The Voice-Tribune by The VOICE

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TEDDY ABRAMS TALKS

Arts

V O L . 3 2 , N O. 17 | A U G U S T 2 , 2 0 1 8

THE

Issue

HEAD-TURNING NEW EXHIBITION AT

The Speed STEPHEN GEORGE

NAMED PRESIDENT OF LOUISVILLE PUBLIC MEDIA

StageOne FAMILY THEATRE’S

STORYTELLERS

STATE theARTS WITH FUND FOR THE ARTS’

C L A S S I C S

CLASSICS + COFFEE Teddy Abrams, Music Director 8PM + 11AM | KENTUCKY CENTER BERNSTEIN AT 100 SAT 29 SEP 8PM

Morgan James, soprano MOZART REQUIEM COFFEE: FRI 26 OCT 11AM | SAT 27 OCT 8PM

OBOE CONCERTO

COFFEE: FRI 16 NOV 11AM | SAT 17 NOV 8PM

Alexander Vvedenskiy, oboe | Ken-David Masur, conductor SLATKIN CONDUCTS ELGAR SAT 12 JAN 8PM

Leonard Slatkin, conductor ART + MUSIC

COFFEE: FRI 25 FEB 11AM | SAT 26 FEB 8PM

Artists from KyCAD

FESTIVAL OF AMERICAN MUSIC 1: KENTUCKY SPRING

SINGLE TICKETS AND SUBSCRIPTIONS ON SALE NOW!

Rachael Grimes, pianist | Andrea Schermoly, choreographer Louisville Ballet FESTIVAL OF AMERICAN MUSIC 2: THE JAZZ INFLUENCE COFFEE: FRI 08 MAR 11AM | SAT 08 MAR 8PM

Johannes Dickbauer, violin/composer Mesha Breuggergosman, soprano TCHAIKOVSKY CONCERTO #1

COFFEE: FRI 29 MAR 11AM | SAT 30 MAR 8PM

Andrew von Oeyen, piano | Francesco Lecce-Chong, conductor TEDDY TALKS BRAHMS COFFEE: FRI 26 APR 11AM | SAT 27 APR 8PM

BEETHOVEN’S NINTH

COFFEE: FRI 10 MAY 11AM | SAT 11 MAY 8PM

LO P O PS

Bob Bernhardt, Principal Pops Conductor 8PM | KENTUCKY CENTER

P O P S

2018–2019 SEASON

C O F F E E

SAT 23 FEB 8PM

BOB BERNHARDT CONDUCTS THE MUSIC OF JOHN WILLIAMS

SAT 15 SEPT 8PM

Not performed with the films – just a spectacular evening of John Williams finest movie scores. BRASS TRANSIT – THE MUSICAL LEGACY OF CHICAGO SAT 10 NOV 8PM

Brass Transit goes far beyond just imitating the songs of Chicago, they embody the music of hits like “Saturday in the Park.” HOME FOR THE HOLIDAYS SAT 24 NOV 8PM

Celebrate Christmas with the Louisville Orchestra with beautiful holiday music. THE MIDTOWN MEN SAT 16 FEB 8PM

The original cast of the Broadway smash hit, Jersey Boys, bring you the sixties hits for a perfect Valentine treat. THE MUSIC OF QUEEN SAT 23 MAR 8PM

The LO presents an experience of Queen’s exceptional tunes. STORM LARGE: LOVE, LUST + ROCK N’ ROLL SAT 20 APR 8PM

FA M I LY

Join the sensational and sultry Storm Large on a pulseracing tribute to Love, Lust + Rock ‘n’ Roll.

TICKETS $95–$27 LOUISVILLEORCHESTRA.ORG + 502.584.7777

FAMILY S E R IES

Bob Bernhardt, Conductor

11AM | SATURDAYS HALLOWEEN SPOOKTACULAR SAT 29 SEP 11AM | BROWN THEATRE

HOME FOR THE HOLIDAYS

SAT 24 NOV 11AM | KENTUCKY CENTER

CARNIVAL OF THE ANIMALS SAT 16 MAR 11AM | BROWN THEATRE

For a complete listing of concerts visit LouisvilleOrchestra.org

INDEX

LIFE 9 10 12 16 20 22 30 32

NONPROFIT NEWS: Ignite Louisville Program SPOTLIGHT: Acting Against Cancer VOICE OF STYLE: Teddy Abrams A&E: StageOne Family Theatre’s Storytellers A&E: ’Drag as a Subversive Tool’ at the Speed A&E: Gallery and Performing Arts Guides TASTES: Proof at 21c Museum Hotel HOMES: At Home with Autumn Cleveland

FEATURE

34 34

THE STATE OF THE ARTS Fund for the Arts shows record-high support for organizations, schools and artists in our community.

ESSENTIALS

Letter from the Editor

Business Briefs

Obituaries

Event Calendar

Classifieds

ON THE COVER: Louisville Orchestra’s Teddy Abrams. Photo by Andrea Hutchinson.

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44 INDEX

SOCIETY

46 38

Misters for MS

Give for Good Nonprofit Training Camp

VOICES of Kentuckiana Summer Party

Ovation! Performing Arts Bash

Al Capone Night

Go to voice-tribune.com for extended galleries and exclusive digital content

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MASTHEAD

EDITOR I A L

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Managing Editor

Mariah Kline

Art Director

Production Director

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MASTHEAD

Publisher

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09/15/18 – PLEIN AIR PAINT OUT 09/23/18 – LOUISVILLE ARTISTS; CARRY ON EXHIBIT Graphic Artist

John Nicholson

Photographer

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11/02/18 – OPEN STUDIO WEEKEND 02/01/19 – LVA HONORS LUNCHEON 04/13/19 – art[squared]

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Account Executive

Taylor Springelmeyer

More than a decade ago, when I was a features reporter and entertainment columnist for The Courier-Journal, I also taught three nights a week at a now-defunct local college. While I loathed the for-profit model of the school, I loved my students, whose backgrounds varied from professionals seeking higher education for myriad reasons to individuals who were determined to make a better life for themselves and their families after facing poverty, homelessness and, sometimes, incarceration. I was happy to be back in academia – I started out as a full-time college English instructor at Central Michigan University – and worked hard to incorporate the arts into my syllabus, regardless of the class I was teaching. When 21c Museum Hotel first opened in Louisville, I covered it as a reporter and wrote about parties and events happening at the venue, the first of its kind. But as I learned more about the mission of its founders, Laura Lee Brown and Steve Wilson, I fell in love. This was a place where art was for everyone, 365 days a year, not just those who could afford a room or dinner at the in-house restaurant, Proof on Main. So, I asked permission to bring my class – many of whom used public transportation and ride shares to get where

EDITOR’S NOTE

Letter Editor

FROM THE

Angie Fenton Editor in Chief

with the generous sponsorship of and in associaaon with

proudly presents

book by

Kevin Del Aguila

music & lyrics by

Gary Adler & Michael Patrick Walker conceived by

Marc Kessler & Ken Davenport

LIMITED RUN RESERVE NOW

AUGUST 3 - 25

Henry Clay Theatre 604 S. Third St

PandoraProds.org 502.216.5502

HOLY HIT! 8

they were going (Uber had yet to emerge and taxis were too expensive for most) – to 21c. Approval was swift, and I arrived early the evening of our tour, anticipating my students’ arrivals. Once everyone had arrived, I welcomed them, ensured everyone understood the assignment – a simple reflection on the overall experience – and then gave the tour as if I were a docent. I told my students about the art, the artists and the mission of Steve and Laura Lee, and even accompanied the entire class into the bathrooms to engage with the art (yes, 21c’s bathrooms are legendary). The small sea of students followed me as we explored until we wound up on the main floor, where we’d begun. What happened next was incredible: “Thanks to Laura Lee Brown and Steve Wilson,” I began, “21c is a place where art is accessible to everyone. You never know who might be here, either.” Just as I finished my words, two of my wayward students rushed out of the area reserved for Proof on Main. Breathless, one of them said, “Miss Fenton! Harrison Ford is in the bar!” I chuckled, incredulous. “Harrison Ford?” “Yes!” my student gasped. “It’s him!” And it was. Quickly, I gave my students a tutorial

on how to respectfully handle being in the presence of a celebrity who clearly didn’t want to be bothered. Selfies, Instagram, Twitter and Facebook were not a part of our world then, and everyone respected Mr. Ford’s privacy, though I tried to hide a smile as I watched them file past him, pretending to gaze at the artwork, barely able to contain themselves. A week later I read the reflections from my students, and while they varied, every single essay had a shared gratitude – to Laura Lee and Steve, especially – for making art accessible to everyone. “(The trip to 21c) made me look at life in a different way I wasn’t used to,” wrote one student. “I didn’t know I was allowed to come here (to 21c). Thank you for letting me see I am welcome, too,” wrote another, which broke my heart a little bit. Art must be accessible to everyone. And, as you’ll see throughout this issue, our arts organizations and museums work hard to ensure this is a reality in our community. As you browse through this issue, I hope you come to appreciate Louisville’s arts community in a new way, just like my students did. And thank you for supporting the arts. Truly, Angie

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Our committee of local philanthropists will select three New Voices of Philanthropy BETWEEN THE AGES OF 21 & 35 based on the following criteria: • Devotes substantial time, talent or treasure to a nonprofit 501(c)3 organization in Greater Louisville • Demonstrates innovation, courage and inclusivity in volunteering and leadership in philanthropy. We are also accepting nominations of individuals UNDER THE AGE OF 21 to recognize as our Future Voices Go to of Philanthropy. m co e. un e-trib

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Nonprofit News

SLINGSHOT ANNOUNCES LAUNCH – A CHARITABLE INITIATIVE TO BUILD A MOBILE APP FOR ONE LOUISVILLE-AREA NON-PROFIT ORGANIZATION

Slingshot, a Louisville-based technology product development company, is giving back to the community in a big way with their new initiative – LAUNCH. LAUNCH will give one Louisville-area non-profit a custom designed and developed mobile application worth approximately $75,000. The company is currently asking the community to nominate their favorite charitable organizations at the program’s website – www.yslingshot.com/launch – or if you are a nonprofit, you can apply directly on the site. Initial applications are due by Oct. 5 with the nomination period closing a week earlier. Any 501(c)(3) organization serving parties in the Greater Louisville area (including Southern Indiana) can be nominated. All nominated organizations will have the opportunity to submit an application sharing how a mobile application could assist and further their mission. All initial applications are due by Oct. 5, at which point the applications will be scored and narrowed down to a list of semi-finalists. The number of semi-finalists will be based on the number of worthy-applicants. “For more than a decade, we’ve had the chance to work with a variety of amazing companies and organizations here in Louisville. We wanted to give back to the community that’s done so much for us – this was a way to make a real, lasting impact,” said David Galownia, president and founder of Slingshot. “We know there are so many non-profits that could further drive their mission and expand their reach through innovative technology. With tight budgets and increased demand, creating innovation solutions to problems is not feasible for many charities. We want to develop a high-tech solution to a problem for an organization that wouldn’t otherwise have a chance to do so.” Slingshot will design, test and launch a mobile app for the winner who will be announced in February 2019. The group hopes to bring the new app to market by Fall 2019. Applicants are encouraged to bring bold ideas and a clear vision to the table and be ready to collaborate with Slingshot’s designers and developers. The panel, which includes members of the Slingshot team along with a representative from Metro United Way, the Mayor’s Office and Greater Louisville Inc., will determine the finalists and ultimately, the winning organization. To nominate a local non-profit or apply directly, visit www.yslingshot.com/ launch. The Slingshot team will ensure all nominated groups receive an application to the LAUNCH program. Slingshot, a technology innovation company, has developed technology solutions for companies like Kentucky Law Enforcement, PetFirst Pet Insurance, Churchill Downs and Ann & Robert H. Lurie Children’s Hospital of Chicago since opening in 2005. For a full timeline, program rules and details please visit www.yslingshot.com/launch. Any additional questions can be emailed to launch@yslingshot.com

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Ben U’Sellis, Justin Grant, Joe Hedges, Glenn Roberts, Vanessa Rogers, Kathryn Luttner and Kimberly Rice.

SEVEN VOLUNTEERS ARE ON A MISSION TO DRIVE ARTS ENGAGEMENT Ignites of the Roundtable, one of six teams participating in Leadership Louisville Center’s Ignite Louisville program, is collaborating with Fund for the Arts to increase participation to Louisville-based arts events. “We have a world-class arts scene in Greater Louisville,” said JP Davis, senior vice president at Fund for the Arts. “It’s crucial that we continue to promote and advocate the phenomenal breadth and depth of arts and cultural offerings across the community. Our scene is a major hook attracting top talent to move here as well as enhances our overall quality of life. Having the ‘Ignites of the Roundtable’ team working on increasing engagement is a win for venues and organizations across the region.” The team is currently exploring ways to increase engagement, and one of the avenues is through the Arts Card, which is gifted to those who donate $52 or more per year to the Fund. In return, the Arts Card provides discounts and special offers to a wide variety of performances and exhibits. While the Arts Card offers hundreds of dollars in discounts, its usage has steadily declined in recent years. “The Arts Card, no doubt, needs a refresh,” said Kathryn Luttner, a member of Ignites of the Roundtable. “But we’re also exploring other ways to increase engagement and are collaborating closely with the Louisville arts community. The ultimate goal is to get butts in seats, and that may or may not be with the Arts Card.” The seven-person team will work into the fall on this project, concluding with a presentation in October where a panel of judges will award one Ignite group’s nonprofit with a $1,500 prize. All members of Ignites of the Roundtable include Justin Grant, Texas Roadhouse; Joe Hedges, Hilliard Lyons; Kathryn Luttner, Yum! Brands, Inc.; Vanessa Rogers, Dinsmore & Shohl, LLP; Ben U’Sellis, Charter Communications; Glenn Roberts, Dant Clayton Corporation; and Kim Rice, River City Housing. 9

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SPOTLIGHT

Acting Against Cancer

or nearly two decades, Acting Against Cancer (AAC) has impacted the city of Louisville with its commitment to helping those affected by the disease. Through their dynamic productions and engaging programs for children, the organization continues to use musical theater as a means to affect change. To learn the latest about what AAC has been up to, we spoke with the nonprofit’s artistic director, Remy Sisk.

WHAT’S IN THE WORKS Although AAC announced its 2018-19 season in November 2017, the company is currently going through a bit of a restructuring. “We are, of course, ultra stoked to – for the fifth year in a row – present ‘The Rocky Horror Show’ at PLAY Louisville in October,” says Sisk. “This year, we’ll be performing the last weekend of October as well as on Halloween night. We’re also taking the show, for the second year, to PLAY Nashville earlier in the month.” In addition, AAC will begin the third year of after-school children’s programming this fall. “This is where elementary and middle school-aged kids can come two days a week and receive comprehensive musical theater instruction,” says Sisk. “This semester, the fall class will culminate with a performance of ‘The Addams Family,’ which I am super excited about.” Registration for that program is open on their website, actingagainstcancer.com.

