September 16, 2017

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The Oberlin Review September 15, 2017

established 1874

Volume 146 Number 3

College to Introduce Shuttle Service Lila Michaels

Hall Auditorium undergoing construction for a renovation and expansion. Oberlin’s Theater department is looking at a staff shortage, which could impede its ability to staff the theater. Photo by Christian Bolles, Editor-in-Chief

Staffing Shortage Creates Inequality Sydney Allen News Editor After Chair of the Board of Trustees Chris Canavan’s June email announcing this year’s budgetary deficit — including a drop in admissions, a five percent budgetary reduction, and a faculty salary freeze — many academic departments are preparing to weather another bout of budget restraints and staff shortages. In 2016, academic departments dealt with round after round of financial struggles, including a faculty salary freeze and the Voluntary Separation Incentive Program that encouraged early retirement for faculty, staff, and employees, resulting in the loss of 98 people, including 15 professors and 32 administrative assistants across campus. Even with last year’s sweeping changes, some departments have been unquestionably more affected by the College’s financial situation than others, with some feeling dehabilitated and fearful for the future and others remaining relatively unscathed. This is particularly resonant in the staff makeup of each department, as the College hesitates to permanently fill vacated positions left by professors who retired under VSIP. Some of Oberlin’s smaller and newer programs, such as Rhetoric and Composition, Hispanic Studies, and Cinema Studies, are among those hurting most under the increased pressure. And the Theater

department, a relatively mid-sized department with around 40 majors — not including the number of undeclared students or non-majors who use the department’s services — is already feeling the effects of the budget crisis. The Theater department may appear robust from the outside, having just begun construction on a $14 million Hall Annex renovation and expansion, but the renovation is almost entirely funded by outside fundraising and donations. The program faces a multi-pronged staffing problem after two losses this semester, prompted by Emeritus Professor of Theater Roger Copeland’s retirement and Assistant Professor of Theater Heather Anderson Bolle’s departure. Both had tenure, and neither have been permanently replaced. The department is now reduced to four tenured faculty positions, with only two full-time professors. Both of these positions are currently being filled by temporary professors, but there is no long-term plan to fill them after this year — a policy that Chair of the Theater Department Caroline Jackson Smith says could be a recurring theme in the coming months. “We just had a meeting with the dean’s office, and the policy is for now that many of these positions are not being approved — they’re not being denied, but they’re not being approved for financial reasons at this time,” Jackson Smith said. “It’s not to us specifically; it’s a decision not to fill faculty positions college-wide, which is

particularly disadvantaging us right now, because these are important positions that we will probably not get back as tenure-track positions now. That’s not to say never — but not now.” Jackson Smith added that the uncertainty could threaten the academic viability of the program. “Going forward, if we don’t replace additional acting classes, and if we don’t have theater history, it kind of jeopardizes our ability to be a liberal arts theater major,” she said. “The big difference between conservatories of acting and liberal arts is really the critical studies component.” The Rhetoric and Composition department also grapples with the budget cuts, particularly in staffing, as it is down to two full-time tenure positions with two oneyear professors stepping in, and a postdoctoral professor who teaches part-time. “Our challenge is that we are waiting to hear about replacement positions,” said Chair of the Rhetoric and Composition department Laurie McMillin. “We are waiting for final approval to replace a tenure-track slot. There’s a lot of uncertainty. Right now we have four and a half people teaching — will we have two next year? We do a lot of outreach to faculty and support the teaching of writing across the curriculum, and we’re not sure how we can carry this out without steady staffing.” Similarly, the Cinema Studies department is facing a staff shortage and has resorted to hiring advanced-level students

The Division of Student Life in the Dean of Students Office will offer a new shuttle service to various locations on and off campus this fall in an effort to create a more accessible campus and enhance the student experience. The service will launch Monday, Oct. 2, and will run from 8 a.m. to noon on weekdays. The shuttle will make several stops around campus, including the Student Health Center and the Counseling Center, as well as off-campus stops like CVS, Drug Mart, and neighboring cities. Students will be able to download an app to their smartphone, granting them the ability to track the shuttle with GPS. The app will also allow administrators to observe the data produced by it, such as popular stops and ride times, which they will then use to improve and hopefully expand the shuttle service during the spring semester. The primary purpose of the new shuttle service is to promote student health and wellness and to ease transportation to and from resources like Student Health Services. “The administrative staff in Student Life have been aware of student concerns about access to the Counseling Center and CVS, as well as challenges getting around campus for people with a range of mobility capacities,” Dean of Students Meredith Raimondo wrote in an email to the Review. Director of the Multicultural Resource Center and Assistant Dean of Students Toni Myers agrees that there has been an ongoing need for more convenient ways to navigate Oberlin. “It really surfaced from listening, a deep and active listening to the student concerns around greater accessibility of resources including the Student Health Center, Counseling Center, and local businesses such as CVS and Drug Mart, which are places where students get their medication and other types of health-related products,” Myers said. “We wanted to create an opportunity for students to easily access those resources.” For some students, the lack of convenient transportation to some of these crucial locations has been a serious problem and source of stress at Oberlin. College junior Francesca Ott said that the new service could help more students meet their needs. “It’ll be helpful for students that either need to go to CVS or Student Health but don’t end up going because it’s too difficult to have that accessibility,” she said. College junior Octavia Burgel has had previous difficulties trying to reach the Student Health Center and thinks the new program could prevent similar issues in the future. “There was one afternoon in particular

See College, page 3

See Shuttle, page 2

CONTENTS NEWS

Surveys Help Find Ways to Improve Student Life 02

Trustees Postpone Student Rep. Vote 03

OPINIONS

Editorial: Students Must Advocate for Departments, Programs 06 Harvey, Irma Highlight Need to Address Climate Change 05

The Oberlin Review | September 15, 2016

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Oberlin Makes Progress in Diversifying Community THIS WEEK 08

First-Year Faculty

ARTS & CULTURE

SPORTS

10

Concert Exemplifies Collaboration in Face of Disaster

14

On the Record: Robert Spano, OC ’84

16 Football Advances to 2–0

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oberlinreview.org In the Locker Room: Timofacebook.com/oberlinreview thy Williams, Men’s Soccer Captain TWITTER @oberlinreview INSTAGRAM @ocreview

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Surveys Help Find Ways to Improve Student Life Kate Fishman

With a significant dip in student enrollment and retention this academic year, the administration began emailing students and faculty survey questions in an effort to holistically improve the Oberlin experience. The data from the surveys have indicated that housing, communication, and sexual consent awareness efforts are in need of much improvement and that a focus on student-faculty relationships should be reinforced. Oberlin, like many other schools, frequently uses surveys to make the college experience as convenient and favorable as possible for its community. Assistant Vice President for Institutional Research and Planning Ross Peacock conducts semi-regular surveys of incoming students, graduating seniors, alumni, and parents. “If there are parts of a survey that I think certain offices should take a special interest in, I’ll forward those parts to those offices,” Peacock said. “I’m kind of like the broker of the information — I look at it, I analyze it, and I come to my own conclusions, and then [I] just encourage other offices to look at it. … It’s up to them to see whether or not they’ll act on anything that the surveys might say.” Vice President and Dean of Students Meredith Raimondo said that because Oberlin did not reach its target number of new students this year, she has been working to recover enrollment rates while also maintaining student retention. Raimondo added that she has done this by looking at student experiences and contemplating their consequent questions, satisfactions, and concerns. “Oberlin students are not that excited about our housing,” Raimondo said. “Not a surprise, right? … On the other hand, students are generally pretty

College junior Kira Findling working in the Office of Diversity, Equity, and Inclusion, which recently sent out a survey assessing student satisfaction on campus with accessibility, equality, and other issues. Photo by Janet Wu

happy with their relationships with faculty. That’s really good to know, and that means we need to keep investing in that area.” As the College turns a new leaf with the arrival of President Carmen Twillie Ambar, the administration has emphasized that listening to student opinions is more crucial than ever. Ambar has noted that she will be holding office hours to allow students to voice their suggestions to the administration as well. Media Relations Director Scott Wargo said that the survey results have been varied so far. “We are still assessing the data, but one of the things we learned is that many members of the community desire more frequent communication/emails to stay informed about campus news, while others — students, for the most part — were generally not in favor of more frequent communications,” Wargo wrote in an email to the Review. Wargo said that the Communica-

tions Office will work with the Center for Information Technology to address concerns with communication. “To meet the needs of all community members we are working with CIT to explore technology solutions that will provide a greater level of individual customization for both content and frequency.” The Office of Equity, Diversity, and Inclusion has found that the College needs to improve its sexual consent awareness efforts as well. “We are creating a year-long video and poster campaign to keep the conversation and education going,” Title IX Coordinator and Director of Equity, Diversity, and Inclusion Rebecca Mosley said. Peggy Orenstein, OC ’83, will be speaking as part of the campaign Oct. 9. “The responses from students were very helpful in letting us design education that speaks to the information they said,” Mosley added.

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tunity for us to be directly responsive and somewhat preemptive in planning a system that would allow student to have greater access to campus.” Though Safety and Security will continue to be available to students for rides in emergencies, Director of Student Conduct and Community Standards Thom Julian hopes that when students use the shuttle service rather than Safety and Security, it might lead to an all-around more efficient system of transportation. “The frequency of those rides is going to decrease, which means that [the officers’] response time is going to increase,” Julian said. Additionally, “an undercurrent of this plan is also increasing opportunities for students to gain employment on campus,” according to Myers.

The Oberlin R eview September 15, 2017 Volume 146, Number 3 (ISSN 297–256) Published by the students of Oberlin College every Friday during the fall and spring semesters, except holidays and examination periods. Advertising rates: $18 per column inch. Second-class postage paid at Oberlin, Ohio. Entered as secondclass matter at the Oberlin, Ohio post office April 2, 1911. POSTMASTER SEND CHANGES TO: Wilder Box 90, Oberlin, Ohio 44074-1081. Office of Publication: Burton Basement, Oberlin, Ohio 44074. Phone: (440) 775-8123

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Graduate Accused of Quadruple Homicide Alexis Dill News Editor

Shuttle Service to Provide Campus Transportation where I was really sick and it was pouring, and I had to go to Student Health, and I was not properly prepared for the weather, so I just got more sick by going to Student Health in the rain,” she said, adding that the new shuttle service “just sounds like a pretty good idea.” In previous years, Safety and Security has been called to transport sick or injured students. But this took a toll on officers and resources and made it difficult for them to effectively carry out other parts of their job, according to Myers. “Following last semester’s influx of need in terms of one-to-one transportation for students, we understand that Safety and Security just didn’t have the capacity to meet the greater need of our student body’s transportation concerns,” Myers said. “This was an oppor-

NEWS BRIEF

Editors-in-Chief Managing editor News editors Opinions editors This Week editor Arts editors Sports editors Layout editors

Photo editors

Melissa Harris Christian Bolles Daniel Markus Sydney Allen Alexis Dill Jackie Brant Nathan Carpenter Lucy Martin Julia Peterson Ananya Gupta Alex McNicoll Julie Schreiber Anya Spector Amanda Tennant Parker Shatkin Elena Hartley Bryan Rubin Hugh Newcomb

Myers added that the shuttle system will also provide on-campus employment opportunities for students. Myers and Julian are both hopeful that the shuttle service will launch successfully this October and achieve the financial success necessary to expand next semester. “We’ve had the hope that we can expand the shuttle service into the community so that students can access local area resources,” Myers said, referring to areas such as Lorain, Elyria, and Amherst, Crocker Park in Westlake, and downtown Cleveland. Students interested in becoming shuttle drivers can email Myers at tmyers@ oberlin.edu or Julian at tjulian@oberlin. edu. Myers and Julian are also accepting feedback, especially regarding requested shuttle stops.

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Monique Newton Madison Kimball Mikaela Fishman Victoria Albacete Gwennie Gardiner Giselle Glaspie Auden Granger Eliza Guinn Willa Hart Courtney Loeb Madi Mettenburg Kendall Mahavier Bryan Rubin Ben Steger Mason Boutis

Editor’s Note: This article contains mentions of violent homicide. During business hours, students can contact the Counseling Center at (440) 775-8470, the Office of Religious and Spiritual Life at (440) 775-8103, the Dean of Students Office at (440) 7758462, and the Conservatory Dean’s Office at (440) 775-8200. Oberlin College Safety and Security can be reached at any time at (440) 775-8911 for emergencies, and the Lorain County 24/7 Emergency/Crisis Hotline can be found at (800) 888-6161. Oberlin students, faculty, and alumni received an email from the Office of Communications Saturday afternoon with news that a recent graduate of the Conservatory was arrested Friday after allegedly committing four homicides. Orion Krause, OC ’17, a native of Rockport, Maine, is suspected of fatally beating his mother, grandparents, and a caregiver in his grandparents’ home in Groton, MA. A neighbor of the grandparents told the Boston Globe that the 22-year-old man showed up on his back porch naked and covered in mud, calmly stating that he had “just murdered four people” and “needed” his sleeping pills. Middlesex District Attorney Marian Ryan told reporters Monday that the four victims died from blunt force trauma and that a baseball bat found at the scene was possibly the murder weapon. According to Ryan, Krause began exhibiting unusual behavior Thursday evening, when he abruptly left his home in Rockport. His late mother, Elizabeth Krause, grew worried and called the police. Krause contacted his mother again Friday morning, informing her that he was in the Boston area and asking for a ride back to Maine. After being picked up, he and his mother visited his grandparents at their home in Groton, Ryan said. There, Krause made a phone call to someone he knew well. The unnamed recipient of the call became concerned and began contacting Krause’s family members. As the phone calls to family and police were being made, the four victims were beaten. The bodies of Krause’s relatives were found inside the home, while the caregiver’s body was found outdoors. Krause was taken to Bridgewater State Hospital Monday after being arraigned in Ayer District Court, where he was ordered to be held without bail. The doctors at Bridgewater will evaluate whether Krause is competent to stand trial. The motives for the attack remain unclear. Despite his comments to the neighbor, Krause has pleaded not guilty. The next court hearing is scheduled for Oct. 30. The joint statement from Dean Kalyn and President Ambar encouraged students to seek any support they need and to help others around them connect to resources. “We also offer a gentle reminder that respect for the privacy of those directly impacted is most appreciated in these moments,” the statement said. “Our thoughts are with all affected by this tragedy.”

