2018-2019
PORTFOLIO
LIGHTING DESIGN
MARIA THERESSA ASIS
table of contents
01
playspace
02 square sky 03 paper clouds 04
under the scaffholding
05 milk torch 06
rendering and photomanipulation
about me
PLAYSPACE A CO-WORKING SPACE
Final Project - Co-Working Space LIGHTING STUDIO 1: FALL 2018 INSTRUCTORS: Glenn Shrum Alex Pappas Kalber Francesca Bastianini TEAM: Karmen Ho Changchang Yang
1
LIGHTING CONCEPT Through the passage of time, certain things change and certain things stay consistent. Like live theatre, elements of space and light are manipulated to show the progression of a story. Our design will punctuate ordinary moments with instances of revelation in hopes to inspiring creativity and ideas in our user.
Uplit colored ceilings to create a light gradient in the phone rooms.
Hand-dyed linen as a scrim
Full scale mock-up
SQUARE SKY A DAYLIGHTING PROJECT
Daylight Micro Project LIGHTING STUDIO 2: SPRING 2019 INSTRUCTORS: Derek Porter Nelson Jenkins Matt Franks Davidson Norris Individual Work
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LIGHTING CONCEPT The main idea is geometry, symmetry and squares, to use square shapes to create dramatic moments in the interior through daylight. The gestures used are canalisation and evanescence, repeating square coffers spill direct sunlight to highlight areas of the walls and floors of the building core.
SUMMER SOLSTICE 9am -3 pm
Process
summer solstice 12:00
winter solstice 12:00
equinox 9:00
WINTER SOLSTICE SUMMER SOLSTICE EQUINOX
WINTER SOLSTICE SUMMER SOLSTICE EQUINOX
ELECTRIC LIGHTING
Perspective Grayscale AGI32 Render
Rendered RCP
Perspective Showing Illuminance Map
Floor Plan Showing Illuminance Map
PAPER CLOUDS A LIGHTING INSTALLATION
Human Scale Installation LIGHTING STUDIO 1: FALL 2018 INSTRUCTORS: Glenn Shrum Alex Pappas Kalber Francesca Bastianini TEAM: Julia Strapp Carmen Ruiz Cruz
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Lighting Concept : Diffuse
Layers of tracing paper to diffuse harsh light directly above the table.
UNDER THE SCAFFHOLDING A STUDY OF TEMPORARY CONSTRUCTION SHED LIGHTING IN NEW YORK
Data Representation REPRESENTATION AND ANALYSIS: FALL 2018 INSTRUCTOR: Brooke Silber TEAM: Tzu Hao Kuo
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The study was conducted because of concern of glare as one walks The luminare is located on the wall of the construction shed, mounted at approxiunder scaffholding of a construction area. mately 10 feet, it is not directly at eyelevel height but perspective changes as pedestrians walk past the shed creating a glare source. The street, wall, and perime-
- ter areas are Concerned about safety onratio, the at street. dark and create a high contrast 8:1. The target provided by the of Buildings is 3:1.construction This high contrast, - Department Glare from new of accompanied building. by a point of light a flat panel, a glare sourceand that bright reflects off the wall, adding to - mounted on Contrast of create the dark street construction area. the problem.
8:1
The following diagrams attempt to provide solutions on how luminares can be located in a construction shed. There is no concrete guidelines on luminare placement, as well asof type of luminare. Site luminance location:levels NE Corner Broadway and 12th St., New York. The following photos are examples of actual construction sites, around New York.
LUMINARE LOCATION PROPOSAL 1
LUMINARE LOCATION PROPOSAL 2 2.1 : 1
The luminare in this construction linear flourescent, with a diffuser
It is positioned lengthwise along and provides uniform light appea thoughtout the pathway.
The contrast ratio is 2.1:1. The h fixture allows it to be less of a gl since it is mounted on a high ceil
The luminare in this construction shed is a LUMINARE LOCATION PROPOSAL 2 2.2 : 1 linear flourescent, with a diffuser.
LUMINARE LOCATION PROPOSAL 3
It is positioned lengthwise along the corridor, and provides uniform light appearance thoughtout the pathway. The contrast ratio is 2.1:1. The height of the fixture allows it to be less of a glare source since it is mounted on a high ceiling.
The luminaire in this construction s compact flourescent bulb.
It is mounted on the center of the ce provides light on the pathways but harsh shadows.
The constrast ratio is 2.2:1 which is the target of 3:1 but this type of bul recommended as the quality of ligh the shadows might be a problem to night.
The luminaire in this construction shed is a bare
compact flourescent LUMINARE LOCATION PROPOSAL 3 bulb.
3.8 : 1
It is mounted on the center of the ceiling which provides light on the pathways but gives off harsh shadows. The constrast ratio is 2.2:1 which is not far off the target of 3:1 but this type of bulb may not be recommended as the quality of light created by the shadows might be a problem to pedestrians at night.
