SWEET HONEY IN THE ROCK
50TH ANNIVERSARY TOUR
FEATURING
CAROL MAILLARD
LOUISE ROBINSON
AISHA KAHLIL
NITANJU BOLADE CASEL
BARBARA HUNT
GUEST ARTISTS
NAVASHA DAYA, VOCALIST
HERMAN BURNEY, BASSIST
BARBARA HUNT, ASL SIGN LANGUAGE INTERPRETER
Ted Lambert, Executive Director
Melay Araya, Artistic Director
Jeff Mann, Marketing Director
Alex Koveos, Digital Media Manager
Cindy Byram, Publicity
Carl Acampora, Production Manager
Dennis Rakauckas, Graphic Designer
In prayer we trust/ By hope we live/ On truth we stand/ From our hearts we give/ Love.
– SWEET HONEY IN THE ROCK®
Sweet Honey In The Rock®, the extraordinary GRAMMY-nominated women-led African American vocal ensemble, marks their 50th anniversary at The Town Hall in New York City on Friday, March 24th
The concert, part of their three-year celebration tour “Sweet Honey In The Rock: Road To 50,” represents a truly special reunion.
Sweet Honey In The Rock, which first appeared at Town Hall in the early 1980s, has been guided by the idea of giving a voice to the voiceless and disenfranchised and addressing social justice. The Town Hall was built as a meeting place by a group of suffragists (The League for Political Education) to educate people on the significant issues of the day. It is also one of the best venues in the country for voices. During its completion, Congress passed the 19th Amendment establishing women’s right to vote.
Fittingly, Sweet Honey In The Rock’s performance highlights Town Hall’s celebration of Women’s History Month and is part of Town Hall’s ongoing Women Composers series.
Firmly rooted in African American history and culture, this vocal quartet has honed a rich combination of musical styles, including low-down blues, spirituals, and African choral traditions, to Rhythm & Blues and hip hop. They have shown an unwavering commitment to social justice, and their messages have been set to vocal harmonies celestial and earthy, and presented with a theatrical flair.
In his introductory essay to a Sweet Honey In The Rock songbook, Horace Clarence Boyer called the group a Greek chorus commenting on all matters of importance to our society.
Their work is still necessary and relevant 50 years later.
The current ensemble features vocalists Carol Maillard and Louise Robinson -- both original members of the group -- Nitanju Bolade Casel, Aisha Kahlil and Navasha Daya; Herman Burney, bass, and Barbara Hunt, ASL sign language interpreter.
“When we started, we were part of the amazing DC Black Repertory Theater Company in Washington, D.C.,” recalls Maillard, who’s also an actress, musician, and composer and has performed in film, television, cabaret, and theater. “We were studying with Bernice Johnson Reagon (then vocal director of the company), who was an active member of the Student Nonviolent Coordinating Committee [SNCC} and had another a cappella singing group in Atlanta. What Bernice brought to our theater company was steeped in our culture as African American people. One of the men in the vocal class told Bernice that the songs we sang for the show were really great, so can we have a singing group? I can tell you that this was not something Berniece wanted to do because she had two little kids and she was getting her doctorate in American History at Howard University. But between Louise Robinson and others asking her and asking her, they wore her down, and she finally said yes. She got ten of us together, taught us a few songs
that were not in the theater repertoire – and it was really great.”
After a few weeks, some members didn’t show up for rehearsals, “So Louise said, it’s four of us here. Let’s just sing and see what happens,” recalls Maillard. “The sound was so good! And Bernice said, ‘This is the group.’”
They took their name from “Honey In The Rock,” a popular song by singer Mamie Forehand in the late 1920s. The piece alluded to a line from Psalm 81:16, in which King David told his people that if they served The Lord, they would be rewarded with “honey out of the rock.” The song became popularly known as “Sweet Honey In The Rock,” and Maillard recalls she suggested at a rehearsal that “it would be a great name for the group.”
Their first concert was on November 17th, 1973. Since then, Sweet Honey In The Rock has performed all over the world, building a large and faithful fan following (they are favorites of Michelle Obama, who invited them to perform at the White House in 2009), releasing over two dozen recordings, and garnering three GRAMMY nominations. The group has also been the subject of two PBS Television specials (including American Masters).
“I cannot overstate Sweet Honey In The Rock’s importance in American music,” says Melay Araya, The Town Hall’s Artistic Director, and Archivist. “As a young artist, I turned to their music as inspiration for excavating our cultural traditions and generating new works that would honor them while pointing to the future. Celebrating their 50th anniversary is a privilege. They are as electric as they were when I first saw them decades ago. “
As for the social and political battles that once seemed settled and now have to be fought again, ranging from voting rights to police brutality, Maillard takes the long view. “The more things change, the more they stay the same,” she notes. “Change is constant. The struggle is constant. Life is born out of struggle.”