Corrections: In “DeCafé Changes Provide Increased Options, Longer Wait,” (Sep. 8, 2017), Jack Rockwell was incorrectly described as a College junior. He is a senior. “In the Locker Room with Yago Colás,” (Sep. 8, 2017), incorrectly stated that Colás is an associate professor. He is in fact a professor. In “Oberlin Community News Bulletin: Land of surplus,” (Sep. 8, 2017), Sal Talarico was incorrectly described as the head of the Oberlin City Improvement Corporation. He is in fact the organization’s finance director. The OCIC’s current president is Kristin Peterson. To submit a correction, email managingeditor@oberlinreview.org.


Trustees Postpone Student Rep. Vote

Security Notebook Friday, Sept. 8, 2017 12:19 p.m. A student reported the theft of their bicycle July 10 from an unknown location on campus. The bicycle is registered, and valued at $200. 6:37 p.m. Safety and Security officers assisted a student who fell off their bike in front of the King Building. The student was transported to Mercy Allen Hospital for treatment. 7:52 p.m. Officers and members of the Oberlin Fire Department responded to a fire alarm at a Goldsmith Village Housing Unit. The residents said they were burning a candle, which activated the alarm. However, officers checking the building located a bagged detector in one room, along with a glass pipe, a metal grinder containing a substance consistent with marijuana, and three rolled cigarettes consistent with either marijuana or tobacco. The items were confiscated and turned over to the Oberlin Police Department. The alarm was reset. 10:21 p.m. Officers assisted a student ill from alcohol consumption at Harkness House. The student was transported to Mercy Allen Hospital for treatment. The remaining alcohol was confiscated and disposed of.

Student Senate at their first Plenary meeting. The board tabled a vote on adding a student to the Board of Trustees during its June quarterly meeting. Photo by Hugh Newcomb, Photo Editor Sydney Allen News Editor

Student senators are facing an uncertain start to the fall semester as they persist in their battle to get a student representative on the Board of Trustees. The board tabled the vote over potential student trustees during their June quarterly board meeting, postponing the vote to their Oct. 5–7 meeting period. Last March, Senate submitted a proposal asking the board to create a task force to look into the possibility of adding a student to the Board of Trustees. This was the second proposal Senate had submitted the board, as the first — a proposal asking directly for a student representative on the board — was denied in Dec. 2016. After months of protests, negotiations, and petitions, Senate appeared to catch a break as the board approved this second proposal, agreeing to create a collaborative task force with board representatives and student senators to look into the possibility of student representatives. The task force consisted of College senior and Senate Chair Thobeka Mnisi, College senior and former Student Senator Josh Koller, and three trustees: Jacob Gayle, OC ’79, Anne Chege, OC ’16, and Ed Helms, OC ’96. The group corresponded from March to June, emailing and

holding conference calls to discuss the issue. Details of the proposal are still confidential as negotiations continue. While senators are still hopeful, they are concerned the postponement indicates some undisclosed qualms within the board. “I think this is a new idea that, for reasons beyond me, Oberlin never considered seriously enough,” Mnisi said. “People are resistant to change, and the board as a governance structure tends to be quite rigid. I think they are trying to find a way to incorporate what might be a significant structural change without capsizing the existing structure of the board. To me, this is very simple and obvious — it makes no sense why we have no student representation on the board. But to some of senior board members, this seems too radical, and I think while everyone seems warm to the idea, some people are worried about proper implementation of it.” Although the postponement produced some anxiety within Senate, students are remaining optimistic that a compromise can be found, since the board didn’t outrightly reject the proposal. “I think they don’t want a student in the way that we proposed,” Mnisi said. “They could have said no, but they didn’t. While I’m frustrated with the rate of progress on this, I do think that they are trying to find a way that

works. If not, it would be very deplorable of them to lengthen this process so much, then say no after so much of our efforts have been spent.” Interim General Counsel and Secretary Donica Varner, who acts as the spokesperson for the trustees, said that the board is still considering the proposal. “The board is thoughtfully considering the most appropriate ways to engage with students on college governance matters,” she said. “Board membership or participation comes with significant legal and fiduciary responsibilities for anyone serving on the board. While students are just as capable of respecting confidentiality, there are several aspects of student membership or participation on the Board of Trustees that must be carefully considered. The TrusteeStudent Senate Collaborative Task Force has provided valuable insights on how do that work well.” The push to add student representatives to the board comes after years of student complaints regarding opaque decision-making processes within the board and poor communication with students and faculty, including on issues such as last year’s tuition hikes, the response to and dismissal of Professor Joy Karega, the renewal of business relations with Gibson’s Bakery, the board’s response to the ABUSUA demands, and divestment requests.

College Financial Troubles Felt Unequally Continued from page 1

to do the work that former graduates and professors have done. These disparities stem from a long history of institutional wealth and its historical distribution, several faculty members said. This means older, more esteemed departments have endowments and alumni bases that regularly donate for specific department-related events, scholarships, and other programs. The Chemistry department, one of Oberlin’s most widely-used programs, as it attracts students from most STEM and pre-med fields, has an endowment that allows it to fund student research and send students to conferences and networking events. “We are fortunate to have a number of endowed funds,” Chair of the Chemistry and Biochemistry departments Rebecca Whelan said. “Several of which have been established for many, many years. And we also have a set of — pretty much every month — alums or friends of the department that will make donations. And some of that The Oberlin Review | September 15, 2017

money is used for bringing seminar speakers to campus.” Smaller departments like Cinema Studies, which was developed in 2002, struggle to offer the same opportunities without a larger donation base that subsidizes College funds. “None of our graduates have gone off and gotten rich and given us a huge endowment like some departments,” Associate Professor of Cinema Studies Jeffrey Pence said. As small colleges nationally experience decreased enrollment and a renewed focus on the profitability of a liberal arts degree, Oberlin is not the exception in feeling the consequential financial impacts. Though the departmental disparities might be minimal on a larger scale, students, particularly in the niche programs that make Oberlin unique, could be feeling the effects for years to come. Director of Media Relations Scott Wargo said that the College could not provide any budgetary data for this article, as it is its policy to withhold such information from the media.

Saturday, Sept. 9, 2017 8:52 p.m. A resident of Saunders House reported that an unknown person had placed a stick of incense in a small hole in the elevator door, another on the stairway railing, and a third in a light fixture. An officer responded, removed the incense, and disposed of it. 11:41 p.m. Officers assisted a student ill from alcohol consumption in the basement bathroom of Wilder Hall. The student was able to answer all questions asked and declined medical treatment. The student was transported to their dorm.

Sunday, Sept. 10, 2017 12:08 a.m. Officers assisted a student ill from alcohol consumption at Kahn Hall. The student said that they had smoked marijuana and drank alcohol at a party on Woodland Street. The student was transported to Mercy Allen Hospital for treatment. 12:42 a.m. Staff at the ’Sco reported a suspicious male, approximately 40 years old, who tried to enter the ’Sco two times and became belligerent when turned away a second time. Officers responded and checked the area but did not find the man. 1:24 a.m. Officers responded to an unauthorized party at a Woodland Street Village Housing Unit after observing a large group of people on the porch and hearing loud music. All attendees were cleared from the area. Officers also found a glass bong in plain view on the kitchen floor. The bong was confiscated and turned over to the Oberlin Police Department.

Monday, Sept. 11, 2017 8:37 a.m. A student reported the theft of a PlayStation 4 from their Goldsmith Village Housing Unit. The PlayStation was last seen at approximately midnight Sept. 10. The theft is under investigation. 3:02 p.m. Officers and members of the Oberlin Fire Department responded to a fire alarm on the second floor of South Hall. Smoke from an e-cigarette caused the alarm, which was reset.

Tuesday, Sept. 12, 2017 10:17 a.m. Staff reported a smell of smoke in a wiring closet on the third floor of South Hall. Members of the Oberlin Fire Department responded and checked the entire area, but did not find anything. 12:33 p.m. Officers assisted a student who had injured their ankle after falling off a skateboard in Tappan Square. The student was transported to Mercy Allen Hospital for treatment. 12:47 p.m. Officers and members of the Oberlin Fire Department responded to a fire alarm on the first floor of South Hall. Smoke from cooking caused the alarm. The area was ventilated and the alarm was reset.

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Ne w s OFF THE CUFF

Melvin Briggs, León Pescador, New Student Senators León Pescador and Melvin Briggs were recently elected as student senators, winning in a pool of 23 candidates. They are entering Senate as the Board of Trustees is considering incorporating a student trustee, the College faces a financial crisis, and a new president takes over. Briggs is a sophomore from Holly Springs, NC. He will serve as the Treasurer and Chartering Liaison this academic year. He decided to run for Student Senate after recognizing a clear divide between athletes and non-athletes at Oberlin. A running back on the football team, Briggs hopes to serve as a mediator to bring people together and erase the “North-South divide.” He wants to assure that everyone feels included, while bringing the College and local community together. Pescador, a senior, said he is motivated by the strategic planning regarding financial accessibility and updates made to Oberlin Student Cooperative Association, which is a student-run, non-profit corporation that provides inexpensive, healthy, and environmentally-wise foods to a quarter of the student body. He also finds minority enrollment a concern and wants to ensure that resources for students of color on campus are maintained and that Oberlin’s commitment to social justice is upheld. This interview has been edited for length and clarity. Sydney Allen News Editor

Can you tell me about yourselves? Melvin Briggs: My name is Melvin Briggs II, and I use he/him/his. I’m a sophomore Psychology major, with a planned minor in Philosophy and a concentration in Cognitive Science. I’m from Holly Springs, NC. I’m the son of a mother from Costa Rica and a father from North Carolina. As fate would have it,

my mother — whose name is Melvania — would eventually meet my father Melvin. Don’t ask me how that happened. I also have a little brother named Christian who’s 12 now. I know it’s a bit of a difference than Melvania, Melvin, and Melvin, but we had enough “Mels” in the house. I went to a small private preparatory high school called St. David’s School. I’m currently a running back on the football team, but outside of athletics I’m an avid fisher.

León Pescador: My name is León Pescador. I’m a College fourth year. I use he/ him/his, and I’m a Politics and East Asian Studies major. I’m from Ann Arbor, MI. I play club soccer and make different kinds of pasta. I’m really interested in policy making, which makes Student Senate a good fit. How are you feeling about being elected to Senate? MB: First and foremost, I’m extremely honored to have been elected by my peers to serve on Senate this year. I’m excited to represent such passionate and intelligent individuals and advocate for their needs and desires to continue making Oberlin College a pleasurable experience. LP: I’m excited by the record turnout this election had and the results have made me more optimistic that accomplishing progress with the administration will be achievable. What are your goals for the year? What issues are you passionate about? MB: I’m very passionate about several things. First, I truly wish to advocate on behalf of the voice for the students of this campus. I believe that despite the small student population, there are many unheard voices that deserve acknowledgement past simple peer-to-peer interactions. I hope to increase transparency between the College and its students. Secondly, and equally as important, I hope to break down the tangible borders between student-athletes and the rest of student population. Though I am only a

Melvin Briggs and León Pescador.

Photo by Bryan Rubin, Photo Editor

sophomore, I have quickly noticed a clear divide of athletes and students, and honestly, it’s kind of painful to see. Coming from a background where the only difference between an athlete [and non-athlete] was nothing more than practice and games, it was quite a culture change. Now I see separation not only in social settings but also in academic settings, where classes sometimes are either athlete-dominated or one or two athletes, if any, in a class of non-athletes. I hope to help aid in encouraging athletes to branch out and take classes without another athlete or encourage nonathletes to not be hesitant to take classes that are historically athlete-dominated or even seemed centered around athletics — [like] the English class, Thirteen Ways of Looking at Sports. Especially socially, I want to see more athletes and non-athletes integrate more and enjoy being Obies and everything that comes with that experience. Oberlin College is worldwide known for inclusion after all. LP: I’m committed to making significant change on issues of financial accessibility, strategic planning, and minority enrollment. I’d like to work with the President and certain deans to ensure Oberlin’s financial accessibility isn’t further imperiled, hopefully reversing the OSCA-related changes from last year, as well

as working with the Office of Financial Aid and Dean of Admissions to increase admissions for students of color. I’m passionate about the Strategic Plan announcements regarding cuts to OSCA’s financial accessibility, [which] galvanized me to run. I’ve been a co-op member since my second year, and OSCA’s central draw is its affordability. By reducing aid for students’ dining as well as living in OSCA, Oberlin has eroded one of its strongest, student-run institutions and damaged an amazing, talented community. To me, last year’s decisions were unacceptable. What experience do you have in student government or other leadership positions? MB: I personally do not have any experience in student government, but I do have a team of other wellexperienced Senate members that are behind me on my passions and what I want to accomplish this year. This past summer I had the pleasure of working with Grassroots Campaigns, which an Oberlin alumnus is the Vice President of and served as a lead field manager and staff development and logistical manager. LP: Unless you count being a head cook, Student Senate is my first experience with meaningful leadership at the college level.

Oberlin Community News Bulletin

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Library Hosts Fiesta en la Biblioteca

Program Provides Career Training for Women

College Organizes Apple Picking Event

Fiesta en la Biblioteca and Smithsonian Museum Day will be held at the Oberlin Public Library from 3 to 5 p.m. next Saturday. The gathering will include food and music, and it will be open to the public. The selfguided, 90-minute bilingual Spanish and English “Upstairs/Downstairs” tours will be at 10:30 a.m. and 1:30 p.m. and will take place in Oberlin Heritage Center’s Monroe House. Register online at oberlinheritage.org.

The Women in Sustainable Employment Program will be holding sessions to help women explore nontraditional careers from Sept. 12 through Oct. 14 at Oberlin Community Services. Representatives will provide peer support while offering tips on resume writing and holding mock interviews. The organization provides training that can lead to a new career or improve the quality and pay of a current job.

Students are invited to celebrate Rosh Hashanah by apple picking with students of Case Western University. Attendees are asked to meet in the Finney Chapel parking lot Sunday at 10:45 a.m. Students can expect to return to campus around 1:45 p.m. Contact Talia Rodwin at (301) 801-8263.


