NEWS & EVENTS / SEPT–DEC 2018
opposite: Clayton Merrell, Trajectories, 2017, Oil on canvas, 60 x 84 inches (detail)
Musings... I am thrilled to announce to you the hiring of Anne Kraybill as the new Richard M. Scaife Director/CEO of The Westmoreland. Anne is a proven leader in the arts and culture sector with demonstrated success in program development, community engagement, fundraising, strategic planning and staff mentorship. She comes to The Westmoreland after seven years at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, where she most recently served as the Director of Education and Research in Learning. Her deep passion for the arts has been reflected in her work at Crystal Bridges through the development of inventive and expansive programs and partnerships that serve more than 160,000 individuals annually. Most importantly, Anne has an unwavering belief that the arts can improve lives and strengthen communities and should be accessible and celebrated for all. Anne is the subject of our Q&A article on pages 17–18, so be sure to read on and learn a bit more about her. I also want to take this opportunity to welcome Al Novak and Dr. Tuesday Stanley to our Board of Trustees, and recognize retiring members Paul Evanson, Diana Jannetta and Harry Thompson. Thank you all for the work you do!
Ellen S. Swank President, Board of Trustees
01 / September–December 2018
Artists Who Teach In the latest featured exhibition at The Westmoreland, the Cantilever Gallery is brimming with contemporary artworks created in a broad range of mediums—painting, sculpture, photography, video, stained glass, installation and mixed media. thewestmoreland.org / 02
While the works themselves explore diverse themes using various techniques and materials, each of the artists in this exhibition share one thing in common—they all teach at one of the numerous colleges and universities in our region. Artists Who Teach celebrates the incredible talent and broad range of art making in this region today. The 58 artists in this exhibition are all inspiring the next generation of artists by teaching at Carlow University, Carnegie Mellon University, Chatham University, Indiana University of Pennsylvania, Robert Morris University, Seton Hill University, Saint Vincent College, University of Pittsburgh/University of Pittsburgh-Greensburg and Westmoreland County Community College. This exhibition was inspired by a 2011 exhibition at The Westmoreland titled They Practice What They Teach: Artist Faculty of Carnegie Institute of Technology, 1920–1950, which featured works by Samuel Rosenberg, Raymond Simboli, Everett Longley Warner and 12 other artists who taught at Carnegie Tech (now Carnegie Mellon University). The title for the 2011 exhibition came from an article titled “They Practice What They Teach” about Carnegie Tech faculty written by Jeanette Jena for Carnegie Magazine in 1951. Because of their “variety of personalities of different ages and philosophies,” the faculty indeed practiced what they taught their students. Jena noted that, “An instructor who keeps on experimenting in his chosen field, whether for industry or personal pleasure, is certain to have a healthy influence on the next generation, be they painters, designers, and teachers, or businessmen.” Her statement remains true today. Teaching artists essentially maintain two professions. As a teacher, they spend their time nurturing students, giving them what they need to develop and thrive. As professional artists, they carve out time to create their own work. Through varied approaches to teaching and stylistic diversity in their own art and viewpoints, each one is having his or her unique and 03 / September–December 2018
direct impact on students. This exhibition not only pays tribute to the artists represented here, but to those countless others who have chosen this path in their own careers. In addition, each of the artists in the exhibition was invited to nominate one of their students for inclusion in Students of Artists Who Teach, which will be on view in the Robertshaw Gallery from September 14 through October 14, 2018. The selection of student work was juried by Chief Curator Barbara Jones and Curatorial Assistant Bonnie West. For more information on both exhibitions, including the full list of artists whose work will be on display, go to thewestmoreland.org/exhibitions. Artists Who Teach is on view from August 25 through November 25, 2018. This exhibition is made possible by the Hillman Exhibition Fund of The Westmoreland Museum of American Art and through the generosity of our members and donors.
