&,'1$3+.#'N($/'X(-$' E#:":3$' ;30' +(,' &##;' $"/#' ,5#' ,0C".3$' 73+%' 0(-' D(-$%' #RC#.,' ,(' &##' 3,' ,5#' I32,#2' N($%4' ,5#0' #R#;C$")0' D5#2#' ,5#' ;-&".' ()' our region began and how it D"$$'3$D30&'7#',5#'73&"&'()'(,5#2' ;-&".' ,53,' )($$(D#%' b' 7$-#123&&4' .(-+,204'3+%'2(./<''FRC#.,',('&##' ,5#' )3;"$0_(2"#+,#%' &5(D' ,5#' N($%' "&' /+(D+' )(2' b' +(' 3$.(5($' C#2;",,#%<' ' ' N($/' X(-$' )3+&' (2' TL5#' I(+12#13,"(+4U' 3&' ,5#0' 32#' 3))#.,"(+3,#$0' /+(D+4' (),#+' attend shows that are standing 2((;' (+$0<' ' W",5' &#3,"+1' )(2' (:#2' Yii4' ,5#0' D(+J,' 53:#' ,53,' C2(7$#;' 3,' ,5#' N($%<' ' 8(,5' N($%' 2#1-$32&' 3+%' ,5#' N($/' X(-$' )3",5)-$'$(:#',('%3+.#Q3+%'NXEJ&' -C$"),"+1'#+#210'3+%'&-C#27'&(+1' &#$#.,"(+' D"$$' /##C' #:#20(+#' dancing the night away! We 53:#' ,5#' $321#&,' %3+.#' !$((2' "+' the Tri‐Cities and will easily 3..(;;(%3,#' )3+&' D5(' $(:#' ,(' %3+.#',(',5#';-&".'()'N($/'X(-$<''''' N(2'3+'#:#+"+1'()'-+7#$"#:37$#' #+,#2,3"+;#+,4' .(;#' (-,' 3+%' &##' N($/' X(-$' E#:":3$' 3,' ,5#' N($%q' ' 82"+1' 3$(+1' 0(-2' )2"#+%&' 3+%' .#$#723,#' 3$$' ,53,' ;3/#&' (-2' ;(-+,3"+' 2#1"(+' &(' -+"P-#4' 5#32,D32;"+14' 3+%' -+)(21#,,37$#<' ' ^(+J,' ;"&&' ,5"&' 12(-+%72#3/"+1' 12(-CJ&' &#.(+%' C#2)(2;3+.#' 3,' ,5#' 5"&,(2".' :#+-#' ,53,J&' .(;#' ,(' 7#' /+(D+' )(2'&5(D&'D5".5')#3,-2#' &(;#' ()' ,5#' 7#&,' ,3$#+,' in the nation. At their !"2&,' N($%' C#2)(2;3+.#' "+' X#C,#;7#2' ()' ci>c4' N($/' X(-$' C3./#%' ,5#' 5(-&#4' 3+%' ,5#0' #RC#.,' this show to be even bigger. N(2';(2#'"+)(2;3,"(+' (+' X3,-2%30J&' .(+.#2,4' contact the Mountain Music Museum at chA_A@Z_iikZ<' ' N(2' 2#.(2%#%' "+)(2;3,"(+' on shows coming up at ,5#' N($%4' .3$$' chA_kYA_ AiZ@<

Page 14, The Loafer • February 26, 2013

Elite Starz Cheer Team Opening Classes Starting March 1st W(-$%'0(-'$"/#',('.5##2' D",5' ,5#' ci>c' ]3,"(+3$' I53;C"(+&` Michelle Dempsey 4I(3.5')(2'F$",#'X,32O'I5##2' Team is opening classes "+' *"+1&C(2,' 7#1"++"+1' March 1st. The new cheerleaders will be ready to compete "+' 8((+#4' ]<I<' "+' 630q' ](' (-,' ()' C(./#,' #RC#+&#' )(2' -+")(2;&<''mkZ'E#1"&,23,"(+' )##' 3+%' m@i' C#2' ;(+,5' .$3&&' )##&q' V$$' $#:#$&'

n7#1"++#2&4' "+,#2;#%"3,#4' 3%:3+.#%o' )2(;' 31#&' Z_>@' are welcome. Practice will be each N2"%30' )2(;' @Kii_ZKiiC;' at the Women’s Gold X,32' N",+#&&' I#+,#2' (+' 82((/&"%#'^2<'"+'*"+1&C(2,<'' L(' 2#1"&,#24' .3$$' Coach Michelle at Y > h _ Y h @ Z 4 g ( 3 + + #' 3,' chA_YY>@4' #;3"$' tricitiestalent@hotmail. .(;4' cYY_Yk@A4' (2' ^3+"' 3,' YAk_AiZ>

ETSU to Host Interstate Career Fair February 28th V'.(+&(2,"-;'()'>A'32#3'.($$#1#&'3+%'-+":#2&","#&'D"$$' 5($%',5#'=+,#2&,3,#'I32##2'N3"2'(+'L5-2&%304'N#7<'cY4')2(;' >_@' C<;<' 3,' ,5#' 6"$$#++"-;' I#+,2#4' 3.2(&&' )2(;' ,5#' F3&,' L#++#&&##' X,3,#' \+":#2&",0' .3;C-&' (+' X,3,#' ()' N23+/$"+' Road in Johnson City. 6(2#',53+'Zi'#;C$(0#2&'3+%'123%-3,#'(2'C2()#&&"(+3$' &.5(($&'D"$$'3,,#+%<'L5#'#:#+,'"&')2##'3+%'(C#+',('&,-%#+,&' 3+%' 3$-;+"' ()' ,5#' C32,"."C3,"+1' &.5(($&4' 3&' D#$$' 3&' ,5#' C-7$".<' [2()#&&"(+3$' %2#&&' "&' #+.(-231#%' 3+%' ,5(&#' "+' 3,,#+%3+.#'&5(-$%'72"+1'.(C"#&'()',5#"2'2r&-;r<' L5"&' 0#32' D"$$' 7#' ,5#' cZ,5' 3++":#2&320' ()' ,5#' .(+&(2,"-;J&'&C2"+1'.32##2')3"2&< F;C$(0#2&' 3+%' 123%-3,#' &.5(($&' 3,,#+%"+1' ,5#' )3"2' "+.$-%#' c>&,' 6(2,131#' I(2C<4' 83+/#2&' M")#' 3+%' I3&-3$,0' I(<4' 82"&,($' 82(3%.3&,"+14' 82(./' X#2:".#&4' I32,#2' 63.5"+#204'I($-;7-&'6.*"++(+4'I((C#2'X,3+%32%4'I",0'()' g(5+&(+'I",04'F3&,;3+'I5#;".3$'I(<4'F+,#2C2"&#'H($%"+1&4' ,5#' N#%#23$' 8-2#3-' ()' =+:#&,"13,"(+4' N2(+,"#2' H#3$,54' 6(+,1(;#20' I(-+,0' ^#C32,;#+,' ()' [($".#4' 6(-+,3"+' X,3,#&' H#3$,5' V$$"3+.#4' ](2,5D#&,#2+' 6-,-3$4' ]-.$#32' N-#$'X#2:".#&4',5#'\<X<'V"2'N(2.#4'W3)!$#'H(-&#'=+.<4'WIG8l WF6L4' W#$$;(+,' H#3$,5' X0&,#;4' VCC3$3.5"3+' I($$#1#' ()' [532;3.04' M"7#2,0' \+":#2&",0' X.5(($' ()' M3D4' M"C&.(;7' \+":#2&",0'923%-3,#'X,-%"#&'"+'F+1"+##2"+1'63+31#;#+,4' E3%)(2%' \+":#2&",04' E".5;(+,' 923%-3,#' \+":#2&",04' Southeast Culinary and Hospitality College and others. f"&",'www.etsu.edu/careers'(2'.3$$',5#'FLX\'\+":#2&",0' I32##2'X#2:".#&'()!".#'3,'n@cko'@k?_@@Zi')(2')-2,5#2'%#,3"$&' 3+%'3+'-C%3,#%'$"&,'()'#;C$(0#2&'3+%'123%-3,#'&.5(($&<