OPINIONS September 15, 2017

established 1874

Letters to the editors

Review Comes to Senses on Oxford Comma To the Editors:

Let me begin by admitting that, like my esteemed former colleague Sami Mericle, I harbor a certain amount of resentment that the Oxford comma was implemented only after I was forced to remove it from countless articles during my time at the Review. This objectionable comma convention was indeed a favorite target for complaint, but still I rejoice at its end despite the longstanding nature of the tradition. On the matter of such breaks with Review tradition being inherently negative developments, I would also remind everyone that my own Arts and Culture section used to rate the films it reviewed not in stars or on a scale but with distinctly rabid-looking white squirrel icons. The tradition was thankfully dispensed with before my time at the Review, and as far as I know this change wasn’t a dealbreaker for the section’s vast and dedicated readership. Nor was tradition invoked as a reason to preserve aesthetically questionable elements of the Review’s layout during the planning phase of its spring 2017 redesign. Consistency is certainly important, but it shouldn’t be the mallet used to arbitrarily quash measured, timely improvements. I understand the urge to religiously uphold the standards set forth by venerable bodies like the Associated Press. As a recovering prescriptivist, I feel it myself. The AP stylebook is an invaluable resource, but one that understandably responds to many changes in linguistic usage with blimplike ponderousness.

Generations grew up largely using the singular “they” instead of the generic masculine before the AP recognized its validity in early 2017, after sanctioning the lowercase “internet” and the use of “chickpea” over “garbanzo bean” in 2016. Forget strippers; the ambiguous phrase “the campaign manager, a lobbyist and a foreign agent” used to have only one plausible reading, but times have changed, and journalistic style must keep pace. This is not to say that the AP stylebook should be disregarded, as Sami put it, “willy-nilly” — merely that not all of its sacred tenets were created equal for every circumstance, though I fully expect to be struck by lightning for saying so (“Review Breaks Tradition with Oxford Comma,” Sept. 8, 2017). Hold my garbanzo bean-spread sandwich. – Victoria Garber OC ’17

United States Must Lead in Avoiding War To the Editors: A view holds that we should use our superior nuclear power to “Make America Great Again.” In any nuclear war, even against Russia, China, or both combined, America would likely win. Another view is that such a victory would be a Pyrrhic one at best. For while we could destroy all of those nations, perhaps no more than a fraction of ours would remain, and those few remaining cities would present a life worse than those we witnessed at the heights of Hurricanes Katrina, Harvey, and Irma all together, but with no help from the outside world ever arriving. In effect, virtually the entire

world would be on fire rather than submerged in water, with the earth’s environment being almost totally destroyed by radiation. Of course, there’s the hope that there are enough people in our government who are sufficiently smart, creative, and humane to come up with options that will give our children and those in North Korea a chance to continue to search for answers that will unite the world rather than divide it, or worse, pulverize it. But those in government may not act with the urgency and reasonableness needed unless far more ordinary people voice their concerns that our nation should probably not preemptively unleash our nuclear bombs; we did preemptively attack Iraq with conventional weapons, believing that that nation possessed weapons of mass destruction. That position proved to be so tragically wrong that it cost us almost five thousand lives, and a much greater number of Iraqis perished. Sadly, in North Korea, China, and even in Russia, almost two billion people can’t debate publicly with their officials as freely as we can with ours. We can say, not arrogantly or thoughtlessly, that the use of nuclear weapons should not cavalierly be on the table, if ever at all. We are in a somewhat enviable position. First, we do possess superior nuclear power. Second, we are the world’s only nation to have used nuclear weapons against another nation, which we did in World War II against Japan. And third, no matter the cost and pain, we can perhaps survive and prevail no matter what comes our way. We, the strongest nation in the world, do not have to strike preemptively to have a fighting chance to surSee Letters, page 7

SUBMISSIONS POLICY

The Oberlin Review appreciates and welcomes letters to the editors and op-ed submissions. All submissions are printed at the discretion of the Editorial Board. All submissions must be received by Wednesday at 4:30 p.m. at opinions@oberlinreview.org or Wilder Box 90 for inclusion in that week’s issue. Letters may not exceed 600 words and op-eds may not exceed 800 words, except with consent of the Editorial Board. All submissions must include contact information, with full names and any relevant titles, for all signers. All writers must individually confirm authorship on electronic submissions. Op-eds may not have more than two authors. The Review reserves the right to edit all submissions for clarity, length, grammar, accuracy, strength of argument and in consultation with Review style. Editors will work with contributors to edit pieces and will clear major edits with the authors prior to publication. Editors will contact authors of letters to the editors in the event of edits for anything other than style and grammar. Headlines are printed at the discretion of the Editorial Board. Opinions expressed in editorials, letters, op-eds, columns, cartoons or other Opinions pieces do not necessarily reflect those of the staff of the Review. The Review will not print advertisements on its Opinions pages. The Review defines an advertisement as any submission that has the main intent of bringing direct monetary gain to a contributor. The Oberlin Review | September 15, 2017

Volume 146, Number 3

Editorial Board Editors-in-Chief Melissa Harris

Christian Bolles

Managing Editor Daniel Markus

Opinions Editors

Nathan Carpenter

Jackie Brant

Students Must Advocate for Departments, Programs In the throes of a budgetary crisis, it’s time for Oberlin students to rally behind their academic departments. With some tenure-track positions only temporarily replaced by visiting faculty, facilities set for understaffing, and the threat of more cuts in the future, it is vital that students voice which positions and programs matter to them. We have the ability to hold Oberlin accountable to its values by reinforcing what the College means to us, but we can only define our experience if we take the initiative to do so. Last September, the Review published the article “Program Cuts Leave Film Students With Questions,” (Sept. 16, 2016), concerning the woeful understaffing of the Danny DeVito and Rhea Perlman Cinema Studies Center for Media Education and Production that sits above the Apollo Theatre. The piece — which juxtaposes the Dean of the College of Arts and Sciences Tim Elgren and Cinema Studies Professor Geoff Pingree’s significantly differing perspectives on the state of the Cinema Studies program — was the first instance of communication between the department and the administration on the issue whatsoever. The ensuing tension echoed larger concerns regarding a stoic, detached administration and raised questions about the efficacy of faculty committees in granting tenure-track positions to departments in need, as well as the role of the College in funding staff members for departmental facilities. Ultimately, it was the voices of students that raised the issue of understaffing to a deafening pitch; the passion Cinema Studies majors displayed in compensating for their program’s deficiencies was, as Associate Professor of Cinema Studies and French Grace An then mentioned in her official statement to the Review, admirable. Without a large well of donors from which to draw, programs like Cinema Studies are forced to set their sights lower than departments with an endowment, a discrepancy that fosters, for example, a far less robust film community on campus. “If you build it, they will come,” mused the cult classic film Field of Dreams; barring the means to expand their educational purview, disadvantaged programs will remain just that: disadvantaged. Yet to “build it” is not enough. The understaffing of the DeVito and Perlman Center does not bode well for the Theater department’s upcoming third theater, currently being erected between Hall Auditorium and The Hotel at Oberlin. Theater department chair Caroline Jackson Smith told the Review that there is no funding guarantee for the positions necessary to adequately staff the facility; its construction was the result of a concerted fundraising effort specifically for that purpose. The excitement she described among Theater majors at the prospect of a new space was palpable. In a reluctant budgetspending climate, students — able to sidestep the traditional decorum with which professors approach the administration — should champion a push for a staff position to fill an otherwise inevitable void. This kind of foresight will be vital among the student body if the College is to grow at all during this period of restriction. Students may not realize the flexibility with which cuts are going to be made. Despite Chair of the Board of Trustees Chris Canavan, OC ’84, calling for an overall five percent decrease in spending, the implementation of those measures remains remarkably unclear, even though the decision was communicated over three months ago. The College will be looking for student feedback regarding what can and cannot go. Take direct action, then, by making full use of President Ambar’s office hours Sept. 22 and 28, Oct. 11, Nov. 2 and 8, and Dec. 12. We urge students to show up with a clear vision of Oberlin’s crucial elements, as those conversations may well define the College’s course, both in the immediate and distant future. We need to be optimistic about the administration’s intentions when it comes to student feedback. Where the administration has previously failed, though, faculty are capable of picking up their slack. Don’t underestimate the power of faculty committees — among other things, they make recommendations regarding which departments are granted tenure-track positions — and make an effort to express your concerns directly to the chairs of your departments. As ever, communication is the most direct solution to the most pressing problems facing our community, and by utilizing the unique power we have as students of Oberlin College, we can play a hand in the institution’s uncertain future. For the sake of our peers, our departments, and the school as a whole, we must hold Oberlin to its mission. How can one person change the world if they can’t change their college? Editorials are the responsibility of the Review Editorial Board — the Editors-in-Chief, Managing Editor, and Opinions Editors — and do not necessarily reflect the views of the staff of the Review.

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Opi n ions

Harvey, Irma Highlight Need to Address Climate Change Nathan Carpenter Opinions Editor

Over the past weeks, evidence has mounted that the future of the world with respect to climate change is bleak. In the United States alone, Houston and Florida have been leveled at the hands of Hurricanes Harvey and Irma, respectively. Other tropical storms have veered off at the last moment, barely missing land. While avoiding these additional disasters has doubtlessly saved lives, there is still little cause for hope. The reality is that the state of the environment is declining sharply and rapidly, and the consequences of that deterioration are severe. If effective action is going to be taken on climate change, it must be taken now — assuming that our window has not already closed. It was terrifying, then, when Administrator of the Environmental Protection Agency Scott Pruitt said last Thursday that the time in the wake of Hurricane Irma’s landfall was not an appropriate moment to talk about climate change. “To have any kind of focus on the

cause and effect of the storm versus helping people, or actually facing the effect of the storm, is misplaced,” Pruitt said in an interview. Pruitt’s hypocrisy was immediately apparent. Unless the causes of tropical storms like Hurricane Irma are addressed with clarity and strength, then the needs of the people displaced, hurt, or killed by natural disasters will gradually become impossible to meet, and death tolls will continue to rise. This is the harsh reality of climate change, and it is a reality that more and more people in the U.S. and around the world are coming to terms with every day. However, even as awareness ever so gradually climbs among the general population, our leaders continue to freeze. They do so for a variety of reasons — from being paid off by the fossil fuel industry to plain ignorance — but, ultimately, the reason for their inaction is less devastatingly consequential than their inaction itself. There is no longer any time to debate climate change, if there ever was. There is no room for false equivalencies, for claims that we should hear both sides.

There is a very real danger that meaningful progress on climate change will go the way of gun control reform in the United States: those in government, particularly Republicans, becoming apparently content to suffer greater and greater outrages until no tragedy could be so great as to spur change. They choose the interests of businesses and industries over the needs of people who need clean air more than they need another dollar in a billionaire’s pocket. Legislators decided that the ability to own a gun was more compelling than the murder of 20 children in a school in Newtown, CT. Now the possibility of gun control reform in the U.S. seems nearly dead. The question of the hour, then, is what event — if any — will be significant enough to compel action on climate change? What will it take for us to acknowledge all together that the threat of climate change is one of the most immediate and pressing of our time? Scott Pruitt — the man who is supposed to be leading the effort to keep our environment clean and sustainable, the man who refuses to answer the question

above — is dangerous. It is truly pernicious to suggest that the causes of a disaster like Hurricane Irma should not be discussed immediately in its wake. Evidence continues to mount that, as more of these increasingly devastating storms tear apart countries across the world, deaths at the hands of “natural” disasters are, more than anything else, the fault of unsustainable human civilization. It is extremely difficult, if not impossible, to keep track of how many people have been killed by climate change — at least with the tools currently available to us. It is likely that the hundreds of people killed by Hurricanes Harvey and Irma alone would be on that list. Any discussion of the needs of the survivors must include a clear and effective plan to combat climate change, not falsely compassionate platitudes about caring for those in need. We are all in need of help right now, some to a greater degree than others, because we all live in this world together. Shame on Scott Pruitt and anybody else who intentionally stands in the way of creating a sustainable future.

Finding Community Reduces Oberlin Must Protect Diverse Opinions able or lewd speech, what the new administration that Stress, Improves Mental Health policy should be followed it must defend Oberlin’s statDuncan Reid Contributing Writer

Melissa Harris Editor-in-Chief

One endemic problem I see constantly in college students — a problem I’m guilty of feeding into myself — is the pressure to push yourself everyday, treating each semester like a marathon that you have to run on your own. Some lock themselves in their rooms, spending hours on endless problem sets while others find themselves buried in Mudd’s eerily silent corners, reading stacks of assigned articles and books. This experience has been all too familiar to me throughout my time at Oberlin and, as I kick off my senior year with a capstone and honors project to tackle this semester, I’ve been isolating myself more than I would like. In getting wrapped up in my research and personal stress, I sometimes forget that so many people around me are also taking on similar challenges. This hit home for me the other day when my best friend, who goes to school in New Jersey, reached out to me about the obstacles she’s facing. She is applying to graduate programs, working as a teaching assistant in labs, and heading her school’s greenhouse — all while working toward finishing a draft of her honors thesis, due this November. She has told me that she feels pressure to do well, to live up to the expectations of her professor and the people around her at school. We spent a long time talking to each other about the demands of school, connecting and leaning on each other as we’ve always done. Despite the burdens we both face, the opportunity to break free from our isolation and share our struggles with each other was cathartic. Talking to my friend reminded me of the importance of community to my mental well-being. Taking the time to both connect with people I care about and to

6

consciously set aside time to engage with the other campus communities to which I belong has grounded me throughout my time at Oberlin. Being a part of friend groups and student organizations has allowed me to remember that my time in college isn’t just about relentlessly researching, reading, and writing around the clock by myself. It’s about learning, both in and out of the academic arena, and growing in a multiplicity of ways. The growth I’ve experienced from being a part of different communities on campus at different times — as a student-athlete, a co-oper, a musician, a member of cultural organizations, and a member of the Review staff — has enriched my well-being mentally and spiritually. It has allowed me to connect with different people at Oberlin and to realize and appreciate the unique but overlapping obstacles we all face as students. But struggling and enduring together and taking time to nurture meaningful friendships and do worthwhile activities — whether producing weekly issues of the Review or cooking dinner with fellow Filipinx students — makes me remember that a college experience is much bigger than just fretting about assignments. The semester is still young. As it keeps rolling, the work will continue piling up and the marathon you’re running to keep up with your academic obligations will wear at you. But remember that you aren’t running this marathon alone and that the people around you are there to support you every step of the way. They are there to share the trials of this journey with you and to remind you that it’s okay to take a break every now and then to keep yourself holistically fulfilled. Oberlin can be an incredibly demanding and daunting place, but the solidarity we’re capable of fostering is one of the greatest tools we have for tackling everything that comes our way.

