Tuesday, Oct. 10, 2023
Volume 121, Issue 6
VISTA The
Volleyball page 6
“OUR WORDS, YOUR VOICE.”
Tuesday, Feb. 22, 2022
Volume 119, Issue 19
U.S. adopts protection rules against student debt Madison Simon Contributing Writer
College students are set to receive unprecedented protections against debt thanks to new regulations introduced by the Biden-Harris Administration. The U.S. Department of Education released the final rules for the Gainful Employment (GE) program on Sept. 27. The modifications made were designed to shield approximately 700,000 students each year from postsecondary programs that could leave them drowned in debt or with earnings that don’t measure up. At its core, the GE rule requires private for-profit institutions and certificate programs to meet certain standards. Specifically, the debt students incur should be comparable to their earnings after graduation. The “debt-to-earnings ratio” is defined in the regulations, the annual earnings a typical graduate must allocate to repaying their debt must not exceed 8% of their overall earnings or 20% of their discretion-
ary income. Furthermore, the rule has an “earnings premium” feature that mandates at least half of a program’s graduates to have a higher earning than a typical high school graduate in their state who didn’t pursue postsecondary education. Not meeting these standards could result in a program losing access to federal student aid. “Today’s final rules answer President Biden’s call to hold colleges accountable for rising costs and protect students from unaffordable college debt.” said U.S. Secretary of Education Miguel Cardona. He further emphasized the importance of informing students about programs that historically lead to high debts, insufficient earnings, and diminished career prospects. “The Biden-Harris administration believes that when students invest in higher education, they should get a solid return on their investment and a greater shot at the American dream,” Cardona added. Complementing the GE rule is the Financial Value Transparen-
President Biden signed a bill protecting students from debt in programs after high school. The bill seeks to make any debt incurred a reasonable ratio to projected post-graduation earnings. (AP/PROVIDED)
cy (FVT) framework, ensuring students receive comprehensive information about the net costs of postsecondary programs and potential financial outcomes. This framework will not only inform students about the likely costs and debts they may accumulate but will also introduce an acknowledgment
mechanism, ensuring students are aware of the risks associated with certain programs. U.S. Department of Education Under Secretary James Kvaal emphasized the broader objectives of these measures. Cont. on page 5
Journalist present at JFK shooting says ethical media is in trouble Sam Royka Editor-in-Chief
Mark Hanebutt introduces Joe Carter at the 2023 Media Ethics Conference. (JAYDON SIMS/THE VISTA)
Joe Carter said he is “99.9 percent sure” that Lee Harvey Oswald killed President Kennedy. (JAYDON SIMS/THE VISTA)
Maintaining the separation between hard news and false or opinionated statements is a “chilling challenge” to modern ethical journalism according to Joe Carter, a journalist that tells the story of the Kennedy assassination from a firsthand perspective. He gave the opening keynote at this year’s Media Ethics Conference. “Is it reasonable, fair, oriented, audacious for journalism to consider maintaining a high standard of ethics?” asked Carter. “Hell yes,” he said. The process of finding unadulterated truth may also be complicated by citizen journalism with the rise of social media. Talking head commentators are often mistaken for journalists, marking an additional problem for the public in deciphering who is reporting opinion versus fact. As the nation watches a former president go on trial for fraud, Carter’s next statement was timely.
The journalist quoted a Washington Post article that stated as of January 24, 2021, Trump had lied or given misleading claims 30,573 times in the previous four years. Deepfakes and false news collide with a startling lack of media literacy at a broad level. Reporter Samuel Kozlowski covers media literacy for The Vista in other articles herein. To journalists, Carter said, “airing our own prejudices and writing news copy journalism must be above reproach,” admitting that “above reproach is a tough cow. Ask Caesar’s wife.” He emphasized the power that journalists have: the power to tell the truth. “Please let us maintain our own highest standard and test of reporting truth as best as we can determine. Leave the opinion writing to the pundits and the editorial pages,” he said. Cont. on page 5.
Political science student breaks down House Speakers’ removal Jake Ramsey Managing Editor
Rep. Kevin McCarthy was removed from his position as House speaker on Oct. 3 in the House of Representatives, after a 216-210 vote led by eight Republicans. After being removed from office by many of his conservative constituents, California Rep. Kevin McCarthy became the first ever speaker to be removed from the position, and with that comes a bit of uncertainty for what will come next. “It’s not necessarily that the Republicans wanted McCarthy out,” said UCO political science student Gareth Morton, “It was eight people in the Republican party that wanted him out, and that’s all it took.” Morton goes on to discuss why this is the first time in history that a speaker has been removed from the seat. “That is for two different reasons,” said Morton. “Anytime prior that a Speaker of the House has lost support of their party, they resigned, but Kevin McCarthy took it to a vote.” “Secondly was the motion to
vacate,” said Morton. Morton goes on to discuss the motion to vacate, which is a procedure that can be used to remove the speaker through a motion introduced by any one member regardless of party-line. Florida Rep. and Republican Matt Gaetz was the one who brought the motion against former-speaker McCarthy. “So when he finally did something that Matt Gaetz didn’t like, they made the motion to vacate,” said Morton. “Most of the Republican party voted for McCarthy to remain speaker, but obviously the democrats aren’t going to support that and the eight Republicans that were mad voted with the Democrats and he was kicked out.” The removal of McCarthy comes shortly after the risk of a government shutdown was averted by McCarthy and the Biden administration. The deal between the two is what would shock the eight lawmakers into action. Cont. on page 5.
Former Speaker of the House Kevin McCarthy addresses the crowd. (PROVIDED)
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The Vista
ENTERTAINMENT
Tuesday,Oct. 10, 2023
Weekly Horoscope
Sam Royka Editor-In-Chief
LEO
ARIES
TAURUS April 20-May 20
May 21-June 20
June 21-July 22
July 23-August 22
This eclipse is about your relationships. What is already good will grow better, and what needs to let go will be pushed. You’re about to bloom in new and exciting ways. Mars in Scorpio means that any tensions or passive-aggression you’ve experienced moves into a better space. Your song is “Thinking of You” by Joesef.
You are being encouraged to align your life as well. What feels good and what needs to go? The sixth house takes a look at your health and fitness. Don’t be afraid to take that morning walk as the air gets cooler. Venus in an earth sign might have a quiet reputation, but the value in this time is grounding and healing. Your song is “Healthy Moon” by DIIV.
If your heart is feeling full this eclipse might be helping! It’s going to be an exciting week with a spark of new passion for your favorite people and activities. You might find yourself tying up loose ends as your ruler, Mercury, prepares to move into rebalancing Libra. Your song is “Jolt” by Yvette Young.
