FILM FREE ARTS Vol. 8 No. 8 MUSIC AUGUST FOOD 2017 CULTURE thewalleye.ca
Art in the City Inspired by Nature
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THE MIXTRESS AND THE SWINERY P 23
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MAGIC OF THE MUSICALS P 30
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PATH OF THE PADDLE P 50
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DON’T YOU(,) MEAN PEOPLE? P 65
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Contents FEATURES
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CoverStory: Art in the City ■ 8 Madaabii ■ 10 Cheryl Wilson-Smith ■ 10 Cree Stevens ■ 11 Sam Shahsahabi ■ 11 Sharon Breckenridge ■ 11 Tim Alexander ■ 12 Neechee on the Land ■ 13 Inspired by Nature ■ 14 Gallery 33 ■ 15 Chenier Fine Arts ■ 16 Fireweed ■ 17 Lake Superior Art Gallery and Framing Centre ■ 18 Ahnisnabae Art Gallery ■ 19 Baggage Building Arts Centre ■ 19 The Framing Post
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FOOD
■ 20 The Longest Word ■ 22 Just Chill Out ■ 23 The Mixtress and the Swinery ■ 25 Brew It Yourself: Crafting Quality Beer at Home ■ 26 The Salsbury Grill
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FILM&THEATRE
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■ 28 Films as an Art Form ■ 29 International Dance Academy ■ 30 Magic of the Musicals ■ 32 Mama's Country Music Collection ■ 33 I Am Sincere ■ 35 Greased is the Word
THE ARTS
■ 36 Needle and Thread ■ 37 Black Ash Basket ■ 38 The Group of Stephen ■ 40 LandMarks2017
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walleye the
Thunder Bay’s arts & culture alternative
Editor-in-chief Darren McChristie Editor Adrian Lysenko adrian@thewalleye.ca Associate Editor Amy Jones Senior Editor Tiffany Jarva
TheWalleye.ca
Contributing Editor Rebekah Skochinski Copy Editors Amy Jones, Kirsti Salmi
Marketing & Sales Manager Maija Zucchiatti sales@thewalleye.ca Photographers Patrick Chondon, Bill Gross, Scott Hobbs, Dave Koski, Darren McChristie, Marty Mascarin, Laura Paxton, Tyler Sklazeski. Chad Kirvan Art Directors Steve Coghill, R.G.D., Dave Koski, R.G.D. production@thewalleye.ca Ad Designer Dave Koski Miranda van den Berg
CITYSCENE
■ 42 RFDA Fun Days ■ 43 Pitchcreek Farm ■ 44 Diggers Antiques
and Collectibles ■ 49 Creating Spaces for Dialogue and Togetherness ■ 50 Path of the Paddle ■ 52 A Road Trip Cliché ■ 54 U18 World Cup
WEATHER
■ 60 Weather Eye MUSIC
■ 62 Ghostly Hounds ■ 63 Thirsty Monks ■ 65 Don’t You(,) Mean People? ■ 67 Toe-Tapping Fun for All Ages ■ 68 Rob Nickerson ■ 70 Live Transcendence ■ 71 B.A. Johnston ■ 72 A Lifelong Love Affair with Music ■ 73 Standing Strong with The Vilification
ARCHITECTURE
■ 76 A Gift of Reflection GREEN
■ 78 Art from Nature HEALTH
■ 80 Indigenous Art Helps
Enhance Hospital’s Welcoming Environment
■ 21 Drink of the Month ■ 56 Stuff We Like ■ 59 This is Thunder Bay ■ 74 Off the Wall Reviews ■ 82 Tbaytel August EVENTS ■ 84 Music EVENTS ■ 85 LU Radio's Monthly Top 20 ■ 86 The Comics ■ 88 The Wall ■ 89 The Beat ■ 90 The Eye
The Walleye is a free monthly publication distributed on racks throughout Thunder Bay and region. Reproduction of any article, photograph or artwork without written permission is strictly forbidden. Views expressed herein are those of the author exclusively. Copyright © 2017 by Superior Outdoors Inc. All Rights Reserved.
Editorial and Advertising: Submissions must be accompanied by a selfaddressed, stamped envelope. Superior Outdoors cannot be held responsible for unsolicited material. Superior Outdoors Inc. 15C St. Paul Street, Thunder Bay, ON P7A 4S4 Telephone (807) 344-3366; Fax (807) 623-5122 E-mail: info@thewalleye.ca
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From Our Instagram Feed
Chamaenerion Angustifolium
I
tend to associate August with the blooming bright pink flowers of fireweed that usually appear during the month. While living up north I had heard from locals that you could tell how much summer was left from the number of remaining flowers on the plant as the season progressed. The fewer flowers, the fewer days of summer. Keeping an eye on the fireweed, I was inspired as well as motivated to complete or work on those creative projects I had set out earlier on in the season. Inspiration can come to artists from many different sources. But with Lake Superior, the Canadian Shield, and the boreal forest, as well as many lakes and rivers, I think it’s safe to say that local artists are inspired by the natural environment surrounding the city. With that in mind, our August issue is devoted to Art in the City: Inspired by Nature. Writer Emma Christensen gets the scoop on the Thunder Bay Art Gallery receiving a New Chapter Grant from the Canada Council for the Arts, which has allowed them to commission works from 25 artists. Plus, Tonya Muchano catches
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up with the young artists of Definitely Superior Art Gallery’s Neechee Studio, who have teamed up with Fort William First Nation and Anemki Art Collective to paint a mural on Mount McKay. Even though it happened last month, our music columnist Gord Ellis reflects on his musical journey over 55 years (happy birthday Gord!) and Kirsti Salmi chats with B.A. Johnston about the troubadour’s minivan, alley beer, and upcoming performance at Tumblestone Music Festival. August also brings the BrewHa! Craft Brew festival, so we thought it would be a perfect month to introduce Josh Armstrong’s column “Brew It Yourself: Crafting Quality Beer at Home.” Plus, it’s blueberry picking time, so Chef Rachel Globensky serves up a delectable blueberry and frangipane galette recipe and to help you cool off on those hot August days, our sommelier Jeannie Dubois shares some ideas for “saucy pops.” Thankfully as I write this the fireweed haven't bloomed yet, so in theory we should have lots of summer left to enjoy.
- Adrian Lysenko
In Error
On page 33 of our July issue (Vol. 8 No.7) in the story “Great Lakes for Great Art” the initiative was incorrectly identified as “Great Lakes for Great Art” rather than “Great Art for Great Lakes.”
Featured Contributor Leah Ching Leah is an islander from Trinidad and Tobago. Her journey from the Caribbean tropics to Northern Ontario began in 2012, when she made a home in Thunder Bay. She attends Lakehead University for political science, where she has cultivated a passion for decolonial studies. Leah is currently acting as the president of the Lakehead University Student Union (LUSU). A lover of literature, she remains an avid writer in her spare time. Check out Leah’s story on the Rites of Passage Teaching Lodge on page 49.
Art in the City Paddling the Turtle River by Sirpa Bishop
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BrewHa! Craft Beer Festival August 11–12
Prince Arthur’s Landing
Patrick Chondon
What’s better than a nice, cold pint of craft beer? An entire festival dedicated to the popular beverage! Back again for the third year in a row, BrewHa! Craft Beer Festival will feature food trucks, live local music, educational demos, and, of course, plenty of the frothy stuff. This year, look for special brewer “one-offs” made just for the festival, expanded craft beer education sessions, and ciders featured alongside the beer. The $20 advance ticket price gets you admission to a session, a sampling cup, four free drink samples, and a free transit ride to and from the festival. Visit their website for updates on participating breweries, and check out the feature in the July issue of The Walleye for more details. brewhafestival.com
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Live from the Rock Folk Fest August 11–13
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Pull-A-Log Park, Red Rock
Paul Jokelainen
Now in its 15th year, Live from the Rock Folk Festival is an annual tradition for many families in Northwestern Ontario. This year’s lineup of both local and international talent includes many new and returning favourites, including Anne Lindsay, Heather Bishop, Wax Mannequin, Murder Murder, and James Boraski Trio. There will also be on-site camping, tonnes of delicious food, and fun activities for the whole family. Weekend passes for the festival are available online or at the gate; check out the feature in the July issue of The Walleye for more details. livefromtherockfolkfestival.com
Edward Maki
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Westfort Street Fair August 19
Frederica Street, Westfort Thunder Bay loves the Westfort Street Fair! Every year, families in Westfort Village and beyond look forward to the Westfort Street Fair, when Frederica Street shuts down to traffic and opens up to family-friendly fun! One of the biggest street fairs in the city, the event will feature entertainment, food, great bargains from local merchants, artisans and crafters, free draws and prizes, pony rides, and the ever popular Shriners’ train ride, with all proceeds going to neighborhood beautification projects and improvements. my.tbaytel.net/westfortvillage
RibFest 2017 August 25–27
Park Avenue OLG Parking Lot and Cumberland Street
In what just might be the most delicious event of the summer, The Waterfront District’s fifth annual Ribfest brings together Ribber teams from southern Ontario to compete for the title of Best Ribs. In the past five years, more than 20,000 people have come out to get their fingers sticky and taste the mouth-watering fare and check out the great musical guests, activities, and games for kids of all ages. This year’s event will also feature a new Kub Kar Rally, a fully expanded children’s area, and a “Local Ribbers Contest” expanded to any business in Thunder Bay. As well, 100% of the proceeds will go to support Our Kids Count programs. So come hungry, and don’t forget the wet naps! Check out the feature in the July issue of The Walleye for more details. thunderbay.ca
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XTERRA Sleeping Giant Triathlon August 26
Sleeping Giant Provincial Park Xterra is an off-road triathlon that consists of biking, swimming, and running that originated in Maui, Hawaii in 1996. Now in its fourth year, the Sleeping Giant race will begin with a swim in Mary Louise Lake and continue on a fast, grassy mountain bike trail and a challenging, technical trail run through forest canopies, over creeks, and alongside spectacular views of Lake Superior. There will be distance and age categories for everyone, and the top three males and females in the triathlon will qualify for the Xterra World Championships in Maui, Hawaii. Race fees vary, and include entry, chip timing with splits, post-race meal, an event gift, and park entry fee. elementracing.ca/xterra-sleeping-giant The Walleye
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CoverStory
Madaabii
Thunder Bay Art Gallery Receives Grant to Commission Work from 25 Artists By Emma Christensen
Architectural rendering of the new Thunder Bay Art Gallery, Patkau Architects and Brook McIlroy Architects
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he Thunder Bay Art Gallery is coming down to the water. And now that they have been awarded a New Chapter Grant from the Canada Council for the Arts, they have invited 25 regional artists to join them. Madaabii is an Anishinaabemowin word meaning “s/he comes down to the shore.” For curator Nadia Kurd, this phrase reflects the gallery’s
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future move from its current location on the Confederation College campus to a new waterfront facility at Prince Arthur’s Landing. Madaabii also represents the focus of a new series of artwork that the gallery is commissioning from the 25 artists, something that Kurd emphasized during the process of applying for the grant. “This idea has been on my mind for quite some time,” she
says. “I wanted to do a project where we invested in artists from the region—artists that the gallery has worked with in the past—to create new work.” What set the Thunder Bay Art Gallery’s grant application apart in a pool of 1600 others? For director Sharon Godwin, the answer comes right back to the water. “I think it was the connection with the lake as a theme for this project,” she says. Although
the project is still in its early stages, Godwin is excited to see what the artists will produce. “Twentyfive different people have 25,000 different, wonderful ideas and approaches, and that’s the power of art,” she says. Kurd acknowledges Northwestern Ontario’s long history of strong and talented artists, and adds that they are often recognized elsewhere before they are celebrated here at home. She
hopes that the new gallery and its new collection of regionally-inspired art will attract attention at both a local and national level. The artwork will be on display as the new facility’s first exhibition, but Kurd doesn’t intend on stopping there. “Because we’ve commissioned these works for the gallery, we will be able to showcase them throughout the year,” she says. She is encouraging the artists to take this time to reflect
CoverStory
and to be open to change as their projects unfold. She hopes they will visit the site of the new facility, which is located near the Spirit Garden, to gain familiarity with its natural landscape. Working with nature— whether through art or architecture—is a priority, and the facility’s design is in the capable hands of the award-winning Patkau Architects. “We want the
building to look as if it grew out of this site,” says Godwin. The new facility will feature space for education, exhibitions, and events, as well as a café and gift shop. Godwin emphasizes natural landscaping, which will underscore the gallery’s connection to the surrounding area. The new site will also be far more visible and accessible than its current location. Godwin looks forward to interacting with visitors and
residents alike. “Everyone is welcome,” she says. Kurd hopes that the new facility will “really be a place where conversations and ideas can happen. We are a public art gallery; we bring in artists who have interesting viewpoints and thoughts and we want our community to be able to engage with that too.” Learn more at theag.ca. (L-R) Sharon Godwin and Nadia Kurd
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CoverStory
Madaabii Artists Frank Shebageget (Upsala/Ottawa) Roland Martin (Thunder Bay) Christian Chapman (Fort William First Nation) Michael Belmore (Upsala/Ottawa) Jean Marshall (Kitchenuhmaykoosib Inninuwug/Thunder Bay) Sharon Breckenridge (Thunder Bay) Cree Stevens (Thunder Bay) Michele Coslett Goodman (Dryden, ON) Patricia Deadman (Woodstock, ON) Christopher Stones (Thunder Bay) Aaron Veldstra (Thunder Bay) Sonny Assu (Campbell River, BC) Kasia Piech (Thunder Bay) Nadya Kwandibens (Sioux Lookout) Tim Alexander (Rossport, ON) Cheryl Wilson-Smith (Red Lake, ON) Leanna Marshall (Kitchenuhmaykoosib Inninuwug/Thunder Bay) Damon Dowbak (Kaministiqua, ON) Shayne Ehman (Thunder Bay) Elizabeth Buset (Thunder Bay) Micheal Anderson (Lake Helen First Nation/ Thunder Bay) Sam Shahsahabi (Thunder Bay) Walter K. Scott (Kahnawake, QC) Julie Cosgrove (Thunder Bay) Ursula A. Johnson (Dartmouth, NS)
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Cheryl Wilson-Smith
Cree Stevens
Cheryl Wilson-Smith is a glass sculptor who lives in Red Lake, Ontario. Her internationally acclaimed work bears a strong resemblance to Northwestern Ontario’s geological landscape. “There is graceful strength and fragility here, which are elements that I am drawn to create with glass,” she says.
Cree Stevens is a multi-disciplinary artist who uses repurposed and natural materials to create two-dimensional, sculptural, and wearable art. “I tend to gravitate towards creating larger pieces when I want to communicate a message or idea,” she says. “It allows me the freedom to use a variety of mediums and incorporate different sizes of images and text. I like how the viewer is often impacted by something on a larger scale.”
Her sculptures are comprised of layers of powdered glass, passed through specially prepared screens and fired as a whole in a kiln. “The resulting sculpture is composed of numerous horizontal layers designed to form a complex three-dimensional shape, fundamentally marked by the striations of its creation,” she says. During a recent visit to the gallery’s future site, Wilson-Smith found herself drawn to the foundation of an old building that is still visible on the shoreline nearby. “I imagined it was filled with untold stories which have captivated my imagination.” She embraces the fact that her ideas, like the buildings themselves, will evolve and even be eliminated with time and contemplation, leaving behind what is most important. “The challenge for me through my artwork is to be able to reflect the experience of joy and intrigue of the shoreline and pass it on to the viewer,” she says. Wilson-Smith’s work has appeared in exhibitions across North America and in the United Kingdom. To learn more, visit cherylwilsonsmith.com or email cheryl@cherylwilsonsmith.com.
Stevens is continually learning about her culture, and engages in art as a way of honouring those who have come before her. “My Indigenous background— Anishinaabe and Cree—is something I always communicate to some degree throughout everything I create.” She welcomes the challenge that each new project presents as an opportunity to reach beyond her own perceived capabilities. Having explored everything from illustration to jewelry, Stevens is currently fascinated by birch trees and birch bark, which she represents through a variety of mediums. This theme is the basis of many of her projects, and she expects it to find its way into her work for the gallery. “I’m thrilled to be part of such an important step for the Thunder Bay Art Gallery and can’t wait to see what other people create in response to Madaabii and the new location,” she says. Learn more at creestevens.com.
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Sam Shahsahabi
Sharon Breckenridge
Tim Alexander
For multidisciplinary artist Sam Shahsahabi, Northwestern Ontario provides a unique perspective from which to view the world. As a native of Iran, social and political struggles are never far from Shahsahabi’s mind. Through art and the exploration of contrasting concepts and forces, he finds a way to discuss and understand meaningful and sometimes challenging topics.
Basket weaver Sharon Breckenridge delights in allowing natural elements to guide the direction of her work. “What I find with wood or antlers is they don’t always end up where I think they’re going to end up, and they really dictate what comes out,” she says.
For potter Tim Alexander, a lifelong exploration of clay began during childhood, with crude pots formed on the beaches of Black Bay. Decades later, Lake Superior still provides the backdrop to his art as he works out of his Nicol Island studio in Rossport, Ontario.
For Shahsahabi, who currently works as an art educator, creativity doesn’t happen in isolation. “Art is a communal practice. I am very proud of the active art scene we have in our relatively small town,” he says. Although drawing and painting are Shahsahabi’s favorite mediums, he is now experimenting with using recycled materials to create motorized and kinetic sculptures. Contemplating the idea of Madaabii leads Shahsahabi to think about water’s memory and the effects of human consciousness on its molecular structure. “I thought to myself what this body of water—Lake Superior—has witnessed throughout history. What type of images would it reflect?” He delights in observing the Sleeping Giant on a daily basis, noticing its colour changes and even its occasional vanishing act on foggy days. Shahsahabi is enthusiastic about the Thunder Bay Art Gallery’s move to the waterfront. “After many years of faithful service to the community, it is about time to see them in a building that can match their efforts and talents,” he says. Learn more at samshahsahabi.com.
Water also plays an important role in the weaving process. Natural fibres must be soaked before they are pliable enough to be used without breaking. Shorelines offer up materials that can find their way into Breckenridge’s projects, such as beaver sticks and spruce roots. She hopes to incorporate feathers from ducks and ravens, found near the Spirit Garden, into the piece she creates for the Thunder Bay Art Gallery. Breckenridge, a retired teacher, moves gracefully between the roles of student and instructor. She attends yearly workshops to expand her knowledge of techniques and materials. In turn, the artist teaches basket weaving out of her backyard studio and the 55 Plus Centre. Breckenridge expresses gratitude to other artists who have encouraged her explore naturally-inspired basket making, and she strives to create a space where others can do the same. Interwoven on Superior not only reflects the process of basket creation, but also the connection of lives and stories that occur when people come together to share and learn. Contact Breckenridge at interwovenonsuperior@ shaw.ca.
The influence of water on the natural landscape is a concept that will find its way into the work he creates for the Thunder Bay Art Gallery. “The idea that I’m working with now is how the gallery acts kind of like a hub, as a watershed, both for regional and sometimes national artists,” he says. Alexander emphasizes functionality in much of his work, believing that a piece of pottery is best appreciated through use. He also looks forward to the opportunity to focus on the aesthetic value of a single piece of art, which he hopes will resonate over time as part of the gallery’s permanent collection. While his work reflects the Northwestern Ontario landscape around him, Alexander takes inspiration from around the globe. He’s travelled as far as Korea to participate in a ceramics festival, where he welcomed the opportunity to share ideas with others. “There’s kind of a synergy when you’re working with other artists.” Visit islandpotter.info or call 807-824-2409 (from the end of May to Thanksgiving) to learn more.