clockwise from top left: David Stanger, Portrait of Graham Shearing, 2018, Oil on linen, 24 x 32 inches (detail) Susan Palmisano, Still Mind, 2017, Oil on linen, 14 x 11 inches (detail) Danny Ferrell, Chris, 2017, Oil on canvas, 18 x 24 inches (detail) Brian Ferrell, Insulated Drinking Vessels, 2017, Walnut, pewter, rubber, 7 x 17 x 6 inches
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Art on the Move Refreshed with new paint and a new thematic arrangement, our recently reinstalled 20th Century Gallery now divides objects from the permanent collection into sections showing how artists used similar subject matter—children, still life, landscape, portraiture—with different stylistic approaches to create their compositions. Many of your old friends are still on display, but you can visit the gallery to meet new favorites from works of art that are new to the collection or those that have not been shown in many years. Plus, this gallery is now home to one of our latest initiatives, Take One: An In-Depth Look at an Artist and Their Work, which allows visitors to take one artist in our collection and explore their background and body of work via images and video displayed on an iPad. Take a few minutes to dive into the work of our first featured artist, Vanessa German, and keep an eye out for the 23 additional Take One features that will be developed this year. 05 / September–December 2018
New Acquisitions This summer, The Westmoreland purchased five works of art selected by the Museum’s former director/CEO, Judith O’Toole, using funds from the Katherine Mabis McKenna Foundation donated in honor of O’Toole’s retirement. Linda Boxx, chairman of the Katherine Mabis McKenna Foundation, facilitated the gift, which was designated for art acquisitions selected by O’Toole. Boxx was a member of the Museum’s Board of Trustees from 1994–2001 and the president of The Westmoreland Society from 1999–2001. “Paul Chew, as the first director of the Museum, began to build the Museum’s impressive collection from scratch,” Boxx said. “While the collection continued to grow under both directors, we wanted to honor Judy’s tenure as its leader with an opportunity to leave her distinctive mark on the collection.” O’Toole selected works by Larry Poons, Barry Shields, Mickalene Thomas and Michael West, advancing and adding diversity to the Museum’s collection of art created post-1950s. The Michael West work, titled Red Squares (1971), is featured on the cover of this newsletter. This page shows three of the remaining four selected works: the Larry Poons drip painting Stanley’s Traveler (1973), Shug Kisses Celie (2016) by Mickalene Thomas, and Carson Street, Pittsburgh (2000) by plein-air painter Barry Shields. Not pictured is the other selected work by Shields, Braddock (2008). above, from left to right: Larry Poons (b. 1937), Stanley’s Traveler, 1973, Acrylic on canvas, 102 x 99 inches (detail); Barry Shields (b. 1951), Carson Street, Pittsburgh, 2000, Oil on canvas, 36 x 48 inches; Mickalene Thomas (b. 1971), Shug Kisses Celie, 2016, Silkscreen, ink and acrylic on acrylic mirror mounted on wood panel, 72 x 60 inches. All Legacy gifts selected by Judith Hansen O’Toole. Funding provided by The Katherine Mabis McKenna Foundation in honor of her 25 years as Director/CEO.
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Great American Music Series Join us for a celebration of American music! From indie rock to jazz to pop country to Latin American rhythm, there’s something for everyone in our 2018–19 season of the Great American Music Series. Each concert will have a cash bar with beer, wine, soft drinks and specialty cocktails, and food available for purchase from Elegant Catering. Concerts begin at 6:30pm. To purchase your tickets in advance, visit thewestmoreland.org or call 1.888.718.4253. $20 members, $25 nonmembers, $10 for students with ID BEST DEAL: Attend all four concerts for $70 members/ $90 non-members (includes two complimentary drinks) Essential Machine (Indie Rock) Wednesday, September 19, 2018 Benny Benack II (Holiday Jazz) Wednesday, December 19, 2018 Willow Hill (Pop Country) Wednesday, March 20, 2019 Gavas Beat (Latin American Rhythm) Wednesday, May 15, 2019 07 / September–December 2018
Celebrate the holidays in style with an event at The Westmoreland Looking for a unique place to host your next holiday party? Look no further than The Westmoreland. We are currently booking for fall rentals. Contact our Event Manager today and mention the code “HOLIDAY” to receive 10% off your rental rate. We also offer birthday, graduation, wedding and elopement packages. For more info, email eventrentals@thewestmoreland.org or fill out an event inquiry form at thewestmoreland.org/event-rentals.
