NODEM Conference, 2014, December 4th | Warsaw
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES TECHNOLOGIES AND LANGUAGES WITHIN THE SCENARIO OF “ H E R I TAG E CO N T I N U U M ”
Ece Özdil, Politecnico di Milano, Italy. eceozdil@hotmail.com
ZOO IN MILAN?
Image: author’s own resource ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
ZOO IN GIARDINI PUBBLICI FROM: ONLINE ARCHIVE “ L O M B A R D I A B E N I C U LT U R A L I ” 1/ DESCRIPTION Author, place and date of the photography, materials, size, where it is catalogued etc.
2/ CLASSIFICATION Category of photography (reportage), Subject (gardens, animals and city)
+ Who completed the files, responsibles (scientific and functional), last modification date
Image: http://www.lombardiabeniculturali.it/fotografie/schede/IMM-MC040-0000126/ ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
INITIAL RESEARCH QUESTION
IS IT POSSIBLE FOR AN ARCHIVE TO A D O P T A N A R R AT I V E A P P ROAC H TO TELL STORIES AND ENGAGE WITH AN AUDIENCE? IF YES, HOW?
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
< < T H E R E I S N O D O U B T T H AT THE TRADITIONAL SKILLS OF THE ARCHIVIST CONTINUE TO BE ESSENTIAL AS, W H AT E V E R T H E M E D I U M , A L L A R C H I V E S N E E D TO B E E F F E C T I V E LY MANAGED AND THIS REQUIRES THE ABILITY T O S E L E C T, A P P R A I S E , C ATA L O G U E A N D MANAGE ARCHIVES.>> (Stevenson 2008)
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM T H E S T R O N G R E L AT I O N S H I P B U I LT B E T W E E N M U S E U M S , C O L L E C T I O N S , A N D A R C H I V E S
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM T H E S T R O N G R E L AT I O N S H I P B U I LT B E T W E E N M U S E U M S , C O L L E C T I O N S , A N D A R C H I V E S
A
FROM OWNERSHIP TO PERMEABILITY
Most museums and archives are currently engaged in placing their cultural heritage collections “in common” to make use of their content.
Museums
Arch iv ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
s ion
es
Coll ec t
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM T H E S T R O N G R E L AT I O N S H I P B U I LT B E T W E E N M U S E U M S , C O L L E C T I O N S , A N D A R C H I V E S
B
Most museums and archives are currently engaged in placing their cultural heritage collections “in common” to make use of their content.
FROM STABILITY TO GROWTH
They have adopted new roles to give place to the additional knowledge and information. As knowledge per se is addittive and cumulative, it builds up in time as people and institutions cultivates it.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
KNOWLEDGE & INFORMATION
Museums
es
Coll ec t
s ion
FROM OWNERSHIP TO PERMEABILITY
Arch iv
A
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM T H E S T R O N G R E L AT I O N S H I P B U I LT B E T W E E N M U S E U M S , C O L L E C T I O N S , A N D A R C H I V E S
B
Most museums and archives are currently engaged in placing their cultural heritage collections “in common” to make use of their content.
FROM STABILITY TO GROWTH
They have adopted new roles to give place to the additional knowledge and information. As knowledge per se is addittive and cumulative, it builds up in time as people and institutions cultivates it.
HERITAGE IN CIRCULATION
Heritage as an open-ended “repertory” of forms and processes transferable to new forms and processes, thus supporting the dynamics of transformation of its “monumental value” to “use value”.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
KNOWLEDGE & INFORMATION
Museums
es
Coll ec t
s ion
C
FROM OWNERSHIP TO PERMEABILITY
Arch iv
A
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM FOCUS ON THE STRUCTURE AND NOTION OF MUSEUMS
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM FOCUS ON THE STRUCTURE AND NOTION OF MUSEUMS
As a core place of cultural activities where culture is represented not only by ownership, but exhibited and reflected through a permeable structure.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Ă&#x2013;zdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM FOCUS ON THE STRUCTURE AND NOTION OF MUSEUMS
As a core place of cultural activities where culture is represented not only by ownership, but exhibited and reflected through a permeable structure.
FROM RECENT WORK As places of knowledge with a dynamic structure through diverse strategies activated by “cultural objects”.