Jonesborough Book Group Jonesborough Library February 28th 6pm

^(' 0(-' $"/#' ,(' 2#3%`' ^(' 0(-' $"/#' ,(' ,3$/' 37(-,' 7((/&`' L5#+'.(;#',('(-2'7((/'12(-C';##,"+1'3,',5#'g(+#&7(2(-15' M"72320'(+'L5-2&%304'N#72-320'cY'3,'AKii'C<;< ' L5#' 7((/' )(2' %"&.-&&"(+' ,5"&' ;(+,5' "&' One Thousand White Women: The Journals of May Dodd; ",'"&',5#'!"2&,'+(:#$' 70'S(-2+3$"&,'g";'N#21-&<' L5#' +(:#$' "&' D2",,#+' 3&' 3' &#2"#&' ()' S(-2+3$&' .52(+".$"+1' ,5#' !".,","(-&' 3%:#+,-2#&' ()' 3' g<' W"$$' ^(%%J&' (&,#+&"7$0' 2#3$' 3+.#&,(2'"+'3+'";31"+#%'T82"%#&')(2'=+%"3+&U'C2(123;'()',5#' \+",#%'X,3,#&'1(:#2+;#+,<'L5#'C2#;"&#'()',5#'&,(20'"&',53,' ,5#' ](2,5#2+' I5#0#++#' =+%"3+&' 32#' &52"+/"+1' "+' +-;7#2&' 3+%'&##/'3'D30',('3&&";"$3,#'"+,('D5",#'&(."#,0<'L5#0'%#."%#' ,(' ;3220' D5",#' D(;#+' 3+%' 53:#' 53$)_7$((%' .5"$%2#+4' enabling the two cultures to blend naturally. The Cheyenne I5"#)' M",,$#' W($)' 3CC2(3.5#&' [2#&"%#+,' \$0&&#&' 923+,' D",5' ,5#'C2(C(&3$',(',23%#'>iii'D5",#'D(;#+')(2'>iii'5(2&#&4' 3+' ())#2'C-7$".$0' 2#)-&#%'70' ,5#' 1(:#2+;#+,<' H(D#:#24' ,5#' 1(:#2+;#+,'&##&',5#'C$3.3,"+1'()',5#'=+%"3+&'3&'7#"+1',(',5#"2' 7#+#!",4' &(' ,5#0' 7#1"+' ,5#' .$3+%#&,"+#' T82"%#&' )(2' =+%"3+&U' program in which women in prison and in asylums who are C50&".3$$0' 5#3$,50' 3+%' ()' .5"$%' 2#32"+1' 31#' ;30' :($-+,##2' to go. g";'N#21-&'53&'&(':":"%$0'%#C".,#%',5#'V;#2".3+'W#&,' ,53,'",'"&'3&'")',5#&#'%"32"#&'32#'3'.3C&-$#'"+',";#< =+'3%%","(+',('(-2'7((/'%"&.-&&"(+4'D#'D"$$'53:#'3'%23D"+1' ,(' D"+' 3' 7((/' ()' 0(-2' .5(".#<'G(-' ;-&,' 7#' C2#&#+,' ,(' D"+<'' E#)2#&5;#+,&'D"$$'3$&('7#'C2(:"%#%<''N(2';(2#'"+)(2;3,"(+4' C$#3&#' .3$$' ,5#' g(+#&7(2(-15' M"72320' 3,' hZk_>Yii<' ' L5"&' C2(123;'"&')2##'3+%'(C#+',(',5#'C-7$".<

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February 26, 2013 • The Loafer, Page 15

Jimmie Self to Perform Last Recital as ETSU Tuba and Euphonium Instructor Mathes Hall, ETSU March 1st, 7:30pm

g";;"#' F<' X#$)4' D5(' 53&' $#%' ,5#'\+",#%'X,3,#&'V"2'N(2.#'83+%' [2(123;4'C#2)(2;#%')(2')(-2'\<X<' C2#&"%#+,&4' 3+%' 3CC#32#%' D",5' +(,#%'32,"&,&')2(;'^"OO0'9"$$#&C"#' ,(' I532$"#' ^3+"#$&4' D"$$' C2#&#+,' 5"&' !"+3$' 2#.",3$' 3&' 3' )3.-$,0' ;#;7#2' "+' ,5#' F3&,' L#++#&&##' X,3,#' \+":#2&",0' ^#C32,;#+,' ()' 6-&".'(+'N2"%304'632.5'>< ^-2"+1' TB-2' N3:(2",#&4U' 3' )2##' 2#.",3$'3,'hKki'C<;<'"+',5#'63,5#&' H3$$'3-%",(2"-;4'X#$)'3+%'C"3+"&,' V++' g(+#&' D"$$' C#2)(2;' ,5#"2' )3:(2",#' C"#.#&' ,5#0' 53:#' C$30#%' together during his 14 years 3&' FLX\J&' 3%S-+.,' "+&,2-.,(2' ()' tuba and euphonium. Selections "+.$-%#' D(2/&' 70' 8-./$#04' N23./#+C(5$4' 63+,"34' 8235;&4' N"&.5#24'V273+4'=5$#+)#$%4'[-.."+"' and Spaniola. X#$)4'3'+3,":#'()'F3&,'L#++#&&##' 3+%'123%-3,#'()'I5-2.5'H"$$'H"15' X.5(($4' 3,,#+%#%' L#++#&&##' L#.5+($(1".3$' \+":#2&",0' 7#)(2#' S("+"+1' ,5#' \<X<' V"2' N(2.#' 83+%' [2(123;<' ' ^-2"+1' 5"&' cA_0#32' .32##2' D",5' ,5#' V"2' N(2.#4' 5#' D3&' )#3,-2#%' 3&' #-C5(+"-;' &($("&,4' ,2(;7(+"&,' 3+%' $(D' brass clinician throughout the nation and abroad. He served as ;3+31#2' ()' ,5#' #+,"2#' V"2' N(2.#' Band Program while on his last active duty assignment to the [#+,31(+4';3+31"+1'Y?h';"$",320' musicians stationed around the D(2$%' "+' >c' 73+%&<' ' H#' 2#,"2#%' )2(;',5#'V"2'N(2.#'"+'>??Y'D",5'

,5#'23+/'()'.5"#)';3&,#2' sergeant. Among the highlights ()' X#$)J&' .32##2' 3&' 3' C#2)(2;#2' )($$(D"+1' 5"&' 2#,"2#;#+,' )2(;' the military are an appearance as a guest 32,"&,' 3,' ,5#' ciiA' International Tuba and F-C5(+"-;' V&&(."3,"(+' I(+)#2#+.#' "+' ^#+:#2' 3+%' 7#"+1' )#3,-2#%' on the national PBS %(.-;#+,320' TL\8V' \4U' which spotlighted him 3+%' (,5#2' C2()#&&"(+3$' tuba and euphonium players in concert at Carnegie Hall in New G(2/<' ' H#' 53&' (:#2' >Y' C2()#&&"(+3$' 3$7-;&' ,(' his credit.

X#$)4' 3' 123%-3,#' ()' ,5#' \+":#2&",0' ()' ]#D' H3;C&5"2#' D5(' 3$&(' 5($%&' 3+' 3&&(."3,#' ()' applied science in music degree )2(;' ,5#' I(;;-+",0' I($$#1#' ()' ,5#' V"2' N(2.#4' ,#3.5#&' $(D' 723&&' 3+%'723&&';#,5(%&4'.(+%-.,&',5#' L-73' 3+%' F-C5(+"-;' F+&#;7$#' 3+%' C#2)(2;&' D",5' ,5#' N3.-$,0' 823&&' F+&#;7$#' "+' ,5#' FLX\' ^#C32,;#+,' ()' 6-&".<' ' H#' "&' principal trombonist with the X0;C5(+0' ()' ,5#' 6(-+,3"+&' "+' *"+1&C(2,' 3+%' )2#P-#+,$0' appears with ensembles throughout the Southeast. H#' D"$$' 2#,"2#' )2(;' FLX\' "+' 6304' )($$(D"+1' ,5#' #+%' ()' ,5#' spring semester. N(2' ;(2#' "+)(2;3,"(+' (2' &C#."3$'3&&"&,3+.#')(2',5(&#'D",5' %"&37"$","#&4' .3$$' ,5#' ^#C32,;#+,' ()'6-&".'3,'n@cko'@k?_@chA<

Page 16, The Loafer • February 26, 2013

Time Sawyer

Acoustic Coffeehouse March 2nd 10pm

](2,5' I32($"+3_73&#%' )($/' 2(./' 73+%' L";#' X3D0#2' D"$$' 7#' /"./"+1' ())' ,5#"2' TI-,' M((&#' L(-2U' 3,' ,5#' V.(-&,".' I())##' House. The tour will then route ,5#'1-0&'%(D+',('L#R3&'3+%'53:#' ,5#;' C$30"+1' (:#2' cZ' &5(D&' "+' h' D##/&<' L5#' ,(-2' D"$$' 7#' ,('

C2(;(,#',5#'-C.(;"+1'2#$#3&#'()' L";#'X3D0#2J&'$3,#&,'.%4'H#3%#%' H(;#4'D5".5'"&'&#,',('2#$#3&#'(+' March 1st. They have played at the V.(-&,".' I())##5(-&#' (+.#' 7#)(2#' 3+%' 2#.#":#%' &-.5' a tremendous response they