Art Happens because of you! Support your museum with a gift today. Exposure to the arts at an early age can boost confidence, build compassion and encourage ingenuity. Your gift to The Westmoreland directly benefits school age children who are given the freedom to express themselves through the arts. Thanks to the support of art lovers like you, we are changing children’s lives. Join us in keeping the arts alive. Your gift today will make a difference for many more children. thewestmoreland.org/donate
Interested in a Bus Tour? We are considering planning an overnight bus trip in April or May 2019 to visit the Columbus Museum of Art, Indianapolis Museum of Art at Newfields and tour the famous architecture in Columbus, IN. If you would like to participate, please email Patrick Bochy, Chief of Staff, at pbochy@thewestmoreland.org. Details and costs to come based on interest.
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clockwise from top left: Susan Powers, The Red Chair, 2015, Ink jet print, 23 x 17.5 inches Sue Abramson, Root 1, 2014 Robert Villamagna, Save America, 2017, Assemblage of found objects Sharon Anderson, Grace II, Cotton, 79 x 78.5 inches
09 / September–December 2018
Cantilever Gallery Exhibitions Artists Who Teach Through November 25, 2018 Highlighting the work of more than 50 contemporary artists who teach at colleges and universities in southwestern Pennsylvania, celebrating the broad range of art making in this region today.
Circular Abstractions: Bull’s Eye Quilts December 15, 2018–March 10, 2019 Opening Reception: Saturday, December 15 > 6:30– 8pm This touring exhibition organized by the Muskegon Museum of Art & curated by Nancy Crow showcases some of the best machine-piecing and quilting being done today. The artists were challenged to create work that stretched the possibilities of the machinepieced quilt and conveyed a sense of energy and excitement.
Robertshaw Gallery Exhibitions We are grateful to The Fine Foundation for their generous support of this gallery.
Brian McCall: The Sounds of Summer Through September 9, 2018 Highlighting drawings, sculpture and a section of the artist’s 27-foot mural that was used as the backdrop on the Summer Sounds concert stage in St. Clair Park.
Students of Artists Who Teach September 14–October 14, 2018 Opening Reception: Friday, September 14 > 5–7pm (along with Art on Tap) Artists featured in Artists Who Teach nominated their students to submit work for this juried exhibition.
The Art of Re-Use October 19–November 18, 2018 Opening Reception: Friday, November 9 > 5–7pm (along with Art on Tap) Featuring works that incorporate recycled, upcycled or re-purposed materials by artists focused on sustainability and environmental issues.
Sue Abramson: The Only Constant is Change November 23–December 23, 2018 Opening Reception: Friday, December 14 > 5–7pm (along with Art on Tap) A series of photographs made in response to grief and the artist’s life in transition.
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Calendar of Events All About You! Free Admission Sundays September 2, October 7, November 4, December 2 On the first Sunday of each month, admission to The Westmoreland is free. It’s a great day to bring all of your friends and family! Sponsored by The Committee for The Westmoreland. To RSVP, visit thewestmoreland.org/events.
Free Admission Wednesday Evenings Visit The Westmoreland on Wednesdays from 5–7pm for free. It’s the perfect way to relax after the work day! Sponsored by First Commonwealth Bank. Check out the list of food trucks scheduled to be in our parking lot during free Sundays and Wednesday evenings in September and October at thewestmoreland.org/foodtrucks.
Art on Tap Experience happy hour at The Westmoreland on the second Friday of every month! Enjoy music, an art scavenger hunt, light bites and drinks, including beer from All Saints Brewing Company. To purchase your tickets in advance, visit thewestmoreland.org or call 1.888.718.4253. Purchase in advance and save! $9 members, $12 non-members in advance; $10 members, $15 non-members at the door
Friday, September 14 > 5–7pm Sponsored by Petagogy
Friday, October 12 > 5–7pm
Sponsored by Regina M. Beatty, Mosaic Wealth Consulting
Friday, November 9 > 5–7pm
Sponsored by Michael Hess, Bob Hamilton and Elsie Lampl
Friday, December 14 > 5–7pm Sponsored by Dollar Bank
11 / September–December 2018
Great American Music Series Join us for a night of American music – there’s something for everyone! See page 7 or go to thewestmoreland.org/events for more details.