The luminaire in this construction sh compact flourescent bulb.
It is mounted towards the side of the c provides light on the pathway, it give ows but is less harsh compared to a li mounted on the center of the ceiling.
The constrast ratio is 3.8:1 which is n target of 3:1. If a point source will be like this, this would be the best positi located as it provides enough light to and minimal shadows. The mounting h considered good as well because it is
MILK TORCH A NEW AND IMPROVED WAY TO USE A FLASHLIGHT INCASE OF A DISASTER
Disaster Preparedness Intensive LIGHTING STUDIO 1: FALL 2018 INSTRUCTORS: Glenn Shrum Alex Pappas Kalber Francesca Bastianini TEAM: Changchang Yang
5
EMPTY MILK CONTAINER
TAPE AND CUTTER FLASH LIGHT
EGG CARTON
DIMMED LIGHT LEVELS
WASHING UP
STUDYING
COOKING
STEP 1
STEP 2
STEP 1
STEP 2
STEP 3
Create a layer for the background coral color.
Divide the page into three and create a yellow box in the middle
Create a smaller brown box in the middle of the yellow box.
Create a layer for the background STEP 4 coral color.
Divide the page into three and create a STEPbox 5 in the middle yellow
Create a smaller brown box in the STEP 6 yellow box. middle of the
Create STEPa layer 4 for the background coral color.
Divide the STEP 5 page into three and create a
Create a smaller STEP 6 brown box in the middle of the yellow box.
Create a layer for the background STEP 4 coral color.
Divide the page into three and create a STEP 5 yellow box in the middle
STEP 4
STEP 5
STEP 6
Get an image from the internet for a cement texture. Use the perspective tool to get the perspective of the floor.
Apply outer glow to the small box.
Create the walls on separate layers using the lasso tool and paint brush tool.
Get an image STEP 7 from the internet for a cement texture. Use the perspective tool to get the perspective of the floor.
Apply outer STEP 8 glow to the small box.
Create the STEP 9 walls on separate layers us-
STEP 7 from the internet for a Get an image
STEPouter 8 glow to the small box. Apply
STEPthe9walls on separate layers usCreate ing the lasso tool and paint brush tool.
STEP 7
STEP 8
STEP 9
STEP 7
STEP 8
STEP 9
Apply a color overlay on the floor layer.
Edit the highlight on the walls.
STEP 10 overlay on the floor Apply a color layer.
STEP 11 on the walls. Edit the highlight
Create the yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
STEP 10 overlay on the floor Apply a color layer.
STEP 11 on the walls. Edit the highlight
Apply a color overlay on the floor layer.
STEP 10
Edit the highlight on the walls.
STEP 10
STEP 11
STEP 12
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
Copy the lights created and adjust opacity. and use the eraser tool to remove part of the lights that are not seen in the reflection.
cement texture. Use the perspective tool to get the perspective of the floor.
Get an image from the internet for a cement texture. Use the perspective tool to get the perspective of the floor.
yellow box in the middle
Apply outer glow to the small box.
STEP 11
STEP 3
Create a smaller brown box in the STEP 6 middle of the yellow box.
ing the lasso tool and paint brush tool.
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
Create the walls on separate layers using the lasso tool and paint brush tool.
STEPthe12 Create yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
STEPthe12 Create yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
STEP 12
Create the yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
Copy the lights created and adjust opacity. and use the eraser tool to
REPRODUCED IMAGE ON PHOTOSHOP
REPRODUCED IMAGE ON PHOTOSHOP
REPRODUCED IMAGE ON PHOTOSHOP THERESSA ASIS
THERESSA REPRODUCED IMAGE ASIS ON PHOTOSHOP
THERESSA ASIS
RENDERING AND PHOTOMANIPULATION A COLLECTION OF RENDERINGS FROM VARIOUS PROJECTS
Individual Work
6
ph o to gra ph of ori g i n a l a r two rk by d a n f l av i n
f in al rec reated im a g e
STEP 1
STEP 2
STEP 3
STEP 1
STEP 2
STEP 3
STEP 1
STEP 2
STEP 3
STEP 1
STEP 2
STEP 3
Create a layer for the background coral color.
Divide the page into three and create a yellow box in the middle
Create a smaller brown box in the middle of the yellow box.
Create a layer for the background coral color.
Divide the page into three and create a yellow box in the middle
Create a smaller brown box in the middle of the yellow box.
STEP 4
STEP 5
STEP 6
Create a layer for the background coral color.4 STEP
Divide the page into three and create a yellow STEPbox5in the middle
Create a smaller brown box in the middle of the STEP 6 yellow box.
Create a layer for the background STEP 4 coral color.
