Native Max Magazine - June/July 2014 by Native Max Magazine

JUNE/JULY 2014

NATIVE MAX MAGAZINE JUNE/JULY 2014

JUNE/JULY 2014 NATIVE MAX MAGAZINE

CONTENTS

JUNE/JULY 2014

62 68 56

70 STYLE 09 12 16 20 26 27 29 30 32

SPRING MUST HAVES NATIVE FASHION IT LIST SPRING BEAUTY MASTER CLASS SUMMER COLOR NATIVE FASHION IN THE CITY EVENT MY STYLE: CREESON AGECOUTAY SILVER HANDS MADE ON THE REZ URBAN FRESHNESS

ART

38 ARTIST SELLS HIS VISIONS 40 THE ART OF JEFF SLIM 41 BALANCE THRU WEAVING

LIFE

43 SUZETTE AMAYA

45 NOT YOUR STEREOTYPE 47 SIBLINGS & SUCCESSFUL

CULTURE

49 DANCE OF VIBRANT CULTURE 52 HIS ARTIST INSIDE 54 KEEPING THE TRADITION ALIVE

RADAR 72 74 76 77 78

INEZ JASPER: SMALL START TO THE BIG STAGE THE SPIRIT OF A WOMAN & SHARING THE MEDICINE OF MUSIC PRODIGY IN THE MAKING BEHIND THE SCENES AT NATIVE BOY PRODUCTIONS BLUE SPRINGS

M AGAZINE

EDITOR’S WELCOME Alot has ben learned over the last few months, and we are eager to show you what is that we have been up to. From the start, Native Max Magazine has been a quarterly magazine, but times are changing. In an effort to stay more current and to be able to showcase more indigenous talent, we will be transitioning into a monthly publication. We have, also, added some new faces to our team. We would like to introduce Becca Kirk, our Pacific Northwest Regional Director, and Helen Oro, our First Nations Regional Director. We are so thrilled with the work that they have done for us so far, and can’t wait to see what they bring to the team and fans. We are very honored to have Marisa Quinn gracing the cover and sharing her incredible story and talents with Native Max. She truly is a “woman of many hats”. We;re also featuring some truly amazing photoshoots by Whitney Minthorn II, Roshan Spottsville and Marisa Quinn. We are very pleased to be able to share with you the talents and accomplishments of all the individuals and businesses featured within this issue.

Editor in Chief KELLY HOLMES Executive Managing Editor JOHNNIE SISNEROS Media Relations MARCUS TSOSIE Beauty/Fashion Contributors HELEN ORO, CHELSEA CHEE & KRYSTINA BIA Staff Writers GIA BOLTON, DARYL BEGAYE, NOEL ALTAHA, RYAN YOUNG, JOLONZO GOLDTOOTH, TYREL BEGAY, ANTHONY BURRIS & EVERETT BAXTER CONTRIBUTORS WABANOONKWE CAMERON, JADE GALLARDO, ZAHN MCCLARNON, RIA THUNDERCLOUD, WHITNEY MINTHORN II, MARISA QUINN, STACY SIOW-MAX, JADE WILLOUGHBY, NICOLE GARCIA, APRIL LEDFORD, JESSICA DEE, BROOKE NEZ, ACOSIA REDELK, CREESON AGECOUTAY, BILL STEVENSON, LOUISE SOLOMAN, STERLING HOLY WHITE MOUNTAIN, JARED YAZZIE, LAKOTA SCOTT, FAITH CARPENTER, SHAYNA SCHILDT, BEN PEASE, JEFF SLIM, SUZETTE AMAYA, MATT BARNES, CHASITY DELORME, JUSTIN RAIN, ZOE MARIEH URNESS, JASON GRASL, BETSEY NEWMAN, ALEXIS SCOTT, JENNIFER TOUSEY, INEZ JASPER, KAROLINA TUREK, KELLY JACKSON, GARETH LAFFELY, SUSAN OLIVER, MARK WILLIAMS, ROY HICKS III, MATTHEW PORTER, RICHARD SATORU

We hope you enjoy this issue.

KELLY HOLMES FOUNDER & EDITOR-IN-CHIEF

NATIVE MAX MAGAZINE is published (starting June 1, 2014) six times per year by Native Max & Other Media Ventures, LLC. To obtain additional copies, please email info@nativemax.com. No portion of this publication may be reproduced without written permission of the publisher. COPYRIGHT 2013, Native Max & Other Media Ventures, LLC. Published in Denver, Colorado, by Native Max & Other Media Ventures, LLC. Native Max & Other Media Ventures LLC cannot accept responsibility for unsolicited submissions, manuscripts and photographs. While every care is taken, prices and details are subject to change and Native Max & Other Media Ventures LLC takes no responsibility for ommissions or errors. We reserve the right to publih and edit any content submitted. All rights reserved.

Headquarters: Denver, Colorado, USA

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BEHIND THE COVER

HER MANY HATS WHILE WORKING ON A HOT SUMMER DAY, I was looking for a cover model for the Spring 2014 issue. In the magazine world, it’s typical to plan at least six months ahead, if not a year ahead. I usually seek out a talented individual, who is contributing back to their communities, and is inspirational at that. Coincidentally, I was then introduced to Marisa Quinn, one of the Native stars on Breaking Dawn, Part 2 by fellow Native actor Andrew Orozco. As we were visiting, I got a sense of Quinn that many don’t notice; she’s a multi-talented young woman with more than just acting on her resume. An accomplished photographer, model, public speaker, and entrepreneur, I knew I had to put Quinn on the cover. With her refreshing attitude and compassion to help others around her, I knew she would be great on the Spring cover. Want to see how Marisa’s photoshoot for the Native Max Magazine cover went? Head to our YouTube channel and check out the video! Photography by: Betsy Newman Make Up and Cinematography by: Joseph Adivari Stylist: Alexis Scott of Scott Rose Style Music: "Twirl Me" by Wildlight Video composed by: Johnnie Jae

PHOTO BY R.CAPTAIN PHOTOGRAPHY

MAKE US PROUD

FINISH MY TALENT Modeling isn’t the only task Stacy Siow-Max, Laguna Acoma and Navajo, works at every day. Between her part-time job, firefighting and raising her children alone, Siow-Max always balances her priorities equally, which is why she makes us proud. By Kelly Holmes

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or Stacy Siow-Max, there are never two days alike. As a member of the San Juan County Fire Department, she takes on daunting tasks such as shifts, trainings and 911 emergency calls day by day, along with raising her two children single-handedly. “My day to day life is different all the time, but I love taking on a challenge” Besides family and firefighting, Siow-Max’s third passion is modeling. Wanting to take modeling more serious, Siow-Max learned how to balance her part-time job, firefighting and being a single mother efficiently and effortlessly. Have you always aspired to model? Yes, I've always wanted to model, ever since I was 8 years old. Then I had a friend who did some modeling when we were teenagers and she always told me to "finish my talent". It took me awhile but she inspired me to start modeling and I really enjoy it. What about firefighting? What interested you to become a firefighter? As far as being a firefighter, no I never thought I'd be in that field. I was inspired to become a firefighter when I moved back from Nebraska. I had to give something of myself back to my community. I knew it was either getting back into teaching head start or being the girl on fire; so I found my desire to do something more active and helpful. How do you balance it all with being a mom? Balancing my part-time job, firefighting and being a single mother is quite the challenge. My day to day life is different all the time, but I love taking on a challenge but I couldn’t do it alone. My kids understand and help me do my jobs right. I also couldn’t do it without my immediate family support. Modeling is a hobby, and if I have the extra time and if my daughters could be a part of my photo shoots then yes I model. I also balance my jobs by requesting days off at my part-time job when I have shifts and trainings with the fire department. What’s your day like as a firefighter? The fire department always implements “family first”, so with that in mind I set days aside just for that. When I tuck my girls in for bed, I listen to my pager and if it sets off I go with my team to check in on any 911 calls the department receives. However I do try to be home before they get up in the morning. The days are all different depending on school activities, scheduled photo shoots, shifts, trainings, 911 calls and work shifts. What makes you proud? All the individuals who saw and continue to see my daughters and me through make me proud. Just when you feel you’ve hit rock bottom, there’s always that particular person there to hear you out and give you a push to watch you succeed. I’m proud of my family who did just that for us.

STYLE

SPRING MUST HAVES Before the temperature hits 70 degrees, lighten up your wardrobe with these essentials. Photos by Derek Nez

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STYLE

DRESSES Our current obsession? Dresses! The flirtiest staple of the season, add layers on a breezy day.

All clothing and accessories courtesy of Serenidee Boutique & Salon in Denver, Colorado

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STYLE

GIRLY GRAPHICS Go bold this time around and mix knits with a graphic print and pair a dressy top with patterned leggings.

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STYLE

NATIVE FASHION IT LIST

The Model First Nations model Jade Willoughby is out proving First Nations and Native American models can make it on the runway. Willoughby is on our list because of her grace, good attitude and courage; she also proves that you don’t have to show off skin to make it in the fashion industry.

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PHOTO COURTESY OF JADE WILLOUGHBY

Every day, the mini-world of Native Fashion is expanding, further penetrating into the mainstream fashion scene. With Native fashion-enthusiasts breaking down the barriers, such as First Nations model Jade Willoughby walking in fashion weeks, designers April Ledford and Jared Yazzie creating their own trends with their collections, and Turquoise Soul paving the path for indigenous accessories, we couldn’t wait to cover the individuals at Indian Country’s fashion forefront.

STYLE The Innovator Turquoise Soul is an empire that houses many talents, whose theme is "Where Tradition Meets Trend". The brand takes pride in the designing and manufacturing of unique, high quality hand-beaded jewelry and accessories in modern styles. Scoring a spot on our Native Fashion It List, find out why Turquoise Soul is a trend innovator. Photos by: Wabanoonkwe Cameron

Turquoise Soul was founded in 2007 by Wabanoonkwe Cameron, the former founder of Dinawo Clothing. After selling Dinawo Clothing to settle down and raise her family, Cameron started beading as a hobby. It was then that she realized that there was a thirst for fashionable contemporary accessories with an indigenous twist. When custom orders became high in demand, Cameron decided to make a business out of it. Turquoise Soul’s inventory consists of colorful and vibrant beaded-jewelry. Cameron even produces her own campaigns, styling the models and photographing them. Turquoise Soul isn’t just about creating jewelry or accessories. Turquoise Soul takes pride in offering other services including makeup services, photography, styling services, brand development, life skills coaching and mentoring. Cameron’s mission with Turquoise is to inspire others and leave a lasting impression with her motivating style.

PHOTO BY WHITNEY MINTHORN II

STYLE

The Creatives Meet these artists who creatively add their unique touch to their favorite accessories.

Helen Oro

PHOTO COURESY OF BYNEEKO DESIGNS

Trade in your shades for custom-beaded sunglasses. Our favorite First Nations designer and very own fashion editor Helen Oro customizes various colors, shapes, sizes and designs. Beaded sunglasses, Helen Oro Designs, $60

Neeko

PHOTO BY DEREK NEZ

This handmade bronze necklace features a bullâ&#x20AC;&#x2122;s skull pendant, which makes it versatile to style. Necklace, byNEEKO Designs, $50, byneekodesigns.com

April Ledford Authentic Native-made feather jewelry and accessories are on our must-haves list of the season. These feather earrings from Custom Feather Creations are so lightweight, you can wear them all day. Feather earrings & necklace, Custom Feather Creations, visit Facebook for more info

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STYLE

SPRING BEAUTY MASTER CLASS From subtle tips to make your face to quick hairstyles for any occasion, we revisit our beauty looks created by Native Max makeup artists Jessica Dee and Brooke Nez. BY KELLY HOLMES PHOTOGRAPHS BY DEREK NEZ

BRIGHT EYES Instantly brighten your entire face by outlining your bottom lid with white eyeliner. Make your look pop even more with a deep colored lip. JUNE/JULY 2014 NATIVE MAX MAGAZINE

HOT COPPER A metallic spin on your daily look, add copper to your eyelids and dust a light copper powder to your lips.

