Resolution! 2014

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Welcome to Resolution! 2014

Hats off to Resolution! by Donald Hutera

Resolution! is about new voices and new choreography. This festival is an opportunity for artists to try out their work for a different audience for the very first time. It may be 25 years old but there is nothing tried and tested about it.

I can’t recall my first-ever visit to Resolution! Nor have I been able to determine the exact year when I began to contribute to Resolution! Review as a professional watcher and mentor to aspiring writers. But surely this annual showcase of work by new and (mainly) young choreographers/companies has always been with us. Hasn’t it?

Works are selected for the platform on the basis of written proposals. There is no formula and neither ourselves or are audience ever quite know what we are going to see. Every piece is different and every year is full of surprises and that is what makes this festival retain its impact and importance after a quarter of a century.

Eddie Nixon Theatre & Artist Development Director The Place

The answer, of course, is no. After a quarter-century it only seems that way. Easy to see why. Even now, in a time when showcases for up-and-coming artists are proliferating, Resolution! remains the mother (or, if you like, the big daddy) of them all. As a staple event of the London/UK dance calendar it’s both a fine way to ring in the New Year and a smorgasbord-like spread for hearty appetites. Over the decades I’ve grown quite fond of the lucky dip nature of this lively beast. I like making discoveries and appreciate the risks of opening yourself up to work by names-you-recognise and complete unknowns. I’ve learnt about failure, too, whether that means a given dance failing to engage me or me failing it. One agonising piece, title and maker’s name long-forgotten, got me so riled up I remember thinking, ’I could do better than that!’ and then, as postscript, ’…Couldn’t I?’ And so as winter warmer, treasure hunt or potentially motivating performance feast, hats off to Resolution!

Donald Hutera, Dance Journalist (The Times, Dance Europe) Photo: Georgia Tegou / Front cover photo: Alicia Clarke

The history of Resolution! is about stability and flux. A consistent professional framework surrounding a whirlwind of individual creativity that whips up a radically different collection of works each time.


Resolution! 2014 at a glance Tue 14 Jan

Wed 15 Jan

Thu 16 Jan

Fri 17 Jan

Sat 18 Jan

léa tirabasso Anything Goes Collective James Finnemore

ELIOTSMITH COMPANY Mafê Toledo Ishimwa Dance Co.

PINCH Katarse Ensemble SpiroDance

Anecdotal Evidence Pell Ensemble Daisy Farris Dance Collective

Suse Tietjen Lucy Palmer Dance Company Ihsaan De Banya and Kenny Wing Tao Ho

Tue 21 Jan

Wed 22 Jan

Thu 23 Jan

Fri 24 Jan

Sat 25 Jan

David Waker notetoSELF Big Sisters

Sweet or Sour

theMiddletonCorpus Henry Curtis Nomadic Souls

James Morgan and Charley Fone

Flock collective Hannah Katherine Vincent konstantina skalionta

Tamar Daly Chloe Aliyanni The 2012 Legacy Project

Tue 28 Jan

Wed 29 Jan

Thu 30 Jan

Fri 31 Jan

Richard Osborne Jo Littledyke Lo-Giudice Dance

Culture Device Dance Project Rachel Burn Rag Days

Barely Methodical Troupe Whittman Dance Company TrashDollys Dance Theatre

E33 Dance Theatre Elena Jacinta Alex Broadie

Emmeline Cresswell (Wide Eyed Dance)

February

Sat 1 Feb Davin King SAAD Far From The Norm

Wed 5 Feb

Thu 6 Feb

Fri 7 Feb

Sat 8 Feb

Thea Stanton Mildred Rambaud fiftyfifty

Waldeinsamkeit Theatre Heather Stewart and Helen Cox Ieva Kuniskis

Maria Fonseca Porkpie Dance Theatre Georgia Tegou

Maisie Whitehead cai tomos Michael Kitchin and Eve Stainton (from The Uncollective)

Tue 11 Feb

Wed 12 Feb

Thu 13 Feb

Fri 14 Feb

Sat 15 Feb

Jenni Wren’s Slanjayvah Danza HOLASZ LCP Dance Theatre

Molly Wright CoCoDanse Justyna Janiszewska

Arc Dance Julie Schmidt Andreasen Eric Nyira / Exzeb Dance Theatre

NAOMI REYNOLDS Mansoor Ali B-Hybrid Dance

Akiko Dance Project Moxie Brawl Just Us Dance Theatre

Photo: Eulanda Shead

January


Photo: Jamie Morgan

Photo: ELIOTSMITH COMPANY

Photo: Ludovic Des Cognets

Photo: Jo Forrest

Photo: Emiliano Capozoli

Photo: Daniel Cheung

Tue 14 Jan 8pm

Anything Goes Collective Fill in the Blanks Fill in the Blanks is a physical scrapbookstyle representation of each individual involved, exploring ideas of self and individuality to expose the humans behind the performance.