Across college campuses nationwide, the right to free expression is endangered. In the past three years alone, one lawmaker in Wisconsin threatened to withhold funding from University of Wisconsin Madison because they were offended by a course dealing with race and ethnicity, Tennessee passed a law prohibiting universities from using public funds for a “sex week,” or to “promote the use of gender neutral pronouns,” South Carolina lawmakers voted to cut funding to two colleges that assigned LGBTQthemed books as required reading for first-year students, and a Michigan Senate subcommittee threatened to fine universities for “any instructional activity that encourages or discourages union organizing of employees.” Universities have also rejected the formation of certain student groups based on political beliefs or viewpoints, including Students for Justice in Palestine at Fordham University, an NAACP chapter at Catholic University, and pro-life groups at Johns Hopkins and Gonzaga University. Currently, Oberlin policies that protect speech are not being enforced — like the censorship of professors’ out-of-class speech and posters for the Oberlin College Republicans and Libertarians being torn down — and the vagueness of harassment and “moral” policies leave those policies vulnerable to administrative abuse. If there is one policy that says that speech should be protected and another that allows administrators to prohibit what they perceive to be question-

when difficult decisions have to be made? The selective nature of Oberlin’s policy enforcement leaves the College just one incident away from joining the list of institutions that value campus placidity over meaningful discourse. Oberlin is talking the talk, but not walking the walk. What is the point of making the “diversity of thought” a value if nothing is done to advance the exchange of ideas? While schools like the University of Chicago have come out with statements that give their students “the broadest possible latitude to speak, write, listen, challenge and learn” and have conducted policy reviews, Oberlin has been silent. If Oberlin seeks to continue to lay claim to being a truly liberal campus, where diversity of thought is not just allowed, but desired, we need a campus-wide conversation and a thorough review of student conduct policies to ensure that our rights to free speech are not abridged. Across the nation, as schools have tightened up speech codes and rejected speakers on political premises, a group of diverse students has come together to make the case for free expression on their campuses. From Arizona to Vermont, Students for Free Expression, a non-partisan student activism group, are advocating for their administrations to create environments where discourse is uninhibited by fear of censorship or intimidation. As the Oberlin campus representative of SFE and as a student senator, I will be introducing a bill to the Senate that will reaffirm our commitment to the most essential of liberties and signal to

ed value of being “tolerant of divergent views.” We must signal to the world of higher education that schools of all sizes, affiliations, and political backgrounds should value all types of diversity. In order to craft the leaders of tomorrow, we must allow students to debate ideas that some might find dangerous. Oberlin College has long been the arena in which ideas that would have been curtailed elsewhere have flourished because of our school’s commitment to allowing a free exchange of opinions. When students on other campuses have had discussions barred, Oberlin students have been allowed to debate. When slavery was a taboo across national campuses, Oberlin hosted the Lane Debates. When divestment was unheard of, Oberlin had a discussion. If Oberlin succumbs to popular trends that squash students’ ability to speak freely, we will no longer be that arena for change. It is easy to allow ideas to go unchallenged and to dismiss outright those ideas that students find wrong or offensive. It is easy for an administration to reject a speaker because students will protest. It is easy to shun classmates who might take a different view on an issue than the majority. When we take that route, we lose our ability to defend what we value and to point out what we find wrong in opposing arguments. We lose the marketplace of ideas, and with it, we lose progress. Oberlin’s marketing slogan as of late has been, “Think one person can change the world? So do we.” God help anyone who tries to change the world without hearing out the other side.


Oberlin Makes Progress in Diversifying Community Brittany Mendez Contributing Writer

Have you ever been lured by statistics claiming that an institution is significantly more diverse than its competitors? If you attend Oberlin or any other college, you likely have. Many workplaces advertise themselves in a similar manner, which I experienced first-hand at an internship this past summer. For my senior project last year, I interned in the Office of the Attorney General in Washington, D.C., shadowing attorneys in the public interest division. As a student considering a career in law, I hoped the internship would give me an accurate understanding of what life as an attorney would be like. After my project officially ended, I was asked to continue interning over the summer and I happily accepted. The staff ’s diversity immediately caught my eye during orientation. The woman that coordinated my internship was a POC, the person who presented the guidelines and regulations to the interns was a POC, and the attorney I was assigned to shadow was also a POC. Beyond these positions, the attorney general was the first POC to be elected as attorney general in D.C. history. The position immediately underneath the attorney general was held by a POC as well. On the surface, this level of diversity impressed me. However, a few weeks into my internship I began to notice that most of the office’s diversity was reflected in the supporting staff, like the maintenance workers and receptionists. While the two highest positions in the office were held by POC, I realized that this was not representative of the office leadership as a whole. I greatly appreciated the effort to promote and maintain a diverse office, regardless of whether or not the effort was the result of an initiative by the new attorney general. While hiring a diverse staff is a great step toward promoting institutional inclusion, the work should not stop there. My initially skewed perception of the office’s diversity prompted me to consider the distribution of diversity in other spaces as well. I realized that I was the only African-American intern in my section. There were a few other POC interns, but the majority of interns were not POC. Internships are a great way for people to get their foot in the door; however, they are less accessible to POC, which may contribute to a lack of diversity in leadership positions down the road. Institutions are increasingly emphasizing diversity by putting POC in high positions, which supposedly creates more The Oberlin Review | September 15, 2017

opportunities for minority groups. Oberlin is also engaging in this strategy of hiring POC in leadership positions in an effort to create a more diverse and inclusive community. The most publicized of these hires is President Carmen Ambar, Oberlin’s first AfricanAmerican president in its 184year history. While everyone is aware of Ambar’s appointment, she is not Oberlin’s first or only highlevel POC hire. According to Director of Media Relations Scott Wargo, Oberlin has recently filled several high-level positions with POC. Currently, Oberlin’s Director of Libraries, Dean of Admissions and Financial Aid, and General Counsel are all POC. Wargo noted that these are all recent hires, which demonstrates that Oberlin is only now beginning to focus on hiring POC in high-level positions. Additionally, Wargo explained that these positions do not open often, as they pay well and provide good benefits. Thus, any transition in hiring strategies will be slow. While it is easy to quantify the POC faculty population, it is difficult to measure the significance of the College’s actions when students are not aware of the process through which these individuals were hired. Regardless, these hires indicate a meaningful change, as the institution is clearly making a deliberate effort to bring historically marginalized people to leadership positions in an attempt to foster a more accepting educational environment. Like most colleges that I considered, Oberlin advertised itself as “diverse,” and it appears that the overall student population is indeed diverse. While the College is still clearly a predominantly white institution, I do encounter students of color frequently around campus. However, Oberlin’s diversity seems to exist only in certain areas of my day-today activities. Choosing to be a resident of Afrikan Heritage House has allowed me to interact with more POC. My firstyear seminar course is also a fairly diverse group. However, this is not the case in my other courses, as there seem to be proportionately fewer POC. Furthermore, as a member of Oberlin’s women’s soccer team, I spend a lot of time with the players and I very quickly noticed that I am one of the few POC on the team. In my experience so far, I tend to be in the minority as a POC at Oberlin. Still, the College’s diversity seems to be at the level advertised. I am reassured that I chose to attend an institution that appears to be taking the initiative to create a truly diverse community among students, faculty, and staff alike.

CARTOON OF THE WEEK

Brian Tom

Students Must Engage Administration, Ambar Meg Parker Contributing Writer

This article is part of the Review’s Student Senate column. In an effort to increase communication and transparency, student senators will provide personal perspectives on recent events on campus and in the community. On the morning of Monday, Sept. 11, I left my room early, meandered through South Bowl, crossed the dewy grass, and entered President Carmen Ambar’s home at 8 a.m. sharp. The President’s residence is, as many would guess, fancier than The Local Coffee & Tea, my typical breakfast location. On the dining room table was an array of fruit, bagels, and teacups that looked too fragile for me to want to hold. However, suffering from the early stages of the Obie Plague, like many of us right now, I made myself of a cup of lemon tea — forgoing my fears of breaking the porcelain. I was there for the first of what will be Student Senate’s many monthly breakfasts with President Ambar. Recently re-elected, I had officially been on Senate for a total of three days of my new

term, most of which had been spent in training and getting acclimated to the new group. Every group of senators is distinct, and the first two to three weeks of every semester is generally spent learning about each other and how we will work together to tackle the issues facing Oberlin. This semester, we dove straight in during our first week on the job and asked President Ambar about her goals and vision for the College moving forward. Highly concerned with our current fiscal model and lack of transparency, we listened as President Ambar, beginning the first weeks of her administration, discussed her priorities for Oberlin. President Ambar is emphasizing student enrollment and retention; diversity, equity, and inclusion; stabilizing our fiscal future; and balancing the demands of all of Oberlin’s constituencies. Needless to say, she has her hands full. Because she is still so new, she didn’t have an answer to every question. However, her willingness to collaborate and listen to students gave me hope for what is to come. Senate is continuing to advocate for student representation on the Board of Trustees,

to explore a participatory budgetary process, and to maintain our efforts to include student voices in administrative decisions at Oberlin. Hearing how excited President Ambar is for students to serve on general faculty committees and have involvement in decisions thrilled me. There are so many institutional opportunities for students to participate in governance at Oberlin and to have our voices included. It’s important that, as Oberlin looks to make governance more nimble and to reduce expenditures, students engage with the system and assert themselves in the process. This can take many forms and will require students to take advantage of opportunities to make their voices heard. Decisions regarding Oberlin’s long-term direction will affect students and our abilities to exist in different capacities on campus. As I left our breakfast Monday, thinking about what was to come, I went to get a second cup of tea with fellow Senators Kameron Dunbar and Thobeka Mnisi. As we talked and reflected on our conversation, I felt reinvigorated about what could be possible for this year.

Letters to the editors, cont. Continued from page 5

vive. Without displaying any braggadocio or threats, we do need to make sure that weaker nations know our history and facts very well, while remaining wary of leaders who may act irrationally — never mind our awesome power to retaliate. America’s paramount action must be to exhaust all the possibilities for lasting peace by stretching and straining every muscle and

lever available to our State Department. We Americans must make known to our leaders that the most open, candid, and spirited debates must occur, making it abundantly clear to all what the consequences are for the actions we take or do not take as a nation. – Booker C. Peek Emeritus Associate Professor of Africana Studies

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KJ Cerankowski @Assistant_Professor_of_CAST_and_GSFS

Kathryn Metz @Assistant_Professor_of_Ethnomusicology

I am an Oberlin alumnus interested in understanding the way practical human concerns, such as strategic user behavior and privacy, impact the way computation systems should make decisions.

I teach general and organic chemistry courses and my research involves the development of chemical probes to study enzyme function.

I study the intellectual history of work in 19th century Latin America. I also write novels, and was recently included in Hay Festival’s Bogotá39, a list of Latin America’s best writers under 40.

I’m a professor in the English department, where I teach and write about sports as creative performance, culture generator, social practice, and equipment for living.

I work on the politics of global circulation. My current book project is about the rise of logistics and its economies of violence along the U.S.–China maritime supply chain.

I teach in Comparative American Studies and Gender, Sexuality, and Feminist Studies at Oberlin. My research interests include asexuality, trauma studies, queer theory, and transgender studies.

I conduct research in labor and public economics, and economics of education. My current research examines the extent to which federal spending affects foster care placement and adoption.

I recently graduated from the University of Michigan with my PhD in Economics. My research focuses on issues in energy and environmental economics.

My research considers how people’s interpretations of religious texts inform and are informed by intimate negotiations of the family and the self and by changing class, regional, and gender identities.

Originally from Iceland, I began playing violin at the age of six and performed over 90 concerts a year with the Pacifica Quartet from 2000–2017.

I was born in Tashkent, Uzbekistan, and have garnered notable successes in music competitions, including the gold medal at the XI Van Cliburn International Piano Competition in 2001.

I am trained as a Latin Americanist, and my research focuses on pop music in the urban Amazon of Peru, where I investigate identity politics in the changing Peruvian economy. Photos courtesy of respective professors and Oberlin College


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Saturday

Men’s Soccer vs. Ohio Northern University Fred Shults Field 7 p.m. Xenia Rubinos (opening by Bémbe) Cat in the Cream 8 p.m.

Monday

Study Away Info Session Peters Hall, Klutznick Commons 7–8 p.m.

Thursday

PI Series Guest Recital: Fabian Almazan, jazz pianist Cat in the Cream 6:30 p.m.

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778

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Sam Taggart @Assistant_Professor_of_Computer_Science

Margaret Brehm @Assistant_Professor_of_Economics

William Parsons @Assistant_Professor_of_Chemistry_and_Biochemistry

Paul Brehm @Assistant_Professor_of_Economics_and_Environmental_Studies

Sergio Gutiérrez-Negrón @Assistant_Professor_of_Hispanic_Studies

Emilia Bachrach @Assistant_Professor_of_Religion_and_GSFS

Yago Colás @Professor_of_English

Sibbi Bernhardsson @Professor_of_Violin

Charmaine Chua @Assistant_Professor_of_Politics

Stanislav Ioudenitch @Associate_Professor_of_Piano

KJ Cerankowski @Assistant_Professor_of_CAST_and_GSFS

Kathryn Metz @Assistant_Professor_of_Ethnomusicology

I am an Oberlin alumnus interested in understanding the way practical human concerns, such as strategic user behavior and privacy, impact the way computation systems should make decisions.

I teach general and organic chemistry courses and my research involves the development of chemical probes to study enzyme function.

I study the intellectual history of work in 19th century Latin America. I also write novels, and was recently included in Hay Festival’s Bogotá39, a list of Latin America’s best writers under 40.