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“S” WAVES Wrap sections around a hot barrel in the same direction to achieve this look.

HI-LIGHT/ CONTOUR Contour the lowest parts of your face, like below cheekbones sides of nose. Then highlight highest points such as tip of nose, above cheekbones and above upper lip.

MOHAWK Strategically pin up small sections of hair on top of your head, starting from the top going down. Spray with hairspray as you go.

TOPKNOT Wrap your hair around a small scarf on top of your head for an instant updo.

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ER M M OR SU OL C 20

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H DE OR LK N I I

U an p an da d r c th tist omi is A ng su co m sia Nat PH m Re ive OT e r â&#x20AC;&#x2122;s de de DE OS SI BY to lk si GN W p g H S B IT co disp ne Y NE AC Y lo la r OS M rs ys I IA NT

Model: MC Minthorn, Nez Perce

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Model: Montaylor Fuentes, Warmsprings Oregon

Model: Tramaine Moses, Yakama

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STYLE EVENT COVERAGE

NATIVE FASHION IN THE CITY We recap one of Indian Country's posh Native fashion events yet Native Max Magazine & RMICC's NATIVE FASHION IN THE CITY. On Friday, March 21, 2014, Native Max Magazine and the Rocky Mountain Indian Chamber of Commerce hosted the first annual Native Fashion in the City in Denver, CO. The fashion extravaganza featured some of today's hottest Native American and Aboriginal fashion designers and models from across Indian Country. The designers of the show were Cher Thomas, House of Darylene by Darylene Martin, Dine Creations, Indigenous Princess, OxDx, JG Indie, Helen Oro, Marco Arviso, MILDJ Native Fashion, Patrick Tah, Penny Singer, Shayne Watson, Sun Rose Iron Shell, Turquoise Soul , Misty Rain, ROES by Tyrell Begay and Custom Feather Creations. The photographers of the event were Zoe Friday, Terrence Oldman and Derek Nez. The makeup and hair preparation were provided by Serenidee Enchanted Boutique and Salon, Empire Beauty School and Desiree Belone. Due to the success of the event, Native Max Magazine and RMICC plan to host the 2nd annual NATIVE FASHION IN THE CITY next March.

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STYLE

THE FIRST TO FOCUS ON NATIVE MENS' STYLE In a new regular feature, Native Max quizzes Indian Country’s most dapper gents and style icons on their wardrobe choices, fashion rules they live by and their own stories.

MY STYLE: CREESON AGECOUTAY Our focus on this month's most dapper gent out of Indian Country, Creeson Agecoutay By Helen Oro & Kelly Holmes Photos by Bill Stevenson

Creeson Agecoutay, Cree from the Cowessess First Nation, grew up watching CTV Regina News with his mother, but never expected to actually work for the network hosting the very segment he was a fan of – Indigenous Circle. Watching CTV Regina News and Indigenous Circle in the evenings during dinner time, Agecoutay enjoyed learning about current events and news stories outside his Cowessess First Nation reserve and ultimately, presenting the news. “Mom never lets me forget about what I said to her one Sunday night: Mom, I’m going to be the host of Indigenous Circle one day” explains Agecoutay. After graduating high school, Agecoutay immediately went to college

at First Nations University of Canada and signed up for the school’s INCA Program, where he took a crash course in writing for radio, print, online print and broadcast. After hosting and producing the program’s half-hour show Eyez on the Street, the group submitted it to Indigenous Circle where the show’s host Nelson Bird ran a portion of it on air. From there, Bird and CTV Regina took notice to Agecoutay’s hosting skills and invited him to join CTV. Now five years later, Agecoutay is still with CTV Regina and has his journalism degree from University of Regina. Agecoutay hopes to be a national reporter for a big broadcast station like his person of inspiration, Wab Kinew. “I’d like to bring our representation to

JUNE/JULY 2014 NATIVE MAX MAGAZINE

STYLE the national stage because you do not see our people telling the news. As history would have it, reporters and journalists are known for remaining clean and sharp while sharing their stories. Agecoutay is no different. A staple of his daily wardrobe, Agecoutay can always be seen wearing vests or skinny ties on the air. “I kind of mix and match different brands like RW & CO, Urban Behaviour, Le Chateau, Guess and Calvin Klein for TV” On off-duty, Agecoutay is usually sporting a baseball cap, a Famous Stars & Straps shirt and a pair of Converse sneakers. One Native designer Agecoutay is a fan of is Shayne Watson. “I absolutely love Shayne Watson’s work. I seen one of black and gray jackets and I just thought, that would be perfect to showcase in the show as it has a distinct Indigenous theme. At home, it’s sort of hard to find good clothing for television that is sort of my style”.

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SILVER HANDS New-generation silversmith Louise Solomon is spearheading her mens’ silver collection in Native men’s jewelry. With clean-cut designs and versatile pieces, Ojibwe artist Solomon has no problem embracing masculinity into her line, Hand of Solomon.

PHOTO COURTESY OF LOUISE SOLOMON

This spring, silver is the icing to your wardrobe, a smooth finish from which you can complete your look with just a statement piece. In the coming months, there’s an increased emphasis on mens’ jewelry and accessories, with the focus more on bold and edgy silver. Louise Solomon, Ojibwe from Cape Croker Reserve in Ontario Canada, started her high-end jewelry line when she wasn’t able to find Native-inspired precious metal jewelry anywhere. After tirelessly searching with no luck, Solomon studied

gold-smithing and started her line of contemporary jewelry. Growing up in downtown Toronto, Solomon had a love of fashion and art, which made it easy for her to design art with her jewelry. With her popular orders being the Sweetgrass Bands, Solomon’s passion is her mens’ pieces. “Each piece in my mens’ line was inspired by the men in my life,” explains Solomon. “I have three brothers and a really cool father” Solomon, along with her brothers and father, had expensive tastes in finer things and inspired her

even more to make her mens’ pieces. “I wanted to make jewelry that any generation could wear” In the designs of her mens’ collection, the Wolf represents the strong comparison between the wolf and First Nations people. The White Buffalo Woman bolo was inspired by the story of White Buffalo Woman, and the N8IV Ring Set is her definite statement piece of her collection. “It’s glamorous and tough at the same time”

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STYLE

MADE ON THE REZ How REZ MADE is more than just a t-shirt company By Johnnie Sisneros Photos by Tyler Jackson Wilson

Sterling Holy White Mountain, a member of the Blackfeet nation, spent the first eighteen years of his life living on the reservation. The feelings of anger and alienation that stemmed from not being an officially recognized native inspired him to create REZ MADE, a company built on a vision of inclusivity for all natives and those genuinely concerned for the well-being of natives living in and outside of Indian Country. Although many would consider the venture impossible and overly ambitious, for Holy White Mountain, it is the challenge that drives him to make his T-shirt company succeed. “Why a t-shirt? I’ll tell you: No piece of clothing is more common, more visible, and has the potential to be

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more loved. So, why not give people a t-shirt that feels great to wear, and also means something very personal?” Personal is also how he chooses to approach his business. He wants to incorporate both the broad strokes and nuance of his vision for inclusivity to be evident in every aspect of his business and his designs. He wants REZ MADE to authentically represent both the people and the reservation that he knows and not the typical Rez scenes and people that the mainstream wants to see and show. Holy White Mountain's visions for REZ MADE is that it will always represent indigenous people as we are now.

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LIFEOxDx Clothing Shirt: Model: Tromaine Six

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URBAN FRESHNESS

APPAREL GENIUS JARED YAZZIE SHOWS OFF HIS SPRING/SUMMER COLLECTION, WITH THE HELP OF NAVAJO PHOTOGRAPHER ROSHAN SPOTTSVILLE

Make up: Faith Carpenter Earrings: Lakota Scott Shirt: OxDx Clothing Model: Deb Butler 34

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Shirt: OxDx Clothing Model: Tyler Henry

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Shirt: OxDx Clothing Model: Shel Nez

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Make up: Faith Carpenter Earrings: Lakota Scott Shirt: OxDx Clothing Model: Chanelle Amber-Dawn

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CULTURE

ART

ARTIST SELLS HIS VISIONS Ben Pease, Northern Cheyenne, is a true artist with endless talents and focuses. By Kelly Holmes Photos by Ben Pease

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ART

“Words Are Your Weapon”

“Road Warriors”

Ben Pease

Ben Pease, Northern Cheyenne, is a true artist with endless talents. Once a prized football player at collegiate level, Pease always balanced out his love of sports and art with his education. Pease never puts focus on one art medium and even creates his own style of art, which he describes as “traditionally contemporary”. Raised on the Crow reservation in Montana, Pease instantly grew a love for art watching generations of family members crafting traditional regalia and other fine art. In high school, Pease had a love for sports, but shared his passion with art. With no boundaries on what he could be creative with, Pease enjoyed painting, drawing, sculpting, photography and even making ceramics in school. To this day, his interest in these mediums is still very much alive. With his playful and humble character, Pease has honed in on his skills and created his own style of art, which he refers to as “traditionally contemporary”. Encompassing renditions of historical figures and dignitaries in the Native American community, he pairs them alongside wildlife, contemporary issues and current events. How has your family influenced your interest in art? My chief influences stem from my great-grandfather, grandfather, mother and numerous family members in their endeavors of fine art and crafting our Native American traditional regalia. What’s your main art focus-subject? Throughout the past three years as a professional artist I’ve honed in on what I describe to be “traditionally contemporary”. This style encompasses renditions of historical figures and dignitaries in the Native American community along with wildlife, contemporary issues and current events.

When you were in school, you loved painting, drawing, ceramics, printmaking, sculpting and photography all at the same time. Do you still have interest in them today? My interests in these subjects are still very much alive. As a student attending Montana State University in Bozeman, MT, my resources are limited outside the university as of now to continue my practice. You were also very athletic in high school, how did you balance out sports with your passion of art? Do you still have a passion for both today? Honestly in high school, I wouldn’t have imagined myself as a successful professional living in the art world. So at the time my focus was mainly on sports and my involvement in the Crow culture. The passion fueled by sports is exercised regularly with weightlifting, cross training, basketball, softball and other sports. What were your awards and achievements of your sports and art in college? Various honorable mentions and Merit Awards were given to me for art at Minot State University. During my time playing football as a defensive end and red-shirt freshman at Minot State University, I led the team in quarterback sacks and was nationally ranked in sacks. JUNE/JULY 2014 NATIVE MAX MAGAZINE

THE ART OF JEFF SLIM Realizing his true talent at a young age when he sold a drawing of Monument Valley to a tourist, Jeff Slim is constantly evolving his unique style of acrylic and aerosol paint into something greater. When did you know you wanted a career in art? I sold my first drawing in third grade to a tourist in Monument Valley. It was a pencil drawing depicting the Monument Valley landscape. But my artwork didn't generate steady income until a few years ago. Originally I wanted to be a comic book artist or an art teacher. How have your original works evolved into what you create today? The evolution of my work is based on personal experiences within my surroundings and the inspiring beings within that realm. I've been very fortunate to have worked amongst various groups of creative people. My works are constantly changing in subtle ways.

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What's your inspiration when creating? Personal interactions with people during conversations or during a paint session. Cultural stories as well as fictitious novels also play a large role in my work.

work? I've been able to show my work in various locations in Phoenix, AZ, as well as throughout Arizona. Currently I will be showing paintings at GreenHAUS and I also have a solo show at Willo North Gallery, both located in Phoenix.

Do you consider yourself an established artist? Not quite yet. I feel I haven't fully grasped the marketing aspects that come with the artists' profession. I know I've come a long way from when I rarely made an effort to network and get my work seen in galleries or on an outdoor wall.

In the next five years, what do you hope to accomplish? My goal is to constantly evolve into something greater than before. Within these progressive moments I hope to learn more about myself and as well as my Dine culture by depicting personal interpretations of cultural stories that intertwine with the modern lifestyle.

