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portfolio.
Part of The Journey/
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To make
progress
everyday and
get inspired by little things/
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S E L E C T E D W O R KS .
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PA R T O F T H E J O U R N E Y /
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When I was little, my dad used to bring me books and magazines every day. It built my interest in design, color, layout, and illustration. Seeing how it came together in printed goods, always makes me excited. Along the way, I started learning graphic design through online courses and I love to challenge myself to learn something new about design. I am a “learning-by-doing� type of person. I start simple to keep the project moving forward and make it better. I always give my all for my designs and learn to focus on the process. As I believe, I can do anything if I put my mind to it. It takes perseverance and most likely getting out of my comfort zone but, nothing worth having comes easy in life.
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01—Prefix 05—Table of Contents 06—Resume 10—Branding 40—Editorial Design 64—Type Design 72—Logofolio 76—Contact
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S E L E C T E D W O R KS .
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PA R T O F T H E J O U R N E Y /
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Hello! I am There, a Jakarta based graphic designer with a bachelor’s degree in Visual Brand Design from Universitas Multimedia Nusantara. My skillset extends to branding & identity, editorial design, and typography. I have great attention to detail, passionate, determined, and highly organized. I am able to work on various THERESIA MARIA S N Graphic Designer
Jakarta, Indonesia
Birthday Interest
projects with tight deadlines independently or collaboratively. Bogor, 9th September 1997 minimalism, ikigai, coffee, magazine, organizational system, productivity
Expertise
graphic design, editorial design, branding & identity, print design, motion graphics, art direction, script lettering, type design
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Multimedia Nusantara University
2016-2020
Visual Brand Design
Regina Pacis Jakarta SHS
2013-2016
Science Studies
Experience Graphic Designer Intern at NikahKu
Feb-Apr 2020
Graphic design, social media content
Graphic Designer Intern at Studio Spasi
2019
Layout, graphic design, branding & identity design
Vice Art Director at Ultimagz
2019
Supervisor for social media content and FOKUS Ultimagz
Head of Visual 11th Anniversary Ultimagz
2019
Branding, art direction for exhibition
Visual Team at Ultimagz
2016-2019
Layout, graphic design
Visual‒Promotion Coordinator at Ultigraph Kalavikasana
2018
Supervisor for social media and promotion content
Advanced Layout Tutor Galeri FSD, UMN
2018
Tutor about layout and using grid
Visual Team at Wisuda XIII, UMN
2018
Graphic design, type design
Technical Skills Adobe Illustrator, Adobe InDesign, Adobe Photoshop Adobe After Effects, Adobe Premiere, Glyphs
highly proficient proficient
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S E L E C T E D W O R KS .
Education
PA R T O F T H E J O U R N E Y /
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S E L E C T E D W O R KS .
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“You can do
anything if you
set your mind to.” A QUOTE TO LIVE BY
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12—Keuskupan Agung Jakarta 28—TMSN Personal Branding 34—Locus Wall Organizer
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P roj ect /
01. Keuskupan Agung Jakarta year fie lds
ca teg o ry to o ls obj ect ive
December 2019 branding, identity, type design final project Adobe Indesign, Adobe Illustrator, Adobe Photoshop The Jakarta Archdiocese is a formal area of the oldest Roman Catholic Church in Indonesia which unites the deacon areas of Jakarta, Tangerang, and Bekasi. The church continues to be challenged to find creative ways to be able to present themselves amid globalization and remain relevant to its people. But at this time, the message to be conveyed by the Jakarta Archdiocese through visual identity is not strong enough so that perceptions understood by people are different. Yet the meaning in visual identity can be implemented in everyday life as the identity of the faithful and a reminder to want to serve others.
s olut io n
Therefore, brand rejuvenation can be a solution for the church to remain relevant to the people and strengthen the identity of Catholics. The results of the research that have been obtained, are implemented into visual identity in the form of logos, standard graphic manuals, posters, typefaces, stationery, social media content, and websites.
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keuskupan agung jakarta
concept
The new visual identity reflects its mission to be a good shepherd and generous. While its new tone of voice is to be more consistent and kind. I developed a custom typeface called Kalos Grotesque inspired by Cyrillic alphabet that expresses the history of an early Christian art through a unique set width character. Meanwhile, the color palette was inspired by the stained glass that is almost the iconic things in catholic churches.
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keuskupan agung jakarta
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keuskupan agung jakarta
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Doing this final project has taught me to trust the
process and take a leap of faith. I believe that there’s a solution to every problem. No matter how hard and impossible it may seem. Even sometimes, I have to
push myself to the limit to see what I am capable of. In the end, it’s all worth it. interview about KAJ Brand Rejuvenation with Masterpiece Magazine https://bit.ly/kajrejuvenationinterview
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P roject/
02. TMSN Personal Branding year fiel d s
category tools objective
January 2019 branding, identity, type design self initiated Adobe Illustrator This project was a self initiated project to develop a personal branding project of Theresia Maria. I made this project to prepare myself for an internship.
solution
The concept of the design to embrace my personality as a designer focused on minimalism and functionalism with a classic touch. I also made a custom typeface that I used as my logotype to help form an impression of my branding.
