THISDAY STYLE MAGAZINE 13TH AUGUST 2023

DEMAS NWOKO

Society

Demas Nwoko is a visionary architect, designer, and sculptor whose artistic prowess knows no bounds. With a trailblazing spirit, he stands at the forefront of Nigeria’s modern art movement, blending indigenous African building techniques with innovation in architecture. His influence on contemporary African theatre through his mesmerising stage designs is nothing short of profound.

Enough with the Labels.

Growing up as a woman in Nigeria, there are certain things you’re subtly taught to accept, even if you never consciously endorse them. Slut-shaming is one such ugly, invisible chain that many of us have unknowingly worn. It’s ironic that in a society so rich in cultural values and family ties, a deeply rooted form of misogyny still persists. Many might argue against this truth, but the reality stares back at us from every corner.

The article “Ashawo; The Truth About Slut-Shaming” feels like a mirror being held up to our society. This piece is not just a reflection on how the term ‘Ashawo’ is thrown around as an insult but how the practice of slut-shaming has become an accepted norm, no matter the status, age, or accomplishments of the woman in question. Achieve a notable feat? The whispers soon start. “She must’ve laid on her back to get there.” Such assertions, deeply entrenched in our societal fabric, aim to reduce a woman’s worth to just her sexuality. The layers of her intelligence, hard work, and perseverance are peeled away, leaving only a narrow perception of her achievements.

EXECUTIVE EDITOR KONYE NWABOGOR 08111847087

DEPUTY EXECUTIVE EDITOR OLUFUNKE BABS-KUFEJI 08111847086

ASSISTANT EDITOR OROMA JUMBO 08113921062

VISUAL/SENIOR DESIGNER

MATHIAS ARCHIBONG 07054965500

GUEST CORRESPONDENT YOMI OWOPE

CONTRIBUTORS AZUKA OGUJIUBA DIDEE ETA AYO LAWAL BUKOLA AMOBOYE RUKY SALAKO

KEJUO LEKAN

PHOTOGRAPHER TY BELLO

DIRECTOR, PRINT PRODUCTION CHUKS ONWUDINJO 08077092196

@thisdaystyle

A vivid example of this came across my feed recently. A tweet brazenly alleged that some female ministerial nominees were “known girlfriends” of the President’s political allies. This right here is not an isolated incident. It is just one of the countless instances where women’s integrity are questioned and their professional accomplishments tainted by the shadow of misogyny. And this is not just a problem of the digital age. Women in the limelight have always borne the brunt of such accusations. From Nollywood actresses to women in politics, their achievements are often overshadowed by rumours and speculations. The malicious whispers never seem to end, and the price they pay for success is incessantly high. Is this ever going to end? Where do we go from here? I believe the answer lies in the family unit. From the stories we tell our children to the values we uphold at our dinner tables, it is within our families that the seeds of change must be sown. We must teach our sons to respect and uplift and our daughters to stand tall, unapologetically.

For every woman out there who has been shamed, either in hushed tones or blazing headlines, remember this: Your worth is not defined by the words of others. Stand tall, own your story, and when faced with such shaming, respond with grace and power. Know your truth, and let that be your armour. It is time to reshape the narrative, to shatter the age-old moulds. Let us be a society where every woman is celebrated for her accomplishments and not reduced to a mere object of gossip. Let us build a society where respect and empowerment echo louder than any form of shaming.

Love,Konye

Originals

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When Greg Uanseru turned 65.

Recently, the family and friends of the Chief Executive Officer of GCA Energy, Chief Greg Uanseru, came together to celebrate his 65th birthday. The day started with a Thanksgiving service at the Catholic Church of the Presentation GRA, Ikeja, Lagos. And ended with an intimate reception at his residence.

MICHELLE GREG UANSERU, BETTY GREG-UANSERU, GREG UANSERU, EMA GREG-UANSERU GREGORY UANSERU JNR

CHIKE OGEAH,GREG UANSERU, NDUKA OBAIGBENA, OMAMOFE BOYO, HERBERT WIGWE

IWUAJOKU, OSAGIE OKUNBOR RUTH OSIME, GRACE OSIME & MO ABUDU

JIDE COKER, LANRE FOLAWIYO, SEGUN AWOLOWO

OSINOWO ANTHONY ELLIS

OMATSEY

BIMBO ASHIRU&SEGUN ADESANYA

FOLAWIYO

DANJUMA,BOSE INNEH, YUDE SANI, NKIRU ANUMUDU

ODIDSON, MARGARET OBI, SUNNY ODIDISON, PETER OBI DERE OTUBU, ANSLEM TABANSI, ERNEST OJI, AMBAMBASSADOR OGAN

ENOBAIFO & BASIL NKWONCHA

JAMES IBORI

The Macallan Introduces The Macallan Harmony Collection Inspired by Intense Arabica

The Macallan, renowned for its exceptional single malt whisky, recently unveiled the highly anticipated Harmony Collection Inspired by Intense Arabica - the second edition in The Macallan Harmony Collection.

In a unique fusion of innovation and creativity, the event, held at the ornate Koi Restaurant in Lagos, merged the worlds of coffee and whisky in a sensory experience.

This second edition is inspired by the Ethiopian Arabica coffee bean, and true to form, the event was a celebration of two distinct worlds — whisky and coffee. Guests were guided on a multi-sensory journey through a coffee-whisky pairing ritual. From well-tailored suits to colourful ensembles, each guest brought a splash of glamour to the event, which made the event more enjoyable for those who came.

EMBRACE THE POWER OF COLOUR

By Funke Babs-Kufeji

Manifesting your dreams requires intention, desire, and the right tools to bring them to life. A powerful tool that’s often overlooked is the use of colour, especially when it comes to fashion. The shades you choose to wear at the start of a month, your birthday, or any special occasion can invoke powerful emotions and intentions, bringing you one step closer to your dreams. Harness your aspirations and let the vibrant fashion spectrum create a canvas for your dreams.

Here’s how:

Red, an emblem of passion and desire, can be your ally in sparking action and achieving dreams. Wear this colour to plan your future and watch your aspirations transform into reality in the coming months. No dream is too big or small when met with the invigorating energy of red.

SOFT PINK

Soft pink, the hue of romance, is perfect for singles desiring lasting connections and commitments. Its gentle positivity paves the way for future planning in love, helping manifest heartwarming relationships.

