Thomas HUBERT - Architecture & Urban Portfolio 2017 (ENGLISH Version) by Thomas Hubert

THOMAS HUBERT

PORTFOLIO ARCHITECTE URBANISTE 2017

On an ongoing journey, inspired by Architecture and Urbanisme

THOMAS HUBERT Sciences Po Paris - Cycle d’Urbanisme Architecte DE - gratuated from ENSA of Montpellier (2016) CONTACT DETAILS : E-mail : thomas.hubert1@sciencespo.fr Phone : 06.32.50.98.78 Address : 6, allée Hiriburua - Résidence Hiriburua - 64210 GUETHARY, France Web link : https://issuu.com/thomashubert9

contents

BAIN ARIO UxeRPagézy LE SCEN l’A traces de Sur les

OJETE ETAT PR

CONTACT

EXPERIENCING THE MOBILITY LANDSCAPE Mini-Urban Project - Cycle d’Urbanisme

CROSSING THE RAILWAY, MONTPELLIER Diploma project

THE NATIONAL DRAMA CENTER, MONTPELLIER Diploma project

MATABIAU TRIANGLE : ANNO TOWER, TOULOUSE M. Arch. 2 student project

NAUTIL’HOME : THE INHABITED SHELL 2015 Competition - Beneteau Fondation

ON THE TRACKS OF SETE : BEYOND THE LIMITS M. Arch. 1 student project

SKALLI WINERY : LA CITE DE LA MUSIQUE M. Arch. 1 student project

CLICHY-MONTFERMEIL METRO STATION - GPE Miralles Tagliabue EMBT - Internship

VANKE CLOUD, GUANGHZOU Miralles Tagliabue EMBT - Internship

THE ABBEY CULTURAL CENTER, ANIANE B. Arch. 3 student project

SEEKO’O HOTEL LOBBY, BORDEAUX 13/06/2015 International workshop

PATRICK AROTCHAREN STUDIO, BAYONNE Internship

INFERNO INSTALLATION, MONTPELLIER Art workshop & Exhibition

4032 WERNERIA, MONTPELLIER Art workshop & Exhibition

INDEPENDENT ART WORK Urban sketching

CURRICULUM VITAE

VANK ANKE CLOUd STAGE : VANKE CLOUD guangzhou gua CHINA’S SILICON VALLEY CREATIVE CITY Silicon Valley Creative City Silico GUANGZHOU, CHINA - EMBT MIRALLES TAGLIABUE - China’s 2015 26

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1st PRIZE / MINI-URBAN PROJECT : EXPERIENCING THE MOBILITY LANDSCAPE Bobigny, france - sciences po paris - 2017 7

Le paysage des mobilités

The landscape around Bobigny—situated in the French • Orienting towards the Ourcq canal to allow for a calm Piste cyclable Seine-Saint-Denis at the border between three living environment and at bay; Route Department de Paris (RN 3) nord) Canal de l’Ourcq Voiesto de keep métro RN3 pollution (berge cities—is highly branded with mobility axes, which cleave • Connecting with the green and blue networks of the through its countryside from East to West. There is the RN3 Department to invite new trends and ways of getting about road, the Ourcq canal and the railway tracks stemming alongside the canal; from Gare de l’Est—Paris’s eastbound train station. These • Opening these outskirts to the greater metropolis, so as infrastructures cross through the area, while not enhancing to connect the zone with a unified urban grid. its accessibility. As it turns out, only one Parisian metro Un paysage habité, intentions de programme Un paysage assumé, intentions station stops at its easternmost extremity, where it has not Our plot is sandwiched between d’implantation two upcoming development caught much attention for development. hubs along the canal: to the West, the Port’s ZAC in Pantin and, to the East, the multimodal hub of the Folie, which Une frontalité pour préserver la tranquilité des berges An isolated enclave—which has a hard time fitting into is connected to the Grand Paris Express network. Hence, the Ourcq canal’s historically renowned industrial axis— we take up a low-key rhythm in this highly urban plot by stretches out between these infrastructures. In view of the preserving its cocoon history as well as its integrity, whilst zone’s degree of isolation, we opted for three guidelines in entering it into the mutant stretch of canal. defining the project: La trame bleue, vecteur de nouveaux usages