Where can people view your current

ART

BALANCE THRU WEAVING Artist LAKOTA SCOTT wovens together education, medicine and art to bring balance with her unique style of jewelry-making. By: Daryl Begaye

Could you please explain who you are and your art? I currently reside in Phoenix, Arizona but originate from the Navajo Nation (Tuba City, White Mesa, and Kayenta). During my undergraduate studies at Dartmouth College I majored in Native American Studies and Studio Art, focusing on sculpture and intaglio printmaking. I used these mediums as a way to stay connected to and learn about my culture. Since graduating in 2011 I have continued to explore sculpture and printmaking, bringing together inspiration from family members’ artwork with my own mediums to create wire jewelry and prints. What made you decide to double major and why Studio Art? Going into Dartmouth I knew that I was going to medical school after, so my main

Photography: Lakota Scott

focus was to learn as much as I could. By the time I had to file my major with the registrar, Native American Studies was the department I had the most credits in. Every semester I took a class in Native American Studies, the department there is amazing, with almost every class taught by Native professors. As for studio art that took a little longer for me to realize. When I first started at Dartmouth I strayed away from art classes until my second year. Growing up I had an array of art supplies to play with because my father is an artist, while at school I felt that a large part of me was missing because I didn’t work on anything creative. Once I decided to take art classes I felt much more confident in my studies and this spread positively in my other classes. How has your work evolved into what you are creating today?

My work has gone to a very small scale more recently with the jewelry I am creating. The original piece that led to my jewelry was a basket that I could sit in, made from steel wire and looked much more like a giant shell. The second version was a basket, a foot or so in diameter woven much tighter, drawing from Navajo basket designs. The method of weaving comes from watching family members make baskets growing up and the design work is inspired by baskets, rugs, and patterns surrounding me. Who and/or what are your inspiration when creating? Stories that I have read or have been told. My own experiences as a Diné woman and others’ experiences. Histories of indigenous people. My family and those I have encountered in my life that have made a lasting impression. JUNE/JULY 2014 NATIVE MAX MAGAZINE

ART

Artist Lakota Scott has certainly assisted in creating the trend of wearing Navajo basket-designed wire jewelry. See her jewelry in the high fashion editorial on page 32.

At this point in your career, do you consider yourself an established artist? I consider myself to be continually learning and yet to be established. Have you faced any challenges in promoting yourself and your art? I feel like I have not put myself out there enough to face any challenges yet. Where can people view your current work and where have you shown? I had intaglio printmaking pieces at the Navajo Nation Museum as part of the “Ch’ikééh Baa Hózhó” group show in conjunction with the release of Ziindi’s sec-

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ond issue, which featured contemporary native female artists. The show ran from February 2013 to February 2014. The zine can be viewed at http://ziindi.com. From January to February I had sculpture and prints on display at 1Spot Gallery in downtown Phoenix as part of the group show “Boom! A Transformation: Collective Womyn Art Show”. Currently my earrings are displayed at 1Spot Gallery, 918 N. 6th St. in Phoenix, AZ. In the next 5 years, what do you hope to accomplish with your art? In medical school still an option at this point? I hope to continue creating and finding new avenues to explore. I start medical

school in the fall and aspire to keep creating while in school. I do not see medicine as all that far from art and intend to meld the two together in learning. What advice would you give to an aspiring artist? There is not just one path to achieving your goals, learn from experiences and grow. Talk with those who have achieved what you want, gather their advice and sift out what matches your values and ideals. Be thankful for the opportunities you come across and give your time and artwork to causes you truly support.

LIFE

SUZ ETTE A M AYA PHOTO BY MATT BARNES

A reality star, radio personality, actor and mogul of her own company, Suzette Amayaâ&#x20AC;&#x2122;s next goal is to educate and inspire young people.

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LIFE

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Amaya credits her story of overcoming adversities to popular reality television show Big Brother Canada. “I’d say it has given me more confidence and helped shed any insecurity I had,” explains Amaya. “Being so exposed you truly have to love yourself ” A big fan of the reality show, Amaya auditioned for a part, and was one of the fifteen coveted-house guests selected of the initial 11,000 who auditioned. “The experience was surreal; was exciting to go through the entire process and being behind the scenes of a huge production company on Canada’s highest rated show” Now, Amaya enjoys traveling and sharing her personal story of overcoming adversities and hardships. “I love being able to educated and inspire young people, giving Aboriginal people hope and desire to dream big on setting goals and desires to be successful in life” Amaya admits she enjoys meeting new people, making new friends and even being inspired by others’ stories.

With the couple’s SAMAYA Entertainment branch, they manage award-winning hip-hop artist Joey Stylez along with Amaya’s brand image. “There’s also a side of it where we manage my brand, Suzette Amaya, for events such as workshops, keynote speaking, appearances, emceeing and acting. We also host and coordinate special events” Besides acting and speaking at workshops, Amaya also gives her time to her career outside of media as a support worker at a women’s and children’s shelter. “I’ve always been a workaholic. I’m a support worker at the Bloom Group Community Services Society. I am educated and love keeping busy” Amaya considers herself successful and accomplished; everything she has now all have been products of hard work and dedication. “All is possible. Whatever your dreams are, use your time wisely and always be positive and work hard”.

PHOTO COURTESY OF SUZETTE AMAYA

uzette Amaya, who’s Cree, Nisga’a and Coast Salish, is not your typical reality star. Amaya took what she learned being one of the fifteen house guests on Canada’s popular reality show Big Brother, and encourages others to do the same. “Being so exposed you truly have to love yourself; a lesson I learned was to never be unsure of yourself ” Amaya has achieved so much already, including successfully launching her own media management company, and sharing her story to success via motivational speaking; not to mention gearing up for her radio station’s 10th anniversary. Born and raised in East Vancouver with a decade of her life spent on her reserve in Port Hardy BC, Amaya admits her rough childhood inspired her to become successful. “I’ve always had a desire for the good things in life, from growing up with a hard childhood,” explains Amaya. “I knew that life would only get better with faith, determination and hard work” Amaya knew the kind of life she wanted to live, and always strived to achieve that happiness. Amaya’s media empire all started in 1997 with her radio show, ThinkNDN 100.5 FM CFRO. Initially interested in learning more about Canada’s growing Aboriginal pop culture, Amaya decided to create an open platform to help Aboriginal people get into mainstream. A family affair, Amaya included her family in her project. “With it I’m building an Aboriginal pop culture community across Canada with my husband Stanley and the unconditional support of my mother Clara Ritchotte” Now going on its tenth year of being on the air, ThinkNDN FM has won three Aboriginal People’s Choice Music awards and is one of Canada’s popular radio stations. “We been live on air for ten years and had countless hosts, guests, artists, community leaders and entrepreneurs on our show”.

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#NOT YOUR STEREOTYPE We all use social media to connect with our friends and to network. We're all familiar with hashtags and we have a love/ hate relationship with their use. However, hashtags have become a new way for activists to raise awareness and connect with like-minded individuals and organizations on a global scale. We spoke with CHASITY DELORME, who used the hashtag #notyourstereotype to challenge negative stereotypes and imagery.

PHOTO COURTESY OF CHASITY DELORME

Chasity Delorme is a Cree woman from the Cowessess First Nation. She is the mother of two teenage daughters, and a current student of First Nations University of Canada, working on her degree in Health Studies with a concentration in Indigenous health. She plans to use her education to help promote healing within indigenous communities. She is a dedicated volunteer for various senior, youth, and community groups, such as the Newo Yotina Friendship Centre and the Manage the Rainbow Powwow Dance group. Chasity is, also, the newly elected President of the First Nations University of Canada Student Association. She prides herself on choosing to live a lifestyle free of alcohol and drugs to give her children a positive role model and to stand by her commitment to the healing and well-being of her local communities. In March, Chasity issued a challenge to First Nation and Indigenous people to post photos of themselves on various social media using the hashtags to combat the stereotypes that are commonly associated with indigenous people: "I AM NOT YOUR STEREOTYPE! I want to educate the culturally insensitive people that still exist in my community. I challenge all Aboriginal/First Nation people to take a picture as they are at the moment of being nominated for this challenge and hash tag with the following tags. And created your own. I AM NEHIYAW... #notyourstereotype

#notyourmascot #notyourtonto #notyourpochantas #uofrcheerteam #geteducated I nominate the following to post your pic and hash tag and nominate away! This is my kind of 2014 Winter Challenge! And this is what being indigenous looks like." She issued this challenge as a response to controversy surrounding a photo of the University of Regina's cheer team dressed as Cowboys and Indians. Within a few hours, photos of indigenous people flooded social media. The photos ranged from selfies to photos of families and in settings that showed that they were "everyday" people and not the caricatures that stem from the stereotypes that people associate with aboriginal people. Two months later, the #notyourstereotype hashtag is still being used to discuss cultural appropriation, the need for authentic indigenous representation and, of course, to continue showcasing photos of indigenous people as we really are. We spoke with Chasity about the continuing work she is doing through hashtag activism and the plans that she has to use this to establish a scholarship that will celebrate aboriginal youth involved with serving their communities through volunteer work. Native Max: What is #notyourstereotype? My original Facebook post was in response to a photo posted on Instagram that nega-

tively stereotyped Aboriginal people. Many First Nations people of my community were very insulted by this photo. Because this unfortunate occurrence was “so close to home”, I wanted to figure out a way to educate my community and help combat negative stereotyping; utilizing social media would help me accomplish that. I wanted to acknowledge this social issue in a positive manner. I used Facebook and the hashtag #notyourstereotype and challenged all Aboriginal/First Nations people to take a photo of them self and portray themselves the way want to be portrayed, and they were to challenge other First Nations people to do the same. I also challenged aboriginal people to hashtag other stereotypes they have been labeled with or simply hashtag other stereotypes they are aware of. By doing this it will allow aboriginal people to show their own communities “What being indigenous really looks like.” In the end it is my hopes this will help many communities combat racism and negative stereotyping. NM: How are you utilizing social media to raise awareness and what is the overall response that you’ve received? At the moment I am using social media to “plant seeds” all over social media country. By letting people know we can acknowledge and combat social issues in a positive way. Recently I created #notyourstereotype T-Shirts and Tank Tops and I am selling JUNE/JULY 2014 NATIVE MAX MAGAZINE

The hashtag #notyourstereotype selfie campaign was even mentioned by Al Jazeera on Twitter them as a Fundraiser to raise money to create an Aboriginal Youth Scholarship. This Scholarship will be awarded to an Aboriginal youth who is actively involved in their community promoting Positive Leadership. When I was asked “Why do you think you PhotoChallenge/Hashtag got so much attention so quick.” I said because I feel it was a “positive, non-invasive way to combat negative stereotyping.” With that thought in mind, I realized that the type of person that I always manage to find positive ways in dealing with difficult situations. I believe we need to celebrate Positive Leadership and invest in youth; they are undoubtedly our future leaders. We need to encourage more youth to positively engage in their making change. Social Media has helped me get the word out. It is has allowed Aboriginal people nationwide take part in making positive change to a negative social issue. NM: What do you want to see happen with #notyourstereotype in the next 5 years? I do not claim to own or have created the hashtag #notyoursteretype. This is a hashtag that many people can identify with that understand this major social issue. I used it to get the attention of the social media universe and I was successful. #notyourstereotype has inspired me to now create an Aboriginal Youth Scholarship Platform. Within the next five years I hope to have awarded as many scholarships for as many years the Creator will allow. My Scholarship initiative is a grassroots initiative and I am taking it by day. It is my goal to reach out to various Non-Profit organizations to help promote or donate to the scholarship. Support Chasity Delorme’s initiative by purchasing a #notyourstereotype t-shirt or use the hashtag on social media yourself!