Emerald green, a hue replete with prosperity and abundance, is the perfect choice when you’re hoping for a financial turnaround. Whether you’re nursing a broken heart or aiming for financial success, green is your go-to. It’s more than just a colour; it’s a declaration of hope and joy.

The tranquil blue sky is a beacon of positivity, peace, and loyalty. Longing for professional growth or a stressfree existence? Blue should be your wardrobe staple. Its calming vibes can help lower blood pressure, making it a champion choice for career-driven individuals aiming for serenity.

GOLDEN RAYS

Golden hues, symbolizing spirituality, wealth, and royalty, can be incorporated into your wardrobe to inspire amazingness.

A dash of gold encourages you to view life from a grander perspective, understanding what you need to grow.

Consider it an essential soul enhancer for the months ahead.

DOMINIC

Opt for the regal purple when you yearn for a boost in strength or a surge in your personal magic—ideally rendered in plush fabrics like satin or velvet; purple fosters spiritual growth and wisdom, preparing you for the days to come with a higher-minded ideology.

VANESSA AZAR

EMERALD GREEN

SKY BLUE

FIERY RED

ROYAL PURPLE

MAI ATAFO

MABEL MAKUN

RITA

ADUKE SHITTA BEY

IFY UMENYIORA

MAI ATAFO, DANIEL ATTEH, PRECIOUS OKOYE, HAMMED ADEBIYI && ESO DIKE

JODDIE MARRIOT & HAMMED ADEBIYI IOANNIS SIMOS, GBEMI OLATERU-OLAGBEGI JACKREECE

EUNICE ADEYEMI

PRECIOUS OKOYE

CELEBRATE THE BEAUTY OF BLACK SKIN:

Deep, dark, and beautifully bold, melanin-rich skin carries an allure that speaks volumes of timeless elegance and understated sophistication. But to maintain its natural glow and resist damage from the environment, it requires a unique, thoughtful approach to skin care. From the rich colours of mahogany to the hypnotic shades of ebony, this article is dedicated to our darkskinned queens who seek the perfect blend of nature and science for their skin care regimen.

Discover the Right Products

Your unique skin tone should be the deciding factor in your skincare products. Use the power of the internet and social media to discover diverse product reviews and connect with people who share your complexion. You can also support change by investing in skincare brands owned by Black, Indigenous, and People of Color (BIPOC). Always verify that the products are formulated with your specific skin tone in mind.

Embrace High-Grade Treatments

Skincare is not a one-size-fits-all affair. It’s a common misconception that darker skin requires the highest concentration of skincare products, but this often leads to unnecessary

WHERE TO GET THE BEST BURGERS IN LAGOS

Burger lovers get in here! Non-burger lovers, you are about to be initiated! Here are five places where you can get the most delicious burgers in Lagos.

By Bukola Amoboye

skin damage. Gentle, high-grade treatments, like chemical peels, can do wonders for your complexion. Don’t let tales of burns and scars deter you. With the right approach, these treatments can contribute to a glowing and flawless complexion.

Safeguard with Sunscreen

Sunscreen is essential for everyone, especially melanated skin, which is more sensitive to the sun’s damaging rays. Integrating SPF into your daily routine prevents longterm damage and optimises your skincare routine’s efficacy. Innovative brands like Black Girl Sunscreen have mastered the formula to avoid a chalky or blue cast, making sunscreen application a seamless part of your beauty routine.

Tune into Your Skin

Your skin communicates with you constantly; the key is to listen. If a product or routine leaves your skin worse off, it’s a clear sign that it’s not suited for your needs.

Nourish with a Healthy Diet

What you consume is reflected in your skin. A diet rich in antioxidants, colourful fruits and vegetables, lean proteins, and legumes ensures you’re fostering radiance inside and out.

Revitalise with Regular Exercise

Exercise is the elixir of youth. A daily 30-minute workout routine increases circulation, pumping oxygen into your bloodstream and promoting a naturally youthful glow.

Cactus Restaurant

Nestled in the heart of VI, Cactus Restaurant exudes an enticing ambience that harmoniously blends with the culinary delights on offer. Their burgers, priced between N8000 and N13500, have been hailed as masterpieces on a bun! Combine that with their superb customer service, and you have an irresistible burger experience.

Burger King

The internationally renowned Burger King has found a home in Lagos and Abuja, sending delightful shockwaves through the local burger scene. Known for its delectable burgers that come with a pocket-friendly price tag (N2700 to N6500), Burger King continues to assert its reign as a go-to choice for locals and tourists alike.

Johnny Rockets

With vibrant outlets in Ikeja, VI, and Abuja, Johnny Rockets is not just a restaurant; it’s a cultural phenomenon! This place is a paradise for food lovers, offering tantalizing burgers (priced between N5900 and N9200), milkshakes, sandwiches, and more. And it’s not just about the food - live performances and a sports bar complete this sensational dining experience.

Kings Burger

While it may not enjoy the same celebrity status as others on this list, Kings Burger is a hidden gem in Lagos, serving burgers that guarantee love at first bite. With the prices ranging from N3300 to N5000, each burger comes with the bonus of complimentary fries and a drink. Don’t forget to make use of their convenient pickup and delivery services!

Burg

Situated in the bustling district of Ikeja, Burg is a haven for all things delicious! Providing a plethora of burger choices, with prices ranging from N4000 to N8000, this spot is perfect for dining in, taking out, or enjoying a relaxed evening at home with their prompt delivery.

Sunday, August 13, 2023 Vol. 22, No. 10314 Sunday, August 13, 2023 Vol. 22, No. 10314 10 11

CACTUS RESTAURANT

JOHNNY ROCKETS

KINGS BURGER

BURGER KING

TOLU BALLY

DERMALOGICA PEEL SET

BUTTAH SKIN BRAND

SUPERGOOP SUNSCREEN BLACK GIRL SUNSCREEN SISELY PARIS

THE ORDINARY PEEL KLAIRS GENTLE BLACK DEEP CLEANSING OILSUGAR FACIALPOLISH

YOUR ESSENTIAL GUIDE TO RADIANT COMPLEXION

DEMAS NWOKO SIMPLY ICONIC

Demas Nwoko is a visionary architect, designer, and sculptor whose artistic prowess knows no bounds. With a trailblazing spirit, he stands at the forefront of Nigeria’s modern art movement, blending indigenous African building techniques with innovation in architecture. His influence on contemporary African theatre through his mesmerising stage designs is nothing short of profound.