Studio Azzurro, Museum as Narration, 2011 Kirshenblatt-Gimblett, Museum Frictions, 2006 Dernie, Exhibition Design, 2006
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
1/ HERITAGE CONTINUUM FOCUS ON THE STRUCTURE AND NOTION OF MUSEUMS
As a core place of cultural activities where culture is represented not only by ownership, but exhibited and reflected through a permeable structure.
FROM RECENT WORK As places of knowledge with a dynamic structure through diverse strategies activated by “cultural objects”.
Studio Azzurro, Museum as Narration, 2011 Kirshenblatt-Gimblett, Museum Frictions, 2006 Dernie, Exhibition Design, 2006
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
FROM NOT RECENT WORK moving from a description as the location where historical or objects of importance are kept and appreciated, towards metaphorical use for a space for the dissemination cultural knowledge.
Putnam, The museum as Medium, 2001 Malraux, The museum without walls, 1967
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
MUSEUMS IN COMPARISON TO ARCHIVES
IS IT POSSIBLE FOR AN ARCHIVE TO A D O P T A M E TA P H O R I C N OT I O N O F O P E N - E N D E D C U LT U R A L K N O W L E D G E D I S S E M I N AT I O N SYS T E M ?
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
MUSEUMS IN COMPARISON TO ARCHIVES
IS IT POSSIBLE FOR AN ARCHIVE TO REACH WIDER AUDIENCES AND E V O L V E C O N T I N U O U S L Y, A D A P T I N G T O THE CHANGES IN TECHNOLOGY AND THE CONTEMPORARY NEEDS OF VISITORS?
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES?
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES? M E A N I N G O F T H E W O R D “A R C H I V E ”
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES? M E A N I N G O F T H E W O R D “A R C H I V E ”
1
PHYSICAL SPACES Where documents are kept, such as record offices
2
DOCUMENT ITSELF Images, pictures, diaries, photographs, so type of references.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES? M E A N I N G O F T H E W O R D “A R C H I V E ”
1
PHYSICAL SPACES Where documents are kept, such as record offices
2
A
TRADITIONAL DEFINITION
deposits, repositories, datasets, documents and any storage spaces for safeguarding and preservation
B
ARCHEOLOGICAL HISTORICAL POINT OF VIEW
a piece of evidence, a personal statement, or can help to deconstruct an earlier interpretation or construct something as yet unknown
C
POLITICAL POINT OF VIEW
a recognition of power, a certain positioning, an evidence and a sign of influence
DOCUMENT ITSELF Images, pictures, diaries, photographs, so type of references.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES? M E A N I N G O F T H E W O R D “A R C H I V E ” I N T H I S R E S E A R C H
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
2/ WHAT ARE ARCHIVES? M E A N I N G O F T H E W O R D “A R C H I V E ” I N T H I S R E S E A R C H
A “living place” of investigation and experimentation towards a metaphor of open-ended knowledge system that is open to new interpretations and recreations connected highly with public involvement and engagement, using the technologies as an aid to build up connections and relations.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 1.DEFINING THE ACTIVE ROLE OF AUDIENCES AND IMPACT OF TECHNOLOGIES
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 1.DEFINING THE ACTIVE ROLE OF AUDIENCES AND IMPACT OF TECHNOLOGIES
FROM REGULAR VISITORS TO SPECTATORS Studio Azzuro’s work FROM REGULAR VISITORS TO ENABLERS OF CONTENT Nina Simon - Participatory models
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
FROM REGULAR VISITORS TO SPECTATORS
Studio Azzurro Fare gli Italiani, 2011
FROM REGULAR VISITORS TO ENABLERS OF CONTENT Tayfun Serttas Maryam Sahinyan archive, Foto Galatasaray, 2012
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 1.DEFINING THE ACTIVE ROLE OF AUDIENCES AND IMPACT OF TECHNOLOGIES
FROM REGULAR VISITORS TO SPECTATORS Studio Azzuro’s work FROM REGULAR VISITORS TO ENABLERS OF CONTENT
type of technologies INTERACTIVE DIGITAL TOUCH TABLES, DISPLAYS, AND OTHER SURFACE APPLICATIONS
Nina Simon - Participatory models
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 1.DEFINING THE ACTIVE ROLE OF AUDIENCES AND IMPACT OF TECHNOLOGIES
FROM REGULAR VISITORS TO SPECTATORS Studio Azzuro’s work FROM REGULAR VISITORS TO ENABLERS OF CONTENT Nina Simon - Participatory models
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
type of technologies
type of applications
INTERACTIVE DIGITAL TOUCH TABLES, DISPLAYS, AND OTHER SURFACE APPLICATIONS
INTERFACES AS ENVIRONMENTS DIGITAL CATALOGUES, VIRTUAL TOURS, A N D M U LT I M E D I A ATLASES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
DIGITAL CATALOGUES, VIRTUAL TOURS, A N D M U LT I M E D I A ATLASES Toi(t)&Moi - Expo, Lust (lust.nl), 2011
DIGITAL CATALOGUES, VIRTUAL TOURS, A N D M U LT I M E D I A ATLASES Toi(t)&Moi - Expo, Lust (lust.nl), 2011
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 2.EXTENDING THE PERCEPTION OF THE CONCEPT “MUSEUM EFFECT”
TAXONOMIC ARRANGEMENTS TO REPRESENT MEMORY
HIDDEN KNOWLEDGE THROUGH TAXONOMY
A longing to create meaning through ordering and categorizing, creating taxonomic arrangements as works of art that approaches the concept of preserving and representing memory.