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CoverStory
Neechee on the Land
Youth Connecting with Art, Nature, and Culture Story by Tonya Muchano, Photos by Laura Paxton
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t’s pouring rain but that hasn’t deterred the talented and dedicated artists of Neechee Studio. Up at the lookout on Anemki Wajiw (Mount McKay) they are hard at work at their latest project—a beautiful mural that represents their relationship to the land, culture, and community. The mural is the final workshop in their Neechee on the Land series, a partnership between Neechee Studio, the Anemki Art Collective, and Fort William First Nation. Neechee has also had the opportunity to bring in professional artists to assist along the way. For the mural workshop they enlisted the help of media artist and filmmaker Amanda Strong and performance artist Jeneen Frei Njootli, both based in Vancouver. The program, hosted at Fort William First Nation, aims to reconnect Indigenous youth with the land and their heritage
through traditional and modern art techniques as well as cultural teachings. Workshops have included sewing, photography, porcupine quill embroidery, copper embossing, and canoe building. Prior to each workshop, the group has invited a community elder to provide teachings on various topics and cultural protocols. “I’ve really enjoyed the teachings we’ve done before the workshop and how that ties into the artwork,” explains Blake Evans, a Neechee committee member and Lakehead visual arts student. “Being able to use birch bark or porcupine quills and literally being able to gather art supplies from the animals and the trees is a really amazing teaching.” Artist Jean Marshall, member of Neechee Studio and Anemki Art Collective, explained that they saw a need for Indigenous youth in Thunder Bay to
connect with more than just art. Neechee on the Land, funded by the Ontario Arts Council, has provided the platform to more fully integrate art, culture, and traditional knowledge. “It’s a form of healing,” says artist Matilda Suganaqueb, who has been involved with Neechee Studio since its infancy in 2013. She says that doing this work on the land means youth are “away from the hecticness that’s going on [in the city] and finding peace.” Marshall also hopes that this combination of connecting to land and traditional teachings will help to widen the young artists’ support networks— knowing they not only have each other, but also trusted elders to turn to when they need it. “Getting outside and doing stuff like this—I believe [the youth] really need it,” explains Gail Bannon, culture and recreation coordinator for the Fort William First Nation. “They yearn for it and they don’t even know what they’re looking for.” Bannon also manages the Mountain
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Crew, which employs youth living on Fort William First Nation as caretakers of Anemki Wajiw. Their duties include the usual grass-cutting, garbage picking, and trail maintenance, but also involve learning about and harvesting medicines, canoe building, and this year, mural painting with Neechee Studio. Charlene Bannon is part of the Mountain Crew and a participant in the Neechee on the Land mural workshop. She recognizes that this project is unique. “Doing this work on the mountain, it’s something special for sure. And it’s not just for the community, it’s for everyone. Every time I’m up here I feel so connected to the land. It’s like home.” Neechee Studio is an Indigenous-led, youth-run art studio based out the Definitely Superior Art Gallery. They hold free workshops on a monthly basis between November and April, providing a safe, fun space for Indigenous youth to learn about various art techniques from a wide range of artists.
CoverStory
Inspired by Nature T here’s no denying the beauty of Northwestern Ontario: soaring cliffs, dense forest—and of course, the largest freshwater lake in the world. And there’s no one better to reflect it back to us than visual artists, because they see
and interpret the world in sharp focus and intricate detail. Whatever the medium— painting, sculpture, felting and fabric, or natural elements such as stones and driftwood from our shores—visual artists take our region’s natural wonder and give it back
in stunning, passionate works of art. To celebrate our flourishing arts scene, we’ve filled our pages with incredible pieces from exciting local talent. Here’s our latest edition of Art in the City—we’re Inspired by Nature, and we hope you’ll be too.
Jim Oskineegish Sleeping Giant Acrylic on canvas 48” x 36” $2500 Available at: Ahnisnabae Art Gallery The Walleye
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CoverStory Gallery 33
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1 Paul Leach Lake Pines Acrylics 20” x 16” $210
2 Tom Shewchuk Spring Break-Up Acrylics 24” x 36” $450
3 Sirpa Bishop Paddling the Turtle River Acrylics 20” x 24” $450
4 Joe Weston
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Midnight Acrylic on canvas 16” x 20” $195
5 Ken Crawford Sunset on a Northern Lake Framed watercolour 17” x 23” $245
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Chenier Fine Arts
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1 Pippi Johnson
Red and Blue Alcohol Ink on Yupo Paper Mounted on Resin Coated Wooden Block 6" x 6" $125
2 Ron Vilim Boundary Waters Oil on canvas 48" x 36" $2350
3 Tammy Zebruck Autumn Glitter Acrylic on canvas 60" x 36" $5200
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4 Linda Dell Gold Heart Bleeding Heart Oil on canvas 40" x 30" $2500
5 Jason Nelson The Golden Seahorse Pyrophyllite with Quartz Eyes on a Base of Local Granite Specimen 10" x 7" x 5" $700
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1 Michael Garrett Brook Trout India Ink, birch bark (framed) 12" x 15" $175
2 Jennifer Caie Tamarack Acrylic on canvas 12" x 36" $400
3 John Belanger Birch Boxes Ink, birch bark, wood, and stones 4" x 5" each $40 each
4 Valerie Zhiha Wolf Oil and barnwood 16" x 10" $110
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5 Crystal Nielsen Kawpered Acrylic on canvas 16" x 16" $350
6 Gabby Sawchuk Owls Acrylic on stone 2'' x 3'' each $25 each
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7 Eugene LeFrancois The World Around Us Ink and watercolour on paper (framed) 20" x 16" $350
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Lake Superior Art Gallery and Framing Centre
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1 Morley Kakepetum
Going to Sleep Framed original acrylic painting on paper 16” x 20” $350
2 Noel Ducharme Loon Framed limited edition print 24” x 19” $250
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3 Eugene Morriseau The Pride and Honour of our Elders is Education and Knowledge to Pass Down to the Next Generation Stretched limited edition canvas print 11” x 20” $150
4 Ahmoo Angeconeb
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The Seven Grandfathers Framed original print on paper 24” x 19” $400
5 Coralie Anderson Mount McKay Original framed watercolour painting 21" x 17" $250
6 Francis Esquega Bear on Deerskin Original painting on deer skin, stretched with deer hide on pine frame $175
7 Ray Swaluk
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Pie Island Watercolour on paper 18” x 9.5” $75
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CoverStory Ahnisnabae Art Gallery
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1 Roy Thomas
Circle of Life Giclee print on canvas 13.5” x 40” $345
2 Randy Thomas Live Acrylic on handmade paper 13” x 9.25” $200
3 Gordon Fiddler Songs of the Water Acrylic on birch bark and wood panel 11.25” x 8.5” $500
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4 Saul Williams Communication Acrylic on kraft paper 27.5” x 18” $2000
5 Don Ningewance Moonlight Magic LTD giclee on canvas 36” x 18” $475
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6 Jayan Daviau Superior Acrylic on canvas 20” x 16” $300
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Baggage Building Arts Centre
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1 Maggie Phillips
Somewhere In The Forest Acrylic 11” x 14” $300
2 Shaun Hedican Traditional Floral Acrylic 12” x 24” $250
3 Brian Holden Moon and Forest Block Print 9” x 9” $35
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4 Janice Andrews Escape Acrylic 11” x 14” $150
5 Sonya Van Rooyen Rock Dance Mixed Media 12” x 18” $125
6 Stephanie Siemieniuk Winds In Favour Oil 24” x 36” $800
1
The Framing Post
2
3
1 Gerry Martin
2 Marilyn Morton
3 Stephen Krasemann
Autumn Moment Watercolour 11” x 14” $250
Rainbow Falls Watercolour 16” x 20” $200
Island Lake Oil 20” x 24” $775 The Walleye
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Food
Blueberry and Frangipane Galette Serves 6ish
Frangipane (you’ll only need half of this): 3 Tbsp butter ¼ cup sugar ½ cup slivered almonds 1 egg 1 drop almond extract 1 pinch salt
Galette: 1 pie crust’s worth of your favourite pastry 12 oz blueberries, washed and dried ½ recipe Frangipane
1 egg, beaten ½ Tbsp coarse sugar
The Longest Word By Chef Rachel Globensky
I
remember picking blueberries with my step-mom and granny near Mobert, Ontario, when I was about four or five. On a steamy August afternoon, the flies—all kinds of deer, black, and horse—were out in droves. We wore handkerchiefs over our hair, and were slathered in an awful bug blend of grease and smelly stuff. Bev and Granny Sara carried ice cream buckets (mine was probably tied to me), and a keen sense of where to find the best berries. I followed blindly, and definitely ate more berries than I brought home, while Granny and Bev chatted, easily slipping between English and Ojibway, in a cadence found only with a lifetime of doing so (shameless celebrity name drop: when the movie Grey Owl was being filmed near Montreal in the late 90s, Granny and Bev were Pierce Brosnan’s Ojibway language coaches). Mostly, I have a fairly good handle on the English language, and can bluff my way through most conversations in French or Spanish, if they’re of the
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loud/slow/lots of hand gestures variety, but trust me when I say that Ojibway is not an easy language to pick up casually! In Ojibway, there are not really any direct, word-for-word translations; words take on new meanings when paired with certain prefixes, or suffixes. And, the word for blueberry pie is 47 letters long—miinibaashkiminasiganibiitoosijiganibakwezhigan, which, literally translated, means: blueberry cooked to jellied preserve that lies in layers in which the face is covered in bread. Whew, what a (delicious) mouthful! This recipe is for a galette, which, loosely translated by me, means: a pie you can make when you aren’t able to make pretty pastry (which I generally don’t). The combination of blueberry and frangipane taste like a million bucks, is easy to put together, and weirdly enough, the more “rustic” the pie appears, the better— think of it as the countrified barn board sign of tasty desserts.
In a blender, whiz together all of the frangipane ingredients until mostly smooth. Because you’ll only need half of this recipe for one galette, you can save the other half in an airtight container in the fridge, or freezer, for another time, like later in the week, when you’ve got a hankering for another galette! This flavour combination also works well with fresh raspberries, peaches, or strawberries— use a pinch of cinnamon, nutmeg, or ginger for added punch. Preheat the oven to 375°. Roll out the pastry on a sheet of parchment paper (the less you have to transfer it, the better). Place parchment on a foil-lined baking sheet. Spread the frangipane on the pastry, leaving a border of about 1 ½“ uncovered. Top with blueberries, making a heaping pile in the middle of the pie, but not on the edges. Working clockwise, fold up the edges of the pastry. Brush the pastry edges with the beaten egg, and sprinkle with sugar. Bake for 50–60 minutes, until the blueberries are bubbly, and the crust is golden brown. Let cool 10 minutes and serve with a scoop of vanilla ice cream.
Beet it down to the Market
to get all your fresh produce and so much more this summer! Every season is a new reason to
SHOP LOCAL!
WE MAKE IT, BAKE IT, GROW IT!
Wednesday 3:30 - 6:30pm | Saturday 8:00am -1:00pm CLE Dove Building | ThunderBayCountryMarket.com
Food
Drink of the Month
Aperol Sunrise The Sovereign Room
Story by Rebekah Skochinski, Photo by Adrian Lysenko We love driving down Red River Road where the brick buildings form an architectural tunnel rounding past Waverly Park, our heart skipping a beat when the Sleeping Giant comes into view. Some things never get old. We also love stopping at the Sov to visit Marie because her bartending prowess is kind of legendary (see back issues of our Best of Thunder Bay results if you don’t believe us). For this month’s drink feature, inspired by the splendor of our natural surroundings, Marie created an Aperol Sunrise—a gorgeous peachy-pink concoction that consists of fresh pineapple and lime juice, honey, Aperol, and tequila. It’s shaken over ice with some sweet-smelling basil, poured into a glass that is rimmed with smoked sea salt—a genius touch —and garnished with pineapple leaves and a lime wheel. Check out this beauty! It really does taste as good as it looks.
The Sovereign Room 220 Red River Road 343-9277
Ask about our
THUNDER BAY MITSUBISHI
872 Copper Crescent • 345-8080 • www.thunderbaymitsubishi.ca
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The Walleye
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Food
COMPACT + LIGHTWEIGHT
T
Just Chill Out
he hot and heady days of summer have arrived, TBay! But no need to turn on the air conditioning—the cool solution this sunny season is no further away than your freezer. Hold off on hitting your wine glass with ice cubes, take a break from shaking up a chilly cocktail, and take a cue from the kids, because popsicle season has officially arrived! Take the easy route to bringing the temperature down a notch or two by stocking the icebox with some saucy pops this summer that will slake your thirst and keep you cool. Simple to prep and even easier to serve, with a hint of whimsy and a heap of nostalgia, these spirited cool treats are your best bet for a super chill summer.
By Jeannie Dubois, Certified Sommelier
to knit like an expert, anything
RETRACTABLE DISPLAYS
PADDED CARRY BAG • DURABLE METAL CONSTRUCTION
OUTDOOR/INDOOR FLAGS FULL COLOUR • EYE CATCHING • BANNERS • PROMOTION
from dish cloths, mitts, socks, lace shawls and sweaters. Learn how to sculpt with raw wool, or paint a picture using raw wool.
For details of classes please refer to our website - www.threadsntimeweaving.com 807-345-0997 | corporategraphics.ca and/or our Facebook page - Threads in Time
BB Latte Freezie
Arctic Rose Snow Cone
Icebox Apple Pops
Dreamsicle Creamsicle
Ingredients: 16 oz strong room temperature coffee 4 oz heavy cream 4 oz bourbon 2 oz butterscotch sauce
Ingredients: 1 cup Rosé wine ½ cup granulated sugar Whole vanilla bean 1 ½ tsp lemon juice 4 cups ice cubes 1/3 cup chopped and hulled strawberries
Ingredients: 14 oz dry hard apple cider ½ cup Campari ¼ cup lemon juice ¼ cup simple syrup
Ingredients: 2 cups chopped and pitted cherries 2 Tbsp cane sugar ¾ cup cherry lambic beer ¼ cup heavy cream 2 Tbsp cane sugar
Directions: Add all ingredients into a blender and mix to combine. Pour mixture into popsicle molds. Freeze for an hour and then add popsicle sticks. Freeze for at least 12 hours until completely frozen before serving.
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Directions: In large skillet, whisk wine with sugar over medium high heat. Using a paring knife, halve vanilla bean lengthwise and scrape out the seeds. Add both seeds and pod to skillet. Bring to boil. Reduce heat to medium; simmer, stirring occasionally, 10-15 minutes. Strain into bowl; discard pod. Stir in lemon juice; let cool to room temperature. In blender, crush ice. Scoop ½ cup of crushed ice into each of 8 paper cones or glass cups. Drizzle each with 1 tablespoon of wine syrup. Garnish with strawberries.
Directions: Mix 8 ounces of dry cider with the Campari, lemon juice and simple syrup then pour into 4 popsicle molds, leaving a little room at the top for freezing expansion. Add the popsicle sticks after 1 hour and then freeze for at least 12 hours until completely frozen. To serve, place the popsicle stick out in a highball glass and top with the remaining 6 ounces of dry cider.
Directions: In a blender add the cherries and 2 tablespoons cane sugar. Blend until completely smooth, around 1 minute. Pour in the lambic beer and pulse for 10 seconds, just until combined. Set aside and allow the bubbles to dissipate. In a small bowl, combine the heavy cream and 2 tablespoons of sugar. Fill popsicle molds with the lambic beer mixture ¼ of the way. Next, layer with a few tablespoons of heavy cream mixture and then the rest of the lambic beer mixture. Pour the rest of the heavy cream mixture into each of the popsicle. Place in the freezer and add popsicle sticks after an hour. Freeze for at least 12 hours before serving.
Change is in the Air!
Think knitting classes, starting in October for info call: 807-252-3523
426 E. Victoria Ave.
www.threadsntimeweaving.com
Food
Heather and Raymond Cytowicz
The Mixtress and the Swinery Craft Cocktail Mobile Bars On the Move Story by Adrian Lysenko, Photos by Charis Mesic
W
ith the popularity of food trucks in Thunder Bay, two local entrepreneurs have taken note and applied a unique spin to their respective ventures. But rather than serving food, these food trucks are actually mobile bars: The Mixtress (operated by Heather Cytowicz) and The Swinery (operated by Raymond Cytowicz) offer craft cocktails and more. “I moved back to Thunder Bay to be closer to family and noticed a need because there
were lots of weddings and functions here but there was no service that provided a bar,” says Heather, who has been working in the service industry for 10 years. “So Raymond and I talked about it last summer and just came up with the idea.”
the trailers were stripped down and transformed into bars each with their own specific style and look. “Raymond’s is more loungy and has a classic feel to it where as mine is an old horse carriage, it’s white and gold so it’s really pretty and cute,” she says.
The brother and sister duo’s idea was to convert two trailers into mobile bars. The Swinery is a 1973 Airstream trailer that was purchased in Ottawa and The Mixtress is a horse trailer from the 1960s, purchased in Dryden. Over the course of four months,
Heather and Raymond aim to transport their trailers to festivals, weddings, corporate events, and even backyard barbecues. “We bring everything so you don't have to,” Raymond says. “We have everything contained; we hook it up to the truck and go
instead of loading it, then unloading it. It makes it a lot easier.” The Swinery and Mixtress were on site at the Staal Foundation Open last month, where they partnered with Pinetree Catering, owned by their neighbour and friend Chef Nikos Mantis. Both Cytowiczs take a unique spin on Pinetree’s philosophy of “farm to table” and apply it to their cocktails. “We do garden to glass,” Raymond says. “Rather than standard rail drinks, I really wanted to bring something new
to the table with these cocktails.” Aside from offering draft beer, wine, and regular mixed drinks, local ingredients from their garden and greenhouses are used to create craft cocktails like the Bee’s Knees, a gin-based cocktail using thyme simple syrup, and “Whoa, That’s The One,” which you’ll just have to try to find out why. For more information email heather@themixtressbar.com or raymond@theswinery.ca
Judy Roche
Certified Microblading & Eyelash Extension Technician
825 North May Street Thunder Bay, Ontario
Located inside Hairwaves Salon & Day Spa
807-623-4247
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23
SPEND YOUR SUMMER AT CHIPPEWA PARK Your next mini-vacation is only 15 minutes away!
The Friends of Chippewa Park
Tourist Camp RV Sites
Thirty-four full-service RV sites are available with water and 50 amp/240 volt electrical service. These RV sites are located along the shore of Whiskey Jack Creek. This area has its own central washroom and shower facilities. Twelve electrical-only RV sites are available at the campground. Water is only available for filling tanks. Six of the sites have 30 amp electrical service and six have 15 amp service. Each site has a picnic table. These RV spots are located around the centre green.
Log Cabins
Seven modern, wheelchair-accessible cabins are available. Cabins are electrically heated and have two queen-sized beds, table and chairs, microwave and small fridge. A beautiful wooden deck at the front is perfect for relaxing in the sun.
Tent Sites
Approximately 16 tent sites are conveniently located in a wooded area near the main campground buildings and a large open playfield. Additional sites are situated on grassed areas adjacent to the treed areas. This unserviced area is available for group bookings for trailers and tents. This area will hold approximately 40-50 trailers. Dump Station The public dump station can be used free of charge by registered Chippewa campers. Non-registered RVs will be charged a fee.
Picnic Fields and Picnic Areas Two Beaches Walking Trails Great Views of Lake Superior & Sleeping Giant Playground Equipment Concessions Ball Diamonds
Amusement Rides Fun for all ages
Weekends in June: 1-8pm July to September Labour Day Weekend Wed-Sun 1-8pm (weather and crowd permitting)
HOW TO FIND US
Chippewa Park is located on City Road which connects to Highway 61 via Chippewa Road. Call the Tourist Camp office to book your site or cabin -
807-623-3912. Check us out at www.chippewapark.ca or thunderbay.ca/chippewapark email: chippewacampgroundstaff@thunderbay.ca
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Sundays in the Park presents
www.chippewapark.ca
Free Concerts at Chippewa Park Every Sunday Tbaytel Family Stage 2:00pm to 4:00pm July 23 - Gin Tonics July 30 - JC Wilkinson Band Aug 6 - Gibson Martin & I Aug 13 - Southern Comfort Aug 20 - Smedley B & His Rockin’ 88 Aug 27 - Jim ‘n I Sept 3 - Brother JOHN
Tuesday Jam Sessions Join local musicians for an evening of musical entertainment every Tuesday night starting on July 4 through August 29. It is an open jam session with everybody welcome and TFOCP provide a sound system and traveling microphone. All musicians of all skill levels are welcome and new players and singers are encouraged to join us. Listeners are also encouraged to come out and be entertained and dancing is strongly endorsed. Musicians share a mix of old and new country, folk, old time rock and roll and stuff you can sing along to, including some gospel. Seating is limited to approximately the first 100, so it might be good to bring along a lawn chair or two. There is no admission fee. We will ask for a free will offering to help cover expenses. Coffee, tea and juice as well as cakes and cookies are provided at no charge. We start at 7:00 p.m. and go till 10:00 p.m. See you there!
Frugal Fridays are Back! On Friday, August 11 and Friday, August 18, the whole family can enjoy the amusement rides at Chippewa Park for half the price. For these two days only, you can spin, bump or fly for just one ticket per children’s ride, and two tickets per larger ride.