In 1960, Demas took the art scene by storm as a founding member of the Mbari Club of Ibadan, a vibrant hub for cultural exchange among aspiring Nigerian and foreign artists. Together, they kindled a creative fire that would forever shape Nigerian art history. And as if that wasn’t enough, he also proudly stood as a member of the Zaria Rebels, a dynamic group of artists championing the concept of “natural synthesis.” These trailblazers fearlessly fused their Western art education with the essence of African themes, birthing a new era of artistry that transcended boundaries.

Throughout his illustrious career, Demas Nwoko adorned the world with exceptional murals and awe-inspiring public commissions. His artistic ventures garnered accolades and admiration from all corners, culminating in a crowning achievement at the 2023 Venice Architecture Biennale. There, he was bestowed with the prestigious Golden Lion for Lifetime Achievement, an honour that celebrates his remarkable contributions to the world of architecture.

In a captivating conversation with Funke Babs-Kufeji, Nwoko unveils the seamless interconnectedness of his careers as an artist, sculptor, and architect, delving into the natural flow of inspiration that binds them together, allowing him to craft masterpieces that resonate with the essence of life itself.

As one of the few surviving members of the Mbari club, how does it feel to have been part of an unforgettable history that has become a watershed of creative arts education in Nigeria?

The Mbari Club was founded by a group of contemporary creative minds who had recently graduated from different tertiary institutions. We were either writers, classic artists, or playwrights, and our formal training in these areas began during our time in our institutions. After leaving the university- which was a bit organised and controlled- we knew that we had to create for the people and contribute to the community. Since our creations were new, we could not continue to practise as traditional creative people. The primary language of our creations was predominantly English, which was a foreign language. This meant that our new creations were also predominantly foreign. Everybody believed in the new acquisition, and we were all very enthusiastic about propagating our new creativity, which was not in any way a repetition of the tradition but more - in the physical appearance - foreign. To provide a space for us to practice, the Mbari Club was formed, bringing together creative artists and writers. It was the most sensible decision to make at that moment. We all had faith in the path that we had chosen. It wasn’t a matter of choice; rather, those of us who initiated this new movement based on a new culture took it as a duty to disseminate our own creativity.

I wouldn’t say we were special because we relied on coming together and collaborating to encourage and advance our creative pursuits, as they differed from what we knew in tradition.

progress has not been as smooth as expected. Therefore, wouldn’t say that we should be congratulating ourselves. I don’t think the trend we tried to propagate has caught on today. There seems to have been almost a complete reversal.

You were recently awarded the Golden Lion for Lifetime Achievement at the 2023 Venice Architecture Biennale. How was that experience for you?

Receiving an award is not much of an experience for me anymore because I have been honoured and toasted many times on several occasions. However, this particular award turned out to be more significant than I initially thought, not just one of those for recognition of your effort.

The event took place in the centre of European creative civilisation, the town where, in hindsight, I found that I was almost roped into first practising my career formally after my training in Paris. In that same town, Venice, which was at the time a famous location for opera performances, was hired as a designer in the theatre. During the award show, I came across pavilions representing various countries. It was an annual opportunity for their citizens to display their creative work. noticed that Nigeria and Africa were noticeably absent from the event, indicating a lack of organisation and development when it comes to nurturing our creativity at home. This shows in our economy, technological development, and the extent of our connection to the contemporary world. Being the first African to be present there to receive such recognition was a very humbling experience.

you say it was a seamless transition to swing from one area to another?

I didn’t really transition from one area to another. From childhood, I was inclined to the profession of architecture. believe this must have been passed down in my genes from my father, who also enjoyed designing houses. In addition, was also aware of our traditional architecture and in secondary school, I also studied fine art, which ended up being similar to architecture. Both involve design in a way, as well as the expression of aesthetics. I found that I was quite good at drawing and painting.

I would go on to study architecture after I graduated in fine arts. However, I was introduced to the theatre, designing the stage decoration. Here, found that was a bit defective as it required more than the knowledge and practice of visual art. I was and am still always up for a challenge. I am willing to explore areas that I am not familiar with and suspend any preconceived notions. So, when the opportunity arose during my postgraduate studies, I made the decision to study stage design.

At the end of my studies and after completing this stage design, I got the chance to create a design for an opera in France. The success of my work led to them expressing interest in hiring me for a permanent position in their theatre, but I didn’t take the job.

When one looks at your portfolio of work in visual arts, theatre and architecture, there’s a palpable connection in those areas in which you have invested several years of experience. Would Receiving an award is not much of an experience for me anymore because I have been honoured and toasted many times on several occasions. However, this particular award turned out to be more significant than I initially thought, not just one of those for recognition of your effort.

Again, apart from expressing ourselves, we had another deliberate reason for creating this platform. The content of our creations was already reflecting a clear trend, rejecting outright acculturation, which means abandoning our own traditional culture in favour of the foreign culture imposed by colonialists. Our creations were a form of rebellion against the teachings we had been subjected to in school. We were rejecting these teachings and instead propagating an amended version of our own culture. This required a certain kind of courage to pursue. It was a parallel effect. It was a parallel activity. Not one that required beating of our chests. So, how do I feel? I feel we did the right thing, but “How has it turned out?” is another story. Because, like our people say, “The greatest farmer, it is not what he was seeing when he was going to farm that he’ll be seeing when he’s coming back because what he must have found in the farm would have been completely different from what he thought he would find.” I would say that we can’t beat our chests too much. It’s still a struggle because cultural

When it was time to pursue my studies in architecture, I discovered that the formal study of architecture was a bit too technical and too dry. It didn’t have any element of creativity. The emphasis was on draftsmanship. Architecture was virtually an organic type of form that served as a habitat for human beings. Hence, I chose to suspend the formal study of architecture. Instead, I decided to deepen my consciousness of creativity in form and colour and increase my awareness of nature’s creativity in the environment. I thought that

As I mentioned before, my first career practice was in the theatre. But you see, that happening doesn’t mean that had dropped the other areas. While was working in the theatre, was also painting and sculpting, and I even started practising architecture when the occasion arose. So it was not that it was one after the other. No, I was practising everything at the same time. Because for me, it was

DOMINICAN-CHAPEL EXTERIOR-LIGHT-PLAY. CREDIT ANDREW ASIEBO COURTESY OF NEW CULTURE FOUNDATION

DEMAS NWOKO SERPENTINE DISCUSS -CREDIT RUFUS NWOKO

very easy to do that because the process of creating forms and expressing aesthetic creativity is grounded in the same aesthetic philosophy. Essentially, it is a universal language shared across various artistic disciplines.