Divide the page into three and create a STEP 5 yellow box in the middle
Create a smaller brown box in the STEP 6 middle of the yellow box.
STEP 4
STEP 5
STEP 6
Get an image from the internet for a cement texture. Use the perspective tool to get the perspective of the floor.
Apply outer glow to the small box.
Create the walls on separate layers using the lasso tool and paint brush tool.
Get an image from the internet for a STEPtexture. 7 cement Use the perspective tool to get the perspective of the floor.
Apply outer glow to the small box.
STEP 9 tool and paint brush tool. ing the lasso
STEP 8
Create the walls on separate layers us-
Get an image from the internet for a STEPtexture. 7 Use the perspective cement tool to get the perspective of the floor.
Apply outer glow to the small box.
Create the walls on separate layers usSTEP 9 tool and paint brush tool. ing the lasso
STEP 7 from the internet for a Get an image cement texture. Use the perspective tool to get the perspective of the floor.
STEPouter 8 glow to the small box. Apply
STEP 9 walls on separate layers usCreate the
STEP 7
STEP 8
STEP 9
STEP 8
Apply a color overlay on the floor layer.
Edit the highlight on the walls.
Apply a color overlay on the floor STEP 10 layer.
Edit the highlight on the walls.
STEP 11
Apply a color STEP 10 overlay on the floor layer.
Edit the highlight STEP 11 on the walls.
STEPa color 10 overlay on the floor Apply layer.
STEP 11 on the walls. Edit the highlight
STEP 10
STEP 11
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ORIGINAL PHOTOGRAPH OF DAN FLAVIN
ing the lasso tool and paint brush tool.
Create the yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
Create the yellow reflection on the STEP 12 wall. add highlight to the floor using white and a brush tool, adjust the opacity.
Create yellow reflection on the STEPthe12 wall. add highlight to the floor using white and a brush tool, adjust the opacity.
STEPthe12 Create yellow reflection on the wall. add highlight to the floor using white and a brush tool, adjust the opacity.
STEP 12
Copy the lights created and adjust opacity. and use the eraser tool to remove part of the lights that are not seen in the reflection.
Copy the lights created and adjust opacity. and use the eraser tool to remove part of the lights that are not seen in the reflection.
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
Copy the lights created and adjust opacity. and use the eraser tool to remove part of the lights that are not seen in the reflection.
Make a rectangle with a light pink fill and a darker pink stroke.
Duplicate the light you created.
Copy the lights created and adjust opacity. and use the eraser tool to remove part of the lights that are not seen in the reflection.
REPRODUCED IMAGE ON PHOTOSHOP
REPRODUCED IMAGE ON PHOTOSHOP
REPRODUCED IMAGE ON PHOTOSHOP THERESSA ASIS REPRODUCED IMAGE ON PHOTOSHOP THERESSA ASIS
THERESSA ASIS
THERESSA ASIS
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about me
Education
THE NEW SCHOOL, PARSONS SCHOOL OF DESIGN, SCE. New York, USA MFA Lighting Design
August 2018- May 2020
PHILIPPINE SCHOOL OF INTERIOR DESIGN. Taguig City, MM Philippines Bachelor of Science, Interior Design Advanced Certificate in Interior Design ATENEO DE MANILA UNIVERSITY. Quezon City, MM Philippines Bachelor of Arts, Interdisciplinary Studies Art Management and Communication Track Thesis: A Visitor’s Study of the Ateneo Art Gallery
December 2017 November 2013 March 2011
BRITISH SCHOOL MANILA. Taguig City, MM Philippines IBO International Baccalaureate UK GCSE
May 2007 June 2005
Experience
Work Experience while studying at Parsons NGLS Research Project BIOS lighting Installation FREELANCE INTERIOR DESIGNER Freelance interior designer Condos, Homes and Restaurant Projects. EMPIRE DESIGNS / BO BEDRE INC. Pasig City, MM. Philippines Project Based Junior Designer Junior Interior Designer AYALA MUSEUM FOUNDATION INC. Makati City, MM. Philippines Intern
Leadership
President, Philippine Institute of Interior Design Student Auxiliary Board Skills and Certifications Basic AutoCad, 3DMax, SketchUp, Vray, Agi32, Adobe Creative Suite, Rhino
Extracurricular Activities
October 2018 November 2018 June 2016 – Present
June 2016 – December 2017 November 2013 – July 2014 March – June 2010
2011-2013
Artist - Art Exhibitions (Philippines) 2017 Passionately Pink, Crimson Hotel, Alabang Muntinlupa. (for the benefit of breast cancer) FilipinaZ Art, Penthouse 8 Rockwell, Makati (for the benefit of Zonta Makati, battered women and children) Art in the South | Filinvest Tent Park, Alabang Muntinlupa