Food
W
Brew It Yourself: Crafting Quality Beer at Home Intro to Homebrewing
By Josh Armstrong, PhD, BJCP Certified Beer Judge
ith the explosive growth in craft beer in recent years, more and more people are getting into the hobby of homebrewing. While homebrewing isn’t new (it’s likely been happening since the dawn of civilization), it is now easier than ever to break into the hobby and brew beer at home that is as good, or better, as the stuff you buy at the LCBO. In its simplest form, beer is made up from four ingredients: water, malted barley, hops, and yeast. As such, brewing beer at home can be as laid back as mixing a few ingredients in a pot. When you’re first getting started, brewing with malt extract is the easiest way to make beer at home. Extract brewing is simple and you won’t need a large set of fancy, expensive equipment to make a batch of beer. It simply involves combining malt extract (in powder and/or liquid form) with hot water to form a sweet wort. This cooking can be done on a stove top in your kitchen or out in the back yard with a propane turkey fryer. From there, hops are added while the wort is boiled for approximately 45-90 minutes. After the boil is complete, the wort is cooled to room temperature as quickly as possible and then yeast is pitched into the sugary liquid. The yeast works to convert the sugars into alcohol and carbon dioxide over a period of one to two weeks. Once the fermentation process has
completed, the yeast has now transformed the wort into what we can now call beer and it’s ready for packaging. Once you have mastered a few extract brews, you may wish to venture into the realm of all-grain brewing. All-grain brewing is where the brewer creates fermentable sugars from scratch using crushed malted barley in a process called mashing. Mashing at home is often done in a cooler that has been converted to steep the crushed grains at a constant warm temperature (64-70 °C). This allows enzymes in the malt to convert starches into sugars, leaving the brewer with a sweet wort. After mashing, finishing the all-grain brewing process is just like the extract brewing process outlined above (adding hops, boiling, cooling, pitching yeast). Some homebrewers are primarily motivated by the economics of making beer at home, while others find joy in blending the culinary arts with chemistry and microbiology, as well as the engineering that can happen in developing your own homebrew system. If you are interested in learning more about brewing beer at home, check out the resources listed in the sidebar and visit the Carrel + Partners Educational Tent at this year’s BrewHa! festival (BrewHa! Homebrew Tasting Session - August 12 from 1-3 pm ). Cheers to beers.
BOOKS
pen Streets Thunder Bay is the city’s largest free recreation program that encourages residents to get Open Streets Bay is theand city’s largest utside to be physically active,Thunder socially connected, support the free local recreation economy. Join EcoSuperior program that encourages residents get outside to be for three Open Streets into 2017! physically active, socially support the local Augustconnected, 20th - Algoma and St th economy. JoinStEcoSuperior three Open Streets in 2017! & Victoria Avefor (Alongside EarthCare’s Strong Block Project) September 16 - Simpson October 1st – Court St (in conjunction with Culture Days) th August 20 - Algoma St For more information visit www.ecosuperior.org/openstreets or call 624-2142 th
September 16 - Simpson St & Victoria Ave (Alongside EarthCare’s Strong Block Project) October 1 - Court St (in conjunction with Culture Days)
Open Streets Thunder Bay is the city’s largest free recreation program that encourages residents to get outside to be physically st active, socially connected, and support the local economy. Join EcoSuperior for three Open Streets in 2017! August 20th - Algoma St th September 16 - Simpson St & Victoria Ave (Alongside EarthCare’s Strong Block Project) October 1st – Court St (in conjunction with Culture Days) For more information visit www.ecosuperior.org/openstreets or call 624-2142
For more information visit www.ecosuperior.org/openstreets or call 624-2142
How to Brew: Everything You Need to Know to Brew Beer Right the First Time by John J. Palmer Mastering Homebrew: The Complete Guide to Brewing Delicious Beer by Randy Mosher The Complete Joy of Homebrewing by Charlie Papazian
INGREDIENTS AND EQUIPMENT RESOURCES OntarioBeerKegs.com Toronto Brewing Short Finger Brewing Co. Shop
PODCASTS AND YOUTUBE CHANNELS BeerSmith BrewingTV The Mad Fermentationist
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Food knit community,” he says. “Everyone knows everyone by their first name. I made it a priority to meet as many of my neighbours as I could.” The diner was first opened by the Panagoulias family in 1964 and family members operated it for decades. Peter and Ann Richards bought it almost 12 years ago from the family and sold it this year to Gillingham. The goal is to reopen in time for the Westfort Street Fair in late August. When it does open, the proud new owner thinks people will be pleased with what they find. “We're creating a more modern dining experience while maintaining that classic casual feel the Sal has been known for forever,” he says. ”It's a fine line to walk but we’ll do it.” For updates on the Salsbury Grill’s opening date, as well as contact info and hours, find Salsbury Grill on Facebook.
Aaron Gillingham
The Salsbury Grill Dining Staple Gets Facelift and New Owner By Pat Forrest
A
Westfort legend is getting a facelift, and the neighbours are talking.
The Salsbury Grill, Westfort’s go-to spot for diner-style comfort food and traditional Greek dishes for more than 50 years, has a new owner with big plans. Born and raised in Thunder Bay, Aaron Gillingham has worked for the last six years in the restaurant industry in Calgary and Ottawa. Coming home was always in the plan, though, and when word got out that the “Sal” was for sale, Gillingham saw it as his opportunity. Gillingham says that while the design of the interior will change, what
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people see on the menu will be much the same as before, with a few enhancements such as appetizers, tacos, beer, and wine. “I don’t want to reinvent the wheel,” he says. “Customers have been forthright that they don’t want to see their favourite dishes go. I have no desire to be hung from a lamp post in Westfort, either, so I’m going to take their advice.” It’s always good to meet the neighbours, and Gillingham made that one of his first orders of business. Bearing freshly-baked cookies, he went door to door in the neighbourhood, getting to know the business owners and getting their input into his menu plans. “This is a very friendly, tight
RESTAURANTS Bight In Common The Foundry Nook Portside Restaurant at The Prince Arthur Hotel
Red Lion Smokehouse Silver Birch Restaurant Sovereign Room Tomlin El Tres More restaurants to be announced.
For two weeks, participating eateries are offering special prix fixe meals for $25 or $35.
September 26th to October 7th
Join us for Northern Delights! SPONSORED BY
Thunder Bay Waterfront District Find us on Facebook for details NorthernDelightsTbay
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ST. PAUL’S
FilmTheatre
The Second Most Pleasurable Thing We Do In The Dark: A Column About Movies
Films as an Art Form By Michael Sobota
M
UNITED CHURCH Invites You
ovies are an art form. This is confirmed by nothing less than the title of the Academy of Motion Picture Arts and Sciences, who annually dole out the Oscars. I am going further—some movies are art. I mean, there are some films that, of and by themselves, are a work of art. Their construction and execution hold me in awe the same way I felt when I first saw the Mona Lisa in the Louvre. Here are four movies that, in their construction and execution, are as splendid as, well, Michelangelo’s Sistine Chapel ceiling.
Dave stop. Stop, will you? Stop Dave. Will you stop, Dave? Stop, Dave. - HAL 9000 (the voice of Douglas Rain) in 2001: A Space Odyssey
International Youth Day 24 Hour Prayer Vigil Join Us As We Pray For The Safety Of All Children
8:00am Friday August 11th to 8:00am Saturday August 12th Followed by Breakfast Interfaith Prayer Service at 7-8pm August 11th Please come and spend some time praying with us. Join us for worship each Sunday at 10:30am
For more information please call the office 345-5864 or email office@stpaulstbay.net
The Agony and The Ecstasy (1965)
Carol Reed’s film based on Irving Stone’s novel looks at the period in the life of Michelangelo (Charlton Heston) when he was commissioned by Pope Julius II (Rex Harrison) to paint the ceiling of the Sistine Chapel. Michelangelo didn’t want the gig, his passion being sculpture. Pope Julius was preoccupied with wars, using his army to unite the disparate Italian states under his leadership. Leon Chamroy’s cinematography makes the battles both inside and outside Rome, as well as inside and outside Michelangelo and Julius, luminous.
2001: A Space Odyssey (1968)
Every sequence—and every frame within every sequence—of Stanley Kubrick’s astonishing film is gorgeous to look at. Setting the bar for every space journey film that would follow, 2001 was not an initial success. Met by critics’ confusion, MGM considered pulling the film until theatre owners reported that attendance was not only increasing but patrons were coming back to see it for a second and third time as stoners discovered Kubrick’s epic trip. Much of the plot is not explainable, but at its most simple, the film is about evolution. The first half hour and the last half hour of the film have no dialogue, simply stunning visuals. Kubrick's masterly use of a classical music score throughout the film further elevates its artistic qualities.
Russian Ark
Samsara
Director Aleksandr Sokurov moves his camera through the Winter Palace (the Russian Hermitage Museum) in St. Petersburg. In doing so, he gives us a splendid visual history lesson of centuries of the Russian empire. Sokurov's trick was that he shot the hour and a half film all in one take. Capturing this glorious visual history required close to 2,000 actors and technicians who moved seamlessly through 30 different rooms in the museum, encountering seldom-seen art as well as three live orchestras. Sukurov had only one shooting day to do this and it took four attempts before he completed a perfect take. Experiencing his film is like walking through a dream world—you are the camera eye.
It took director/ cinematographer Ron Fricke over five years to put together this cinematic encyclopedia of world treasures. Shooting in 70mm film, Fricke took his cameras to 25 countries on five continents to capture both secular images (natural disasters, urban landscapes industrial decay) as well as rarely seen spiritual ones (the annual pilgrimages to Mecca). We see Balinese temples appearing through mist as the sun rises, and then a sequence that begins with a tight focus on a single dancer that expands to spread across the entire screen and out of the frame. We see birth, a baptism, deaths, and hundreds of images of our modern military industrial complex. Fricke plays with both slow-motion effects and sped-up sequences, each appropriate to images he wants us remember. The film is haunting and beautiful and ultimately deeply moving.
(2002)
And six more films that are art or about art: Lawrence of Arabia (1962), Age of Consent (1969), The Conformist (1970), Hero (2002), The Fall (2006), and The Tree of Life (2011).
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(2011)
PLEIN AIR
Grand Marais COMPETITION: SEPTEMBER 8 - 14
EXHIBITION: SEPTEMBER 15 - OCTOBER 29
At the Johnson Heritage Post Gallery
GRAND MARAIS ART COLONY 218.387.2737 | 120 W. 3RD AVE GRANDMARAISARTCOLONY.ORG
FilmTheatre
International Dance Academy Dance Studio Celebrates 35 Years Story by Mikael Mintenko, Photo by Shine Photo
WTIP North Shore Community Radio presents
RADIO WAVES MUSIC FESTIVAL September 8-10 At Sweetheart’s Bluff in the Grand Marais Rec Area on Lake SuperiorhGrand Marais, Minn.
29 local and regional actshOnsite food hKids’ activities Day or weekend admission at the gateh Ages 12 and under free
wtip.org
Funded in part by the Minnesota Arts and Cultural Heritage Fund, the Grand Marais Area Tourism Association, and Visit Cook County.
W
hen asked about dance, Fred Astaire once said “Do it big, do it right, and do it with style.” Since its humble beginnings, International Dance Academy (IDA) has done just that, with their heads held high and feet en pointe. This year IDA celebrates their 35th anniversary of providing dance instruction to the community of Thunder Bay. IDA began in September 1982, when owner/instructor Laura McRury rented out a small space in the St Joseph's Heritage building and began offering lessons. McRury remained the studio’s only instructor until 1989, when IDA moved to a larger location on Victoria Avenue and brought on a few part-time instructors to assist with the influx of eager students. In 2010 they expanded again and moved to their current location on Waterloo Street, boasting upgrades such as air sprung flooring, three studios, 4200 square feet of space, and a roster of 10 certified instructors. IDA offers ballet, lyrical, jazz, tap, contemporary, acro, hip hop, cabaret, kinderdance/Twinkle Tots, adult classes, pilates power, and all-boys classes. Students vary in age from 2 years
old in the Twinkle Tots programs all the way into their 50s with adult classes. Throughout their 35 years, IDA have been an active community partner, performing at events throughout the city such as the Nordic Winter Games, Moscow Ballet's production of Sleeping Beauty, and the Thunder for McMurray Fundraiser. Volunteer performances at long term care homes such as Roseview Manor, Pioneer Ridge, and Lakehead Manor are always a highlight for their residents. In 2010 they were awarded the opportunity to perform a cross-cultural production during the Olympic Community Torch Celebration as it travelled across Canada. The 35th anniversary begins with an open house on September 9 from 2 pm to 4 pm. Registration for the 2017/2018 season starts in August, with each registration receiving a commemorative 35th anniversary t-shirt, and preschool programs receiving a free tutu. For more information, visit their website at internationaldanceacademy. com, send an email to laura@internationaldanceacademy.com, or call them at 622-7333.
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FilmTheatre to be better,” says Gabby Carlin (age 11), who has the role of Imogene. “I love playing Imogene because she’s creative and imaginative, but she also expresses a lot of emotions throughout the show. I haven’t played that type of role before. It’s also a big part, so there’s a lot of work memorizing and figuring things out about the character, but it’s fun because it’s a challenge. I am so thankful for the opportunity."
Finlandia Hall August 16-19 applauzeproductions.com
Magic of the Musicals
Broadway Returns to Bay Street By Marcia Arpin
A
fter the overwhelming success of last year’s spectacular event, Broadway on Bay, director Thomas McDonald has written a sequel to delight audiences again, entitled Magic of the Musicals. With a cast comprised of over 70 people ranging from ages 7 to 70, McDonald and his production team, Jessica Falcioni, Denise Krawczuk, Tess Lesschaeve, Jessie Kajorinne, and Kristina Schroeder, have woven several of Broadway’s current and classic musical numbers into one giant show perfect for the entire family. The story follows Imogene, an eight-year-old girl (who happens to be the cousin of the Katie and Tara from last year’s show). Imogene has
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been in the hospital after having heart surgery. She is down and out, feeling bored and trapped. Finally, her cousins visit and teach her the trick of using imagination as an escape. Imogene enters the magical world of the "Imaginaries," who have the power to be anyone, be anything, and bring her daydreams to life set to music. Suddenly Imogene's world is no longer lonely but rather full of light, colour, and sound. “This is my second Broadway on Bay show, and I have loved doing both. I get to perform, which is what I love to do, and I get to do it with my friends. It’s also amazing working with the adults and teens because they’re so good, and they inspire me
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FilmTheatre
Danny Johnson
Robyn Harrison plays Caitlin. She’s a Magnus newcomer who previously performed the role at the Stephenville Festival, and she shows her stuff on the Magnus stage as a master of a multitude of instruments, a talented singer, and a step dancer. Thunder Bay’s own Danny Johnson plays Bruce. It’s hard to pick a favourite from the many songs he performs, but Roger Miller’s “You Can’t Roller Skate in a Buffalo Herd” is a top contender.
Robyn Harrison
Mama's Country Music Collection Summer Theatre at Magnus is Here to Stay
Review by Pat Forrest, Photos by Matthew Goertz
S
orting through the belongings of a loved one who has died is often an occasion for both laughter and tears. That’s what happens to Caitlin and her dad Bruce when they get together to clean out his basement six months after the death Caitlin’s mother in the new Magnus Theatre production of Mama’s Country Record Collection, written by Magnus artistic director Thom Currie. Caitlin’s mum was a hoarder of all things musical, from eight-track tapes to instruments, turntables and records of all kinds, so that is where they begin to
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focus their efforts. Mama’s Country Record Collection is a celebration of the biggest country and western hits of the 1960s and 1970s. As the pair come across yet another album, they break into song, putting their own stamp on the biggest hits of Olivia Newton John, Dolly Parton, Kenny Rogers, Loretta Lynn, John Denver, Roger Miller, and many others. Each song’s performance is highlighted by a backdrop of a series of album covers featuring the artist whose work is being performed.
Mama’s Country Record Collection has been a big hit in theatres across Ontario and Québec, including the Showboat Festival Theatre, the Lighthouse Festival Theatre, the Hudson Village Theatre, the Port Stanley Festival, and the Stirling Festival Theatre. This marks the first time Magnus has presented a summertime show in many years. If the audience’s response is any indication, summer theatre at Magnus could be back to stay.
FilmTheatre
I Am Sincere Short Film Encapsulates Community Art Project By Adrian Lysenko
A
new short animated film has set out to encapsulate a project involving many local artists and community members. The film I Am Sincere, by filmmakers Zoe Gordon and Shayne Ehman, was created for the Resilient Hearts Project spearheaded by the arts education organization the Community Arts and
Painted Turtle
Heritage Education Project (CAHEP). The short film came about when Eleanor Albanese, the coordinator for Resilient Hearts, was looking for a creative way to archive the project. “The idea was to take each project, or at least each artist who worked on the project, and
then encapsulate one of their projects in one line of a poem,” she says. “So basically I approached all of the artists and gave them suggestions for what a poetic line might sound like and then I asked them to submit their ideas.” Albanese then created a story around that poem about a child named Sincere who is asked by an artist: “Who is the person inside of you?” “The answers are from all the different artists and what they delivered over the eight months we had programming,” Albanese says. “It was
a way to make it collaborative, and it was a way to highlight the different projects that were done in a poetic way rather than a literal way.” Albanese enlisted the help of Gordon, who was already involved in Resilient Hearts, as well as Ehman, who had collaborated on projects with CAHEP before. The filmmakers incorporated many mediums into I Am Sincere including stop motion, watercolor paintings, flash animation, and collages. “It was a combo of everything we could get out hands on and that’s kind
of the spirit of the CAHEP projects usually,” Ehman says. Gordon states that the creation of the film was both a challenge as well as an opportunity. “I wanted to be involved because I work a lot in the community with youth who have barriers,” Gordon says. “I wanted to make a video that would be something that they could relate to and be a positive message for them.” For more information or to see the film visit cahep.ca/programs/ resilient-hearts-project.
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Paramedical Aesthetician, Laser Technician and Microblading Artist 2609 E Victoria Ave, Thunder Bay 807-632-3113 jillacadieux@hotmail.com The Walleye
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FilmTheatre
Greased is the Word
Badanai Theatre Presents Popular Musical with a Twist By Judy Roche
T
hunder Bay is a city that loves its theatre – especially musical theatre. This is a fact Lawrence and Candi Badanai know very well. The husband and wife team behind Badanai Theatre Company (formerly Lawrence Badanai Presents) have been regular contributors to Thunder Bay’s cultural scene for many years. This summer, for the company’s first show under their new moniker, they will mount a production of the musical Greased. Greased, written by Randy Apostle (artistic director of Celebrations and Jubilations dinner theatres in Winnipeg, Calgary, and Edmonton) has flipped the genders of the classic characters at Rydell High— we have the confident Danielle Zippo, the leader of the T-Birdies, and new boy on the
block, goodie-two-shoes Sandy Olsen. While they try to relive their summer romance, the rest of their friends sing and dance their way through a variety of 50s era music classics. With Greased, Badanai Theatre is proud to announce its arrangement with Apostle, whose scripts are comedic musical shows that have a unique spin to them, and are often based on popular movies or television shows. “We’ve been talking with Randy Apostle for
10 plus years,” says Lawrence. “It’s been a long journey. We’ve had his blessing to produce one of his scripts for years, it’s just that the timing was never right until now. And here we are having a blast in the rehearsal hall. It’s so funny that we break down laughing in rehearsals as we add new layers of physical comedy and reactions to this musical comedy twist.” The Badanais love the idea of summer theatre, “because it’s a great time to do
audience pleasing-comedies” shares Lawrence. “In many parts of Ontario, theatre only runs in the summer months. Historically, the first ‘professional’ theatre company of our city was Moonlight Melodrama that opened before Magnus and they were a summer repertory melodrama company. Our roots in summer theatre in Thunder Bay go way back and we’d love to help keep that tradition alive!”
to do that, it’s the Badanais. “Currently, we have under a dozen people involved on this summer’s production but once we get Greased mounted we’ll be doing open public auditions for future shows to get more people involved,” says Lawrence. “[It’s] one step at a time.”
Paramount Theatre August 15-17 and 22-24 badanaitheatre.com
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theArts intricate in design have begun to grace the homes of many around Thunder Bay. Clever quotes, tiny floral designs, and traditional tattoo style complete the pieces that she creates. "I see the trends, and I don't follow them,” Ableson says. “People always show me other work that they would like me to copy, but that isn't my gig. I like to do my own thing. Something that nobody else will have thought of.” Her work was displayed at Definitely Superior Art Gallery’s Urban Infill this past March, and pieces are for sale at Red River Trade Company. If you're lucky, you can catch her in Red River Trade Company, stitching away at new work. Ableson has been branching out to embroidery on things like jean jackets, hats, and other articles of clothing. Her personal touch always blends well with the ideas her clients bring forward. Madison Ableson is on Instagram (@ Tallrat) with plenty of bright, beautiful photos of her work. If you are interested in getting a commission from Ableson, you can contact her on Instagram or find her at Red River Trade Company during the week.