Diverse ways of categorizing materials for example: according to language, material, shape, function, and construction, which reveals information hidden in them.
work of Boltanski (ex: Humans 1994)
Work of Clivio (ex:No Name Design, 2009) Cabinets of curiosities < >
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
TAXONOMIC ARRANGEMENTS TO PRESERVE MEMORY Christian Boltanski Humans, 1994
HIDDEN KNOWLEDGE THROUGH TAXONOMY Franco Clivio No name design, 2009+
<<WHEN A GROUP OF OBJECTS IS EXHIBITED TOGETHER IN A VITRINE, A KIND OF VISUAL CONSTRUCTION OR S TAT E M E N T I S I N VO LV E D, S U G G E S T I N G T H AT T H E Y H AV E SO M E F O R M A L O R C U LT U R A L R E L A T I O N S H I P O N E W I T H A N O T H E R . > >
(Putnam 2001)
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 3.INVESTIGATING “ROUTERS AND CONNECTORS” AS CROSS -PLATFORM DEVELOPMENTS
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 3.INVESTIGATING “ROUTERS AND CONNECTORS” AS CROSS -PLATFORM DEVELOPMENTS
Investigating about Digital(-ized) Heritage as a net-nature
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 3.INVESTIGATING “ROUTERS AND CONNECTORS” AS CROSS -PLATFORM DEVELOPMENTS
Investigating about Digital(-ized) Heritage as a net-nature 1
PLATFORMS AS RESOURCE Platforms such as Europeana, Google Cultural Institute as open and digitalized heritage content available online.
2
SUPPORT SYSTEMS EU projects and networks such as Linked Heritage (2011) to bring growth to the database of resource platforms, improvement of system.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 3.INVESTIGATING “ROUTERS AND CONNECTORS” AS CROSS -PLATFORM DEVELOPMENTS
Investigating about Digital(-ized) Heritage as a net-nature 1
PLATFORMS AS RESOURCE Platforms such as Europeana, Google Cultural Institute as open and digitalized heritage content available online.
2
SUPPORT SYSTEMS EU projects and networks such as Linked Heritage (2011) to bring growth to the database of resource platforms, improvement of system.
}
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
CROSS -PLATFORM DEVELOPMENTS When records no longer have to move across clear boundries in space or time to be seen as a part of an archive. (Upward 1996)
Records of Rights, National Archives, Interactive Exhibit, 2013
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
ROUTERS AND CONNECTORS AS CROSS -PLATFORM DEVELOPMENTS National Archives Records of rights, 2013
ROUTERS AND CONNECTORS AS CROSS -PLATFORM DEVELOPMENTS National Archives Records of rights, 2013
ROUTERS AND CONNECTORS AS CROSS -PLATFORM DEVELOPMENTS National Archives Records of rights, 2013
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 4.EXPLORING POSSIBLE STRUCTURES BETWEEN EXHIBITING AND ARCHIVING
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
3/ T O W A R D S T H E “A R C H I V E ” A S M E TA P H O R FOR OPEN-ENDED KNOWLEDGE SYSTEMS 4.EXPLORING POSSIBLE STRUCTURES BETWEEN EXHIBITING AND ARCHIVING
Exploring structures that uses archival materials as an enhancer of knowledge, information, and experience and asking if and how this type of structure can provide a basis for continuous cultural heritage production.