Essential Machine (Indie Rock) Wednesday, September 19 > 6:30–9pm Benny Benack II (Holiday Jazz) Wednesday, December 19 > 6:30–9pm
Pop-Up Studios A fun opportunity for adults (ages 18 and above), to get in touch with their inner artist. Each class explores different techniques and media. No previous art experience is needed. Wine, beer, snacks and materials will be provided. Space is limited. For more information and to register, visit thewestmoreland.org or call 1.888.718.4253. $20 members, $25 non-members
Fuse & Reuse: Plastic Fusing Wednesday, September 5 6–8pm
Fall Felt Succulents Wednesday, November 21 6–8pm
Scents & Sensibility Wednesday, October 3 6–8pm
Upcycled Glass Jars Wednesday, December 5 6–8pm
Children’s Art Classes The Westmoreland offers innovative and engaging monthly art classes for ages 7–10 taught by a professional art instructor, giving children the opportunity to expand and explore their creativity. To register or for more information, contact 724.837.1500 x110 or education@thewestmoreland.org. $15 members, $20 non-members
Masks & Webs Saturday, October 13 > 10am–12pm Autumn Reflections Saturday, November 3 > 10am–12pm House of Cards Sculpture Saturday, December 1 > 10am–12pm thewestmoreland.org / 12
Calendar of Events Fall Wine Tasting Fundraiser Saturday, September 8 > 3–6pm Hosted by The Committee for The Westmoreland, this special event will include a variety of appetizers and wine tastings by Collefrisio. Invite friends to share this unique opportunity to support the Museum at the beautiful Ligonier Country Club. Tickets are limited, so purchase early at thewestmoreland.org/events or call 1.888.718.4253. $75 members, $85 non-members
Artists Who Teach, Talk The Artists Who Teach exhibition celebrates the incredible talent of 58 contemporary artists who also teach at local colleges and universities. Join us in the galleries to listen to a selection of the artists discussing their work in a series of three talks throughout the run of the exhibition.
Wednesday, September 12 > 5:30–7pm Wednesday, October 10 > 5:30–7pm Wednesday, November 7 > 5:30–7pm
BYOB (Bring Your Own Box): Feeding the Spirit Saturday, September 15 > 10am–6pm Sunday, September 16 > 10am–6pm For this hunger and homelessness awareness event, bring a box in the form of donated hygiene items, paper products, non-perishable food items and cleaning supplies and join Deborah Thackrah of Feeding the Spirit for a community “sit in” to bring awareness to the plight of the homeless and hungry in our community through stories, statistics, activities and live entertainment.
Smithsonian Magazine Museum Day Saturday, September 22 > 11am–5pm Museum Day brings together museums, zoos & cultural centers from all 50 states to offer free admission to all Museum Day ticket holders. Sponsored at The Westmoreland by UPMC Health Plan. For more information and to print your ticket, visit smithsonianmag.com/museumday.
13 / September–December 2018
BIG
ART
OCT .2 2018 0
PARTY GoES Green
Celebrating the Great Outdoors Thanks to supporters like you, the arts are a vital part of our community. Together at this year’s signature event, we will honor what inspires us— from a beautiful landscape painting to a magnificent summer sunset. Don’t miss this earth-friendly event that will include delectable delights, fabulous entertainment and, of course, a celebration of art and nature.
VIP Reception > 6–7:30pm Be the first on the scene with Bob Sendall of All in Good Taste Productions, specialty cocktails, open bar, unique entertainment and party favors, then stay after dark for our Big Art Dance Party.
Big Art Dance Party > 7:30-11pm Celebrate Mother Earth with performances by the Junk Rock Band and Jim Donovan & The Sun King Warriors, plus activities by The Center for Creative Reuse and Artists Image Resource. Includes cash bar, small bites by local vendors and much more. Wear green or go green by entering the best repurposed or recycled party outfit contest. This event sells out fast, so purchase tickets at thewestmoreland.org/ bigartparty or call 1.888.718.4253. VIP Tickets: $125 members, $150 non-members Big Art Dance Party Tickets: $75 members, $90 non-members Presenting Sponsor:
Alexander Helwig Wyant (1836–1892), Deer in a Forest Clearing, n.d., Oil on canvas, Gift of Dr. and Mrs. Michel Hersen, 1992.12 (detail)
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Calendar of Events Knitting & Crochet Circle Sunday, October 7 > 1–3pm Knitters and crochet artists of all skill levels are invited to join with Pittsburgh East Knit Guild and RaggZ Fiber Art to create scarves and gloves for the homeless in our area. Not so skilled with yarn? Drop in to chat with the artists and bring a donation of a scarf, gloves or skein of yarn to help the cause! The Westmoreland Symphony Orchestra String Quartet will be playing, so it’s a great way to help make a difference while enjoying beautiful music.