Needle and Thread
Madison Ableson’s Hand Embroidery Story and photos by Emily Kohne
A
young, contagiously cool artist saturated in Thunder Bay's downtown scene, Madison Ableson sat down to talk about an art form that is rising in popularity at the moment: hand embroidery, the art of small, intricate stitching that reportedly dates back to 30,000 BC. Hand embroidery has been gaining momentum alongside many art forms that have recently made a resurgence with young artists. When Ableson moved to Thunder Bay,
she gravitated towards tattoo culture and the punk rock scene. Her main hangout spots were tattoo parlours, vintage shops, and record stores. After she started her hand embroidery, Ableson drew strong influence from the places and people around her. The only stitching experience she had previous to the past year was on teddy bears as a kid. She would sew up clothing and reattach broken limbs to her favourite stuffed bears. Since then, her attention to detail has vastly improved. One-of-a-kind stitches
Join us again for our ‘fall-off the bone’ ribs! RIBFEST 2017 thesilverbirchrestaurant.com • (807) 345-0597 36
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Tastruee North
of the T
theArts
From Thunder Bay Art Gallery’s Collection
Black Ash Basket By Nadia Kurd, Curator, Thunder Bay Art Gallery Artist: Mary Adams Title: Black Ash Basket, 1980 Medium: Black ash and sweetgrass Size: 29 x 28 cm
A
recent visitor to the gallery remarked that Mohawk artist Mary Adams’ (1917-1999) intricate sweetgrass and black ash basket was the “Fabergé of baskets” because of its complex detail and series of miniature baskets attached along the rim and body. Indeed, the basket, which consists of 163 additional miniature
baskets that have also been cut and woven from black ash, is remarkable. As a child growing up in Akwesasne Territory, Mary Adams learned how to weave traditional baskets from ash splint and sweetgrass, a talent she later used to support herself and her wbrother when their mother died. The Black Ash Basket in the Thunder Bay Art Gallery’s permanent collection is a near copy to the one she presented to Pope John Paul II in 1980 in honour of the beatification of Kateri Tekakwitha (also
known as Lily of the Mohawks). A similar basket can also be found at the Smithsonian Art Museum in Washington, D.C. The basket came into the gallery’s permanent collection in 1985 as part of the From Our Hands Collection, a touring exhibition organized by the Ontario Government and the Ontario Arts Council. The exhibition featured a range of handcrafted items purchased from Indigenous artists from across Ontario, many of which are now housed at the Thunder Bay Art Gallery.
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Erika North, September Sun 12 x 16 Oil
The Group of Stephen Exhibition Coming to Baggage Building Arts Centre
Debra Reith, My Stella 12 x 9 Acrylic
By Olivia Levesque
T
he Baggage Building Arts Centre at the Thunder Bay waterfront will be welcoming a host of artists for a new exhibition called Group of Stephen, beginning September 3. South Gilles artist Stephen Krasemann and his students have been working hard to create a collection of pieces for
the show. Krasemann, who will have pieces in the show, is well known for his wildlife and landscape paintings locally, regionally, and even across the border in Grand Marais and some other southern states. Krasemann is excited to have his work in the Baggage Building Arts Centre along with many other works of
all different styles. Krasemann has been teaching both beginner and intermediate oil painting classes at Confederation College for nine years. For the past three years the class has ran as a summer course lasting several weeks, and he explains that he has gained a “loyal following” of students
over the span as his career at the college, meaning that his course fills up with returning students each summer. Group of Stephen, however, will be the first exhibition he and students will be putting on as a class. Krasemann explains that his students are very deserving of a way of showcasing their works, mentioning that
some of them have developed into semi-professional painters over the course of enrollment in his class. Eleven students will be showcased in the exhibition, four of whom have been with Krasemann since he began teaching nine years ago—so long that the group has began
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theArts to call themselves “The Group of Stephen.” His students come from various backgrounds and “really encompass all walks of life, from a former coroner to a bank manager and a horticulturalist.” The group includes Gail Casson, Brenda Hurley, David Legge, Judy Mayor, Margaret Moi, Erika North, Debra Reith, Josie Rogalski, Nicole Sutherland, Anne Winkworth, and Sinikka Ylinen. Krasemann says that the exhibition is shaping up to be a great show, with a variety of concepts and styles. The Baggage Building Arts Centre is beginning to become a hub for local artists to show their work, and Krasemann says he is proud to be a part of the developing art community. “Thunder Bay needs it,” he says.
Baggage Building Arts Centre September 3, 1-4 pm facebook.com/ BaggageBuildingArts Stephen Krasemann, Wood Duck Drake 9 x 12 Oil
Stephen Krasemann, Partners (Moose) 18 x 22 Oil
Margaret Moi, Clarkalisa 24 x 18 Oil The Walleye
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to sit on the Earth itself. That’s really what I’m after in terms of this idea that as human beings we are connected to the Earth. It’s pretty simple, but I know it’s huge.” With three other sculptures in Parks Canada across Canada (Banff, Georgian Bay Islands, and Gros Morne National Parks), this project invites us to reconnect
Rebecca Belmore
LandMarks2017 Unique Sculpture in Pukaskwa National Park
P
arks Canada is celebrating Canada 150 with a special invitation to visitors to take the time to listen to the sounds of Lake Superior and appreciate the wilderness that surrounds them in Pukaskwa National Park. As a Canada 150 signature project commissioned by charitable corporation Partners in Art, LandMarks2017 invites Canadians to explore their land and deepen their connection to it through a series of contemporary art projects across the country. The goal is to inspire dialogue about the people, places, and perspectives that have shaped our past and are vital to our futures.
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Through this project, internationally renowned Anishinaabe artist Rebecca Belmore created a unique sculpture after visiting the park and being inspired by its surroundings. Belmore’s Wave Sound piece is an impressive 170 pounds of aluminum casting with a patina that matches Pukaskwa’s rocky shoreline on the park’s Southern Headland Trail. Flown in by helicopter to its summer home, it is perched atop a lookout and welcomes visitors to put their ear to it and listen to the sounds channeled through its hollow core. The theme of Wave Sound is, according to Belmore, “really about taking a moment
with the land by listening to its sounds, allowing us to find a connection to the landscape and be humbled by this simple but profound act. Use your free Parks Canada Discovery Pass to gain free day entry at Pukaskwa National Park and experience listening to the land through this vibrant piece of contemporary art.
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RFDA Fun Days
Healthy Eating and Cooking from Scratch By Joelle Krupa (age 8)
T
he RFDA (Regional Food Distribution Association) Fun Days are incredible! It is a great opportunity for kids 7-12 to learn how to work in the kitchen. Before lunch there are arts and crafts and a little snack. After lunch you do more fun activities and have another snack. You will make lunch for yourself from scratch and then you’ll have a side dish like french fries
or cheese biscuits. All the kids come into the kitchen to help make lunch. The adults assist you to do lots of different things in the kitchen. On my first visit, our group made soup with carrots, potatoes, celery, and lots of other vegetables. We had to peel and cut all the vegetables. We even added fresh ginger. I never knew that you could put ginger in soup. It was fun because I
learned new skills. We used a vegetable peeler to peel the carrots and potatoes and we used big knives to cut them. This was a great experience because it is not something that many kids do because many stores have meals ready to cook in the oven or cans of soup. The food tasted very good! All of us appreciated the food and were very proud of ourselves because we made it from scratch.
The cheese biscuits and the french fries were the most delicious I have ever had in my whole life because I made them. The soup was so good that even if there was a vegetable you didn’t like in it you couldn’t taste it because it was mixed in with all the other vegetables and broth. Each week there is a theme, such as farm to table, pizza day, and magical gardens. The RFDA program
is on Thursdays in the summer and runs from 9 am to 4 pm for a full day or you can do a half day from 12:30 to 4 pm. It is good because you get to learn about healthy eating and how to prepare food. It is amazing; you should go.There is only a month left—that means only five days, so sign up now! For more information visit foodbanksnorthwest.ca.
Each Friday, Aug 4th - Sept 29th, 3 to 7pm
* Bread * Pizza * Plants * Produce * Perogies * Preserves * Art * Baking * Free Kids’ Art Activity * Premade Meals * Local Meat On your way out to camp or just want to take a short drive in the country, head to Lappe and take in our friendly Market; 10160 Mapleward Rd at the corner of Kam-Current Rd (old Koski’s Store).
For more info check us out on Facebook or call 768-1336
Willow Springs 42
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Market
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(L-R) Brandon Harris and Greg Lyytinen
Pitchcreek Farm Story by Andrea Stach, Photo by Marty Mascarin
T
hree years ago, Brandon Harris decided to purchase a small homestead and 172 acres of land in Nolalu. Although they had little farming experience, Harris and his business partner Greg Lyytinen decided they wanted to grow their own food instead of buying it, and Pitchcreek Farm was born. Armed with serious determination, some good books on farming, and some solid advice and volunteer experience from Sleepy G Farm, the duo has created a 1/4 acre market garden that looks like it is right out of a magazine. The pair, both of whom work full-time jobs in the city, spend up to 30 hours per week at their farm and are focusing on smaller crop diversity with the hopes of slowly expanding. Harris says that “when it’s something you love, it’s not like work” and that they have hopes of turning it into a full-time venture for both of them. Pitchcreek Farm is a welcome new addition at the Country Market on Saturdays and they have been overjoyed
at the response of the community and that of fellow market vendors. Currently, they are offering fresh, handcut salad greens. Their Spring Mix is comprised of six types of lettuce and their Northland Mix also includes baby red Russian kale and mizuna (a spicy mustard green). As the season progresses, they will be offering tomatoes, cucumbers, beets, carrots, and hakurei turnip. While their garden isn’t currently certified organic, they do follow organic growing practices and avoid using synthetic fertilizers or pesticides. “Naturally grown in the Northland,” Pitchcreek Farm wants to see the end of mass production and instead see more production by the masses. Their enthusiasm and dedication to making their dream a reality is infectious and they are a true testament to “we make it, bake it, and grow it.” Plan to visit Pitchcreek Farm at the Thunder Bay Country Market on Saturday mornings, now until November. The Walleye
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CityScene
Diggers Antiques and Collectibles
City’s Rich History on Display at New Antique Store By Michelle Kolobutin
T
wenty years ago, Roxanne Clowes started collecting milk and pop bottles, never knowing that she would one day be operating her own antique store. Clowes says she didn’t have an interest in history in high school, but since starting to collect antiques she has fallen in love with it. “Now it’s my passion,” she says. “People come into the shop and tell me stories. I love listening to their stories. Old signs and advertising items draw me in too. I love the colours and fonts they used.” Her store specializes in local antiques, including items from Superior Bottling Company, Port Arthur Beverage Company, Palm Dairies Limited, Dorans, Fairview Nursery Farms and Can-Car. One of Clowes mottos is “the more local, the better.” She also has the original Oak Hall Clothing Store sign (which was located on Cumberland Street and closed in 1917). Part of Clowes’ passion for antiquing is about the hunt. She’s even given a nod to “the hunt” in naming her new store. The name “Diggers” stems
from physical digs Clowes participated in during her early years of collecting when she went on group digs in old outhouses and dumps, among other sites. “We would find colourful fruit jars, bottles, and other things— you wouldn’t believe some of the things we would find,” she says. Thunder Bay was a hub for transportation, and there is a lot of history having to do with the railway, shipping, automotive, and aviation presence in the city and region. Clowes' shop reflects that history. You can find a wide selection of toy trains, cars, planes, and local captain hats and uniforms, not to mention old road signs and even a vintage set of emergency vehicle lights. She also has war memorabilia, a scrapbook showcasing the Queen’s Coronation, a slate pool table, local store signs, sporting goods, kitchen wares, lanterns, lunch boxes, as well as bottles. If you can imagine it, it probably exists at Diggers. For many years Clowes showcased her collection at Sleeping Giant Antiques, but has recently found a
perfect spot to showcase her collection on Red River Road: the original site of the Colonial Theatre. “I remember my mother had a few things from my grandmother,” she says. “But to me, when I was growing up, those things meant nothing. Now I know that those were special, they had meaning, that everything has its place.” Diggers Antiques has a Facebook page where regular updates are made. Hours are Tuesday- Saturday, 11 am-6 pm, or by appointment.
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Erfernatur ratem corum vollorrum faccum quiatq voluptasi cullantur, expe mae faccum quiatqs und
Ullaccus nestis dest ww
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CityScene
Creating Spaces for Dialogue and Togetherness Rites of Passage Traditional Teaching Lodge By Leah Ching
L
ast month the Spirit Garden at Prince Arthur’s Landing was home to National Aboriginal Day and Canada Day celebrations respectively. In preparation for these significant days, the popular waterfront spot served as the home to the Rites of Passage Teaching Lodge, a collaborative project between Blue Sky Community Healing Centre and PARO Centre for Women’s Enterprise. Funded by the Ontario 150 Partnership fund, the lodge was erected as a place of both physical and symbolic importance. Part of a year-long project, construction of the lodge was the culmination of participants’ efforts to explore and celebrate the various stages of one’s life and the diverse range of traditions and rites associated with each. Lodgekeeper Cindy Crowe, of Ojibway and Cree ancestry, shares the following sources of inspiration that guided the project in its initial stages. “I am inspired by the stories and legends passed down for thousands of years about how our ancestors have greeted and welcomed visitors from many different lands on the shores of Lake
Superior,” ewxplains Crowe. “I’ve had opportunities over the years to greet visitors from around the world, and I’ve always felt that I was walking in the footsteps of my ancestors.” The initiative was largely youth-led and Crowe, who is also the president of Blue Sky, is pleased with the community’s response. “We applied for funding last fall, and had a group of youth get together and brainstorm what they thought would be a good idea to go along with the Canada 150,” says Crowe. “We came up with this idea of celebrating the various passages of one’s life. We knew we wanted it to be multicultural and welcoming.”
non-judgemental space for dialogue between cultures and generations, the Rites of Passage Teaching Lodge was constructed with the goal of bringing the community together, promoting love, cultivating understanding of the medicine wheel, and overall creating a journey of healing for the entire community. “People were genuinely interested, and complimented the youth on how well they did. People also commented that they hoped that next
year, the city could leave it up throughout the summer,” Crowe reflects. In light of the Canada 150 Celebrations, Crowe recognizes that the lodge’s presence at the Canada Day celebrations was a sensitive issue for some Indigenous people, but she was inspired to provide the opportunity for a traditional indigenous gathering to occur simultaneously with the Canada Day Celebration, creating something that would encourage
difficult but productive conversations. “At this time, what we really need to be having is the conversations that are hard to have, and this provided a really great informal setting for people to have those conversations in a safe space,” says Crowe. “The project was really well received. I’m glad people saw this as a good step in the right direction, and we’ll continue to create spaces like these so that conversations can continue.”
Community members built the lodge by cutting saplings, measuring and digging post holes, cutting twine, hanging tobacco ties, and then erecting the lodge and covering it with tarps. What was created was more than a physical structure, but a place where people of diverse walks of life could come together and engage in conversation. Built as a safe and The Walleye
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CityScene
Path of the Paddle Trans Canada’s Great Trail Opens Across the Country By Pamela Cain
O
n August 26, communities across the country are invited to explore the Trans Canada Trail. Twenty five years in the making, 24,000 kms of hiking, biking, and paddling trails will be connected and local sections of trail will be celebrating. The communities of Thunder Bay, Atikokan, Dryden, and Kenora are inviting you to explore along the local Path of the Paddle water trails that connect the Trans Canada Trail in Northwestern Ontario. The creation of the Trans Canada Trail was initiated in 1992 with the 125th
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anniversary of Canadian Confederation. Twenty five years later, a network of community groups have planned and developed trails to create one of the world’s longest network of recreational trails. In Northwestern Ontario, a volunteer driven not-for-profit, the Path of the Paddle Association, is tasked with completing the Trans Canada Trail from Thunder Bay to Manitoba. The Path of the Paddle water trail in Northwestern Ontario spans from Great Lakes to the edge of the prairies and includes the world's largest inland sea, historic waterways that have been
traversed by canoe for thousands of years. With six Path of the Paddle trails joining the communities in Northwestern Ontario there are many opportunities to celebrate the opening of the Great Trail. In Kenora, the Iinoo Oowan (canoe trail) Trail travels 170 km east from Whiteshell Provincial Park and TCT land trail (Borders to Beaches) on the Manitoba border following the Winnipeg River. East of Kenora, Rushing River Provincial Park provides the gateway to Dryden through the Experimental Lakes area on the
199 km Migizi (bald eagle) trail. The 160 km Maukinak (turtle) Trail travels south from Dryden to the Turtle River-White Otter Lake Provincial Park and on to Atikokan, joining with the 208 km Quetico Trail. At the south end of Quetico Park, the Omimi (pigeon) trail travels 100 km through La Verendrye Provincial Park to the Pigeon River Provincial Park in the east, providing access from the world-renowned Boundary Waters Canoe Area Wilderness (BWCA). And traveling north along the spectacular Lake Superior coastline, the 136 km Animikii (thunder bird) trail
links Path of the Paddle to the Thunder Bay hiking trail at Fort William Historical Park on the Kaministiquia River. Regional Trail Committees of the Path of the Paddle Association will promote a day of travel on the Great Trail on August 26. Trail explorers are challenged to submit photos and stories of their day on the trail and receive a memento of the day. For more information on activities in Thunder Bay, Atikokan, Dryden, and Kenora check out pathofthepaddleassociation.com.
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The Walleye
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CityScene
A Road Trip Cliché
The Winnipeg Folk Festival Via VW Van Story by Michelle McChristie, Photos by Darren McChristie
▲ Funk circus extravaganza MarchFourth
▲ Feist's spellbinding performance; she first played folk fest as a tweener in 2005
“O
ne, two three—push!” With our cumulative strength, my kids and I pushed our van backwards down First Street in Kenora as my husband Darren bumpstarted the engine. It worked. “Get in!” yelled Darren as he shifted the van into drive to continue our journey west. We are the proud owners of a 1985 Volkswagen Westfalia. It is golden brown and resembles a bread box on wheels.
We’ve taken it on several family vacations with occasional breakdowns, so our kids are not strangers to the bump-start. This time, we were headed to the Winnipeg Folk Festival and had stopped at the Lake of the Woods Brewery Company’s taproom to have lunch on their sunny patio and stock up on craft beer. “The Shins are headlining the Winnipeg Folk Festival this year,” announced Darren
▼ Winnipeg's John K. Samson & The Winter Wheat
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back in March. We’re fans and it had been eight years since we were last at the festival. “Let’s go,” I replied with emphatic enthusiasm. And all that was left to do was renew our CAA membership. This year marked the 44th anniversary of the Winnipeg Folk Festival—four days of music spread over nine stages at Birds Hill Provincial Park, just east of Winnipeg. With our campsite booked for the
▲ Ukraine's folk-punk quartet DakhaBrahka ▼ Bruce Cockburn played the inaugural folk fest in 1974, fans welcomed him back for his 7th performance
CityScene weekend and the Westy’s shelves packed with supplies, we headed west. The engine purred like a kitten up until the point when it completely died, just past Clearwater Bay on Lake of the Woods. Our friends at CAA said help was on the way but that it would take a couple of hours, so our kids entertained themselves perched on a rocky outcrop set back from the highway and I made a half-assed effort to help Darren troubleshoot the problem. He had it figured out by the time we piled into the tow truck for a lift back to Kenora, and had replaced the battery and fixed the starter in the parking lot of Canadian Tire before the kids and I paid for our bag of junk food in Wal-Mart. Back on the highway we adopted a “we’ll get there, eventually” attitude, knowing that we would be hard-pressed to catch any of the Thursday night performers. We pulled into our campsite and popped the top of the Westy just as The Shins wrapped up their set with a Tom Petty cover. Disappointing, but it could have been worse… at least the van was easy to fix! The highlight of any music festival is discovering new music. Winnipeg’s headliners, like Feist, Bruce Cockburn, City and Colour, and Daniel Lanois were stellar, but that’s what one expects from veterans.
We’d never heard of acts like The Suitcase Junket, and MarchFourth and they blew our minds with their completely unique style and mesmerizing talent. MarchFourth features 20 musicians and performance artists—they are basically a funky jazz band crossed with a marching band with some stilt walkers and Vaudeville-style dancers. And it is only at a festival like this one that one can watch the likes of Alvin Youngblood Hart and John Paul White perform on a small stage while relaxing in low-slung chair or hammock slurping lemonade and eating organic popsicles. This year’s festival drew a crowd of over 60,000 people to watch top-notch performers from as far away as Ireland, Holland, Ukraine, and the Congo playing an array of musical styles. Folkies got their fix of unplugged singer-songwriters and those whose tastes favour heavier music got their fix of wailing guitar solos (we’re looking at you, Daniel Lanois and Esmé Patterson). It’s a musical potpourri that sounds as good as it smells (and I’m not referring to patchouli).