So I sculpted as I painted; I painted as I designed stage sets. did stage design as I designed buildings. It was a simultaneous practice of all these disciplines rather than a linear progression.

You have consciously worked with the sustainability mindset when selecting the materials (e.g., clay) you use for your designs.

What informed that decision early in your career as an architect? How did you create that distinct style as an artist and an architect?

It was an aspect found lacking in my formal architectural training. They concentrated on creating exciting designs without regard for the costs of implementing them. I can clearly make this statement: a design that is not built does not exist. The cost of realising a design must be the foremost consideration before putting your design together.

Your client must be able to afford to execute whatever design you have made for him. Designing buildings is a task that should benefit everyone involved, so it’s important to prioritise creating affordable and sustainable designs. After all, affordability often leads to sustainability since more people can afford it.

To be a successful architect, ensuring client satisfaction by creating affordable and sustainable designs is crucial. This entails considering the cost of materials and opting for the most economical options.

To be a successful architect, ensuring client satisfaction by creating affordable and sustainable designs is crucial. This entails considering the cost of materials and opting for the most economical options. created iconic designs for large municipal buildings, such as churches and theatres. I always remained focused on the importance of using materials that were accessible to others as well. wanted to prove that inexpensive materials did not compromise the excellence of a design and that remarkable designs could still be achieved using the same materials as modest ones. I had to make all my designs this way to uphold this philosophy.

You have made some remarkable scholarly contributions. Recently, you launched a compendium of your articles. How do you find time for research and documentation?

You see, all of my activities are not in compartments. They are all related. While I was teaching at the university, did not practice research and publication just as an exercise to gain promotion. No, I practised them as part of my professional practice to engage with others on the issues at hand that concerned those areas of my profession or cultural philosophy in general. They were natural activities for me.

I attended various forums, and to participate, wrote my own essays on the subjects, expressing my personal views. Sometimes, it became repetitive because I focused on forums related to my field of work. Nevertheless, it was painless. The compendium had to be published later in my life to achieve its purpose. It would have been published long ago if I followed the academic practice, but I didn’t want that. When one reads through it, it comes across like a free-

flowing speech, much like how I speak in person, rather than like hard research and documentation.

And why are such writings so important to you and Nigerians at large?

They are very important because they establish my philosophy of life and my belief as to what our new culture should be. I want everybody to read them as they address current issues that still require attention. None have happened or happened as believe they should have. These writings will remain very fresh and topical until they are applied.

Many Nigerians will argue that the nation has been more divided along tribal lines in recent years. Looking back at your associates in the Ibadan years, would you say that Nigerians were more detribalised then than now? How did you manage to stay as friends in those years or even till now?

Everyone belongs to one tribe or the other. Staying with your own tribe does not make you a tribalist. We are a nation-state, meaning that we are made up of many tribes that were amalgamated. When our cosmopolitan towns were being built for the first time, people flocked to these centres to participate in the daily activities of these places and pursue their respective professions. It was general knowledge that people spoke different languages and came from different tribes. “Tribe” was not an issue, or so it seemed. Everybody concentrated on what brought them together. At that time, it looked as if there was no tribalism, but as independence approached and the colonialists prepared to hand over governance to us, another part of society manifested. Unfortunately, leadership became competitive at that point. We had to adopt the foreign model of democracy, which needed elections, political parties, and all that. You’ll find that the first political parties emerged with a national focus, but as independence approached, everybody started eyeing the juicy parts of leadership. The citizens started gravitating back to their centres of origin to acquire the full support of their own people. They believed that the numbers back home could help them acquire leadership. At that moment, people realised that we were not really one and had to organise ourselves to ensure we were not sidetracked or disadvantaged.

As everyone returned to their respective camps or trenches, the next step was negotiating to be together. That brought in the element of leadership being dispensed turn by turn. That’s how, as we developed our modern democracy, instead of coming together,

we are finding ourselves back in our camps, waiting for our turn. This has created more dissension and tribalism. In fact, damaging tribalism. Today, we’re not sure of our citizenship. You might be born and raised in a region or a town, and your fellow inhabitants refer to you as a stranger element. You are disenfranchised because you are never allowed to hold any political posts there. That is why it looked as if the beginning was very rosy. Everybody was free. The political power rested in the colonial hands, you see. However, after gaining independence, Africa has witnessed escalating differences due to the competitive nature of European democracy, which is very un-African because African democracy is based on consensus. Everybody had to agree.

In contrast, the European one is survival of the fittest. Living apart had to become more evident today than it was in the beginning. For me, we are still searching for the best new culture to adopt because what we have now is not really ideal. We have to find how to live together as one people, no matter what language you speak, what area you come from, or what religion you are from.

When we look at the trends in arts, design and fashion, we can see that creatives have a way of reclaiming history by tapping some elements from one period or another. How does having a sound history knowledge help a creative find his or her own voice?

Yes, traditional history is the storehouse of the people’s creative culture.

In fact, there’s a general saying that there’s nothing new under the sun. If you read the history of people thousands of years ago, they look like us today. The familiar helps to create stability in the environment. If you install new things that people have never seen in the environment, you create problems for them in resolving their existence within such an environment. You have to be with the known before you can really interpret the new.

We should be very weary when applying technology, ensuring it is within our capability and meets our needs. If you find that it’s cheaper for you to make some physical items manually and use them the way you want, you should continue doing that rather than forcing yourself to live a false way of life

You find that when the train starts running riot, the tendency is for the people to slow down, go back to their past and pick something that everybody can remember. Then, a new stability is created. You cannot simply create something entirely new. You find that you have to start with what you know. Then, innovate on it. You can’t just create a brand-new thing that doesn’t exist. Yes, it is done, but I think that does not go down well with the people. In fact, it causes a health hazard, a mental health hazard.

We need a stable, familiar environment to have a stable life. It’s the duty of creative people to ensure they create such an environment. So it’s not surprising. Take language, for example. You can’t just change a language. No. You can only bring new elements of other languages into it. The language remains the same forever or until another completely swallows it up. It’s a natural process. It’s a natural thing to happen in the world of fashion, art and design; it’s quite common to see the reintroduction of old elements.

Today, technology is changing the way artists express themselves. Actors are leaving the stage to perform for social media consumers. Artworks are being coined and sold on online platforms. How do you engage with technology for a man your age? Are you apprehensive or simply curious about technology?

