2 minute read
ROMAN WAY OF DEATH
New exhibition tells the lives of gladiators, with help from their tombstones
SLAVES, prisoners of war, condemned criminals or even free men who voluntarily chose the job… there was no one route to becoming a gladiator in Roman times. But one thing was common - death was never far away.
Blues Fun
THE annual Benicassim Blues Festival, taking place from June 2-4, will animate the streets of the coastal retreat for a weekend of live music, workshops, masterclasses, and children’s activities. Head off to the vermouth and blues masterclass, or combine the soulful sounds of the Spanish and international blues scene with an al fresco paella. Music will play in open-air venues across the town and the whole festival is free to attend. Artists will include soul, hip-hop and funk band The Main Squeeze, jump-blues and rockabilly band Micky & The Buzz and blues artist Alice Armstro.
By Simon Hunter
Now a new exhibition in Burgos is telling the stories of some of these warriors through artefacts used to commemorate them.
The Museum of Human Evolution in the northern Castilla y Leon region has borrowed six funerary ‘steles’ from Cordoba’s Archeology Museum for the show, which is called ‘Death in the arena. Gladiators of Cordoba’.
The steles – made from slabs of limestone or marble – are inscribed with the life stories of the dead gladiators, and were once located in a necropolis in Cordoba.
The site was discovered in
EPITAPHS: On a Gladiator life and (top) a helmet the 1930s when the local council in Cordoba decided to build a new neighbourhood.
It was then that workers found a spectacular underground tomb, and some years later proper excavation work located 15 burial sites (five of them with two occupants) for a total of 20 gladiators. The exhibition also features reproductions of the equipment that these gladiators used, including shields, helmets, daggers and armour.
Surprise Result
ELCHE area singer Blanca
Paloma could only finish in 17th place in last Saturday’s Eurovision Song Contest in Liverpool with her flamenco-based song Eaea. The low-standing was something of a surprise with bookmakers expecting a top-10 finish. Paloma, 33, said after the competition that she was ‘very proud’ of what she had done but that there was ‘work still to do’.
The items on display date from the first and second centuries A.D. but the exhibition explains the birth of the profession of gladiator from as far back as the fourth century B.C., when combat would honour someone’s memory.
“Flamenco still needs to be exported,” she told Spain’s broadcaster TVE. “It’s a seed that we have planted.” She added that she was ‘happy with the execution’ of the song on the night’. “It was risky” she added. “I want to encourage people to continue to take risks with different proposals.”
The display would later become the preferred public spectacle in the times of the Roman empire, according to the museum. The exhibition will run until autumn and is free to enter. Guided tours are also available at no charge.
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