▲ Ukraine's folk-punk quartet DakhaBrahka ▼ A stilt walker with MarchFourth
▼ City and Colour
We headed home on Monday morning fully satiated. The disappointment of missing the opening night and The Shins was a distant memory and the Westy purred like a kitten, but this time we made it all the way to Thunder Bay.
▼ Birds Hill Provincial Park campground
▼ We'll get there eventually...
The Walleye
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CityScene
U18 World Cup
TBay Becomes World Stage to Host Second International Baseball Tournament By Lindsay Campbell
T
op-notch athletes from around the globe are stepping up to the plate as they compete for a championship title in the U-18 Baseball World Cup. From September 1 to 10, Thunder Bay will host this premier youth baseball tournament for the second time since 2010. According to event organizer Martina Benvegnu, attendees can expect a similar experience to when the tournament was first hosted seven years ago. “We definitely learned through trial and error last time because it was our first time hosting such a big tournament,” she explains. “But, we’re only changing small logistical things. The base of our tournament should be run fairly the same.” “TBIBA aspires to be respected internationally by the amateur baseball communities,” she explains. “We’re here to run a professionally managed championship event on the world stage.” A total of 50 games will be held at two local venues: Port Arthur Stadium and Baseball Central. Countries competing include the United States, Cuba, Canada, Mexico, Nicaragua, Japan, Korea, Chinese Taipei, Italy, Netherlands, South Africa, and Australia. Japan, who was not present at the 2010 tournament, is expected to bring in a large fan base this time. Benvegnu says individuals from Japan purchased many of the early bird tickets.
Since 2002, the Thunder Bay International Baseball Association has been influential in expanding the local baseball community. The bid for this year’s Baseball World Cup was received in February 2014, and volunteers on the organization’s board have been planning ever since. Benvegnu says the support within the city has been advantageous in the organizing process. “We’ve been getting a great response from the community and everyone’s been really helpful,” she says. “We’re just trying to get more ticket sales as we get closer to the event, but we already know that we have a great community in Thunder Bay and it will be a sell-out.” Benvegnu also stressed the need for volunteers to make the tournament a success. “You don’t need to know anything about baseball… There are a million different things that you can do to help out and make this tournament runs smoothly,” she explains. “This isn’t just a baseball tournament. It’s a whole new experience coming to the games, so just to be able to come to the games and be a part of this experience and see why Thunder Bay should have events like this is important for sure.” For more information on volunteering, game schedules, and purchasing tickets, visit the tournament website at thunderbay2017.com. Individual game tickets can also be purchased at the Thunder Bay Community Auditorium.
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Making fresh Italian ice cream from scratch everyday using local ingredients
Visit us at our Scoop Shop at 200 Red River Rd
or find us in pints at; Agostino's, Cheese Encounter George's Market, Maltese and Vitality.
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CityScene
Stuff We Like
Fujifilm X-T20 Black Kit Imagetech
For the Aspiring Artist
679 Memorial Avenue We know your iPhone photos look pretty good when filtered on Instagram, but if you want to get serious about photography, you’re going to have to get a serious camera. This kit from Imagetech includes a FujiFilm X-T20 mirrorless camera and an XF 18-55mm f/2.8-4 OIS zoom lens to help wean you off of Valencia for good.
By Amy Jones
D
o you dream in oil paint, pastel, or watercolour? Does your heart race a little when you breathe in the scent of raw clay? Do you see the world as if through the lens of a camera? If any of these things sound familiar, then you, my friend, might be an artist. And we here at The Walleye want you to know that we fully support that. After all, the world can always use more art. So what are you waiting for? Pick up a brush, a can of spray paint, a thousand rusted metal safety pins— whatever your medium, we’ve got your back. Here is Stuff We Like for the Aspiring Artist.
$1599
Elizabeth Buset’s SWINE
Samsung Galaxy Tab E
Thunder Bay Art Gallery Gift Shop
Power Centre 707 Memorial Avenue If digital art is your thing, you’re going to need some equipment. This Samsung Galaxy tablet gives you access to all kinds of art-related apps and has compatibility for up to 128 GB of micro SD card storage, as well as a spacious 9.6" display, and its lightweight portability lets you take inspiration with you wherever you go.
1080 Keewatin Street Want to know what goes into a gallery exhibition? One of our most innovative local artists, Elizabeth Buset, discusses her exhibition SWINE in this full-colour, high-gloss catalogue that includes a forward by gallery director Sharon Godwin, a conversation with Elizabeth and exhibition curator Nadia Kurd, an article by Miranda Niittynen, and Elizabeth’s exhibition artist statement.
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$329.99
Robert Bateman Series Sketchbook and Lyra Pencil Set Painted Turtle Art Shop 4 Balsam Street Whether you are sketching out big ideas or just doodling, you’re going to need the right tools. Available in different sizes, the Robert Bateman sketchbooks are created from 100% recycled paper and are ideal for artists who enjoy using a wide variety of drawing media. And the Lyra pencil set includes 12 drawing pencils as unique as the art you will create with them.
Pottery Class with Fritz Lehmberg Baggage Building Arts Centre 2200 Sleeping Giant Parkway We won’t promise you that taking these classes will allow you to perfectly re-enact the pottery wheel scene from Ghost, but… maybe they will?
$Various
$9.65- 43.65
Bob Ross Three-Hour Workshop DVD bobross.com There is a reason that people love Bob Ross’s instructional painting shows. He’s charming, he’s got great hair, and most of all, he makes painting fun. And after all, isn’t that why we should be doing it in the first place?
$34.99
Porphyry Point Lighthouse Adventure Sail Superior sailsuperior.com Lighthouses have been inspiring artists for centuries. Sail Superior will give you the chance to get up close and personal with one of our most beautiful lights, Porphyry Point. Even better, the Canadian Lighthouses of Lake Superior now offers overnight stays in the lightkeeper’s residence, so if inspiration hits, you don’t have to pack up and leave.
$1195.00 per group of up to 6 persons (not including overnight stay)
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Paint Night The Creative
176B South Algoma Street Facing down a blank canvas all alone can be a daunting prospect. Luckily, you don’t have to! Paint nights at The Creative will let you release your inner artist in a supportive group setting, guided by local artist Deena Kruger.
$Various
www.thewalleye.ca
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The Walleye 2017-06-27
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9:36 PM
The Walleye Full Page.pdf 1 7/19/2017 1:41:22 PM
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CityScene
This is Thunder Bay This month, The Walleye asked “How do you express your creativity?” Interviews by Nancy Saunders, Photos by Laura Paxton
Amy: I express my creativity in everyday projects like baking and gardening, through art in wool felting, crochet, and photography, in writing, and by sharing creative thoughts and processes. And I'm very excited to be offering workshops and to open my store soon, where I will share my passion with others.
John: Through food! Lately we’ve been doing an event that’s more fine dining and that gives me a chance to really sort of push the boat out and do food that’s not really similar to what we normally do. It challenges me, it challenges our team, to do a different style of cuisine. We’re giving more ownership to our kitchen team. We have an established team now and we’re trying to get more and more ideas from them because it’s nice to have.
Sarah: I do some knitting and have been working on the same afghan for six years. I’m in a knit club where we all get together and don’t knit much but we talk about things and we eat and we drink wine.
Ida-Maria: I try to be as creative as I can. I take photos all the time… well, here and there. Just any means that I can get my hands into, like a creative avenue—embroidery, painting, food. I think it’s really important to be creative since it’s basically your mind expressing itself, so it’s important to let it out rather than bottle it up! The Walleye
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Weather in a season. All of the Great Lakes have changed from extremely low levels to extremely high levels within one decade. Both extremes have caused problems and impacts to shorelines, fish habitat, shipping, and recreation. The rapidity of change has startled everyone from science experts to those living next to shorelines.
Weather Eye
Some Consequences of Summer Rains
The factors that result in water levels seem simple: rain and snowfall amounts, evaporation, and the volume of water allowed through at Sault Ste. Marie, Niagara Falls, and dams on the St. Lawrence River. But major and complex changes have taken place with evaporation and precipitation, the most important influences on lake levels. Outflows from the Great Lakes are only 1% of the volume. All of the Great Lakes have warmed relatively rapidly in recent decades, resulting in less ice cover and more evaporation. Most years between 1998 and 2007 featured below average precipitation, resulting in record lows for all the upper Great Lakes around 2007.
Story by Graham Saunders, Photo by James Brown Photography
T
his year, many days in early summer featured series of quick weather shorts, almost like they were chosen at random out of a hat. Bursts of sunshine, clouds, intense showers, thunder, cooler temperatures, and even hail with a tornado warning were part of the routine. Measurable rain took place on 27 days in June compared to an average of nine. It was also a rich month if you like lightning and thunder—11 days with thunderstorms, also about triple the average. Thunderstorms are a mixed package for gardeners and farmers with field crops. Nitrogen acts as a natural fertilizer and is essential for plant growth, and although the atmosphere is 78% nitrogen, it is not in a form directly available to plants. Lightning triggers a chemical reaction
that makes that nitrogen available; however, severe thunderstorms can also feature winds that may damage plants, hail that can cause leaf damage and reduce yield or destroy plants, and heavy thundershowers that can lead to loss of topsoil as well as damage crops. And a note to gardeners and farmers: although thunderstorms do add some fertilizer to soils, heavy feeders like tomatoes and corn will be grateful for a dressing of manure and compost in early August. Summer precipitation can also impact lake water levels. Regional lake levels are higher than average but expected to decline, if longer-range forecasts prevail. Water levels in Lake Superior are likely to maintain near 183.76 metres above sea level. This is well above average but 23 cm below the highest on record, set in 1950.
All the other Great Lakes are also higher than their long-term averages. Lake Ontario set records for many weeks in late spring and well into early summer. Significant shoreline erosion and property damage took place, especially with onshore winds. It caused international strife, notably between New York state, Quebec, and Ontario. New York demanded increases in water released from Lake Ontario to reduce their shore damage but this resulted in continuing flooding downstream, especially in Montreal. Southern Lake Erie received above normal precipitation in late June. This caused some flooding in northern Ohio. Great Lakes water levels have been relatively stable over the past 160 years. For example, fluctuations of Lake Superior highs and lows are within a total range of 1.2 metres. Some world lakes change more
Most years since 2007 have had above average precipitation and many more heavy rain/flood events than any other time in the 160-year historical record. This increase overrode water loss because of evaporation. Evaporation is likely to continue to increase. It is unknown at this time if precipitation will revert to a wetdry cycle (roughly every 10 years), as in the past, or if the trend to heavier precipitation events will maintain or even steepen. June this year was much wetter than normal but did not challenge the all-time record of 223 mm set in June 2016. Some readers probably recall some nuisance flooding that resulted from 84 mm on June 25, 2016. However, the summer months of July and August last year were drier than average. Will this summer be a repeat? Only time will tell.
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Music
how to play banjo—are songs about grief. So they’re kind of the beginning of the story.” As for the Ghostly Hounds’ sound, it’s a unique and memorable one— dark and jazzy and folky, with Daoust’s distinct voice (her vocal experience includes jazz and classical) backed by her banjo, Matthew Dorfman on double bass, Suzanne Stirling on trumpet and mandolin, and Vimul Him on cello as well as saw. Thunder Bay fans who check out one of the band’s upcoming local shows are in for an intimate evening, Daoust
Ghostly Hounds
Montreal Band Bring Witch-Folk Sound to The Foundry Story by Kris Ketonen, Photos by Sydney Bejcar
W
hen it came time to choose songs for their debut album, the members of Montreal witch-folk band Ghostly Hounds dug up the past. Creature, an 11-track album released in July, includes some new material, certainly. But lead singer/songwriter/ banjo player Francesca Daoust didn’t shy away from including some of the very first tunes she ever wrote, either. “Some of the songs were written last summer, and some of them were written the first month that I picked up the banjo,” Daoust says. “For example, ‘A Cliff’ is so simplistic, because I did not know how to play the banjo when I wrote that song, and so it relies very heavily on the other instruments to make it feel full.” On the other end of the spectrum, Daoust cites “A Shady
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Grove,” the album’s 11th track, as an example of a song that was written more recently and features much more complicated picking. As for why the band chose older, sometimes-simpler tunes for their debut album: the reason, Daoust states, is simple. “We just chose the songs… that had become our favourites, and our fans’ favourites,” she says. “Some of those are the very simplistic ones, and I think that it adds depth and variety.” There is a thematic link as well, Daoust says. “The album is a lot about grief, and working through difficult times and connecting with people through embracing darkness and challenge,” she says. “A lot of the songs— especially when I first started playing those earlier songs where I didn’t know
says. Ghostly Hounds show-goers tend toward sitting and listening when the band is on stage. “Sometimes, we have people dancing,” she says. “Maybe a third of the audience will dance, while two-thirds will be paying attention… We’re really grateful that people tend to want to really hear what we’re saying.”
The Foundry August 31 & September 1 ghostlyhounds.com
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Music
Thirsty Monks
New Thunder Bay Band Make their Mark By Kris Ketonen
D
espite forming just a few months ago, things are going pretty smoothly for Thunder Bay funkrockers the Thirsty Monks. “We feel that everybody is doing what they naturally do best,” singer/bassist Jennifer Swistun-Wolski says of the group. “No one’s pushing, no one’s pulling, no one’s navigating, no one’s dictating… when you don’t have to put much effort towards something and you find that you’re gaining a lot of momentum, it’s really cool.”
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includes Richard Tribe, Mike Kennedy, Gaelin Brown, and Mary Walker. They’ve seen doors opening for gigs, formed friendships with other bands, and they’ve built a following among show-goers in the city. “What the Thirsty Monks does, and what I really like, is that it does cater to the people that are there,” Swistun-Wolski says. “No matter what. If you’re sitting, you can enjoy it. If you’re dancing, you can enjoy it. If you’re there with a date, you can enjoy it, I hope.”
There are likely a few reasons for that feeling of effortlessness, says drummer Bernhard Wolski. One of them is the simple fact that everybody in the band gets along. “There’s just a certain chemistry you get with certain people,” he says. “And all the best bands are the bands with the best chemistry, and you can see it in them on stage.”
As for the future, the band has its sights set on playing some festival slots next summer. But the immediate goal is to get into the studio this fall to do some recording. “We’ve got nine original songs,” Swistun-Wolski says. “We’re going to do all of the album off the floor, which has been a dream of ours, because we want to give it a very live feel.”
And then there’s the sound. The Thirsty Monks are working to position themselves as a funk and dance band, mixing in bits of rock, jazz, blues, and instrumental to create what Wolski called their “go-go-go songs.”
The goal is to have the as-yet-unnamed album ready by next spring. Meanwhile, among the band’s upcoming gigs will be an appearance at this year’s Tumblestone festival, taking place August 25-26.
It’s all led to good things for the members of the Thirsty Monks, which also
For more information, search out the Thirsty Monks on Facebook.
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2017
HOMECOMING Thursday, September 28 • • • • •
Women’s and Men’s Basketball vs. Winnipeg Wesmen Alumni half-time social Foreign Film Screening Faculty of Business Administration Reunion Lakehead University Archives Open House
Friday, September 29 • • • • •
Women’s and Men’s Basketball vs. Winnipeg Wesmen Men’s Hockey vs. UOIT Alumni Awards Dinner Everyone After-party at The Outpost is Faculty of Education social w/ Sleeping Welcome! Giant Brewery • Lakehead University Archives Open House
Saturday, September 30 • • • • • • • •
Superior Science Kid’s Camp Wall of Fame Induction Ceremony Alumni social / Lakehead Wrestling Reunion in the Hangar Zanatta Alumni Games Aboriginal Initiatives Speaker Series Lakehead University Archives Open House Alumni pre-game social at Fort William Gardens Men’s Hockey vs. UOIT *All weekend long, alumni can enjoy the C.J. Sanders Athletic Facilities for just a TOONIE!
For more information and to register...
lakeheadu.ca/homecoming
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Music Toronto hitting up the open stages at The Painted Lady, The Piston, and The Boat, promoting our big show at Lee’s Palace on July 13,” bassist Mack Davis says. For the uninitiated, math-rock makes use of complex, atypical rhythms, and post-rock is a primarily instrumental form of the genre that often disregards typical “rock song” structure. DYMP grounds their highly technical and clean instrumental rock in the use of totally organic sounds—no added effects. They released their first full-length record, Who Cares? in 2015, and Davis says they were able to take what they’ve learned through trial and error to make a more calculated production on Friends, their fourth album.
(L-R) Mack Davis, Timo Pehkonen, and Taylor Price
Don’t You(,) Mean People?
“As our writing developed, so did our ability to capture sound. We think that these songs on the new EP are the best and most friendly songs we’ve written. We are super happy to have recorded the instruments on this EP exactly how they sound in our minds.” While the band “loves all [their] babies,” Davis said the record’s “Plain Jane” is a top pick for them. What started as a pop song became more of a metal/funk
mix that provided for a unique songwriting experience. “The song showcases a lot of our different techniques and styles that we spent a long time developing, like polyrhythms and swapping melody lines between the guitar and bass,” he says. “It’s the first song we wrote that has solos; the guitar, bass, and drums each get their own.” It’s been said that DYMP is best experienced live, where the audience can see how the individual sounds come together in a high-energy environment. The album’s “Danny Plays the Craps” is a gem of a song to catch at a show. “We are happy with how we weaved together math-rock and post-rock conventions [on that song] in a way so that people who are unfamiliar with these genres can appreciate. It starts off with a fun 11/8 melody then brings them on a journey through some weird and playful 7/4 riffs and post-rock climax near the end.” Don’t You(,) Mean People? is a regular fixture in the Thunder Bay music scene. Follow them on Facebook for show dates, and check out their new tracks at dontyoumeanpeople.bandcamp.com.
Touring the Great Lakes with Friends By Kat Lyzun
A
coustic math-rock/post-rock band Don’t You(,) Mean People? kicked off a summer tour with an energetic audience at The Foundry on June 30, and as they wound their way down to southern Ontario, the band was feeling mighty fine. While previous tours saw the band covering tonnes of ground (a gig in
Calgary was once followed by a straight shot to Toronto), they wanted to focus on a smaller area this time around. Through much persistence and planning, DYMP’s Great Lakes tour came together in support of their latest album release, Friends. “In Sudbury, we took part in an experimental music bonanza for Canada’s 150th [and we’ve been] hanging out in
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www.sweetcherryspa.com The Walleye
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Music
Toe-Tapping Fun for All Ages Sundays in the Park at Chippewa
Story by Krista Power, Photos by Marty Mascarin
I
f you are looking for a great Sunday afternoon experience, look no further than the short drive to Chippewa Park this summer. Musical acts are performing weekly until September 6 from 2 pm to 4 pm at the pavilion. Admission is free and the setting is lovely, featuring an excellent viewing area with picnic tables surrounded by trees. Music lovers are encouraged to bring their own lawn chairs so they can pick the perfect spot to enjoy the tunes. The natural setting enables viewers to enjoy both the sun and the shade. All ages are welcome to join in the musical offerings, from youngsters to the young at heart. The venue is in close proximity to the playground and the rides, so the wee ones can enjoy the slides, merry-goround, and bumper cars. Your pretty pooch is also welcome to attend as well. (Just please ensure Rover is on a
Find Your Folk!
leash!) The free parking is easy, situated close to the pavilion. The acoustics at the park are wonderful; you can enjoy the music while you are on the playground or while embarking on a walk to take in the scenery. Local entertainers offer a diverse selection of music. Everyone can bring snacks and drinks but there is also a concession offering tasty treats and refreshments at an affordable price. Picturesque Chippewa Park has been a place for fun and entertainment for families for many years. The view is spectacular. The people are friendly and the atmosphere is quite pleasant. Be sure to mark your calendar for family and friends to visit Chippewa Park on a summer Sunday and enjoy all the park has to offer. For more information, call 6235111 or visit chippewapark.ca.
August 11-13, 2017
Red Rock, ON
Purchase your passes at the gate! See website for details!
livefromtherockfolkfestival.com The Walleye
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Music to shape the sound,” he explains. Typically, mastering only gets done in larger centres. Nickerson credits his growing ability to spending time with mastering engineer João Carvalho, who he considers to be the best in Canada.