Axe paysager à grande échelle

Ouvrir le canal sur le grand paysage ferroviaire

Arthur Bourhis, Lorène Chiron, Eva Feuillard, Thomas Hubert, Marie Le Scaon, Lucas Perrin

Canal de l’Ourcq

Un paysag

Plan masse Echelle 1/2000

Plan de programmation

Un belvédère sur les paysages des mobilités

Habiter le canal

Une frontalité pou

Références

Coupe tranversale AA’ 1/1000 - Un usage partagé du canal 9

CROSSING THE RAILWAY: PAGEZY ZAC Montpellier, france - diploma project director of studies : e. nebout - 2016 11

The strategy of urban projects lies in a global focus, bringing in a scenario, which breaks down into a series of targeted responses. We identified several hotspots, their constraints and their issues. Ultimately, they are meant to be revealed, activated. The main issue for the Pagézy ZAC is to (re)connect it with the city. The project participates in transforming a current urban rift by breaking down the site in three entities: articulations, links and locations. The articulations correspond to the junctions with the ZAC’s surrounding environment. And the links refer to CROISSANCE URBAINE the work on the public lots in between the articulations. Finally, the locations Le récit métropolitain correspond to both architectural proposals on the site. The city of the past was carved on mechanic and speed imagery. The latter prioritized the various networks, fragmented the city and ignored the capillarity. Surely it has opened new possibilities, shortened distance... but at the same time made close connections somehow complex.

Situation urbaine

Entre vieille ville et nouvelle ville

LES LIENS

Une succession de moments, d’évenements

Potager urbain

Architecture du sol

Mini hub

Articulation basse Les délaissés du Polygone + l’Hôtel Mercure

Articulation haute L’ancien Hotel de Ville

THE NATIONAL DRAMA CENTER OF MONTPELLIER : A LINK IN THE CITY Montpellier, france - diploma project director of studies : e. nebout - 2016 15

Le s

Le site envisagé se situe à l’emplacement de l’actuel hôtel Mercure (1). Sa configuration urbaine condamne le lieu, offrant d’immenses murs pignons aveugles sur l’axe de circulation piéton. Son écriture est massive et peu ouverte sur l’extérieur.

Bureau

Couloir

L’hôtel crée une sous-face obscure, inquiétante pour le piéton et absente de toute urbanité. Construit à une époque où la voiture était reine, le piéton a été oublié. et préfère aujourd’hui contourner ce passage plutôt que de l’emprunter.

Bureau

Toîture terrasse

Bureau

Couloir

Salle de réunion

Bureau

Couloir

Bureau

Couloir

Bureau

Couloir

Bureau

R+5

R+4 Faux plafond

Niveau: 46,76 m NGF

Faux plafond

Bureau

Salle de réunion 2.7000

Archives

Bureau

2.9000

2.8600

2.5200

Local

2.6500

NGF: 25.55m

Espace Chaptal

Faux plafond

Couloir

16 Les coursives - Unité architecturale

NGF: 27.17m

"? Parking Mercure ?"

Entrée parking hôtel Mercure

2.0600

Accès/Sortie parking P3

Rue de la Spirale

NGF: 26.73m

2.3800

NGF: 21.

ECRITURE ARCHITECTURALE Axonométrie structurelle

MATABIAU TRIANGLE: ANNO TOWER Toulouse, france - e. nebout studio - 2016

The Anno Tower is situated in the Matabiau Triangle, a new neighborhood based on the urban project of Juan Busquets. The plot where the tower arises is the figurehead for the whole urban operation, in that it composes a new facade for the piazza of the historical train station which is planned to become a shopping mall. The mixed-use programming combines shopping units on the ground floor, followed by three storeys of offices and is ended up with various housing typologies throughout twelve levels. The ring-shaped architectural writing comes from the succession of large balcony openings facing the living-rooms but which are pinched at the party walls. The whole is unified by this will for a ÂŤdemocratic towerÂť. The bioclimatic qualities of the project include a rain water recovery system, a solar heat collector and a heat recovery system.