James Finnemore Oh, glory! James Finnemore (Hofesh Shechter/ Punchdrunk) presents Oh, glory! a piece of visual dance theatre inspired by the landscape and atmosphere in the short stories of Breece D’J Pancake.

léa tirabasso Simones A “lustfully provocative piece” where a funny, absurd and disturbing world unfolds before the audience’s eyes. Armed with bittersweet irony and good-looking trainers, Simones unravels the absurdity of women’s conditions.

Wed 15 Jan 8pm

ELIOTSMITH COMPANY AFTER THE RITE On return from his studies at The Martha Graham School, Smith has created new work which interprets what he believes happened After The Rite. The work captures the last moments after death and resurrection.

Mafê Toledo For the Time Being A solo about new beginnings. For the Time Being takes different routes as it attempts to grasp the ungraspable: the moment we recognise time, it has already gone. Time to restart.

Ishimwa Dance Co. let’s walk We went from the bed, to the kitchen table, to the wall and even to the toilet seat. Let’s talk, let’s laugh but most of all, let’s walk. This is group piece telling stories through breathing and walking.

Thu 16 Jan 8pm

Katarse Ensemble Fuel An intimate solo with live original music, a piece that balances the fragility of a human life and a sense of fear. A world of darkness where the movement reflects the absence of freedom.

SpiroDance Just Breathe Life is not a sprint but a marathon. When was the last time we stopped, simply to breathe? SpiroDance presents Just Breathe combining elements of dance, spoken word, and physical theatre.

PINCH What Are You Trying To Say Two artists dive in head first, desperate to make something ’good’! In an open dialogue with the audience, this shared experience is a wry look at the comedy of failure.

Photo: Franz Markus Kämmerer

Photo: Adam Lucy

Photo: Paul Blakemore


Suse Tietjen Brother of Sleep Photo: Eulanda Shead

Pell Ensemble Decoy Photo: Zoe Rado

Fri 17 Jan 8pm Pell Ensemble Decoy This piece is about free will in modern times, it is about how we make choices when surrounded by marketing, technology and social media.

Sat 18 Jan 8pm

Anecdotal Evidence My Nose Grows Now Photo: Alexander Beer

Daisy Farris Dance Collective Silence the song in them… Photo: Daisy Farris Dance Collective

Suse Tietjen Brother of Sleep Inspired by Robert Schneider’s novel which provides our title, this work explores the story of musician Elias Alder who took his life at the age of twenty-two after he had resolved never to sleep again.

Anecdotal Evidence My Nose Grows Now Examining how lying is embedded in our lives My Nose Grows Now uses text and dance, recalls childhood warnings and fully-grown deception to reveal how effectively the human animal lies.

Ihsaan De Banya and Kenny Wing Tao Ho Casting Shadows In the absence of light, bodies can merge. Our existence is on the brink of where a duet can become a solo. Hands blur. Lines blur. Space blurs.

Daisy Farris Dance Collective Silence the song in them… If our voice is suppressed, how does our body manifest our thoughts, feelings and emotions? Sensitive human expression meets a distorted physical language creating a hum of visceral tension.

Lucy Palmer Dance Company Scratch Mark Discovering physical wounds and deepest psychological scars Scratch Mark untangles inner feelings that haunt pathways within the dancer’s body.

Ihsaan De Banya and Kenny Wing Tao Ho Casting Shadows Photo: Massimo Filippo

Lucy Palmer Dance Company Scratch Mark Photo: Tristan Parkes


Photo: Beth Alena

Photo: Alex Springer

Photo: Pandorasthoughts

Photo: Been Jammin’ Entertainment Benjamin C Paguyo

Photo: Ant Smith

Photo: Hannah K Vincent

Tue 21 Jan 8pm

Big Sisters Pressure Cooker And your idea of a Domestic goddess is..? In an erratic exploration of womanhood the all female cast laugh, mock and cry their way through the everyday.