I’m a professor in the English department, where I teach and write about sports as creative performance, culture generator, social practice, and equipment for living.

I work on the politics of global circulation. My current book project is about the rise of logistics and its economies of violence along the U.S.–China maritime supply chain.

I teach in Comparative American Studies and Gender, Sexuality, and Feminist Studies at Oberlin. My research interests include asexuality, trauma studies, queer theory, and transgender studies.

I conduct research in labor and public economics, and economics of education. My current research examines the extent to which federal spending affects foster care placement and adoption.

I recently graduated from the University of Michigan with my PhD in Economics. My research focuses on issues in energy and environmental economics.

My research considers how people’s interpretations of religious texts inform and are informed by intimate negotiations of the family and the self and by changing class, regional, and gender identities.

Originally from Iceland, I began playing violin at the age of six and performed over 90 concerts a year with the Pacifica Quartet from 2000–2017.

I was born in Tashkent, Uzbekistan, and have garnered notable successes in music competitions, including the gold medal at the XI Van Cliburn International Piano Competition in 2001.

I am trained as a Latin Americanist, and my research focuses on pop music in the urban Amazon of Peru, where I investigate identity politics in the changing Peruvian economy. Photos courtesy of respective professors and Oberlin College


A r t s & C u lt u r e

ARTS & CULTURE established 1874

September 15, 2017

Volume 146, Number 3

Concert Exemplifies Collaboration in Face of Disaster Julia Peterson Arts & Culture Editor

In the wake of the two major hurricanes that have impacted the mainland United States over the past few weeks, communities across the nation have rallied to provide support to those affected. Friday night, students from Oberlin Conservatory joined with the Cleveland Orchestra, the Cleveland Institute of Music, and Credo Music to put on a benefit concert to raise money to support the American Red Cross’ relief efforts in Texas and Florida. The concert — titled “Help After Harvey,” though the funds raised will support relief efforts for areas affected by both Hurricane Harvey and Hurricane Irma — was held in Cleveland’s Severance Hall and conducted by James Feddeck, OC ’05, who also completed his graduate training at Oberlin. The newly-minted ensemble performed a wide-ranging, uplifting program, consisting of the national anthem, Aaron Copeland’s Fanfare for the Common Man, John Williams’ The Cowboys Overture, Louis Panella’s American Red Cross March, Samuel Barber’s Adagio for Strings, and Igor Stravinsky’s Firebird Suite. Peter Slowik, who is a professor of viola in the Conservatory and founder and artistic director of Credo Music, as well as a performer on Friday night, said that the program was strategically chosen so that it could be executed on short notice. “The Barber Adagio, many string players have played; Fanfare for the Common Man, many brass players have played; John Williams writes music that goes together really well — it’s very

Oberlin Conservatory students and faculty members joined musicians from the Cleveland Orchestra, Cleveland Institute of Music, and Credo Music to play a benefit concert in Cleveland’s Severance Hall to raise funds for hurricane relief. Photo Courtesy of Red Cross

appealing to people, but it’s also wellcrafted; the national anthem, everybody knows,” Slowik said. “Nobody had ever seen the Red Cross March. We didn’t even know there was a Red Cross march, but … it’s a march, so that’s pretty easy to put together, too. The big thing was the Firebird, which is not an easy piece to put together. It’s not something you do on one rehearsal.” Despite the challenging nature of Firebird, Feddeck was inspired to include it in the program because the Russian folklore that the piece draws from struck him as particularly apt for the moment. “[It] seemed especially fitting, not only because of the artistic virtuosity required, but because of the symbolism that the firebird represents,” Feddeck wrote in an email to the Review. “In

folklore, the firebird has a certain mystical quality and represents all that is good. Even with the ensuing conflicts of the story, the musical theme of the firebird returns, ultimately stronger than ever, for that all-encompassing work of good.” At the end of the concert on Friday night, the thousand-strong audience rose in a sustained standing ovation, applauding the execution of the concert program along with the performance’s laudable cause. Andrea Kalyn, dean of the Oberlin Conservatory, was deeply impressed with how Oberlin was represented on stage. “[The students who performed] played beautifully,” she said. “They all played with great heart. They acquitted themselves with incredible professionalism. I know that the

orchestra members and [conductor] James Feddeck were just thrilled with them, and I was very, very proud of them all — not just for the way that they played, but for the fact that they wanted to be there and for the heart that they brought to it.” For some musicians, this was a deeply personal performance because the storms have affected their friends, family, or loved ones. “The feeling of purpose I experienced during that concert was humbling; I was participating in music, which is already so much greater than I could ever be, for a cause that is so much more than I alone could ever tackle, but I helped make a visible difference,” Conservatory junior Hannah Price, who played the violin in the concert, wrote in an email to the Review. “I’m from Dallas, so this concert was close to home — literally.” Conservatory junior Erica Ogihara, who played cello in the concert and has family members in Florida, said that her participation in the benefit concert became more personal as more news emerged about Hurricane Irma’s trajectory and severity. “It was very scary,” Ogihara said. “All through the rehearsals, I just couldn’t stop thinking about my family. Obviously, the concert meant so much to me, but as the week went on it started meaning even more to me, because I thought that maybe the money we were raising for the Red Cross could potentially go to my family, if something happened to them. I felt it so personally.” Even musicians who were not affected personally by the storms chose See Oberlin, page 12

Safia Elhillo Delivers Sharp, Candid Poetry Performance Ananya Gupta Arts & Culture Editor

“As usual, I was thinking about race; I wrote a poem.” said Sudanese-American performance poet Safia Elhillo as she delivered her sassy wit in a soothing voice last Friday at the Cat in the Cream. Author of the full-length poetry collection The January Children, Elhillo is an acclaimed slam poet who has performed at the South African State Theatre, the New Amsterdam Theater on Broadway, and at TEDxNewYork, and has competed nationally with the New York University collegiate championship slam poetry team and the DC Youth Slam Poetry Team. Having earned accolades including the 2015 Brunel University African Poetry Prize (co-winner) and the 2016 Sillerman First Book Prize for African Poets, Elhillo, though young, is truly a veteran poet with a wealth of experience and literary prowess to offer. Elhillo’s poetry largely consists of reckonings with her personal experiences of being a Black Muslim woman and expressions of the struggles that she has encountered in her search for belonging. The stories she told involving her childhood obsessions, like the Egyptian pop star Abdel Halim Hafez, her relationships with various family members, and her complex experiences with country, race, and language truly resonated with the audience. “There were a few things I could relate to, maybe not to the same extent, but [the idea of ] having ‘an accent in every language’ [spoke to me],” College first-year Bhairavi Mehra said, quoting Elhillo’s “Date Night with Abdelhalim Hafez.” Elhillo’s poetry and the issues she advocates for evoked an emotional response from the audience. “It speaks specifically to me because I’ve never had 10

someone who really speaks to me as a Black Muslim woman, who writes poetry like this — that I’m able to hear and truly resonate with.” College senior Muntaha Mohamed said. “[Her poetry] is like a way of being and living, especially at the intersections of so many different identities and different continents. [She is] speaking for children of immigrants, for Blackness — for so many different people.” The emotional and the political connectivity created by Elhillo’s poetry for other audience members was aweinspiring. “I thought [the references to race and color] were beautiful,” said College senior Deborah Johnson, copresident of OSlam, Oberlin’s slam poetry club and team. “I think she talks about how poetry is really political and how the political relates to the personal.” Elhillo delivered her poetry softly but deliberately, using simple language that alluded to bodies, countries, and oceans. “What I took away from the performance is that there is no singular slam voice, and the way she tells stories is so particular to her own,” Johnson added. “[She] really emphasizes that you don’t need to be loud or very intense to tell stories in your own particular way.” Many Arabic words and concepts are included in Elhillo’s work. In finding this unique blend of Arabic and English, Elhillo has found an honest niche in which to create her poetry. Ghazals are a particular rhyming, metered poetic form that originate from the ancient Arabic poetry tradition. Ghazals traditionally deal with themes of the pain, loss, separation, and beauty found in love. “The ghazal is one of my favorite forms,” Elhillo said. In “Ars Poetica”, Elhillo writes, “I want the old music back to thicken my tongue/& open my mouth/& close

the wound the ocean made.” She speaks of the pain of being different in Sudan and different still in the U.S., as well as the space she has found in a mix of Arabic-English writing. She quoted Assia Djebar’s L’Amour, la fantasia when she said, “Autobiography practiced in the enemy’s language has the texture of fiction.” Living by this quote, Elhillo tells her stories in her unique tongue of Arabic and English combined. Elhillo is currently reading the works of contemporary writers who identify as ethnic, queer, and immigrant. “Kaveh Akbar just released an incredible new book of poems called Calling a Wolf a Wolf.” Elhillo said. “He also has a chapbook called Portrait of the Alcoholic, which I think is my favorite thing I’ve ever laid eyes on.” She listed some of her other favorites, such as Don’t Call Us Dead by Danez Smith, Electric Arches by Eve Ewing, and The Kitchen-Dweller’s Testimony by Ladan Osman. The main aspiration expressed in Elhillo’s poetry is the need to move away from poetic convention and the notion of what poets look like to create space for a new generation of young, diverse writers. “This idea that poetry is this buttoned-up thing for old white men in the forest is disintegrated, ultimately,” she said to approving cheers from the audience at the Cat in the Cream. “The amazing thing about knocking down the smoke screen is that all these poets are on Twitter and in the world and still being young and participating in regular young person stuff.” At the end of the night, the message the audience took from Elhillo’s simple, unpretentious performance was that poetry can be simply about telling an authentic story. “I think it’s important [to hear her] because we’re political, and hearing stories of other people and humanizing them is something we all need to hear, no matter what spaces we’re in,” Johnson said.


Successful King Adaptation It Combines Horror, Heart Christian Bolles Editor-in-Chief

It’s the great cinematic whodunit of the past few years: who killed mainstream horror? Despite critical darlings from breakout directors like David Eggers (The Witch), Jennifer Kent (The Babadook), and David Robert Mitchell (It Follows) — all independent films that scored modest, unimpressive box office returns — the world of big-budget filmmaking has lately seen few horror movies worth their salt. Most of what has been on offer, such as Lights Out, Ouija, and Unfriended, rely on gimmicky premises designed to lure audiences into theaters without much caring if they enjoy the ensuing bloodbath. Gone are the Halloweens and Nightmare on Elm Streets of the world. The best recent mainstream horror has played with the tropes of the genre, fitting them into the framework of better movies: consider Get Out. Fortunately, It delivers a refreshing take on Hollywood horror. Not only does the film succeed in delivering a steady stream of satisfying scares, but it also tells a coming-of-age story that’s got a bleeding heart of its own — just not the kind you might expect from a horror movie. Director Andy Muschietti — who sharpened his horror chops on his breakout picture Mama — has a keen eye for childhood antics and period detail, resulting in a product that is equal parts sweet and terrifying. When it comes to Stephen King novels, the word “unadaptable” gets thrown around a lot, and for good reason. His prose is archaic and dense, often relying on the dream-space in the back of the reader’s head to give his imagery a strange, seductive power. For a book-toscreen adaptation to work, the film needs to tell its own story through variances in tone and narrative structure. Some moviegoers may prefer a twisted, nightmarish adaptation of It, but they will be disappointed. Instead, It tells two stories — one of seven children growing up in the small town of Derry, Maine, and one of their fight against evil — and weaves the latter with the former via a collection of bite-sized, thoroughly entertaining horror sequences. This has scored winningly with domestic audiences — with a rare 8.1 user score on IMDB and a staggering opening weekend box office return of more than $117 million, It has handily outclassed every horror debut in history. It’s rock-solid emotional core lends some irony to this record-breaking distinction. Audiences may be flooding in for the promise of a terrifying clown, but the stars of the show are the kids — likeable, well-acted, and unique. Viewers will probably remember most of their names by

the end, and for an ensemble cast, that’s no small feat. The movie maintains a breathless pace throughout its two hour and 15 minute run time while still managing to spend enough time with each character to establish their home lives, fears, and ambitions, all of which ensures that the rousing final act works as well as it does. Special commendation goes to Stranger Things’ Finn Wolfhard, hilarious at every turn as the larger-than-life Richie, and up-and-coming star Sophia Lillis, whose sweet but hardened Beverly gives the film half of its unusually strong emotional mooring. The heart of the “Losers Gang,” as the seven kids call themselves, is the determined, stuttering Billy, played ably by Midnight Special star Jaeden Lieberher. When his little brother Georgie is brutally killed in the film’s opening sequence, Billy begins a summer-long quest to discover what happened to his “missing” brother. His refusal to admit that Georgie is dead drives his defiant crusade for answer, even as his friends — and the audience — know the truth. As the summer passes, the other six “Losers” — farmer-in-training Mike, newcomer Ben, germaphobe Eddie, rabbi’s son Stan, jokester Richie, and social outcast Beverly — each have their own encounter with the film’s titular monster, which seems to take the form of their fears. Drawn together in a community where nobody else will listen, they’re forced to confront evils both domestic and alien. The movie’s scares vary in both style and efficacy. While It displays a creative sense of panache when dealing with the creature’s incarnations, the fact that the “Losers” must face their own deepest fears means that it sometimes seems like the audience is watching the kids get scared rather than having a stake in the action themselves. Some scenes without the infamous clown get by on clever ideas rather than on scare tactics alone. It’s a good thing, then, that the clown itself is truly terrifying. Pennywise the Dancing Clown — imagine that title uttered with baby-voiced relish by a grown man with buck teeth, and one might come close to approximating its true creepiness — is here to scare the hell out of people. With no backstory established in the film, Pennywise is an invader, both for the quiet town of Derry and for the audiences he delights by appearing unannounced. Pennywise’s tattered, discolored costume and massive head place it squarely in the uncanny valley; it looks like a clown, yes, but not quite like a human. It could be lurking in the corner of every frame, ready to pounce with its rows upon rows of anglerfish-like teeth. If every comingof-age story could be given the jolt of adrenaline that Pennywise lends It, the genre might be pulled back out of the indie-verse. An unrecognizable Bill Skarsgård doesn’t

just embody Pennywise, but creates it, drawing from some deep reserve of depravity to transform his body into something entirely alien. Of course, computer-generated effects help a bit. It settles right into the hard-R rating and pulls no punches when it comes to the violence Pennywise is capable of exacting, even where children are concerned. That said, this is a far cry from the tortureporn of series like Saw and Hostel. Perhaps It’s most admirable quality is its reverence for storytelling; every drop of blood is shed for a reason, whether to establish Pennywise’s evil nature or to showcase the darkest fears of the characters. Coupled with a surprisingly dramatic soundtrack that’s all strings and piano, emotional undercurrents run through even the most frightening sequences. Unfortunately, these musical cues often undermine the efficacy of the scares, either by making it obvious when something is about to appear or by drowning out the atmosphere with bravura crescendos. At its best, the score punctuates Pennywise’s jerky, erratic movements or turns a frolic in a lake into a powerful narrative beat; at its worst, it robs certain shots of tension, a damning choice for a horror movie. Still, it is difficult to fault It for showing its hand when the film has such a marvelous sense of self-assurance. Whenever Pennywise’s red balloon — now iconic after a masterful marketing campaign — drifts into the frame, accompanied by the slow melody of a music box and the distant chanting of children, one gets the sense of a story being told exactly the way it should be. This is not King’s novel, nor should it be; the movie has distilled the book’s most recognizable qualities into a format as monumental as it is accessible. For all its plot threads, It is surprisingly focused, rarely straying from the kids’ perspectives and keeping adults in the periphery. Considering that this adaptation of It is but the first chapter of two, it’s fair to see the strong character and plot building here as foundational work in preparation for a much larger-scale sequel. See It, then, for its soaring grace notes of humor and pathos, for the moments characters share biking through Derry or cleaning a bathroom together. See It, too, for the torrents of blood in which that bathroom is drenched during a brilliantly conceived sequence of psychological terror. But most of all, see It to revel in the raw essence of what horror should be. Muschietti has proven that an R-rated horror movie starring a killer clown can rise to the top of the box office. Join the droves of people lining up for a chance to see Pennywise in action, and you’ll float too.