REGLES URBAINES

«Le parcellaire tridimensionnel»

SEQUENCE VERTICALE

Composer avec les platanes du Canal du Midi

ECRITURE ARCHITECTURALE Exprimer les ondulations et les flux

NAUTILâ&#x20AC;&#x2122;HOME : THE INHABITED SHELL 2015 beneteau foundation competition

NAUTILOME : la coquille

Projet présenté par HUBERT Thomas Novembre 2014

Ce projet est né de la volonté de proposer un

nome. Plutôt que de proposer UNE maison, Na

sur une grille de composition inspirée de la fo

d’or, les modules permettent d’avoir un logem

Cette organisation de la maison développe de

la forme qui s’enroule. Cette disposition indu

espaces – de l’espace partagé, ouvert largeme dans le creux du Nautilome. The Nautil’home proposes an evolutive, modular and autonomus floating house pattern. Rather than plain, its grid-based construction system is reminiscent of a nautilus. Based on the golden section, the modules allow for several housing sizes : either two, three or four bedrooms. Such an organisation offers fluid spaces, which are naturally separated throughout its coil. From the outside in, this layout leads you through shared and widely open spaces on into the bedrooms, which are nestled in the hollow of the Nautil’home.

Coupe transversale et coupe sur pièce de vie

La question de l’horizon était prégnante à tout

soit en proposant des ouvertures orientées ve

toit accessible par une échelle, façon ludique d

Cette maison n’étant pas située mais au cont 24

légie aucune direction, laissant alors libre cou

maison. Dans la perspective d’un scénario pou

ON THE TRACKS OF SETE : BEYOND THE LIMITS Sete, france - p. buffard studio - 2015 27

Since the city of Sète on the SouthEastern French coast is lacking in attractiveness today and its whole industrial harbour is low in activity, ‘‘On the tracks of Sète’’ uses la PointeCourte neighborhood as a pattern for inspiration. Both its atmosphere and quality of life are the guidelines for this new district. Indeed, it is a little fishermen’s quarter where houses expand in an inviting way onto the streets, called ‘‘traverses’’. ‘‘Beyond the limits’’ expresses how new public spaces will spread out as thresholds rather than limits, therefore reconnecting with the 19th century part of town. Similarly, the new blocks work as thresholds out to the fallow land, preserving parts of the current land within the new landscape inside the blocks in reminiscence of the genius loci rather than opting for an out-dated tabula rasa. 28

THE SKALLI WINERY : LA CITE DE LA MUSIQUE Sete, france - c.berrou/l.gleizes studio - 2015

The rehabilitation of the Skalli winery into the Cité de la Musique is the first step towards the whole transformation of the industrial wastelands of Sète. The architectural concept translates the idea of floating spaces. The new building is conceived as the « negative » of the winery. To interrelate with its stone twin, it disappears behind a polycarbonate veil, revealing its wood structure. The winery’s in-between space then becomes the new city door for the upcoming neighborhoods that will be situated in the midst of the industrial wastelands. 32

THE GRAND PARIS EXPRESS CLICHY-MONTFERMEIL METRO STATION Paris, france - embt miralles tagliabue internship - 2015 Â© Miralles Tagliabue EMBT 35

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SCENARISATION DU PROJET During the three-months internship at Miralles Tagliabue EMBT in Barcelona I was part of the team working on the Clichy-Montfermeil (CMF) metro station for En ce qui concerne l’insertion urbaine de la gare du Grand the Grand ParisExpress Expressde project. At that time we wereplusieurs finalizing the APD phase Paris Clichy-Montfermeil, scénarios ont (Avant Projet Définitif, i.e. Pre-Definitive été développés en phase Project) AVP-a. Peu de temps après mon The CMF stationnous is oneavons of theété flagship stations as le defined by the1 Société arrivé, informé que scénario intitulé «boîte émergence Nord» a étéandretenu du Grand Paris.bi-circulaire It expands in et a very expressive, generous visible par wayla SGP. throughout the city. Such ambitions are completed by the strategic directions passed on by Jacques Ferrier and Sensual City Studio in order to ensure a Les principales difficultés que nous avons eu à résoudre commondurant identitymes to thetrois whole Grand ParisEMBT Express mois chez ontnetwork. été : The vital thread is the « traveler’s experience» illustrated by two scenarios: one starting from the city, the-la otherconception starting from the platform. des circulations verticales qui doivent passer de trois à quatre mécaniques (dans One un espace These scenarios helped us define theescaliers urban inscription of the project. of the de même dimension) + optimisation des flux voyageurs main issues was to manage traveler flows, in particular inside the main shaft, (supprimer les croisements de flux entrants et sortants); one of the central features of the CMF station. This shaft embodies staging in day-to-day use of the station. The architectural unity comes fromdéfni the -La mobility réorganisation des espaces techniques tel que fiber glass panels used as shelter on the public space side and as facade in dans le programme-cadre; the heart of the station. maquettes de fr agment -le traitement architectural de l’émergence et la prise en compte du programme-cadre en terme de sécurité incendie et sécurisation des espaces avec suppression des recoins et arrière de gare;