David Waker Rising Pheasant Rising Pheasant presents the audience with moments of stillness in dance through breath on stage, whilst simultaneously spiking the energy with strong, animalistic movement qualities inspired by martial arts.

notetoSELF Juxtapose yourself notetoSELF presents a work that reflects the imbalances of daily life, when the mind is running a marathon but one is stood still in time. The constant motion amid the tranquillity.

Wed 22 Jan 8pm

James Morgan and Charley Fone Ensemble This is a free dance. It is made using only free space, free time, free materials and a free body. How can we use what we cannot afford?

Sweet or Sour The O syndrome Whether it’s expression of anguish, selfimposed reclusion or another deep emotional breakdown, the inner signs of social victimization slowly become apparent to its enemy once the body starts striking back.

Emmeline Cresswell (Wide Eyed Dance) A Rustle of Wings Inspired by a call to journey A Rustle of Wings explores how we listen to instinct and question our ideas of what it means to be free.

Thu 23 Jan 8pm

Flock Collective #flockoffice Thank you in advance for your kind cooperation. 1. This is a semi-autobiographical performance. 2. It is derived from a collection of 1305 emails sent to a London office.

Hannah Katherine Vincent The Black Lodge Inspired by David Lynch, watch as four dancers interact between dreams and reality. “In dreams I talk to you, close your eyes, everything will be alright. Welcome to the Black Lodge”

Konstantina Skalionta Empty You It took me long to realise I was holding on tightly to your memory and not your hand... You just slipped away silently...

Photo: Genesco Dela Cruz

Photo: Jenny Runacre

Photo: Elena Georgiou


Fri 24 Jan 8pm

Sat 25 Jan 8pm

Henry Curtis If you think back Had you listened to your thoughts would you have done it differently?

Chloe Aliyanni Meteora Inspired by Meteora, a group of Greek monasteries on top of ancient rock formations, as if suspended between sky and earth, this duet looks at points of transition and suspension between states.

theMiddletonCorpus It’s what you don’t see If we remove all physical matter, that which we can see, what remains? The Japanese use the word ’Ma’, to describe the essence of negative space. The ’Ma’ between objects in space must therefore carry the essence of their relationship.

Henry Curtis If you think back Photo: Henry Curtis

theMiddletonCorpus It’s what you don’t see Photo: Ludovic Des Cognets

The 2012 Legacy Project The Legacy 15,000 volunteers. 4 Olympic/ Paralympic ceremonies. Housewives, teachers, bankers, became drummers, dancers, nurses, and workers of the Industrial Revolution. 40 performers from the ceremonies explore how they live on, now 2012 is over.

Chloe Aliyanni Meteora Photo: Laura Hemming-Lowe

The 2012 Legacy Project The Legacy Photo: Andrew Forey

Tamar Daly Trigger A runaway bride encounters a troubled youth, both haunted by sounds from the worlds they escape. Their mutual love of detective stories eventually triggers their return home.

Nomadic Souls The Riot Photo: Foteini Christofilopoulou

Nomadic Souls The Riot The Riot is a hiphop dance theatre piece with live music, inspired by the escalating tensions between young people and the Metropolitan Police leading to the 2011 London riots. Tamar Daly Trigger Photo: Hedi Daly


Photo: Scott Miller

Photo: Stefan Bruggemann

Photo: Gosia Wilda

Photo: Timothy Clark

Photo: mzajac.eu

Tue 28 Jan 8pm

Lo-Giudice Dance Move_on_Baroqued Move_on_Baroque encapsulates the drama and sensuality of Neapolitan Baroque, evoking sex and the sacred through form and motion inspired by water in the city’s architecture. Collaboration with Movimentale Festival Napoli.

Richard Osborne Sea Changed The world is melting. Ice, water, oil. Start. After 800,000 years the Arctic is vanishing. Disappearing into the sea, in chunks the size of Manhatten. Stop. Dance.

Jo Littledyke Ugliness of Beautyd Destruction and pain are the ugliness born from the misconception of beauty. A duet that delves into our distorted idea of beauty and the loss of our own intrinsic value and uniqueness.

Wed 29 Jan 8pm

Culture Device Dance Project I can’t explain and I won’t even tryd Meaningful journey through a meaning (less) process. Dancers burst into movement and quit with an unexpected force that makes them appear foreign to their own origins. “wonderful dancers” William Forsythe

Rag Days Scratchd This is a serious dance work. A dance work where we come together to battle evil for the good of humanity. We are the dance rangers.