You’re being drawn towards your home this time around. A redecoration could be in order! Or, it is possible that a family member could ask you for help at this time. Venus in Virgo enhances this pull and you may find yourself helping someone younger than you. Your song is “Kids” by Young Gun Silver Fox.
Your mind is bubbling, Leo. Your intellect is energized, perfect timing if you have midterms this week! This transit could also manifest as a pull to travel, experience new things, and talk to new people. Widen your mind! Venus in Virgo gives you a chance to do some self-care. Your song is “World in My Eyes” by Depeche Mode.
March 21-April 19
LIBR A
VIRGO
GEMINI
September 23-October 22
Venus is in your sign for the rest of the month! This transit focuses on stability and practicality. The solar eclipse transits your second house, so you could be offered something transformative in your career. It could also manifest as a pull towards building your own personal foundation. Your song is “Solid Ground” by Michael Kiwanuka.
If sudden opportunities start to come your way, don’t be surprised! All the growing and changing you’ve been doing, even unconsciously, comes to a peak now. This eclipse in your first house transcends the old ways of doing business: you’ve got another thing coming! Your song is “FRUIT FLIES” by BUG MOMENT.
AQUARIUS
SCORPIO
December 21-January 20
If you’ve been craving rest, this eclipse is manifesting it for you! Aligning with fall break means that it’s perfect timing to set up habits that support you. The eclipse brings another gift: a clean slate in regards to some emotional entanglements. You have the chance to focus on you now. Your song is “Working for the Knife” by Mitski.
It’s time to navigate by the stars: the guiding glow that is community is showing you your next step. When you follow your networks and friends, something amazing could happen. Prepare to transform into the best version of you. To be loved is to be changed. Your song is “A Guest” by Micah Blue Smaldone.
An astrological cascade means that your career and personal life are both in for a level-up. Two eclipses and Pluto going direct in your sign focus that spotlight on your growth. Look for ways to align with your goals and the road will open. How would your higher self start their morning? How can you implement those rituals in your life? Your song is “After the Afterlife” by CocoRosie.
PISCES
This eclipse spells fresh start in capital letters. You could be published, travel, or change something about the way you approach school. It’s a mental and philosophical shift that could even spell changes in your physical transportation. Step out of your comfort zone and ride the wave. Your song is “Don’t Let Me Be Misunderstood” by Nina Simone.
This eclipse is a boost to what you trade with others. This is most often energy and less often money or services. You’re being shown where to move forward by a near-magnetic pull toward great returns. Venus in Virgo for the rest of the month slows down drama, putting a greater emphasis on practicality. Your song is “Habitual Love” by Okay Kaya.
Week of 10/9/23 - 10/15/23
SUDOKU
Edited by Margie E. Burke
Difficulty: Medium
7 5 1
7 4 4 6
3
HOW TO SOLVE:
2
Each row must contain the 3 numbers 1 to 9; each column must contain the numbers 1 to 9; and each set of 3 by 3 boxes must contain the numbers 1 to 9.
9
Answer to Previous Sudoku:
3 1
2 9 5 7 2 7 5 6
5 5 4
Copyright 2023 by The Puzzle Syndicate
8 1 6
CAPRICORN
November 22-December 21
February 19-March 20
January 21-February 18
SAGITTARIUS
October 23-November 21
2
August 23- September 22
CANCER
6 7 9 4 5 1 2 8 3 4 3 8 7 2 6 9 5 1 5 2 1 9 3 8 4 6 7 7 1 5 3 6 9 8 2 4 3 8 6 1 4 2 5 7 9 2 9 4 8 7 5 3 1 6 9 5 3 6 8 7 1 4 2 1 6 2 5 9 4 7 3 8 8 4 7 2 1 3 6 9 5
When the moon comes between Week of 10/9/23 - 10/15/23 the sun and the earth, it creates a solar eclipse that will be about 60 percent visible from campus on October 14!
The Weekly Crossword
by Margie E. Burke
1 2 3 4 5 6 7 8 9 10 11 12 13 ACROSS 1 Inbox clogger 14 15 16 5 Ship renovation 18 19 17 10 Fruity pastry 14 Broadway 22 20 21 award 23 24 15 Figure out 16 Next in line? 25 26 27 28 29 30 17 Insurable item 18 Hearty soup 32 33 34 31 20 Pictorial display 35 36 37 38 39 22 Pieces of hair 23 California 42 43 44 40 41 slugger 47 48 46 24 Things on rings 45 25 Part of a 49 50 conductor's cry 51 52 53 54 55 56 27 Methane 31 Ballpark figure 57 59 58 32 Amtrak stop 61 62 34 Far from wordy 60 35 Pupil surrounder 63 64 65 37 Mars explorer 39 Social outing Copyright 2023 by The Puzzle Syndicate 40 Thorny blooms 42 Squad-car 4 Nearsighted33 Descendants 50 Garden tool sound ness 36 Church events 51 Clothing line? 44 ___ and vigor 5 String around a 38 Snakes and 52 Island in Italy 45 Play interval finger lizards, e.g. 53 Hot sandwich 47 Indiana team 6 Authoritative 41 Start of a March 55 Swear to 49 Disgusting order holiday 56 Adjusts, as a 50 Great balls of 7 Good times 43 Indian flat bread clock fire 8 Peggy Fleming, 46 Red wine 58 Soup serving 51 Training session for one 48 Sarcastic 54 Party animals? 9 Perfume sampler remarks 57 Kind of engineer 10 Stirred about Answers to Previous Crossword: 59 Boater's haven violently O C C U R L A M E S N A P 60 Qualified 11 Billion years T H I N E A L U M P U M A 61 Piano piece 12 Watermelon H O R S E S O M E T I M E S 62 Maritime speed waste R O D E N T E S C A L A T E 63 Foot-wiping 13 Dos y uno W A D E R R E A D E R S D C C C O L O R A D O spots 19 Secret meeting T A B H E A L T H F O O D S 64 Does data entry 21 No walk in the A R E D O D O A X L E 65 Uses needle park V I I I N T E R S P E R S E and thread 25 Flaming E T E R N I T Y O A R 26 Red ____ N A S T Y P U R I T A N DOWN 27 Netflix offering C O L D S O R E S P A D E R 1 Male deer 28 Cemetery sight N I N E S H A B I T A B L E 2 Dispense liquid 29 Moving about T E A S E V E N T A C L U 3 Story villain 30 Appears to be E D D Y R E S T S D E E M
ENTERTAINMENT
Tuesday, Oct. 10, 2023
The Vista
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Karma is the girl on the screen in “Taylor Swift: The Eras Tour” Matilda Harvey Copy Editor