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
< < D O C U M E N TAT I O N U S U A L LY M A D E I N A D I F F E R E N T M E D I U M F RO M T H AT O F T H E “O R I G I N A L WO R K ”, W E N T O N TO P E R F O R M I TS OWN ENGAGEMENT WITH AUDIENCES, OFTEN T H RO U G H M A S S M E D I A ( . . ) A S M E D I ATO R S BETWEEN THE ORIGINAL WORKS AND AUDIENCES ELSEWHERE, THESE IMAGES C I RC U L AT E D T H RO U G H B O O K S, I N T H E N E W S M E D I A , A N D T H E A R T M A R K E T, A S T H E Y B E C A M E MORE THAN JUST RECORDS FOR ARCHIVES.>> (Osthoff 2009)
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
BETWEEN EXHIBITING AND ARCHIVING Timekeeper, Museum of Jewish Heritage, 2009
BETWEEN EXHIBITING AND ARCHIVING Timekeeper, Museum of Jewish Heritage, 2009
BETWEEN EXHIBITING AND ARCHIVING Timekeeper, Museum of Jewish Heritage, 2009
BETWEEN EXHIBITING AND ARCHIVING Timekeeper, Museum of Jewish Heritage, 2009
R E C A P K E Y- P O I N T S
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
R E C A P K E Y- P O I N T S A/ “A C T I VA T I O N ” PROCESSES AS MUSEUMS (EX:NARRATION) Not only “valorization activities” through digitalization and preservation. Accessibility is not about only making a cultural object available online. Value proposition
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
R E C A P K E Y- P O I N T S A/ “A C T I VA T I O N ” PROCESSES AS MUSEUMS (EX:NARRATION) Not only “valorization activities” through digitalization and preservation. Accessibility is not about only making a cultural object available online. Value proposition Not de-construction but re-construction Different scales and levels
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
R E C A P K E Y- P O I N T S A/ “A C T I VA T I O N ” PROCESSES AS MUSEUMS (EX:NARRATION) Not only “valorization activities” through digitalization and preservation. Accessibility is not about only making a cultural object available online.
B/ OPEN, LIVING ARCHIVE Not only “motion” added, but can be renewed, reconnected, recontextualized. (cross-platform) Usability of structure
Value proposition Not de-construction but re-construction Different scales and levels
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
R E C A P K E Y- P O I N T S A/ “A C T I VA T I O N ” PROCESSES AS MUSEUMS (EX:NARRATION) Not only “valorization activities” through digitalization and preservation. Accessibility is not about only making a cultural object available online. Value proposition Not de-construction but re-construction
B/ OPEN, LIVING ARCHIVE Not only “motion” added, but can be renewed, reconnected, recontextualized. (cross-platform) Usability of structure Not only a linear way to search documents, but involve users/visitors take a part in a serendipitous discovery. Language and strategy for engagement
Different scales and levels
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
HOW?
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
HOW? 1/ WHAT “HISTORIANS” DO Extrapolate
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
HOW? 1/ WHAT “HISTORIANS” DO Extrapolate
2/ WHAT INFORMATION SCIENCE DO Manipulate
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
HOW? 1/ WHAT “HISTORIANS” DO Extrapolate
2/ WHAT INFORMATION SCIENCE DO
}
DESIGN CONTEXT Construct
Manipulate
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
HOW? 1/ WHAT “HISTORIANS” DO Extrapolate
2/ WHAT INFORMATION SCIENCE DO
} } DESIGN CONTEXT Construct
There is work to be tested both on the development side(system and service, visual development, visualization) and curation side (selection of materials, space, and strategy) We need to foster collaboration between archives/institutions(provenance/keepers), creative industry(design), and visitors/users.
Manipulate
ARCHIVES AS NEW SPACES FOR ENGAGING EXPERIENCES
Ece Özdil, Politecnico di Milano, Italy. | NODEM Conference
THANK YOU!
Ece Ă&#x2013;zdil, Politecnico di Milano, Italy. Design for Cultural Heritage research unit eceozdil@hotmail.com ece.ozdil@polimi.it @ece_ozdil polimi.academia.edu/EceOzdil https://it.linkedin.com/pub/ece-Ăśzdil