Oberlin Alum Explores Family, Food, Humanity in Memoir

Author Kiese Laymon, OC ’98, returned to Oberlin Monday afternoon to give a reading from his new book Heavy: An American Memoir. Photo by Daniel Firebanks Jaris Owens

In his new book Heavy: An American Memoir, Professor of English and African American Studies at the University of Mississippi, Kiese Laymon, OC ’98, discusses his “family’s relationship to food, sexual violence, and weight.” Heavy explores Laymon’s interpretation of the lessons he learned as a child from his mother and grandmother, and the role of language as a powerful protective force for Black folks in white spaces. Last Monday, Oberlin was fortunate enough to host Professor Laymon for a reading of his new book. The reading began with an introduction by Associate Professor of Africana Studies and

Theater Justin Emeka, OC ’95, who described the stakes of Laymon’s work. “Kiese’s thoughts are always challenging us to be prepared to rethink how we understand humanity,” he said. “Because how humanity was defined fifty years ago is different than a hundred years ago, and different than a hundred and fifty years ago, now, in our time, we have an enormous responsibility. All of us who come to this institution are actively engaged in trying to construct our own humanity as well as the humanity of the entire nation.” The construction of humanity was a theme of the night. Oberlin students who include the intersections of race and gender in most of their writings

and conversations may shy away from sharing their thoughts in a predominantly white institution like Oberlin for fear that they will not be accepted, or could be considered “too political.” Charmaine Chua, a graduate of Vassar College and a former student of Laymon’s, and currently Assistant Professor of Politics at Oberlin, organized the reading and spoke about how Laymon reminds her of her mission to teach her students the importance of personal and vulnerable perspectives on political topics. “While you talk about massive things like terrorism, 9/11, all of these things that people want to write about in a distanced way, [if ] you write about it in a way that dares to talk about who you are and how you saw that from where you were, it shifts the view. I think it’s crucial that we never think of ourselves as somehow removed from the political things that we’re involved in. As a politics professor … part of my desire as a teacher is to remind my students of that.” She also spoke about how the reading helped her meet multiple professors from various departments. “What’s really cool, especially at a place like Oberlin, is you can talk to Creative Writing and Africana Studies and Theater [people] and everyone wants to hear what Laymon has to say.

Everyone knows that there is a way that art, personal narrative and storytelling intersect. … I’m new here, but I’m excited to be a part of that community.” Kiese Laymon reminds readers of this idea of community in Heavy: An American Memoir. He embraces the language and vernacular he used as a child growing up in Jackson, Mississippi to craft his own language. To paraphrase, he created a tradition where there was none before, and this is what he challenges young Black readers and writers to do. Laymon also wrote Long Division, a novel that takes place in post-Katrina Mississippi, and How to Slowly Kill Yourself and Others in America, a collection of essays. In his works, he illustrates the level of intimacy and self-exploration that the totality of the Oberlin community of all identities can achieve through language. Particularly for Black people, language is a tool of survival. Language helps people feel a part of a community larger than themselves, and being a member of a community committed to the success of its individuals is power in and of itself. According to Professor Emeka, where we are now is just the beginning. “I think it was really important for students to hear his voice partially to help them realize the potential of their own voice,” he said. “You never realize how powerful your own voice is, as well See Layman Inspires, Page 13

The Oberlin Review | September 15, 2017

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A r t s & C u lt u r e ON THE RECORD

On the Record with Robert Spano, OC ’84 Professor of Conducting Robert Spano, OC ’84, delivered the Convocation on Thursday night, a moderated Q&A session with Dean of the Conservatory, Andrea Kalyn. Spano is currently in his 17th season as music director of the Atlanta Symphony Orchestra, which has won six Grammy awards under his leadership. In 2012, Spano was inducted into the Georgia Music Hall of Fame, one of only two classical musicians to achieve that distinction. He has made guest conducting appearances with the Cleveland Orchestra, Philadelphia Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Orchestra Filarmonica della Scala (Milan), Ensemble Intercontemporaion (Paris), Welsh National Opera, Houston Grand Opera, and the Royal Opera at Covent Garden. This interview has been edited for length and clarity. institution and the continued growth and aspiration, and that’s pretty exciting.

Professor Robert Spano, OC ’84, renowned conductor and director of the Atlanta Symphony Orchestra, gave the Convocation address on Thursday night with a focus on the “State of the Art.” Photo by Hugh Newcomb, Photo Editor

Interview by Kate Fishman

In your career, you’ve won multiple Grammys and directed a premier orchestra for seventeen years. How did your time as an Oberlin student prepare you for a music career in the real world? I think, in so many ways, my musical aesthetic, taste, passions, [and] interests were formed here. I did go on to more school after this, and of course I hope I haven’t stopped developing, but Oberlin was so formative to how I approach music. And then I taught here for years after I was a student, so the place has even more resonance in my life. I feel that it’s a foundation for the way I approach music and I think that the education I got here was so helpful … because the place is so caring of the individual. I had friends who went to larger schools and I always felt like my experience here allowed me to develop in a way that was appropriate for me. And I treasure that. How has the Conservatory changed since you were a student and throughout your time on the faculty? Well, if nothing else, the physical plant has changed — and for the better, which I think is great. The new wing is fantastic. I was able to record in the new recording studio last year and it’s terrific. I think that buildings can’t make a place, but they can be symbolic of the kind of vibrancy that a place embodies…. I felt very inspired, being in the new recording studio last year. It just speaks to the forward-looking nature of the

What do you feel has informed your own choices in music, as the director of an orchestra? Why do you make certain choices about what to play, and how do you approach that? With a big institution like the Atlanta Symphony Orchestra, the mission is varied. Often, we talk about audience, but in fact there is not a [singular] audience. There are many audiences and they’re looking for different things — they have different expectations, different appetites, different tastes. We try, as a big institution, to serve many audiences. So we have various kinds of series, we have different programmatic content for different series, we have within a given series even more programmatic variety with the intention of serving as many aspects of our big audience as we can. And it’s really a mission to connect with as many people as we can, as many listeners as we can. On the other hand … we’re also custodians of great art. We’re not exactly a museum, but we’re certainly caring for a history and a tradition of music that we want to preserve and perpetuate into the future, so there’s also that artistic mission. So we’re always at the same time looking at: What are the iconic pieces that need to be performed as part of that living tradition? What are the aspects of that tradition that are less well known, less on the main highway, what are the detours and byways? What’s new, and how is that informed by tradition and where is that taking us? Because it is a living tradition… and then there’s also the health of the performers themselves. We have an amazing chorus — are we providing a musical diet for them that keeps them at the top of their form? Same for the orchestra themselves … so all those things sort of inform the programmatic decisions. When you’re conducting a performance, what do you hope that your audiences will take away from it? Something. I think that there are as many experiences of a performance as there are people in the room, because

everybody has their own personal experience of whatever happened. The most extreme example is two people leaving a concert and one saying, “Oh that was awful!” and the other one saying, “Really? I thought it was the greatest thing I’ve ever heard” — those are the two ends of the spectrum, but then there’s everything in the middle too. I think that as a performer it’s important to put something out there and allow people to have whatever experience they have with it. In line with that, what would you say is the value of music for you? Why make music? There was a cartoon in The New Yorker, probably twenty years ago by now, that pictured a crushed beer can and a tumbleweed in a deserted landscape, and underneath it said, “Life without Mozart.” And I think that life without music just wouldn’t be worth it. How has your perspective on the music world changed over the past seventeen years at the head of the Atlanta Symphony Orchestra? I think earlier in my life I thought of these institutions as a given … earlier [in your] career, you’re trying to find your way into fitting into that larger world, find your place in it, find your way to your own success. And then at a certain point something shifts — especially when you’re running an institution for seventeen years — and you realize these things are not a given. These are things that require our collective constant attention and nourishment and care for them to be there. It’s easy to take them for granted, when in fact they have to be constantly recreated and constantly reborn, and they won’t be there without our investment. In terms of rebirth, what’s the most intriguing innovation to you in the music world today? This is not new, but I think there’s a new aspect to it these days which is: what’s high culture and what’s low culture? What’s pop? What’s classical?

Because what’s happening in music is [that] so many diverse styles are meeting and joining and creating creoles and pidgins and fantastic new sound worlds… because music is not a universal language. We’d like to think it is at some emotional level, but if you go to classical Chinese opera, it’s very hard to follow it as a Western listener. It takes time to acquaint oneself with any particular musical language and things we take for granted as being familiar aren’t so out of another cultural sound landscape, so as these things meet, to me it’s very exciting. It’s not new — I mean, Mozart wrote Turkish music, Debussy was influenced by gamelan that he heard at the World Exposition in Paris, but it’s new at the level that it’s happening now, I think. In terms of your teaching career, what is most important to you? And if students were to learn only one thing, what would you hope that thing would be? I always feel like my mission if I’m in a teaching situation is to help the people I’m working with better be able to teach themselves. To try and help them find the skills or the perspective or the insight they need to develop the next thing that’s important in their development. ... I mean at a certain level, yes there are things that you want to pass on, on a technical level or on a foundational level, but in the end no one really understands anything unless they’ve seen it for themselves. Unless the lightbulb goes off for themselves. You can’t really give someone knowledge. You can give them information, but the understanding has to come from one’s own experience and so as a teacher you’re really trying to facilitate or find that key that’s gonna help someone get something for themselves that they didn’t yet figure out. For me that’s always the most exciting challenge because everybody’s different, so what’s going to make that lightbulb go on is always what’s interesting to me.

Oberlin Musicians Participate in “Help After Harvey” Benefit Continued from page 10

to donate their time to the performance because of the impact that the raised funds would have. “Playing music can sometimes feel like a very selfcentered thing to do, and playing for a bigger reason than myself was an amazing opportunity,” said doubledegree sophomore Jane Larson, who played the viola. “This was a unique opportunity to perform music for something that was more than just music,” agreed Conservatory senior Toby Elser, who played the violin. “There was another goal in mind.” To Slowik, Conservatory students’ eagerness to contribute their talents was unsurprising. “Oberlin students being what they are, it was a nobrainer for them to be involved with helping people in need,” he said. “That’s just natural.” The drive to put on the benefit concert was spearheaded by Credo Music, a local organization that considers service to be an integral part of its mission. “Anybody that played on that stage could also go 12

down to Houston or Key West and serve in a shelter, or make meals,” Slowik said. “We could do that. But we also have this special thing, which we do better than anyone else, and you couldn’t just take a random 85 people off the street and make that concert. I think, when everyone in a society brings their best gift to situations of need, then society is best served.” Beyond the immediate goal of the evening, Friday night’s benefit concert also highlighted further opportunities for musical collaboration in the region. “[This] was the first time that anybody can remember that the [Cleveland Institute of Music], Oberlin, and the Cleveland Orchestra came together for something, which is astounding because we should do it more,” Slowik said. Students from affected areas were pleased to see that even though the hurricanes are not in close physical proximity to Oberlin, the musical community still rallied in support. “I was grateful to see people come out and want to do something for that kind of relief,” said College

senior Emma Davey, whose family is from Houston. “Even though my house was okay, we didn’t flood, we didn’t lose power, to see all the destruction that happened around where I live was hard to watch from afar. It was nice to know that there are people at Oberlin who care about that.” According to Michelle Pincombe, OC ’09, the operations manager for Credo Music, the concert raised at least $24,000 for the Red Cross. The Northeast Ohio chapter of the Red Cross was in attendance at the benefit concert, and spoke about the impact that this money will have on their relief efforts. “The musicians from the Cleveland Orchestra, the Cleveland Institute of Music, and the Oberlin Conservatory, along with Credo Music, are all donating their time,” said Jim McIntyre, communications officer for the Red Cross of Northeast Ohio. “There are people in Texas and Florida who may be able to stay in a safe, dry shelter and have three warm meals a day because of the generosity of the donors who are here tonight.”