HOW AAC IS EVOLVING “We used to be sort of a middleman for donations,” Sisk explains. “We would stage big events, like musicals, to raise money that we would then donate to various worthy organizations. I’m exceedingly proud now, though, that we have become the cause ourselves. “In our after school programs, any child who has been touched by cancer (in some way) may attend our programs for free,” he continues. “Through these classes, they are then able to discover the healing power of the arts and what performing can do for their mental and physical health. Recently, through the generous support of the Jennifer Lawrence Arts Fund and Fund for the Arts, we received an ArtsMatch grant to help improve and overhaul our children’s programming. I’m very much looking forward to seeing how that funding is going to enhance the experience we offer these amazing kids. Elsewhere, our mainstage season is constantly growing and expanding as our productions get more and more robust. In fact, a video from our production of ‘Heathers the Musical’ recently hit 1 million views on YouTube!”

A DRAMATIC IMPACT “As we are proud to now assert ourselves as a cause of our own, we have not donated for a few years,” Sisk says of the change in their philanthropic strategy. “But in the past, we did make various contributions to Norton Children’s Hospital, including 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

Drop-oﬀ

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NOW ENROLLING

Pre-School Art

~ Ages 3 - Pre-K

Camp-A-Little

~ Ages 4 -12

Studio Lessons

~ Ages 10 & up

New this year!

ACTING AGAINST CANCER actingagainstcancer.com facebook.com/ActingAgainstCancer Instagram: @actingagainstcancer youtubue.com/ActingAgainstCancer

the donation of a complete blood count machine to the hematology/oncology clinic as well as financial support for the expressive art therapy program within the Addison Jo Blair Cancer Care Center. Outside of Norton, we contributed funding to Ellie Cat’s Crew and fully sponsored the game room at Gilda’s Club Louisville.”

HOW YOU CAN HELP There are several ways community members can get involved with AAC. “First and foremost, come to our shows!” exclaims Sisk. “Throughout the year, we offer a wide variety of musical theater programming, bringing some of the most contemporary cutting-edge musicals to the Louisville stage for the first time. In the last few years, we have presented the regional premieres of ‘Spring Awakening,’ Green Day’s ‘American Idiot’ and ‘Rock of Ages,’ as well as acclaimed productions of ‘The Addams Family,’ ‘The Last Five Years,’ ‘Legally Blonde,’ ‘Heathers the Musical’ and most recently, ‘Carrie the Musical.’” If watching a traditional musical isn’t your thing, you can join AAC for a spooky good time this fall. “Come do the Time Warp with us as we present ‘The Rocky Horror Show’ every October at PLAY Louisville,” Sisk says. “We are also always looking for volunteers to help with shows. Meanwhile, if you know of a child touched by cancer, you can always refer the family to us and 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

we can discuss performance opportunities within our after-school programs. For more information on any of this, please reach out to me at remy@actingagainstcancer.com.”

EARLY BIRD REGISTRATION THROUGH AUG 15. CALL 502-438-8865 TO REGISTER.

THE GIVE FOR GOOD GOAL During this year’s Give for Good Louisville, taking place on Sept. 13, AAC hopes to raise at least $2,000 to further their impact. “More funding would really kick off our kids’ fall semester in the best way and set us up for success as we move into ‘Rocky Horror’ season,” said Sisk. “There’s also a super-cool collaboration in the works that I can’t talk about yet, but some funds geared toward that would really be significant.”

D I ST I L L E RY

PERFORMING FOR THE COMMUNITY “I know it can be confusing to hear about Acting Against Cancer: Are they a theater company, a place for kids programming or a charity?” Sisk admits. “The truth is, we’re all three. We take our mainstage shows very seriously and proudly offer professional-level productions for a community-level price-point. We hope that those who attend our shows do learn a little about what we do with the kids and how we’re using the power of the performing arts to make a difference. I’m always ready to talk more about what we’ve got going on and discuss shows, kids classes or even sponsorship opportunities.” VT 11

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VO I C E

STYLE

Teddy Talks Style & More Interview by Miranda McDonald Photos by Andrea Hutchinson

ou may already know a lot about Teddy Abrams: He is the music director for the Louisville Orchestra, he began playing piano at the age of five and he has a digital series called “Music Makes a City Now” that was picked up by PBS. But what you may not know about the musical prodigy is that he owns a pair of Jimmy Choo sneakers, has an impressive collection of vintage pieces from various designers that he’s accrued over the years and a hardback copy of “Charles James: Beyond Fashion” – a tribute to America’s first couturier – rests on an end table in his home among a pile of music sheets and instruments. It’s this unknown side of the conductor – the undercover fashion aficionado – that inspired us to sit down with Abrams to discuss how personal style is just another extension of how he expresses himself as an artist.

The Voice-Tribune: So Teddy, how would you describe your style? Teddy Abrams: I will say that people don’t normally ask me this question. (Laughs.) I am not sure why.

Well, then this should be an easy interview for you. (Laughs.) In my role, there are certain expectations of what a conductor looks like – particularly a young conductor. And in this city, I must remember that everywhere I go, I am always representing the orchestra and there is always a professional element to whatever I do. Even if the situation seems totally relaxed and with friends, I know I am always representing something that is much bigger than just myself. Having said that though, I think that as a musician and as an artist I actually let myself go a tiny bit in the direction of creative dressing. Well, just enough to inspire my own ability to wake up in the morning and put clothes on. (Laughs.) Otherwise, I probably just wouldn’t care about it. So, I need something that inspires me when I get out of bed.

Have you always been into fashion? No. As a young musician, I was totally averse to it. I thought it should only be about the music and the art itself.

What changed? About five years ago, I realized that things needed a serious upgrade. My clothes needed an upgrade. My hair needed a serious upgrade. I realized that my environments, including what I put on, had a certain dingy and depressing quality about them. And in the artistic world, people do judge you on how you look and how you present yourself. I am not actually saying that is totally wrong. I just realized you should present yourself in a way that represents your own brand and who you are. I saw this new awareness as an opportunity to really look at how I presented myself to others and to be smart about it. I started educating myself on what makes fashion interesting and what makes something work for the individual – not just if something is expensive, but if it works within an aesthetic that can be appealing and interesting while also comfortable.

I’m sure the comfort factor influences what you wear while conducting the orchestra. Most people that need to present themselves in an artistic and fashionable way in their day-to-day jobs don’t also need to move 360 degrees with their arms, shoulders and back. As a conductor, that is exactly what you are doing. Not to mention that it is quite aerobic, especially the way I do it. I also bike everywhere, and that is another element. So, I need something that can get me from place to place and I still look presentable for a donor meeting, staff meeting or even coffee with a cool new artist that we are trying to work with. Being comfortable yet professional is important.

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I mean, I can’t just show up drenched everywhere I go.

So, what’s the secret to not being drenched everywhere you go? As it turns out, I don’t sweat very much.

Teddy, I think that means you’re dehydrated! (Laughs.) Well, I deliberately don’t drink much water. It’s good to stay edgy. You want everything in slight survival mode. The ultimate artistic productivity is the result of deprivation. Anyway, that is when creativity really kicks in. That is why I limit myself when it comes to consumption of certain things.

How would you describe your personal style? One thing I recognize about mass-produced clothing in America is that we try to take the common element in the way Americans look, which is widely divergent as we know, and create something that will fit most body types. A lot of that just doesn’t look great on my particular body type. The armpits are too low and the shoulders are often too wide. I never recognized that before. Then, I started to notice that I have a body that works with certain brands and one that doesn’t work with others. As soon as I recognized that, my perspective on dressing completely changed. So, back to your question. I would say that my style is a bit edgy but always professional enough. It also has a European element to it because they tend to make clothes that fit my body better.

Yes, they tend to make clothes that are more fitted to the body. Exactly. I am not at all trying to be Euro-ish; that’s not my thing as an individual. Their clothing is just generally cut to form the contours of someone with my 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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body type, so the fit is better for me. When I got my first job, I decided that I really wanted to get a suit that looked good. I did a lot of research on it and went to this place in New York called Michael Andrews Bespoke. They were a place where people could go and get an affordable bespoke suit. It was (still)pricey but also affordable for someone who wanted a great, custom suit. It was worth the cost. I used that suit from the day I got it delivered all the way up until this year when it finally fell apart. It made it through seven years. That is seven whole years of sweating and moving a great deal at festivals and concerts. I recognize that it was a beautiful piece of clothing that was designed just for me. I customize music for our audience at the orchestra, so I love the idea of clothes being custom-made for people and actual thought going into them.

Instead of just being massed-produced and sent out to the shelves. Exactly! I appreciate the idea of clothes being made to fit people and their different personalities. I also have a lot of respect for brands like Hood by Air. I actually have a piece that I need to show you, but it is really out there for me. It is this tuxedo jacket that has short sleeves.

Wait, why are we not photographing that for this article? I have worn it a few times. I learned a lot from “The Devil Wears Prada.”

I should have known you’ve seen that movie! The director, we did a show together in Miami. He is a supporter of my former orchestra. We did a show where he was the host for this big fundraiser concert for the orchestra and I was the conductor. (Laughs.) He made so many jokes about how I hadn’t yet had my bar mitzvah. His name is David Frankel. He made at least eight jokes about my age. He is a really nice guy, though. But you know how she (Miranda Priestley) talks about the color blue and how the decision to use it in a collection passes through many before it is created?

Yes, they’re comparing two belts. The color they are discussing is actually cerulean blue. I’m also well-versed in ‘The Devil Wears Prada’-speak. 14

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That was a great scene for anyone who has questions about how much thought goes into the craft of real fashion design. Yes, I agree.

So, do you have any go-to pieces you rely on or staples you gravitate towards? Most of the time I am wearing some version of jeans with some version of either a polo or t-shirt. It’s funny though, because I really like to collect these weirder items or things that are a lot edgier than I would normally go. I get so excited as if I am going to actually wear them, but then I chicken out all the time.

Why? You should just wear them!

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Of course, if Anne Hathaway’s character would have had a little more fire in her she would have just said: “So, I don’t care!” But she didn’t. She just sat there as if she had an epiphany, which was the whole point. (Laughs.) I get it.

You know, I am kind of this clean-cut Jewish kid, so there is only so far I can go without seeming like a total buffoon. That’s not really the look I am going for. There are a lot of people who can pull that off all the time. I could probably pull it off with a lot of thought and effort for a very specific thing. But I would still have to have the confidence to wear it well, and most of the time I (have) zero confidence when it comes to dressing out of my comfort zone.

I think that if a piece of clothing makes you happy, you should just wear it. Confidence really is a huge part of dressing. You could walk into a room with a beautiful designer gown on and still look silly if you are uncomfortable in it.

I agree. In the end, style is really all about confidence and how you wear it. VT

THE WAITING IS OVER. BAPTIST HEALTH LOUISVILLE’S NEWLY EXPANDED AND RENOVATED ER IS NOW OPEN. We’ve added patient rooms and brought in more ER specialists to see you faster. And for life-threatening emergencies such as heart attacks and strokes, we have the physicians, technology and protocols in place to respond immediately. Our ER is centered on you and the things that are most important in an emergency. See for yourself. Take a quick video tour at BaptistHealth.com/LouisvilleER.

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Tell Me A “O Story… A R T S & E N T E R TA I N M E N T

StageOne’s StoryTellers leap from the page to a child’s imagination By Laura Ross Photos courtesy of StageOne

ne more story, please?!?” is a mantra many moms and dads hear nearly every day. Now, StageOne Family Theatre is stepping in to help with the launch of StoryTellers this season. The program takes beloved children’s books and brings them to life through imagination, music and plenty of audience interaction. It’s geared toward children ages two through eight and provides an afternoon of imagination and exploration that makes reading fun. “Children this age are very curious about the world around them,” said Hannah Wemitt, StageOne director of education. “They ask a lot of questions and love to engage in the process. By using familiar storybooks, we invite them to take the journey with our actors by becoming storytellers themselves in a unique way.”

Each program features three to four book titles as told by three actors – with the addition of a live musician, costumes, props and projections of each page onto a screen in the background. StoryTellers premieres Aug. 25 for StageOne audiences. “Our first StoryTellers theme is TERRIBLE, HORRIBLE, BAD and will feature ‘Dragon Was Terrible’ by Kelly DiPucchio, ‘Horrible Bear’ by Ame Dyckman and ‘The Bad Seed’ by Jory John,” said Wemitt. “Each of these titles explore characters with terrible habits, horrible manners and bad attitudes and moments that brought about change.” The theme of the September StoryTellers event is I’M NOT AFRAID! with “Never Tickle a Tiger” by Pamela Butchart, “Scaredy Squirrel” by Melanie Watt and “What the Ladybird Heard” by Julia Donaldson. StoryTellers is not the traditional story hour of old. Children and adults are encour0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

Business Office: 315 W. Market St., Suite 2S 502.498.2436

Where They Perform: The Kentucky Center for the Performing Arts 501 W. Main St.

StoryTellers at StageOne Family Theatre kicks off its monthly presentations on Aug. 25. Due to fire damage at the Kentucky Center for the Performing Arts, StageOne’s August performance location is pending and will be announced shortly on their website, stageone.org. Showtimes for StoryTellers are at 10 a.m., 11:30 a.m. and 1 p.m. • • • •

aged to sit on the floor around the performers and help tell the story through music, art and creative experiences. Children leap into the story itself and often become an integral part of the action. “Most of our seating is on carpet squares on the floor, encouraging families to jump in and play with us,” said Wemitt. “Another reason we incorporate the book pages on the projector screen is for our guests with autism spectrum disorder or sensory processing disorder. “We’re bringing a lot of new stories into our season that I’m really excited about, including ‘Never Tickle a Tiger,’” added Wemitt. “The main character, Izzy, is constantly told to stop fidgeting, squirming and bouncing and one day finds herself in a heap of trouble at the zoo. I love this story because it looks at consequences in a fun way but also encourages solving our own problems, which is very empowering for a young child.” The actors love performing some of their 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

childhood favorites as well. “You can’t really go wrong as an actor, as the kids are so willing to buy into what you’re doing,” said StoryTeller Megan Adair. “They allow themselves to believe. I love that we’re reinforcing to kids that their imagination is the key component in acting out stories.” Wemitt agreed. “I love watching the children experience the joy and fun in the storytelling. Their eyes light up, and they jump up on their feet when they know what’s on the next page. It’s like being at a high-energy concert. They’re connecting the dots and through each story are learning amazing lessons on kindness, empathy and making mistakes. But, the twist is watching the parents get just as excited. For 45 minutes, it’s anything goes – we’re all taking the ride and there are no expectations other than having fun.”