Rachel Burn Thresholdd Three women find their place in a black and white world by giving attention to small detail. Inspired by the poetry of Walt Whitman.

Thu 30 Jan 8pm

Barely Methodical Troupe Bromanced What are the limits of male companionship? How close is too close? Experimental acrobatic company explore this through various circus disciplines and dynamic movement.

Whittman Dance Company Cameleond Exotic, elegant and sensual females playing with your expectations. Cameleon celebrates women’s strength and ability to camouflage.

TrashDollys Dance Theatre Walterd A neurotic man discovers self-therapy through daydreaming. A ripe imagination allows him to create a world in which he is a spectator of a charismatic, yet riotous version of himself.

Photo: Gosia Wilda

Photo: Ben Hopper

Photo: Paul Blackmore


SAAD Habibi Photo: Siannesky

Fri 31 Jan 8pm Alex Broadie Frenemies Ever hate someone as much as you love them? Life gets complicated for the fierce, fun and fluctuating friendships of this intimate social clique. Bittersweet dance for the sitcom age. alexbroadiedance.com

Alex Broadie Frenemies Photo: Alex Broadie

Sat 1 Feb 8pm SAAD Habibi ’Was born an ugly baby now I’m an ugly man, jumbo lips.’ Drawing out the darkness from within one’s selves and bridging the gap between the veils. Every grain. Davin King The End is built into the Beginning To end is to start; To surrender is to know. Hope shall meet hopeless When there’s nowhere to go. - Fujimura Misao –

E33 Dance Company Pursue Me Photo: George Alexander Thompson

Far From The Norm H.O.H. Green street meets Houses of Parliament. H.O.H throws our ordinary lives into an explosive world of public disorder. This riotous adventure attacks political themes disrupting any sense of peaceful protest.

E33 Dance Company Pursue Me A Ballet & Capoeira fusion examining the power struggles and tensions found in relationships. A redemptive story of love and loss and the beauty we oddly find in pain.

Elena Jacinta Reassembled A solo where the body is the source and the object of fragmentation, the instrument of choreography and the decision maker. www.elenajacinta.com

Elena Jacinta Reassembled Photo: Katrina De Rycke

Far From The Norm H.O.H. Photo: Jason Torres

Davin King The Morning After Photo: Kiyotaka Hamamura


Thea Stanton Point of view Photo: Christian Fisher

Thu 6 Feb 8pm Heather Stewart and Helen Cox Lapse Shaped by Kenneth Goldsmith’s Fidget, a written transcription of every movement his body made over thirteen hours, Lapse delves into a strict act of self- observation and it’s eventual abandonment.

Ieva Kuniskis Women’s Tales Four women open up their personal histories in honest, heart breaking and humorous self-portraits.

Waldeinsamkeit Theatre You Must Be The One To Bury Me One man’s grasp of reality crumbles as the fantasies, memories and monsters of his recent relationship materialise in his flat. How did something so sexy become so scary?

Wed 5 Feb 8pm Thea Stanton Point of view In a piece inspired by Cubism and Relativity, two dancers fragment their relationship with their own body, and forge a shared connection in a new and ever-shifting state.

Mildred Rambaud DISC OF LIGHT Holding the light of the eclipse, three women dance with a large, circular, steel disc, dulled and lunar on one side - polished and solar on the other.

Mildred Rambaud DISC OF LIGHT Photo: Alfred Rambaud

fiftyfifty Frame Photo: Nuno Santos

Photo: Daniel Kim Yim

fiftyfifty Frame Using spoken musical notation, the dancers are challenged anew as they hear the musical score for the first time during the performance. A “blind date” between the dancers and music.

Photo: XX

Photo: Daniel Kim Yim

Photo: Oscar Dunbar

Photo: Judita Kuniskyte


Porkpie Dance Theatre Chai Paani Photo: Ellen Yilma

cai tomos “Describing Piece” Photo: Rhys Beynon

Fri 7 Feb 8pm

Sat 8 Feb 8pm

Porkpie Dance Theatre Chai Paani Mr & Mrs N. D. Parmar request the honour of your presence at the auspicious occasion of the First Date/Engagement/Wedding of their son Anaish Nathan to [?] No boxed gifts please.

cai tomos “Describing Piece” This piece is about the appearance and disappearance of meaning. It is dedicated to my mother who say’s “she doesn’t understand dance”. Mum, there is nothing to understand.