“Taylor Swift: The Eras Tour” will be released in theaters on Friday, Oct. 13, following an Oct. 11 premiere in Los Angeles. The tour film, which was filmed at SoFi Stadium in Los Angeles in August, has a run time of 2 hours 48 minutes. Each of Swift’s previous tours had films made of them, except for RED, due to issues with the individual responsible for directing the film. The 1989 World Tour movie was released exclusively on Apple Music, while “Taylor Swift: reputation Stadium Tour” was a Netflix original. “Taylor Swift: The Eras Tour” will premiere in 102 countries including the United States on Oct. 13, with 13 additional countries and territories receiving the film on Nov. 3. AMC theaters will be the distributor and exhibitor; Swift chose to bypass studio involvement as a member of the still-striking SAG-AFTRA union. Swift’s deal with AMC has already affected other musicians, with Beyoncé making a deal with
AMC for the theatrical release of “Renaissance: A Film by Beyoncé.” The week prior to release, ticket pre-sales for “Taylor Swift: The Eras Tour” surpassed $100 million, according to AMC. This figure makes the Eras Tour film the best-selling concert film in history, surpassing 2011’s “Justin Bieber: Never Say Never.” The first-day presale reached $37 million, beating the first-day presale for “Spider-Man: No Way Home.” Photo of Taylor Swift performing. (ASSOCIATED PRESS/PROVIDED) “Taylor Swift: The Eras were also planned for Oct. 13 stand on seats or block othTour” has not only made a noreleases, with all three moved to er audience members’ views. table economic impact but also later dates. Apple TV had conCostumes and friendship bracemade waves in the film industry, sidered a two-week film run for lets were a large part of the Eras altering the release schedules for “Killers of The Flower Moon” Tour this summer, and those several films. “The Exorcist: Be- but chose not to pursue that after aspects are both embraced and liever” was originally slated for the announcement of “Taylor encouraged for the film. release on Oct. 13, 2023. HowSwift: The Eras Tour.” AMC, Cinemark, and Regal ever, due to the Eras Tour film, After the release of “Billie Cinemas will all have exclusive “The Exorcist: Believer” was Eilish: Live at the O2” on Jan. collectible popcorn buckets and moved to an Oct. 6 release date. 27, 2023, there was discussion cups featuring the art from the This decision came after months around the etiquette expected of Eras Tour promotional materials. of promotion for the original refans at concert films. AMC has AMC will give exclusive mini lease date. Lionsgate’s “Ordinary released a list of guidelines for posters to fans while supplies last. Angels,” Sony Pictures’ “The the Eras Tour film screenings, The film is currently planned for Persian Version,” and Bleecker noting that fans may sing and a four-weekend run, from Oct. Street’s “What Happens Later” dance, as long as they do not 13 to Nov. 10.
‘The Exorcist: Believer’ is a resurrection, not a reinvention
Matilda Harvey Copy Editor
Hitting theaters a week prior than originally planned, “The Exorcist: Believer” was released on Oct. 6, 2023. This sequel to 1973’s “The Exorcist” starred Leslie Odom, Jr., Ann Dowd, Jennifer Nettles, Norbert Leo Butz, Lidya Jewett, and Olivia Marcum. Jewett and Marcum, ages 16 and 15, respectively, took on the roles of the possessed girls in need of the titular exorcist. “The Exorcist: Believer” serves as the sixth film in The Exorcist franchise, though it is intended as a direct sequel to the original film. Director Morgan Greene has stated that the original films maintain their place in the canon of the universe. Horror movies have always served as a way to monitor that which the general public finds most terrifying. This is most evident in horror films produced post-9/11, but also in 2023’s installment in the Exorcist franchise. The film follows photographer and widower Victor Fielding as he copes with the demonic possession of his teenage daughter, Angela, and her best friend, Katherine. Angela and Katherine attempt to commune with Angela’s deceased mother, opening themselves up to demons that wish to control them. Upon reading the book “A Mother’s Explanation” by Chris MacNeil, Fielding reaches out to her about the 1973 possession of her daughter, Regan. Ellen Burstyn reprises her role from the original film to guide Fielding through the anguish of seeing his child suffer. Victor seeks out help from a Catholic priest, a rootwork healer, and a Pentecostal preacher, while Katherine’s parents go to their Baptist preacher for spiritual healing. While Catholicism, the Baptist faith, and
Photo of Katherine played Olivia O’Neil and Angela played by Lidya Fielding. (UNIVERSAL PICTURES/PROVIDED)
the Pentecostal church all fall under the umbrella of Christianity, rootwork healing is a Hoodoo practice. It is through the unity of multiple religions and denominations that the main cast of characters has even a fighting chance against the demons; in the 1973 film, two Catholic priests were the only option, and they suffered greatly. If horror movies aim to show audiences what people fear the most, “The Exorcist: Believer” has delivered on the promise of the genre. In the United States, there is rampant division along political, religious, social,
STAFF Sam Royka Editor-in-Chief Jake Ramsey Managing Editor Jaydon Sims Photo Editor Matilda Harvey Copy Editor Sam Kozlowski Reporter Zak Royka Reporter Britton Summers Reporter Phil Rodriguez Sports Reporter Ethan Brown Photographer Victor Lopez-Santizo Photographer Troy Isbell Photographer Tess Peters Graphic Designer George Lang Adviser
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and economic lines. There is ample hatred launched at individuals for the mere fact of their existence. Both girls suffer the same demonic possession, but their families initially pursue differing paths to solve this issue. At times, the two families outright refuse to work together. However, it is the belief of the film that without community, a group of people to laugh, cry, and hurt with, one cannot possibly face the horrors that life has to offer.
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EDITORIALS Opinion columns, editorial cartoons, reviews and commentaries represent the views of the writer or artist and not necessarily the views of The Vista Editorial Board, the Department of Mass Communications, UCO or the Board of Regents of Oklahoma Colleges. The Vista is not an official medium of expression for the Regents or UCO.
Letters are subject to editing for libel, clarity and space, or to eliminate statements of questionable taste. The Vista reserves the right not to publish submitted letters.
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ADDRESS LETTERS TO: Editor, The Vista 100 N. University Dr. Edmond, OK 73034-5209 Or, deliver in person to the editor in the Mass Communications Building, Room 131. Letters can be emailed to sroyka@uco.edu.