Faculty Recital Demonstrates Variety, Virtuosity Ivan Aidun Staff Writer

The Oberlin Conservatory’s reputation for virtuosic faculty was thoroughly upheld Saturday night, when Associate Professor of Flute Alexa Still and pianist Allie Su performed three 20th century pieces in Kulas Recital Hall. The recital opened with Sonata in A Minor, Op. 34, by the late Romantic American composer Amy Beach. Beach was the first American woman to reach widespread compositional acclaim, and her Gaelic Symphony was the first symphony composed and published by an American woman. Her Sonata in A Minor was originally for violin and piano, but Still transcribed it for flute and piano during her graduate studies. “I was in a chamber music class with an old professor who was a double bass player,” Still said. “When I played flute pieces … he didn’t know the repertoire, and … he didn’t like where I breathed all the time. So I started playing violin pieces, and I knew Amy Beach’s name and I was kind of interested in women composers.” Despite being well-respected in her era, Beach’s music is not frequently performed today. “I figure, since violinists never play [the sonata], I might as well,” Still said. Still’s performance highlighted the long phrases characteristic to Beach’s Romantic string music. It was frequently difficult to tell if Still breathed at all, as

each phrase bled seamlessly into the next in a sonata reminiscent of Brahms. The next piece on the program was by an even more obscure composer, Paul Ben-Haim. Ben-Haim was born in Germany, but moved to Mandatory Palestine in 1933. He advocated a specifically Jewish style of music, and in this regard is sometimes compared to his better-known contemporary Ernest Bloch. He won one of the state’s highest cultural honors, the Israel Prize for Music, in 1957. Among Ben-Haim’s students was Shulamit Ran, whose violin concerto was performed by the Oberlin Orchestra last spring. Still performed Ben-Haim’s Songs without Words, which is written for “voice or instrument and piano,” and can therefore be played on many different instruments. Since the piece is not written specifically for flute, there is one section which goes down to an A sharp, lower than the normal register of the flute. Though most performers would take the passage up into a higher range, Still chose to demonstrate her prowess and play the note as written, bending over and placing the end of the flute against her leg, which elongated the instrument, in order to hit the low note. Still played each note tenderly, giving the piece a sense of overwhelming reverence. Members of the audience were visibly struck by the emotional depth achieved in the final movement, titled Sephardic Melody. A student beside me circled the piece in the program to remember later.

“It’s kind of like a slightly more modern Bartók, going after [Hebrew] music,” Still said about the piece. “I think it’s really stunningly beautiful.” The program closed with Lowell Liebermann’s Sonata for Flute and Piano, Op. 23. The sonata is among the noted contemporary American composer’s most recorded pieces. On the composer’s website, Still’s 2003 recording is listed prominently. “I corresponded with Liebermann a little bit when I was preparing the recording,” Still said. “He’s interested in gothic stuff; he’s sort of a dark guy.” Liebermann’s music is in many ways neo-Romantic, combining elements of traditional tonal works with polytonal harmonies. Still’s interpretation emphasized the Sonata’s constant momentum, and maintained a sense of pulse and direction even in moments of relative stasis. The long slow section seemed contemplative, yet yearning, which was met with rising emotion in the subsequent fast section. Still said this is part of what she finds charming about the piece. “I’m just so impressed that it goes through such a wide variety of colors and emotions, and you definitely have a feeling of structure,” she said. For an encore, Still concluded the evening with Morceau de concours — piece for a competition — by French Romantic composer Gabriel Fauré, wrapping up her showcase of a wide breadth of technical, moving 20th century music.

and developing at Oberlin today, Laymon says that he was nurtured here. “It feels wonderful to be back at Oberlin,” he said. “In a lot of ways, I mean, honestly, Oberlin helped make me the writer I am today. It gave me my first real, vibrant Black arts community and I think I grew in the three years I went here much more than I would’ve grown anywhere else.” Laymon’s reading conveys the message that

humans must continue learning and growing in ways that will strengthen our voices. It is a long, slow, and difficult process, but through it we can learn to be our true selves, and therefore be truly human. Speaking on Laymon’s presence as an Oberlin graduate, Professor Emeka said: “For him to come back and say ‘I was you’ also implies that you are him.”

Laymon Inspires Students to Engage in Personal, Challenging Topics Continued from page 11

as [that of ] your classmates around you. You all are going to write books and make companies and be heads of state. You can’t really see it right now, and you don’t need to. But you need to be aware of the fact that the deep relationships you are making today are deeper than what you see.” Much like the many students that are growing

CROSSWORD ANSWERS

Czech Organist Plays Benefit

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Text by Julia Peterson, Arts & Culture Editor Photo by Claire Nave

THE UNFORTUNATE OWL: NUKED

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B A R N O W L On Tuesday night, award-winning Czech organist and professor of music at the Academy of Performing Arts in Prague Jaroslav Tuma performed a benefit recital for Peace Church. Tuma records music for Czech radio and television, and has over 20 solo recordings.

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PADDY MCCABE

The Oberlin Review | September 15, 2017

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Sp ort s

Perspective: D3 Sports Emphasizes Community

Yago Colás English Professor

What I really wanted was the t-shirt. At least, that is what I told myself. After all, I’m not a football fan. I haven’t been to a game in person in over a decade, and I could count the number of games I’ve watched on TV in the same period on one hand. I don’t hate the sport. It’s just not my aesthetic cup of tea; I prefer more fluid sports. Then there’s the whole concussion thing — it’s hard to watch intelligent young men do something I’m persuaded is likely to cause long-term harm to their brains. I say this having spent 25 years teaching at the University of Michigan, where football games are quasi-religious events drawing over 100,000 supporters together under the bright blue skies of crisp, autumn Saturday afternoons. I’m not a football fan. So it must have been the t-shirt that led me to cut short breakfast with my wife and drew me out on a cold Saturday that threatened rain. I’d first heard about the t-shirts at an Athletics staff meeting in mid-August, just a few days after Charlottesville. Clearly shaken by the events, Delta Lodge Director of Athletics Natalie Winkelfoos shared how her experience facing bigotry after coming out as gay shaped and deepened her conviction that hatred must be defeated with love. “These are the values of this college,” she said. “They must be our values, and we must communicate those val-

ues to our students, to the campus, and to the community.” Winklefoos brought that sentiment to the official tailgate before the football home opener, announcing that Athletics would give away tshirts to the first hundred arrivals. They read “Love Will Always Win.” My inability to imagine Michigan’s Athletic Director giving that speech thrilled me. The new possibilities inspired me. I had to get the t-shirt. Between that meeting and t-shirt day, I went through new faculty orientation, a last week to put the final touches on my courses and stumble around on Blackboard, and my first week of teaching as an English Professor at Oberlin College. I survived the over-stimulating cocktail of anxiety and exhilaration of my first day. I met dozens of eager young students. I assessed my every gesture and word, sprinkling flecks of begrudged praise into a swirl of harsh self-criticism. I survived the chaos of add/drop, the dizzying carousel of students passionately pleading for consent to enroll, only to vanish without a word like figments of my imagination. That Saturday, I set out to get my t-shirt, nervous with anticipation and worried that if I didn’t arrive by the 11:30 start time for the tailgate event, I’d miss out on my tshirt. Arriving at Knowlton, I milled around anxiously, looking for what I assumed would be the obviously signaled official tailgate. I wandered lost through a family grilling amidst foldable chairs. They weren’t giving out t-shirts.

Outside the ticket office, I ran into the Assistant Director of Athletics for Communications Mike Mancini. He would know. He didn’t know. He and his staff of exactly one were doing 30 different jobs that day. With a smile, he suggested I go check Knowlton Athletics Complex’s indoor social space. I saw Natalie with her young son, Griffin. They were blowing bubbles. We talked a bit. She wasn’t sure when the t-shirts would arrive. I talked with swimming and diving Head Coach Andy Brabson — a friend with whom I’ve been playing pickup basketball, as a townie and faculty spouse, over the past six years. New College President Carmen Twillie Ambar arrived in a track suit, accompanied by her elderly father, who I learned had once been a football coach. She greeted those she knew and introduced herself to those she didn’t with equal warmth. They all seemed focused on things — work, family, friendship, community — possibly more important than making sure I got my t-shirt. Buoyed by the stream of friendly conversation, I almost forgot the t-shirts. But then they appeared, piled in the arms of Senior Associate Athletic Director Creg Jantz. I rushed to get one for myself, my wife, and my friend Tim McCrory who was working and would miss out. I quickly peeled out of my sweater and pulled the t-shirt over my head. As promised, the word “LOVE” was printed across the chest in large capital letters — the “O” interlocked with a “C” to form the logo of Oberlin College Athletics

— and below that, in smaller caps, “WILL ALWAYS WIN.” A wave of relief washed over me. I’d gotten what I had come for. Now I could leave. But I didn’t leave. The players were pouring onto the field for final warm ups. Though I didn’t yet know most of their names or faces yet, let alone their numbers, 13 of my students were somewhere in that stream. I couldn’t leave them. I’ll wait for the start, I decided. I think the rain began just after the opening kickoff. First a sprinkle, but that soon turned into a drizzle. By the time my student, senior English and Sociology major Khalil Rivers, broke off a 53yard touchdown run just five minutes into the game, it was a downpour. Though my new t-shirt was soaked through, I couldn’t tear myself away. Those were my boys. If they were going to slog it out in the rain, they weren’t going to see their new professor duck for cover — though I eventually did go inside, but not until the downpour became torrential! By the second half, the rain had trickled to a stop, the sun peeked through clouds, and we all slowly found our way back out into the bleachers. As the action unfolded on the field — now looking at my program I could see that there, just a few feet away, was my student Corey, there Khalid, there Zach — there were more conversations, more mingling. There was Natalie again, and there again the new President. There, leaning against the railing, were other students, some mine, some not, some varsity athletes, others not. Some stopped to say hello,

and tell me they were enjoying my class. We talked about their interests, we talked about Steph Curry, we talked about the football team’s prospects, eyeing the scoreboard hopefully as they built a 24–0 lead going into the fourth quarter. For six years, I commuted to Michigan, which meant that it was almost impossible for me to attend my students’ games. I’d have loved to do so. But even if I had, the experience would have been drastically different. At Michigan, the distance between the players and the spectators is measured in dozens of yards, and marked by security tape and uniformed guards. At Michigan, the average fan and an important fan like the president are separated by the plate glass windows of luxury suites and the income disparities these reflect. I make my living in part by skewering the myths purveyed by commercial sports about how they help foster community, even as they ignore the inequalities, injustices, and exclusions they often perpetuate. But not here. Here, I was struck by the diverse group of individuals mixing improbably in such close, informal proximity. Here, I felt all 431 people at the game were equally important. Here, my attention easily moving between enjoyable conversations and the action on the field, I felt myself part of this community. Maybe that was, without knowing it, what I really wanted, and the occasion of this DIII college football game had provided it. My drenched tshirt and the experience came together. Here, maybe “LOVE WILL ALWAYS WIN.”

Cross Country Teams Open Season with Strong Performances Julie Schreiber Sports Editor

The men’s and women’s cross country teams competed in their second race of the season last Saturday at the annual Ohio Wesleyan University Invitational in Delaware, Ohio. Building off of their successes from the previous week’s competition at The College of Wooster Invitational, the Yeowomen and Yeomen claimed fourth and eleventh places, respectively. The Yeowomen, once ranked as high as 15th nationally, capped off the day with 89 total points, while the Yeomen finished off with 322 points to secure their spot. “For a lot of them, these first meets of the season are just dusting off the rust from the summer,” said Head Coach Ray Appenheimer. “Many of them haven’t raced since May, so they’re just getting back in the groove.” Perhaps the biggest highlight from the invitational was a major victory from junior Linnea Halsten, who finished the 6K in first place among 157 competitors with a time of 21:47.2. “Last week’s meet made me really excited for this season,” Halsten said. “Our team is strong, healthy, and really focused on winning.”

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Halsten comes off a successful 2016 cross country season in which she qualified for the NCAA Division III Cross Country Championships, where she placed 53rd overall. “For the past few seasons, we’ve all really respected Linnea’s ability to be present and make the most of the moments that are given to her,” Appenheimer said. “She’s a wonderful person and great teammate, so naturally it’s easy for the team to cheer for her.” Junior teammate Becca Chant added, “It was great to see Linnea run and win, because she always works so hard.” The 6K also featured victories from Yeowomen of all ages. Finishing strong for the first-years was Corrie Purcell, who crossed the finish line at 23:14.3 to secure 22nd place. The sophomore class was championed by Oona Jung-Beeman in eighth place with a time of 22:55.7, as well as Marija Crook, whose time of 23:22.4 secured her 25th. Senior Sarah Urso capped off the race in the Yeowomen’s top five, finishing with a time of 23.32.9. The Yeomen’s efforts were not as fruitful at the OWU Invitational, but successes still emerged from sophomore David Brubacher, who completed the 8K with a time of 27:10.00,

and senior Owen Mittenthal, who followed behind with a time of 27:39.00. Brubacher finished 47th overall, while Mittenthal came in at 73rd. “The women’s team is twice as big as the men’s team, and those numbers definitely show during races,” Appenheimer said. “But the men’s team is a strong team with a big heart, and they’re already looking at huge improvements from last season.” Also finishing in the team’s top five in the 8K were first-years Garrett Robins and Archie Velazquez, who crossed the finish line with times of 28:00.4 and 28.42.2, respectively. Mittenthal reflected on the meet as a productive early learning experience for the team. “We got a good look at most of our conference competition, giving us a better sense of how we stack up early in the season,” Mittenthal said. “The first-years showed a lot of impressive performances and the team overall had valuable experiences that we’ll hold with us as we continue with our season.” The cross country teams face their next competition tomorrow, when the Yeomen and Yeowomen venture to the Otterbein University Invitational in Westerville, Ohio. Appenheimer anticipates much competition, but ul-

Junior Linnea Halsten makes her rounds in last year’s Rumble, the annual Oberlin Cross Country home meet. Photo courtesy of OC Athletics

timately sees the teams emerging successful. “The team is focused and motivated and wants to improve every week,” Appenheimer said. “I think we can beat all of our conference competition that show up.”