It is, in fact, the way you people see technology that is wrong. Technology is as old as a man because it is the process through which man brings into physical being his creativity. He creates tools to work. These tools continue to grow or change. It might not be even better, but it continues to change. That it’s changing doesn’t mean that the change is really what should happen to create a sustainable society. But it’s just that the trend comes in, and it facilitates production.

I will give you an example. In the building industry, there was a shift away from the traditional way of building walls – hand-moulding mud into pearshaped blocks and then joining them with the wet mud on top of each

other. The Europeans brought the technology of shaping mud into a form using moulds. They created rectangle-shaped moulds using either wood or metal. You would put earth inside a mould, shake it and remove it, resulting in uniform shapes that could be stacked to build walls.

Technology improved, and the Europeans created machines to create these forms. The new block-making machines were automated to produce multiple blocks simultaneously—10 to 20 at a time, and more. The block industry blossomed. Recently, I’ve taken stock, and found that they don’t use these new machines in most places anymore. They are now using hand moulds on the floor just like it was done initially. This they find more cost-effective than using the machines. Man will gravitate to the most advantageous type of technology. You don’t have to stick to technology that is not viable or affordable. After some time, everybody gravitates to the most affordable one. Most of what we call advanced technology today are really useless. They are not affordable.

With the deregulation of fuel, people started saying, “Ah, maybe we start riding bicycles”. Yes, it might come to that, but you’ll find that most people will return to foot. Foot transportation.

It may sound funny, but I remember when I was younger, we visited Lagos as students and walked from Ikorodu Road to Bar Beach. That was the only means of transport because of the few buses that existed; how many people could fit in them? In the village, we were attending schools 10 kilometres away, and children walked that 10 kilometres, up and down, every day. This was normal. Today, ask a child to do that, and he will say no, but soon, they might have to start doing that because the cost of transportation is really not affordable.

Technology should better be interpreted as the means of production that is most affordable and most confident for the people. You don’t have to adopt technology for its sake. The application of technology in the production of creative items is precisely as I’ve just described; if you were a printmaker like my colleague, Bruce Onobrakpeya, you had to own a printmaking machine. While the others who were painters continued to use their hands manually, on their papers or on their platforms.

Who is the more modern artist? Nobody. The application of technology is as you need, and that is why the phrase was coined, “appropriate technology’. The fact that others are flying around in rockets doesn’t mean that everybody must fly around in rockets. Technology should be owned by each people. They should advance it according to their need and create whatever they want within their resources.

Everybody has practised technology since time, and the technology tomorrow is not necessarily the best thing to happen to man. On the other hand, let us look at what unbridled advancement in the use of materials has led the world to today. Global warming, the over-exploitation of natural resources, conflict, all that just because you want to create a new thing, a new technology. Even now, the innovations we call advanced technology, rocket science and so on are optional.

They are just a means of making money because most of them are unaffordable. We should be very weary when applying technology, ensuring it is within our capability and meets our needs. If you find that it’s cheaper for you to make some physical items manually and use them the way you want, you should continue doing that rather than forcing yourself to live a false way of life. That is very, very dangerous to existence. Technology should always be within the need, ability, and affordability of every people.

How do you relax or have a good time now that you are not under pressure to work?

don’t know about that. I’m working today as much as I was working 50 years ago. My staff can bear witness to the fact that they can barely keep up with me at work. don’t think I will change until my creator calls me. When it comes to relaxing, relax at my work. It’s not all the time that I’m in the office or the studio doing physical work. Sometimes, sit down and doze off, you know, and have a good sleep, then I get up at closing time, close my office, go to my bedroom and continue resting. I find my rest in my

DEMAS NWOKO - GOLDEN LION AWARD EVENT - CA GIUSTINIAN SAN MARCO -CREDIT JOSEPH CONTEH

ASHAWO; THE TRUTH ABOUT SLUT-SHAMING

In the tapestry of Nigerian culture exists a darker thread woven into its societal fabric—slut-shaming.

This practice cuts across continents and cultures but holds a unique manifestation within Nigerian society.

Navigating this terrain, particularly as a young woman, becomes an exercise in futility; you’re damned if you do, damned if you don’t.

Steeped in traditional norms and expectations, Nigeria, like many societies, has long been patriarchal. Expressions of femininity are encouraged, but only within closely guarded parameters. Women are expected to be modest, demure, and chaste. Yet, in the same breath, they are also expected to be appealing and attractive, lest they be considered ‘unfeminine’ or ‘irrelevant’. It’s a precarious tightrope to walk, and the stakes are high.

In the Nigerian lexicon, few words carry as much weight and sting as “Ashawo”. Rooted in Yoruba, it roughly translates to “prostitute” or denotes someone considered “loose”. Its casual use, especially among men, has made it a weapon flung at women for the slightest transgressions. A woman drives too aggressively? Ashawo. A woman wears a dress deemed too short? Ashawo. A woman in a position of power or influence achieves a notable feat? She must’ve laid on her back to get there.

These assertions, deeply entrenched in misogynistic beliefs, aim to reduce a woman’s worth to her sexuality.

But perhaps what’s more alarming is how slut-shaming has been weaponised in the context of sexual assault and harassment. It becomes a tool not just for humiliation but also for blame. The pervasive culture of victim-blaming poses questions such as, “What were you wearing?”, “Were you drunk?” and “Why were you out that late?” These statements gaslight victims, leading them to internalise guilt and believe that the violation they endured was somehow their own fault.

The advent of social media has only exacerbated this issue. Platforms that were designed to connect, inspire, and innovate have morphed into digital battlegrounds. Amidst hashtags and memes, new-age insults like ‘clitocurrency’ and ‘hoeism’ have emerged. Though these terms might sound

THE ULTIMATE CHAMPAGNE GUIDE

FINDING YOUR FIZZ

Blanc de Noirs: Produced from either Pinot Noir, Pinot Meunier, or both, it’s rich and fruity.

Rosé: This pink-hued delight gets its colour from skin contact or by adding red wine. It’s romantic, fruity, and perfect for a summer evening.

Demi-Sec & Doux: For those with a sweet tooth. Pair with desserts or enjoy solo.

Noteworthy Brands

contemporary, their intentions are age-old; they aim to diminish a woman’s worth by questioning her sexual discretion.

So, how do we untangle this web?