Maria Fonseca RED TEARS Photo: Andac Karabeyoglu

Maisie Whitehead Strung Out It’s raining. Two sisters, Veronica and Citron, are lost. In fact, they’ve lost the thread and they really need to find it if they’re to carry on. But where to..?

Maria Fonseca RED TEARS RED TEARS represents the duality of being alive. The light and the shadow. RED TEARS because they are not just salty but filled with an ocean of emotion.

Maisie Whitehead Strung Out Photo: Rachel Ferriman

Georgia Tegou UnderTone A collection of short stories about people and everyday life; exploring subtle meetings, the underlying quality of suggesting actions, the whispering of messages in a bid to understand each other.

Michael Kitchin and Eve Stainton (from The Uncollective) Third Person Optional Photo: Katrin Rhys

Georgia Tegou UnderTone Photo: Eulanda Shead

Michael Kitchin and Eve Stainton (from The Uncollective) Third Person Optional He is a mischievous devil with a keen eye for trickery, dazzling wit and deception. A dab hand at practical jokes, naturally taking on projects twice his size. He is an imposter.


Photo: Gosia Wilda

Photo: Luca Rocchini

Photo: Sophie Langohr

Photo: Josh Hawkins

Photo: Matthew Muir

Photo: Franco Chen

Tue 11 Feb 8pm

LCP dance theatre AM I Inspired by the true story of a victim of human trafficking, AM I explores the dual identity of a sexual slavery victim and trafficker. “Visually arresting experience” Dancing Times

Jenni Wren’s Slanjayvah Danza Minor Tears Drawing on Professor Helen Thomas’ enquiry “Pain and Injury in a Cultural Context”, Minor Tears exposes athleticism, determination and elegance that professional dancers demonstrate whilst hinting at vulnerabilities experienced.

HOLASZ Why Fronts: A contemporary lap dance Don your Y-Fronts. Witness a playful duet intertwining politics, feminism and a fair bit of larking about. Ukrainian folk music resonates whilst you revel in this modernist lap dance.

Wed 12 Feb 8pm

Justyna Janiszewska flux Altering through a series of constant motion and emotion, Flux reveals the melancholy and angst of a human body. Personal stories and dreams reflect the fears and desires of each character.

Molly Wright Long long story… I’ll explain another day Myths and legends - when generations meet and interact, preconceptions may be confirmed or dispelled. What may they have in common? Joints? Braces? Dizzee? - As Elton said - Goodbye Normal Jeans!

CoCoDanse Looping under a tree Jan is waiting. Sensing the absurdities of life with dark humour, desperate for something to happen. Join Jan and Adam, with live musician Stuart O’Connor as they overcome apathy and fear to leap into an uplifting flow of motion and happiness.

Thu 13 Feb 8pm

Exceb Dance Company Artism Act II Multiple variations “Wherever I found a living thing, there found I will to power and even in the will of the servant I found the will to be master.”

Arc Dance Conversations With Dystonia At 16, Suzie won a dance scholarship to London Studio Centre; at 17 she was diagnosed with the neurological condition Dystonia which left her a wheelchair user: 17 years on she explores her tempestuous relationship with her condition.

Julie Schmidt Andreasen Hula hoops Three characters are set on their own Hula Hoop paths. They stay on their predestined courses until sunlight shines on them. The music and choreography were created simultaneously.

Photo: Nick Tucker Photography

Photo: Chantal Guevara

Photo: Julie Schmidt Andreasen


Fri 14 Feb 8pm

Sat 15 Feb 8pm

B-Hybrid Dance Pace The intricate skill of harmonising an active mind and lifestyle, with one of rest and leisure, stimulates the creation of Pace. Come and take a step towards your balance.

Moxie Brawl It Started With Jason… Donovan Especially for you choreographer Sarah Blanc reveals her too many broken hearts as she tells of an eventful dating past using the songs of her first love Jason Donovan. This piece promises to bucketfuls full of raw emotion.

Mansoor Ali He waves his dusty hand hello He sees hidden objects. Spontaneously he digs these from the ground with his bare hands. Stories creep into the grit between his fingers. He waves his dusty hand hello.