“You just have to keep going,” she says softly but firmly. “You have to use your DNA that has resilience stamped all over it, and you want to keep moving forward because you’re going to uplift people and make room for younger people coming forward, their offspring, and their children’s children.”
“If I get emotional while talking about the group, please forgive me,” she says, chuckling. “I really am a fan. I think what this group does is so unique. We are young elders.” Reagon retired in 2004, and “there have been 28 different women and sign language interpreters on a Sweet Honey stage,” recalled Maillard. “But throughout, there’s been such a consistency between the message and the music. It’s really magical.”
ABOUT SWEET HONEY IN THE ROCK
Since its 1973 inception in Washington, DC (founded by Dr. Bernice Johnson Reagon as part of the D.C. Black Repertory Theater Company with Carol Maillard, Louise Robinson and Mie), Sweet Honey In The Rock has continuously evolved into international ambassadors of a cappella vocal and lyrical excellence and musical missionaries of equality, empowerment and education, peace, love, solidarity and nondenominational spirituality. Revered most for their live performances, the ladies have recorded 24 albums, several specifi-
cally for children. Their most recent double CD, SWEET HONEY IN THE ROCK: A Tribute...Live! Jazz at Lincoln Center (2012), paid homage to their kindred sisters: vocalists and activists Abbey Lincoln, Odetta, Miriam Makeba and Nina Simone, and found the group singing with a jazz trio of “Honey Men” (Musical Director and pianist, Stacey Wade; acoustic and electric bassist, Parker McAllister; and drummer and percussionist, Jovol Bell).
Sweet Honey In The Rock has performed in many of the world’s most prestigious venues on almost every continent for royal command concerts and festivals. In 2015 alone, they embarked on four U.S. Embassy tours with performances and community outreach in, Ethiopia, Peru, Jamaica and Swaziland (and also toured Belize in 2014). In Swaziland, they were one of the headliners of the internationally acclaimed 9th Annual Mountain Bushfire Music Festival (which attracted 20,000 people), and were featured at the 11th Annual Festival of Voices in Hobart, Tasmania, as part of a tour that also included Launceston, and Melbourne and Sydney in Australia. Their February 2016 appearance at New York’s historic Carnegie Hall (with noted guest artists trumpeter and bandleader Terence Blanchard and violinist Regina Carter) holds the distinction of being their 32nd occasion to perform there.
Recent milestones and accomplishments include being commissioned by the Alvin Ailey American Dance Company to compose a score for its 50th anniversary 2008 program, “Go In Grace.” In 2012, they debuted their first orchestral collaboration, writing original lyrics for composer William Banfield’s, “Symphony 10: Affirmations for a New World”, a thirty minute work that was co-commissioned and presented by the National Symphony Orchestra (Christoph Eschenbach, Music Director), and the John F. Kennedy Center for the Performing Arts, Washington, DC; the Minnesota Orchestra, (Osmo Vänskä, Music Director) at Orchestra Hall in Minneapolis; and the Harris Theater for Music and Dance, Millennium Park with the Sphinx Orchestra (conducted by Mark Russell Smith) in Chicago.
The group also had the honor of performing at the National Memorial Service for Nelson Mandela at the National Cathedral in Washington, DC. In acknowledgement of their efforts, Sweet Honey In The Rock was recently presented a distinguished award by the Search For Common Ground Organization and the Keeper of the Flame award by the National Delta Sigma Theta Sorority at its 100th anniversary celebration. Also, not surprisingly, they are a favorite group of President Barack Obama and First Lady Michelle Obama, having performed by request at the White House.
Sweet Honey In The Rock, which has been the subject of two PBS television specials, (including American Masters), is a beloved performance ensemble that, in its 40 plus year history, has maintained a resilient spirit and found a way to successfully fuse the talents of the 24 women that have graced the Sweet Honey In The Rock stage into their patented sound without ever skipping a beat. Ever evolving, the soul survivors once even expanded to six vocalists before settling back to four, all in the name of retaining its adventurous spirit, keeping up with the times and reaching greater numbers of like-minded spirits. Last year they released the holiday single and video, “Silent Night” in support of their annual Sweet Honey In The Rock, “Celebrate the Holydays” program
Contr ibu te to ou r
THE TOWN HALL FOUNDATION
The Town Hall’s mission is to provide affordable world-class entertainment by new and established artists to a diverse audience; to inspire the youth of our community to appreciate and participate in the arts at The Town Hall and in schools through our Education Outreach Program; and to preserve and enhance The Town Hall as a historic landmark venue for the enjoyment and cultural enrichment of generations to come.