Holiday Mart Weekend Saturday, November 3 & Sunday, November 4 > 11am–5pm Celebrate the holiday shopping season all weekend long with a 10% discount on all regularly priced shop merchandise, plus complimentary refreshments and gift wrapping. Enjoy a special performance by the Westmoreland Symphony Orchestra String Quartet on Sunday, November 4 from 1–2pm. Hosted by The Committee for The Westmoreland.
Hack the Museum Saturday, November 3 > 7–10pm Get ready to go viral with a night of selfies, face swaps and getting creative with the works in our collection. Join us in re-inventing the museum experience with you and your friends. Bring your phone and get ready for the fun, including light bites, drinks and a hashtag contest. You don’t need to be tech savvy to participate; all abilities welcome! To purchase tickets, visit thewestmoreland.org/events or call 1.888.718.4253. $10 members & students, $15 non-members (includes two drink tickets)
Repair the World Dinner Wednesday, November 14 > 6:30–9pm In collaboration with Repair the World: Pittsburgh, join us for dinner and a discussion. Explore images of 1940s farming in Sherrie Levine’s After Russell Lee: 1-60 in our Post-1950s gallery and settle in for a night of delicious food and good conversation surrounding these important issues that impact farming and farm produce today. To purchase tickets, visit thewestmoreland.org/events or call 1.888.718.4253. $15 members, $20 non-members 15 / September–December 2018
Family Day Saturday, November 24 > 1–3pm Enjoy free admission, art projects, scavenger hunts and special performances by Stage Right! Join us for puppet shows with Tom Sarver and Mike Cuccaro and storytime with Westmoreland Library Network. Generously supported by the Jack Buncher Foundation. To RSVP, visit thewestmoreland.org/events.
Members-Only Exhibition & Museum Mutiny Tour Wednesday, November 28 > 6–8pm Join Chief Curator Barbara Jones for a tour of Artists Who Teach and then meet our Education Team for a Museum Mutiny Tour, designed for those who like social events that focus on adventure and a bit of irreverence. These riotous tours are one way The Westmoreland invites you to let your creativity go wild! Refreshments will be served. To RSVP, visit thewestmoreland.org/events.
The Westmoreland Society Annual Dinner Friday, December 7 > 7pm This black tie optional event is open to all members of The Westmoreland Society and their guests. Since 1986, The Westmoreland Society has purchased over 35 works for the Museum’s collection through an art acquisition fund supported in full by membership dollars. To purchase tickets, visit thewestmoreland.org/events or call 1.888.718.4253. To join, renew or upgrade your membership to Westmoreland Society visit our website at thewestmoreland.org/membership or call our Membership Department at 724.837.1500 x127.
Circular Abstractions Opening Reception Saturday, December 15 > 6:30–8pm Enjoy light bites and live music, and be one of the first to view Circular Abstractions: Bull’s Eye Quilts. To purchase tickets, visit thewestmoreland.org/events or call 1.888.718.4253. $15 members, $20 non-members (includes two drink tickets) left: Nancy Cordry, Outrageous Cells, Cotton, 78.25 x 79.5 inches
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What type of work did you do as Director of Education and Research in Learning at Crystal Bridges Museum of American Art?
Q &A with
Anne Kraybill Richard M. Scaife Director/CEO What drew you to this opportunity at The Westmoreland? The Westmoreland is an exceptional institution with not only a world-class collection of American art, but a philosophy of inclusion that I embrace personally and professionally. It was very important to me in considering my next career move that I find an organization that was in line with my own beliefs, and after meeting with the members of the board and staff, it was clear to me that The Westmoreland was the perfect fit. In addition, the proximity to nature and urban amenities makes Greensburg an appealing place to live for my family. We are excited to be a part of the Greensburg community!