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SMART AND SKILLED Four of the six Schildt siblings, sisters Shayna, Sienna, Sierra and Simarron. (Not pictured: Spencer and Sterling)

SIBLINGS & SUCCESSFUL Blackfeet siblings Simarron, Sierra, Sienna, Shayna, Spencer and Sterling all made it a point to be role models on their reservation. Text by Kelly Holmes

Photographed by Sierra Taylor

ll six Schildt siblings graduated from Browning High School, in which five graduated from the University of Montana. Growing up in East Glacier Park, MT, located on the Blackfeet Indian Reservation, they all somehow knew they wanted to help their communities thrive. Not shying away from the tradition of entrepreneurship taught by their father, all Schildt siblings take part in their own business ventures, while giving back to their reservation. Simarron attended University of Montana through a basketball scholarship, where she earned a Bachelor of Science degree in Exercise Science. Balancing staying at home with her young son with professionally handcrafting modern dream catchers, Simarron and her husband are opening a cabin rental business this summer. Also an alumnus from University of

Montana, Sienna graduated with a Bachelor of Arts degree in Psychology and Master of Arts in Counselor Education. Sienna is currently a mental health therapist at Browning Elementary School and a part-time school counselor at East Glacier Park Grade School. Sienna and her husband are currently putting together a Native American grief group template as a resource for programs interested in hosting grief groups specifically on reservations. Her future goal is to open a grief resource center on the Blackfeet Indian Reservation, which will become the first grief resource center in the area. Sierra earned a Bachelor of Arts in Elementary Education from University of Hawaii at Manoa through an exchange program. She returned home upon graduation to teach in Browning, and then in East Glacier. Enjoying a break from teaching while her husband JUNE/JULY 2014 NATIVE MAX MAGAZINE

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finishes his own teaching degree, Sierra is currently pursuing photography, with an already extensive portfolio under her belt. Shayna attended University of Montana, University of Hawaii at Manoa and Sonoma State University in California. With her Bachelor of Arts degree in Elementary Education, she’s teaching at East Glacier Park Grade School. Another young entrepreneur of her family, Shayna designs chic chunky bauble necklaces for her Etsy business, Summer Skye Boutique. She also runs her own event planning and services business, Glacier Party Rentals, with her brother Spencer. Spencer and the siblings’ mother often care for their young children when the siblings work. Sterling, who’s the oldest of the siblings, started his own clothing line, Rez Made Clothing Company. Sterling’s apparel line is popular among the area, which often sell out at powwows. The Schildt siblings give their appreciation for business ventures to Patrick, their father. Patrick operated his own numerous businesses, which inspired the siblings to start their own businesses.

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Patrick is currently opening a Native American and Buffalo Interpretive Center called Chief Mountain Buffalo Park, which will be located by the U.S. and Canadian border. “We are all really lucky that we have an extremely supportive family and parents that have always encouraged us in whatever direction we choose to go,” explains Shayna. “Family has always been a priority and creating our own businesses has given us the freedom and flexibility to put family first” All Schildt siblings returned home after college, knowing that they wanted to live, work and raise their children in the same area they lived. Their biggest hope with their businesses is not only to be able to support their families financially, but also to contribute to the local economy. “To provide resources that don’t currently exist here, and establish a foundation that will give back to our reservation” The Schildt siblings are still very close to this day, often seeing and talking to one another every day. “We can count on each other for anything. We are each other’s best friends”.

CULTURE DANCE OF VIBRANT CULTURE Up and coming dancer Ria Anasazi Thundercloud is determined to tell cultural stories on stage with her dance. By Kelly Holmes Photos by Whitney Minthorn II

CULTURE Ria Anasazi Thundercloud, Ho-Chunk and Sandia and Taos Pueblo, is a diverse dancer who has more than just dancing on her mind. An experienced model who has shot with Indian Country's top Native photographers, Thundercloud wants to one day incorporate her culture with her passion of dance, into her own dance troupe. What is your current repertoire? How is it diverse? My current diverse repertoire includes ballet, jazz, modern, tap and contemporary dance. I am a solo dance artist and I am also a member of a dance company, I dance with various dance troupes, and a native band that I tour with throughout the country. What inspired you to be a dancer? How long have you been interested in dancing? I grew up dancing at pow wows, but when my family relocated to New Mexico from Wisconsin, I was introduced to a new life of various types of dance, from traditional to ethnic and to the performing arts world. I learned a new art form from dance and this is where my inspiration began which is representative of my vibrant culture. The intensity and rigor of dance was life changing. The diversity in dance is immense and I have a lot of love for the land, the culture and literature in me along with a great support system, my family. I have had a love for dance since I was brought out into the circle as a jingle dress dancer at the age of 3 in Ann Arbor, Michigan. What are your goals and aspirations? I am currently working on my new dance company, which debuted in December, 2013. I want to be the first Native American woman at age 23, to run my own dance company with an all native cast here in New Mexico. I want to create links between communities, between cultures with this type of movement, we can progress. I would like to create new work about something that has to be expressed. Our daily lives is with our grandmothers and the stories and traditions passed onto us. I want to tell my stories through my dance. I would like to develop the native dance company to enhance creative skills to help navigate the many artistic dance forms. I would like to help dancers develop their specialized talents and transition into the world

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of dance. My extensive traditional background brings a stimulating diversity to any dance and individual creativity. I’m at the beginning stage and in the future will be casting for dancers. What do you enjoy about dancing? Dancing globally is one of the most astounding experiences that I have had in my life. I love the essence of artistic creation and expression that dance brings out in me. When dancing I get to interact with various stimuli that is from within myself, inside and out. What has been your most favorite and/or interesting performance so far? I performed in New York City at the New York Downtown Dance Festival which had some highly recognizable dance companies performing. It was a great experience to dance amongst some of the best dance companies in New York City. I also traveled to Yekaterinburg, Russia and performed with a different company in Yekaterinburg, Russia for the Yekaterinburg International – “Many Cultures Many Spectaculars.” This was a traditional Native American style of dances incorporated into theatre and dance performances. The people there were very anxious about meeting us and were very welcoming. I also performed for the Kowhiti Dance 2013 Indigenous Contemporary Dance Festival in Wellington, New Zealand. The production was Atarau- A Beam of Light Indigenous Contemporary Dance Festival and Symposium. This was also part of a cultural exchange with the Maori people, Indigenous New Zealand natives. I was able to also do a powwow workshop to festival participants and Wellington children. The trip to New York City, Russia and New Zealand were most interesting, but my most memorable dance performance was for the Gathering of Nations. I performed a modern contemporary dance solo for the Miss Indian World Show and

during the Gathering of Nations pow wow under a spotlight performance at the age of 17, while thousands of people watched. Who were your heroes/idols/ persons of inspiration? Why? The person that inspired me the most was my brother, George. He was the person that introduced me to a whole new world. This is when I first became interested in modeling and acting. I was able to travel throughout the United States from Hollywood to New York City at a very young age. He also lead me into the direction of dance by introducing me to contemporary dance. This is when I met Rulan, who inspired me to fulfill my dreams in dance and most importantly, because she believed in me at such a young age. Maria TallChief has always been an inspiration to me as well. She was an accomplished dancer and outstanding. Did dance help keep your life in check? How? Dancing is a way of life for me, it has brought me a healthy lifestyle that helps me to stay focused and to discipline myself. I enjoy the power of dance and the music that goes with the dance, it transforms me. It is a performing art that is being showcased very rarely, but has a very powerful impact on me as well as the audience. You travel to different places for dance. What are some of the places you traveled to for a dance? I lived in Vancouver, British Columbia to participate in the Raven Spirit Dance for one month. Also, one month residency in Toronto, Ontario Canada for KAHA:WI Dance Theatre Summer Intensive, Idyllwild Arts Program, Summer Arts Residency in Idyllwild, California, Stanford University, Stanford, California, Yu-Pik Nations Calista Corp, Alaska, Las Vegas, Nevada, Seminole, Florida, New York City, NY, Beverly Hills, California and Seattle Washington. I toured with a native band to Iowa, Minnesota, Colorado, Missouri, South

Dakota, Wisconsin, Illinois, Michigan and Colorado Springs. Do you remember your first dance performance? What was it like? I was rehearsing for a big dance competition in Las Vegas, Nevada. I was preparing for a dance solo and I was somewhat unsure how my selection of dance would be accepted in the mainstream. I could feel how some of the other dancers looked down on me because I wasn’t like them. I was the only native in the studio for years. I always felt like I didn’t belong. My dance instructor was so impatient with me, and made me feel like I wasn’t good enough, she made me cry during my rehearsal. She did not understand, what I was trying to express in my dance. When I danced my solo in front of hundreds of people, I won my dance category and became the National Champion for my Solo Ethnic Folkloric dance. After my performance and outstanding applause, my instructor walked up to me and put her hand on me and said I did wonderful and congratulated me. Those actions, made me realize she was wrong about me and let me know, by walking right to me and acknowledging me. She even walked up to my mother and congratulated her, my mom was fully aware of her treatment, but she always encouraged me to keep dancing. What does a normal day consist of for you? Dance is one of the most challenging professions and in order to maintain an active performance career, I am constantly working hard behind the scenes to immerse myself in the world of dance. It is very typical to spend most of my time in a rehearsal studio or a place that I can improvise myself. It is very important to be knowledgeable of what kind of work of each company/group does and what type of dance style they are required for you to perform. As a dancer, my life is not on a regular schedule, I have to be able to lead a life of unexpected changes at a moments notice. I pencil in dance performances that I have been called for, until all arrangements are confirmed, then I’m ready to head out to my destination. My schedule changes from week to week, but it is my job to stay fit to perform my work. I do my own personal regime of strength-

ening exercises and stretching, I go to the gym or to a dance studio. Many of the dance company members I work with all have other jobs, so each dancer has to be a trained dancer when called for a job and ready for the rehearsal. What have you done to contribute back to your community? Why do you feel that is important for Native Athletes? A modern contemporary dancer in native country is rare and sometimes unnoticed, because it is not highly understood. Of course in the mainstream, there is a mecca of dancers, but in my world so few. I have

showcased myself in Indian country through my dance. I have been able to help identify native talent out there in the mainstream and share the knowledge for future networking with native communities. But most importantly, I have met young girls throughout my travels, that have seen me perform and were so excited to learn how to dance. I have conducted some dance workshops and would like to bring dance to the local communities for all ages. If you are interested in booking a performance or have questions follow Ria’s Facebook fan page. JUNE/JULY 2014 NATIVE MAX MAGAZINE

HIS ARTIST INSIDE After discovering his passion for acting, Plains Cree actor JUSTIN RAIN also found his passion for motivational speaking. By Kelly Holmes Plains Cree actor Justin Rain was born in Vancouver, British Columbia. Raised in Prince Albert Saskatchewan and graduating from St. Mary's High in 2001, Justin soon moved west to pursue a career in the arts. Five short years later, he made his first film debut as a Quileute Warrior in Summit Entertainment's supernatural romance film series, The Twilight Saga: Eclipse in 2010. Soon after, he had roles as the fiercely intelligent Adam in Two Indians Talking and as Alan Fraser in APTN's

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highly controversial, award winning drama series Blackstone. He's also had guest starring roles on television shows The Guard, CBC's pilot adventure series Arctic Air, and AMC's epic crime drama The Killing. More recently, he is known for his role as Quentin McCawley, along side Oscar nominated actor Graham Greene on SyFy's near future action drama DEFIANCE. We quiz Justin on acting and why motivational speaking is so important to him. Where are you from? I’m Plains Cree First Nation and member of Sakimay Cree Nation in South Saskatchewan. I grew up in Prince Albert Saskatchewan, where most of my family resides. Now currently living in Vancouver BC. Have you always wanted to be an actor? When I first moved back to BC a few years after graduating I was upgrading to BCIT to become an architect. I started making friends in Vancouver, most of

which worked in the film industry. A few of them were actors and eventually I was asked if I wanted to come watch a screen actors class, so I did. I was inspired at the things I was seeing. More especially how vulnerable the actors where allowing themselves to be in front of each other. Open books. Using their personal histories and experiences as ammunition and fuel for being honest to the stories(scripts) that they were given to perform, while at the same time having a blast. And at that time in my life I had some serious blocks. My social skills weren’t that sharp either. So I signed up to take a class just the same as a person would for a martial arts class. For fun I guess. Not having any idea what I was getting into I soon found myself releasing a considerable amount of my own personal past and history that I think a lot of us get in the habit of tucking away and pretending it’s not there. Digging into myself and exposing the deepest, darkest parts of my life, as well as the bliss, became an addiction. And also therapeutic. Soon my ambitions for architecture slid to the side line and I took a leap and followed my new found love. Acting.