Rob Nickerson
Award-Winning Sound Engineer
Story by Tiffany Jarva, Photo by Marty Mascarin
I
n a neighbourhood with old trees and cul-de-sacs and streets named after Canadian colleges, there is an inconspicuous bungalow where many a musician and bands—including the likes of Olivia Korkola, Flamenco Caravan, The Knackers, and most recently Flamenco musician Matt Sellick—have put their trust into award-winning engineer/producer Rob Nickerson. “He nailed the sound in After Rain,” says Sellick, referring to his first album. Which isn’t an easy feat when it comes to capturing the intricate and intense sounds of Flamenco guitar. “People in
Toronto who really get this genre and sound were like ‘Who did this?’” So it’s not super surprising that Nickerson recently won a NOMFA (Northern Ontario Music and Film Award) for Best Engineer for Sellick’s sophomore album Nocturne. He was also nominated for The Knackers latest folk album Swimmers. “Even though my background is rock, I like to get in there and see where it goes,” says Nickerson. “Working with different musicians and styles has really opened me up. My favourite part of this job is collaborating: it’s the great sum of all ideas that makes
everything better.” Born in Geraldton, Nickerson moved to Thunder Bay in 1971. He started singing and playing guitar in his teens, and his band Rival toured across Canada from 1984 to 1989. “Mostly in the north because they paid better,” Nickerson grins. “I learned a lot from playing with bands like Harlequin, especially from the live engineers.” Nickerson started out by producing local drummer Jim Differ’s brother Jake’s children’s albums, well-known in southern Ontario. “The second Jake album
I did was nominated for a Juno. It’s a good lesson to never turn anything down based on genre,” he laughs. He won a NOMFA for fiddler Olivia Korkola’s Playing in Traffic album in 2011. He has engineered all of the Flamenco Caravan albums, moving from the role of engineer on the first album into the role of producer by the third album. And he does all this while still holding down a day job as a journeyman sheet metal worker. Over the past few years, Nickerson has moved from mixing to mastering albums. “When you master it’s your last chance
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If you’re lucky you might catch Nickerson singing and playing his rock guitar at The Wayland as part of his cover band Toxic Neighbour. “We play once in awhile and it’s the only time I go out to bars now,” he laughs. Both Matt Sellick’s Nocturne and The Knackers Swimming albums are available at Chapters or online. For more info about recording with Nickerson, email rdnicker@ shaw.ca
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You can hear Nickerson’s diversity and layers in the range of songs he’s produced: from the higher energy on The Knackers title song “Swimmers” and the more heartfelt traditional folk sound of “Play Me a Tune” and “Fish No More,” to the nuances of Sellick’s flying Flamenco fingers in songs like “Prisoner’s Cove” and “Mile End.” He is also trying his hand at video production. “It’s more about using video to help support the audio,” Nickerson explains. He has a few of his own videos online that highlight his rock voice, especially “The Ballad of John Henry.” And although he is a lead singer/guitarist, he says that it’s being behind the scenes that he loves. “If I could make a living off just fishing and recording, I would.”
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Music
Live Transcendence The Doom of Zaum By Justin Allec
UPCOMING SESSIONS: September 27, 2017. UPCOMING SESSIONS: September 27, 2017. LOCATION/TIME: 200 Van Norman street, 7:00-9:00pm UPCOMING SESSIONS: 200 September 27, 2017. LOCATION/TIME: Van Norman street, 7:00-9:00pm WORKSHOP FEE: $75 - includes 10 sessions and materials LOCATION/TIME: 200 Norman 7:00-9:00pm WORKSHOP FEE: $75 Van - includes 10street, sessions and materials WORKSHOP FEE: $75 - includes 10 sessions and materials Registration Required. For more information, contact: Joanne Otte - (807) 683-4952 Registration Required. For more information, contact: Joanne Otte - (807) 683-4952 CMHA-TB.ON.CA/FAMILYGROUP Registration Required. For more information, contact: Joanne Otte - (807) 683-4952 CMHA-TB.ON.CA/FAMILYGROUP CMHA-TB.ON.CA/FAMILYGROUP
Black Pirates Pub August 9 N
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lived education experience of mental more about mentalofhealth recovery This supportillness. series Learn is for family and friends individuals with lived experienceand of mental illness. Learn more about mental health recovery and how you canofsupport your relative while taking care of yourself. lived experience mental illness. Learn more about mental health and how you can support your relative while taking care of yourself.recovery and how you can support your relative while taking care of yourself.
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This is even more of an obvious choice when you add in Zaum’s tourmates, Ottawa’s Flying Fortress. As a counter to Zaum’s meditativeness, Flying Fortress crash and bash their way through a scuzzy, speedy mixture of metal and punk. A night with these two bands is a showcase in extremes, and a freak-out waiting to happen.
FAMILY FAMILY MENTAL MENTAL HEALTH HEALTH RECOVERY RECOVERY SERIES SERIES FAMILY MENTAL RECOVERY This education and support HEALTH series is for family and friends ofSERIES individuals with This education and support series is for family and friends of individuals with
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Now, the interpretation: doom metal’s aesthetics are based on lumbering riffs, wailed vocals, and an atmosphere oozing with trepidation. As a reference point, think of the slowest parts of Black Sabbath. Doom at full volume shakes the walls and your faith in your own humanity. Zaum follow the doom formula while drawing their sounds from a different well. Rather than reimagining Tony Iommi’s slothful blues-based riffs as every other doom band from the past 30 plus years has, Zaum’s songs are based on imagined rhythms from Arabia and India.
Chanting, droning synths, lilting flutes, and tightly-plotted climaxes sparked from haunting riffs are all part of Zaum’s show as they layer up despairing sounds to pull the audience in and down. Despite rhythms that are easily appreciable, Zaum’s approach demands patience, but the payoff is some of the most captivating non-guitar-based music being produced on the fringes of metal today. Even if I don’t want to put Eidolon on during my family barbecue, will I still take the chance to see this band in the intimate setting of Black Pirates’ stage? Hell, yes.
S
Allow me to explain. First, the facts: Zaum hail from Moncton and are made up of drummer Chris Lewis and bass/ sitar/synthesizer/vocalist Kyle McDonald. They’re touring in support of their second album, Eidolon. Zaum are a rising star in the doom metal genre, even though they’ve been together less than five years. Their most recent accomplishment is a buzz-worthy set at this past spring’s Roadburn Festival, which introduced these Maritimers to the world.
This distinguishes their albums from the pack and leads to an eerie, ritualistic listening experience.
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here’s some weirdness being pushed by the summer wind. In what promises to be one of the more esoteric shows of the year, Black Pirates Pub will host psychedelic doom metal duo Zaum on August 9.
www.cmha-tb.on.ca www.cmha-tb.on.ca www.cmha-tb.on.ca
Music
Q&A
B.A. Johnston By Kirsti Salmi B.A. Johnston may be one of the stranger Sons of Steeltown, but his observational brand of irreverent rock endears him to chuds everywhere. Johnston took time to chat with The Walleye about minivans, alley beers vs. dad beers, and playing Tumblestone Festival in August. The Walleye: You’ve driven some pretty legendary vehicles while touring. What are you rocking for the Gremlins 3 tour? B.A. Johnston: I finally surrendered and got a used Dodge Grand Caravan. I knew one day I’d probably have to. They’re boring. Nobody’s ever like: I can’t wait to drive the Dodge Caravan! It’s handy, big, it fits all my stuff. I’m just not very stoked on it. TW: Everybody’s got one. It would make a pretty good getaway vehicle if you’re doing a heist. BJ: They’re usually pretty anonymous, but not mine. It’s white, covered in rust. I have a sticker of a biscuit on the back. There’s a baseball team called The [Montgomery] Biscuits so I have their logo. I talked about weird baseball teams one time, and my brother went to a lot of effort to get this biscuit sticker. So I customized my van with it.
TW: You’ve serenaded a lot people in bathroom stalls. There probably won’t be any while you’re playing Tumblestone, an outdoor festival. Do you have a backup plan? BJ: I don’t think I want to go into a Tumblestone portapotty. No matter how clean. I will probably just, like, not do it.
TW: Do you think you could get away with a heist?
TW: Do you play a lot of outdoor festivals?
BJ: Nah. They’d be like, “It was that rusty biscuit van!”
BJ: I play a lot of beer festivals. It’s a bit weird. You’re playing to drunk people in 30 degree heat who ignore you. But they pay really well, so there’s that.
TW: You’re known for being an over-thetop performer. Gnarliest injury you’ve sustained for your craft? BJ: In Cape Breton I broke a shot glass before I played, then knelt in it by accident. It sliced open my knee really badly. It was the first song, so I couldn’t really stop. People were throwing beer on it… there were a lot of punks in the crowd. I duct-taped napkins around my knee, got it fixed at a hippie festival the next day. I still have the scar. TW: Iggy Pop used to bleed all over, so I guess the punks got what they came for. BJ: Some of them were not impressed! Some guy on Facebook was like “I saw this guy and he just bled everywhere.”
TW: You’ve got your own beer now, with Sawdust City Brewing Co.! BJ: I do, I have my own malt beverage. They made it, I stirred it. We had a contest to eventually get it into the LCBO and it won. For now, [Sawdust] gives me beer and I’ve been selling it out of the trunk of my car, which I’m pretty sure is illegal. I’m a musician/bootlegger.
than you are at shows. Dad beer is one that you can drink from 8 in the morning til night. A low percentage one that you’re drinking on a continuous basis on a hot day in summer. TW: I heard you studied philosophy at Trent. If you had to pit two philosophers in a celebrity death match, who would they be? BJ: I don’t even remember any! That’s how bad of a student I was. Nietzsche? Heidegger? Maybe those guys. I wish I’d become a plumber. That’s where all the money is. My mom made it seem like that was the worst thing you could do— join a well paid trade. But my mom’s called plumbers! She knows it ain’t free! You’d think she would have known it was a good racket. But no, I did the philosophy thing. Now I’m playing shows in bathrooms. TW: If the crowd’s gonna buy you a drink at the show, what do you want?
TW: Did you have any say in what the taste would be like?
BJ: Beer.
BJ: All I said was I want an “alley beer,” or a “dad beer.” I got an alley beer. It’s really strong, but easy to drink. You use it to catch up to people and bands drunker
BJ: Yes! So I can get my kickback.
TW: One of your own? That you sell out of your trunk?
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Music
What impact this music had on my childhood psyche I'm not sure, but it laid some kind of egg. The musician and singing side came young as well. Our family were regular churchgoers and singing was a thing. We sang as a family, and gospel music got into my soul. Gospel is a root form of blues, so it is no surprise that electric blues and blues/rock is where I gravitated as an older teenager. But I also loved pop music—Elton John in particular. There was something about Elton that made a young kid from Thunder Bay see the world in a different way. And it was his music that paved the way for me to appreciate soul, reggae, country, and English glam rock.
Dave Koski
Burnin' to the Sky
A Lifelong Love Affair with Music By Gord Ellis
I
'm not exactly sure where my lifelong fascination with music came from, but it began early. My folks say I was riveted to the television when the Beatles played the Ed Sullivan show in 1964. I was two, and don't really recall that. However, I do remember that my mother, who has exquisite taste in
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music, had some 78 rpm records that were often played in our home. One of them was "Rock Round the Clock" by Bill Haley & His Comets. That was a pretty cool record to hear at six years of age. There were also a few Elvis Presley records, including the amazing "Teddy Bear" and "Love Me Tender."
By 17, it was the Stones and The Who that dominated my turntable, with twists of Fleetwood Mac and The Clash. Those last two bands may seem like polar opposites, yet both bands have stood the test of decades. As for the Stones and The Who, it was the twin towers of Pete Townshend and Keith Richards that made me want to play guitar—especially solid rhythm. As the man said, "It ain't got a thing if it ain't got that swing..." By my early 20s, it was bands like The Pretenders and artists like Bruce Springsteen and Bruce Cockburn that were a focus. Brilliant and insightful singer/songwriters all. However, it was also during this formative time I thoroughly immersed myself in the Bob Dylan songbook. Every Dylan album was played and replayed. Bootlegs were bought and books on Dylan sought out. It was a full-on man crush. Bob Dylan remains the single largest musical and artistic influence on my life.
This short history lesson on my music life is shared largely because I'm in a reflective mood. My 55th birthday was in July, and with that big number comes some reminiscing. Although much has changed in the past several decades, one of the consistent things in my life has been a passion for music. Even in my 30s and early 40s, as my wife and I raised our kids, music loomed large. I will admit to missing a lot of new stuff in the late 90s and early 2000s, but the great thing about music is you can play catch up. A few years back, The Walleye approached me to write this column. It was a natural fit, as I'd written about music both in high school and later for the Lakehead University’s The Argus. My life has been so enriched by music that I feel compelled to share that love of it. And it's been thrilling to discover newer artists that are every bit as talented and powerful as some of the ones many of us grew up with. These days, Ryan Adams has been getting a lot of action in my truck stereo (where I listen to most music these days) and he is absolutely brilliant. I'm also excited about some modern pop/rock including Ed Sheeran, Eric Church, and 21 Pilots. Whether these artists will stand the test of time the way Dylan, John Lennon, and Joni Mitchell have, only time will tell. But it's exciting to hear their genuine artistry. I plan to keep listening and keep being taken to that beautiful place that only music can. And I will keep on writing Burnin' to the Sky as long as I feel that fire still burning.
Music
TBShows.com presents ON THE SCENE kind of awkward talking about genres,” explains Niemi. “As much as we have that sort of progressive and technical foundation to our music, there is a dominant element of indulgence and fun to our music that makes it difficult to pigeonhole us stylistically.”
Standing Strong with The Vilification Story by Jimmy Wiggins, Photo by Ascension
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2320 Dawson Road, Highway 102 West, Thunder Bay, ON Phone: 807-767-3455 Toll Free: 1-888-967-3455 www.recworldrv.com
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Band: The Vilification Hometown: Thunder Bay, ON Genre: Progressive Metal/ Technical Metal Recommended if you like: Architects, Sikth, Periphery Online: Facebook.com/The.Vilification
D
ating back nearly a decade, The Vilification was born out of a basement project between two high school friends learning covers of their favourite tunes. After the discovery of Guitar Pro (MIDI based tablature software) the boys began writing original material together and would eventually start a band. The name, The Vilification, stems from a chapter in the Kevin Smith movie Clerks. “For whatever reason at the time, the movie was inspirational to me,” explains bassist Eric Niemi. “The rest of the band thought it was a mean and sinister sounding name, because I guess those qualities were all the rage for the newly formed metal band in 2009.” The Vil’s sound falls loosely into the realm of progressive/technical metal often meshed with post-hardcore, thrash, and even punk influences. “We’ve always felt
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What sets their music apart is their approach to the genre itself. While many bands in the “djent” category (a sub-genre of progressive metal characterized by progressive, rhythmic, and technical complexity) stick to crisp or polished elements in their music, as a live band The Vil have a much more gritty and raw sound. They’ve released 2 EPs, You Can’t Force Fate (2012) produced by Scott Van Teeffelen and Dimensions (2015) produced by Mark Governali of Decibel Audioworks. After many years and many line up changes The Vilification stands strong today with Eric Morettin (guitar), Eric Niemi (bass), Ben Tranter (vocals), and Dan Racco (drums). The band recently filmed their very first music video for their track “Shuffling” as collaboration project between local photography/videography company Ascension and visual FX company Intrepid Grand Inc. The video will be released over the summer through DjentWorldwide distribution followed by an EP release. From there the boys will begin writing and recording their first full-length album and eventually hit the road for their first Canadian tour. As the days go by The Vilification continue to expand their musical tastes and experiment with genres and new sounds while paying no mind to labels or genre rules. They will be returning to the spotlight after a lengthy break from the stage and performing at Black Pirates Pub on August 18 with Slave State, Isolate Peaks, and Page 38 (as Judas Priest).
Black Pirates Pub August 18 TBShows.com
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Off theWall
REVIEWS
CDs
LPs
Videos
Games
Everything Now
Arcade Fire
Arcade Fire occasionally falls victim to its own pageantry, but that bombast pays off on Everything Now. Full throttle and ambitious, Everything Now runs true to its title— all-encompassing in its myriad styles, epic sound, and grandiose subject matter. Sonically, it’s a roving, untamable beast, zigzagging between throbbing disco-funk in “Signs of Life,” reggae and ska in “Chemistry,” and punk-thrash-turned-country-twang
All In
Chris Talarico For his debut recording, Chris Talarico offers up five relationshipthemed songs I would label as country pop leaning toward adult contemporary—not quite easy listening. His voice reminds me of James Taylor at times, but for a younger audience. The tune “Music Man” is really peppery pop-funk with nary a trace of country. The man has obvious talent, and with providence on his side he could find himself in a bigger pond, a bigger music city—Nashville perhaps. The Toronto production team of Zedd Records has highlighted Talarico’s ear for catchy phrases with punchy, driving choruses and clean crisp sound throughout. Especially of musical interest is the spicy jazz trumpet woven into “Take It From Me” that I find myself listening to avidly. Good luck Chris, and remember your home town after you hit it big. - Peter Jabs
So You Wanna Be an Outlaw
Steve Earle
A country album should be more than twang and cowboy clichés. It should be the dust of Southern back roads, snarling rhythms laden with despair and stubbornness, and weary vocals struggling with injustice, anger, and excess. Steve Earle’s latest surpasses all the road markers, and is yet another proud entry in a catalogue from an artist who wrestles just as hard with his angels as he does with his demons. It’s obvious from the first and title track that you’re in the hands of a master craftsman. “So You Wanna be an Outlaw” has the resilient hardcore troubadour trading hard-living verses with Willie Nelson. It’s thrilling to hear the two go toe-to-toe as equals on this song, and firmly, finally places Earle among Nashville’s outlaw elite. The rest of Outlaw’s songs similarly shatter the lines between rock, folk, bluegrass, and country, all bound with Earle’s effortless storytelling and sharp melodies. It’s a startlingly confident album, and even though I’ve only had a few weeks with it, it already feels timeless. - Justin Allec
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in twin tracks “Infinite Content”/ “Infinite_Content.” Much ink can be spilled on aural aesthetic, but the it’s the album’s earnest humanity that elevates it to high art. There’s a manic feel to Everything Now that mirrors living a day in 2017. Contrast the exquisite wonder of “Everything Now” against quiet desperation in “We Don’t Deserve Love.” Both songs grasp at wild beyond—first with joy, then nihilism. Modern living entails
thrilling highs and unbearable lows, often experienced in the same day. Bookending the album with gentle strains of “Everything Now (continued)” captures this cycle. All we can do is wake up and start over. As Win Butler reminds us: “if you can’t see the forest for the trees/just burn it all down/and bring the ashes to me.” - Kirsti Salmi
Painted Ruins
Grizzly Bear
Indie rock band Grizzly Bear’s fifth studio album is part haunted house and part funhouse. Painted Ruins starts off with “Wasted Acres,” a sombre, slow-burning track containing strings and sparse vocals. The next three songs (the first singles off the album), “Mourning Sound,” “Four Cypresses,” and “Three Rings,” kick things into gear with thumping basslines, distortion, and layered harmonies—this is the Grizzly Bear we’re used to. The album does take somewhat darker turns, notably with tracks like “Glass Hillside.” As bleak as the song starts the band is able to pull a complete 180 with high-pitched keys and disco-like guitar riffs, but at the same time the dreamlike vocals remain, giving it a beautifully eerie quality. Aside from Radiohead, I don’t think there’s another contemporary rock band fusing instruments and genres into multilayered yet cohesive music. - Adrian Lysenko
Panther in the Dollhouse
Whitehorse
First Things First
Diane Schoemperlen
For sake of full disclosure, I feel I should confirm that I am already a fan of the band Whitehorse. I am also a HUGE fan of almost all two-piece bands, particularly Canadian ones. After a few listens, however, I am not so sure I am a fan of Whitehorse’s latest album Panther in the Dollhouse; at least not as much as their previous albums. Panther dips into the realm of dramatic storytelling through the thoughtful lyrics one would expect, but musically I found it to be a bit washed out overall. I also think that their collaboration with Kanye West and Snoop Dogg’s beat production project LikeMinds, albeit an exciting opportunity, let the album down as the beats on many tracks feel regurgitated. The album is still good, but where the past works have been innovative and fresh, I find that Panther in the Dollhouse is more predictable and less inventive. Luke Doucet and Melissa McClelland are both insanely talented music makers and I should say that I still recommend this work. I just feel as though creativity has been stifled by the quest for artistic profundity-meets-marketability this time around.
First Things First is a collection of early short stories by Diane Schoemperlen, published from the mid-70s (while studying English at Lakehead University) up to the early 90s. This wide breadth of publication gives a reader a bird’s-eye-view of the evolution of an author. I struggle with how to reconcile my feelings for a book like First Things First well enough to write a coherent review. There’s a large margin from story to story with regards to creative features that work and don’t work, with stories I absolutely love, those I dislike, and some that just leave me lukewarm. That said, Schoemperlen is intensely observant, she understands the power of strong imagery, she has a firm enough grasp on the human condition in order to write believable characters, and she’s consistently innovative with her writing. It was tough for me to get into, but I saw some great things when I got there.