Aug. 25 Sept. 15 Oct. 6 Nov. 17

• • • •

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STAGEONE FAMILY THEATRE stageone.org

STORYTELLERS SCHEDULE

Jan. 5 Feb. 16 March 16 May 11

I love ‘Never Tickle a Tiger’ because it looks at consequences in a fun way but also encourages solving our own problems, which is very empowering for a young child. — Hannah Wemitt

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StageOne has enriched the lives of young audiences and the communities that surround them for longer than I have been alive.

As StageOne kicks off its 72nd season, the theater company also — Idris Goodwin welcomes Idris Goodman as the company’s new producing artistic director. Goodwin succeeds Peter Holloway, who recently left after 11 years with the theater. Goodwin brings more than 16 years of experience in theater and the performing arts to StageOne. A playwright, director, orator, poet and educator, Goodwin has covered all aspects of theater in his career. For StageOne, he wrote and produced “American Tales” and the widely produced “And In This Corner: Cassius Clay,” winner of the 2017 Distinguished Play Award from The American Association of Theatre and Education. His work has been widely recognized and includes the critically acclaimed play “How We Got On,” developed at the O’Neill National Playwrights Conference, which premiered in Actors Theatre of Louisville’s 2012 Humana Festival. His one-act “Black Flag” was produced Off-Broadway. Goodwin’s poetry has appeared on HBO, The Discovery Channel, The BBC, NPR, Sesame Street and National Public

THE BROWN-FORMAN 2018/19

Radio. A seasoned educator, Goodwin has taught across the United States and was most recently an assistant professor in the Department of Theatre and Dance at Colorado College, where he was voted Teacher of the Year. “StageOne has enriched the lives of young audiences and the communities that surround them for longer than I have been alive,” said Goodwin. “What an incredible honor to be able to further weave myself into its indelible legacy.” In addition to StoryTellers and other stage and educational programs offered by StageOne, the company’s mainstage season kicks off in October with Goodwin’s adaptation of “Frankenstein.” Holiday favorite “The Best Christmas Pageant Ever” returns in December and will feature 32 local student actors. In 2019, StageOne presents Judy Blume’s “Tales of a Fourth Grade Nothing,” and the season closes with “The True Story of the Three Little Pigs.” StageOne is recognized as one of the nation’s leading professional theaters for children, reaching more than 80,000 young people, their families and teachers each season. VT

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CONGRATULATIONS

ST. MATTHEWS 2018 K ENTUCK Y STATE LITTLE LEAGUE CHA MPIONS

Back Row (L to R) — Matthew Holdener, Daly Penick, Ben Breunig, Sam Pearman, Alex Johnson, Bennet Holdener, Jake Schweitzer Front Row (L to R) — Jed Hamilton, Ryan Marks, Evan Boeckmann, Owen Rafferty, Ethan Dillon, James Cameron

GOOD LUCK

Coaches Jeremy Pearman (right) Rick Boeckmann (center) and Keith Dillon (left)

AGAINST INDIANA! IN THE GREAT LAKES LITTLE LEAGUE REGIONAL CHAMPIONSHIP AUGUST 5, 2018 8 PM – W E STFIELD, IN – E SPN +

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BREAKING THE MOLD Now through Sept. 9 Speed Art Museum AFTER HOURS AT THE SPEED, FEATURING “IT DO TAKE NERVE: DRAG AS A SUBVERSIVE TOOL OF RESISTANCE” 5 to 10 p.m. Aug. 17 speedmuseum.org/events

‘It Do A Take Nerve’ A R T S & E N T E R TA I N M E N T

The Speed Art Museum’s new exhibition is turning heads and sparking conversations By Laura Ross Photos courtesy of the Speed Art Museum

provocative exhibition at the Speed Art Museum has been turning heads and fostering conversation all summer. The museum plans to amp up that conversation on Aug. 17 at its popular, monthly After Hours event, with a drag show and open conversation with WFPL’s “Strange Fruit” podcast co-hosts Dr. Kaila Story and Jaison Gardner. The event is part of the Dialogues on Gender series at the Speed in conjunction with “Strange Fruit” and the exhibition “Breaking the Mold: Investigating Gender at the Speed Art Museum.” Story and Gardner will present the lecture “It Do Take Nerve: Drag as a Subversive Tool of Resistance,” along with a multimedia presentation. A discussion and Q&A with the audience will follow. Later, Play Louisville will present a drag show at the Speed as part of After Hours. The audience will learn about the history of drag as a socio-political tool of resistance throughout the course of modern history – from Kentucky’s own James “Sweet Evening Breeze” Herndon to New York City’s House Ball culture and RuPaul Charles. “We will examine drag as a queer art form that is subversive to mainstream notions of identity, race, culture, gender identity and sexuality,” said Story. “Drag as an art form has always challenged those notions and even ideas of race and culture that have been thought to be innate, natural or biological.”

“The drag queen, the fem queen and the drag king are gender outlaws,” said Gardner. “They are individuals who push and pull at the edges of racialized gender and sexual performance, disrupting ideas that gender and expressions of sexuality are intrinsically tied to the sex we are assigned at birth.” Gardner added, “Drag also distorts normative ideas about ‘the genders’ and the types of attributes, attitudes, behaviors and performance that are thought to belong to either men or women. It challenges that which is thought to be ‘natural’ or ‘fixed.’” Story is an associate professor in the departments of women’s and gender studies and Pan-African studies and the Audre Chair in Race, Class, Gender and Sexuality Studies at the University of Louisville. Along with Gardner, she is also a co-creator and co-host of WFPL’s “Strange Fruit: Musings on Politics, Pop Culture & Black Gay Life,” a popular and award-winning weekly podcast focusing on social justice and pop culture. Gardner is a social justice activist, health educator and community organizer. He is a co-founder of Black Lives Matter Louisville and is a current board member of the Louisville Pride Festival. The drag show at the Speed is a first for the museum. “The response to (our) Dialogues on Gender (series) has been phenomenal. We’ve loved seeing people of all ages actively participate in the discussion and ask 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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Dr. Kaila Story

thoughtful questions,” said Miranda Lash, curator of contemporary art. “The public can expect a lively conversation that is designed to be educational and engaging. Kaila (Story) and Jaison (Gardner) are experts at making everyone in the audience feel welcome to participate, and the runway show in the Great Hall will be festive.” The Dialogues on Gender lecture series, which has run monthly through the summer, ties into the Speed’s current exhibition, “Breaking the Mold: Investigating Gender at the Speed Art Museum.” “Breaking the Mold is designed to facilitate discussion about gender and power,” said Gardner. “It explores representation of gender identity through embodiment, dress, objects and history. To that end, all of the lectures in our series have examined the ways in which particular groups of people navigate issues of gender and sexuality and how the ways in which we see ourselves or are seen by others is influenced by intersecting factors including race, class or social location.” Story and Gardner’s series of gender discussions have proved popular this summer at the Speed. “The entire Dialogues on Gender series has been a first-of-its-kind partnership between ‘Strange Fruit’ and the Speed Art Museum, and we both have been involved from its inception in the planning and design of each lecture,” said Story. “The ‘Y’all Better 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

Our society has consciously or subconsciously socialized everyone within it to be sexist, misogynist, transphobic and homophobic. — Jaison Gardner

Quiet Down: Trans Advocacy and Safety’ presentation in June featured DJ SYIMONE and Dawn Wilson as guest panelists. ‘Living a Feminist Life’ in July featured Paddy Johnson of (New York’s) Art F City as a guest panelist. August’s ‘It Do Take Nerve’ event will be a great way to advance the conversation.” Story added that audiences so far have been extremely engaged, with the June event running more than an hour over schedule because of the lively discourse. “These discussions remain important and timely because, indeed, we are living in precarious times politically, but really, throughout time, no matter who was ‘in charge,’ society has frequently misinterpreted and misunderstood gender, gender identity and sexuality, especially as embodied by people of color,” said Gardner. “Our society has consciously or subconsciously socialized everyone within it to be sexist, misogynist, transphobic and homophobic,” added Gardner. “These discussions will remain pertinent and timely until we all unlearn and eradicate these beliefs.” VT

Jaison Gardner

A R T S & E N T E R TA I N M E N T

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GALLERY GUIDE In lieu of our normal State of the Art feature, we’ve compiled a guide of visual and performing arts happenings in our community. Compiled by Jo Anne Triplett and Taylor Moore

21C MUSEUM HOTEL 21cmuseumhotels. com/louisville “Fallen Fruit: The Practices of Everyday Life” – Ongoing “Dress Up, Speak Up: Costume and Confrontation” – Through March “Labor&Materials” – April-March 2020 “Louisville Photo Biennial” – Aug. 2019-March 2020 849 GALLERY (KENTUCKY COLLEGE OF ART + DESIGN) kycad.org “The Future is Now” – Through Aug. 7 “Merton Among Us: The Living Legacy of Thomas Merton” – Oct. 5-Jan. 18 ACTORS THEATRE GALLERY actorstheatre.org/gallery 25th African American Art Exhibition – Jan. 8-Feb. 17

ARTS ASSOCIATION OF OLDHAM COUNTY aaooc.org 3rd Found & Recycle Show – Through Aug. 25 Wearable Art – Sept. 4-Oct. 6 “Inspirations” – Oct. 16-Nov. 17 7th Annual Oldham Arts on Cityplace Fall Arts Show – Nov. 10-11 3rd Winter in Kentucky Artists Boutique – Nov. 20-Jan. 5 Venetian Sketchbook Invitational – Jan. 8-26 Carved, Cast or Assembled Sculpture Show – Jan. 29-March 9 “What’s In Your Garden?” 3rd Annual Garden Show – March 12-April 20 10th Annual Animal Attraction Art Show – April 23-June 2 Glass – June 11-July 13

Oldham County Art Student Show – July 16-Aug.3 B. DEEMER GALLERY bdeemer.com “The Shape of Flowers” by Liz Price – Through Aug. 7 Yasharel Manzy – Aug. 18-Sept. 25 “From the Sea to the Moors” by Cynthia Kelly Overall – Sept. 29-Oct. 30 “Breathe” by Pam Folsom – Nov. 3-27 Teri Dryden – JanuaryFebruary BERNHEIM FOREST, LAKE NEVIN bernheim.org Grass Men at the 10th Annual CONNECT – Aug. 18 BERNHEIM GALLERY (LOUISVILLE FREE PUBLIC LIBRARY)

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2 lfpl.org “Finding Home: Refugees and Immigrants in Louisville” – Aug. 15-Sept. 16 “The Modern Prometheus: An Artist Invitational” – Sept. 24-Nov. 11 “Poets, Rock Stars, & Holy Men: A Literary Renaissance” – Nov. 17-Jan. 13 CARNEGIE CENTER FOR ART & HISTORY carnegiecenter.org “Spawning Grounds” – Aug. 3-Sept. 22 (Opening reception: 6 p.m. Aug. 3)

Nathaniel Donnett & Vadis Turner – Oct. 5-Dec. 1 “#IamPublicArt” – Oct. 6 “Biophilia Life; or My Best Friend Has Four Legs and a Tail” – Dec. 14-Feb. 9 Sandra Charles, Barbara Tyson Mosley & Elmer Lucille Allen – Feb. 22-April 20 Floyd County Secondary Schools Art Show & Competition – April 27-May 11 “Form, Not Function: Quilt Art at the Carnegie” – May 24-July 20

3 4

5 1. 21c Museum Hotels. From “Dress Up, Speak Up: Costume and Confrontation.” Courtesy of 21c Museum Hotels. 2. Actors Theatre Gallery. “God, Watch Over This Family” by Clifford Darrett. 3. Carnegie Center for Art and History. “False Beaches” by Aberlyn. From “Spawning Grounds.” 4. Bernheim Forest. “Grass Men” by Ashley Peevor. 5. Arts Association of Oldham County. From the “Found and Recycled Show.” 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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CRAFT(S) GALLERY & MERCANTILE craftslouisville.com Group Show – Aug. 3-26 Jacque Parsley and Gayle Cerlan – Sept. 7-30 Susan Tolliver – Oct. 5-28 “Day of the Dead” – Nov. 2-25 “Christmas on Historic South 4th” – Dec. 7-30 CRESSMAN CENTER FOR VISUAL ARTS (UOFL) louisville.edu/art Joan Tanner – Sept. 14-Oct. 27 Open Studio Weekend – Nov. 2-Dec. 1 Annual Student Exhibition – Dec. 7-Jan. 12 Richard Gallo – Jan. 18-Feb. 23 “Conspiracy” – March 1-April 6 Interior Design Portfolio – April 15 Graphic Design Portfolio – April 19 MFA Exhibition – TBA

6 6 . Frazier History Museum. From “Spirit of Kentucky.”

7. Filson Historical Society. From “Connecting the Dots: Exploring Your Family History.” 8. CRAFT(S) Gallery & Mercantile. Art by Michael Tackett. 9. First Light Gallery. From “Reborn” by Rebecca Rose.