PHOTOS COURTESY OF JUSTIN RAIN

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Acting: What was once estranged to him is now his drive to inspire others around him What was your experience like working in Twilight saga: Eclipse? Did it change your life at all after the movie? Twilight: Eclipse was a great experience and I learned a lot of working on that film. Thought my time in that film was brief I took in what I could and used that to push me forward. I’m not sure it changed my life but it has opened some opportunities and has been brought up in a few audition rooms over the years since. Casting director Rene Haynes had past my contact to some people at Center Theatre Group in Los Angeles when they were looking for a First Nations/Native American for Richard Montoya’s Palestine New Mexico. She had seen a few of my tapes from earlier casting sessions for Twilight, so that was very generous and kind of her. I booked that piece of work and had an incredible time working out of The Mark Taper Forum. If I could do it all over again I would. Had such a great time and learned so much from that.

When did you become a motivational speaker? What do you like most about it? Being a motivational speaker was also something that I hadn’t planned on being. I guess I just got to a point in my career where people became interested in hearing my story to the success I stand in today. After a few invites to events and conferences I decided to create a project of my own that was specific for teenage youth. “Artist Inside” has been touring strong for about 3 years now all across Canada. One of the things I’m most grateful for in doing this work is the ability to inspire the next generation of artists/warriors in pursuing their dreams. Making differences. Meeting amazing people. Because I was raised in an urban setting, I’m not sure I’ve been as privileged as people living on reserves in regards to cultural roots and traditions. My travels have brought me closer to home so to speak and has given me a better grip on who I am as a First Nations person. It gets surreal at times and I become emotional. I love that. Someday I hope to take my native language back as well.

What do you primarily touch on or speak about during your motivational speeches? Throughout my high school days I was lost, to say the least. I think a lot of people can relate to this. Being a teenager is interesting times(laughs). I didn’t know who I was. I’m not sure any of us did. And I had all this pressure around me to decided what I wanted to be when I grew up. Looking back I wish someone would have told me that what I was, then, was good enough. A teenager. I also had issues with who I was ethnically at that time. Growing up in a small city where racism unfortunately is a normal/regular part of life. And things like this stemmed insecurity and imbalance. Being raised in a single parent house also, at the time, made me feel less than others around me who had both parents around. I became a very angry young man, and started to suppress my pain with substance. Drinking, drugs, and on occasion...violence. Soon following my grades depleted, my behavior shifted and I transformed into a different person. My creative self vanished and I wasn’t on the sports teams or in any way academically stimulated anymore. I developed a severe drug addiction, was partying, therein, so were the people I was surrounding myself with. It escalated. It got worse, soon introducing me to my first overdose. Then another, and another. And another. I’m lucky to be alive and well today. But that journey also brought me to where I am today and needed to happen. I am grateful for where I am today and the person I have evolved into because of that. A few of the things I learned through those years I’ve held pretty close to the chest, since. We are and we become who we surround ourselves with. And who we surround ourselves with effects our lives immediately. Waking up in that last hospital bed: I also realized that everyone I had been hanging around, everyone, not a single one of us were expressing our pain, our anger, frustration or insecurities through a creative outlet. I wasn’t creating. I was destroying myself. And I truly believe this. If we are not creating in some way, in any way, it becomes very easy to begin destroying ourselves via other ways. Violence. Drugs. Alcohol. Abuse, the list goes on. We as people, as humans need to vent once in a while. The gift of tears is a precious thing to me. Why not get paid for it in the process for that. I learned and I’m still learning today to speak with my heart, and to speak through my Art. This realization has literally saved my life. And when I share this journey and share my our realizations and insights I’ve picked up along the way, it’s an incredible feeling seeing these beautiful young people starring at you with joy and excitement press themselves forward proactively. Creatively. JUNE/JULY 2014 NATIVE MAX MAGAZINE

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KEEPING THE TRADITION ALIVE A young Tlingit-Cherokee woman's determination to keeping Native traditions alive and strong. By Johnnie Sisneros

oe Marieh Urness (Tlingit/Cherokee), photographer and documentarian, is pleased to announce a project to preserve Alaska Native American language and culture. Many Native speakers are senior citizens and have been passing away at an alarming rate, taking with them the knowledge of endangered languages. One village in Alaska, Kake, had over 300 speakers just ten years ago - that number is down to less than 30 today. Urness plans to go to Alaska and document three important events this summer. The first one is a celebration that takes place every other year in Juneau, AK. Second is a whale hunt and celebration in Barrow, AK. The third is a canoe journey, expecting up to one hundred canoes and five-thousand visitors to converge in Bella Bella, BC. To use these events to collect images and records of these very important traditions and critically endangered languages, she looks to collect monetary donations through Kickstarter, a crowdfunding resource where the general public can help fund one's project posted on the site. When a project has reached it's goal dollar amount, the total amount will be awarded to the project's creator.

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In an effort to preserve these legacies, Urness plans to spend the summer in Juneau, AK and elsewhere in Alaska, creating a visual history through photography as well as video documentation, which will include audio-visual record of how the language is spoken with its nuances. Although Urness isn't a trained linguist or anthropologist, she is determined to create a record invaluable to those who are, and will create a story accessible to the general public. Called "Native Americans: Keeping the Tradition Alive", the book will be a beautifully photographed art book of elders, traditions, cultures, languages and stories of the Alaska natives. After achieving her first project, Urness plans to keep going with her project: to help preserve traditions of tribes across the country. Phase two of the project will continue to other nations across the lower 48 states. Currently, Urness' only possible resource of funding is by her Kickstarter campaign, which can be found at kickstarter.com/projects/ traditions/native-americans-keeping-the-traditions-alive. Through crowdfunding, Urness hopes to engage colleagues, friends, family and the public at large to support this urgent project.

Photos by Mariah Urness

Above: Zoe Marieh Urness, who is Tlingit and Cherokee; Above, left: One of Urness' photos that would be included her in project's photo book of tribes

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CORAL PRINTED RAYON CUT OUT MAXI DRESS:GYPSY05 GOLD NECKLACE WITH GREEN GEMS: AMI CLUBWEAR ROSE GOLD LONG CHAIN: DANIEL ESPINOSA WRAPPED BRACELET: NISSA JEWELRY RINGS: DANIELLE STEVENS JEWELRY GOLD BANGLE: NISSA JEWELRY

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Marisa Quinn finds her light. TEXT BY JASON GRASL PHOTOGRAPHS BY BETSY NEWMAN STYLIST ALEXIS SCOTT

FROM HER BREAKOUT ROLE IN BREAKING DAWN II TO DEFINING HER OWN PHOTOGRAPHY AND MEDIA CONSULTING EMPIRE WHILE ASSISTING UP-ANDCOMING ACTORS IN POLISHING THEIR TALENTS, MARISA HAS HAD A FEW BUSY YEARS. The sun gives me all the light I need.” That’s Marisa Quinn, talking to me about her photography style. Yes, I said Photography. Of course, you probably know her as an actress. After all, she got her big break being cast in one of the most celebrated movie franchises of all time, The Twilight Saga Breaking Dawn: Part 2. And while she loves acting, the first thing you need to know about Marisa is that she is a woman of many hats. Both literally, and metaphorically. Native Max commissioned Marisa to not only be the subject of the spring issue cover story, but to also lend her talents to the magazine as a photographer. She and I are looking through the shots she’s taken of her good friend, and celebrated actor, Zahn McClarnon. Even in describing the shoot, Marisa chose to frame it as “a simple artistic record of an afternoon spent with a thoughtful, grounded, and passionate fellow native actor” rather than calling it a photo-shoot. “It was just a chill, no frills day,” she explains, “none of it was about glamour, it was more like a cool exchange of ideas and artistic expression.” An interesting point of view… one which prompts me to dig a little deeper into what she meant by “The sun gives me all the light I need”. “As a photographer,” she says, “I feel that man-made flashes and studio lights were made to basically mimic what the sun does naturally – illuminate a scene. Why use fancy flashes made by man, when you have the sun made by God?” A profound point, which I’m beginning to understand says a lot about how she approaches life in general. Marisa and I now peruse the eighty-plus thumbnails of the photos taken of her in contention for the cover spread for this issue. I’m struck by a couple of things. The first is how, as a model, the ease with which she asserts her beauty and finds her light…her natural light, seems fluid and effortless. The second thing I notice from her images, is the floppy black hat accessorizing Marisa’s plunging neckline pink-print maxi. Now, what you need to know is that I’ve known Marisa for a couple of years. We’ve worked together a few times in the theater, and if there’s one fashion constant I associate with her, it’s that she’s always gonna figure out a way to rock some sort of stylish hat. When I point out my surprise at the singular lid amongst her entire spring wardrobe selection for this shoot, Marisa can only laugh in self-effacing acceptance. “Honestly, I own more hats than I do shoes. I love the personal sense of style hats convey… and also I don’t have to do anything with my hair when I wear one. For a busy girl, that’s a big plus.” Her advice for picking out a great hat for spring: "go for a material that’s lightweight

and airy, like the basket weave floppy hat I'm wearing in the editorial. Save the felt hats, and other heavy materials for fall and winter." And just like that, Marisa flips from photographer to print model to fashion designer/fashionista. But can we flip back to the original hat…you know, actress? Cuz… Most people will recognize Marisa from her pivotal role as “Huilen” in the blockbuster film The Twilight Saga – Breaking Dawn Part 2. She describes this life-changing event, from auditioning to suddenly working on the set of one of the most prolific film franchises of the 21st century as “a blessing that pretty much fell out of the sky…I only had to audition ONCE and I got the role! The whole experience was so fluid and meant-to-be... it has continued to give me hope that when you create the space for good things, they will come.” Though she booked the role of “Huilen” from her first audition, Marisa’s road to success was never as easy as that. Again, in her words: “The journey has been LONG. Riddled with tremendous highs and harrowing lows. There has been more than a few times where I couldn’t help but fall on my knees and cry in defeat. But I’ve learned that those moments (just like the good ones) are temporary. ‘This too shall pass’. I’ve had the lights turned off in my apartment because I couldn’t pay the bill. Then before I know it I’m on a red carpet wearing $1200 shoes. This business is CRAZY! You never know what’s coming next.” Very true. But now you’ve gotten past that. You’ve made it. My follow-up question seems like a natural progression: what’s next? Whoa! Pump the brakes! Marisa reassures me that we’ll get to her next project, but points out a very important lesson she has learned through the highs and lows of working in entertainment: “Hollywood is full of SUPER ambitious people - it is very easy to get swept up in the inertia of it all. For years I pushed myself to the breaking point trying to ‘make the most’ of every opportunity... But I have discovered real value in taking a step back sometimes. Whenever I find I’m pushing too hard and taking the ‘biz’ too seriously, I imagine God laughing at me for thinking I can do it all on my own. It’s the times when I acted with equal amounts faith and determination that success has come.”