4 The Vista
Tuesday, Oct. 10, 2023
‘The Creator’ vies for humanity while battling a lacking script Jake Ramsey Managing Editor
Gareth Edwards’ war epic, “The Creator” released Sept. 29 to mixed reviews, and while the film may have some glaring issues with the script, overall it presents an enjoyable time with some well-developed characters and an amazing sense of style. Edwards, director of films such as “Rogue One: A Star Wars Story” and 2014’s “Godzilla” remake, has proven time and time again to have an amazing sense of visual flare and style that is unmatched in the film industry. Combine that with cinematographer Greig Fraser, known for 2021’s “Dune” and 2022’s “The Batman,” and you get a beautiful film that will
leave you wanting more in the visual department, sadly behind all of the smoke and mirrors there’s not much else. While the film looks quite nice, the script is lacking in many areas, particularly in our attachment to the main conflict. Yes, the film does a great job of portraying the battles between the humans and the A.I., but it doesn’t make you feel for either sides’ cause until the end of the film where you’re ultimately forced to be on the side of the A.I. It takes what could have been an interesting analysis on the complexities of war, similarly to Matt Reeves’ “Planet of the Apes” films, and turns it into a boring third act. A third act that is held together solely by the acting performances of John David
Washington, Madeleine Yuna Voyles and Gemma Chan, who all do a wonderful job as the leads. Particularly Washington, who shocked me in this film as I didn’t have very high expectations after some of his previous performances. However, while his character’s story was a little bland, his performance certainly was not. And that seems to be the theme of “The Creator,” while the script and story could have used an extra run through, the performances, heart and scope of the film were all on point. Overall, I’d recommend this film to anyone searching for a fun and entertaining action drama, you’re sure to get that from Gareth Edwards’ “The Creator.”
CREATOR screenshot (taken by Sam Royka)
‘Ahsoka’ expands ‘Star Wars’ mythos and keeps the series alive Sam Royka Editor-In-Chief
Though I’ve long carried the torch for the series about a galaxy far, far away, I’ve struggled with the mediocrity of the prequels and even more frustrating sequel trilogy. Luckily there has been this new hope, which keeps the series alive after being in production for the past decade. Dave Filoni, along with so many other artists, writers, actors, and animators, has been keeping “Star Wars” alive with quality shows such as “Star Wars: The Clone Wars,” “Star Wars: Rebels,” and “The Mandalorian,” though I must also mention Jon Favreau since he was the mastermind behind “The Mandalorian.” Filoni has consistently proved to have the creative instincts and prowess to keep “Star Wars” interesting and keeps it fresh in this new age where it seems like content is bombarding us with mediocrity and disappointment. “Ahsoka” is the newest show in the Filoni/Favreau “Star Wars” verse, following the adventures of Ahsoka Tano (played by Rosario Dawson). This takes place after the events of “Rebels” and Ahsoka is searching for any sign of Grand Ad-
Cat Comic / Tess Peters
Ahsoka Screenshot (taken by Sam Royka)
miral Thrawn (played by Lars Mikkelson) in hopes that she can rid the galaxy of his menace once and for all. She also is struggling with the legacy of being trained by her master, the late Anakin Skywalker (Hayden Christenson reprises his role). She comes into conflict with remnants of the Imperials, led by Morgan Elsbeth (played by Diana Lee Inosanto) and rogue former Jedi Baylan Skoll (played by the late Ray Stevenson) and his apprentice Shin Hati (played by Ivanna Sakhno). “Ahsoka” was a fun ride throughout. It was nice to see familiar characters who I had grown to care about from watching “Rebels” such as Hera (played in this by Mary Elizabeth Winstead), Chopper
(voiced by Dave Filoni), Sabine (played by Natasha Liu Bordizzo) and some others who I won’t spoil for those who haven’t seen “Ahsoka” yet. I was sad that they didn’t get any of the previous actors who had voiced these characters in “Rebels” but I understand the decision, considering that some of the voice actors don’t resemble their characters at all. What was most impressive to me were the set designs, as well as the music from Kevin Kiner. The set designs, as well as the settings in this show are beautifully designed, with a nice blend of practical and CGI effects. But the music stole the show for me, Kevin Kiner has once again created an excellent score and proves to be a worthy successor to John Williams.
What made this show interesting for me was how Filoni and his crew expanded the mythos of the “Star Wars” universe. While “Star Wars” has often been described as science fiction, I find that it would be more accurate to describe it as fantasy or science fantasy. With “Ahsoka,” we really start to see the mythic side of Star Wars, the fantastical elements that entranced us all in the first place. We see this particularly with Baylan Skoll. He might be the most interesting “Star Wars” character that I’ve seen in some time. He’s a former Jedi who survived Order 66, but instead of falling to the dark side he’s become something else. This reminded me of “Star Wars: Knights of The Old Republic,” which deals with similar themes about the complexity of the Force and the people who don’t necessarily follow the mainstream doctrines about the Force. I’ve been wanting to see more expansion into the themes that KOTOR introduced for a while now, and it seems like we are finally getting it.
Tuesday, Oct. 10, 2023
The Vista
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Gainful Employment rule to protect graduates from debt Cont. from page 1 “Students overwhelmingly say that they’re going to college to find a good job and build financial security, but too often their programs leave them no better off financially than those with no postsecondary education at all. These rules will stop taxpayer dollars from going to schools that continually saddle students with unaffordable debt. Separately, we’re ensuring all students have increased information to make good choices.” said Kvaal. The Department of Education estimates nearly 1,700 low-performing programs will be affected by these rules, impacting around 700,000 students who might otherwise enroll in these programs. When combined with the GE regulations, the FVT framework will result in acknowledgements for around 400 graduate programs enrolling about 120,000 students.
In a wider perspective, these regulations are an initiative of the Biden-Harris Administration aiming to maintain postsecondary education as a means for equal opportunity, upward movement, and international competitiveness. The administration has sanctioned over $117 billion in student loan relief for upwards of 3.4 million borrowers and advocates for enlarged Pell Grants and the concept of tuition-free community college. This decision follows a thorough review of over 7,500 public comments received during the summer. The rules will come into effect on July 1, with the first official financial outcome rates expected to be published in early 2025. Any programs failing the same GE standard in the first two years of these rates will face ineligibility in 2026. The new Gainful Employment rule modifications emphasize transparency, accountability, and financial security.
Joe Carter speaks to the power of journalists to tell the truth Cont. from page 1 However, he said it may not all be in the reporters’ hands. “Some things are beyond journalism power. I find it disconcerting that 4684 documents related to the JFK assassination are being withheld in our nation’s archives,” he said. “Why? The reason why they’re withholding, the reason I’ve read, claimed a request court order and protection of personal privacy.”
Carter said that people have all kinds of conspiracy theories about the assassination of JFK. However, he remains “99.9 percent certain” that the lone gunman was Lee Harvey Oswald, though not all documents are available. To the heart of the matter, he stated that “ethical journalism must remain dedicated to nurture and feed an informed electorate.” The road ahead is not a walk in the park for journalists determined to protect democracy.