- Jamie Varga
- Alexander Kosoris
The Waking Rock: An Intergenerational ArtsAccess Project of the Thunder Bay Art Gallery Various
The Waking Rock is a special story book that tells a tale that could only be set in Thunder Bay. It was created through a Thunder Bay Art Gallery project that brought together homeschooled children and seniors from the St. Joseph’s Day Hospital Program.This book is literally about art in the city inspired by nature, in which the Sleeping Giant wakes up and takes a walk to Kakabeka Falls for a shower. A delightful theme woven throughout the book is how magic and wonder in our environment often escape the eyes of adults. The illustrations are works of art in themselves, and you’ll recognize many local sights, including the Hoito, and historic homes on High Street. - Joanna Aegard
American Epic: The Sessions
Various
One microphone, one amplifier stack, a record cutting lathe powered by weights and pulleys, and 20 top artists. Each artist has approximately three minutes to perform before the weight hits the floor and the power goes off. No overdubs, no retakes, no fixing it “in the mix.” For a musician it has to be terrifying. For the listener, it is intriguing and exciting. That wouldn’t be enough to bring you back though—the songs also have to be good. From Alabama Shakes to NAS, Elton John and Jack White to Rhiannon Giddens, The Avett Brothers, Willie Nelson, and Merle Haggard, the performances on American Epic: The Sessions are stellar. At times jaw-droppingly good, and at others achingly beautiful, the music on this three album set may be the most honest recordings many listeners have ever heard. I cannot recommend this highly enough. - Jason Wellwood
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Architecture
A Gift of Reflection
The Hogarth Fountain By Laurie Abthorpe
O
ne of the major features forming a wonderful centerpiece in Waverley Park is the Hogarth Fountain. This beautiful neoclassicalinspired fountain dates back to around 1790, well before Port Arthur itself. Reminiscent of the classical period, this fountain would not look out of place in either a Roman garden or even ancient Athens. So how did such a beautiful edifice originating from England end up being in our park? In January 1964, the City of Port Arthur received a letter from Mrs. Madge (Margaret) Hogarth, expressing her desire to donate a fountain to the city in memory of her husband, decorated officer and politician Major General Donald MacDonald Hogarth. Donald Hogarth was first elected in 1911 by Port Arthur as its member of the Legislative Assembly (MLA) for Ontario. During his term as an MLA, Hogarth enlisted in the military. Deployed to France, it was during his wartime service he met and later married Marge Paterson, who had gone overseas to drive an ambulance during World War One. Leaving the military in 1919 and returning to Port Arthur,
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Hogarth was re-elected as a member of the provincial legislature. A muchloved citizen of Port Arthur, Hogarth was known for his strong optimism for Northwestern Ontario, its people, and its resources. Among his other accomplishments, Hogarth was a pioneer in mining, financing, and developing mines such as Steep Rock Mine in Atikokan and Little Long Lac Mine in Geraldton. Port Arthur embraced the idea of a fountain honouring Hogarth, and Mrs. Hogarth was successful as she set out to secure a befitting one that would also withstand the freezing temperatures of Northwestern Ontario. Originating from the Hoo Mansion in Hitchin, Hertfordshire of England, the fountain was shipped in July 1964 aboard the S.S. Francesca Sartori in four heavy wooden crates. The 18,843 lb fountain, valued at the time around $50,000, arrived in August 1964 and was assembled in Waverley Park by late October. This beautiful fountain is made of pale Portland stone. The base is composed of six panels decorated with an animal or putto head, bundles of wheat and garlands of flowers that together
Architecture form a hexagon shaped pool. The fountain’s carved central column features nude child figures known in works of art or architecture as putti (putto, singular). The putti, along with shells and lion heads, are all cast in bronze. At its dedication ceremony held on June 5, 1965, Mrs. Hogarth activated the fountain, bringing to life springs of water that pour through four lion head-shaped spouts and a fish’s mouth held by a putto splashing out into the pool below. Laurie Abthorpe is the Heritage Researcher for the Heritage Advisory Committee, which advises City Council on the conservation of heritage buildings, sites and resources, and their integration into development. For more information on the city’s heritage resources, visit thunderbay.ca/living/ culture_and_heritage.
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Green securing with a few pieces of tape. Arrange your nature collection in an interesting way around the paper; you can create a pattern or scene. Mix the water and lemon juice in the spray bottle and then gently spray over the objects. Put the sheet pan in a sunny spot sheltered from the wind. The lemon juice and water combine to accelerate the bleaching abilities of the sun. After a few hours, remove the small objects from the black construction paper for a distinctive picture. Natural Paint What You’ll Need: Dark veggies such as kale, beets, or carrots, as well as a blender or food processor, cornstarch, strainer, and water.
Art from Nature By Erin Moir, Youth and Community Outreach Coordinator, EcoSuperior It’s August and you still need a few back-pocket projects to keep those kids busy. Why not check out the nature-inspired art right in your own backyard, or take a trip to a local green space? Here are a few quick art projects that are easy, take little time, and can be made all from
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recycled materials or ingredients you probably already have in the cupboard. Get outside, get inspired by the natural beauty of our environment, and enjoy these lazy days of summer! Solar Art What You’ll Need: 1 sheet of
black construction paper, several small objects (any kind), sheet pan, tape, spray bottle, 1 Tbsp lemon juice, and 1/2 cup water. Make It: Have your artist collect small items from nature such as leaves, flowers, cones, or rocks. Place the black construction paper on the sheet pan,
Make It: Blend your choice of vegetables in a food processor, blender, or juicer. Use three parts water to one part vegetable. Strain the veggie juice to remove the lumpy parts. Add cornstarch to the juice if you want a thicker and textured paint or just leave it as watercolour. Paint can be stored in the refrigerator for up to a week. Note—some colours will stain clothing! Birdfeeder What You’ll Need: Any recycled container (milk carton, plastic bottle), a small stick, string, and paint Make It: Cut an opening (about 5”x5”) in the middle third of your container. Under
the opening, poke your stick through the container (this is a perch for the birds). In the top of your container attach string so you can hang up your creation. Decorate your birdfeeder with fun colours. Paint is best; please do not use glitter, sequins, or small beads that animals (including birds) may mistake it as food. Spore Prints Although we can find many interesting mushrooms in nature, it is best to try this with a store bought variety to ensure safe handling. What You’ll Need: Mushrooms, bowl, and cardstock. Make It: Trim mushrooms and remove the stems. Place the caps of the mushroom face down on cardstock (or thick paper). Place bowl over the mushroom cap. This creates a little humidity which is conducive for the mushrooms to release spores. Leave the mushrooms for 12-24 hours (the longer the better). Remove the bowls and gently lift up the mushroom to reveal the print.
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Health
Indigenous Art Helps Enhance Hospital’s Welcoming Environment By Maryanne Matthews, Thunder Bay Regional Health Sciences Centre
Tracie Smith, senior director of Communications, Indigenous Affairs and Engagement poses with some of the Indigenous art on display by the late Ahmoo Angeconeb
A
rt can serve many purposes. It’s been proven that artwork can be a pleasant distraction from the stress or discomfort that can often accompany a hospital stay. That’s why Thunder Bay Regional Health Sciences Centre has adorned the walls with unique and powerful Indigenous artwork. Not only do these particular pieces provide a pleasant visual experience, they also help enhance a welcoming environment for Indigenous patients and their families. “Indigenous health is one of our strategic priorities and we’re committed to enhancing our welcoming environment for Indigenous patients and their families,” said Tracie Smith, senior director of Communications, Indigenous Affairs and Engagement. “Indigenous art is one of many initiatives because it demonstrates
respect for the culture and can be a source of comfort and familiarity for Indigenous patients and families.” Ten pieces on display at the hospital are by Indigenous artist Ahmoo Angeconeb, whose work is widely collected and exhibited. Born in Sioux Lookout in 1955, Angeconeb was educated at Lakehead University and York University. While his quiet genius was less known in his home region, it has garnered much deserved attention abroad. He had been accorded solo shows in Cologne, Berlin, Munich, Monaco, Paris, Basel, Sante Fe, and Seattle, as well as Toronto, Halifax, London, and Vancouver. His sculptures, Man from the Caribou Totem, are also on permanent display outside of the Thunder Bay Art Gallery. Angeconeb passed away in June of 2017.
The arrangement was made possible through Louise Thomas, a member of the hospital’s Indigenous Advisory Committee. Thomas runs the Ahnisnabae Art Gallery and is also the widow of the late Roy Thomas, one of the most influential Indigenous artists in Canada. Through the arrangement, the works are on display here for patients and families to enjoy, and available for
sale through the art gallery. In addition to the artwork, the hospital is also creating a more welcoming environment by providing cultural sensitivity resources and Ojibway language lessons to staff and volunteers, free of charge. To learn more about the hospital’s efforts surrounding Indigenous Health, please visit tbh.net.
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AugustEventsGuide August 1, 6:30–8 pm Tales About Trees Central Gardens
Come to EcoSuperior’s Tales about Trees workshop to discover the important habitats that trees provide for wildlife and humans alike! Then take a short walk around Central Gardens to learn how to identify trees common to Northwestern Ontario. ecosuperior.org
August 1-12 29th Anniversary DefSup Members & Die Active Show, Visiting Vancouver Indigenous Artists Definitely Superior Art Gallery
29th Anniversary Definitely Superior Art Gallery Members & Die Active Exhibition: This diverse annual exhibition always draws out the best and most vibrant eclectic/ experimental art, by 100+ new generation, emerging, and established professional artists. Visiting Vancouver Indigenous Artists - Jeneen Frei Njootli (sound/ multimedia performance/installation) and Amanda Strong (short films/ stop-motion animation): Two award-winning solo exhibitions by internationally known artists who draw from both their Indigenous heritage and contemporary art ideas/ techniques. Gallery hours: Tuesday-Saturday noon-6 pm. All ages welcome; admission by donation. definitelysuperior.com
August 2, 8–9:30 pm Rock, Paper, Scissors Tournament Red Lion Smokehouse
Are you a Rock, Paper, Scissors champion? Pit your skills against the masses to find out. Entry is $5 per person, winner receives $50 cash. Secure your spot by emailing your name and phone number. * alex@redlionsmokehouse.ca
August 3, 10, 17, 24, 31, 9 am–noon EcoSuperior Volunteer Days Central Natural Environment Gardens
Love to garden? Volunteer with EcoSuperior at Central Natural Environment Gardens. Come out every Thursday morning to dig in, get dirty, and have fun! Come out and help keep the gardens looking beautiful this summer! ecosuperior.org
August 3, 10, 17, 24, 31 RFDA Summer Days RFDA
Your child’s summer destination for cooking, gardening, and community spirit! Every Thursday in August the RFDA is running single day summer camps for kids 7–12. Each week is unique. Full days are $45/child and half days, starting at 12:30 pm, are $25, and all food is included. ) 622-7440
Family-friendly festival with something for everyone and every age. visitcookcounty.com
August 4–6 Dragfest Terrace Bay Airport
A family-friendly event that’s not just for car buffs. superiorclassics.ca
August 4–6 Harbourfest Kenora Harbourfront Whitecap Pavilion
FOOD
Music festival featuring Hedley, The Road Hammers, Blackjack Billy, Glass Tiger, and Platinum Blonde. harbourfest.ca
ART
SPORTS
This family-friendly event has something for Canadians of all ages and there are a number of activities to explore during the three hour event. Featuring performances from Dean Brody, world champion hoop dancer Dallas Arcand, and more. cpr.ca/en/community/ canada-150/thunder-bay
August 6–7 Festa Italiana Italian Cultural Centre
Annual celebration of all things Italian. italiancc.com
August 8, 6:30–8:30 pm Fresh Air Trail Run Kamview Nordic Centre
Short course or long course. Cost is $5. Free kids’ mini-race! tbnordictrails.com
August 9–13 CLE CLE Grounds
August 3–6 88th Grand Marais Lions Fisherman’s Picnic Grand Marais, MN
EVENTS GUIDE KEY GENERAL
August 6, 3 pm CP Canada 150 Train Marina Park
Thunder Bay’s favourite annual fair is back! Midway rides, live entertainment, food, a petting zoo, cooking demos, and more. cle.on.ca
August 11–12 Murillo CountryFest Murillo Fairgrounds
A laid-back and fun music festival with incredible music from Canada’s biggest country stars, including Brett Kissel, Tim Hicks, Cold Creek County, Jess Moskaluke, Bobby Wills, Doc Walker, and The Washboard Union. murillocountryfest.com
August 11–12 BrewHa! Craft Beer Festival Prince Arthur’s Landing
Back again for the third year in a row, BrewHa! Craft Beer Festival will feature food trucks, live local music, educational demos, and, of course, plenty of the frothy stuff. See this month’s Top Five for more details. brewhafestival.com
MUSIC
August 11–13 Live from the Rock Folk Fest Pull-A-Log Park, Red Rock
Now in its 15th year, Live from the Rock Folk Festival is an annual tradition for many families in Northwestern Ontario. See this month’s Top Five for more info. livefromtherock folkfestival.com
August 11–13 Trout Forest Music Festival Ear Falls
Music festival featuring The Weber Brothers, Ridley Bent, Terra Lightfoot, Joey Landreth Trio, and The Fitzgeralds. troutfest.com
August 12, 8 am–1 pm 35th Annual Paju Mountain Run Paju Mountain, Red Rock
The Race features an 11.2 km course that takes on a 715 ft vertical climb up the Paju Mountain. The run is continued to be marketed as one of the more gruelling challenges on the local calendar and is a rewarding accomplishment. Event also accommodates to those who wish to only walk. redrocktownship.com/ mountainrun
August 15-17 & 22-24 Greased Paramount Theatre
August 16–19 Magic of the Musicals Finlandia Club
Broadway returns to Bay Street with this fun theatrical presentation. See this month’s Film and Theatre section for more info. applauzeproductions.com
August 18–19 Moose n’ Fiddle Music Festival Caliper Lake Provincial Park
This “cool little festival” is a little indie, a little folk, a little rockabilly, and a whole lot of fun. moosenfiddle.2cat.com
August 18, 19, 25, 26 Movie Nights in the Park – Family Series Marina Park
A series of free outdoor film screenings that take place at Marina Park. Each Movie Night opens with a locally-made short film. Movies start after sunset, once it is dark (between 8 and 9 pm). Bring warm clothing, a blanket, and a lawn chair and enjoy the show on the big screen overlooking beautiful Lake Superior. Admission is free and concessions will be available. ) 625-2351
August 19 Westfort Street Fair Frederica Street, Westfort
Badanai Theatre presents the musical comedy written by Randy Apostle. See this month’s Film and Theatre section for more info. facebook.com/ badanaitheatre
Every year, families in Westfort Village and beyond look forward to the Westfort Street Fair, when Frederica Street shuts down to traffic and opens up to family-friendly fun! See this month’s Top Five for more info. my.tbaytel.net/westfortvillage
August 16, 8–10 pm Arts & Craft Beer Night Red Lion Smokehouse
August 19 Battle of Fort William Fort William Historical Park
An experienced host from The Lovely Body will guide you through a twohour session where you will learn to create DIY bath bombs that you will customize and take home at the end of the workshop. Your class fee includes a pint of Ontario craft beer, step-by-step guidance, and all supplies required. * hello@redlionsmokehouse.ca
The Battle of Fort William highlights 19th century battlefield action and strategy, the daily life of soldiers, and period medical techniques. Fort staff and volunteer re-enactors from Canada and the US come together to present a dramatic battlefield sequence. fwhp.ca
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August 19, 9 am–noon Mother’s Market Oliver Road Rec Centre
Attention all parents! Come out for a morning of browsing the varied vendors. Admission is $2. ) 345-9531
August 19, 10–11:30 pm Music Bingo Red Lion Smokehouse
Music Bingo combines your favourite tunes with traditional bingo. Each player receives a card with a random assortment of songs titles and artists. Instead of calling out numbers, the DJ plays the music! Bring your friends, grab a beer, and get ready to win some prizes. $2 per card or 3 cards for $5. * hello@redlionsmokehouse.ca
August 19, 6 pm CWE Live in Thunder Bay Featuring Nikita Koloff and Silas Young West Thunder Community Centre
This event features a very special appearance by NWA/WCW icon “The Russian Nightmare” Nikita Koloff, Ring Of Honor Star “The Last Real Man” Silas Young, Pro Wrestling NOAH’s Kaito Kiyomiya, The Bullet Club’s Chase Owens, a very special guest, and much more! diyobo.com/tix/cwewrestling
August 19–20 Thunder at the Bay Motorsports Extravaganza CLE Grounds
A two-day motorsport show featuring vehicles that are not often seen at a show in addition to hot rods, classics and antiques. In addition to the vehicles, there will be a tire burnout contest, engine blow contest, demonstrations, food and non-food vendors, prizes, live bands, and other exciting activities. cle.on.ca
August 19–20 Blueberry Blast Festival Nipigon
Celebrate the blueberries in Nipigon with fun, food, folky music, family, and friends. facebook.com/ NipigonBlueberryBlastFestival
August 20, 7–11 am Kakabeka Falls Legion Half Marathon Kakabeka Legion
The Kakabeka Fall Branch of the Royal Canadian Legion is hosting a half marathon road race in honour of the 75th Anniversary of the Dieppe Raid from WWII. The race will have a time limit that will permit runners and walkers to participate and will start and is a circular route that will take participants through the Kakabeka Falls Provincial Park. runkbfalls.com
August 20, noon–3 pm Open Streets Algoma Street
This year EcoSuperior will be hosting three Open Streets Thunder Bay programs! Thanks in part to an Ontario 150 grant, three different city routes will be closed to motorized vehicles and opened up to pedestrians, cyclists, rollerbladers, and dog walkers. August 20 will be Algoma Street. ecosuperior.org/openstreets
August 20, 1–4 pm Waverley Park Neighbourhood Picnic Waverley Park
Bring your lunch, chairs or blankets and join your neighbours for an afternoon of conversation and fun in the open air with soccer, bocce, croquet, chess, badminton, live music featuring Thunder Brass, and the Thunder Bay Clown Club. facebook.com/ TheCoalitionForWaverleyPark
August 23, 8–10 pm Classic Board Game Night Red Lion Smokehouse
Who will be the champion? Sign up today. Entry fee is $5 payable on the night. There are only 16 spots available and spots will be allocated on a first come/first serve basis. * hello@redlionsmokehouse.ca
August 25, 8 pm Fin de Fiesta Flamenco and Matt Sellick Present “Liándola” Finlandia Club
Spanish music and dance comes to Thunder Bay with Fin de Fiesta, a professional touring ensemble of award-winning international Flamenco artists based in Seville, Spain, joined by local Flamenco guitarist Matt Sellick. Tickets are $25 and are available at Fireweed, Calico, and the Hoito. findefiestaflamenco.com
August 25–26 Tumblestone Lappe
A gathering to celebrate life, art, music, friendship, nature, and the beauty of the landscape and region we call home. tumblestone.org
August 25–27 RibFest OLG Parking Lot
In what just might be the most delicious event of the summer, The Waterfront District’s fifth annual Ribfest brings together Ribber teams from southern Ontario to compete for the title of Best Ribs. See this month’s Top Five for more info. thewaterfrontdistrict.ca
August 26 XTERRA Sleeping Giant Triathlon Sleeping Giant Provincial Park
Xterra is an off-road triathlon that consists of biking, swimming, and running that originated in Maui, Hawaii in 1996. See this month’s Top Five for more info. elementracing.ca/ xterra-sleeping-giant
August 26 Grand Opening, Path of the Paddle Thunder Bay, Atikokan, Dryden, and Kenora
Celebrate the opening of the Trans Canada Trail at several locations across the region. See story in this month’s City Scene for more info. pathofthepaddle association.com
Until September 24 The Perspective From Here: 150 Artists from the North Thunder Bay Art Gallery
An art exhibit to mark Canada’s sesquicentennial. theag.ca
Until October 10 Bronze Pour at Last Chance Studio Lutsen, MN