The roots trace back to the very environment we cultivate at home.

as “Ashawo”.

Parents, especially fathers, play a pivotal role in shaping how boys view women. Every shout of ‘ashawo’ from a man’s lips is reflective of lessons absorbed from his surroundings. As guardians of the next generation, the responsibility is twofold: to teach boys to respect and view women as equals and to empower girls to value themselves beyond societal metrics. For women who bear the brunt of slut-shaming, the path is arduous but not impassable. In the face of derogatory remarks, whether whispered behind closed doors or shouted in public squares, remember your worth isn’t tied to societal expectations. Surround yourself with allies, and most importantly, believe in your truth. Every voice that rises against slut-shaming is a beacon of hope for another.

To truly eradicate this menace from Nigerian society, collective action is imperative. Societal norms can change, but only if every individual refuses to perpetuate or be complicit in the harmful cycle of slut-shaming. It begins with awareness, is fuelled by education, and is solidified by action.

Ultimately, the question isn’t about how short a dress is or how late a woman stays out—it’s about the kind of society we want to be. Will we be a society that polices and shames, or one that uplifts and empowers? The choice and the power to reshape the narrative lies with us.

Every shout of ‘ashawo’ from a man’s lips is reflective of lessons absorbed from his surroundings.

1. Dom Pérignon: A vintage champagne named after the Benedictine monk credited with pioneering many winemaking techniques.

2. Bollinger: Classic, robust and rich. Think James Bond!

3. Krug: Luxurious and complex.

4. Veuve Clicquot: Famous for its iconic yellow label, it’s a balanced blend that’s perfect for celebrations.

5. Moët & Chandon: Offers a range from crisp to sweet, serving every palate.

Perfect Pairings

• NV Champagnes: Versatile, they complement dishes like sushi, fried foods, and light appetizers.

For the connoisseur, a newbie, or casual enthusiast, the effervescent world of champagne can be thrilling and overwhelming. Picture the iconic pop, the frothy fizz, and the tiny bubbles dancing in your glass. But which champagne should you choose, and what dish should you pair with it? Let’s embark on a sparkling journey to answer these questions.

A Brief Bubbly Background

Before diving into the brands and food pairings, let’s establish what champagne is. True champagne is exclusively from the Champagne region in France. Anything else, though delicious, is sparkling wine. The primary grapes used in champagne production are Chardonnay, Pinot Noir, and Pinot Meunier.

Different Types of Champagne

Non-Vintage (NV): This is a blend of wines from multiple years and is the signature style of the champagne house. It’s perfect for those who desire consistency.

Vintage: Made from grapes harvested in a specified year and only in the best years. This is for the explorer who craves uniqueness in every sip.

Blanc de Blancs: Made entirely from Chardonnay grapes, expect a light, crisp taste with hints of citrus.

• Vintage Champagnes: Pair with richer dishes such as lobster or creamy pastas.

• Blanc de Blancs: Oysters or fresh seafood.

• Blanc de Noirs: Try with duck or mushroom dishes.

• Rosé: Berries, charcuterie, or even spicy dishes.

• Demi-Sec & Doux: Fruit tarts, chocolates, or creamy desserts.

Finding Your Fizz

Choosing the right champagne is like picking an outfit — it should suit the occasion and your taste. Start with Non-Vintage champagnes to understand a house’s style. Attend tastings if you can; they offer a chance to explore without committing to a bottle. Remember, the best champagne is the one you like, not the one that’s most expensive or popular. In the end, whether you’re raising a toast or savouring a quiet evening, there’s a champagne out there that’s just right for you. Let your palate be your guide, and your heart choose the moment. Cheers!

In the Nigerian lexicon, few words carry as much weight and sting

NIMI BRIGGS AND EFE TOMMY ADABAMU

MOET & CHANDON

VEUVE CLIQUOT KRUG

BOLLINGER

A-Gen

Ayo Lawal Z with

The Oldest Gen Z you’d ever meet!

Dare Aderinokun

We’re about to embark on a mind-boggling journey that defies the very fabric of time. While most Gen Zers are known for their techsavvy ways and obsessions, there’s an enigmatic outlier among us who will leave you slack-jawed in awe. Imagine a mythical creature who effortlessly straddles the realms of past, present, and future, all while rocking their favourite pair of PITH jeans. Brace yourselves for an encounter with the oldest Gen Z you’ve ever met. A living, breathing testament to the power of youthful spirit and the timeless allure of all things cool.

In a world where trends come and go faster than you can say “selfie,” this extraordinary individual stands tall as a monument to longevity and hipness. Their mere presence is a testament to the Gen Z generation’s unstoppable force, defying the conventional boundaries of what it means to be young. They are the embodiment of the everevolving Gen Z spirit. Get ready to have your notions of age and coolness shattered as we uncover the secrets behind their timeless charm and unparalleled ability to capture the hearts and minds of generations, young and old.

Imagine this: you stroll into a bustling bank, expecting the usual suited-up crowd, when suddenly your eyes lock onto a sight that defies all expectations. Standing confidently amidst the sea of conservative attire is a man in his late thirties, adorned with a vibrant array of facial piercings that gleam like rebellious stars do. His lips, nose, and eyebrows serve as canvases for self-expression, each piercing a testament to his fearless individuality. But that’s not all – his attire is a mesmerising collage of Emerging African streetwear brands, splashed with colours that rival the liveliness of a child’s birthday party.

Ladies and gentlemen, meet the one and only Big Bosco of “Quacktails”, Dare Aderinokun the enigmatic mastermind behind the “Adult Capri-sun” phenomenon that has sent Lagos into a frenzy. Such a frenzy that if I step out for an event that doesn’t have “Quacktails” as a vendor, I just know they’re not down with pop culture.

Once a banker in the most profitable department at a prestigious Nigerian institution, he made the daring decision to break free from the shackles of conformity, leaving behind a life that suffocated his true self. And boy, did he find his calling!

How long did you work in the bank? I can’t imagine you being a teller, so what was your role at the bank?

I worked in the bank for nine years. used to do oil and gas marketing for GT Bank. Booking loans, getting deposits, opening accounts, etc. At the time, we were the most profitable marketing team in the most profitable bank in Nigeria.

Why did you make the switch from banking to becoming an entrepreneur?