7#$"#:#%' ",' D3&' (+$0' !",,"+1' ,(' 2#,-2+')(2'3+(,5#2'&5(D< Time Sawyer is interested in “real people and real songs” and that’s just what the listener !"+%&'"+',5#"2';-&".'b'3'&#+&#'()' realness. TS blends a grassroots )##$' D",5' 5#32,_)#$,' $02".&' ,(' C-,' on a high energy entertaining &5(D<' ' H3"$"+1' )2(;' ,5#' 2($$"+1' )((,5"$$&'()'F$/"+4'](2,5'I32($"+34' ,5#' )($/' 2(./' 73+%' 5(+(2&' ",&' 2-23$' 2((,&' D5"$#' 3$&(' #RC$(2"+1' the changes that time brings. Lead vocalist Sam Tayloe 3+%' $#3%' 1-",32"&,' *-2,' M30#$$' 2#.(2%#%'3+'3.(-&,".'F[',(1#,5#2' "+'cii?4'7-,',5#'3%%","(+'"+'ci>i' ()' H(-&,(+' ](22"&4' (+' 73+S(4' 3+%' I$30' X,"2#D3$,4' (+' %2-;&4' allowed them to create a richer &(-+%'3,',5#"2'$":#'C#2)(2;3+.#&' and on their albums. L";#' X3D0#2J&' !"2&,' 3$7-;4' TL";#' )(2' 3' I53+1#U4' C$3.#%' 5"15' (+' W]IWJ&' $"&,' ()' L(C' ci' E#1"(+3$' V$7-;&' ()' ci>><' =,&' )($$(D' -C4' L5#' 632((+' V$7-;4' addresses the push and pull 7#,D##+',5#'C3&,'3+%',5#')-,-2#4' and ultimately arrives at a C$3.#'()',2-&,')(2',5#'C3,5'7#"+1' D3$/#%<' L5#' ;#;(237$#' $02".&' and strong melodies result in songs that will stay in your head $(+1'3),#2',5#';-&".'&,(C&< [#2)(2;3+.#&' 3,' :#+-#&' $"/#' L5#'f"&-$",#'L5#3,#24'L5#'F:#+"+1' 6-&#4' 3+%' L5#' \<X<' ]3,"(+3$' White Water Center have gained L";#' X3D0#2' 3' 12(D"+1' )3+' base. Whether they’re playing "+'3+'"+,";3,#'.())##'&5(C'(2'3+' (-,%((2' )#&,":3$4' ,5#"2' 1(3$' "&' ,(' )(21#' 3' )3.#_,(_)3.#' .(++#.,"(+' with the audience so that they 7#.(;#' )2"#+%&' D5(' 53CC#+' ,(' 7#')3+&< TL";#' X3D0#2' D3&' (+#' ()' ,5#' 73+%&' ,(' D3$/' 3D30' )2(;' ,5#' L#++#&##lf"21"+"3' 7(2%#2' D",5' 5(+(2&U<'_8$3+/']#D&C3C#2 TL5#"2' 7#&,' C#2)(2;3+.#' ()' ,5#' +"15,' )(2' ;#' D3&' ,5#"2' &(+1' I5#2(/##' H"$$&' D5".5' 53%' 3' )3&,' 3+%' )-2"(-&' C3.#' ,53,' 2#;"+%#%';#'()'N(110'6(-+,3"+' 82#3/%(D+<U' _M":#' 3+%' M(.3$' =+' M#R"+1,(+ TL5#"2' ;-&".' )#3,-2#&' 12#3,' ;#$(%"#&4' $02".&' ,53,' &,"./' "+' 0(-2'5#3%4'3+%';(&,'()'3$$'3'/"+%' ()'e2#3$+#&&<J'=)'0(-'$"/#'L5#'V:#,,' 82(,5#2&' 0(-' C2(737$0' /+(D' what I mean by ‘realness.’” ‐Jody Mace: Charlotte on the Cheap

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February 26, 2013 â&#x20AC;˘ The Loafer, Page 17

Page 18, The Loafer • February 26, 2013

The Blue Moon Presents a Murder Mystery - Irish Style The Blue Moon Dinner Theatre presents their new Interactive murder ;0&,#204'L(C'()',5#'6-2%#2' To You! by Paula Hilton. g-&,'"+',";#')(2'X,<'[3%%0J&' ^304'L(C'()',5#'6-2%#2'L(' You let’s you solve “Who done it” Irish Style. Playing $":#' (+' &,31#' N2"%30' 3+%' Saturday nights March 1st through March 16th with 3' &C#."3$' &5(D"+1' (+' X-+%30' 632.5' >h,5' )(2'X,<'[3,2"./J&'^30<'L5#'L5#3,2#'"&'$(.3,#%' 3,' c>Z' F3&,' 63"+' X,2##,' "+' ^(D+,(D+' Johnson City. ^2<' [3%%0' 6.N3%%#04' 3+' #RC#2,' (+' TV$$' L5"+1&' =2"&54U' "&' 2#3%0' ,(' -+:#"$' &(;#' 5"15$0_C-7$"."O#%' =2"&5' 32,")3.,&' %-2"+1' ,(+"15,J&' $#.,-2#' (+' =2#$3+%<' H"&' 3&&"&,3+,4' [3,.5#&' 6.8-,,#2C3+,&4' "&' 2#3%04' D"$$"+14' 3+%' 37$#4' ,(' 5#$C' 5";' D",5' 3+0,5"+1' 5#' +##%&'_'(+'3+%'())',5#'S(7q'V+'-+#RC#.,#%' 1-#&,'%"&2-C,&'5#2'C$3+&4'3+%',5#'S(-2+3$"&,' and museum curator who traveled all the way to the United States to cover this event 32#' 3$&(' "+' )(2' 3' &-2C2"&#<' L5#' $-./' ()' ,5#' Irish doesn’t seem to be present at this hilarious event... and what is that hidden -+%#2+#3,5',5#'X53;2(./`

“We always have a blast with our Irish Murder Mysteries” Says Artistic ^"2#.,(2' F%D32%' 82##&#' T' The audience always puts )(2,5' &(;#' "+,#2#&,"+1' 3+&D#2&4' 0(-' +#:#2' /+(D' who is going to be the guilty one but you can always count on someone ,(' D"+' 3' C2"O#' )(2' 3' )-+' creative answer” F+S(0'3')-$$'+"15,'()'#+,#2,3"+;#+,'3$$'"+' (+#' C$3.#<' V' %#$"."(-&' ;#3$' )($$(D#%' 70' 3' )-+'&5(D4'''''''''' Dinner begins with loaded irish potato &(-C4'')($$(D#%'70'3'')2#&5'73/#%'&5#C32%&' pie. Dessert is served at the intermission 3,' D5".5' ,";#' ,5#' D3",' &,3))' C(-2&' .())##4' 2#)2#&5#&' %2"+/&' 3+%' 53+%&' (-,' (-2' chocolate brownie a la mode topped with a caramel drizzle. L"./#,&' 32#' S-&,' k?<??' C$-&' ,3R' 3+%' .3+' be purchased by going online to www. bluemoondinnertheatre.com or by calling ,5#' 7(R' ()!".#' 3,' @ck_ckc_>kZi. Meal upgrades and vegetarian options are 3:3"$37$#' D",5' 3' c@' 5(-2' +(,".#<' L5#' 8$-#' 6((+'"&'3'8GB8')3."$",0<

Southern Culture on the Skids The Casbah March 15th M(+1',5#'732%&'()'%(D+D32%';(7"$",04' X(-,5#2+' I-$,-2#' (+' ,5#' X/"%&' 53:#' 3$D30&' #;7(%"#%' 3' &$#3O04' 23-.(-&4' 1((%_+3,-2#%4' 1((%_,";#' ,3/#' (+' ,5#' .-$,-2#'()',5#'X(-,5<'E#.#+,$0'%#&.2"7#%' 70' ^D"15,' G(3/3;' n"+' N"$,#2o' 3&' u2#3$$0' (+',5#'(-,&"%#4'$"/#'^"./'^3$#';##,&'H3+/' L5(;C&(+4u' XIBLX' 53:#' ;"R#%' 5"15' 3+%' $(D' .-$,-2#' )(2' %#.3%#&4' #+%$#&&$0' ,(-2"+14' &#2:"+1' -C' ;((+&5"+#' ;32,"+"&' 3+%'C(-$,20'C"./"+1')(2')3+&'#:#20D5#2#<

X"+.#' >?Yk4' D5#+' ,5#0' )(2;#%' "+' I53C#$'H"$$4'](2,5'I32($"+34'XIBLX'53:#' C$30#%',5#"2'-+"P-#'5072"%'()'V;#2".3+34' &-2)4' Ej84' 2(./37"$$04' 3+%' &D3;C' C(C' n,5#'73+%'%#&.2"7#&',5#"2'&(-+%'3&'u,(#' &-./"+1' 1##/' 2(./' _' /"+%3' D#"2%4' 7-,' ",' )##$&'1((%'D5#+'0(-v2#'%("+1'",uo4'3$$',5#' D5"$#' %2":"+1' )3+&' "+,(' #.&,3,".4' &D#3,_ %2#+.5#%' C32(R0&;&' ()' S(0<' V&&"&,#%' 70' his cohorts in chaos — drummer Dave Hartman and bassist/ &"+1#2l5#32,72#3/#2' 6320' H-))' w' 6"$$#2' and crew have 7##+' C2($"!".' 3+%' -7"P-",(-&' )(2' (:#2' twenty years. They will be C#2)(2;"+1' 3,' L5#' Casbah in Johnson I",04' 7#5"+%' ,5#' =,3$"3+' ["OO3' [-74' N2"%30' 632.5' >Z,5' 3,' >iC;<' ' L5#2#' D"$$' 7#' +(' 3%:3+.#' ,"./#,' sales; they may be purchased at the %((2' ,5#' %30' ()' ,5#' show.

