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cinating, and worth a read for that alone. The way all three of them come together in the story’s climax is downright exciting, with every piece slotting into place like a well-built Rube Goldberg machine. Narration is also a strongpoint, with Forward finding a way to tell the same scene three times over from each Randy’s perspective in chronological order yet keeping it interesting and fresh in every instance. After that, however, the story takes a plummet straight to the depths of Hell in terms of enjoyment and readability, as the previously somewhat-ignorable lineup of Randy’s bad character traits come to the forefront of the narrative. Now that we’re not concerned about any kind of broader peril, we’re left alone with a main character that, at his core, is utterly awful. At least Forward gives us a gigantic red flag for how the rest of the story’s going to go by having the three Randies post-conflict have a space orgy. Oh, and that interesting method of retelling the scene so it fits into a chronological progression of Randy as he goes through his life, time travelling back to the same moment we saw

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