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DANCE KENTUCKY CENTER FOR THE ARTS kentuckycenter.org “Romeo + Juliet” – Sept. 7-8 “Brown-Forman The Nutcracker”– Dec. 8-23 “Human Abstract” – Feb. 28-March 3 “Cinderella” – April 5-6 LOUISVILLE BALLET louisvilleballet.org “Romeo + Juliet” – Sept. 7-8 “Mozart” – Oct. 12-13 “Brown-Forman The Nutcracker”– Dec. 8-23 “Choreographers’ Showcase” – Jan. 31-Feb. 3 “Human Abstract”– Feb. 28-March 3 “Cinderella” – April 5-6

9 FILSON HISTORICAL SOCIETY filsonhistorical.org “Made to Order: The Fashion of Geneva H. Bell” – Aug. 31-Dec. 7 “Connecting the Dots: Exploring Your Family History” – Aug. 31-March 1 “Shanty Boats” – Jan. 11-May 10 “Enid Yandell: The Early Life of a Kentucky Sculptress, 1869-1900” – June 7-Dec. 27 FIRST LIGHT GALLERY firstlightgalleryky.com “Reborn” by Rebecca Rose – Aug. 3-Sept. 29 (Opening reception – 5 p.m. Aug. 3) “Heartfelt Africa” by Fred DiGiovanni – Oct. 5-Dec. 1 “Shades of Nature” by Lesley Ackman – Dec. 7-Jan. 26 “Behind the Screams: Production Stills from the Making of ‘One Must Fall’” by Steve Squall – Feb. 1-March 30 TBA – April 5-June 1

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FRAZIER HISTORY MUSEUM fraziermuseum.org “The Great War: Highlights from the Frazier World War I Collection” – August-November “Family Gathering: Linda Bruckheimer’s Kentucky” — August-November “Whiskey Pictures” – Aug. 30-Jan. 6 “The Spirit of Kentucky” — Aug. 30-March 24 “An Evening with Poe” – Sept. 24-Nov. 4 “Kentucky Craft Luminaries” – Nov. 19-March 24 “Freak Power: Hunter S. Thompson” – April 30-Sept. 2 GALERIE HERTZ Galeriehertz.com New Works – August Emily Church – Through Aug. 31

UOFL DANCE THEATRE uldanceacademy.com “Clara’s Dream” — Nov. 30-Dec. 2 Spring Gala — May 17-18

MUSIC CHAMBER MUSIC SOCIETY, UOFL louisvillechambermusic.org Takàcs Quartet – Oct. 14 Tessa Clark and Andrew Armstrong – Nov. 4 Berlin Philharmonic Wind Quintet – Feb. 17 Claremont Trio – March 3 Dover Quartet – April 7 DERBY DINNER PLAYHOUSE derbydinner.com The Church Basement Ladies in “Rise Up O Men” – Aug. 22-Sept. 30 Jason Petty presents “Hank and My Honky Tonk Heroes” – Sept. 10 The Van-Dells – Sept. 24

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2018 PERFORMING ARTS Guide “How Great Thou Art: The Gospel Music of Elvis Presley” – Oct. 22 The Return: A Beatles Tribute! – Nov. 5 THE MONARCHS present “A Tribute to Rock, Rhythm & Doo Wop” – Jan 2-3 Chris Collins and Boulder Canyon presents “A Tribute to John Denver” – Jan. 4-5 The World Famous Glenn Miller Orchestra – April 8 KENTUCKY CENTER FOR THE ARTS kentuckycenter.org “An Evening with Lindsey Stirling” – Aug. 8 Chris Blue – Sept. 7 The Revivalist – Sept. 27 “Zosos: The Ultimate Led Zeppelin Experience” – Sept. 28 Hawktail – Sept. 30 “Danny Gokey: Hope Encounter in Partnership with World Vision” – Oct. 4 Lake Street Dive – Oct. 25 “The Music of Cream: 50th Anniversary Tour” – Nov. 15 “Mannheim Steamroller Christmas” – Nov. 25 “Randy Rainbow Live” – Dec. 8 “Jim Brickman: A Joyful Christmas”– Dec. 12 The SteelDrivers – April 6 KENTUCKY OPERA kyopera.org “The Magic Flute” – Sept. 23 “Enemies, A Love Story” – Nov. 11 “Rigoletto” – Feb. 17 LOUISVILLE ORCHESTRA louisvilleorchestra.org Pops: Bob Bernhardt conducts John Williams – Sept. 15 “Leonard Bernstein at 100”– Sept. 29 “Kentucky Strings” – Oct. 13 “Halloween Spooktacular” – Oct. 20 Monteverdi’s Vespers of 1610

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10 GALLERY AT ART SANCTUARY art-sanctuary.com “Visage” by Josh Bleeker, Julie Page, Nancy Sturdevant – Aug. 3-26 Britany Baker and Frankie Steele – Sept. 7-30 Artist and Musician Showcase – Oct. 5-28 Linda Erzinger – Nov. 2-25 Art Sanctuary Member Exhibition – Dec. 1-Jan. 27 Ryan Case – Feb. 1-24 Nikita Krivoshey – March 1-31 Amy Jo Goforth – April 5-28 Kate Mattingly – May 3-26 Purion Parker – May 31-June 30 “If Mothers Ruled” – July 5-28 April Martin – Aug. 2-25

GARNER NARRATIVE CONTEMPORARY FINE ART garnernarrative.com Larry Beisler – Aug. 3-Sept. 15 Louisville Furniture Society – Sept. 21-30 Aleksandra Stone – Oct. 5-Nov. 30 Laurie Fader – Dec. 7-Jan. 11 Angie Reed Garner – Jan. 18-Feb. 22 KAVIAR FORGE & GALLERY craigkaviargallery.com “Fall of the Leaf: Autumn Art Show” – Aug. 31-Oct. 13 “Feminist Expressions” – Nov. 30-Jan. 19 Bob Lockhart Solo Show – Feb. 22-April 6 “Image & Word” – May 31-July 13

10. Gallery at Art Sanctuary. Artwork by James Russell May.

KENTUCKY DERBY MUSEUM derbymuseum.org D. Wayne Lukas – Opens Nov. 1 Jockey Bill Shoemaker – Opens Nov. 1 “Horsing Around With Art: A Student’s View of the Sport of Kings’” – Jan. 21-Feb. 17 KMAC MUSEUM kmacmuseum.org Jibade-Khalil Huffman – Aug. 18-Dec. 2 Elsa Hansen Oldham – Oct. 19-Jan. 27 Sarah Crowner – Dec. 15-April 7 LENIHAN SOTHEBY’S INTERNATIONAL REALTY lenihansothebysrealty.com

Douglas Miller and Karen Weeks – Through Oct. 12 LOUISVILLE VISUAL ART louisvillevisualart.org “The Future is Now” – Through Aug. 7 “Plein Air Paint Out” – Sept. 15 “Louisville Artists: Carry On” – Sept. 23-Nov. 4 Portland Art & Heritage Fair 5th LVA Annual Juried Exhibit – Sept. 29 Open Studio Weekend – Nov. 3-4 LVA Honors Luncheon – Feb. 1 “art(squared)” – April 12-13 LVA Academy/CFAC Exhibits – May-June “The Future is Now” – July

11. Lenihan Sotheby’s International Realty. Artwork by Douglas Miller. Photo by Andrea Hutchinson. 12. Revelry Boutique Gallery. Art by Bobby Hinkel.

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MCGRATH ART GALLERY (BELLARMINE UNIVERSITY) bellarmine.edu “Three Generations of Painters: Dee, Caren and Meredith Cunningham” – Sept. 4-29 “Earth and Fire” by Hadi Abbas – Oct. 5-29 Adjunct Faculty Exhibition – Oct. 29-Nov. 25 “Searching for Thomas Merton: An Artistic Tribute, 1968 – 2018” by Penny Sisto & Joe McGee – Nov. 30-Jan. 6

– 6 p.m. Aug. 3) Debra Lott – Sept. 6-Oct. 20 Kathleen Loomis – Oct. 25-Dec. 1 15th Anniversary Show – Dec. 6-Jan. 5 Jody Johnson – Jan. 10-Feb. 9 Bette Levy and Paul Schreck – Feb. 14-March 23 TBA – March 28-May 4 Corie Neumayer – May 9-June 15 Leslie Anglin – June 20-July 27 Guinever Smith and Nancy Currier – Aug. 1-Sept. 7

MOREMEN MOLONEY CONTEMPORARY GALLERY moremoloneygallery.com Matt Metzger – Sept. 7-Oct. 6 Tiffany Calvert – Oct. 12-Nov. 10 Deborah Whistler – Nov. 23-Dec. 29 Shinji Turner-Yamamoto – March 8-April 5

QUAPPI PROJECTS quappiprojects.com “All Things That Are Light and Soot” by Vanessa Albury – Sept. 21-Oct. 27 Deborah Spanton – Nov. 16-Jan. 4 Jake Ford – TBA Jim Zimmer – TBA Crister Cantrell – TBA

MUHAMMAD ALI CENTER alicenter.org “Shining a Light: Experiences of Refugee Women” – Through Fall “Shining a Light” International Photography Contest and Exhibit – March 8-TBA PAUL PALETTI GALLERY paulpalettigallery.com “See Me Clearly: Women Photographers, Women Photographed” – Through Oct. 15 Sandy King – Oct. 15-Dec. 31 PYRO GALLERY pyrogallery.com Susan Moffett and John McCarthy – Through Aug. 30 (First Friday reception 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

REVELRY BOUTIQUE GALLERY revelrygallery.com Bobby Hinkel – Aug. 3-Sept. 4 (Reception – 7 to 10 p.m. Aug. 3) Kathleen Lolley – Sept. 7-Oct. 9 Harrison Fogle – Oct. 13-Nov. 6 “The Future is Unwritten” – Oct. 20-Nov. 6 Susan Howe – Nov. 10-Dec. 4 Winter Wonderland Ornament Show – Dec. 7-Jan. 1 Toti Light – Jan. 4-Feb. 5 “Cuteopia” – Feb. 9-26 Judy Rogers & Gary Marchal – March 1-April 2 “Win, Place, Art Show” – April 5-May 7 Bri Bowers – May 11-June 4 Jenna White – June 7-July 9

UOFL SCHOOL OF MUSIC louisville.edu/music Loreto Project – Aug. 11 Jazz Jam Session – Aug. 27 Sidney King and Roland Martin – Sept. 4 Lee Luvisi – Sept. 5 Aebersold Quartet – Sept. 10 Reese Land – Sept. 12 School of Music Faculty Gala – Sept. 14 University Chorus, Collegiate Chorale & Cardinal Singers – Sept. 16 University Jazz Combos – Sept. 17 Bruce Heim – Sept. 17 Derek Brown – Sept. 20 Music eX Series – Sept. 23 University Symphony Orchestra – Sept. 23 University Faculty Jazz Ensemble – Sept. 24 University Wind Symphony – Sept. 30 University Jazz Combos – Oct. 1 University Symphonic Band & Chamber Winds Louisville – Oct. 4 Denine Leblanc – Oct. 7 Takàcs Quartet – Oct. 14 University Jazz Repertory Ensemble – Oct. 15 Adam McCord and Faculty Chamber Music – Oct. 17 University Jazz Ensemble I – Oct. 18 University Sinfonietta – Oct. 19

University Chorus, Singing Cardsmen & Cardinal Singers – Oct. 21 University Faculty Jazz Ensemble – Oct. 22 University Community Band & Saxophone Ensemble – Oct. 22 University Student Composers Recital – Oct. 23 Music eX Series – Oct. 28 Jazz Jam Session – Oct. 29 University Symphony Orchestra Halloween Spooktacular – Oct. 31 Kenneth Broberg – Nov. 1-2 Tessa Lark – Nov. 4 “Morton Feldman: His Life & Music” (film/concert) – Nov. 4 New Music Festival: Chamber Music – Nov. 5 New Music Festival: Computer Music – Nov. 6 New Music Festival: University Symphony Orchestra – Nov. 7 New Music Festival: Collegiate Chorale & Cardinal Singers – Nov. 8 New Music Festival: University Wind Ensemble & New Music Ensemble – Nov. 9 University Jazz Combos – Nov. 12 University Jazz Ensemble I – Nov. 13 University Student Composers Recital – Nov. 14 Community Music Program Departmental Saturday – Nov. 17 University Opera Scenes – Nov. 17 University Symphonic Band – Nov. 18 University Chorus, Collegiate Chorale & Cardinal Singers – Nov. 18 University Jazz Repertory Ensemble – Nov. 19 University Jazz Combos – Nov. 26 Rachel Cheung – Dec. 4 Emily Albrink, Chad Sloan & Lee Luvisi – Nov. 9 Gabe Evens Community Big Band – Dec. 12

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and Mozart’s Requiem – Oct. 27 Pops: Brass Transit Tribute to Chicago – Nov. 10 “Home For The Holidays Family” – Nov. 24 “Home for the Holidays with Manny Gonzalez”– Nov.24 Leonard Slatkin – Jan. 12 “1812 Overture” – Jan. 19 “Art + Music” – Jan. 26 “Star Wars: A New Hope” – Feb. 2-3 “Midtown Men” – Feb. 16 “Festival of American Music” – Feb. 23, March 8-9 “An Evening in Italy”– March 2 “Carnival of the Animals” – March 16 Music of Queen – March 23 “William Tell” – April 14 “Love, Lust + Rock ‘n’ Roll” – April 20 Johannes Brahms’ Fourth Symphony – April 27 Beethoven’s Ninth – May 11

THEATER ACTORS THEATRE OF LOUISVILLE actorstheatre.org “Dracula” – Sept. 7-Oct. 31 “The Curious Incident of the Dog in the NightTime” – Sept. 18-Oct. 10 “A Doll’s House, Part 2”– Oct. 2-Nov. 4

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SPEED ART MUSEUM speedmuseum.org “Breaking the Mold: Investigating Gender at the Speed Art Museum” – Through Sept. 9 “American Storybook: The Imaginary Travelogue of Thomas Chambers” – Through Jan. 6 “Picasso to Pollock: Modern Masterworks from the Eskenazi Museum of Art at Indiana University” – Through Jan. 13 “Keltie Ferris: *O*P*E*N*” – Oct. 6-Feb. 3 “Making Time: The Art of the Kentucky Tall Case Clock” – Feb. 2-June 2 “Gonzo! The Art of Hunter S. Thompson” – July 13-Oct. 13 Ebony G. Patterson – June 20-Sept. 29 ST. FRANCIS SCHOOL Student Art Show led by artists-in-residence Julie Leidner, Andrew Dailinger, Kathleen Lolley

and Bob Bertke – 6 to 7:30 p.m. April 25 SURFACE NOISE surfacenoiselouisville.com “Untethered: Images by Jennifer Martin and Britany Baker” – Aug. 10-Sept. 8 (Opening reception – Aug. 10) Surface Noise Presents: Tad De Santo and Sean Garrison – Sept. 14-Oct.6 (Opening reception – Sept. 14) SWANSON CONTEMPORARY swansoncontemporary.com “Politicians and Flesh” by Shayne Hull – Through Aug. 11 “History Abridged” by Ben Cook – Aug. 15-Sept. 22 Ezra Kellerman – Sept. 26-Oct. 27 Rodney Hatfield – Nov. 2-Dec. 29 Group exhibit – TBA Valerie Sullivan Fuchs – TBA

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THE BARD’S TOWN thebardstown.com “The Spy and the Playwright” – Through Aug. 4 BUNBURY THEATRE bunburytheatre.org “A Jewish Joke” – Oct. 4-22 “Greetings” – Nov. 30-Dec. 16 “The Green Book” – Feb. 8-24 “Grace and Glorie” – April 12-28 “When Fishies Rain Down from the Sky” – June 14-30