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East Tennessee Basket Documentation Day East Tennessee History Center Auditorium March 2nd 10am-12pm

February 26, 2013 • The Loafer, Page 19 ^(' 0(-' 53:#' 3' 73&/#,' ;3%#' "+' F3&,' L#++#&&##' "+' ,5#' >?@i&' (2' #32$"#24' D5".5' 53&' 7##+' C3&&#%' %(D+' "+' 0(-2' )3;"$0' or purchased at a yard sale or 3-.,"(+`'=)'&(4',5#'F3&,'L#++#&&##' H"&,(2".3$' X(."#,0' D(-$%' $"/#' ,(' /+(D'37(-,'",< ^-2"+1',5#'.(;"+1';(+,5&4',5#' F3&,'L#++#&&##'H"&,(2".3$'X(."#,0' nFLHXo' D"$$' 7#' %(.-;#+,"+1' 73&/#,;3/#2&' D5(' ;3%#' ,5#"2' D32#&'"+',5#'2#1"(+J&'kZ'.(-+,"#&' "+' ,5#' >?@i&' 3+%' #32$"#2<' L(' 3"%' "+' ,5"&' C2(S#.,4' FLHX' "&' 5(&,"+1' 3' 83&/#,' ^(.-;#+,3,"(+' ^30' (+' X3,-2%304' 632.5' c4' )2(;' >i' 3<;<' ,('>c'C<;<'6#;7#2&'()',5#'C-7$".' D5(' 7#$"#:#' ,53,' ,5#"2' 73&/#,' D3&' ;3%#' "+' F3&,' L#++#&&##' are encouraged to bring it to 7#' 2#.(2%#%<' F3&,' L#++#&&##' 73&/#,&' D5(&#' ;3/#2&' 32#' /+(D+'32#',5#'"%#3$<'H(D#:#24'3$$' 73&/#,&' ,53,' .3+' 2#3&(+37$0' 7#' 3,,2"7-,#%',('F3&,'L#++#&&##'32#' D#$.(;#4' #:#+' +(+_,23%","(+3$' (+#&w,5(&#' ()' D"2#4' C(C&".$#' &,"./&4'.(2+'.(7&4'&,2"C&'()',"+w(2' (+#&'53:"+1';3/#_%('2#C3"2&4'32#' C3"+,#%4' (2' 32#' +(,' C32,".-$32$0'

noteworthy but have great stores .(++#.,#%' ,(' ,5#;<' N2(;' ,5(&#' "+:#+,(2"#%4' C2(S#.,' &,3))' D"$$' .5((&#' #R3;C$#&' )(2' "+.$-&"(+' "+' 3' )#3,-2#' #R5"7","(+' 3,' 3' $3,#2' date. They are also interested in related photos of old baskets and people with old baskets. L5#' 6-&#-;' ()' F3&,' Tennessee History is operated

70',5#'F3&,'L#++#&&##'H"&,(2".3$' X(."#,0'3+%'"&'$(.3,#%'"+',5#'F3&,' Tennessee History Center at Ai>' X<' 930' X,2##,' "+' %(D+,(D+' *+(R:"$$#4' 3.2(&&' )2(;' ,5#' Tennessee Theatre. Admission is )2##4'3+%'"+.$-%#&')2##'3%;"&&"(+' ,(',5#'6-&#-;'()'F3&,'L#++#&&##' H"&,(20<''N(2')-2,5#2'"+)(2;3,"(+4' .3$$'YAZ_c>Z_YYc?<

Page 20, The Loafer • February 26, 2013

Sky is Falling: Russian Meteorite Draws Attention to Space Rocks

L5#' $3,#&,' g3;#&' 8(+%' !$"./4' X/0' N3$$4' "&' 5",,"+1' ,5#' ^f^' ;32/#,4' 3+%' "+%##%4' ,5#2#' "&' &(;#'"+,2"1-#'(:#2',5#'&/0')3$$"+1' over a Russian city the morning ()'N2"%30'N#7<'>Z,5< World‐wide attention was .#+,#2#%' (+' I5#$037"+&/4' E-&&"3' when the mid‐morning rush 5(-2' ()' ,5"&' .",0' ()' (+#' ;"$$"(+_

plus was tossed into chaos by a &C3.#'2(./',53,'&.2#3;#%'3.2(&&' ,5#' 1$(7#' 7#)(2#' #RC$(%"+1' D",5' ,5#'C(D#2'()'3,'$#3&,'ki'50%2(1#+' bombs that ended World War II. A thousand people were "+S-2#%' 70' .-,' 1$3&&' 3+%' )3$$"+1' debris when the supersonic .(+.-&&"(+' ()' ,5#' ;#,#(2' #RC$(&"(+' &53,,#2#%' D"+%(D&4'

7$#D' (C#+' %((2&' 3+%' /+(./#%' over walls. A dozen people D#2#' &,"$$' 5(&C",3$"O#%' 3' D##/' $3,#2<' ' ' H3%' ,5#' .(&;".' 2(./' ,5#' &"O#' ()' 3+' B$0;C".' &D";;"+1' C(($'#RC$(%#%'.$(&#2',53+',5#'>i' ;"$#&' ",' %#,(+3,#%4' ,5#' %3;31#' would have been much worse. Outshining the Sun as it #RC$(%#%'3,'@i4iii';C54',5#'3"2'

blast concussion was recorded (+' %(O#+&' ()' &#.-2",0' .3;#23&' D",5' &(;#' ()' ,5#' !"2&,' :"%#(&' being posted in the Internet )2(;' %3&57(32%' .3;#23&' ;3+0' Russian drivers have in their cars. The popular vehicle .3;&' 32#' )(2' $#13$' C2(,#.,"(+' in the scandalous Russian &(."#,04' D5#2#' C#(C$#' $-+1#' "+' )2(+,' ()' .32&' )(2' $3D&-",&4' (2' .3-&#' 3.."%#+,&' (+' C-2C(&#' )(2' insurance claims. G#,' ,5"&' c>&,' .3;#23' technology captured an ancient 2(./'()'(-2'X($32'X0&,#;';##,"+1' ",&' %#;"&#' 3),#2' ;"$$"(+&' ()'

years wandering through space. And the videos‐‐many seen on the popular YouTube‐‐are &C#.,3.-$32' 3+%' (),#+' &.320' ,(' imagine what would go through 0(-2' ;"+%' ")' 7#5"+%' ,5#' D5##$' 3+%' D",+#&&"+1' ,5#' !$3;"+1' object brighter than the Sun. I3$$"+1' ",' ,5#' ;(&,' &"1+"!".3+,' ;#,#(2",#' )3$$' "+' 3' $")#,";#4' collectors and entrepreneurs 32#' %#&.#+%"+1' (+' ,5"&' F3&,#2+' E-&&"3'32#3',('!"+%',5#"2''(+'3$"#+' &C3.#' 2(./&' 3+%' ,-2+' ,5#;' "+,(' 1($%<' ' [2".#' ()' ,5#' ' I5#$037"+&/' Meteorites could be as much as Continued on page 21

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Continued from page 20

mc4iii'3'123;',('1-$$"7$#'7-0#2&' (+',5#'7$3./';32/#,<''G(-'.3+'7-0' C$#+,0'()';#,#(2",#&')(2'm>i'C#2' 123;' (2' $#&&4' ,5(-15' ,5#2#' 32#' unique specimens that command 1($%_$"/#'C2".#&< ' M3/#' I5#732/-$' "&' D5#2#' 3' ci_)((,_D"%#' 5($#' "+' ,5#' ,5"./' ".#' .(:#2' D3&' ,5(-15,' ,(' 53:#' 7##+' .3-&#%' 70' 3' .5-+/' ()' ,5#' ;#,#(2<' ]#32$0' >ii' &;3$$' meteorites an inch or smaller "+' &"O#' 53:#' 7##+' )(-+%' (+' ,5#' ".#4' 7-,' %":#2&' 53:#+J,' .(;#' -C' D",5' 3+0' $321#' .5-+/&' 3,' ,5#' 7(,,(;' ()' ,5#' D3,#2<' ' ' B,5#2' ;#,#(2",#' )231;#+,&' 53:#' 7##+' )(-+%' "+' ,5#' .(-+,20&"%#4' 3$$' +(' 7"11#2' ,53+' ;327$#&<' ' L(+&' ()' meteorites could be scattered (:#2' ;3+0' &P-32#' ;"$#&' ()' territory. NASA has estimated that the Russian meteorite was 55 )##,' "+' %"3;#,#2' 3+%' D#"15#%' 37(-,' >i4iii' ,(+&' D5#+' ",' #+,#2#%' F32,5J&' 3,;(&C5#2#' (+' N2"%304'N#7<'>Z<''L5#';#,#(2'D3&' ,23:#$$"+1' @i4iii' ;C5' D5#+' ",' entered the atmosphere over V$3&/3' 3,' 3+' 3+1$#' ,53,' D(-$%' 123O#' ,5#' F32,5' )(2' S-&,' ki' seconds all the way down to E-&&"34'D5#2#''",'#RC$(%#%'?Zi' ;"$#&' #3&,' ()' 6(&.(D' 3,' ?Kci' 3;' $(.3$' ,";#<' ' W5"$#' ;(&,' ()' ,5#' ;#,#(2' $"/#$0' :3C(2"O#%' "+' ,5#' 3,;(&C5#2#4' ,5#' 2(./' D3&' 7"1'#+(-15',53,'C$#+,0'()'C"#.#&' $"/#$0')#$$',('F32,54'#RC#2,&'53:#' said. Ural University scientists &3"%' ,53,' ,5#0' 53%' .(+!"2;#%' ,53,' ,5#' )231;#+,&' ,5#0' )(-+%' D#2#' "+' )3.,' ;#,#(2",#&' n,5#' term once a meteor has landed (+' ,5#' F32,5J&' &-2)3.#d' ",' "&' a meteoroid when in outer &C3.#o<' ' L#&,&' ,5#0' C#2)(2;#%'