McCarthy ousted as House Speaker; ‘very real effect’ to be seen Cont. from page 1 “I think something that will have a very real effect,” said Morton in reference to the 2024 election, “Is the fact that they’ve ousted Kevin McCarthy as Speaker of the House and he was the Republican party’s greatest generator of donations.” According to The National Republican Congressional Committee McCarthy raised more than $40 million during last year’s mid-term. “I doubt that he’s going to be willing to fundraise for the Republican leadership,” said Morton. While McCarthy remained popular with many of the Republican
representatives, the eight that voted for his removal had previous disagreements with the former-speaker. One of the most recent disagreements with the Republican representatives was the issue of budget spending and U.S. support for Ukraine which almost led to a government shutdown before the Biden administration stepped in. The bill to keep the government open until November 17, was supported by McCarthy and ultimately landed on President Biden’s desk for signature. The stopgap bill was announced on Sept. 30 and met by pushback from a small group of conservatives in the House.
Becoming a media master: Decoding gossip, drama and digital influencers Sam Kozlowski Reporter
control over our world and we’re motivated to feel that we’re connected to our community.”
Not only are people who have similar hobbies or values as the As media shifted away from print and towards online publishing creators they watch more likely to have a beneficial experience, but in the early 2000s, gossip and sensationalism spread faster than ever before. In this age of influencers, public opinion is now shaped more by they are more likely to purchase products from them, according to a people with large social media followings than it is shaped by tradition2022 collaborative study by the Department of International Business al, credible sources. in Tunghai University, Taiwan and the School of Business in Putian We now live in a world that is less inspired by personalities on TV, but more inspired by the source, or creator. The influencer that could University, China. be living next door is much more relatable than traditional celebrities This new media consumption forces advertisers to evolve their due to immense fame, business model as well, wealth and isolation. To figure out why this effectively turning brands happens, we must dig and products into their into the psychology of own personalities on social human nature. Accordmedia platforms. ing to a study conducted by researchers at the KoMore than one-third of rea Advanced Institute of the planet consumes YouScience and Technology, Tube videos and content gossip plays a pivotal role in society through three creators know this, maxmain forms: Spreadimizing their reach with ing information, group sensational titles, clickbait security and control and social bonding. thumbnails and outrageous There is a stark condrama. trast between socializaSome of the most fation, the harmless spread mous YouTube dramas in of information and defamation, gas lighting or recent years include: beaufear mongering, though Rumors may have their place, but some people don’t have the best intentions. (TESS PETERS/THE VISTA) ty bloggers James Charles all are forms of gossip. versus Tati, PewDiePie History often repeats itself as rumors have ruined lives since the dawn of civilization. In early versus the giant Indian record label, T-Series, KSI versus Logan Paul, America 330 years ago, a series of rumors caused by superstition led which led to a boxing match and iDubbbz versus LeafyIsHere. More to the deaths of 20 people, consisting of men and young women. The recently, YouTuber Colleen Ballinger, known as ‘Miranda Sings’ was Salem Witch Trials highlighted one of the first large-scale instances of conformity, panic and a mob mentality in the country, long before the canceled for grooming a minor and attempted to apologize through a United States were assembled. ukelele song, which caused further outrage. During the Cold War, former senator Joseph McCarthy headed an Whether it be anger, euphoria or shock, if you see something online anti-communist campaign in the U.S., labeling many Americans as that makes you feel strong emotions, take a step back and re-evaluate. communist sympathizers. In fact, J. Robert Oppenheimer’s government career ended when his security clearance was revoked. Many Is it worth draining your energy to freak out over things that do more government officials, screenwriters, directors and musicians’ not affect your life? Or arguing with someone, knowing you will not reputations were damaged at the hands of McCarthy. The echo chamber effect, amplifying like-minded individuals’ opin- change their mind no matter how hard you try? How valuable is your ions on social media today, is the same echo chamber that influenced energy? a nation scared of nuclear warfare and influenced a small community Unfortunately for the puritans, the Enlightenment had not started that teenage girls in Salem were witches. Although in 1692, it was less and many innocent people fell victim to mob rule. Fortunately for us, ‘cancel culture’ and more of a ‘kill culture’. “When we feel good and are in groups, we are more likely to surthe Internet is currently a forum of open discussion where we may vive. Because of how we have evolved, there are things that motivate argue as much as we please, allowing the truth to grapple in our Enus more than accuracy,” said Dr. Dannagal Young, a political scientist lightenment-based society. and professor at the University of Delaware. “We’re motivated to feel like we comprehend the world, we’re motivated to feel that we have
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The Vista
Tuesday, Oct. 10, 2023
SPORTS
Strategy and secret handshakes: Volleyball serves up another win
Volleyball Bronchos huddle to talk facts before the game on Thursday, Oct. 5 (JAYDON SIMS/THE VISTA). Phil Rodriguez Sports Reporter
Central Oklahoma’s volleyball team defeated Washburn 3 sets to 1 on Thursday night, helping to avenge the Bronchos’ season-ending 3-1 loss to the Ichabods in last year’s MIAA Tournament. The match was a close one, with each set seeing the teams fight it out in tight contests before the respective winner broke away at the end. The Ichabods made for a disciplined and dangerous opponent, as their on-court players constantly rotated in and out of open space to defend spikes and tips from Bronchos outside hitters sophomore Sydney Huck, junior transfer Addison Wimmer and junior Jenna Karp. At times, the match had echoes of “D2: The Mighty Ducks,” with the Bronchos resembling the cooler and more laidback—but still supremely talented—Team USA, with Washburn playing the foil of the physically imposing and militaristically-trained Team Iceland. Their play style was intense and tightly organized, predicated on maximizing touches before delivering a shot with the most power possible. Though the Bronchos also played a well-organized style of volleyball, the players were more at-ease on the court. Before one set began, Huck and junior outside hitter Mallorie Koehn exchanged an elaborate secret handshake, just before junior libero Jaedynn Evans and sophomore middle blocker Mekiah Perdue performed one of their own. They smiled and joked afterwards, offering words of encouragement and laughing with each other, helping them cut the tension of the close competition. The first set saw the teams show immediately how evenly matched they were, with the teams trading leads all the way up to a 15-15 score. But when outside hitter Mallorie Koehn hit a beautiful service ace to give the Bronchos a 16-15 lead,
the momentum shift was tangible. A Jenna Karp kill assisted by junior setter Lindsey Houran made it 17-15 before Washburn cut the lead back to 17-16. But then two fearsome kills from the freshman hotshot Wimmer and a smacked return from Mekiah Perdue had the Bronchos rolling and not looking back, eventually taking the first set 25-19. The second set of the night saw the Bronchos facing deficits of 9-5 and 18-15, with Head Coach Edgar Miraku carefully utilizing his 2 timeouts in crucial moments to reorient and strategize with his squad. They battled back to tie the Ichabods at 23 apiece, before each team took turns just missing out on the set point. But it was Perdue who would score the game winner after being set up by teammate Jenna Karp, returning a ball over the net with authority to give the ‘Chos a 28-26 win. The Bronchos found themselves frequently defending powerful shots from Washburn’s junior outside hitter Jalyn Stevenson, who led the team with 13 kills while also contributing on defense with 10 digs. Right hitter Rachel Swensen also posed a constant threat while snagging 12 kills, with the Bronchos frequently forced to close the block in order to try and repel shots from her cannon arm. And Washburn’s remarkable recovery skills helped them keep shots off their court in gasp-inducing situations before spiking them back at the Bronchos for points, a strategy that helped keep them ahead or close in every single set. It was this strategy, along with a large squad loaded with depth, that allowed Washburn to nearly dominate the third set, especially towards its end. Wimmer, Huck, Karp and Koehn all registered multiple kills, but the Bronchos struggled to defend powerful spikes to the backcourt from Washburn’s tall and powerful hitters. An 8-6 lead eroded into an 18-15 deficit, before a service error from Washburn’s Stevenson and a ser-