TOP: XHILARATION PERFECT LACE BRALETTE SKIRT: GYPSY05 BANGLES (HIGH ON ARM): AMI CLUBWEAR GOLD BANGLE: NISSA JEWELRY RING: PER LO BEADED NECKLACE: PER LO GOLD NECKLACE: NASHELLE

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BLACK HAT: AMI CLUBWEAR NECKLACE: NASHELLE BEADED BRACELETS: NISSA JEWELRY GOLD BANGLE: NISSA JEWELRY CORAL PRINTED RAYON CUT OUT MAXI DRESS: GYPSY05

WHITE LONG SLEEVE KNIT SWEATER, OPEN BACK: AMI CLUBWEAR CORAL PRINTED RAYON CUT OUT MAXI DRESS:GYPSY05 GOLD NECKLACE WITH GREEN GEMS: AMI CLUBWEAR ROSE GOLD LONG CHAIN: DANIEL ESPINOSA WRAPPED BRACELET: NISSA JEWELRY RINGS: DANIELLE STEVENS JEWELRY GOLD BANGLE: NISSA JEWELRY

Hmm…so now she’s also a career strategist and life-coach? Marisa humbly defers those two titles, though does express a desire to do what she can to use her experiences and successes to encourage and guide others to achieve their dreams as well. “I fully believe in pulling up others with every step I climb. I got in this business because I wanted to inspire young people to pursue their dreams, break down barriers, and live a life they love. So as I learn more about the business and what leads to success, the more I look for opportunities to share the wealth of knowledge I’ve amassed. There’s an abundance of opportunity in this world. I consider it my life’s mission to encourage everyone who has ever had a dream to walk toward it with faith, passion, and persistence.” And that mission doesn’t just extend to those in entertainment that she comes across, who express their desire for her help. Marisa’s passion extends into the Native and minority communities at large. She realizes the fortunate position of influence and experience she has been given and jumps at as many opportunities as possible to connect with young people across the country, to encourage them to follow their dreams and goals. Beyond career advice and helping people find their bliss, Marisa also hopes to pass on the traditions associated with her cultural upbringing. Ethnically, she is Lipan Apache-Texas (enrolled member), as well as Spanish-Mexican. Marisa relishes the times she gets to go home to honor and keep her cultural traditions. “My favorite days are when I can go dance with my Lipan brothers and sisters at a Pow Wow or support them at an Expo and then go home and make my Grandma’s famous enchiladas, or sing along to some favorite Mexican boleros.” Marisa hopes to one day pass all of her learned cultural traditions on to her own children. …Speaking of grandma’s delicious dishes, Marisa is finally ready to dish on what’s next in the acting world. “I am so thrilled to share the news that I am a recurring Guest Star in a new western series called Dead Men. It’s a story about revenge,

redemption, and honor. I play an Apache woman named ILA, the romantic lead opposite cowboy Jesse Struthers (played by Ric Maddox). The Dead Men production team was incredibly devoted to authenticity when it came to the Apache culture, and I was honored to be able to work with one of the oldest keepers of the Apache language - Anthony Stewart and cultural advisor Jon Gonzalez. We just wrapped season 2 in March, and the season 3 storyline involves even more Apaches. I am so proud to be a part of a project providing such beautiful opportunities for native actors.” Beyond that? Marisa proudly owns the fact that she’s a Trekkie, with a goal of one day being a television-series regular on a fantasy/sci-fi type show. She admits that a perk of having been cast in Breaking Dawn – Part 2 is that she gets to attend fantasy/sci-fi conventions and geek out with all the other Trekkies. In the last year, Marisa got to meet and work with one of her childhood crushes, Jonathan Frakes (Commander William Riker of Star Trek: The Next Generation), when he directed an episode of Castle that she was cast in. And then there’s Marisa’s production company, Monarch Media Productions, whose goal is “challenging traditional stereotypes within all races, cultures, and lifestyles portrayed in film, television and new media to generate innovative content that will seek to honorably represent and realistically portray the rich diversity of American society.”…did you catch all of that? Another side of the industry, where Marisa has already produced one short film and has plans for more in the future. So…add the producer “hat” to her collection as well. Let’s take inventory. Marisa Quinn likes hats. Which is good, because she seems to be wearing a lot of them these days: actress, producer, model, photographer, fashion designer/fashionista, singer (another story for another article), and budding career/goal strategist. Will she be able to handle it all? Well, my guess is that her answer to that question falls somewhere in between the lines of “The sun gives me all the light I need.”

PURSUING THE TRUTH WITH ZAHN MCCLARNON TEXT & PHOTOS BY MARISA QUINN

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MAKEUP BY JENNIFER TOUSEY

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ZAHN MCCLARNON ON HIS PREVIOUS ROLES AND HOW HOLLYWOOD GLAM ISN'T HIS THING It’s a perfect 72 degrees and sunny at our studio in Santa Monica, CA when Zahn McClarnon rolls up in his tried and true truck, a black Ford Ranger. The folks he passes on the way in have no idea a star of the hit series LONGMIRE is right in front of them… and that’s just the way McClarnon likes it. In a town where most actors of his status are flashing their cash and rolling around in luxury cars (even if they can’t afford it), McClarnon has chosen to “keep it real”, and stay humble.

He is chill and unassuming as he walks in and takes a look around. Observing that there isn’t a bunch of studio lights, stylists, and typical Hollywood PR types around he nods approvingly and says, “This is cool, wasn’t quite sure what to expect.” For McClarnon – photoshoots, publicity, and the world of Hollywood glam isn’t quite his thing. “When I told my agent I was doing this, she said ‘You’re doing WHAT?’, he laughs. Fellow native, and Make Up Artist on our shoot Jennifer Tousey and I laugh right along with him. Because we know one of the coolest things about McClarnon, is how UN-hollywood and down to earth he is. Keeping this in mind, we had already planned to ditch the typical studio set up and instead spent the afternoon driving around Venice Beach – laughing, talking, and taking some pictures along the way. On the next few pages you’ll find some of our favorite shots, and gems of wisdom McClarnon shared with us along the way. MARISA QUINN: We have all been fans of you on Longmire the past few years - can you tell us what makes the role of Officer Mathias special to you? ZAHN MCLARNON: What makes the role

of Mathias important is that it enables me to pay rent! (He Laughs) No...I enjoy the role of Mathias because it’s a contemporary native character on television. Unfortunately we don’t see many natives on TV these days. I think Canada is way ahead of the U.S. with having natives on TV. Mathias isn’t really the typical native character that we’re used to seeing. He’s not the stereotypical wise / mystical medicine man that has been done so many times. He’s just a cop doing his job. If you go to any rez you’ll find guys like Mathias. I like Mathias because underneath the tension and the attitude he simply cares about his people and the future of his people. You just booked the role of Mike Parker on the highly anticipated new Sundance Channel show The Red Road - can you tell us more about your character, and how he might be different from the role you play on Longmire? Let just say Mike Parker has a few issues. Mike is the best friend of Jason Mamoa’s character (Kopus). There’s a big difference between the Mathias character and Mike Parker. Mike deep down inside is a nice guy but has made some bad decisions in his life. Mathias I think makes better

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We live and learn. I think I’ve learned from a lot of my mistakes. I’m definitely making better choices these days.

decisions and choices. Plus...he’s on the other side of the law. Mike would like a better life but has a hard time getting away from his behaviors. Mathias is a bit more rational than Mike. Unfortunately both the characters are just recurring [as opposed to series regular] and the story-lines don’t go very in-depth into their lives and character. Do you feel the native community is truthfully/honorably represented in Longmire and The Red Road? If so, can you elaborate on aspects of production that honor native culture? I think both shows represent Native communities truthfully. Native communities are just like any other community...there is good and bad... positive and negative. I know that both productions go to great lengths to get things right. We have cultural advisors on both sets. If I have a problem with something in the dialogue or within the scene...the producers and directors listen and are very open to suggestions. They want things to be right. It’s difficult to satisfy everyone...there always seems to be people who have negative things to say or find certain portrayals inaccurate. I’ve never in my experience (that I can think of) run into a situation where a director or producer didn’t listen to an advisor or myself. I’m always trying to keep my side of the street clean. I’m always trying to get things right...language, etc. You have had an enviable career in Hollywood over the last 2 decades, and worked with some of the industry’s best. Can you share one or more of your most life changing professional experiences? Experiences that perhaps shifted your perspective, or helped you to grow as an artist and an individual? I’ve learned and experienced so much from the different sets, directors, actors and producers I’ve had the privilege to work with. I think I’ve taken a little bit from each and every experience. I stay open to suggestions and advice from all whom I work with. To continue seeking the truths in each character...small and big. Take risks! I’m constantly trying to learn more about the craft of acting. I believe the way we grow is to continue to remain teachable. I had the privilege of watching Richard Dreyfuss work early on when I first started out and I was amazed at how much he brought to each take that he did for a scene. How many different approaches he used with the dialogue. That’s always stuck with me throughout my time in this business. I also had the privilege of being directed in a scene for an audition by the late great Phillip Seymour Hoffman. I sat with him

for about 45 minutes working the scene over and over. The knowledge, insights and experience he shared with me will stay with me for the rest of my life. The man was a master of his craft and he’ll be missed. I believe it’s been and continues to be a culmination of all my experiences that helps me grow. I think my perspective is always evolving and I hope that it continues to. Has the environment of Hollywood ever made it difficult to stay connected to your native roots? I had some problems earlier when I first moved out to Los Angeles. I got a bit carried away with having too much fun! (he laughs) I don’t think I can actually blame Hollywood for that though. I think sometimes it can be difficult to stay centered pursuing an acting career, but we live and learn. I think I’ve learned from a lot of my mistakes. I’m definitely making better choices these days. (he laughs again) Was there ever a moment in your career that you felt discouraged and wanted to give up? If so, what made you persevere and continue to follow your dreams? Everyone who has, or plans to, pursue an acting career will have their ups and downs. It’s just the nature of this business. I want to give up all the time! I wanted to give up last week! (he laughs) Its not like I’m a movie star here...I mean, I’m (just) recurring on a couple of TV shows. Sh*t... I don’t even know when, or IF they’ll call again! (laughs) Don’t get me wrong...I’m very grateful for the work that has come my way. I feel very fortunate. I’ve been discouraged many times since I started doing this. The problem is, I don’t have anything else I can do! (laughs) I’m kidding...I have a brain and if it came to where I needed to do something else...I could and would. I think staying in class has helped me persevere. When I have a good class or a good audition I remember how much I enjoy the craft of acting and it gives me hope that I’ll continue to get jobs. Listen...if you want a sure-shot career with no down-time....you should become a tax accountant or something along those lines. (he laughs again) A lot of natives, young and old, look up to you for all that you have achieved in life. If you had one piece of advice to share with the world, what would it be, and why? My advice: Read everything you can get your hands on and think critically. Ask questions! Pursue the truth! Find something that moves you deeply and makes you happy and do it! Whoops, that’s more than one piece of advice. (laughs)

From Tigerlily to Green Inferno: Why Indigenous Representation in Mainstream Media Matters With all the recent buzz of misrepresentation of Native Americans in Hollywood, Native Max co-editor Johnnie Sisneros investigates the real damage that lingers, and appropriately explains why it makes us mad.

s one of the many voices involved with the #notyourtonto and #notyourtigerlily movements, I was slightly amused by the mainstream media coverage. EONM (Eradicating Offensive Native Mascotry) organized the #notyourtonto twitterstorm to protest the Oscar nomination of last year’s culturally appropriated nightmare, The Lone Ranger, for best makeup as well as the casting of non-natives in native roles. Not even two weeks later, Warner Bros. announced that they had cast Rooney Mara (The Girl with the Dragon Tattoo, Side Effects, Her) as Tigerlily in their upcoming take on Peter Pan. The casting was immediately

met with backlash across social media and the native community took to using the hashtag #notyourtigerlily to voice their dissent. The mainstream obsessed about the facts that Rooney Mara was not native and that Hollywood was once again missing a great opportunity to showcase the talents of the many indigenous actresses. However, the issues discussed by the native community were more focused on the role of Tigerlily, the consequences of Hollywood Whitewashing, cultural appropriation, and lack of indigenous representation within mainstream media. Ironically, while many mainstream media outlets

covered the issue and denounced the lack of indigenous representation in the media, they did so without indigenous representation. The result of discussing the issue without indigenous representation was that it became strictly about the fact that Rooney Mara is not Native. When Huffington Post Live decided to run a segment on the issue (Why Rooney Mara Casting Matters), it was obvious that they were not expecting a conversation about anything other than the fact that Rooney Mara was not Native. As Azie Dungey, Caitlin Dempsey and Jacqueline Keeler began to speak about the damaging nature of excluding natives from discus-