Tennis Teams Win Big at Opening Invitationals

Senior captain Jackie McDermott gets set in Oberlin’s Fall Invitational last season. This season’s Invitational kicks off tomorrow and goes through Sunday. Photo courtesy of OC Athletics Sam Harris Staff Writer

The women’s and men’s tennis teams both hit the road last weekend to start their respective seasons with fierce competition on both sides. The women competed at Division I Bowling Green State University in the Bowling Green Invitational, and the men squared off in Gambier, OH, at the Kenyon College Invitational. Both teams have a lot to look forward to this year, with the men’s team coming off a historic third-place finish in last year’s North Coast Athletic Conference championships and the women sporting Intercolle-

giate Tennis Association’s Central Region Player to Watch senior Sarah Hughes. With two Division I programs in their tournament, the Yeowomen showed great poise across the board. Senior co-captains Jackie McDermott and Mayada Audeh, who finished the tournament at 2–2 in doubles play, were not afraid to compete at collegiate tennis’ highest level, despite coming from a small school. “Those who aren’t fans of the sport don’t realize how strong Division III tennis is,” McDermott said. “The top D-III teams are often better than many D-I and D-II teams. Our team has beaten numer-

ous D-II teams throughout my career, and I and other teammates have beaten D-I players. Because of these strong results and the level of play that we frequently see in our conference, we are never intimidated to face players from any other division.” Sophomore Lena Rich and first-year Claudia Olaes completed a four-game sweep over opponents from Bowling Green, Case Western University, and Shawnee State University to finish first in the third flight for doubles. Sophomore Rainie Heck led the way in singles, finishing 3–1 after dropping her first match on Friday. Head Coach Constantine Ananiadis, who enters his 10th season at the helm of the women’s team, has his sights set high this season. “Our goal is always to win the conference championship,” Ananiadis said. “We’ve been so close the last several years, and I really think this year we have what it takes to achieve it.” With 12 total wins after just one weekend of play, the Yeomen are off to a hotstart. First-year Matthew Porges and sophomore Zachary Vaughn both put up strong performances, winning their flights. Porges finished his first collegiate tournament 3–0, beating two Case Western opponents and one conference rival from Kenyon. Vaughn also finished the weekend 3–0. The top flight was played by senior and 2016–2017 All-NCAC honoree Michael

Drougas. Drougas finished the weekend 2–1 and took home a third-place finish in the flight. Fellow seniors Robert Gittings and Manickam Manickam were 2–1 in doubles, earning them a second-place finish in their flight. Manickam values chemistry above all else in his doubles matches. “I think it’s really important to have good communication and energy to be a strong doubles team,” Manickam said. “Being able to know who gets what ball and when really makes it easy to focus on the little things that can help you figure out a match.” The men’s tennis program, which has been getting stronger for the last few years, begins this year with big expectations. Last season, four Yeomen earned All-NCAC honors and Head Coach Eric Ishida was named NCAC Coach of the Year. Despite all of the recent success, Manickam wants to use last year as another building block instead of a benchmark. “I think as a team we expect to improve and finish higher than third this year,” Manickam said. “I’d like for us to be able to take out teams like Kenyon and Depauw that have typically been at the top of the conference standings for a while.” The men’s team will be playing again tomorrow and Sunday, as they host the Oberlin Invitational. The following weekend, the women’s team will host the ITA Central Regionals in hopes of continuing their early success.

IN THE LOCKER ROOM

Timothy Williams, Men’s Soccer Captain

This week, the Review sat down with senior captain and forward Timothy Williams of the Yeomen soccer team. This season, Williams has led the charge for the current 3–1–1 record after a crushing North Coast Athletic Conference Championship loss to the Kenyon College Lords last year. His efforts this year have been recognized beyond the NCAC, as he collected the National Division III Player of the Week accolade after the first week of play. This interview has been edited for length and clarity. Alex McNicoll and Julie Schreiber Sports Editors

You were recently named the National Division III Player of the Week by the United Soccer Coaches Association. How did you find out you won this award? It was actually after practice. As I was coming back to the locker room, I got a notification from the Oberlin Athletics Instagram account because they had tagged me in a post. I opened it and read that “Timothy Williams has been named National Division III Player of the Week,” so that was kinda cool. Everyone else around me was getting changed after practice, so I was just looking at it for a while in disbelief and not really saying anything. Eventually I showed it to a teammate, and we were like, “What the hell just happened?” After the initial shock wore off, my teammates and coaches were so pumped, saying how great it was that I could get recognized for all the hard work I’ve been putting in this season. As one of the captains of the men’s soccer team, how are you going use this recognition not only for your own improvement but also to help shape the team moving forward? Honestly, this award speaks The Oberlin Review | September 15, 2017

volumes about the team. I definitely wouldn’t consider this award a reflection of me individually as much as it is a reflection of the team. I might’ve scored the goals, but my teammates put me in the situations to be able to do that, and if I didn’t have the coaches and teammates I have, I wouldn’t be half the player I am. This award is really emphasizing how much this team accomplishes, and I want us all to use it to get pumped and keep moving forward as our season gets more competitive. What is the team dynamic like this year, both on and off the field? I was a little uncertain in the beginning of the season. The current senior, junior, and sophomore classes all went on a trip to Brazil together last June, so we were super tight coming in, and we were unsure of how the nine new [firstyears] were gonna fit into that mold. But they really fit in so well, both on and off the field. They’re really good guys who listen and work really hard. Our first games were a good test for our dynamic, because the field is such a high-intensity environment during those times, but everyone keeps their

heads leveled and communicates well. I think the team dynamic might be the best it’s ever been since I’ve been at Oberlin. We feel like a family, and I love that. This semester, we’ve been focusing a lot on not only the athletic accomplishments of Oberlin students, but also the relationship that Oberlin Athletics holds with the rest of the community. As a student-athlete, what are your takeaways on this disputed topic on campus? I’ve always thought that the athlete/non-athlete “divide” on campus is somewhat overhyped. I have a ton of friends who don’t play sports and a ton of friends who do, and while there definitely is a divide — and understandably so, considering some of the toxicity that originates from athlete culture — I don’t think it’s challenging to be involved in athletics and other parts of the school and community. The reason I came to Oberlin in the first place was because it was the best school I was accepted to, and I don’t want any of us to overlook the fact that we all get to go to a school that has so much to offer. There are so many people in the athletic community

Senior forward Timothy Williams in the Yeomen’s scrimmage against the Capital University Crusaders. Photo courtesy of OC Athletics

here; many of my teammates in particular … are involved with not only athletics and academics but also music, theater, the arts, campus organizations, the list goes on. There is definitely a lot more to the athletes than some people give credit for, but overall I think the “divide” is exaggerated. First impressions can be daunting, but once you get talking you realize you really can be friends with anybody here. What are the things you value about being an athlete at Oberlin? By being here I get to interact with so many different types of people that I wouldn’t have the chance to know, especially if I went to a bigger school or even if I went to another school in the [North Coast Athletic Conference]. As a member of the team, and a member of the Oberlin community overall, I’ve seen so

many different perspectives on the world and met so many interesting people. Oberlin really brings people together and propels us into challenging situations that help us grow. What has been your favorite moment of the season so far? Our team’s best moments this season were probably showcased in our game last Saturday against Calvin College. Calvin is the second-best team in [Division III], and even though we ended up losing that game, we really held off and played so well for so long. It was the biggest game most of us have ever been in in our lives, and just watching how our team totally formed a unit and just grinded together was incredible. Even though the night didn’t pan out for us in the end, the fact that we banded together and really put up a fight was just awesome.

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SPORTS September 15, 2017

established 1874

Volume 146, Number 3

NBA Jersey Ads Signal Corporate Encroachment Alex McNicoll Sports Editor

Sophomore quarterback Zach Taylor threads the needle through the Kenyon College secondary in the Yeomen’s 31–10 dismantling of the Lords. The football team is 2–0 for the first time since 1989. Photo Courtesy of OC Athletics

Football Advances to 2–0 Jane Agler Staff Writer

The Yeomen followed up a strong start to the season with a dominating 31–10 victory in their homecoming game against the Kenyon College Lords. Oberlin now commands their first 2–0 start since 1989 following the defeat of their rivals. While their previous 24–6 win over the Kalamazoo College Hornets broke their 13-game losing streak that spanned over two seasons, this win solidly indicates a transformed Yeomen team. “We had a mission at the beginning of the season,” new offensive coordinator and quarterback coach Robbie Matey wrote in an email to the Review. “Take everything one week, one day, one rep at a time.” The Yeomen’s 21-point win on Saturday was fueled not by a few big plays, but by pressure and consistency from the first minute to the last. The Yeomen struck first with a 31-yard field goal 5:49 left in the first quarter, but a 16-yard pass from Kenyon’s quarterback, Ian Bell, in the second quarter gave the Lords their only lead of the game at 7–3. Sophomore quarterback Zach Taylor was quick to respond, however, as he gunned a 23-yard pass into the ready hands of senior wide receiver Corey Fussinger in the end zone just five minutes later with 1:59 remaining in the half. The Yeomen extended their lead to 17–7 in the third quarter with another pass from Taylor, but it was the fourth quarter when the team excelled, scoring two more touchdowns. The first came on the ground, as Taylor ran it in from two yards out. Oberlin coaches utilized Taylor’s rushing abilities last season as well, as he finished second in the North Coast Athletic Conference with 166 rushing attempts in the 2016 season. On the opposite side of the ball, senior defensive lineman Luis Solorzano led the way with six tackles, two sacks, and a forced fumble as the Yeomen held the Lords to just three points in the second half. His ef-

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forts earned him the title of NCAC Defensive Player of the Week, but he remained humble in his success. “It really brightened my day, but I’d like to give a shout out to the defensive line,” Solorzano said. “It’s the whole defense. We work together; it’s not about just one player.” The defensive line and linebackers saw even greater success during their season opener against the Kalamzoo College Hornets on Sept. 2. Despite heavy rainfall in the first half resulting in wet field conditions throughout the game, the defensive line and linebackers dominated the Hornets by holding them to a mere 34 rushing yards. “After last season, we really wanted to change the culture and make sure we came back with a vengeance,” Solorzano said. The offense’s efforts against the Hornets were equally fruitful. Two touchdowns in the first half sparked the Yeomen’s attack. The first was a 53-yard run from senior running back Khalil Rivers, and the second came through the air as Taylor launched a 23yard pass into the hands of junior wide receiver Robby Reinheimer. Morale persisted well into the second half, leading to another two touchdowns, both off of passes by Taylor. The Yeomen celebrated their first win with a 24–6 final score. Taylor, who values his faith just as much as he does his teammates, maintains that the Yeomen’s early season success is the culmination of team efforts. “I honestly just feel blessed,” the Artesia, CA native wrote in an email to the Review. “None of this would have been possible without God and the commitment of my teammates.” The Yeomen will now prepare for their first true test of the season when they face off against the number 15 ranked Wittenberg University Tigers tomorrow in Springfield, Ohio.

The Golden State Warriors inked yet another eight-figure contract this week that will completely reshape the NBA. Instead of adding another MVP to their roster, however, the reigning world champions signed a deal to let Rakuten, a major Japanese tech company, advertise on their jerseys. The three-year, $60-million agreement is the latest and largest in the NBA’s decision to let teams put ads on their jerseys. This move by the NBA shows how corporate sponsorships are taking yet another step in defining the way we experience sports. Rakuten is not new to the sports world, as it signed a similar contract with soccer powerhouse FC Barcelona last November. Its soccer deal was much more lucrative, totaling at $262 million over four years. However, soccer teams make a much larger portion of their revenue off of jersey ads, so the contracts are much larger than those in the states. On the other hand, American sports franchises such as the NBA make most of their money off of TV deals. Last season marked the NBA’s first of a nine-year deal that will collect $2.6 billion annually from ESPN and TNT. Because of TV contracts, American sports have shied away from advertising on jerseys. However, it seems natural that the NBA would be the first league to change that corporate model, as it has become equally a brand showcase as it has a sporting league. From the Jordan Brand to the Big Baller Brand, NBA superstars have capitalized on shoe-deals and sponsorships as much as they have on contract money, if not more. The $100 million Michael Jordan made from his Jordan Brand in 2014, for instance, is more than the $94 million he made throughout his entire 15-year career in the NBA. More alarming than the size of sponsorship deals is how it actually affects the on-court product of NBA teams, as well as all other major American sports leagues beyond it. In the 2010– 2011 season, Adidas athlete and Chicago Bulls point guard Derrick Rose won MVP. In the following offseason, Adidas spoke at length with the Bulls, Dwight Howard, and Howard’s agent to ensure that the three-time Defensive Player of the Year, an impending free-agent who was also signed with Adidas, would not join his Adidas counterpart in Chicago. Whether through free-agency or trade, Adidas did not want its two best players in the same city, and it never happened. Corporate deals are the lifeblood of professional sports. No matter the skill of the players or the size of the fan base, major corporations will always sign the biggest checks, dictating what we do or don’t see in American sports. Soccer, which is undoubtedly the biggest sport in the world, has never been able to exist in the American sports market. While the NFL, NBA, NHL, and MLB make nearly all of their money because of commercial breaks, soccer is a game that has two continuous nonstop halves with only one commercial break in the middle. In other words, TV networks didn’t have the demand to broadcast soccer games, so people never watched them or felt the urge to play themselves, consequently fostering general disinterest. On the other hand, it’s an American tradition to watch the Super Bowl each year, whether for the game, the commercials, or the halftime show. While only the biggest music superstars perform during the Super Bowl halftime show today, 30 years ago this was far from the case. In fact, from the first Super Bowl in 1967 to 1992, the halftime show was a mess that was rarely broadcasted, and only watched by a few. Sometimes college marching bands would perform, and other times a little-known musical guest would play. However, in 1993 Michael Jackson decided to perform, and his act was so groundbreaking that from then on Super Bowl ratings would peak at halftime, changing the first Sunday in February forever. Jackson made the Super Bowl must-see TV, and it has maintained that status ever since. Without Jackson’s performance, such large audiences would likely not be drawn to the Super Bowl each year, and TV networks would not make $166,666.67 a second on commercial deals. The games we watch and the players we love will always be influenced by how much money can be made. While the “integrity of the game” will always be valued by fans and maintained with rule-changes, PED testing, and similar sporting institutions, it is wrong to assume that sports, as an institution, abstain from going against these values to make money. You may not believe that players like Kobe Bryant or Maria Sharapova manipulate their on-field and off-field image in order to build their brand, but if someone can make $100 million a year on a shoe deal, then they will.


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