Gare Clichy Montfermeil - plan Niveau quais N-4

N - 4

Plans d’étages gare CMF, phase AVP-a

maquettes de fr agment d'enveloppe / etude de la disp osition des modules

variante 3 : Petites passerelles 37.15

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Société du Grand Paris

Passatge de la Pau, 10 bis, pral. 08002 Barcelona - Espagne T +34 93 412 53 42/ F +34 93 412 37 18/ M info@mirallestagliabue.com

30, Avenue des Fruitiers 93200 Saint-DENIS

10 m

Ce document est la propriété de la Société du Grand Paris. Toute diffusion ou reproduction intégrale ou partielle faite sans l’autorisation préalable et écrite de la Société du Grand Paris est interdite.

Indice

Date

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PN1208-2_05_AVA_PLA_000003

14_07_CMF_2015_07_21_variante_3_petite_passerelle.dwg

Codification Interne Emetteur (Optionnel) :

GROUPEMENT EMETTEUR: MIRALLES TAGLIABUE EMBT ET BORDAS + PEIRO

MAITRISE D'OUVRAGE

MODIFICATIONS

Réseau de Transport Public du Grand Paris

Gare Clichy Montfermeil - plan Niveau N-2

variante 2 : Grande passerelle variante 1 : Grands paliers

CONFIDENTIALITE :

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MAITRISE D'OUVRAGE

Société du Grand Paris

Passatge de la Pau, 10 bis, pral. 08002 Barcelona - Espagne

37 ICATIONS

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Nom du fichier :

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14_07_CMF_2015_07_21_variante_3_petite_passerelle.dwg

Codification Interne Emetteur (Optionnel) :

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VAN

VANKE STAGE :CLOUD VANKE CLOUD gu CHINA’S SILICON VALLEY CREATIVE CITY 2015 S Guangzhou UANGZHOU, china CHINA - embt EMBT miralles MIRALLES tagliabue TAGLIABUE internship - China’s 2015 39 27

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On a two-week period at EMBT studios we worked on a competition phase for a stimulating project based in China. The Vanke Cloud competition proposed a large mixed-use programme combining dwellings, offices, schools and a shopping mall. The project is situated in a new business district, the « Silicon Valley Creative City » of China, in Guangzhou’s suburbs. In the North of the plot rises Tiantang Mount and the project is surrounded by marshlands. A former stream crossing the site constitutes the central green corridor of the project, renewing with the genius loci. The school is organised around several patios, favoring interactions between people and events. The shopping mall is to be the central piece of the project, spreading along the green corridor. This space offers an atrium in between the future metro station and the inside of the complex.

NEW TOURISTIC TERRITORIES THE ABBEY CULTURAL CENTER Aniane, france - j.brion/p.ladoux studio - 2014 43

The intervention on the abbey of Aniane stresses openness. As it stands today the abbey turns its back to the city and is totally withdrawn into itself, especially since it was last used as a prison for children. The first door towards openness reactivates the strip as follows : from the city through the abbey out to the landscape. In order to reconnect these two extremes a couple of entries are broken through along the forecourt and the chapel. Moreover, a new belvedere is then entirely available to the city. This whole public space, planted with cypresses organised into rows, which highlight the new sequence, creates visual permeability centering on the landscape as well as circulation permeability where the trees act as a natural guide path for visitors coming out from the city towards the cultural center. 44

? 46

INTERNATIONAL WORKSHOP GUTTED AND REMODELED HOTEL LOBBY SEEKOâ&#x20AC;&#x2122;O HOTEL BY KING KONG ARCHITECT Bordeaux, france - j.reinikainen studio - 2013 47