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locus wall organizer
P roject/
03. Locus Wall Organizer year fiel d s
category tools objective
March 2018 branding, identity client work Adobe Illustrator Locus Wall Organizer is a start-up company that sells furniture. They wanted to sell a shelf to help people organized their belongings. Locus aims to increase people’s productivity by enhancing clutter belonging in their home and working environment. The project is to create an identity such as logo and corporate stationery. The logo was inspired by the wood surface to give a natural look.
solution
I also took the basic shape of an organizer to give a productive feeling. I chose the color based on Scandinavian’s natural colors; monochrome with hints of natural wood color.
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42—Ultimagz Magazine Layout 52—Pengungsi Photo Book 60— KonMari Practical Guides
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05. Ultimagz Magazine year fie lds to o ls
l ayout & des ign p h oto & tex t obj ect ive
2018-2019 editorial design, illustration, social media design Adobe Illustrator, Adobe InDesign, Adobe After Effects Theresia Maria Ultimagz editor team Ultimagz is an independent campus magazine from Universitas Multimedia Nusantara. Ultimagz released a printed magazine twice a year and every month digitally on issuu.com. As a graphic designer, the duty I need to do every month is layout several spreads, making infographics, and several social media posts.Â
s o lut io n
The challenge I faced is finding a way to arrange all the text and photos but still resemble Ultimagz identity which is functional, clean, and modern.
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ultimagz
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ed cove r i l l u st rat io n cove r des ign
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Ultimagz edisi spesial 2019 Celine Mehitabelle Theresia Maria
ultimagz
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ultimagz
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*available in motion version
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ultimagz
*available in motion version
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04. Pengungsi Photobook year fie lds to o ls
l ayout & des ign p h oto & tex t obj ect ive
April 2020 editorial design Adobe Illustrator, Adobe InDesign Theresia Maria Daniela Dinda Pengungsi is a photobook for Daniela Dinda’s final project. She wants to portray the journey of a refugee from Afghanistan and how she survived all this time.
s o lut io n
The concept for this photo-journal is to make a neat and easy to understand layout. I want to portray the daily journey of the refugee by showing the layout flow. In the design process, I was challenged to make every picture highlighted but not overpowering to each other and the photos have to be able to tell the story themself without many texts in between. I chose dark blue and beige as the main color because dark blue depicts dreams and not to give up easily. The blue color also connotes melancholy, similar to the theme in the book “Refugees” who want to test the refugee to get their rights. While the beige color symbolizes neutrality and modesty.
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pengungsi photobook
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pape r s ize pa g es binding
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digital print on art-paper paper, 150Â g/m2 210 x 250 mm 84 pages flat-lay binding
pengungsi photobook
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konmari practical guide
P roject/
06. KonMari Practical Guides year fiel d s
category tools objective
July 2018 layout, editorial design, illustration university project Adobe Illustrator One of my Advanced Font Design class project in semester 4 is to make a practical guide consist of 36 cards. I chose this topic because I was interested in KonMari methods. I think it is useful to have a practical guide on how to declutter and organize things.
solution
I managed to create a design by visualizing clean and organized feels. The color combination I pick is based on Japanese color philosophy. Blue symbolizes modern, calm, and constancy. Green to represent restful and clean.
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66—Aksarah 78—Rekha 70—TMSN
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07. Aksarah Typeface year
May 2018
fie lds
typeface
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client work Adobe Illustrator Universitas Multimedia Nusantara XIII Graduation 2018 was inspired by Madurese culture.
s olut io n
Based on research, Madurese script’s origin is from Hanacaraka (Aksara Jawa). Hanacaraka has a long swirling tail with contrast stroke. I made the typeface using the basic stroke of Hanacaraka combined with minimalism.
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08. Rekha Typeface year fie lds
ca teg o ry to o ls obj ect ive
June 2019 typeface client work Adobe Illustrator Ultigraph is a graphic design annual event held by Visual Communication Design students of Universitas Multimedia Nusantara. A custom typeface is created to build brand recognition of the event.
s olut io n
The roots of Ultigraph’s name is based on the Sanskrit Language.The concept of Ultigraph 2019 is modernism with the identity of Nusantara. I made this typeface based on the characteristic of Pallava typeface; rounded rectangular stroke, monoline, and geometric look alike. Geometric ans serif style was chosen based on its modern look, clean, and to achieve functionalism.
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P roject/
09. TMSN Typeface year field s
category tool s object ive
January 2019 typeface self initiated Adobe Illustrator, Glyphs Typefaces have an essential role in setting the mood and forming an impression about the design. As part of my self-branding, I made a typeface referring to the concept of my personality as a designer focusing on minimalism and functionalism with a classic touch.
sol ution
I chose a bold style to draw attention to short phrases. Serif style is used to show classic, sophisticated, but still modern feel.
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74—Word mark 75—Combination mark
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01.
year
category
02. year
category
03.
year
category
04.
year
category
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Self Branding January 2019 self initiated
Keuskupan Agung Jakarta December 2019
university project
C’Cat Cat Food February 2019
university project
FORMASI—Ultimagz 11th Anniversary November 2018 client work
logofolio
05. year
category
06. year
category
07.
year
category
08. year
category
Museum Seni Rupa dan Keramik March 2019
university project
Locus Wall Organizer March 2018 client work
Viannda Bakery March 2018
university project
Say Something Coffee May 2019
university project
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Phone
+62 812 19755119
theresiamariasn@gmail.com
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@theresiamsn
Behance
be.net/theresiamsn
Dribbble
dribbble.com/theresiamsn
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Thank you for viewing my portfolio. I look forward to working with you.
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