Honestly, see finish. I was doing well in the bank, very well, actually. I was one of those guys who started young and fresh off college, but I felt underappreciated. In addition, because of my family’s economic background, the management thought,

ʼoh, this guy is okay; we can keep him and promote other people. ʼ I wasn’t going to take that – I’m here, putting in the work; you have to recognise my value. When that wasn’t happening, I just said, ʼf**k this s**t. One thing about me is that if I feel like I’m being bullied or undervalued, I’m out.

For a long time, I wanted to leave banking because this wasn’t me.

This was what birthed Quacktails, correct? Tell us a bit about how it all started.

The whole thing started as a joke!

The even funnier joke, “Quacktails,” is where it is today. Let me give you the backstory; so I like drinking, and like Stephen Tayo rightly pointed out (who happens to be with us as we have this conversation), I’m an introvert in my social life. I’m really not an outgoing person, and the problem with this is you have to go out to a bar to get a nice cocktail in Lagos.

This meant going out and socialising. This was all the motivation needed to start learning how to make drinks from the convenience of my home.

I then went on YouTube to start the learning process, and for every video, it was a white guy using mix-

ers and items that couldn’t find in a Nigerian supermarket. After a little more research into what this person is saying, I found out that a lot of what he was using could be made at home with just a mixture of different fruits with water and sugar. This was how started making my bases for the cocktails at home.

As time goes on, I keep making drinks for just myself, my friends, and my family – including the inlaws – whenever they come over. One of my wife’s sisters, who runs a successful catering business – The AJs – told me; ʼyou know, if you sell this, people will buy. ʼ I didn’t take it seriously because, honestly, didn’t know if what I was making was correct. I just knew I liked how it tasted and felt – Essentially making drinks that were good enough for me.

After a bit, it was The AJs kid’s first birthday party, and they wanted me to make the drinks – for a fee, too. said ʼplease o, don’t pay me.

Just in case I mess things up, I don’t want anything to ruin our relationship. Just cover my production cost.

Bear in mind that I was still working in the bank at this time. then spoke to a cleaner who worked on my floor in the bank and brought him

Fast forward to early 2020, when the lockdown happened, and we were all confined to our homes. This made most of the populace sober and want anything to kill boredom. My wife’s friends and family then started to reach out to me; ʼguy, send me shacks; I’m dying of boredom here. ʼ Luckily for me, I had drinks for dayssss at home because we thought we were doing the oil company event. I then told them if they paid me, I’d send the cocktails to them. And that’s how it started. Now, I make way more than they paid me in the bank.

“Quacktails” is known for its unique blends and tastes that are guaranteed to get you lit! How do you come up with new innovative recipes?

older guy with the stylish confidence of a Gen Zer? Do Nigerians tend to treat you differently?

It’s normal – the stares, mean–expect it. I’ve worked ten years in corporate, I have two kids, and I have been married for eight-plus years, so the stereotypical view of what an adult is, I’ve lived it. lived it through my 20s, and being a ʼmature adultʼ is overrated.

piercing; how about that? LOL. She told me I could do whatever I yearned for. Since I left the bank, I’m only answerable to her and my kids, so it felt good that they wanted me to be who I was to the max! I remember going to my kid’s school with my piercings for the first time, and other kids started pointing at me. wanted to leave, but my wife was like, ʼomo if there’s anything love about you and our relationship, it’s that we are always expressive. If they don’t know, they will learn.

Do your style and peculiarities have a connection with the “Quacktails” brand?

on board to help with that event. It’s funny how, till today, that cleaner still works with me at “Quacktails.” I did that event, and people were coming up to the bar to say they were really feeling the drinks. One lady, in particular, stood out because she wanted me to come make the drinks at her oil company’s end-of-the-year party. At this point, I thought, ʼall these people are just whining me abeg. From my first event? ʼ And if you know anything about end-ofthe-year parties in Lagos, oil companies always pull out all the stops – The best venues, the biggest stars, the long budgets, etc. So I said yes to her. We then went in for a meeting with this company, and they said the company had to be registered for us to be a vendor at the event. This is where the name “Quacktails” came to life. The word ʼquackʼ means a fake, an imposter, or a fraud, and we were quacks making cocktails. Why? Because I have never worked in a bar, a restaurant, or even gone to an institution to learn how to make cocktails. It’s funny how we ended up not doing the job because the event planner was undercharging us. This was around late 2019.

As I said earlier, in the beginning, it was us going backwards. Backwards in the sense that we had to make these ingredients ourselves. So, things like passion fruit syrup and blackberry syrup had to be made by us. We first find out if these fruits can even be sourced in Nigeria. Luckily for us, during the pandemic, we found this online grocery lady who lived in Jos – @TheGroceryLadyy on Instagram –and she understood what we wanted and were trying to achieve. She’d go to different farms looking for exotic fruits and supply them to people nationwide. She even made a calendar of fruits that grow in Nigeria based on seasons. This extraordinarily helped us plan our menu. So she’d supply the fruits, we’d use them to make syrups, and then mix the homemade syrups with alcohol to make the cocktails. This is the main reason we call ourselves a kitchen because: we make our syrups in-house.

Okay, now let’s talk about Big Bosco! Do you mind me asking how old you are?

Sure, I’m 36! And I’m not even ashamed of it.

You’re 100 per cent not the typical 36-year-old – especially in our country. I’m positive people have called you Agbaya. How do people react to you when they see an

Let’s take me for example, have a successful business, have staff that pay – timely too, I’m married, I have beautiful kids, I pay school fees, I’m paying my rent, I’m paying my tax, so what then is responsible adulting that I’m not doing? So why do I have to behave and dress a certain way? always tell people that today, I’m in my second childhood. The one wanted but couldn’t have. I remember when I was in college, I wanted to pierce my lip so badly because I was into rock and roll at the time. I didn’t at the time because I just kept thinking about what my parents would think and say. wasn’t doing unsatisfactorily in school in any way, but I just kept thinking about the opinions of others. If you’re respectable enough to approach me and ask me why I have so many piercings, I’d explain to you. You can either take it or leave it. I tell my parents, you don’t have to like it, but you have to respect it.

I wasted my teens and 20s because I was living for others, living to please everyone but myself. I was being what I thought an adult should be, but I was miserable! I’d wake up early, go to work in a suit that I hated, that wasn’t me in any way, go to any office, and give them the best years of my life because I thought that’s what being an adult was. At the end of the day, there was no happiness; was so sad I was living a fake life. Even at this time, I noticed I quarrelled with my wife a lot more often than ever before.