13. Surface Noise. “Underbelly” by Britany Baker. 14. Speed Art Museum. “The Studio” by Pablo Picasso.

CENTER STAGE THEATER COMPANY (JEWISH COMMUNITY CENTER) jewishlouisville.org “Hairspray” – through Aug. 5 “Into the Woods” – Oct. 18-Nov. 4 “The Full Monty” – Jan. 10-27 “Annie” – March 14-31 “Monty Python’s Spamalot” – May 9-26 THE CHAMBER THEATRE thechambertheatre.com “Pygmalion” – Nov. 9-10, 12, 15-17 “All People Sneeze” – TBA CLARKSVILLE LITTLE THEATRE clarksvillelittletheatre.org “Disaster!” – Sept. 7-9, 14-16 “Blithe Spirit” – Nov. 9-11, 16-18 “Boeing, Boeing” – Jan. 11-13, 18-20 “Steel Magnolias” – March 8-10, 15-17 “The Wizard of Oz” – May 10-12, 17-19 COMMONWEALTH THEATRE CENTER commonwealththeatre.org “Blue Stocking” – Sept. 20-29 “The Laramie Project” – Oct. 11-20 “The 25th Annual Putnam County Spelling Bee” – Nov. 8-17

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“The Ugly Duckling” – TBA “The Caucasian Chalk Circle” – Nov. 29-Dec. 9 “Almost, Maine” – Jan. 17-26 Young Playwrights Festival 2019 – Feb. 6-16 “The Trials of Robin Hood” – Feb. 6-16 Storytime Theater: Native American Myths – TBA “Cabaret” – March 7-23 DERBY DINNER PLAYHOUSE derbydinner.com “The Little Mermaid” – Through Aug. 18 “Web of Murder” – Oct. 3-Nov. 11 “The Musical Adventures of Flat Stanley” – Oct. 6-Nov. 10 “Irving Bering’s Holiday Inn” – Nov. 14-Dec. 31 “A Velveteen Rabbit Christmas” – Nov. 11-Dec. 22 “Love, Sex and the I.R.S” – Jan. 9-Feb. 17 “The Robber Bridegroom” – Feb. 20-March 31 “The Emperor’s New Clothes” – Feb. 23-March 30 “The Newsies” – April 3-May 19 “Snow White and the Prince” – May 25-June 29 KENTUCKY CENTER FOR THE ARTS kentuckycenter.org “Disney’s Aladdin” – Oct. 10-21 “Hamilton” – June 4-23 KENTUCKY SHAKESPEARE kyshakespeare.com Kentucky Shakespeare Festival – Through Aug. 5 THE LIMINAL PLAYHOUSE theliminalplayhouse.org “Mr. Universe”– Aug. 30-Sept. 9 “The Effect” – Oct. 25-Nov. 4 “Smart People” – March 28-April 7 “Edward Albee’s The Goat or, Who is Sylvia?” – May 30-June 9 PANDORA PRODUCTIONS pandoraprods.org “Cabaret” – Sept. 14-29 “My Big Gay Italian Christmas” – Nov. 9-24 “Southern Comfort” – Jan. 11-26

“Girlfriend” – March 8-23 “Dada Woof, Papa Hot” – May 10-25

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“The Santaland Diaries” – Nov. 15-Dec. 23 “A Christmas Carol” – Nov. 20-Dec. 23 “Pipeline” – Jan. 8-Feb. 2 “Hershey Felder as Irving Berlin” – Jan. 29-Feb. 17 43rd Humana Festival of New American Plays – March 1-April 7

PNC BROADWAY IN LOUISVILLE louisville.broadway.com “Disney’s Aladdin” – Oct. 10-21 “A Christmas Story” – Nov. 27-Dec. 2 “Something Rotten!” – Jan. 15-20 “The Book of Mormon” – Feb. 26-March 3 “On Your Feet!” – March 12-17 “Hello, Dolly!” – May 14-19 “Hamilton” – June 4-23 ST. FRANCIS SCHOOL stfrancisschool.org Marsha Norman’s “Getting Out” – Aug. 3 Drama Project Middle School production – Nov. 9, 11, 14, 15 High School Showcase of Student-Written and StudentDirected Plays – Dec. 7-8 High School Spring theater performance – March 8-9 STAGE ONE stageone.org “Frankenstein” – Oct. 19-31 “The Best Christmas Pageant Ever” – Dec. 1-15 “Tales of a Fourth Grade Nothing” – Jan. 26-Feb. 2 “The True Story of the Three Little Pigs” – March 23-April 20 THEATRE [502] theatre502.org “A Feminine Ending” — Sept. 28-29, Oct. 1, 5-7, 12-14 “Sergio’s Museum” — Feb. 8-9, 11, 15-17, 22-24 “Women Laughing Alone with Salad” — March 29-30, April 1, 5-7, 14, 19-20 UOFL THEATRE ARTS DEPARTMENT louisville.edu/theatrearts “The Mountaintop” – Aug. 20-22, Aug. 27-30 “The Taming of the Shrew” – Nov. 8-10, 15-18 “Almost, Maine” – Jan. 31-Feb. 2, 7-10 “A Piece of My Heart” – Feb. 21-23 and Feb. 28-March 3 “A Raisin in the Sun” – April 11-13, 18-21

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Proof of S Success TA S T E S

21c Museum Hotel’s restaurant thrives in a creative atmosphere By Remy Sisk Photos by Kathryn Harrington

Pork Trotter and Sausage Crispy pork, Calabrian chili sausage, vindaloo curry with chickpeas, finely chopped double-cream spinach and charred eggplant. Heirloom Tomato Salad Blue Dog Bakery sourdough topped with triple-cream bleu cheese; local tomatoes dressed with squash oil, lemon juice and za’atar spice; pickled garlic scapes or “dilly scapes”; and sunflower shoots. Roasted Heirloom Squash (Vegan) Meatless harissa tamale, eggplant, squash, aged-tomato jam and pea tendrils.

urely, most locals tell their out-of-town guests that 21c Museum Hotel is renowned for its striking artwork. The massive, golden rendering of Michelangelo’s “David” seems just as much a part of our downtown streetscape as the Mercer building (formerly known as the Aegon Center but renamed 400 WEST MARKET in 2014). However, there is more to 21c than the exquisite art and superior rooms and suites. Proof on Main, the hotel’s restaurant, is one of the city’s finest and most innovative dining establishments. With its diverse, primarily locally-sourced menu, Proof continues year after year to be a destination for locals as well as those visiting the city. Executive Chef Mike Wajda has been with Proof for three years. He was originally intrigued due to its farmto-table foundation as well as the art aspect of the restaurant and how it worked in tandem with that of the hotel. “I kind of dug into the culture of 21c and what they stood for as an art museum hotel,” he remembers. “It really resonated with the things I think about when it comes to food and restaurants.” When Wajda joined the team, Proof was known for its creative Southern cuisine under the brilliant leadership of Levon Wallace. But Southern isn’t really Wajda’s style, though he can certainly appreciate it. As 21c considers all of their hotels’ eateries to be chef-driven, they allowed Wajda to mix it up. “I grabbed a bourbon, and I walked through the hotel

and said, ‘21c: What are the boundaries and what does it stand for?’” Wajda recalls. “And there was nothing defining what 21c was. We use any art we want and any artists we want, and there’s no box. You just have to be a living artist in the 21st century – that’s it. So I said, ‘We’re going to do the same thing with the restaurant.’” Thus, the menu at Proof became extraordinarily eclectic, featuring dishes that took inspiration from across the globe. But they had to avoid looking like a restaurant with an identity crisis and a phonebook-sized menu. Wajda insisted that, while they could use any cooking style or technique, the ingredients, as much as they could, had to come from the Ohio River Valley. Though Wajda says there was a bit of skepticism about his plan, the gamble proved fruitful as Proof has consistently continued to reap praise from critics and diners alike for its commitment to innovation and artistry as well as flavor profiles and execution. A good deal of that has to do with the primarily locally-sourced ingredients and the chef’s dedication to the farm-to-table concept. Wajda is eager to take what the farmers bring and find ways to use it to the fullest extent. For example, the team recently received a whole hog from Woodland Farm. The belly and loin went to porchetta, the head to head cheese and the shoulders to braise for pasta, which left Wajda the trotters. With the freedom and innovation that is inherent in Proof’s identity, Wajda deboned the trotters, left the 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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The same way some of our artists in the hotel are being presented, we’re doing the same thing in the kitchen as my cooks are artists as well. — Proof on Main Executive Chef Mike Wajda

skin and hoof on, rolled down the skin and stuffed it with Calabrian chili sausage. He subsequently rolled the skin back up and roasted it at a high heat to make the skin especially crispy and then served a cutting on top of a vindaloo curry with chickpeas, double creamed spinach and charred eggplant. It is an absolutely remarkable dish. Part of why this creativity abounds is no doubt due to the fact that Wajda and his team are literally surrounded by it. The dining room is adorned with an art exhibition, which motivates the culinary side to maintain the brand’s supreme aesthetics. “You eat with your eyes first, and we say we’re dining with art, so we want the plate to look just as aesthetically pleasing as the things that are around us,” he says. “So hopefully, you’re being wowed by the presentation of the food as well as the flavors that go along with it. The same way some of our artists in the hotel are being presented, we’re doing the same thing in the kitchen, as my cooks are artists as well.” 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

As Wajda continues to infuse his menu with the art that is synonymous with 21c and Proof’s identity, he hopes that this sort of culinary philosophy will set a new precedent in Louisville. “I hope to pave the way for other great restaurants to come into the city and do more refined food,” he contends. “I think being able to elevate the dining scene in Kentucky with all the other great restaurants here, collectively, would be the best thing that could happen.” VT PROOF ON MAIN 702 W. Main St. proofonmain.com 502.217.6360

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Autumn Cleveland with her dog Pickles.

HOMES

At Home With AUTUMN CLEVELAND A few of the athlete’s favorite things By Janice Carter Levitch

s a professional bodybuilder, Autumn Cleveland is mostly known for her expertise in fitness and nutrition. She recently earned her IFBB Professional Figure Competitor title and status, which took her 15 years to accomplish through intense discipline and training. However, she has a private side that is beginning to open up through art. Painting has always been a part of Cleveland’s life, but she packed that talent away for several years as she focused on fitness as a full-time career. This focus changed when a close friend battled cancer. Cleveland began expressing her feelings with a canvas, paint and brushes. The painting she created is titled, “Phoenix,” and shows a woman screaming in silence as her hair bursts into flames. Through her art, Cleveland has found a way to communicate emotion, and her talent has been revived. “Music and art are two of the things that pull me together at moments when life slows down,” Cleveland explained. “I can open up to my own expression in art and recreate that on a canvas with my paints. Sometimes I sink a little low in my thoughts, and I can’t

express that in fitness, but I’m able to do that with my art. “I’ve also painted portraits of Arnold Schwarzenegger because I see him at fitness competitions that I participate in,” she continued. “He actually autographed one of them and I have it hanging in my home as a reminder of the artistic side of my personality and to keep nurturing it.” Cleveland recently welcomed The Voice-Tribune into her home to share a few of her favorite things.

1. ‘THE ROAD LESS TRAVELED’ BY M. SCOTT PECK, M.D. “My dad had this book in college and read it so many times (that) it’s coming apart now,” Cleveland said. “He told me it helped him get through his college days, and we relate very much in our college-life struggles. It’s so cool because at times when I was seeking self-growth, I would go back to this book and read certain chapters, specifically targeting discipline and love. No matter how old I get, it’s a book I can go back to for inspiration. I feel like it helped my dad become who he is, and it can help me, too.” 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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2. HANDMADE CARDS A simple cigar box holds handmade cards and thank you notes that Cleveland keeps as mementos from special family members and friends. “This box holds a lot of time and thought from other people. These are handmade cards that my mother lovingly took the time to create and send to me. It’s rare that someone will send you a card in the mail because it’s just so much easier to text these days. There are also cards from friends and other family members. It’s a box of time, energy and love from other people that I keep in my dad’s cigar box,” Cleveland said.

Cleveland’s original painting, “Phoenix.”

3. ‘PHOENIX’ PAINTING Cleveland’s original painting was created on a day when she felt overwhelmed. “This painting is the process of evolving because change is painful,” Cleveland said. “There’s a lot of loss you have to face sometimes, and you don’t know if you can handle it. There are times when you combust and fade into the ashes, but some people combust and regenerate. So, this is the painful process of regenerating to evolve into something stronger.”

4. AIRBORNE PATCH “This patch was given to me by one of my clients who I’ve coached for three years. It’s from his Army uniform when he was leading the 82nd Airborne Division into combat in Afghanistan. Symbolizing leadership and a thank you from him. It’s the most meaningful gift I’ve ever received from a client,” Cleveland said. “This reminds me that I’m doing a good job.”

5. SCRAPBOOK The scrapbook contains the souvenirs from Cleveland’s relationship with the love of her life, Derek Sawyer. On the inside cover, she’s written the story of their relationship. “Ticket stubs, funny greeting cards, special notes and so many other memories are kept here. We are business and training partners, he supports my art, and he’s always there for me. He’s my best friend and I just love keeping all these little things as a reminder of our unique relationship,” Cleveland said with a smile. VT 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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Now more than ever, Fund for the Arts is changing the cultural landscape of Louisville By Laura Ross Photos by Kathryn Harrington

hristen Boone, president and CEO of Fund for the Arts, can barely contain her excitement. “Louisville has a very rich history of incredible support for our arts and culture,” she said. “We’ve had generations of people who have experienced arts and culture in their schools and neighborhoods, and you have generations that believe in the power of the arts to invigorate this community.” As Fund for the Arts moves into its 70th year in Louisville, and long-time donors and corporations shift priorities and evolve with the times, it might seem like Louisvillians would become complacent in giving. Not so, said Boone. In fact, Fund for the Arts recently announced the results of its 2018 campaign, which showed record highs in the number of grants made and organizations, schools and individual artists and counties served. The state of the arts in Louisville is good, if not great. Fund for the Arts was founded as a regional nonprofit with the mission to maximize and drive economic development, education and quality of life through the arts in the community. “The Fund for the Arts has helped our community be a leading city of arts and culture,” said Boone. “It is how we sell ourselves as a community, how we attract talent and businesses and visitors.