February 26, 2013 • The Loafer, Page 21

showed that they are a .$3&&"!".3,"(+' .3$$#%' .5(+%2",#4' (2' &,(+0' ;#,#(2",#&4' ,5#' ;(&,' .(;;(+',0C#'()';#,#(2",#'"+',5#' Solar System. Meanwhile in the hard‐hat ;#,2(C($"&' ()' I5#$037"+&/4' ,5#' &C3.#' 2(./' .3-&#%' 37(-,' mkk' ;"$$"(+' D(2,5' ()' %3;31#4' +(,' to mention the thousand or so C#(C$#' D3$/"+1' 32(-+%' ,(%30' with healing cuts and bruises .3-&#%' 70' ,5#' -+#RC#.,#%' 3$"#+' intruder. Astronomers are saying such 3+' "+,#+&#' ;#,#(2' #RC$(&"(+' "&'

common every >ii' 0#32&' (2' &(4' 3+%' "+%##%4' ,5#' $3&,' (+#' ()' &-.5' magnitude was (:#2' X"7#2"34' E-&&"3' "+' >?iY__ 3$&('3+'#RC$(&"(+' 5"15'"+',5#'&/0< Just imagine ")' ,5"&' 1"13+,".' boulder the size ()' 3' W3$12##+&' drug store was S-&,' (+#' ()' 3' dozen that were &,2"/"+1' ,5#' F32,5' D",5"+' ;"+-,#&' ()' #3.5' (,5#2<<<(2' ")' ,5#' Russian meteor had made it all the way to the 12(-+%' ()' ,5#' 7-&,$"+1' E-&&"3+' city. ](,' 3' C2#,,0' ";31#4' S-%1"+1' )2(;' ,5#' 2#$3,":#$0' ;"+(2' %3;31#'3+%'+(')3,3$","#&'.3-&#%' 70' ,5#' %#,(+3,"(+' ()' Zii' /"$(,(+&' ()' L]L' &(;#' >i' ;"$#&' above the ground. Something ,(' ,5"+/' 37(-,<' L5#' +#R,' ;3S(2' meteorite can happen at any ,";#4' 3+0' C$3.#4' 3+%' -+%#2' 3+0' ."2.-;&,3+.#&<<<&(' 7#' 3D32#<<<)(2' ,5#'&/0'"&'2#3$$0')3$$"+1q

Page 22, The Loafer • February 26, 2013

Music to Watch Girls By

I was going to spend ,5"&' C3&,' f3$#+,"+#J&' Day the way I normally %(<' F3,"+1' ,-+3' )2(;' 3' .3+4' 3+%' D3,.5"+1' Knight Rider reruns in ;0' -+%#2D#32' n0(-J2#' D#$.(;#4' $3%"#&o<' 60' )2"#+%'F:#$0+'D3&'1("+1' ,('&C#+%'",'1#,,"+1'%2-+/' and singing Adele songs 3,' ,5#' ,(C' ()' 5#2' $-+1&<' We decided it would 7#' )(2' ,5#' 7#&,' ")' D#' 7(,5' D#+,' (-,' ,(1#,5#24' "+&,#3%' ()' %("+1' ,5"+1&' that would get us S-%1;#+,3$' $((/&' )2(;' our pets. This meant )(2'3'&,2#&&')2##'f3$#+,"+#J&'^30<'

I didn’t have to worry about !$(D#2&4'.32%&4'(2'.3+%0<'W#'S-&,' D#+,' (-,4' 53%' 3' 1((%' ,";#4' 3+%' .23./#%'S(/#&'37(-,',5#'.(-C$#&' around us. L5#2#' D3&' ,5#' 12(-C' ()' ,D(' .(-C$#&4';"%%$#'31#%4'D5('D#2#' out just to enjoy each other’s company. There was the high &.5(($' .(-C$#4' D5(' D#2#' (-,' (+' ,5#"2' !"2&,' T2#3$' %3,#U<' =,' D3&' .532;"+1',('&##4'3$&(',('&##'(-2' D3",#2' )23+,".$0' ,20"+1' ,(' /##C' up. The couples that were there just because it was the thing to do seemed downright tense. As ")' 3' 5-1#' 73++#2' D3&' !$3&5"+1' about the man’s head that read T=' 6\XL' LV*F' HFE' B\L4' 8\G' VMM' LHF' LH=]9X4' 9=fF' VMM' LHF'IV]^GqqqU' W#' D#2#' &",,"+1' &;3./' %37' "+',5#';"%%$#'()',5#'2#&,3-23+,4' so we were going to be getting a glance at each table no matter D5#2#' D#' $((/#%<' F:#$0+' pointed out a couple that were S-&,' &#3,#%' +#R,' ,(' -&<' 8(,5' ()' ,5#;'&##;#%'3'$",,$#'&504'3'$",,$#' 3D/D32%<'=,'D3&'3'!"2&,'%3,#<'](4' I’m serious. A couple. On their !"2&,'%3,#<'B+'f3$#+,"+#J&'^30<' V,' !"2&,4' =' .(-$%+J,' 7#$"#:#' that anyone would go out on ,5#"2' !"2&,' %3,#' (+' f3$#+,"+#J&<' L53,J&' $"/#' ,3/"+1' ,5#' "+5#2#+,' 3D/D32%+#&&' ()' ,5#' &",-3,"(+4'

and amping it up to eleven. The table at which our intrepid .(-C$#' D#2#' &",,"+1' 3,4' D3&' located in such a direction that ",' D3&' P-",#' #3&0' )(2' F:#$0+' 3+%' =',('(7&#2:#',5#'#+,"2#'&",-3,"(+4' D",5(-,' $((/"+1' 3&' ")' D#' D#2#' $((/"+1<' H(D' %"%' D#' /+(D' )(2' &-2#' ",' D3&' ,5#' !"2&,' %3,#`' N"2&,' ())4' ,5#' )#$$(D' "+' P-#&,"(+' seemed that adrenaline pumping .(;7"+3,"(+' ()' #R.",#%' 3+%' nervous. H#'&5((/'5"&'$#1'-C'3+%'%(D+<' The school boy grin on his )3.#' &##;#%' ,(' "+%".3,#' 3+'"+,#2+3$';(+($(1-#'()' “I’m out on a date! With an actual woman! That I didn’t have to pay to have dinner with me! Go Team f#+,-2#qU' L5#' $3%0' 53%' 3' D32;4' "+:","+1' &;"$#' (+' 5#2' )3.#4' 3+%' 5#$%' 5#2' 5#3%' &$"15,$0' 73./<' H#2' )3.#' &##;#%' ,(' "+%".3,#' ,53,' &5#' D3&' ,5"+/"+1' TG#&4'5#'&##;&'3..#C,37$#<' [#253C&' =J$$' )##$' 7#,,#2' 3),#2'&(;#'D"+#<U' Watching the date progress was rather odd. V,' ,5#' 7#1"++"+14' ,5#0' were both leaning away )2(;'#3.5'(,5#2<'V&')32'3&'C(&&"7$#' D",5(-,'$((/"+1'-++3,-23$<'W",5' #3.5' C3&&"+1' .(-2&#4' ,5#' .(-C$#' began to move closer to each (,5#2<'=')#$,'$"/#'='D3&'"+'3'W(2$%' W32'LD('&-74'D3,.5"+1',D('7$"C&' on the sonar screen move closer to each other. This continued right up till dessert was served. V,' ,53,' C("+,4' ,5#0' D#2#' ;3/"+1' out in public. B+',5#'(+#'53+%4'='D3&'23,5#2' impressed that this man had 1(+#' )2(;' 3D/D32%' ,(' ,5#' “tongue down throat” stage &(' P-"./$0<' B+' ,5#' (,5#2' 53+%4' ,5#0' D#2#' ;3/"+1' (-,' "+' C-7$".<' ](,5"+1' .3+' ;3/#' 3+' #+S(037$#' %"++#2' (-,' ,-2+' &(-2' P-"./#24' ,53+',5#'&"15,'()'3'.(-C$#',20"+1' ,('&3:(2',5#'$3&,')#D'7",#&'()',5#' ;#3$' ,(1#,5#24' "+,#2+3$$0<' L5#' 73./' ;($32' "+&C#.,"(+' %"%' +(,' $3&,'$(+14',53+/'5#3:#+<'X((+',5#' .(-C$#' (+' D3&' ,5#"2' ;#220' D304' and our people watching came to an end. V$$' "+' 3$$4' ",' D3&' 3' +".#' +"15,<' H3%' 3' 12#3,' ,";#4' ,5#' )((%' D3&' D(+%#2)-$4' 3+%' "+&,#3%' ()' D3,.5"+1' C#(C$#' ;3/#' (-,' (+' Lf4' =' D3&' 37$#' ,(' &##' ",' -C' .$(&#' 3+%' C#2&(+3$<' X##' 0(-' +#R,' D##/4' N($$(D' ;#' (+' LD",,#2' p ThatAndyRoss