1570

1030

KITCHEN

570

4260

S TA F F R O O M / S TA F F A C C E S S WEB AREA / SELF-SERVICE KITCHEN RESTROOMS LIFTS HOTEL ROOMS Self service Kitchen Internet

[ M AT E R I A L S ]

Space for 5 hotel rooms

COUNTERS / CEILING FLUIDE ORGANIC FORM CEILING FOR ACOUSTIC PURPOSES AND DRIPPING COUNTERS MADE FROM ACRYLIC RESIN: CORIAN BY DUPONT / V-KORR / HI-MACS

Lobby

SCREEN WALLS

300

L I G H T F I LT E R I N G . M A D E FROM ACRYLIC RESIN: CORIAN BY DUPONT IN C O L L A B O R AT I O N W I T H HAJ ARCHITECTURE

570

4260

ICES

RECPTION AREA

UNDER COUNTERS TO PROVIDE SCREENINGXZXZ MADE FROM P O LY M E T H Y L M E T H A C R Y L AT E : PLEXIGLASS

FERENCE

200]

ICES

[ V I E W F R O M R E S TA U R A N T E N T R A N C E ]

[VIEW FROM

FERENCE

FLOORING SURFACE

LOW AND EASY MAINTENANCE FLOORS IN LIGHT HARDWOOD: MAPLE / WHITE OAK, AND EPOXY RESIN

ESS KITCHEN

[CONCEPTS M A X I M I S I N G S PA C E P R O F I TA B I L I T Y: C A P I TA L I Z I N G O N THE GROUND FLOOR AREA, THE FLOOR WITH THE MOST EXPOSURE TO THE S T R E E T.

CL MA FA CR AN MA EN PA CL PR RO FL LA

EAUX / GUTTED AND REMODEL FURNITURE

CEILING

TEXTILE COLOUR PA L E T T E B R I N G I N G WARMTH TO THE INTERIOR

[PLANS / SECTIONS]

IC FORM COUSTIC D NTERS CRYLIC LO B YO R ] ORR /

[GROUND FLOOR]

[SERVICES]

[1:100]

Emergency Exit

[GROUND+FIRST FLOOR]

[SOL

[FLO

Entrance Restaurant

G. MADE RESIN:

Entrance Hotel

N WITH TURE

Entrance Parking

Bar

1010

Back Offices

ERS CREENFROM

1590

Lobby Back Offices

[VIEW FROM LOBBY ENTRANCE]

A C R Y L AT E :

490

Employees'kitchen

[PRO

Terrace

[CONCEPTS FOR A RESPONSIBLE AND USER-CENTERED DESIGN] M A X I M I S I N G S PA C E P R O F I TA B I L I T Y: C A P I TA L I Z I N G O N THE GROUND FLOOR AREA, THE FLOOR WITH THE MOST EXPOSURE TO THE S T R E E T.

CLEANING AND 790 MAINTEN ANCE FACILITIES C R E AT I N G A L O W AND EASY MAINTENANCE [1:100] ENVIRONMENT P A R T I C U L A R I LY F O R C L E A N I N G S TA F F. PROVIDING STORAGE ROOMS ON EACH F L O OfirstRfloorA S W E L L A Restaurant Conferences L A U N /Dmeeting R Y room S H O O T.

[FIRST FLOOR] 130

UR GING H EA D E C

Lounge

wc Back Offices

URFACE

FLOORS WOOD: OAK, SIN

Kitchen

USER-CENTERED 1570 THINKING S TA F F : F U N C T I O N A L LAYOUT WITH S E PA R AT E E N T R Y A N D S TA F F C O M M U N ROOM. CLIENTELE: FLEXIBLE HOTEL POLICY WITH THE CHOICE BETWEEN A R E S TA U R A N T O R A N “ E AT O U T ” S E L F [ROOM] SERVICE.

CHOICES OF M AT E R I A L S CO RIAN AND RESIN 4260 FOR MAINTENANCE REASONS. CORIAN PIXEL S C R E E N S C R E AT I N G A SOFT LIGHT AMBIANCE AND PROTECTING THE R E S TA U R A N T A R E A F R O M T H E D R A F T.