B-Hybrid Dance Pace Photo: Brian Gillespie

Naomi Reynolds The Sob in the Spine Set to Robert Simpson’s String Quartet No. 7, The Sob in the Spine explores the complicated relationship between pain and the creative act, asking: are our agonies things that are visited upon us, or are they a manifestation of self?

Moxie Brawl It Started With Jason… Donovan Photo: Bruno Rodrigues

Akiko Dance Project Okuni (Kabuki Dancer) The spirit of Kabuki, traditional Japanese theatre, was born from the passion of a single woman called Okuni. This piece includes contemporary Japanese dance, drama and more.

Just Us Dance Theatre I know that I’m a woman, a woman with inner strength Photo: Gigi Giannella

Mansoor Ali He waves his dusty hand hello Photo: Mari Colbert

Naomi Reynolds The Sob in the Spine

Akiko Dance Project Okuni Photo: Maik Kleinschmidt

Just Us Dance Theatre I know that I’m a woman, a woman with inner strength Mother, Wife, Sister, Woman.’ I know that I’m a woman, a woman with inner strength’. (Anne Frank) How does one physicalize a woman’s subtlety and purity whilst retaining strength?


Resolution! 1990-2014 Over the past 25 years, Resolution! has presented the work of roughly 2,000 artists, including… 1990 Resolution! becomes a last minute addition to The Place’s programme when a London Mime Festival performance is cancelled. No programme was produced. 1991 Sioned Huws, Joanna O’Keefe, Karen Greenhough 1992 Russell Maliphant, Michael Keegan-Dolan, Pit Fong Loh, Mark Bruce 1993 Wayne McGregor, Yael Flexer, Jamie Watton, Jeremy James, David Massingham, Mark Baldwin, Henry Montes, Matthew Hawkins, Sheron Wray 1994 Arthur Pita, Beth Cassani, Javier De Frutos 1995 Carol Brown, Susanne Thomas, Charlotte Vincent, Thea Barnes, Joumana Mourad, Athina Vahla, Liv Lorent, Alias Compagnie

1996 Martin Lawrance, Michael Klien, Lisa Torun, Hanna Gilgren, Philippe Van Huffel, Henri Oguike, Katja Wachter 1997 Colin Poole, Fearghus O’Conchuir, Philipp Gehnader, Jane Mason, Elizabeth Lea, Sean Tuan John, Nina Rajarani, erre que erre, Tero Saarinen, Virpi Pahkinen, Anouk Van Dijk

2001 Stephanie Schober, Adam Benjamin, Sonia Sabri, Robert Hylton, Saskia Holbling, Martine Pisani

2007 Natasha Gilmore, Chisato Minamimura, Katie Green, Jemima Hoadley, Darren Ellis, Simona Bertozzi

2002 Rosie Kay, Ben Wright, Tom Dale, Tino Sehgal, Taras Burnashev, Milli Bitterli

2008 Jose Luis Vidal, Victoria Fox, Adam Linder, Teodora Castellucci

2003 Leon Baugh & Delphine Gaborit, Louise Katerega, Elizabetta d’Aloia, Bawren Tavaziva, Jean Abreu, Irven Lewis, Erna Omarsdottir, Claire Croizé

2009 Ash Mukherjee, Caroline Simon, Jane Coulston, Daniel Abreu Perro

1998 Mayuri Boonham & Subathra Subramaniam, Sarah Fahie, Ben Ash, Luca Silvestrini, Rahel Vonmoos, Jasmin Vardimon, Karine Ponties, Xavier Le Roi, Tatiana Baganora

2004 Sally Marie, Katie Prince (ZooNation), Charlotte Eatock, Frauke Requardt, Rashpal Singh Bansal, Hofesh Shechter, Lia Haraki, Jenni Kirela

1999 Jan De Schynkel, Henrietta Hale, Pete Shenton, Maxine Doyle, Rachel Krische, Konstantinos Rigos, Sol Rico, Thomas Lehman

2005 Temitope Ajose-Cutting, Marc Brew, Saju Hari, Ang Ngoc Nguyen, Mette Ingvartsen, Nicole Seiler, Apostolia Papadamaki

2000 Darren Johnston, Tom Roden, Fleur Darkin, Rafael Bonachela, Maresa Von Stockert, Anurekha Ghosh, Kenneth Tharp, Jyrki Kartunnen, Willi Dorner, Nanine Linning, Maja Delak