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February 26, 2013 â&#x20AC;˘ The Loafer, Page 23

Page 24, The Loafer • February 26, 2013

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Celestial events in the skies for the week of Feb. 26‐March 4, 2013, as compiled for The Loafer by Mark D. Marquette. ]#R,'D##/4I(;#,'[3+X,322&'$#3C&'-C')2(;',5#'X(-,5#2+'H(2"O(+'"+,('(-2'#32$0' #:#+"+1'&/"#&'S-&,'3),#2'&-+&#,<'E"15,'+(D'0(-'.3+'&##'";31#&'()'",&')3+_&53C#%',3"$'(+' ,5#'D#7&",#'XC3.#W#3,5#24'3+%'D5#,'0(-2'3CC#,",#')(2'3+'#3&0_,(_&##'+3/#%'#0#'.(;#,' )2(;'632.5'h',(';"%_VC2"$<''6#3+D5"$#4'6#2.-20'"&'&,"$$'"+',5#'D#&,'3+%'&#,,"+1'"+',5#' C"+/"&5',D"$"15,'3),#2'&-+&#,<''L5#'6((+';(:#&'"+,(',5#'3),#2_;"%+"15,'&.#+#4'3+%',5#' winter constellations can again dominate the night. Tues. Feb. 26 =,J&'3';31".3$'&.#+#'3,'?'C;'$((/"+1'%"2#.,$0'&(-,5<''L5#'72"15,#&,'&,32'()',5#' &/"#&4'X"2"-&4'"&'%"2#.,$0'&(-,54',5#'5#3%'()'3'&,"./_!"1-2#';3+'()'&,32&<''V7(:#'"&',5#' &C#.,3.-$32'&,32'C3,,#2+'()'B2"(+',5#'H-+,#24'3+%'37(:#'5";'"&',5#'TfU'&53C#'()'L3-2-&' ,5#'8-$$'D",5',5#',"+0'&,32'.$-&,#24'L5#'[$#"3%#&<' Wed. Feb. 27 ](',";#'()',5#'0#32'53&';(2#'72"15,'&,32&',53+'3+0'(,5#2<''V+%',5#0')(2;'3'1"13+,".' T9U'"+',5#'+"15,'&/0<''N"2&,4'!"+%'g-C",#2'(:#25#3%'3+%',5#'72"15,'2#%'&,32'V$%#7323+4'"+' L3-2-&',5#'8-$$<''L23.#',5#'T9U')2(;',5#2#',(',5#'72"15,'&,32'I3C#$$3'"+'V-2"13'5"15'"+' ,5#'+(2,54'1('%(D+',52(-15'I3&,(2'3+%'[($$-R'"+'9#;"+"',5#'LD"+&4',52(-15',5#'D5",#' 72"15,'[2(.0(+'"+',5#'M",,$#'^(14',53+',('X"2"-&'"+',5#'8"1'^(14',-2+"+1'-C',('D5",#' E"1#$4',5#'/+##4'3+%',5#'2#%'&5(-$%#2'8#,#$1#-&#'()'B2"(+<''L53,J&'#"15,'72"15,'&,32&q Thurs. Feb. 28 =+'3'$",,$#_/+(D+')3.,'37(-,']VXVJ&'>?Ai&'6((+'E3.#4'(+',5"&'%3,#'"+'>?AA',5#' C2";320'.2#D')(2'9#;"+"'=x'D#2#'/"$$#%'"+'3'$3+%"+1'.23&5<'F$$"(,'X##'3+%'I532$#&' 83&&#,,'.23&5#%'"+'3'&,(2;'3,',5#'2-+D30'()',5#'X,<'M(-"&'!"2;'7-"$%"+1',5#"2',D(_;3+' &C3.#.23),<''L5#"2'73./-C4'D5('!$#D',5#'g-+#'>?AA';"&&"(+4',5#+'(27",#%',5#'6((+' ,(1#,5#2'"+'VC($$('>i',52##'0#32&'$3,#24'L(;'X,3))(2%'3+%'9#+#'I#2+3+4'D3,.5#%',5#"2'

February 26, 2013 • The Loafer, Page 25

)#$$(D'3&,2(+3-,&'.23&5'3&',5#0'$3+%#%'&-..#&&)-$$0'"+',5#"2'L_kY'S#,<'' Fri. March 1 B+',5"&'>?Yc'%3,#'"+'&C3.#'5"&,(204'E-&&"3J&'f#+#23'>k'&C3.#.23),'2#,-2+#%',5#'!"2&,' .($(2'C5(,(&')2(;',5#'&-2)3.#'()'f#+-&<''L5#'(23+1#'53O#'()',5#'.$(-%'.(:#2'3+%'2(./&' &(),#+'70',5#'?ii'%#12##'&-2)3.#'5#3,'%(;"+3,#%',5#'3$"#+'$3+%&.3C#< Sat. March 2 X,3213O#'D",5'3;3,#-2'3&,2(+(;#2&'3+%'&##'D"+,#2'D(+%#2&'3,'830&'6,<'[32/'"+' *"+1&C(2,'7#1"++"+1'3,'AKki'C;<''L5#2#'D"$$'7#'C$#+,0'()',#$#&.(C#&',('&##'g-C",#2' 3+%'",';((+&4',5#'B2"(+']#7-$3'3+%';3+0' more celestial objects with Bays Mt. Amateur Astronomers as your guide. Sun. March 3 I3C#$$3'"&',5#'72"15,4'0#$$(D"&5'&,32'"+',5#' northeast at early evening. It is in the .(+&,#$$3,"(+'V-2"134'3'&,23+1#'!"2&,'+3;#')(2'3' .532"(,##2',53,'(2"1"+3,#%'73./'"+',5#',";#'()' 8370$(+4'Z4iii'0#32&'31(<''M321#'3+%'C2(;"+#+,4' V-2"13'53&'&#:#23$'&,32'.$-&,#2&'3+%'3'C3"2'()'&,32&' .3$$#%'L5#'*"%&< Mon. March 4 B+',5"&'>?h?'%3,#'"+'&C3.#'5"&,(204'3&,2(+(;#2&' %"&.(:#2#%'3'2(C#_$"/#'2"+1'1"2%$"+1',5#'C$3+#,' Jupiter. The largest planet dominates the evening &/0')2(;'",&'5"15'(:#25#3%'C#2.5'3,'%32/',('",' setting around midnight.

Page 26, The Loafer • February 26, 2013

Contra Dance 101: A Workshop for Beginners Jonesborough Visitor’s Center March 2nd, 3-6pm The Historic Jonesborough ^3+.#' X(."#,0' D"$$' ())#2' 3' NEFF' three‐hour comprehensive D(2/&5(C' )(2' C#(C$#' "+,#2#&,#%' in learning how to contra dance. This event will be held on X3,-2%304' 632.5' c4' ci>k' 3,' ,5#' g(+#&7(2(-15' f"&",(2&' I#+,#24' >>h'8((+#'X,2##,')2(;'kKiiC;_ AKiiC;< M#3%"+1',5#'D(2/&5(C'D"$$'7#' W322#+' ^(0$#' )2(;' 6(-+,3"+' I",04'L]<''W322#+'53&'(:#2' @i' 0#32&' ()' #RC#2"#+.#' 3&' 3+' #%-.3,(24' .(+,23' %3+.#24' %3+.#' "+&,2-.,(2l caller and dance event organizer. L(' 5#$C' ;3"+,3"+4' 3+%' ";C2(:#4' ,5#' overall dancing level in Jonesborough and in the 2#1"(+' 70' %"&.-&&"+14' 3+%' demonstrating: 3o' ' =;C(2,3+.#' ()' $"&,#+"+14' ,";"+1' 3+%' 123.#'n1#+,$#'&,2#+1,5o'"+' dancing 7o' 8322"#2&' .(;;(+' ,(' &;((,5' 3+%' S(0)-$' movement

.o' I53$$#+1#&' ()' .2#3,":#4' individual movement within the collective structure %o'E#3&(+&'D50'C#(C$#'.(+,23' dance ' L5#' .$3&&lD(2/&5(C' D"$$' 7#' 2#$3R#%' 7-,' ;#3+"+1)-$' D",5' 3' 5#3$,50' 73$3+.#' ()' %"&.-&&"(+' and dancing. Not only are 7#1"++#2&' D#$.(;#4' 7-,' 3$&(' #RC#2"#+.#%' %3+.#2&' D5(' D"&5' more in depth training in the art