BOARD OF TRUSTEES
PRESIDENT
Tom Wirtshafter
PRESIDENT EMERITUS
Marvin Leffler
EXECUTIVE VICE PRESIDENT
Susan Zohn
GENERAL COUNSEL
Ellen Miller-Wachtel
TRUSTEES
Teniola Adedipe
Shauna Denkensohn
Anne Frank-Shapiro
John A. Jenkins
David F. McCarthy
Natalie Moreno
Rita Robbins
Madhu Southworth
Timothy Stambaugh
Nevin Steinberg
LIFE TRUSTEES
Phyllis Putter Barasch
Leona Chanin
Mary Dettling-Wright
Alfred H. Horowitz
Bruce S. Leffler
THE TOWN HALL STAFF
EXECUTIVE DIRECTOR
Ted Lambert
ARTISTIC DIRECTOR
Melay Araya
DIRECTOR OF MARKETING
Jeff Mann
DIRECTOR OF MEMBERSHIP, SUBSCRIPTIONS AND ADMINISTRATION
Helen Morris
DIRECTOR OF DEVELOPMENT
Donna Banks, PhD
DIRECTOR OF EDUCATION
Jocelyn Bonadio-de Freitas
TECHNICAL DIRECTOR
Bill Dehling
VICE PRESIDENT
Nevin Steinberg
TREASURER
David McCarthy
SECRETARY
Rita Robbins
WARNING
The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theatre without the written permission of the management is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for monetary damages.
FIRE NOTICE
ADVISORY COUNCIL
Kathleen Rosenberg, Chair
Nancy Berman
Sandy Horowitz
Elizabeth Iannizzi
Candace Leeds
Zita Rosenthal
Rhoda Rothkopf
ARTS IN EDUCATION
ADVISORY COUNCIL
Dr. Sharon Dunn
Michael Fram
Gary Hecht
Ernest Logan
Dr. Eloise Messineo
Dr. Lisa Mars
Dr. Pola Rosen
George Young
BOX OFFICE MANAGER
Angel Rodriguez
DIGITAL MEDIA MANAGER
Alex Koveos
CHIEF ENGINEER
Steve Franqui
HOUSE MANAGER
Johnny Lee Green
DIRECTOR OF BOOKING AND EVENTS
Paul Cameron Hardy
ADMINISTRATIVE ASSISTANT
Britni Montalbano
PRODUCTION ASSOCIATE
Gloria Lee
The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please do not run, WALK TO THAT EXIT.
Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermissions. This violates a city ordinance and is punishable by law.
-FIRE COMMISSIONER
DIRECTORY OF THEATRE SERVICES
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Cell phones should be silenced prior to the performance as a courtesy to the performers and audience.
LOBBY REFRESHMENT BY Theatre Refreshment Company of NY
MAJOR GIFTS, CORPORATE, FOUNDATION & GOVERNMENT SUPPORT
This program is supported, in part, by public funds from The New York City Department of Cultural Affairs in partnership with the City Council. Town Hall’s Education Outreach Program is made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. The Centennial Concert Series is funded, in part, by Howard Gilman Foundation. We would like to thank the following foundations, corporations, and government institutions for their support:
American Portfolios
Bank of America
Bob Dylan Center
Broadhaven Capital Partners
Consolidated Edison Company of New York
The Durst Organization
The Hearst Foundations, Inc.
The Hyde & Watson Foundation
Edythe Kenner Foundation
Gund Investment Corporation
National Endowment for the Arts
New York City Department of Cultural Affairs
New York State Council on the Arts
Henry Nias Foundation
Howard Gilman Foundation
New York State Governor Kathy Hochul
New York City Mayor Eric L. Adams
Manhattan Borough President Mark Levine
New York City Council Member Keith Powers
New York City Council Member Gale Brewer
New York City Council Member Julie Menin
New York City Council Member Sandy Nurse
New York City Council Member Kalman Yeger
NYC Dept. Cultural Affairs Commissioner Laurie Cumbo
S&P Global
The Shubert Foundation
Ticketmaster
THE TOWN HALL’S YOUNG PATRONS CIRCLE
Join the next generation of Town Hall supporters! Town Hall’s Young Patrons Circle is a special membership group, ages 21-40, that engages in social and educational activities through exciting events, performances, and programming. We are brought together by a shared love of the arts, a deep interest in social change, civic engagement, and a desire to become part of a growing group of like-minded individuals that support town Hall.
For more information about the Young Patrons Circle, please contact Development Manager - development@thetownhall.org
TOUR THE HISTORIC TOWN HALL
Town Hall has played an integral part in the electrifying cultural fabric of New York City for more than 90 years. A group of Suffragists’ fight for the 19th Amendment led them to build a meeting space to educate people on the important issues of the day. During its construction, the 19th Amendment was passed, and on January 12, 1921 The Town Hall opened its doors and took on a double meaning: as a symbol of the victory sought by its founders, and as a spark for a new, more optimistic climate. In 1921, German composer Richard Strauss performed a series of concerts that cemented the Hall’s reputation as an ideal venue for musical performances. Since, Town Hall has been home to countless musical milestones: The US debuts of Strauss, and Isaac Stern; Marian Anderson’s first New York recital; in 1945, Dizzy Gillespie and Charlie Parker introduced bebop to the world; Bob Dylan’s first major concert in ‘63; and much much more.
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