GREEN INFERNO SCREENSHOTS COURTESY OF OPEN ROAD FILMS

sions about native representation, the stereotypical and misogynistic depiction of native women, and the need for authentic narratives in the media the conversation was hilariously cut short. It did, however, result in Caitlyn Becker offering Jacqueline Keeler the opportunity to blog for the Huffington Post and an offer to continue the conversation the following week. However, it was a conversation that never happened and it should have because the issue became, as US News: A World Report put it, an “obligatory twitter freakout” and was over as quickly as it started. Despite natives still using the #notyourtonto and #notyourtigerlily hashtags to discuss the issues of the casting and the lack of authentic indigenous representation, the issue has disappeared from the mainstream media. I’m sure that Warner Bros. is feeling very confident they are now free to offer up a hot mess of cultural appropriations and the typical mainstream caricaturizations of indigenous people being passed off as indigenous peoples, it doesn’t seem reasonable to single out Green Inferno, or indeed any cannibal film, purely because of the way in which the footage is used is seen to be a less admirable endeavour.” While I agree that exploitation films are sensationalist and often embellish the truth to sell the film, it is not without consequence for the indigenous people being exploited, especially in this case. Eli Roth did not set out to tell the truth or to capture the way of life of Peru’s Indigenous people. He set out to make a horror film that relied on the typical Hollywood depictions of indigenous people as villains, savages and monsters. He glorified the “saviors” and demonized the natives, which makes his use of the footage undeniably less admirable than footage collected by documentarians. This film could not have come at a worse time and the very fact that a sequel is already in the works is disheartening. In January of this year, the Peruvian government greenlighted the Camisea gas project’s expansion to the lands of “uncontacted” Amazon tribes, despite the UN’s recommendation that they first provide an extensive study of the threats the expansion would pose to the aboriginal people. This expansion gives Pluspetrol (Argentina), Hunt Oil (US) and Repsol (Spain) permission to detonate thousands of explosive charges, drill exploratory wells and move hundreds of workers into the Nahua-Nanti Reserve for isolated and uncontacted tribes. This move by the Peruvian government will expose the indigenous people to diseases that they lack the immunity to fight off, it will destroy their homelands and their entire way of life. For a film to demonize this vulnerable group of indigenous people as they are facing the threat of genocide is reprehensible. While it is just a movie and while it may not have been Eli Roth’s intention, this movie will negatively affect the way that people will treat the struggles of these isolated and uncontacted tribes. Dehumanizing them, making them into monsters will only help to justify the genocide of these aboriginal people because it causes people to lose their ability to empathize and to see these tribal people as fellow human beings. It instills fear and the belief that they deserve what they get for not joining “civilized” society. I know there are some people already rolling their eyes and thinking, “It’s just a movie”, “No one thinks it’s real”, “Quit being so PC and whining”, “You have bigger issues to worry about”, and, of course every natives’ favorite, “Get over it”.

Screenshots from the upcoming film “Green Inferno” Honestly, I don’t care because the way that we are portrayed in the media directly affects the way that we are treated in the real world because we are extremely under-represented and misrepresented. This is why it is of the utmost importance that we keep fighting for authentic indigenous representation in the mainstream media. It is time that the mainstream starts taking responsibility and acknowledging the part that they play in the marginalization of indigenous people by discussing native issues without native representation. It is time for the media to stop talking about and for aboriginal people and understanding that talking with non-natives/ non-native scholars who have studied Native Americans does not count. It’s, also, time for Hollywood to just stop with the vilification, redface, cultural appropriation and using our extremely talented native actors/actresses as mere supporting cast. Being native does not make them any less beautiful or talented than the non-natives that are typically cast to “play” native. At a loss of where to find a native willing to discuss native issues, take a look at Cutcha Risling Baldy’s list of native media representatives (Dear Media: Here is a list of actual Native People who may be willing to talk to you about Native issues so that you don’t have to have people on your shows that say things like “No speak, me no feel.” You’re welcome.). We also have Brandon Ecoffey, Lauren Chief Elk, Chase Iron Eyes, Ruth Hopkins, Levi Rickert, Jacqueline Keeler, and many native journalists. writers, doctors, lawyers, actors, musicians, etc that are well-versed and already discussing an extremely diverse range of issues that we face as indigenous people. The way that we are represented and portrayed in the mainstream matters and it is important that we start reclaiming the power to represent ourselves and to force more authentic portrayals of who we are as aboriginal people. I know it must be hard for the mainstream to fathom that we are still here and that we have access to technology but it’s all true. We are still here and our voices and our people matter.

RESTAURANT REVIEW

BEST RESTAURANT OF DENVER

THE FORT Editor-in-chief Kelly Holmes discovers why The Fort is the hidden gem of the Rocky Mountains

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In the city of Denver, the list of modern, vibrant eateries and grills has grown immensely, giving way to the city’s growing culinary scene. Although every kitchen has its own gem that keep people coming back for more, we wanted to find a restaurant that stood out to us. What restaurant supports, appropriately pays homage to and even takes part in promoting the history and cultures of the surrounding Native American communities by coordinating an annual powwow? And to The Fort restaurant outside Denver I go.

FAVORITE DISHES We share our favorite picks from The Fort, all dishes that both pioneers and Native Americans alike whipped together.

One of our favorite dishes at The Fort: Elk Chops St. Vrain (two 4 oz elk chops, grilled to perfection with wild Montana huckleberries. A perfect blend of salty flavor and tart sweetness. Certainly some of the best elk chops I’ve ever had.

Roasted Bison Marrow Bones Known as "Prairie Butter" to the early pioneers.

Even my favorite dessert of the night exceeded any and all expectations: a triple layer chocolate chile bourbon cake that made my heart sing “Hip Hip Huzzah!” A delectable, the ancient Aztec combination of a rich, dark chocolate cake, red chile, chocolate mousse and walnuts drizzled with Kentucky bourbon and a rich chocolate ganache, ultimately made my night.

Bison Eggs Pickled quail eggs wrapped in house-made buffalo sausage. Served with a raspberry-jalapeno jam.

Pan-Seared Duck Breasts with a bourbon, maple and cherry compote. Served with jalapeño goat cheese grits and sautéed chayote squash.

THE FORT’S HISTORY It all began in 1961 when husband and wife Sam’l P. Arnold and Elizabeth “Bay” Arnold wanted to build a southwestern adobe-style home in the countryside outside of the growing city of Denver. Finding inspiration from a famous Colorado fur trade fort build in 1833 called Bent’s Fort, the couple and a top architect from Santa Fe and Taos artists built the home. However, when the costs of construction exceeded the budget, the Arnold family decided to open a restaurant on the lower level of their home to help. When finalizing their menu, the couple researched the diaries of what the pioneers and travelers ate along the Santa Fe Trail, along with the type of wild game the mountain men fed on, the buffalo and other cuisines of Native American tribes throughout the plains area. Most dishes the couple first added to their menu options back in 1961 are still on the restaurant’s menu today.

RADAR INEZ JASPER: SMALL START TO THE BIG STAGE We talk to First Nations popstar Inez Jasper about her small start and where sheâ&#x20AC;&#x2122;s heading.

PHOTO BY KAROLINA TUREK

By Helen Oro

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RADAR

nez Jasper is a dynamic vocal powerhouse and it is no surprise that this award-winning songstress is one of Canada's best and most recognizable Indigenous musicians today. She has an amazing ability which allows her to blend contemporary pop with traditional native sounds in a way that “brings the best of her culture to the mainstream world”. In addition to her music, Inez Jasper is a registered nurse, mother, and motivational speaker with the desire to inspire Aboriginal youth. What was your inspiration for your recent album? I am inspired by the positive forward movement of our people. Sometimes we can focus on the negative too much. When I stepped back and got some perspective on where our people are heading, I was inspired. I also am inspired to promote a positive healthy image of reclaimed healthy sexuality and sensuality for native women. For too long our women have been itemized and victimized. It’s time to take it all back and own ourselves and our bodies in a good way.

What would you say is your biggest accomplishment so far in your career at the moment? I could say that my biggest accomplishment is a big show or television appearance, but really it’s the feedback I get from fans who say that my music has made a difference in their lives. How did you get involved into music? I come from two musical families. On my dad’s side there’s a ton of traditional music and guitar-playing and singing. My Uncle Tim used to be the lead singer for a small band and he played local gigs. My dad’s uncle Speedy was the first native to play live on local radio. My mom’s side of the family, they were always singing, playing the fiddle and guitar at family gatherings. Again, my mom’s eldest brother had a band and her eldest sister was a songwriter. Music was all around me. I didn’t start songwriting until I was in college, and I was invited to record some songs at the KAYA Studio in downtown Vancouver. After

recording many songs I pressed my first album, “Singsoulgirl”. The rest is history. What’s your favorite part about performing? I love the fear and overcoming it every time. People are shocked to learn that I have stage fright but almost every performer will tell you that they experience some sort of anxiety before they get on stage. It’s a feat to conquer. What makes you such a good role model to others? Good question; I ask myself the same question. I suppose it may be because I have been socialized with traditional family values in addition to some notso- traditional values. Family, marriage, culture, education, language, healing, tradition and citizenship are values that my husband and I believe are important. Perhaps the best part of being a role model is telling people that I actually achieved something that I never believed was possible. It has opened my eyes to a world of opportunity.

Jasper's new album BURN ME DOWN is available on iTunes, Amazon and Soundcloud!

PHOTO BY KAROLINA TUREK

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RADAR

THE SPIRIT OF A WOMAN & SHARING THE MEDICINE OF MUSIC By: Johnnie Sisneros Photography: Ryan Young

With a moccasin on one foot, a boot on the other and a guitar in her hands, Kelly Jackson is a soulful, award winning songwriter who discovered at a very young age the medicinal power of music. By the time she started the 4th grade, Kelly already had notebooks filled with lyrics and wrote her first full length song at the age of eleven. She found that music had the power to invoke a full spectrum of human emotion, the power to inspire and the power to heal. It was that medicinal power that fueled her lifelong passion for songwriting and performing. In 2010, Kelly began to compose her debut album and wasn't sure what the end result would be since her musical style is an eclectic and inspired fusion of traditional native sounds, rock, blues, country, jazz and folk. As she allowed the music to flow, what she ended up creating was Spirit of a Woman, an album inspired by the most character defining moments of her life and her struggle to embrace and protect her

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indigenous heritage. The brilliance and honesty of her debut did not go unrecognized. In 2013, Kelly's album was nominated for four Native American Music Awards: Album of the Year, Best Female Vocalist of the Year, Best Folk/Americana Recording and Best Historical/Linguistic Recording of the year. She took home the award for Best Folk/Americana Recording. The Woman Behind the Music Aaniin! Waaswaagoning endungibaa. I am from Lac du Flambeau; Lake of the Torches! A member of the Lac du Flambeau Band of Lake Superior Chippewa Indians. I grew up just south of the reservation in Wausau, Wisconsin. I was raised by my mother, a strong, independent and resourceful woman of primarily German and French Canadian decent. My father is a full-blooded Ojibwe man from Lac du Flambeau, Stanely Jackson. He was taken from my life when I was still an infant – killed at the old age of 23 years old. I spent only summers

on the reservation but moved back in 1995 where I raised my children, started a career in cultural and environmental preservation and reconnected with my roots. The Early Influence Music has been an influential part of my life. I can remember the flailing sounds of a powwow drum and my dad’s and uncles’ relentless guitar festivals. I can remember sitting around the kitchen table watching them sing and play until the sun came up; singing every old country song that existed. Every now and again, one of them would bust out an old 49 song, beating on the back of the guitar as if it was the most magnificent hand drum on earth. Little did I know their influences would carry on through me, to produce and record my own music collection. The most influential musician though is my uncle Larry Jackson. He taught me to play guitar and gave me the soulful inspiration to be me and nothing more.