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Arts

THE STATE OF THE

We have such a rich environment of orgaLouisville consistently has the nizations and artists in highest per capita united arts Louisville that we are excited to celebrate, giving levels in the nation. feature, learn from and be entertained and challenged (by).” — Christen Boone Boone and her team, along with the leadership of campaign chair Tammy York Day – president and Among the 21 organizations that applied CEO of the Louisville Healthcare CEO for sustaining impact grants, there was a Council and co-founder of the Unbricollective increase of $569,013 in contribdled Charitable Foundation – broke uted income from last year to this year. records with their 2018 campaign. Fund “One thing that we should be proud for the Arts raised $8.6 million, plus an of is that the united arts campaign for additional $800,000 pledged for future Louisville consistently has the highest campaigns. per capita united arts giving levels in the This allowed for 685 grants comnation,” said Boone. pared to 650 in 2017 and 600 in 2016. A For a city of Louisville’s size, that is staggering jump in organizations served paramount. “The Fund for the Arts per came with 115 groups versus 63 in 2017 capita is $7.16, more than three times the and 35 in 2016. Additionally, 257 schools national average of $2.61,” Boone said. were supported compared to 251 the “The Fund is helping usher in an excitprevious year and 211 in 2016. The Fund ing era of unique, impactful and accessible expanded its grant area as well, with 64 arts culture,” said Tammy York Day, counties served, which was a signifi2018 Fund for the Arts campaign chair. cant increase over 29 counties in 2016. “And by supporting these efforts, we

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advance our schools, economy and region as a whole.” Boone is thankful for the energy and support that York Day provided to Fund for the Arts during the campaign. “Her leadership brought an incredible amount of energy, innovation and an outside-the-box approach,” said Boone. “She challenged us to think of how Louisville not just takes a step forward, but (consider) how can Louisville leap and take giant steps.” Top donors to the 2018 campaign included Humana/Humana Foundation and associates, Brown-Forman, Louisville Metro Government and employees, Kosair Charities, Yum! Brands, Inc., LG&E and KU Energy Foundation and LG&E and Tammy York Day challenged us KU Energy/IBEW Local 2100, Woodford to think of how Louisville not just Reserve, Churchill and employees, takes a step forward, but (consider) how can Downs Norton Healthcare Louisville leap and take giant steps. and employees and Jefferson County Public — Christen Boone Schools’ employees. Nearly 20,000 donors invested in the Fund for the Arts in 2018. Boone believes that in addition to a long community tradition of supporting the arts, the community took note of national discussions and controversies surrounding the possible defunding of the National Endowment for the Arts and other sources of arts funding that were challenged. “It got people’s attention,” said Boone. “It brought home the concept that the arts are not a ‘nice to have’ but a ‘must have’ in our culture. We can’t take that for granted. “What we find,” she added, “is that people want to be a part of giving and active communities, and they want to be sure that there are opportunities for people from every neighborhood to be able to experience the arts and

create and participate in the arts themselves.” A prime example of the on-the-ground benefit is through grants to organizations like Actors Theatre. “The Fund for the Arts is our largest donor, and we simply could not do what we do without their support,” said Elizabeth Greenfield, public relations and communications manager at Actors Theatre. “Special performances of our productions, like the sensory-friendly performance of ‘Little Bunny Foo Foo,’ a world premiere play by Anne Washburn with music from Tony Award-winner Dave Malloy, and this season’s first sensory-friendly performance of Fifth Third’s ‘A Christmas Carol’ are made possible by this funding.” Greenfield also pointed to the The New Voices Young Playwrights Festival, which provides middle and high school students with fully-produced productions performed, directed and designed by members of the Professional Training Company. “Grants from the Fund support our in-school residency programs, like New Voices Playwriting Residencies,” said Greenfield. “Last season, our teaching artists hosted about 20 residencies for over 500 students, which translated to nearly 200 combined hours in the classroom.” Across town at the Louisville Central Community Centers, Erica Bledsaw works to expand arts and youth education programs for young people in the Russell neighborhood and other surrounding inner-city areas. “The Fund for the Arts is such a huge asset and provides the funding necessary to keep the arts alive,” said Bledsaw, manager of youth education and fine arts at Louisville Central Community Centers. “The funding helped us produce a Broadway revue that was held at the Clifton Center in April. The group is called The Youth Repertory Theater Troupe of Louisville and our music teachers were contract artists provided to us by Kosair Kids and the Louisville Youth Choir.”

ABOVE: Christen Boone and Tammy York Day. LEFT: The Field Mice in “Little Bunny Foo Foo.” Photo by Bill Brymer. RIGHT: Alaina Kai and Cadence Diggs in “Kids they Say the Darndest Things” by Safietou Gueve, 2018 New Voices Festival. 36

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When you include arts and culture in the planning process, you can truly bring unique and powerful solutions to many of our community’s challenges. — Christen Boone

A performance at Louisville Central Community Center.

Grants from Fund for the Arts also reach fledgling writers at Sarabande Books, a Louisville-based literary publisher. Kristen Miller, editor and director of educational programming at Sarabande Books, pointed to a specific program for writers who might otherwise never see their stories published. “Sarabande Writing Labs exist to cultivate writers and extend a platform to those whose voices too often go unheard,” she explained. “We work with refugees, survivors of abuse, justice-involved youth and those living with homelessness, addiction and disability. Their voices are so vital and necessary, and we strive to promote their writing as widely as possible. Thanks to the Emerging Leader in the Arts Award, I’ve been given the chance to raise awareness about these writers and their work to thousands more in our community.” The outreach to such a wide berth of various arts organizations is part of a paradigm shift that Fund for the Arts adopted this past year from traditional fundraising efforts to a more impact-focused model. By changing the focus and method of its grantmaking, the Fund was able to support a larger number of newer, broader groups and serve a wider range of the community, which in turn, has bolstered the entire arts sector. This includes large-scale collaborative initiatives, like the Cultural Pass, which partners family-friendly events and activities with 48 different museums, historical sites and other arts organizations in several counties surrounding Louisville. It’s all a part of driving Imagine Greater Louisville 2020, the community’s plan for transforming the Greater Louisville region through the creative power of arts and culture. “This is a cultural plan built not on the needs for the arts, but on the needs of this community and how you can use the unique strengths of our arts and culture landscape to 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

help transform and advance our community as a whole,” said Boone. “When you include arts and culture in the planning process, you can truly bring unique and powerful solutions to many of our community’s challenges.” Imagine Greater Louisville 2020 resulted from feedback from nearly 5,000 residents of the region, provided by public meetings, interviews and surveys. In February, Fund for the Arts announced a regional call for arts and culture proposals to activate the plan. In late July, the Fund announced the first recipients of the Imagine Greater Louisville 2020 grants. Grants were awarded to 10 artists and groups and included diverse organizations such as Kentucky Shakespeare’s Shakespeare Tour, the Louisville Youth Orchestra’s NouLou&YOUth program, the Bullitt County Arts Council’s Art Reach project and the Historical Society of Harrison County’s jazz concert in Corydon Square among others. Boone sees the results of the 2018 Fund for the Arts campaign as a huge victory for arts in the region. “Personally, I am most excited when I see so many organizations aligned around the priority to increase arts impact for families. When we have artists and organizations that are bringing their creative genius to bear for others, it’s motivating and energizing to see that.” And Boone is ready to keep going. “We have great momentum for 2019,” she said. “As we continue to integrate the arts into our lives, we also want to elevate Louisville as a leading force in the arts. It’s imperative that we tell our story and attract talent and business and engage people in the creative sector. It’s important to encourage our civic and corporate leaders to think about what is next for Louisville – that is the focus moving forward. The power of the arts truly impacts our community.” VT

President and CEO of Fund for the Arts Christen Boone.

SOCIETY

B E N E F I T I N G : N AT I O N A L M U LT I P L E SCLEROSIS SOCIETY

Misters for MS

Photos by Andrea Hutchinson

his tall, dark and handsome fundraiser took place at the Gramercy on July 26. For the second year in a row, honorable bachelors helped auction off a number of hot prizes to benefit the Kentucky-Southeast Indiana Chapter of the MS Society.

Sharon Konermann, Nonie Lyons, Karen Graehler and Dee Sakfield.

Kimberly Gant and Greg Crockett.

Will Birch and Randall Caldwell.

Stephanie and Todd Lanham. 38

The FlavaVille catering team: Tony Hazlip, Justin Ruffra, Chef Serge Katz, Layla Khorshidian and Carlos Delgado. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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Jill Baird and Tiffany Wright.

Nick Rehm, Danielle McKenzie and Emily Kern.

Norton Neuroscience Institute members Sara Perry, Hanieh Mazaheri, Madeline Stauble, Yvette F. Rojas, Robin Tillett and Christie Lee Scott.

Jason Parmer, Cathy Shircliff and Emily Ho.

Michelle Baughman, Jon and Linda Berry, Trish Osborn, Emie Bowlby and Elizabeth Peake.

Vanessa Burke, Ellie Devries, Lizzy Sivori and Kim Evans. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

Jeff Staley and Ron Griffin. 39

SOCIETY

HOSTED BY THE COMMUNITY F O U N D AT I O N O F L O U I S V I L L E

Give for Good Nonprofit Camp

Photos by Kathryn Harrington

n July 24, a full day of training sessions in preparation of Give for Good Louisville ended in a delightful social hour at the Muhammad Ali Center. Throughout the day, around 300 representatives from local nonprofits learned from expert speakers about how to make the most out of the 24-hour day of giving.

Autumn Neagle, James Morgan, Miranda Reece and Chelsea VanHook.

CEO of I Am Here LLC Chris Strub and Rebecca Minnick with Louisville Nature Center Inc.

Susan Barry and Cara Baribeau with Community Foundation of Louisville and Laura and Cassie Wingfield with Momâ&#x20AC;&#x2122;s Closet Resource Center.

Mary Kathryn DeLodder and Aundria Radmacher with Kentucky Home Birth Coalition and Africa Hands with ACLU of Kentucky. 40

Lauren Michelle Engelke and Sarah Strapp Dennison. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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Brenna Cundiff and Kate Wanke with the Filson Historical Society. Melissa Brock with the Center for Nonprofit Excellence and Susan Bramer with StageOne.

Sue Wettle and Jersey with Paws with Purpose.

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SOCIETY

BENEFITING: VOICES OF KENTUCKIANA

VOICES Summer Party

Photos by Kathryn Harrington

t was a fabulous evening filled with art and cocktails at the Kore Gallery on July 26. All monetary contributions from this event benefited VOICES, Kentuckianaâ&#x20AC;&#x2122;s only all-inclusive chorus for the community.

VOICES of Kentuckiana board members Don Cartwright, Clay Schrenger, Erik Martinez, John Jameson, Michael Clark, Emily Digenis, Jeff Buhrman and Maegan Pirtle.

Jenny Pfanenstiel and Larry Sinclair.

Sandra Chu, Patrick Owen and Norman Dixon.

Shannon Crowe and artist Geoff Crowe. 42

Ryan Doran and Bryan Gatewood.

Craig Spears and Les Mangum. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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Janet Baughman and Patricia Brock.

Kelly Cassidy and Brandy Duncan.

Greg Bryant and Aaron Hutton.

PRESENTS

Field &Fork

BENEFITING THE PARKLANDS OF FLOYDS FORK

SEPTEMBER 8, 2018 â&#x20AC;¢ BROWN-FORMAN SILO CENTER THANK YOU TO OUR GENEROUS 2018 EVENT SPONSORS:

The Lechleiter Family

Mr. & Mrs. Randall B. Hockensmith

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SOCIETY

BENEFITING: WEST LOUISVILLE ECOHUB ARTS COMMUNITY

Ovation! Arts Bash

Photos by Kathryn Harrington and Andrea Hutchinson

he West Louisville ecoHUB Arts Community (TWLEAC) hosted this performing arts celebration to support the launch of their ecoHUB Arts Community Program on July 21. Councilwoman Barbara Sexton Smith was honored, and attendees enjoyed live performances from Cadence Diggs, Idris Frederick and other musicians.

Trevor Williams with Brandon and Derek Campbell of Kentucky Gentleman.

Mayor Greg Fischer presenting Barbara Sexton Smith with her award.

Joe Bringardner, Kasey Maier and Ali Muhammad. 44

Brian Wang, Christy and Dan Stone and Shiao Woo.

Erica Bachelor and Alexis Becker. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

SOCIETY

Kat Abner, J.P. Davis and Damarrion Fleming.

Johnique Ison and Bethany Mitchell.

Brian Curran, John Shaw-Woo and Robert Curran.

Darianne Hudson and Jackie Floyd.

Susan Moremen, Dawn Riley and Rita Peterson.

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SOCIETY

BENEFITING: HUNTINGTON’S DISEASE SOCIETY OF AMERICA, KENTUCKY CHAPTER

Al Capone Night

Photos by Tim Valentino

n July 21, the Huntington’s Disease Society of America, Kentucky Chapter hosted an elegant, jazz-age affair in the iconic Rathskeller Room at The Seelbach Hilton. Guests donned their finest Prohibition-era attire and enjoyed entertainment from Billy Goat Strut Revue.

Debbie and Gary Davis and Carla and Warren Stallard.

ABOVE: Dana Reinhardt and Shannan Neal. LEFT: Sheri Gardner and Tara Blandford. 46

Cathy Lush and David Mohr. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

SOCIETY

Derek Clark and Dale Kiggins.

Billy Goat Strut Revue.

Lisa and Dean Crockett.

Susan Browne and board member Ben Browne.

ABOVE: Melissa and Jordan Copeland, John and Adrea Harris and Penny Bedan. LEFT: Tom Middleton, Dr. Ann Mudd, Dave Gasbarro, Tina Powell, John Klarer and Leslie Mudd. 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

SOCIETY

Michael Reidy, Penny Peavler and Robert Bleifer at the Frazier History Museum.

Irish Legends and Kentucky Socials By Janice Carter Levitch

George Gatewood and fiancé Haley Harris at Longwood Antique Woods.