vice ace from Central Oklahoma’s Huck brought it back within a point. The Ichabods responded by outscoring the Bronchos 6-2 for the rest of the set, dominating the court on the way to winning their first set 25-20. The fourth set was a nailbiter with the Ichabods locking down the net using similar tactics to the set before. Things looked auspicious for the Bronchos early, falling behind 3-0. When the deficit reached 9-4, Coach Miraku made a key impact by calling a timeout, making strategic changes like attempting more spikes. Three huge kills from the fiery arm of Wimmer cut the lead to 10-7, but Washburn again began to pull away, with Miraku using his second timeout after the Ichabods took a 15-11 lead. That lead stretched to 17-12, but the Bronchos showed no quit and kept battling back from big deficits. When Washburn went up 24-21 and prepared to serve the set point, it seemed almost certain that a 5th and final set would be necessary to decide the matchup. But the Bronchos banded together, returning shots and covering the entire court, scoring 5 straight points before winning the set and match 26-24 on a Washburn attack error. Lindsey Houran continued her dominant run of setting up assists with 56 in the match, giving her 557 total for the season, good for 4th overall in the MIAA. Addison Wimmer had the hot hand scoring, grabbing 17 kills with a .429 attack percentage, both team-highs. Her 208 kills on the season are tied for 4th-best in the MIAA, one spot underneath teammate Jenna Karp’s 209. Also, Jaedynn Evans added an astounding 37 digs to her season total of 343, good for 13th in all of NCAA Division II, anchoring the backcourt for the Bronchos. Central Oklahoma also picked up a 3-2 win against Emporia State on Friday, October 6, with the scores going 25-16, 25-23, 23-25, 2125, and 15-4. Their next match will be away at Northwest Missouri on Friday, October 13.
Badminton Club funding denied, citing club ‘not formed in time’ Mariah Vanzant Contributing Writer
back to UCOSA, said Errahmouni. A senator asked if the budget could be lowered to encourage the club to do fundraising. “They haven’t done any fundraising yet but they plan to in the future,” said Errahmouni. Chair of Congress, Izzi Barry said they cannot
nizations receive a certain amount of funding for their organizations. The Badminton Club is new and was not formed in time to receive these During its Oct. 2 meeting, the University of funds, said Errahmouni. Central Oklahoma’s Student Association voted “There are two different kinds of funding you against funding for the Badminton Club at UCO can apply through for the SAS,” said Barry. when the legislation was proposed at the meet“One of them is annual ing. appropriation funding The legislation was a which all student orgarequest written by Sen. nizations apply through Reda Errahmouni for during the spring. In the UCO’s Badminton Club fall we have sponsorship to receive $4,500 for funding that we can alloprogramming. The funds cate which is what we do were meant to be used here through UCOSA. as supplemental funding That is for student orgafor expenses to start the nizations starting after club. that deadline, who may “They are using not have been able to equipment from the apply for that big chunk Eighties and now they of funding we give out would like to purchase in the spring, individual new equipment for their groups who might need club,” said Errahmouni. more funding than what The equipment they they’ve got or student need are racquets, posts, organizations that have nets, a feeding machine events coming up.” and plastic shuttlecocks, Errahmouni said they and Errahmouni said this have $209,755 for sponwill benefit about 30-50 sorship funding. students. There was no motion Senator Reda Errahmouni presented the legislation. (MARIAH VANZANT/THE VISTA) The Badminton Club for a debate. There were 19 originally requested $5,066 votes against the legislation, for equipment. The UCOSA Ways and Means modify financial resolutions. 18 votes in favor of the legislation, and three Committee cut it down to $4,500, said Er“What would happen is that we would have to abstentions resulting in the legislation not being rahmouni. The Ways and Means Committee shoot it down and they would have to go back passed. allocates sponsorship funding to student organithrough Ways and Means, re-apply, and write a “Student organizations can always reapply for zations throughout the school year. Any money new legislation,” said Barry. funding,” said Barry. the club does not use by June 30 will be given At the beginning of each year, student orga-
HALLOWEEN
Tuesday, Oct. 10, 2023
The Vista
7
Tattoo studios offer low-cost high-quality flash for Friday 13
SB Body Arts is one of many tattoo shops participating in the Friday 13 tattoo sale. (JAYDON SIMS/THE VISTA)
Phil Rodriguez Sports Reporter
Many local, national and even some international tattoo studios will offer discounted or low-cost body artwork this Friday the 13th, as part of a newly-minted tradition that dates back to early 20th century tattoos on sailors. It has caught on with mainstream tattoo culture, and, much like tattoos themselves, is beginning to make its way into mainstream popular culture as well. For instance: a Murfreesboro, Tennessee tattoo parlor called Absolute Ink posted Taylor Swift-themed flash pages and said those designs will also be available during their Friday the 13th promotion. Considering the singer’s well-known preference for the number, it should come as no surprise to her fans to see these two things tied together. A flash page, for those uninitiated within tattoo culture, is a page of pre-drawn designs by a tattoo artist that they offer for specific prices. In the modern age, you can find an artist’s flash on their social media page. But in the pre-internet age flash pages would literally hang on the walls of tattoo studios; they often still do. The events themselves are a somewhat recent
idea, with the original Friday the 13th tattoo event occurring in Dallas in 1995. Tattoo artist Oliver Peck—as seen on “Ink Master” and not to be confused with alternative country artist Orville Peck, no relation—hosted a 24-hour tattoo marathon at the now-closed Dallas tattoo parlor Pair O’ Dice. According to what can only be called spoken lore within the tattoo community, the legend says that sailors would get a tattoo of 13 to ward away bad omens or misfortune; not necessarily a good-luck charm as much as one to keep bad luck off. “Bad luck would come your way, it would see the number 13, see that bad luck is already there, and it would pass on by,” Peck said in a Vice article published October 2017. Although Peck now tattoos at a different studio, he has continued the tradition the two to threetimes-a-year the date occurs. Several Oklahoma City tattoo parlors have made plans to offer discounted tattoos this Friday, October 13. Stay True Tattoo (@ staytruetattoookc), located at 1721 N. Portland Ave., will be offering a variety of flash as well as staying open late until midnight. Sacred Soul Collective (@sacred_soul_collective) at 1900 Linwood Blvd, Suite 100 had not dropped their
flash designs as of press time, but will open their doors slightly early at 10 a.m. on Friday. Gold Fang Gallery (@goldfanggallery) at 404 N. Hudson Ave. is also keeping their designs close to the chest, but states they will charge $66 per flash piece, and will be open from 12 p.m. to 8 p.m. with no reservation necessary. SB Body Arts (@sbbodyarts) at 6241 Northwest Expressway has a delightful tease video on their Instagram showing some of the designs available, and are charging $60 per tattoo as well as $50 for basic piercings. Edmond shops hosting events include 15th Street Tattoo Gallery (@15stg) at 416 W. 15th Street, who will be offering a variety of “spooky” flash designs for $60 each—everything from ghosts and ghoulies, to aliens, to designs incorporating the number 13—as well as the very recently-opened Hot Girl Ink (@cupcakethecreator), home of artist Charis Turner, at 1015 Waterwood Pkwy Suite 2H-A. Turner, also known as Cupcake the Creator, has released her designs on her Instagram page but had not yet released details on pricing. For more information about these studios, the flash they offer, and their artists on staff, check out their provided social media pages.