Stop by every Saturday at 4 pm to see how cast bronze sculptures are made. It’s fiery and exciting when the bronze is liquid. Come watch new one-ofa-kind bronze sculptures emerging in the foundry. Sculptors Tom Christiansen and Greg Mueller will pour hot metal and explain the casting process. Free and open to the public. lastchancefab.com
August 28, 6 pm Yoga in the Garden TBA
Colleen Dolce is hosting a fundraising yoga class for the Humane Society in the garden of a local Master Gardener. There will also be live music and refreshments. Suggested donation is $20. Call for more info or to register. ) 621-9630
August 29, 6:30–8:30 pm Fresh Air Trail Run Kamview Nordic Centre
Short course or long course. Cost is $5. Free kid’s mini-race! tbnordictrails.com
August 30, 8–10 pm Quiz Night Red Lion Smokehouse
Teams of up to 6 players, $2 per person, prizes to be won. Booking is recommended, walk-ins welcome, with a minimum spend of $20 per person. * hello@redlionsmokehouse.ca
Until August 31 Die Active: Free Art Workshops Definitely Superior Art Gallery
Die Active is live! Free art workshops all summer long for emerging artists ages 14-30ish! For full schedule of graffiti painting, sculpture building, GoPro workshops join the Die Active Art Collective Facebook page, and keep your stink eye on the events and wall posts for locations/times of all the summer dirtbag-ery. definitelysuperior.com
Until September 10 Thirty Five Years of Collecting: A Survey of Key Works From the Collection Thunder Bay Art Gallery
This exhibition will feature works selected from the gallery’s 1600+ permanent collection gathered over the last 35 years. theag.ca
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Music August 1 The Best Karaoke In TBay The Foundry 10 pm • No Cover • 19+
If I Look Strong; You Look Strong w/ Visual Past + Starless The Apollo 9 pm • $TBA • 19+
August 2 Live On The Waterfront w/ The Roosters + Café Paris + Danny Johnson Marina Park 6 pm • No Cover • AA
DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
Midnight Vesta + Brooklyn Doran The Foundry 9 pm • No Cover • 19+ The Weber Brothers w/ Heart Attack Kids + Shitty Dates The Apollo 9 pm • $TBA • 19+
August 3 Jazzy Thursday Nights The Foundry 7 pm • No Cover • 19+ Irish Sessions Red Lion Smokehouse 7:30 pm • No Cover • 19+
August 8 The Best Karaoke In TBay The Foundry 10 pm • No Cover • 19+ August 9 Live On The Waterfront w/ Midnight Shine + Kardinal Offishall + Magic! Marina Park 6 pm • No Cover • AA ZAUM + Flying Fortress w/ Alienator + Genghis Chron Black Pirates Pub 9 pm • $8 • 19+ Dany Laj & The Looks The Apollo 9 pm • $TBA • 19+
Prime Time Karaoke Port Arthur Legion 8:30 pm • No Cover • 19+
August 10 Jazzy Thursday Nights The Foundry 7 pm • No Cover • 19+
Open Stage with Craig Smyth + Tiina Flank The Foundry 10 pm • No Cover • 19+
Irish Sessions Red Lion Smokehouse 7:30 pm • No Cover • 19+
DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 4 Greenbank w/ Skye Wallace + DJ Big D The Foundry 10 pm • $5 • 19+ August 5 Folk’n Saturday Afternoons The Foundry 1 pm • No Cover • 19+ Karaoke Hosted by City Wide Sound In Common Restaurant 7 pm • No Cover • AA Tropical Storm DJ Dance Party w/ DJ Big D The Foundry 10 pm • $5 • 19+
August 6 Sundays in the Park Chippewa Park 2 pm • No Cover • AA Open Jam Port Arthur Legion 8 pm • No Cover • AA DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 7 Every Folk’n Monday Night The Foundry 7 pm • No Cover • 19+
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Prime Time Karaoke Port Arthur Legion 8:30 pm • No Cover • 19+ Open Stage with Craig Smyth + Tiina Flank The Foundry 10 pm • No Cover • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 11 A Romantic Evening with Quest Finlandia Club 6 pm • $12 • 19+ Morning Light Red Lion Smokehouse 9:30 pm • No Cover • 19+ BrewHa! After Party The Foundry 10 pm • $5 • 19+
August 12 Folk’n Saturday Afternoons The Foundry 1 pm • No Cover • 19+ DJ Amanda Red Lion Smokehouse 9:30 pm • No Cover • 19+ BrewHa! After Party The Foundry 10 pm • $5 • 19+
August 13 Sundays in the Park Chippewa Park 2 pm • No Cover • AA
Open Jam Port Arthur Legion 8 pm • No Cover • AA DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 14 Every Folk’n Monday Night The Foundry 7 pm • No Cover • 19+ Anciients w/ Dead Quiet Crocks 9 pm • $10 • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 15 The Best Karaoke In TBay The Foundry 10 pm • No Cover • 19+ August 16 Live On The Waterfront w/ Gibson, Martin & I + Milton Shushack + The Dead South Marina Park 6 pm • No Cover • AA August 17 Jazzy Thursday Nights The Foundry 7 pm • No Cover • 19+ Irish Sessions Red Lion Smokehouse 7:30 pm • No Cover • 19+ Marty Stuart & His Fabulous Superlatives Thunder Bay Community Auditorium 7:30 pm • $49 • AA Prime Time Karaoke Port Arthur Legion 8:30 pm • No Cover • 19+ Open Stage with Craig Smyth + Tiina Flank The Foundry 10 pm • No Cover • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 18 Eddy Blake Trio The Apollo 9 pm • $TBA • 19+ Hunt & Gather + Johnson Crook and Jenie Thai + DJ Big D The Foundry 10 pm • $5 • 19+ The Vilification w/ Slave State + Isolate Peaks + Page 38 (as Judas Priest) Black Pirates Pub 10 pm • $5 • 19+
August 19 Folk’n Saturday Afternoons The Foundry 1 pm • No Cover • 19+ Disraeli Dreamers + Jennis The Foundry 10 pm • $5 • 19+
Back To Glamazonia: Fantasy Haus 1-Year Dragiversary Black Pirates Pub 10 pm • $10 • 19+
August 26 Folk’n Saturday Afternoons The Foundry 1 pm • No Cover • 19+
August 20 Sundays in the Park Chippewa Park 2 pm • No Cover • AA
DJ Dr. Dave Red Lion Smokehouse 9:30 pm • No Cover • 19+
Open Jam Port Arthur Legion 8 pm • No Cover • AA
Tin Pan Alley The Foundry 10 pm • $5 • 19+
The Agonist Crocks 8:30 pm • $15 • 19+
August 27 Sundays in the Park Chippewa Park 2 pm • No Cover • AA
DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
Open Jam Port Arthur Legion 8 pm • No Cover • AA
August 21 Every Folk’n Monday Night The Foundry 7 pm • No Cover • 19+
DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 22 Douse w/ Spaceport Union + Ryan Despres + Jarrett Adler The Apollo 8 pm • $10 • 19+ The Best Karaoke In TBay The Foundry 10 pm • No Cover • 19+
August 23 Live On The Waterfront w/ Roy Coran Big Band + Thunder Bay Community Band + James Boraski & MomentaryEvolution Marina Park 6 pm • No Cover • AA August 24 Jazzy Thursday Nights The Foundry 7 pm • No Cover • 19+ Irish Sessions Red Lion Smokehouse 7:30 pm • No Cover • 19+ Prime Time Karaoke Port Arthur Legion 8:30 pm • No Cover • 19+ Open Stage with Craig Smyth + Tiina Flank The Foundry 10 pm • No Cover • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 25 Jean-Paul De Roover Red Lion Smokehouse 9:30 pm • No Cover • 19+
August 28 Every Folk’n Monday Night The Foundry 7 pm • No Cover • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+
August 29 The Best Karaoke In TBay The Foundry 10 pm • No Cover • 19+ August 30 Live On The Waterfront w/ La Reese + Cold Lake Sun + The Honest Heart Collective Marina Park 6 pm • No Cover • AA August 31 Jazzy Thursday Nights The Foundry 7 pm • No Cover • 19+ Irish Sessions Red Lion Smokehouse 7:30 pm • No Cover • 19+ Prime Time Karaoke Port Arthur Legion 8:30 pm • No Cover • 19+ Open Stage with Craig Smyth + Tiina Flank The Foundry 10 pm • No Cover • 19+ DJ Bevs Dragon’s Den 10 pm • No Cover • 19+ Ghostly Hounds The Foundry 11 pm • No Cover • 19+
The CCR Band The Apollo 10 pm • $10 • 19+ Chicken-Like Birds The Foundry 10 pm • $5 • 19+
Brought to you by:
For more info visit tbshows.com
Music
LU Radio’s Monthly Top 20 CILU 102.7fm’s Monthly Charts for this issue reflect airplay for the month ending July 18, 2017. Check out our weekly charts online at luradio.ca or tune in to the weekly Top 20 Countdown Saturday from 5-7pm (or the rebroadcast Monday 2-4pm) on 102.7fm in Thunder Bay or stream us live world-wide at luradio.ca.
3 Sixo
2 Various
4 Mastodon
12 The Luyas*
1 Reverb Bomb*
LOST & FOUND
Human Voicing
Paper Bag
13 Adam Strangler*
Self-Released
Key West
Duprince
14 Slowdive
Slowdive
Dead Oceans
15 The Dirty Nil*
Dine Alone
Dynasty House
Daps
17 Needles//Pins* 2 Broken Social Scene*
Arts & Crafts
Stubborn Persistent Illusions
Constellation
4 Arcade Fire*
Everything Now
Sony Music
5 Fleet Foxes
Crack-Up
Sub Pop
6 Walrus*
Family Hangover
Madic Records
7 The Black Angels
Good Night, Tomorrow
Mint
18 Haux
Hug of Thunder
3 Do Make Say Think*
All We've Known
Ultra Records
19 Slates*
Summery
New Damage
20 Windigo*
Magic EP
Self-Released
Hip Hop 1 Smoke DZA & Pete Rock
Don't Smoke Rock
Babygrande
Death Song
Rhymesayers
Best of Cuba
ARC Music
3 Lenkkodek (Eccodek + Lenka Lichtenberg)*
Open My Ears
Big Mind
5 Young Braised*
4 Various
y
Self-Released
Vintage Italia
Putumayo
5 Various
Electronic 1 Rococode*
Young Ones
Marquis
Pop Makossa: The Invasive Dance Beat of Cameroon 1976-1984
Analog Africa
2 Petit Biscuit
Jazz
1 Diana Krall
Petit Biscuit
Self-Released
3 Forest Swords
Compassion
Ninja Tune
4 Astrocolor*
Astrocolor II
eOne Music (E1)
5 StegoSarahs*
Experimentations
Self-Released
International 1 Juana Molina
Halo
Crammed Discs
Turn Up The Quiet
Verve
2 Nicholas Payton
Afro-Caribbean Mixtape
Self-Released
3 Elysian*
Voyageur
Self-Released
Emperor Of Sand
Reprise
5 Iced Earth
Incorruptible
Century Media
Folk•Roots•Blues 1 Arley Hughes*
Parts of Me
Self-Released
2 Fred Penner*
Hear The Music
Linus Entertainment
3 Mary Beth Carty*
Les Biens -Nommés
Self-Released
4 Leeroy Stagger*
Love Versus
True North
5 The Good Brothers
Wide Awake Dreamin'
Self-Released
* Indicates Canadian Content
4 Gary Motley
No Reservation Required
Self-Released
5 Grant Stewart Trio*
Roll On
Cellar Live
Loud 1 CKY
The Phoenix
Entertainment One, US
2 Wormwitch*
Strike Mortal Soil
Prosthetic
3 Ninjaspy*
Spüken
Self-Released
This Month's Show Spotlight: Imminent Sounds
Hosted by Duck Tail
Partisan Records
8 Timber Timbre*
All the Beauty in this Whole Life
Minimum R&B
16 Hooded Fang*
Fake Four Inc.
4 Brother Ali
Top 20
The Odds of Free Will
Tuesdays 10 - 11 pm
Sincerely, Future Pollution
Arts & Crafts
9 Black Lips
Satan's Graffiti or God's Art?
Sounds of the youth. Millennial radio. Get educated on what's going on in today's rap culture.
Vice
10 Mac DeMarco*
This Old Dog
Royal Mountain
11 Mogwai
Every Country's Sun
Temporary Residence
2 Kendrick Lamar
DAMN.
Aftermath
Duck Tail’s Song of the Moment: Travis Scott - "Butterfly Effect" The Walleye
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 Tuesday - Friday Saturday Sunday/Monday HOURS:
11am to 6pm 12 to 4pm CLOSED
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(807) 344-1417
Open for a limited time only! Selling off the remainder of never before seen / offered inventory along with personal items / collection! 86
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Thunde r Bay BluesFest
Were You There?
theComics
KeynoteEvents.ca
& Ages 8-12
Ages 13-17
Tuesday, August 15th
Wednesday, August 16th
Prince Arthur Waterfront & Suites
Prince Arthur Waterfront & Suites
Thunder Bay, ON
Thunder Bay, ON
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September 15th & 16th CLE Coliseum Thunder Bay, ON
The elegance and glamor of high French society paired with an incredible 4 course dinner. Don’t forget your white attire!
Thunder Bay, Ontario Saturday, September 9th
In Support of
More at SavourSuperior.com
For Tickets or More Details on any of the above visit KeynoteEvents.ca The Walleye
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theWall
Laura Paxton
A Letter to Indigenous Youth and All of Thunder Bay
I am an emerging Anishinaabe artist from Eabametoong First Nation, a beautiful community accessible by air or seasonal road. It is about 360 kilometers north of Thunder Bay. I was 20 years old when I officially moved to this wonderful city of opportunities. I have been in and out since I was 15 years old. I was 16 years old when I got funded for secondary education, and I came out here for a short period of time. There are no high schools in remote communities in the far north. Youth must be sent out if they want to further their education. This is done by sponsorship from tribal councils or the community’s education authorities. Not all high school students get funded. There is not enough funding to send all of us. I struggled throughout my adolescence. I was withdrawn from family and friends, and felt disconnected. Sometimes I still feel that way. I was a high school
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dropout. When I arrived in the city, I was excited because it was still new to me. I was excited for new things to do and see. That feeling went away. I encountered racism and discrimination. I became lonely and depressed. I turned to drinking and doing drugs. I did not have access to any resources or support. I found art workshops but I had to pay for them and did not have money. I loved creating artwork. I was mostly creative during my hardships, and it was the only way I knew how to express what I was feeling. I do not know if people saw that I needed help and guidance. I did not know how to ask. I always went back to my community when things would not work out for me in the city. I was introduced to the Die Active Art Collective. It is a diverse art program, but I felt like I did not fit in. I had a hard time connecting with the people, as my experiences were different
from theirs. I did not know I was being ostracized. I liked that there was stuff to do during the summer (Die Active), but I needed something to do during the school year that would be free and focused on Indigenous arts and culture for youth.
participants. We do not judge; we do not criticize. We raise one another up with our combined strength and acceptance. We work together and we’ve created an essence that is powerful, by simply accepting one another’s differences.
So I co-founded Neechee Studio in 2013, led by and for youth like me. This same year I was able to get my shit together. Neechee Studio has encouraged and inspired me to go back to school, and go into the double degree program I am currently taking at Lakehead University. Keeping myself busy has kept me alive. I love what I do. It is important that we, Indigenous youth, have this safe space for us to tell our own stories.
This is something that we have done with Neechee Studio. A committee of various folks, all coming together to work with First Nations young people, to give them the ability to express themselves in any way they need and find to supports. Neechee understands the importance of making space for young Indigenous people to create art, have fun, and grow, without fear of prejudices. This is something Thunder Bay needs to learn. If a diverse group of young people can come together and form something so powerful like Neechee, why is it so hard for our city to do the same?
- Lucille Atlookan, Neechee Studio co-founder Right now, art is more important than ever. The Neechee art community is powerful. It is one that revolves around the unique abilities and needs of its
- Savanna Boucher, Neechee Studio committee member
Some days it's hard to find words. Heavy loss and sorrow overcomes us as suicide ravages our communities. It can feel overwhelming. Our lives are so worth living; I know that now. We are so beautiful and strong and powerful, my friends. Our connection to land and ceremony and each other is so strong. Our connections to the ancients is so strong. They are there, you can reach out and they will hear you! They love you. I love you. When our fire burns; it creates so much beautiful light. Please don't let that fire go out. You are worth it. The hurting subsides. The darkness will lift. Miracles are still waiting to happen. And, even when you think you can't feel it, love is there. I promise. Love awaits. Love surrounds. Love heals. Sending you my love today. Hang in there my friends; you are so very, very beautiful!
- Michelle Derosier, Indigenous filmmaker
theBeat
Elizabeth
Excerpt from The Lightkeeper's Daughters By Jean E. Pendziwol I’m not surprised and I do not take offense, but it does make me sigh. Fear can turn to anger so quickly; she is afraid of what life can bring and mad at the world because of it. I absently roll the oilskin between my fingers. The edge is tattered where the fabric has escaped the grasp of the loosely knotted twine. A gentle tug is all that is needed for the rope to release its grip, allowing the musty wrapping to fall open, exposing the leather bindings of the journals. I run my fingers over them gently, exploring the surface of the top volume, pausing for a moment on the embossing in the center of the cover and tracing the raised “A.L.” Andrew Livingstone. My father. The last time I held these journals was after Charlie returned to the island, before the fire. It was the moment I realized that the brother I knew, the brother I saw as an equal defender, as Emily’s protector, had been changed by an angry, harsh world wrapped as it was in war and prejudice. I should have seen it then, should have known that he was capable of turning against her. Did he live to regret it? I always imagined that he did. It is likely now that I will never know. They said it was Arnie Richardson who found the boat. Who thought I should have the journals. That is a name I have not heard for a lifetime. He sent a letter once. We received it years after it was mailed, having chased us around the world, finally arriving tucked into a package from our agent along with correspondence about books and royalties and invitations to events we never attended. It spoke of his return to the island in the
weeks after the fire, back to the Porphyry light station to collect what he could from the charred remains of the smoke-stained buildings. Should we come home someday, he said, we could find what little was salvaged in the attic of Maijlis’s house. I did not write him back. What difference would it make after so long? It was all behind us. Lives were being lived. It doesn’t surprise me, though, that he would know I’d come home. In spite of our seclusion, he would have heard that the few possessions he had stored away for us had been claimed. Maijlis passed away years ago, but her daughter happily arranged the delivery to Boreal Retirement Home. I have not thought of these journals for many, many years, but I have not forgotten the moment when I saw them last. It was early spring, and Emily was supposed to be bringing in kindling from the woodshed. She had been gone too long, and in those days I was not comfortable having her far from my side, not after what had happened. I found her in the assistant keeper’s house. She went there sometimes, perhaps as I did, to remember. She was sitting in Pa’s chair, the oilskin wrapping hanging loose, the books open in her lap. I remembered the journals. Remembered Pa sitting at his desk writing, while music played from the radio and the wood stove popped and snapped. They had disappeared when he died, and it hadn’t even occurred to me that they were gone. Emily couldn’t read the words, but I watched her hand draw across the pages, feeling the letters, hearing his voice, and I was overcome with a longing to do the same. I picked up one of the books, brushed my hand across
boy Roland, The Lighthouse Keeper, digital illustration
the top, just as I do now, my fingers tracing the engraved “A.L.” on the dark leather cover. The squeaking wheel of the kitchen trolley in the hallway announces that it’s time for afternoon tea, and I am drawn from my contemplation. There’s a knock at my door. “Would you like tea, Ms. Livingstone?” the aide asks. I always do. She places a tray on the table. “Would you like me to pour?” “No. No, thank you.” I thumb the books. “I can manage quite well on my own. But if you wouldn’t mind passing me the tin of cookies from next to the lantern.” The aide places it in my outstretched hand. “Can I get you anything else?” The metal feels cold. I am back in the assistant keeper’s house, my father’s journal in one hand. Emily had piled the other books on the table beside her and picked up a metal biscuit tin. She held it out so that it hovered between us. Just as my fingers
closed around it, Charlie’s shadow eclipsed the door. He paused only a moment, only a brief breath in which he took it all in—me, the journals, Emily, the tin. “What the hell do you think you’re doing?” It wasn’t a question. His voice was angry, and he strode across the floor, grabbed Emily, and pulled her out of Pa’s chair, shoving her past me toward the open door. The tin dropped from my hand. It fell, bouncing off the arm of the chair, the lid popping open, spilling its contents across the wooden floor like a cracked egg. Time stopped. I couldn’t move. It was as though the world ceased spinning. Charlie had never yelled at Emily before. Charlie had never been angry with Emily before. Never. I still held one of Pa’s journals in my hand. He grabbed it from me, and I backed away from a man I didn’t know. “Get out! You have no goddamn business in here!” Emily had not seen the tin fall; she had her face pressed against the doorframe, looking
away from Charlie, away from me, trying, I knew, to understand what had happened, what she had done. She didn’t notice the flash of silver escaping from an old piece of white cloth. She paid no attention to the soft tinkling. But I did, oh so briefly, before Charlie stuffed it back in the tin. I went back on my own a few days later and searched everywhere, but I never found the biscuit tin. I never held the journals again. Until now. “Miss Livingstone? Are you okay?” My hand shakes slightly, so I lay the tin of shortbread down on top of the journals. “Yes, fine.” I force a smile. “Thank you.” Oh, Charlie, what secrets have you kept from me for so many, many years; secrets captured in words penned by our father, Andrew Livingstone, lighthouse keeper at Porphyry Island, secrets so powerful they consumed your love for Emily? The Walleye
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theEYE - BluesFest 2017
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Touring Model Shown.
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