()'.(+,23'%3+.#< Participants are encouraged to attend the entire session. H(D#:#24' ")' ,53,' "&' +(,' C(&&"7$#4' =' D(-$%' C2#)#2' ,53,' C#(C$#' D5(' cannot stay the whole time 7#' ,5#2#' )(2' ,5#' 7#1"++"+1' (2"#+,3,"(+'3,'kC;<''M3,#'322":3$&' will have to join in progress. Adults and children are welcome. No pre‐registration is required. Attendees are #+.(-231#%' ,(' &,30' )(2' the evening contra dance D",5' ;-&".' C#2)(2;#%' 70' T9((%' j' [$#+,0U' )2(;' V&5#:"$$#' D",5' ,5#' dance being called by Warren Doyle. A class )(2' 7#1"++#2&' &,32,&' 3,' hKiiC;' D",5' ,5#' %3+.#' 2-++"+1' )2(;' hKki_ >iKkiC;<' ' V%;"&&"(+' "&' mh4' Hg^X' 6#;7#2&' 3+%' )-$$',";#'&,-%#+,&'mZ< N(2' )-2,5#2' "+)(2;3,"(+4' .(+,3.,' #:#+,' (213+"O#24' ^3:"%' W"$#0'3,'@ck_Zk@_YYh?<

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February 26, 2013 â&#x20AC;˘ The Loafer, Page 27

Page 28, The Loafer • February 26, 2013

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February 26, 2013 • The Loafer, Page 29

A Good Day to Die Hard

^-2"+1' 3' C32,".-$32",0' 5(,' 3),#2+((+' "+' ,5#' &-;;#2' ()' >?YY4' =' .3+' 2#;#;7#2' driving past a theater and deciding to drop in to see a new movie starring television star Bruce Willis. At the point Willis was 7#&,' /+(D' )(2' 5"&' 2($#' "+' ,5#' ,#$#:"&"(+' &#2"#&' T6((+$"15,"+1U4' 3+%' D3&' )32' )2(;' being regarded as an action star. The movie "+'P-#&,"(+'D3&'T^"#'H32%U4'3+%',5#'2#&,4'3&' ,5#0'&304'"&'5"&,(20<'L5#';(:"#'D3&'3'&;3&54' 3+%' D3&' )($$(D#%' 70' )(-2' &#P-#$&4' ,5#' $3,#&,'()'D5".54'TV'9((%'^30',('^"#'H32%U4' "&' C$30"+1' ,5#' ,5#3,#2&<' E#!$#.,"+1' 73./' (+' ,5#' !"2&,' T^"#' H32%U' !"$;4' =' 2#;#;7#2' 53:"+1'3'7$3&,'D3,.5"+1'W"$$"&',3/#'%(D+' ,5#'73%'1-0&4'3+%'2#3$"O"+1'D53,'3'-+"P-#' action star he made. The uniqueness ()' W"$$"&' "&' (+.#' 313"+' (+' %"&C$30' "+' ,5#' 2($#' ()' g(5+' 6.I$3+#4' 3+%' ,5"&' ,";#' 5#' 53&' 3.,(2' g3"' I(-2,+#04' "+' ,5#' 2($#' ()' 5"&' &(+' g3./4' ,(' 5#$C<' L5#' ;(:"#' D3&,#&' +(' ,";#'"+'.23+/"+1'-C',5#'3.,"(+4'3&'D#'32#' ,23+&C(2,#%' ,(' 6(&.(D4' 3+%' C$(CC#%' "+' ,5#';"%%$#'()',5#',2"3$'()'C($",".3$'C2"&(+#2' G-2"' *(;32(:' nX#73&,"3+' *(.5o4' D5(' 53&' 3' &#.2#,' !"$#' #:#20(+#4' "+.$-%"+1' ,5#' \<X<' 1(:#2+;#+,4'.(:#,&<'V$&('3,',5#',2"3$'"&'g3./4' 3'&#.2#,'I=V'(C#23,":#4'D5('D3&'322#&,#%' 3&',5#'2#&-$,'()'3+'3&&3&&"+3,"(+4'3+%'53&' 312##%' ,(' ,#&,")0' 313"+&,' *(;32(:' &(' 5#' .3+'7#'2#$#3&#%'#32$"#2<'V),#2'3+'3,,3./'(+' ,5#' .(-2,5(-&#4' g3./' 3+%' G-2"' ;3+31#' ,(' #&.3C#4'(+$0',('2-+'"+,(',5#'T:3.3,"(+"+1U' g(5+' 6.I$3+#<' V&' ",' ,-2+&' (-,4' )3,5#2' 3+%'

&(+' 6.I$3+#' 53:#' +(,' 7##+' "+' ,(-.5' )(2' 0#32&4' 3+%' ,5#' !"2&,' ;##,"+1' 7#,D##+' ,5#' ,D(' "&' +(,' C$#3&3+,<' V),#2' 3' .53&#' &.#+#' ,53,'D(-$%';3/#'g3&(+'8(-2+#'3+%'g3;#&' 8(+%' S#3$(-&4' ,5#' 6.I$3+#J&' 3+%' G-2"' D"+%'-C'3,'3'I=V'&3)#'5(-&#4'3+%'3,,#;C,' to convince Yuri it’s in his best interest to 1":#',5#';0&,#20'!"$#',(',5#'I=V<'H(D#:#24' 3+(,5#2'3,,3./'(..-2&4'3+%',5#',52##'32#'(+' ,5#'2-+'313"+<'L5#'C$(,',5#+'P-"./$0';(:#&' "+,(' 5#"15,#+#%' 3.,"(+' 3+%' 7#,2303$4' leaving the McClane’s dependent on one 3+(,5#2' )(2' &-2:":3$<' L5#' %#C#+%#+.0' also leads to a reconciliation between )3,5#2'3+%'&(+4'3&'g3./'$#32+&',(',2-&,'5"&' )3,5#2<' L5#' ;(:"#' $#3:#&' ,5#' 6.I$3+#J&' -+",#%' (+.#' ;(2#4' 3+%' +(' %(-7,' &#P-#$' 2#3%0<'L5#'3.,"+1'"&'&-2C2"&"+1$0'1((%4'3+%' I(-2,+#0' "&' ;(2#' ,53+' .3C37$#' ()' ,3/"+1' (:#2',5#'T^"#'H32%U'&#2"#&')(2'W"$$"&<'L5#' ,D(' 53:#' D(+%#2)-$' &.2##+' .5#;"&,204' 3+%'32#'7#$"#:37$#'3&')3,5#2'3+%'&(+<'L5#' 3.,"(+'"&'2#$#+,$#&&'"+',5"&'!"$;4'3+%'732$#0' allows to you time to catch your breath. G(-' ;-&,' 3%;",4' 5(D#:#24' ,5#' #+,"2#' 2#3&(+')(2'&##"+1'3'T^"#'H32%U';(:"#'"&',(' watch things blow up and see Bruce Willis ,3/#' %(D+' ,5#' :"$$3"+&<' L5#&#' ;(:"#&' 32#' +(,' #R3.,$0' 3D32%' D"++#2&4' S-&,' C-2#' 3.,"(+'!$-))<'='D(-$%'&30'3),#2',5#'(2"1"+3$' T^"#' H32%U4' TV' 9((%' ^30' ,(' ^"#' H32%U4' "&' ,5#'&#.(+%'7#&,'"+',5#'!"$;'&#2"#&<'nE3,#%' Eo'8y'''''

Page 30, The Loafer • February 26, 2013

)(2;' ()' C&0.5".' C5#+(;#+(+<' X,"$$' (,5#2&' 32#' ,3/"+1' ,5#"2' .-#' )2(;' ,5#' )3;"$"32' TX"R' ^#12##&' B)' X#C323,"(+U' C32$(2' 13;#' ,53,' -&#&' 3.,(2' *#:"+' 83.(+' 3&' ",&' +3;#&3/#< In an ABC News piece written $3&,'D##/4'^3+"#$'8#3+'#R3;"+#%' a recent study that reveals all

brains behind this study is Albert‐ M3&O$(' 832373&"4' 3' ;#;7#2' ()' Boston’s Northeastern Center )(2' I(;C$#R' ]#,D(2/' E#&#32.5<' Barabasi’s study was published in the arcane‐sounding scholarly journal Philosophical Transactions of the Royal Society. X(4' D",5' 3' +3;#' $"/#' ,53,4' D#' should all assume everything is true and settled. In case you’re wondering about the authors .2#%#+,"3$&4' D#' 32#' ,($%' 5#' “appeared alongside Bacon in 3' %(.-;#+,320' 37(-,' +#,D(2/' theory called ‘Connected: The [(D#2' ()' X"R' ^#12##&<JU' X(-+%&' good to me. ]#,D(2/' L5#(20' "&' "+%##%' 3' )3&."+3,"+1' 32#3' ()' &,-%04' .(+)-&"+1'3+%'%#,3"$#%'3&'",';"15,' be. In another article/blog about 5(D' ,5#' 3CC$".3,"(+' ()' ]#,D(2/' Theory has helped create the 19 .$"./&' 50C(,5#&"&4' *3,"#' *+"77&' nDDD<%"1",3$,2#+%&<.(;o' ,#$$&'