RADAR

Kelly Jackson performing a concert. Jackson developed a huge following due to her unique fusion of traditional native sounds, rock, blues, country, jazz and folk The Music Music molds all of our lives. Have you ever heard a song on the radio that immediately brought back a memory or brought tears to your eyes? It’s a part of life whether you create it or just appreciate it. Music has the power to mend a broken heart, sooth a restless mind, tend to the worries of life, provoke the spirit to dream, cater to the desire to move and sometimes gives you a whole new groove. Music is truly my medicine! It has undeniably shaped who I am and given me an outlet to express emotion and passion in ways I have never imagined. I only hope that my music offers the same inspiration and passion that I have gained from enjoying the creation of other musicians. On Finding Inspiration My music is inspired by some of the most character-defining moments of my life. Often times I pull from experiences that have shaped who I am, inspired by my sense of self. I really never know until I pick up my guitar and start to feel, to create and give back. I think I have placed a lot of who I am into my music and sometimes I leave it there. My song “What if ” is all about celebrating who you are, what you have experienced; even the bad or ugly are critical parts of

who we are. It’s better to look back and realize that all we experience and conquer makes us who we are as an individuals, as communities, and as nations. Yet nothing is worth dwelling on; it’s best to look back and learn and move forward. I would like to think that my music inspires people to move forward no matter what obstacles. I would hope that they would remember that nothing is too big or too hard to move past, that everything one has endured is yet another accomplishment. Mostly, I hope that the native women in my world realize their worth and realize that we have so much to offer one another simply by encouraging and supporting each other. Let’s lose the “crabs in the bucket” mentality that often plagues our communities and push one another to succeed. I have no idea what another person may take from what I create, but one of the greatest moments of my music career was when a woman shared how my song touched and changed her life. She approached me this last year, telling me that my song “What If ” invoked so much realization and inspiration that she decided to start a business and focus on her own dreams despite what others thought of her abilities. She has since opened a bakery and started her own path. She has opened her future to something she never thought was possible and when she hits a

tough spot she simply plays my song. On Giving Back Having worked in cultural preservation for nearly two decades, I feel as though my largest “give back” if you will, is my passion for cultural preservation; whether it’s through the work I do with celebrating the perseverance of my people or delivering inspiration through music and media. I give back by making sure that my audience walks away with a piece of our history and culture and by sharing pieces of our history that are rarely found in history books. I give back by including native musicians throughout my region in my showcases and music and by sharing what I have learned in this industry with others. Advice to Future Generations of Musicians Follow your dreams, create, celebrate and most importantly share your music with yourself and others. If there is one thing that has been rewarding, it is the feedback and support I have received from people who have been touched by my music; it’s such a powerful medicine. I would also say, that the music industry is business and you should treat it like a business. Understand it, appreciate it and learn it. It is a great outlet but in order to be successful you have to be willing to treat it like an investment. JUNE/JULY 2014 NATIVE MAX MAGAZINE

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we are so glad that we were able to get to know him and that we are now able to share his story with you. NM: Tell us a little about yourself? Did you grow up on a reservation? I was born in Nashville, Tennessee and grew up in Gallatin, a town just north of Nashville. I did not grow up on a reservation but I have been greatly influenced by some of my good friends who have. Visiting the reservations makes me feel a connection that is hard to describe…I am working to get a flute program implemented on a reservation in Maine.

PRODIGY IN THE MAKING How 15 year old flutist GARETH LAFFELY turned heartache into healing through music. By Johnnie Sisneros

Photography by Susan Oliver

Cancer is a disease that affects millions of people worldwide and Gareth Laffely knows all to well the struggle and heartbreak of losing a loved one to cancer. At the tender age of 13, Gareth penned “Move On”, a heartfelt tribute to a friend whose life was lost to the disease. In an unexpected turn of events, the song garnered national attention and became an anthem for cancer survivors and their families. As a result of its popularity, Gareth received invitations to perform at various Cancer awareness events throughout the country and he donates all proceeds from the sale of “Move On” to help further cancer awareness and research. Today, Gareth Laffely is a 15 year old award-winning singer/songwriter of Mi’kmaq and Cree descent, who still continues to use his music as a way of reaching out and giving back to the world around him. The wisdom that flows through his music is undeniable and it’s hard to believe that at such a young age that he is so aware and mindful of the power that we all have to create change through the gifts that we are given. Intrigued by his story and by his music, we reached out to him and

NATIVE MAX MAGAZINE JUNE/JULY 2014

NM: How long have you been creating music? I first got bit by the music bug when I was three years old. My parents had a friend that brought a drum set over to our house and let me try to play it – I surprised everyone by playing my first drum fill on it – that was all it took to get me started. I’ve loved making music all of my life. Music is an extension of my soul, and it gives my spirit wings to fly. NM: What were some of the musicians you draw inspiration from? I draw inspiration from so many musicians. Some of my biggest musical influences are violinist David Garrett and Taos Pueblo artist Robert Mirabal. David is the world’s fastest violinist, I picked up the violin and started playing after seeing David play on a television special. Later I got to go to one of his concerts and after wards I was able to meet him. He gave me some advice about practicing. I was very blessed to have traveled to the Taos Pueblos in New Mexico two years ago where I met with Robert. Robert is an amazing musician and an incredible man. He was very generous in sharing his knowledge of the flute with me. It was an honor to meet him and play flute with him. The first 6-hole flute I ever got was from him. Both Robert and

David have a great passion for the instruments they play, and they are not afraid to experiment with new things; that is something that has encouraged me to forge my own path. Did music help mold your life? Ever since I started playing music, music went from influencing my life to becoming my life. My music has taken me on an incredible journey, I began creating just for fun and have evolved into using my music as a vehicle to help others. I volunteer with Hospice and have been blessed to be able to use music to soothe terminal patients and sometimes assist with their journeying to the afterlife. I’ve met many wonderful people because of it. Music has helped me to grow spiritually; I dedicate my music to help heal the hearts of others and bring peace and joy to the world. NM: What genre would you say your music falls into? My music is hard to put into a particular genre. I like to combine the ancient Native American Flute with modern pop and rock music. I listen to classic rock, modern pop, and a variety of other genres. On my CD, “The Journey,” you can hear a blend of acoustic and electric instruments, world percussion, Native Flute, pop, and rock. Any new releases coming out? I am very excited about my debut CD release, “The Journey”. The title cut was written as a dedication to all those who suffered and died on the TraiI of Tears. I had the wonderful opportunity to work with two-time GRAMMY Award nominated hit songwriter and Dove Award winning producer Robert White Johnson and GRAMMY award-winning engineer Gary Dales. My new single coming out off the CD is “Spirit Horse”. I also just came out with my first signature flute series with master flute maker Tony Francis, which I am very proud of.

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BEHIND THE SCENES AT NATIVE BOY PRODUCTIONS GIA BOLTON talks to Native Boy filmmaker Mark Williams about his new project, his production company and himself Native Boy Productions was founded by Mark Williams, a self-taught, award-winning Choctaw filmmaker with one feature, seven short films, and various trailers and side projects under his belt. Most are more familiar with his work on the NATIVE AMERICAN PARANORMAL PROJECT, THE ADVENTURES OF JOSIE, THE FRYBREAD KID, and his latest project, VIOLET, a short psychological thriller starring Happy Frejo, Delno Ebie, Jeff Anderson and Kelly Sumpter.

BEHIND THE SCENES PHOTOS: ROY HICKS III

When you begin your movie career, and what sparked the interest in producing movies? I wrote and directed my first short film in 2005, summer of 2005 to be exact. It was a comedy titled A Treasure for Two starring my nephew and niece and we shot entirely in my home and in the surrounding neighborhood, so you can guess it was pretty low budget. Being my first attempt at a movie it wasn’t that great but my family got a kick out of it and that led me to taking another stab at a more organized production titled The Dare. The Dare also starred family members but it was longer and I put a little more money into it. It was a suspense thriller and was a product of my love for Japanese horror films. Somehow it made it’s way into a film festival in Tulsa and the feedback was amazing. Seeing the crowd react the way I had hoped they would was just a great feeling and to be honest it was at that point I knew this is what I wanted to do with my life. Be creative, to tell stories and to hopefully move audiences, whether it be a comedy, horror or drama. I thought, what a wonderful gift to have; to be able to touch another person with just ideas you come up with.

Where do you get your ideas from? Life, observations, and conversations. Usually something will trigger with me and haunt me until I feel the need to

TOP, RIGHT: Williams and his crew filming; Behind the scenes with filmmaker Mark Williams

explore it. And it could be something simple as a word or a room. But it stays with me until I put it down on paper and if it starts to become a life of its own then I know there might be something there. I'll put scenarios, characters into it or ask how would I want this to end. Things like that seem to inspire more to come. Can you give us a short rundown of what exactly you do, and how? Well I'm totally independent right now so I finance all my movie projects. Once I get an idea or a story I want to pursue and make into a movie, I write the screenplay, cast for parts and start to look for the right crew to help with the vision. There's a lot of things in between that point and to the first day that we get on set. But because these are lower budget projects I am limited on help so I find myself multitasking between departments all the time. Also as my projects have gotten bigger I've been blessed to surround myself with great crew help who have made my job easier. They are great. I've been able to, lately, focus more on the directing side of filmmaking as oppose to my earlier work. What is your latest project VIOLET about, and when can we expect to see/watch it?

It's about a female mental patient that escapes her institution over 20 years ago. The story takes place in the present time and involves a newlywed couple who just bought a home and everything is going great until this mental patient begins to make her presence known to them. Who is she and why is she taunting them is the mystery to the movie and I really don't want to give too much away but there is a nice twist to her connection to the couple. It's a suspense/psychological thriller that I think people will enjoy watching. I am expecting a summer time release date for an official premiere. What are some of your most favorite things you enjoy most while doing what you do? That could be a long list. Writing, I really enjoy writing. Casting is fun because you get to put faces to the characters you wrote about. Any of the pre-production stages because you’re seeing the project develop in front of your eyes. Directing is always a blast because of the connection with the actors and the deep conversation you have with them, the joking around with them. But this is always a learning process for me but a fun one. I love to edit too so you can see this is kind of a hard question to answer. JUNE/JULY 2014 NATIVE MAX MAGAZINE

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Blue Springs, the supernatural thriller web series, isn’t a standard run-of-the-mill production as it’s developed with handmade sock puppets. Blue Springs creator, Matthew Porter discusses the intricate filmmaking used to create and produce this homemade show, plus his Kickstarter campaign, which aims to raise $17,000. By Johnnie Sisneros

Blue Springs is a new supernatural web series thriller that differs from other shows as it’s a sock puppet production. Blue Springs will be comprised of twenty, three-minute long episodes, which have all been written by the show’s creator, Matthew Porter(Seminole/ Cherokee). “I’ve had a passion for filmmaking ever since I can remember, and I wanted to bring the Blue Springs story to life, but found that sock puppets where the only way I could get around the story arc with the budget I had,” said Matthew Porter, Creator of the Blue Springs web series. “Even though the project was created using sock puppets due to the financial constraints, I simply can’t imagine the project being told any other way. I have thoroughly enjoyed working with hungry, talented young filmmakers such as the show’s Director of Photography Richard Brown, and artisans such as Christine Aldaz who has helped with puppetry and assembly.” Even with Blue Springs being a homemade thriller, there’s a vast difference in the filmmaking techniques used. For instance, there’s no CGI, meaning that all the sets and puppets have been created by hand, which took many painstaking hours to put together.

NATIVE MAX MAGAZINE JUNE/JULY 2014

Matt continues with the challenges he faced when producing BlueSprings: “There was a steep learning curve and process I had to master as I had no previous sewing experience, plus I had to draw all the storyboards and then painted the promotional material in Photoshop. The editing and directing process was really exciting and I loved the lead character, Max Palmer, who I also provided the voiceover for.” Blue Springs has launched its Kickstarter campaign and aims to raise $17,000 by Sunday, June 1st 2014. “Once all the shows have been completed, they will be shown online for free. We need your help though if we are to breathe life into these colorful socks and bring Blue Springs to internet-enabled devices everywhere,” said Matthew Porter. “Our Kickstarter campaign will allow us to pay for the creation of the puppets, casts & crew, and sound and music.” The first two Blue Springs episodes are available to watch on the Kickstarter page. There are also prizes, which include the creation of custom puppets. To make a donation, visit the Kickstarter page at http://www.kickstarter.com/projects/760128718/blue-springs.

BEHIND THE SCENES PHOTOS: RICHARD SATORU

BLUE SPRINGS

Opposite: Some of Porter's sock puppet characters from his production Blue Springs.

JUNE/JULY 2014 NATIVE MAX MAGAZINE

NATIVE MAX MAGAZINE JUNE/JULY 2014