Heritage tasting flight at the Frazier History Museum.

reland is a place I’ve often daydreamed about visiting. Traveling to such a faraway destination isn’t always easy, but sometimes a lucky leprechaun comes along and creates a little magic. This is what happened when the Farm to Frazier: Kentucky by Way of Ireland dinner was held at the Frazier History Museum. The brilliant minds who put on this affair included Michael Reidy, owner of the Irish Rover, who joined culinary forces with the president and CEO of the Frazier, Penny Peavler, along with Robert Bleifer, Food Network executive chef and vice president of culinary. Reidy has the most delightful Irish accent and keeps you engaged with anecdotes and quotes that have great importance. “If you trust someone with the small things, you will trust them with the big things,” Reidy said, quoting a rendition of Luke 16:10 in the Bible. Lucky me, I was invited to attend this delicious event introducing a “heritage tasting” by Brown-Forman, which included Scotch, Irish whiskey, and bourbon. Presented as a tasting flight (this kind of flight refers to three or more tasting samples; no one is airborne), it was paired with the silkiest smoked salmon and brown soda bread (it’s Irish) you could ever hope to allow your palate to indulge in. As a bourbon newcomer, I needed all the handholding I could get, and Reidy and Bleifer did just that. As we began the tasting, this dynamic duo knew every nuance that creates the unique differences between Scotch, Irish whiskey, and bourbon. After tasting all three, I have to say that I’m still considered a newbie but will be the first in line to attend the next dinner series to learn more. The entire menu made me feel like I had kissed the Blarney stone and gained the gift of tasting eloquence. My taste buds fell into wanderlust. Bleifer had this to say about the dinner: “Irish cuisine is becoming more relevant with world-

class chefs choosing to set up shop in Ireland. Reidy’s food from Irish Rover for (this) dinner was outstanding.” Needless to say, I proudly cleaned my plate. And then dessert was delivered. A tiny parfait-style cup filled with one of my favorites – whipped cream mixed with fruit and topped with meringue cookies – was served as the waistband on my skirt became increasingly tighter. There will definitely be more cardio on the horizon for this gal. In the meantime, I made my way over to the first-ever Kentucky Social held at Longwood Antique Woods in Lexington, hosted by modern-day cowboy George Gatewood. Known for reclaiming and recycling old wood from salvaged historic barns, warehouses and cabins, Longwood is highly recognized for their craftsmanship. “We enjoyed having the best of friends and folks (while) surrounded by many local businesses and artists that made our first Kentucky Social a huge success,” Gatewood said. “We appreciate everyone who took the time to come see what fine applications combined with reclaimed wood are possible. Special thanks to my fiancé, Haley Harris, and Longwood Antique Woods employees Cissy Faulkner and Travis Kitchens.” What a shindig. There was live music by The Wooks Band; Brett Ratliff & Friends Band featuring Nadia on the banjo; and Local Honeys Band, all of whom got your toes tapping and hands clapping. The taco food truck was right next to the Country Boy Brewing Co., since beer and tacos are simply meant to be together. Several vendors were part of the event and included Worn & Co., Scout Antique and Modern, Laura’s Mercantile, David Schuster Art and Kiptoo Taurus’ Art. The social was a blast. I’m looking forward to attending the next one and hope to once again see Gatewood break out his harmonica and tug at everyone’s heartstrings while he plays songs like “My Old Kentucky Home.” VT 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

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BUSINESS

Business Briefs MERRILL LYNCH FINANCIAL ADVISOR RADA HALASEH PROMOTED TO VICE PRESIDENT Merrill Lynch recently announced that Rada Halaseh has been promoted to vice president. She is based in the Louisville, Kentucky office. “We are proud to congratulate Rada on her promotion to vice president,” said Scott Cox, director, Louisville market. “This promotion is a well-deserved recognition of Rada’s industry knowledge and commitment to delivering personalized wealth management strategies to help clients pursue their financial goals.”

Stephen George. Photo by J. Tyler Franklin for Louisville Public Media.

LOUISVILLE PUBLIC MEDIA NAMES STEPHEN GEORGE NEW PRESIDENT AND GENERAL MANAGER

Louisville Public Media, the parent company of Louisville’s NPR news station 89.3 WFPL, 90.5 WUOL, 91.9 WFPK, the Peabody Award-winning Kentucky Center for Investigative Reporting and Do502, recently announced that its board of trustees has chosen Stephen George as the organization’s next president and general manager. George has served as interim president since January. He will assume his role as president effective immediately. “Great journalism, music and the arts have the power to make communities better. Everyone at Louisville Public Media comes to work with a passion for serving that mission every single day,” said George, a Louisville native. “At a time of broken trust and social upheaval, we are a trusted source of news and information, an arbiter of the arts and a cultural wayfinder for the place we love and serve. I look forward to a future where LPM is serving our city, state and region even more deeply through radio, digital channels and face-to-face connections.” George joined Louisville Public Media as executive editor in 2015. He led a restructuring of LPM’s news operations that resulted in audience growth across broadcast and digital platforms. He also spearheaded multiple new initiatives and partnerships, including the regional journalism collaborative Ohio Valley ReSource, a news partnership with the Spanish-language newspaper Al Día en América, and LPM’s acquisition of Do502.com. George succeeds Michael Skoler, who resigned in January 2018.

Halaseh, a resident of Louisville, joined Rada Halaseh. Merrill Lynch in 2007. She received a master’s degree from Indiana University Southeast. Halaseh is based in the Louisville Merrill Lynch office at 101 Bullitt Lane and can be reached at 502.329.5036 or by visiting www.FA.ML.com/RadaHalaseh.

ARGI EMPLOYEE SELECTED FOR LEADERSHIP LOUISVILLE 2019 CLASS ARGI, a Louisville-based personal and business financial advisory firm, is pleased to announce that director of business development Erin Haynes Reed will be a part the Leadership Louisville Center’s Leadership Louisville Class of 2019. Reed will be one of 60 local professionals selected to participate in the program. Since 1979, Leadership Louisville has helped leaders become knowledgeable about local issues, passionate about the success of the region and well connected to the community. The class of 2019 will spend 10 months immersed in an active learning experience, diving into our community’s history, assets and challenges, emerging ready to create positive change alongside a network of fellow influencers and decision makers. “I’m looking forward to connecting with the impressive list of business leaders selected as part of Leadership Louisville’s 40th Anniversary Class,” says Reed. “It’s exciting to be truly immersed in the growth and future development of my hometown for my family and future generations.” Reed, a Louisville native, has led ARGI’s business development department since 2014. She resides in Middletown with her husband and two children.

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LEADERS OF GLOBAL WHISKEY GROUPS UNITE IN KENTUCKY, CALL ON WORLD LEADERS TO COME TOGETHER AND RESTORE OPEN AND FAIR TRADE OF SPIRITS

BUSINESS

To submit your business brief, email circulation@redpinmedia.com.

Executives with the world’s top whiskey associations recently called upon global leaders to engage in timely dialogue that results in the prompt removal of recent tariffs between long-time friends and allies, particularly those imposed on spirits exports. At the “W9 – Spirit of Collaboration Summit,” hosted by the Kentucky Distillers’ Association, representatives from nine international whiskey and distilled spirits organizations joined together to speak with a united voice. KDA President Eric Gregory said the group unanimously approved a resolution declaring open and fair trade to be essential for the future of the iconic industry – even though they couldn’t agree on who makes the best whiskey, or whether it’s spelled “whiskey” or “whisky.” The resolution also welcomes the commitment announced by the U.S. and the EU to de-escalate the current trade dispute and address tariff issues and calls for the removal of tariffs. “In Kentucky, we like to say that bourbon brings people together,” he said. “It’s actually a lesson that our legendary industry learned long ago – that we can accomplish more by working together than standing apart. The global whiskey industry has been built on centuries of friendship, partnership and kinship.

our suppliers, distributors and customers around the globe.” Distilled Spirits Council interim president and CEO Clarkson Hine said, “The Distilled Spirits Council of the U.S. is joining with our counterpart organizations from around the world to send a strong message of support for free and fair trade of distilled spirits. “We welcome the announcement made by the President and the EU as an important step in the right direction,” Hine said.

“(Now), we call on world leaders to likewise work together, over a glass of whiskey or their favorite non-alcoholic beverage. All nine members of this historic summit stand ready to assist and reach a solution.”

“U.S. whiskey exports are a great American success story, and these trade disputes threaten the global competitiveness of American-made whiskeys that create jobs throughout the entire supply chain, from farmers to distillers to the retail market and consumers.

The gathering marked the first time these nine associations have come together to discuss collaborative solutions to recent trade policy decisions that could have long-term economic impacts on each of the country’s distilled spirits industries and negatively affect consumers worldwide.

“We stand side-by-side with our domestic and international colleagues to urge continued dialogue that restores the tariff-free market access that has benefited producers and consumers for the past two decades.”

Participating trade associations include: • American Craft Spirits Association • Distilled Spirits Council of the U.S. • Irish Whiskey & Spirits Associations • Japan Spirits & Liqueurs Makers Association • Kentucky Distillers’ Association • Scotch Whisky Association

According to the Distilled Spirits Council, global U.S. spirits exports set a new record in 2017, reaching $1.64 billion. American whiskeys, specifically bourbon, Tennessee whiskey and American rye whiskeys accounted for nearly 70 percent of the total, and thus are the key drivers of this export success. The summit concluded with a ceremonial planting of a white oak tree on Whiskey Row in front of the Frazier History Museum, home to the Kentucky Bourbon Trail® Welcome Center™ opening at the end of August as the official starting point of the KDA’s world-famous KBT tours.

• The Presidents’ Forum

According to U.S. guidelines, bourbon whiskey must be stored in new, charred oak containers, many of which are shipped overseas for use in crafting other whiskies. “Oak is a tie that binds all our whiskies,” Gregory said.

Ulrich Adam, director general of spiritsEUROPE, said, “Spirit drinks are appreciated around the world. Wherever local economies grow and markets open, we see a rising demand for our whiskies, vodkas, Cognacs or gins.

Gregory praised the energy and insight each of the members brought to the two-day gathering and said the group hopes to formalize its partnership and meet annually. “It only makes sense as we share so many common issues, interests and opportunities.

“As true champion of open and fair trade, we very much value any efforts by public authorities to negotiate tariff removal and the elimination of non-tariff barriers. This helps our spirits companies, large and small, to be commercially successful abroad. The benefits are manifold and substantial – and go well beyond our sector, including

“It was an honor to host such a distinguished group of global citizens here in Kentucky,” he said. “To welcome our extended whiskey family to the birthplace of bourbon in order to work together for the greater good of all is an extraordinary privilege. We look forward to the next family reunion.”

• Spirits Canada • spiritsEUROPE

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OBITUARIES

Obituaries Obituaries may be placed by calling 502.897.8900 or emailing circulation@redpinmedia.com

BARMORE, C. PAUL C. Paul Barmore, 84, of Louisville, passed away on July 27, 2018 surrounded by love. Paul was a Navy veteran of the Korean War and in 1963 started his company, Barmore Development and Construction. He was a beloved dad, grandfather, great-grandfather, friend and so much more. He made a positive difference to so many people in his life, directly and indirectly. He will be missed by so many. Anyone who met him knew he was a genuine gentleman and his word was golden. He loved golf, and until very recently, continued to play. He was a founding member of Valhalla Golf Club and a member of Shadow Wood Country Club. He is survived by his children, Andrew Barmore (Renie Beusie), Paula Barmore (Anoosh Shariat) and Jeff Barmore (Jackie); grandchildren, Chase (Jamie), Keegan, Kelsey, Shane and Nicholas; great-granddaughter, Addison Brennan; special friend, Ann Allen; brothers-in-law, Tom Carter (Sandra) and Ben Stewart; and many nieces and nephews. Preceding him in passing was his wife, Shirleene C. Barmore; parents, Alonzo and Abbey Gretan Barmore; brothers, Irvin, Willis and Robert; and sister, Louise Stewart. Visitation was held July 29 with a service following at the Arch L. Heady at Westport Village, 7410 Westport Road. A private entombment was held on Monday at Resthaven Memorial Park. In lieu of flowers, contributions may be made to either “The Shirleene Barmore Nursing Scholarship” c/o Baptist East Hospital or Pewee Valley Women’s Club Scholarship Fund, PO Box 363, Pewee Valley, KY 40056

BARRICK, ANDREW TAYLOR Andrew Taylor Barrick, 47, of Louisville, passed away peacefully July 27, 2018. Andy is preceded in death by his grandparents, Paul and Marion Barrick and Dr. Fred and Kathlyn Taylor. He is survived by his son, Benjamin Taylor Barrick, whom he loved dearly, and by Benjamin’s mother, Carrie Callahan Barrick; parents, Peter and Judy Barrick; his three brothers, Jeff (Betsy) Barrick, Adam (Emilie) Barrick and Josh (Jessica) Barrick; along with his nieces, nephews, aunts, uncles and many close friends. Andy is loved and will be missed by many. Cremation was chosen and a celebration of his life will be held at a later date. Gifts in his memory may be directed and made payable to The Benjamin Taylor Barrick Education Fund in care of Ratterman Funeral Home, 3800 Bardstown Road, Louisville, KY 40218. Online condolences may be left at www.ratterman.com.

CAVANAUGH, CONNIE Connie Cavanaugh of Louisville entered into rest on July 28, 2018. She was a production lead with Humana and a member of the old Beth Haven Baptist Church. Mrs. Cavanaugh was preceded in rest by her husband, John Cavanaugh. She is survived by a son, Kent Cavanaugh (Stacy); a daughter, Erin Lawson; five grandchildren, Jonathon, Matthew, Loren, Tye and Breauna; two sisters, Charlotte Phillips and Janet Humston (Sam); and a brother, Tom Railey (Rhonda). Her funeral was held Wednesday at the Heady-Hardy Funeral Home, 7710 Dixie Hwy., with

interment following in Bethany Cemetery. Visitation was held on Monday and Tuesday.

KREBS, BERNADETTE Bernadette Klein Krebs, 99, passed away July 28, 2018 at the Hospice Inpatient Unit. She was a former processor for the Hall of Justice and a school crossing guard for Bloom Elementary for over 14 years. Bernadette was preceded in death by her husband, Edward Leonard Krebs; daughter, Bernadette; grandson, Kevin; and daughter-in-law, Mary Beth Krebs. She is survived by her children, Leonard Krebs (Kathy), Mary Sue Irvin (Winston), Peggy Lutes (Carl), Ken Krebs, Jim Krebs (Cathy) and Joe Krebs (Beverly); 15 grandchildren and 26 great-grandchildren. We are forever grateful to the Hosparus team that took care of our mother for so long and also for the loving care given by the staff of the Atria St. Matthews Visitation was held on both July 30 and July 31 at Highlands Funeral Home, 3331 Taylorsville Road. Funeral mass was held Aug. 1 at St. Brigid Catholic Church, 1520 Hepburn Ave, Louisville, KY. 40204, with burial in Calvary Cemetery. Expressions of sympathy can be made to Hosparus of Louisville or the donor’s favorite charity.

LUDWIG, ROBERT J. “BOB” Robert J. “Bob” Ludwig, 63, of Louisville, passed away July 29, 2018 at Hosparus Inpatient Care. He was an employee of Veritiv Corp. Bob was preceded in death by his father, Bryan Ludwig. He is survived by his mother, Margaret Sadlo Ludwig; sisters,

Elaine Ludwig and Patty Boone (Mike); brothers, Gary Ludwig (Ginny) and Richard Ludwig; three children, Jon Ludwig, Lauren Lynch and Mychal Ludwig; three grandchildren, one niece and two nephews. His funeral mass was held at 10 a.m. Wednesday at Mary Queen of Peace, 4005 Dixie Hwy., with burial in Calvary Cemetery. Visitation was held Tuesday at Ratterman Keenan Southwest Chapels, 4832 Cane Run Road.