,5#' ;(2#' .(;C$#R' ,5#' =+,#2+#,' gets the more simple it will 3$&(' 7#.(;#4' (D"+1' ,(' ,5#' -&#' ()' .(++#.,"(+3$' &#32.5' #+1"+#&' $"/#' 9((1$#4' E#%%",4' 3+%' #:#+' N3.#7((/' nD(+%#2' ")' 3$$' ,5#' people on this massive social media site are separated by (+$0'+"+#,##+'.$"./&'(2'(+$0')(-2' %#12##&' ()' &#C323,"(+4' 3&' &(;#' ,5#(2"&,&';3"+,3"+`o< ]##%$#&&' ,(' &304' ,5#2#' 32#' &/#C,".&' (-,' ,5#2#4' &-CC(&#%$0' &#C323,#%' )2(;' -&' 70' (+$0' +"+#,##+' .$"./&<' The Atlantic Wire’s' g<*<' L2(,,#2' 2#:#3$&' ,53,' Barabasi “didn’t actually study the real internet.” Doesn’t that invalidate the whole premise ()' 5"&' &,-%0`' G(-' 7#' ,5#' S-%1#<' =+&,#3%' ()' -&"+1' ,5#' 2#3$' ,5"+14' Barabasi “wrote a program that replicated the scale and behavior ()' ,5#' =+,#2+#,4U' )3.,(2"+1' "+' ,5#' 7#53:"(2' ()' &#$#.,#%' &#32.5' engines. And it seems that

"+)(2;3,"(+' (+' ,5#' =+,#2+#,' "&' (+$0' +"+#,##+' n23,5#2' ,53+' &"Ro' ;(-&#' (2' ,23./' C3%' .$"./&' 3D30<' V&' 8#3+' "+)(2;&' -&4' 3$,5(-15' ,5#2#' 32#' (:#2' )(-2,##+' 7"$$"(+' C31#&' (+' ,5#' W(2$%' W"%#' W#74' T+3:"13,"(+' 7#,D##+' 3+0' ,D(' ()' ,5#&#' C31#&' &5(-$%' ,3/#' 0(-' +(' ;(2#',53+'>?'.$"./&w,53,J&'5(D' interrelated everything is.” The

us that “no matter how big the =+,#2+#,' 1#,&4' ,5#' .(++#.,"(+' D"$$' &,30' ,5#' &3;#<U' =' !"+%' ,5"&' C2#,,0'"+.2#%-$(-&4'1":#+',53,',5#' Internet is constantly growing 3+%' &##;"+1$0' ,3/"+1' -&' )32,5#2' 3D30' )2(;' 3' &";C$#' ;(-&#' .$"./' C3,5D30'()'+"+#,##+'&,#C&<'8-,' =' 1-#&&',5#'2#&#32.5#2&';-&,'/+(D' D53,' ,5#0J2#' %("+1<' VCC32#+,$04'

“there’s an ongoing debate among computer scientists about D53,' .(+&,",-,#&' 3' .$"./<U' V;"%' 3$$' ,5"&' 5((C$34' 832373&"' &,3+%&' 70' 5"&' .$3";' ,53,' T2#132%$#&&' ()' &.3$#4' ,5#' &3;#' >?_.$"./_(2_$#&&' rule applies.” V),#2' %("+1' 3' $",,$#' ;(2#' 2#&#32.5' n=' %"%+J,' .(-+,' ;0' .$"./&o4'=')(-+%',53,'D53,'83273&"'

From Here to There in 19 Clicks

=+'5"&')3&."+3,"+1'7((/4'Tubes: A Journey To The Center Of The Internet4' V+%2#D' 8$-;' ,3/#&' -&' (+' 3' &,23+1#' 3+%' #R.","+1' ,2"C' ,(' ,5#' C50&".3$' .#+,#2' ()' ,5#' =+,#2+#,4' 3' D(2$%' ()' D"2#&' 3+%' &#2:#2&4'.(+!"1-2#%'"+,('3';3O#'()' technology that rivals the world V$".#')(-+%'D5#+'&5#'%#&.#+%#%' into the rabbit hole. In 5"&' (C#+"+1' .53C,#24' 8$-;' 3&/&' ;3+0' P-#&,"(+&K' TW53,' ")' the internet wasn’t an "+:"&"7$#' #$&#D5#2#4' 7-,' actually a somewhere`' Because this much I /+#DK' ,5#' D"2#' "+' ,5#' 73./032%'$#%',('3+(,5#2' D"2#4' 3+%' 3+(,5#2' behind that—beyond to 3' D5($#' D(2$%' ()'D"2#&<' The Internet wasn’t actually a cloud; only a D"$$)-$' %#$-&"(+' .(-$%' .(+:"+.#'3+0(+#'()',53,<' Nor was it substantially wireless.” As Blum sees ",4',5#'T=+,#2+#,'.(-$%+J,' just be everywhere. But ,5#+' D5#2#' D3&' ",`' =)' =' )($$(D#%',5#'D"2#4'D5#2#' D(-$%' ",' $#3%`' W53,' D(-$%' ,53,' C$3.#' $((/' $"/#`'W5('D(-$%'='!"+%`' W50' D#2#' ,5#0' ,5#2#`U' These questions led him down the rabbit hole "+,(',5#'D(2$%'()'%"1",3$' "+)(2;3,"(+' 3+%' ,5#' C50&".3$' "+)23&,2-.,-2#' ,53,' ;3/#&' -C' D53,' D#' call the Internet. F:#2'&"+.#',5#'#:($-,"(+'()',5#' =+,#2+#,' n3+%' ",' "&' &,"$$' #:($:"+14' ()'.(-2&#o4'C#(C$#'53:#'&,2-11$#%' with ways to adequately describe this vast domain. While Blum and others have described the C50&".3$' C323;#,#2&' ()' ,5#' W(2$%' W"%#' W#74' &(;#' 53:#' ,3/#+'3';(2#';0&,".3$'3CC2(3.54' 3&' ")' ,5#' =+,#2+#,' D#2#' &(;#'

"&' 2#3$$0' &30"+14' 3&' =' C("+,#%' (-,' #32$"#24' "&' ,53,' 3+0' two pages on the Internet are connected by +(' ;(2#' ,53+' +"+#,##+' .$"./&<' V,' ,5"&' C("+,4' =' 2#3$$0' 53:#' +(' idea what this means. And how %(' D#' 1(' 37(-,' ,#&,"+1' ",4' 1":#+' that Barbasi didn’t use the actual Internet while conducting his 2#&#32.5`'V&')32'3&'=J;'.(+.#2+#%' 3' ;(%#$' ()' ,5#' =+,#2+#,' "&' +(,' ,5#' &3;#' 3&' ,5#' 2#3$' ,5"+1<' B)' .(-2&#4' =' 3;' 3' 5"&,(2"3+' 3+%' +(,' 3' &,3,"&,"."3+4' &(' =J;' &-2#' =' ;-&,' be missing something pretty :",3$' 5#2#<' H(D#:#24' =' %"%' 2#3%' ,5#' 37&,23.,' ()' 832373&"J&' C3C#24' and although it made very little &#+&#' ,(' ;#4' =' %"%' 1#,' 5"&' #;3"$' address and plan to contact him with a request that he send me a &";C$#4' S321(+_)2##' &,#C_70_&,#C' 1-"%#'#RC$3"+"+1'5(D',('1('37(-,' ,#&,"+1' 5"&' +#3,' $",,$#' ,5#(20<' =)' 3+0'()'0(-'(-,',5#2#'"+'M(3)#2$3+%' .3+'())#2'3+0'3&&"&,3+.#4'='D"$$'7#' #,#2+3$$0'123,#)-$< L5#' 7"1' P-#&,"(+' "&4' 5(D' D"$$' =' /+(D' D5#+' =J:#' 2#3.5#%' ,5#' )32' )2(+,"#2&' ()' ,5#' "+,#2+#,`' W53,' ")' ",' ,3/#&' ;(2#' ,53+' +"+#,##+' .$"./&' ,(' 1#,',5#2#`'V+%'&5(-$%'D#' 3&&-;#4'3&'='%(4',53,'D5#+' D#'1#,',5#2#'D#J$$'&##'*";' *32%3&5"3+J&' n)3/#o' &;"$#' or Justin Bieber’s latest 53"2&,0$#` =+' ,5#' !"+3$' 3+3$0&"&4' I will cast my lot with David Weinberger rather than with Dr. Barbasi. Weinberger is the author ()' ,5#' :#20' C2(:(.3,":#' +#D' 7((/4' Too Big To Know: Rethinking Knowledge Now That The Facts Aren’t The Facts, Experts Are Everywhere, And The Smartest Person In The Room Is The Room nci>co4' 3+%' 7#$"#:#&4' 2"15,)-$$0' &(4' ,5#' =+,#2+#,' "&4'3&'5"&',",$#'&30&4'T,(('7"1' ,(' /+(D<U' =' 2#:"#D#%' ,5"&' 7((/' "+' (+#' ;0' .($-;+&' $3,#' $3&,' 0#324' 3+%' -21#' you to read it right away. Now that I have C2(737$0' .(+)-&#%' 0(-' ,(' ,5#' C("+,' ()' +(' 2#,-2+4' =' D"$$' $#,' 0(-' 1('D5"$#'='.(+,"+-#'.$"./"+1'3D304' 3+R"(-&$0' 3D3","+1' D53,' =' ;"15,' !"+%'-C(+'#+,#2"+1';0',D#+,"#,5' .$"./< X##'0(-'+#R,'D##/'D",5'3+(,5#2' column that is considerably less ,53+'+"+#,##+'.$"./&'3D30<

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February 26, 2013 â&#x20AC;˘ The Loafer, Page 31

Page 32, The Loafer â&#x20AC;˘ February 26, 2013