What does your partner think about your Gen Z ways? I ask because this is not the version of you she married. She married Dare, and now you’re Big Bosco. She followed me to get my first

Not really. If I’m being honest, my style is influenced by my youth and the present-day creators. I’m a millennial, and millennials would bite their tongues to please their superiors or anyone, really, but Gen Zers are rebelliously creative. In the beginning, the brand was really embraced by your generation. Regarding my style, I’m more comfortable wearing people I know personally, people who stand for something, and brands that feel like a community. Because this is what “Quacktails” is about – community. Where the people are is where we want to be.

What’s the biggest misconception about you?

People think I’m unserious about things because I’m pierced or selling cocktails. This is crazy because ten years in formal employment and nine years in the most profitable marketing team in the most profitable bank in Nigeria is not a fluke. Even when people come to me about investing in “Quacktails”, at the back of their minds, they expect me not to know what I’m talking about. I know my value and finances, so if you’re coming at me, you have to come, correct. Either collaborative, or you’re offering better than I can do for myself.

What do you think of Gen Zers?

What’s your opinion on the stereotype that Gen Zers aren’t focused or lack patience and the many things they say about us? Everyone always has something to say.

I don’t believe that! I don’t buy into that school of thought for a bit. I believe they’re for themselves and work with morals. Values come before money. They work with an inherent feeling that they don’t teach in schools. I’m with that 100 per cent! Of course, they can be a bit more respectful, but sometimes, who does respect help? Sometimes, respect puts you down. I mean, we won’t have END SARS if not for Gen Z, we won’t have Peter Obi being a viable third candidate if not for them, and whether they agree or not, Gen Z gives the older generation confidence. I mean, the generation before was taught to respect your elders – even if they’re yarning dust. Gen

DARE ADERINOKUN

EIGHT THINGS TO PACK FOR A BEACH HANGOUT

By Bukola Amoboye

Heading out to the beach is always an exhilarating prospect, and the thrill of azure waves, golden sand, and that distinctive beach vibe is hard to resist. However, you’ll want to be well-prepared to make your beach hangout truly memorable. So, let’s dive into our curated list of beach essentials that promise to transform your beach hangout into an unforgettable seaside soiree!

Swimwear

It may seem obvious, but you’d be surprised how often people forget their swimsuits. Even if you think you’ll be content to soak up the sun from the comfort of your beach towel, the siren call of the sea is hard to resist. So, pack that swimsuit, even if you don’t plan on getting in, and you’ll thank yourself later when an impromptu dip beckons.

Flip-flops/Beach

Sandals

Ever tried negotiating a beach in your usual footwear? If so, you’ll know it’s a sand-filled recipe for disaster. Ditch those flats or sneakers and slide into breezy flip-flops or beach sandals. Not only are they sand-friendly, but they also

FINDING THE PERFECT PAIR OF JEANS.

Denim: It’s the fabric of our lives, history, and wardrobes. From the 1950s rock ‘n’ roll scene to the modern city streets, jeans have been the go-to garment for countless generations. But with a multitude of styles, washes, and fits available today, finding that perfect pair can sometimes feel like hunting for a needle in a haystack. Here’s your guide to navigating the denim maze and emerging victorious with your dream jeans in tow.

Know Thyself (and Thy Body)

The key to finding the perfect pair of jeans is understanding your body shape. Whether you’re an apple, pear, hourglass, or rectangle, there’s a fit out there that will flatter you the most.

ferred aesthetic. Do you love a classic dark-wash jean for its timeless appeal?

Or are you drawn to distressed jeans for a rocker vibe? Your personal style will guide your choices.

Stretch or Not To Stretch?

With technology’s influence in fashion, many jeans today have a blend of cotton with elastane or polyester for added stretch. A little stretch can go a long way if you’re after comfort. But purists might prefer 100% cotton for its authentic feel and ageing properties.

The Rise and Rise of... The Rise

High-rise, mid-rise, low-rise – the “rise” refers to where the jeans sit on your waist. Remember, it’s not just about what’s trendy. It’s about what makes you feel fabulous.

allow for those delightful barefoot walks along the shore.

Beach Hat

A fashionable beach hat doubles as a chic accessory and a guardian against the sun. It’s not just about style – it’s about combining elegance and practicality in one fell swoop.

Sunglasses

Protect your peepers and up your style game with a pair of trendy sunglasses. They offer much-needed respite from the sun’s glare and provide the perfect finishing touch to your beach outfit.

Towels

These versatile essentials play multiple roles – they

serve as a soft spot to relax, help you dry off after a swim, and act as a barrier between you and the sandy beach. So, don’t hold back; pack in an extra towel or two.

Sunscreen

Embrace the sun, but don’t let it embrace you too fiercely. A good sunscreen is your best defence against harmful UV rays. Remember to apply it generously and reapply as needed to keep your skin safe and healthy.

Lotion

After the salty sea and sun have had their way with

your skin, a soothing lotion can be a real lifesaver. Be sure to pack your favourite brand to replenish and moisturize your skin postbeach visit.

Food/Snacks/Drinks

Last but not least, don’t forget the refreshments! If beachside vendors aren’t your style, or if you’re permitted to bring your own, pack a cooler with plenty of hydrating drinks and your favourite snacks. There’s nothing like enjoying a tasty treat while watching the sunset over the horizon!

• Apple Shape: Aim for straight-leg jeans or slightly flared styles to balance out your proportions.

• Pear Shape: Bootcut or wide-leg jeans can be a godsend. They’ll balance out wider hips and create a sleek silhouette.

• Hourglass: Celebrate those curves with high-waisted jeans or well-fitted skinny jeans.

• Rectangle: Almost any style works! Experiment with different fits to find what feels best.

• Dive Into Denim Varieties

From selvedge to acid wash, the world of denim is vast. Think about your pre-

The Trial Room is Your Best Friend

Take your time to try on different styles, sizes, and brands. Sizes can vary greatly between brands and sometimes even within the same brand. And here’s a pro tip: when trying on jeans, sit down in them. This ensures they’re comfortable in all situations.

Care for Your Perfect Pair

Once you’ve found them, treat them right. Wash jeans inside out in cold water and avoid the dryer when possible. This will maintain their colour and fit for longer.

MODEL FOR ANDREA IYAMAH

PERSONALISED BEACH HAT AND BAG

SUN LOTION SUNSCREEN BONDI BORN SWIMSUIT

VERDELIMON SWIMWEAR

OZINNA ANUMUDU