MCDONALD, JILL D. Jill D. McDonald, 68, of Louisville, passed away suddenly on July 26, 2018 while vacationing in Tampa, Florida. She was born July 29, 1949 and previously resided in Nashville, Tennessee. She was predeceased by mother, Elizabeth Williams, and daughter, Tracy Newman. She is survived by her soulmate and loving husband of 33 years, Dennis A. McDonald; stepmother to Jennie Cook (Bill), Dennis J. McDonald, James L. McDonald (Wendy) and Kelly J. Jacobs (Rob); grandmother (Gi Gi) to Elizabeth Sherman, Jessica, Dana, Dustin, Kaitlyn and Jenna; very loving Great Gi Gi to Rico Benoit and Alayah; and sister to Patricia (Tish) Franklin, Peggy Bell and Sherry Williams. Funeral services were held on Aug. 1 at Ratterman Brothers Funeral Home, 12900 Shelbyville Road, East Louisville, with burial following at Calvary Cemetery. Visitation was held on July 31 and August 1 at Ratterman Brothers Funeral Home. “Best Gi Gi Ever.”

SCHOENBAECHLER, CARROLL Carroll Albert Schoenbaechler, 88, passed away July 29, 2018. He retired after 46 years with Standard Gravure, was a member of St. Peter the Apos0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

STREET, WILLIAM M. William M. Street, 79, passed away July 25, 2018 after a courageous multi-year battle against cancer. Born Sept. 23, 1938 in Louisville to Daniel Street (former president of Brown-Forman) and Frances (Woodruff) Street, Bill Street graduated from Princeton University, earned his MBA from Harvard University and worked at Brown-Forman his entire career, rising from a sales trainee when he joined the company in 1956 to president of the corporation when he retired in 2003. He also served on Brown-Forman’s board of directors for 40 years before retiring from it in 2011. But this brief summary gives short shrift to the contributions of one of the most outstanding leaders of the country’s beverage alcohol industry and one of Louisville’s most prominent civic leaders. Bill began his career with Brown-Forman in 1956 as a summer intern and started working on a full-time basis in 1963. He rose through the ranks of sales and marketing to executive management, becoming a vice president in 1977. In 1986, he 0 8 . 0 2 . 2 0 1 8 V O I C E -T R I B U N E . C O M

assumed the post of president of Brown-Forman Beverage Company, responsible for the company’s U.S. beverage business, and was named chief executive officer of the Beverage Company in 1993. He was named CEO of Brown-Forman Beverages Worldwide, responsible for the company’s global beverage business, when that organization was formed in 1994. Working closely with thenBrown-Forman Corporation Chairman and CEO Owsley Brown II, Bill, Owsley and other executives developed and implemented the company’s globalization strategy in the mid-1990s, affording Brown-Forman the opportunity to build its international business to encompass more than 170 countries around the globe. The success of this strategy has allowed Brown-Forman, one of the largest American-owned companies in the industry, to grow and thrive against much larger global competitors. Bill served on the boards of Papa John’s International, Inc. and the Filson Historical Society. He was director emeritus of the Metropolitan YMCA of Greater Louisville and Louisville Collegiate School. He was former chairman of Greater Louisville Inc., former chairman of the board of Leadership Louisville, the Governor’s Scholars Program and the Kentucky Horse Racing Authority, a position he held from 2004 to 2008. Bill was also an excellent mentor, and current Brown-Forman CEO Paul Varga had the good fortune of working closely with Bill and says: “Bill Street will be remembered fondly by us all as an enormously successful Brown-Forman president and board member, a luminary in the global spirits industry and a prominent Louisville civic leader. Most notably, however, he will be remembered as a gracious and good man who enriched the lives of so many people at our company and in

William M. Street.

our community. We will miss him dearly, and our thoughts are very much with his wife Lindy and his family on this sad occasion.” Perhaps no greater testament to Bill’s character and leadership came from Owsley Brown II, who said when Bill retired from Brown-Forman in 2003: “Bill Street is a paragon of leadership for corporate America. He has conducted himself with the utmost integrity as he constantly strived to meet the needs of Brown-Forman’s constituents – our shareholders, our management team, our partners, the communities where we work and, of course, our employees. “Bill has never been one to shy away from getting all of us to face the hard truths of business. By challenging assumptions, asking the tough questions and by his willingness to listen and learn, Bill has helped create an environment where those around him thrived and developed into new leaders. “Most importantly, for a generation, Bill has been at the heart of forging new corporate strategies and helping the company adapt to the ever-changing landscape by keeping our focus on building our brands and developing our people. As a result, he has been vitally important in sustaining our company’s growth and independence and setting the stage for our continued prosperity over the next decade.”

Always modest about his contributions, Bill wasn’t much for public recognition of his contributions. However, the Kentucky Distillers’ Association was very pleased when Bill agreed to be honored as an inductee into the Kentucky Bourbon Hall of Fame in September 2015. He was also named to the Kentuckiana Business Hall of Fame in 2012 by Junior Achievement; was a 2004 recipient of Greater Louisville Inc.’s Gold Cup award for outstanding business and civic leadership and received the Spirit of Louisville award in 2003 from the YMCA of Greater Louisville. Bill will be greatly missed by all those who knew him, as there is no finer example of a husband, father, grandfather, friend and business and civic leader than William M. Street. Bill is survived by his wife, Lindy Barber Street; daughter, Woody Gardner; and stepchildren, Liz Quail (Brian), Bob Weldon (Maria), Sallie Talbott, Jennie Talbott (Jim), Kit Walden and Martha Lee Walden. Also surviving are his grandchildren, Ty, Warner, Amelia, Chloe, Sophia, Isabelle, Robert, Maggie, Jackson, Hunter and Tyler. A celebration service to commemorate Bill’s life will be held at 10:30 a.m. Aug. 4 at St. Luke’s Episcopal Church, 1206 Maple Lane, Anchorage, Kentucky. Visitation will be from 3 to 7 p.m. Aug. 3 in the Dan and Frances Street Learning Commons at Louisville Collegiate School. Please enter at the Ray Avenue entrance, where valet parking will be available. Bill asks that your support be directed to: Louisville Collegiate School, 2427 Glenmary Ave., Louisville, KY 40204; Filson Club, 1310 S. Third St., Louisville, KY 40208; and Gilda’s Club Louisville, 633 Baxter Ave., Louisville, KY 40204, in lieu of flowers.

OBITUARIES

tle Catholic Church (Polycarp Campus) and an Air Force veteran of the Korean conflict. He is preceded in death by his wife, Martha Lorraine. Survivors include his children, Steve Schoenbaechler (Mary Noel), Greg Schoenbaechler (Susan), David Schoenbaechler (Shirley), Joe Schoenbaechler (Susan) and Maria Anderson (Todd); sisters, Edith Lyons and Ethel Hartlage; 11 grandchildren and four great-grandchildren. His funeral mass was celebrated Wednesday at St. Peter the Apostle, 5431 Johnsontown Road, with burial at Louisville Memorial Gardens West. Visitation was held Tuesday at Owen Funeral Home, 5317 Dixie Hwy. In lieu of flowers, expressions may be made to his church.

C A L E N DA R

Event Calendar To submit your event, visit voice-tribune.com

THIS WEEK CHENOWETH SQUARE TENT SALE

Voice CHOICE

SPLASH ‘N’ DASH Big Four Lawn at Louisville Waterfront Park 9 a.m. Aug. 4 nortonchildrens.com/ foundation/events/ splash-n-dash Come splash for a cause with Norton Children’s Hospital at their family fun run. Runners and walkers are invited to participate in the 5K or 1K consisting of refreshing splash zones with post-race activities including face painting, water slides, a rock climbing wall and more.

Chenoweth Square, St. Matthews Aug. 2-4 facebook.com/ ChenowethSquareWCW Get some of the best deals of the season at Lemon Tree, Cartwheels, Merci Boutique, Reflections of You by Amy and many more. Cash or checks are appreciated and all sales are final. Stop by Cheddar Box Too for breakfast or lunch during the sale.

LOUISVILLE BIG WISH GALA The Omni Hotel 6:30 p.m. Aug. 3 bigwishkentucky.ticket. qtego.net/tickets/list Join Make-a-Wish Ohio, Kentucky & Indiana for this transformational evening. By attending and participating, your support will bring hope, strength and joy to local children battling critical illnesses. Don’t miss the Crash-the-Gala After Party starting at 9 p.m. with open bar and live entertainment from Cover Me Badd.

MARGARITAS IN THE ‘VILLE Captain’s Quarters 6 to 9 p.m. Aug. 9 leoweekly.com/event/ margaritas Kick back for this sixth annual tequila-tasting event, where some of the city’s best bartenders present their most delicious margs. Guests receive a tasting card to try them all and will decide the winner of the People’s Choice Award.

DERBY CITY JAZZ FESTIVAL 2018 Churchill Downs 3 to 11:30 p.m. Aug. 10 and 11 derbycityjazzfest.com Churchill Downs heats up with two days of exceptional entertainment. Event goers will experience the best smooth jazz, food, culture and spirits that Louisville has to offer.

STEP FORWARD FOR MENTAL HEALTH WALK Waterfront Park 9:30 a.m. Aug. 11 namilouisville.org Hosted by the National Alliance on Mental Illness (NAMI) Louisville, this family event will feature refreshments, door prizes, art therapy, mental health information and more.

DISCO INFURNO TUXES & TAILS GALA Marriott East 7 p.m. Aug. 11 kyhumane.org Get ready for a groovy night that benefits the Kentucky Humane Society. Food, fun, an open bar and more will take place and adoptable pets will be onsite. The celebration continues with an epic afterparty with a DJ and dancing.

COMING UP KMAC POETRY SLAM KMAC Museum 7 to 10 p.m. Aug. 14 kmacmuseum.org “Slam” is a sport that incorporates spoken word into poetry performance. Join in the competitive art on the second Tuesday of each month. This community event is free for guests and $7 to slam.

CIRQUE DU SOLEIL’S CORTEO KFC Yum! Center Aug. 15 to 19 cirquedusoleil.com The clown Mauro has passed, but his spirit is still with us. Instead of mourning, the funeral cortege celebrates the here and hereafter with laughter and exuberance. Tickets for this acrobatic spectacular start at just $39.

PLAN AHEAD BUCKLES, BOOTS & BLUES Kentucky Exposition Center, South Wing 9:30 p.m. to 1 a.m. Aug. 22

asbmuseum.org/ buckles-boots-blues Hosted by the American Saddlebred Museum, this annual fundraiser will be held in conjunction with the World’s Championship Horse Show. Entertainment for the evening will include dancing, a live auction and a private performance from Pryor Baird, a contestant on season 14 of NBC’s “The Voice.” Hold on to your saddles – it’s going to be a fun-filled night.

13TH ANNUAL KICKING BUTT 5K Big Four Bridge at Waterfront Park 9 a.m. Aug. 25 runsignup.com/ Race/KY/Louisville/ KickingButtforColonCancer This annual event brings together survivors, fighters, advocates, healthcare providers and community partners to eliminate preventable colon cancer death and suffering.

LOUISVILLE ON THE LAWN: A POP-UP PARTY Conrad-Caldwell House Museum 7 p.m. Aug. 25 conrad-caldwell.org Don’t miss this fashionable, Gilded Age pop-up picnic in Old Louisville’s stunning St. James neighborhood. Partygoers, dressed all in white, are invited to bring a picnic supper to be enjoyed in the beauty of the Louisville’s Castle. Attendees will enjoy live music from Small Time Napoleon and a festive atmosphere.

FIELD & FORK BENEFITING THE PARKLANDS OF FLOYDS FORK Brown-Forman Silo Center 6 p.m. Sept. 8 theparklands.org/field&fork Presented by JPMorgan Chase & Co., this beautiful outdoor fundraiser features a cocktail hour, three-course dinner, live auction and stargazing in the Afterglow lounge.

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Classifieds may be placed by calling 502.897.8900 SERVICES

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Distinctive Stonework! Add a BEAUTIFUL stone wall to your garden! Entrance columns, tuckpointing and more! 30 yrs. experience. Bob Rogers, 241-7340. www.distinctive-stonework.com

I AM A KENTUCKY NOTARY PUBLIC STATE AT LARGE - I WILL NOTARIZE ANY DOCUMENT OR LEGAL DOCUMENT. $20 FLAT FEE (NO MATTER HOW MANY PAGES) $5 TRAVEL FEE (MUST BE IN JEFFERSON COUNTY) TEXT ME AT 502-693-3627, https://ericclarkaudio. wixsite.com/kynotarydude SPANISH LESSONS: Retired Professional, native from South America; will coach Conversational Spanish to Intermediate and Advanced Students. Solo or group. Text to 502-551-7711 for information and fees.

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Spain’s Classics! April 6-16, 2019 Barcelona + Madrid + Seville + Granada Cordoba + and much more! $3,999 double occupancy

Come Travel with Me! I have been leading groups on grand European tours for over 20 years. Join me for an upcoming travel adventure! The Best of Italy! October 31-November 10, 2018 Venice + Rome + Florence + Assisi including a General Papal Audience! $3,179 double occupancy

Holy Land Pilgrimage! October 26-November 3, 2019 Jerusalem + Bethlehem + Nazareth and much more! $3,949 double occupancy

Ericsson proposes to collocate wireless antennas on the rooftop of a 143.3-foot building at the approx. vicinity of 211 West Oak, Louisville, Jefferson County, KY 40203. Public comments regarding potential effects from this site on historic properties may be submitted within 30 days from the date of this publication to: Trileaf Corp, Alison Adams, a.adams@trileaf.com, 1051 Winderley Pl, Ste 201, Maitland, FL 32751.

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All tours include airfare, most meals, first class hotels and full time professional tour escort. Please contact John Findlater Louisville Resident 313-410-6478 or jjfind@aol.com

Advertise your classified ad in The Voice-Tribune! Call 502.895.9770 for a quote today.

Disco inFURno th

Pa w rty i e th DJ !

A Tuxes & Tails production

Tuxes & Tails Gala Saturday, August 11 • 6 p.m. • Louisville Marriott East benefiting the Kentucky Humane Society

Dinner • Dancing • Adoptable Pets Live & Silent Auctions • Music • After Party

Gala Tickets $200 Lounge Tickets $75 For sponsorships, tickets & more information 502-515-3131 kyhumane.org/tuxes-and-tails Presenting Sponsors

Lounge Sponsor Lifelong

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Friends

Ask about group tour discounts!

June 16, 2018 – January 13, 2019 revolution. Witness the rt Museum. A d e e p S e tory at th Art meets his Support for the exhibition is provided by A. Cary Brown and Steven E. Epstein Paul and Deborah Chellgren Elizabeth W. Davis Corporate support for the Speed Art Museum’s exhibition season is provided by

Image: Ernst Ludwig Kirchner, German, 1880 –1938 Boats on the Elbe near Dresden, 1910 –1920 Oil on canvas Overall: 24 3/8 x 34 3/4 in. (61.9 x 88.3 cm) Jane and Roger Wolcott Memorial, Gift of Thomas T. Solley Eskenazi Museum of Art, Indiana University 75.34

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

speedmuseum.org