Ghost sightings fueled legends about Edmond’s ‘haunted’ Arcadian Inn Hannah Wagar Contributing Writer
Ruhl died in 1936, and his wife Edith stayed in the house until she died in the late 1970s. Following her death, the house remained vacant for years until Gary and Martha Hall purchased it and opened it as the Arcadian Inn in 1990 after many renovations. During the operation of this B&B, there
documented. The commonly accepted story is that the ghost belongs to Edith Ruhl; however, others speculate that it may have been a patient October is upon us, the month of all things of Dr. Ruhl’s. Although Dr. Ruhl did not see spooky, and as the weather starts to change, so patients at the house, rather he saw them at his does our interest in legends and ghost stories. downtown office or made home visits, there People seem more aware of paranormal exwere many rumors in the 1940s and 50s followperiences in October, and it is said that the veil ing his passing, Dr. Ruhl had between the material world and the spirit world becomes thin been keeping cadavers in the during this time of year. Peobasement. ple are also more open to these In its heyday, The Arcaexperiences because Halloween dian Inn was considered one makes them more perceptive the most popular haunted to changes in their environlocations in Oklahoma, but ment, even if they can easily be it was never marketed as explained. But history ties some such. The owners of the B&B unique ghosts and legends to always claimed that they places connected to the UCO did not have ghosts, and in campus. Those who never lived in or some previous media covervisited Edmond before 2016 age, they claimed anything might be unfamiliar with the Arseen was an “angel,” not a cadian Inn Bed & Breakfast, but ghost. The former owners it used to be located just across were unavailable for any new the street from campus, near the information. fountain at the southeast corThe Arcadian Inn holds key pieces of Edmond’s ‘haunted’ history. (OFFICIAL/PROVIDED) According to its website, ner of First Street and Normal the Arcadian Inn hosted Street, which is now known as were many reports of ghost sightings. Often, visiUniversity Street. tors would report seeing an apparition of a wom- thousands of guests for 25 and a half years before According to documents from the Edan in Victorian-era clothing, which aligned with closing its doors on May 31, 2016. Later that mond Historical Society, the one-story house the style popular in Edmond during the early year, the majority of the land was purchased by was built in 1908 by Dr. Arthur M. Ruhl, who 1900s. Often, the ghost was seen wandering the UCO, and was paved into a commuter parking moved to Edmond in 1895 and was one of the hallway upstairs, and would occasionally be seen lot to help combat parking issues. first physicians to settle here. He acted as the in some of the rooms, but she was rarely seen Since the demolition, there have been team physician for UCO, known as Central at downstairs. People speculated this is because she no known reports of paranormal activity on the the time. Wanting to expand the home in 1928, inhabited the original house prior to Ruhl jackhe lifted the first story by jacking it up, and built ing it up. Guests noted that she seemed peaceful lot, seeing as there isn’t anything there beyond a parking sign; however, students parking in a first floor and a basement beneath the original and would keep her distance, but she would ofcommuter lot 13 should beware of hitchhiking floor, creating the enormous peach-colored stuc- ten disappear as quickly as she appeared. There ghosts. co house that would stand there for over eight were occasional reports of a different ghost, but decades. the appearances were less common and rarely
8
The Vista
Tuesday, Oct. 10, 2023
MUSIC
Drake follows canine impulses on ‘For All the Dogs’
Sam Kozlowski Reporter
Unlike Travis Scott’s dip into future sounds from this summer’s UTOPIA, Drake stepped back in time for some of his songs on his newest album, For All the Dogs, giving fans a small taste of his old flow.
Drake, For All the Dogs (OVO/ Republic)
The song placement and flow from “Virginia Beach” into “Amen” and then into “Calling For You” hit
wrong. In fact, the album as a whole lacked continuity and substance, whereas Travis Scott’s 2023 release was more than just an album, but an experience that dragged listeners into the ironic world of “UTOPIA.” “For All the Dogs” started off slow and the first three songs were underwhelming despite the Frank Ocean sample in the “Virginia Beach” introduction. Drake’s lyrics were egotistical (shocker) because he did not think he could have treated his ex-girlfriend better. This is odd, because everyone has aspects from past relationships in which they could have improved their behavior, so maybe he should be more open minded? Drake x 21 Savage songs almost always bang (because 21 carries them most
of the time), but “Calling For You” was not good and I am almost certain it was a leftover from Drake’s last album, Her Loss. The lackluster beat and lack of a crazy flow by both rappers made the song forgettable overall. I find it strange how much Drake, as a 36-year-old man, talks about young women. So many of his lines are corny and he tries too hard to appeal to Gen Z, i.e.”Feel like I’m bi because you’re one of the guys, girl,” saying “gangy” and “Amen, prayin’ that you find a man.” There are some minor production errors that could be fixed. For example, “IDGAF” was a fine song, but Drake’s voice is slightly louder than Yeat’s and should be balanced. Even though there is not
Drake’s For All the Dogs feels like a 36-year-old trying to impress Gen Z. (JONATHAN SHORT/ASSOCIATED PRESS)
much cohesiveness throughout the album, some of my favorite songs include “Fear Of Heights,” “Daylight,” “First Person Shooter,” “Drew A Picasso,” “Another Late Night” and “Away From Home.” These songs give “old Drake” vibes that so many missed, with their choruses, production and
rhymes, making them much more enjoyable than other songs in the album that try too hard to appeal to casual listeners. Unfortunately, with “For All the Dogs,” Drake has still not made an album that has lived up to 2017’s “More Life” experience.