17 / September–December 2018
As the Director of Education and Research in Learning, I led a division of 20 full-time staff, 15 part-time staff and over 100 volunteers that managed departments including public programs, school programs, access and inclusive programs, the guide program, and research and evaluation. We were responsible for developing innovative strategies to engage visitors with works of art through programs and interpretation, so we worked closely with the curatorial and exhibitions departments. The programs included traditional forms of art museum engagement such as scholarly symposia and lectures, gallery tours for school groups and the general public, as well as nontraditional programs including community partnerships with organizations that serve individuals with disabilities, multigenerational outdoor festivals and concerts, and public art projects. Through our work, we reached over 165,000 visitors annually and created an opportunity for the community to connect not only with Crystal Bridges, but with each other. In addition, we did a lot of work around understanding the impact of museums upon society and visitors. I was responsible for leading the initiative, in collaboration with the University of Arkansas, to measure the impact of a one-time visit to an art museum. This resulted in groundbreaking research that revealed students who come on a field trip not only remember what they learn, but also demonstrate higher levels of critical thinking, tolerance and historical empathy. The results were featured in the New York Times as well as several scholarly journals. To build upon that work, the research and evaluation department was created and continues to measure the impact of Crystal Bridges exhibitions and programs. This is important in thinking about the future of museums and culture as more often, we
have to articulate our value to funders who want to know that their investment is having an impact. What inspired you to work in museums? My undergraduate degree is in fine art and even though I had taken a lot of art history coursework and visited many art museums as a child, I did not realize that working in art museums was an opportunity for me. After graduating, I was looking through the newspaper and came across a classified ad for a position at the Walters Art Museum in their public programs department. I was hired and introduced to the world of connecting people to amazing works of art. I was immediately hooked, so I made the decision to pursue a graduate degree in art museum education at the University of the Arts in Philadelphia where I was also a graduate assistant at the Pennsylvania Academy of Fine Arts. This experience was transformative for my own understanding of how art can illustrate American history. While I am passionate about art museums and believe they have the power to illuminate humanity, I have also grappled with the reality that for many, art museums are perceived as elitist temples. Throughout my career I have strived to ensure that the art museums I work within program with, rather than for, the community and include a diversity of voices and perspectives. This seems very much in line with the philosophy at The Westmoreland, to be a welcoming and inclusive museum for all. What do you hope to accomplish in your first year at The Westmoreland? I would like to see The Westmoreland expand its reach so that more people in the region experience the amazing collection and building. To accomplish this, I am not going to come into the role with any preconceived notions. Rather, I plan to do a lot of listening and connecting with the staff and community to learn what they need to
feel invited and included. This may include developing an interpretive plan, initiating new programs, forging new partnerships, and acquiring new art. The path to get there will be developed collaboratively with the team and the community. What’s one work in the Museum’s collection that has stood out to you? This is a difficult question! There are many works that stand out, including the artworks that were in the Born of Fire exhibition. But one thing that really stood out to me when I visited was the inclusion of Vanessa German’s work in juxtaposition to historical works in the collection. This signaled to me that The Westmoreland is not afraid to complicate the narrative of American art. While many people are most comfortable experiencing art installations chronologically, including a contemporary perspective provides an opportunity for visitors to consider how the art of the past lives with us today. Outside of work, how does art play a role in your life? Art is a huge part of my family’s life. My son Liam just turned 11 and has been playing guitar for almost 5 years. He and my husband James are always listening to music, and I’m often asking them to turn it down! Liam is also working on a series of floral illustrations created from his imagination in the style of the artist/ explorers of the 19th century. My youngest Calvin experienced Hubbard Street Dance when he was 3 months old, and we have exposed him to a wide variety of musical genres, though right now Elmo seems to be his jam. All of my personal creativity outside of work will initially be directed towards house projects. We moved from a three-year-old house to a 112-year-old house, so there is bound to be a new surprise every day!
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cover: Michael West (1908–1991), Red Squares, 1971, Oil on canvas. Legacy gift selected by Judith Hansen O’Toole. Funding provided by The Katherine Mabis McKenna Foundation in honor of her 25 years as Director/CEO.
The Westmoreland Museum of American Art receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency.
Want to stay informed with the latest news, exhibitions and events? Visit thewestmoreland.org and subscribe to our email list.
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