1590

850

Space for 5 hotel rooms

LIGHTING S O L U T1030 IONS OPENING UP A C O U R T YA R D PROVIDING N AT U R A L L I G H T FROM BOTH SIDES OF THE BUILDING. USING LIGHT COLOURED M AT E R I A L S ALLOWING LIGHT TO Self service P E N E T R A T E I N TKitchen O THE C O R E O F T H E Internet LOBBY AND R E S TA U R A N T A R E A . LIGHT “SPOTS” I N T E G R AT E D I N T O THE CEILING PA N E L S .

REDUCTION OF N U I S A570 NCE ACOUSTICS: ASYMETRICAL C O R I A N PA N E L S O N THE CEILING LIMITING RESIDUAL SOUND LEVEL BY DEFLECTING R E V E R B E R AT I O N S / THE FURNITURE CONTRIBUTES TO MANAGING OF THE SOUND.

Lobby

[ M AT

Self service Kitchen Internet

[ M AT E R I A L S ]

Space for 5 hotel rooms

COUN

FLUID CEILIN PURPO DRIPP MADE RESIN DUPO HI-MA

Lobby

[ SEEKO’O [EXISTING]

300

HOTEL / BORDEAUX

SCRE

[DIAGNOSTIC]

570

LIGHT FROM CORIA DUPO COLLA P L JA N HA A

[

[STREET SCAPE]

[GROUND FLOOR]

[GROU

RECP

1010

UNDER TO PR INGXZ P O LY METHY PLEXIG

BEFORE

S M A L L E N T R A N C E / O PA Q U E FA C A D E

1590

LOBBY ENTRANCE]

FLOO

490

LOW A MAINT IN LIG MAPLE AND E

FOR A RESPONSIBLE AND USER-CENTERED DESIGN] USER-CENTERED THINKING S TA F F : F U N C T I O N A L LAYOUT WITH S E PA R AT E E N T R Y A N D S TA F F C O M M U N ROOM. CLIENTELE: FLEXIBLE HOTEL POLICY WITH THE CHOICE BETWEEN A R E S TA U R A N T O R A N “ E AT O U T ” S E L F [ROOM] SERVICE.

REDUCTION OF NUISANCE ACOUSTICS: ASYMETRICAL C O R I A N PA N E L S O N THE CEILING LIMITING RESIDUAL SOUND LEVEL BY DEFLECTING R E V E R B E R AT I O N S / THE FURNITURE CONTRIBUTES TO MANAGING OF THE UND OR] S[[ G ORRUO . FF LL O G ONUD ND OOR]

FURN

[ FT EI RX TSI LT

HOTEL / BORDEAUX / GUTTED 130

[GROUND+FIRS 850

[SERVICES]

[[ G GR RO OU UN ND D FF LL O OO OR R ]]

[1:100] [1:100]

Emergency Emergency Exit Exit

490

[[ S S TT R RE EE E TT S SC CA AP PE E ]]

[[ P // TS D FN P LL[ LA AAN NYS SO U S] E E[ GC CR OTTU NII O O NL OS SO R]]]

1590

[[ D D II A AG GN NO OS S TT II C C ]]

PA L E T WARM INTER

M U LT I P L E E N T R A N C E S / G L A S S F A C A D E

Entrance Entrance Parking Parking

1010 1010

Bar Bar

S M A L L E N T R A N C E / O PA Q U E FA C A D E S M A L L E N T R A N C E / O PA Q U E FA C A D E

BEFORE

1 / 3 L O B B Y + 2 / 3 PA R K I N G

1590 1590

BEFORE BEFORE

Kitchen Kitchen

[LONG Back Offices Back Offices

490 490

CONCEPTS FOR A RESPONSIBLE AND USER-CENTERED DESIGN First of all, capitalizing on the ground floor area will maximise [ F I R S T Fexposure L O O R ] onto the street. Next, we create a hands-on and easy maintenance environment--particulary for cleaning staff--by providing storage rooms on each floor, for instance. ‘‘User-centered Design’’ means creating a staff-functional layout with separate entries and a common staff room. The choice of materials such as Corian and resin define the new inside identity, while preserving the initial spirit of the Seeko’o Hotel.