Sufjan Stevens releases an exquisitely aimed ‘Javelin’ Zak Royka Reporter
Fresh on the heels of May’s soundtrack collaboration album “Reflections” Sufjan Stevens new album “Javelin” pushes forward an odd, internet fueled, cybernetic indie that waxes nostalgic for old growth
Sufjan Stevens, Javelin (Asthmatic Kitty)
forests. Javelin calls to mind the romantic movement, a winding force that bounced back against the cold and calculated reason of the age of enlightenment. This album accepts the usefulness of technology while managing to bite back against it This album starts strong with “Goodbye Evergreen,” an odd and eclectic indie mix of muted piano, ephemeral vocals, and industrial noise that welcomes the listener into a wonderful world of weird. This song captures the self lamentation
of a world gone to climate change and industry, or of a love lost and forlorn. The lyrics “Goodbye, Evergreen. You know I love you. But everything heaven sent, must burn out in the end” stabs like a knife or a Roy Orbison song, but maintains a beautiful harmony among the discordant soundscape reminiscent of 2022’s “Stray” that breaks through a minute in. “Will anybody ever love me?” shines like golden dawn on morning dew. Opening with an acoustic guitar and gentle piano, with a slowly building choral weight, this song is infectiously uplifting. Rather than the depressive energy the title would suggest, this song carries its shoulders set back and eyes towards the horizon; contemplative and detached lyrics tell the tale of an aching, strong and burning heart. The obvious highlight of the album “Everything that rises” sets its pace and mood almost instantly. It’s a soft and friendly guitar piece with string accompaniment that would not have felt out of place on Stevens 2003 album “Michigan.” In good company with Stevens limited release of 2005’s NPR recorded “Lord God
Sufjan Stevens dedicated his latest album to his late partner. (AMY HARRIS/ASSOCIATED PRESS)
Bird,” this track brings back the off kilter electronic noise present in the first track, but the plink-plop noises sound more of a babbling brook than of a mechanical contrivance. The mastering that went into this record shows focus on the glitter and gloom, with hazy, often muted instrumentals and slowly fading vocals that contrast with the sharper notes of electronica influence. Every track on this album smells of woodsmoke, autumn air, and lemons. Don’t let that fool you though, this album has a weight to it that is lacking from lesser acts. Some of these tracks sound nearly like an obscure Mountain Goats B-Side. “Genuflecting Ghost”
and “My Red Little Fox” remind me of the gentler side of the Decemberists album “Hazards of Love,” an indie exploration of the darker parts of the woods and the wonderful and terrifying things that call it home. The longest song on this album by far is “Shit Talk,” a warning to a loved one on cutting through the unimportant squabbles that ruin a relationship. I would call this a break up song, but that fails to capture the emotional depth present in this eight and a half minute long emotional roller coaster. With the lyrics “‘Our romantic second chance is dead, I buried it with the hatchet” delivered in Steven’s characteristic singsong
vocal style, a level of pain and raw emotion rarely seen is on display in this wonderful song. The closing track is a cover of Neil Young’s “There’s a World,” one of the more obscure songs from his arguable magnum opus, 1972’s “Harvest.” Rather than trying to emulate or compete with Neil’s signature vocal style and lush orchestration, Stevens’ take pulls the song down to a small and nostalgic guitar ballad with some small choral elements. Rather than sounding like the epic drama of the original, this plays like a memory from the backseat of an old 70’s Ford Bronco on a long family road trip. Glorious instrumentation and soft, approachable vocals make this album’s 42 minute run fly by in an otherworldly glow. This serves as proof to those who claim that easy listening music can’t have meaning, as every track is lyrically deep with layered metaphor and reason. The small-scale production of “Javelin” and its lightning fast release are Stevens bearing his heart on his sleeve. Stevens dedicated this album to his late partner.
LISTEN UP FOR LIVE MUSIC
Samia performs Oct. 16 at Beer City Music Hall. (GRAND JURY/PROVIDED)
OCTOBER Mac Sabbath, Oct. 10, Beer City Music Hall, 1141 NW Second, beercitymusichall.com Chris Renzema, Oct. 11, Tower Theatre, 425 NW 23rd, towertheatreokc.com Pony Bradshaw, Oct. 12, Beer City Music Hall, 1141 NW Second, beercitymusichall.com The Moss, Oct. 12, Resonant Head, 400 SW 25, Suite A, resonanthead.com Welcome to Night Vale, Oct. 12, Tower Theatre, 425 NW 23rd, towertheatreokc.com Helmet, Oct. 12, Beer City Music Hall, 1141 NW Second, beercitymusichall. com
Christopher Cross, Oct. 13, Tower Theatre, 425 NW 23rd, towertheatreokc. com Kody West, Oct. 14, Beer City Music Hall, 1141 NW Second, beercitymusichall.com Langhorne Slim, Oct. 14, Tower Theatre, 425 NW 23rd, towertheatreokc.com The Ivy, Oct. 14, Resonant Head, 400 SW 25, Suite A, resonanthead.com Noah Gundersen, Oct. 15, Beer City Music Hall, 1141 NW Second, beercitymusichall.com Samia, Oct. 16, Beer City Music Hall, 1141 NW Second, beercitymusichall. com Jawny, Oct. 18, Beer City Music Hall, 1141 NW Second, beercitymusichall. com Mapache, Oct. 18, Ponyboy, 423 NW 23rd, ponyboyokc.com Sleeping Jesus, Oct. 18, Resonant Head, 400 SW 25, Suite A, resonanthead. com Johnnyswim, Oct. 19, The Jones Assembly, 901 W. Sheridan, thejonesassembly.com Cameron Sacky Band, Oct. 20, Beer City Music Hall, 1141 NW Second, beercitymusichall.com Ricky Skaggs, Oct. 20, The Jones Assembly, 901 W. Sheridan, thejonesassembly.com Garth Brooks: A Tribute in Low Places, Oct. 20, Tower Theatre, 425 NW 23rd, towertheatreokc.com Amigo the Devil, Oct. 21, Beer City Music Hall, 1141 NW Second, beercitymusichall.com Lukas Nelson, Oct. 21, Tower Theatre, 425 NW 23rd, towertheatreokc.com Bruce Hornsby, Oct. 22, Tower Theatre, 425 NW 23rd, towertheatreokc.com Roosevelt, Oct. 23, Beer City Music Hall, 1141 NW Second, beercitymusichall.com