2006 Saiko Kino, Gary Clarke, Philine Janssens, Mickael Riviere, Alexandra Waierstall

2010 Eva Recacha, Jonathan Goddard, Gemma Nixon, Jessie Brett, James Wilton 2011 Alma Söderberg, James Cousins, Itamar Serussi Sahar, Moreno Solinas & Igor Urzelai 2012 Seke Chimuntengwende, Nina Kov, Lindy Nsingo 2013 Yu Yu Rau, Ivan Blackstock, Botis Seva (FAR FROM THE NORM), Joseph Mercier (Panic Lab)


Resolution! Review gives a critical response to every new performance in Resolution! The Reviewers include six leading dance critics - Donald Hutera (The Times, Dance Europe), Josephine Leask (LondonDance, The Dance Insider), Sanjoy Roy (The Guardian, New Statesman), Keith Watson (Metro), Graham Watts (Dance Tabs) and Lyndsey Winship (Time Out, Evening Standard) – and a cohort of new and aspiring dance writers who are mentored by the professional critics. Two reviews of each evening are posted at www.theplace.org.uk/resolutionreview (usually within 24 hours of the performance) offering two perspective of the works in each triple bill.

Helping artists explore new territory A key part of Resolution! is the support we offer to the companies through a series of tailored workshops in one of the best resourced dance theatres of its kind. The aim is to provide an environment where these new pieces have the best possible chance of succeeding. The workshops build professional skills in the areas of Marketing and Publicity, Lighting, Technical preparation and Project Planning. The Place supports artists who take dance into new territory. Our Pioneering Fund enables us to invest in the future developments of the most exciting artists we see in Resolution! and elsewhere, encouraging them to explore new possibilities in their work. We rely on the support of individuals to maintain this vital part of our work. Find out more about how you can contribute to the Pioneering Fund on our website. You can also donate to the Pioneering Fund by text.

Simply text ’PIOF13 10’ to 70070 to donate £10. theplace.org.uk/pioneering

Photo: Ben Hopper

Photo: Zoe Rado

Resolution Review!


How to book your tickets Our theatre seating is changing. Resolution! 2014 will have reserved seating so make sure you book well in advance.

Tickets: £14 / conc £11 per evening triple bill Telephone: 020 7121 1100

Online: www.theplace.org.uk

(Mon – Sat 10am – 8.30pm / 10am – 6pm on evenings with no performances)

(Visa/Mastercard/Maestro)

In Person: The Place, 17 Duke’s Road, London, WC1H 9PY (Mon – Sat 10am – 8.30pm / 10am – 6pm on evenings with no performances)

Tue 25 Feb Sat 15 Mar 2014 (Excluding Sundays)

8pm

Multi-buy – save up to 40% You can save up to 40% on full-price tickets to Resolution! by booking for three or more evenings at the same time. You save

Multi-buy

Price per ticket £14

book for 1 or 2 evenings book 3 evenings at the same time

20%

£11.20

book 4 evenings at the same time

30%

£9.80

book 5 or more evenings at the same time

40%

£8.40

The multi-buy offer is only available on full price tickets (no concessions) Groups of 10+ pay £10 per ticket.

Arrive before 7.20pm to receive 10% off all pre-show, interval and post-show drinks orders made at our fully licensed Theatre Bar. We have a range of drinks and snacks available from our opening time of 7pm.

Box office: 020 7121 1100 www.theplace.org.uk/protein

An induction loop is available at the Box Office and a Sennheiser infra-red hearing system in the auditorium. Guide dogs and hearing dogs are welcome. Free tickets are available to those accompanying disabled people. If you have any other requirements, contact the Box Office and we will do our best to ensure that nothing inhibits your visit.

Back cover photo: Katrina De Rycke

£15 (£12 concessions) £12 previews on Tue 25 and Wed 26 Feb 2014

Access for people with disabilities. There is on-street parking for blue badge holders outside The Place, level access to the foyer and a lift to all floors. Most local bus services have wheelchair access.


Where to find us The Place Robin Howard Dance Theatre 17 Duke’s Road London WC1H 9PY The Place is on Duke’s Road, off Euston Road. It is opposite St Pancras Church and next door to the Premier Travel Inn.

www.theplace.org.uk/resolution Tickets and information 020 7121 1100 #res2014 The Place, 17 Duke’s Road, London, WC1H 9PY


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