AFTER

Employees'kitchen Employees'kitchen

Terrace Terrace

790 790

1570 1570 4260 4260

[[ FF II R RS S TT FF LL O OO OR R ]] AFTER AFTER

M U LT I P L E E N T R A N C E S / G L A S S F A C A D E M U LT I P L E E N T R A N C E S / G L A S S F A C A D E

L O B B Y + R E S TA U R A N T [ PA R K I N G O N L - 1 ] Restaurant first floor Restaurant first floor room Conferences / meeting Conferences / meeting room

[GROUND FLOOR] [GROUND FLOOR]

[SERVICES]

[CROS

Space for 5 hote Space for 5 hote

[GROUND+FIRST FLOOR]

850 850

[[ LL A AY YO OU U TT ]]

AFTER

[1:100] [1:100]

1590 1590

O OR R ]]

[GROUND FLOOR]

LIGHTING SOLUTIONS OPENING UP A C O U R T YA R D PROVIDING N AT U R A L L I G H T FROM BOTH SIDES OF THE BUILDING. USING LIGHT COLOURED M AT E R I A L S ALLOWING LIGHT TO P E N E T R AT E I N T O T H E CORE OF THE LOBBY AND R E S TA U R A N T A R E A . LIGHT “SPOTS” I N T E G R AT E D I N T O THE CEILING PA N E L S .

130 130

KO’O

CHOICES OF M AT E R I A L S CORIAN AND RESIN FOR MAINTENANCE REASONS. CORIAN PIXEL S C R E E N S C R E AT I N G A SOFT LIGHT AMBIANCE AND PROTECTING THE R E S TA U R A N T A R E A F R O M T H E D R A F T.

WORKSHOP 2013

RESPONSIBLE & USER-CENTERED DESIGN THINKING [in architect’s work]

Jaana REiNIKAINEN

490 490

LEANING AND AINTENANCE ACILITIES R E AT I N G A L O W ND EASY AINTENANCE NVIRONMENT A R T I C U L A R I LY F O R L E A N I N G S TA F F. ROVIDING STORAGE OOMS ON EACH LOOR AS WELL A A U N D R Y S H O O T.

Groupe n°3

C. DIAZ - T. HUBERT - K. RIPARI

Terrace Terrace

1390 1390

BEFORE BEFORE

1 / 3 L O B B Y + 2 / 3 PA R K I N G 1 / 3 L O B B Y + 2 / 3 PA R K I N G

4260 4260

PATRICK AROTCHAREN STUDIO INTERNSHIP WORK Bayonne, france - 2014 51

ÂŠ Patrick Arotcharen Architecture

This internship was an opportunity for me to be part of one of the most active and dynamic architectural workforces in the French Basque Country. At first, I worked on the final phase of the Grand Parc project in Bordeaux, France--a pair of buildings for 69 households. I was in charge of drawing the facades of the buildings, from global composition to constructive details. This experience gave me a chance to work under pressure and short deadlines. The second mission I was charged with--alongside other architects in the studio--consisted in the first design concepts and implantation phase of the Colas construction companyâ&#x20AC;&#x2122;s offices. This enabled me to participate in the genesis of a whole new project.

ÂŠ Patrick Arotcharen Architecture

INFERNO INSTALLATION ART WORKSHOP & EXHIBITION Montpellier, fr. - alain lapierre - 2014 54

The Inferno installation was inspired by the reading of Dante Alighieri’s Divina Commedia and especially by Botticcelli’s Map of Hell. This 1:1 scale installation was part of the BUZZ #5 exhibition of the Aperto Gallery in Montpellier whose theme was ‘‘The Cabinet of Curiosities’’. The 1.5 cubic meter piece--mainly building on light and shadows-is an abstract representation of Hell made of thin wooden strata. There are 9 strata referring to the 9 concentric levels of Hell as depicted in the famous painting. The contrast between the central cone of light and the dark edges expresses the fall of the human soul. The central idea was to build light and express emptiness to the visitor’s eye as one’s look falls down into the eye of the Inferno.

4032 WERNERIA ART WORKSHOP & EXHIBITION Montpellier, fr. - e. etienne - 2016 56

In collaboration with the School of Fine Arts of Montpellier, our photographic project 4032 Werneria was selected to be part of the traveling exhibition organised by the SKENE collective of artists. Inspired by ideas developed in my masterâ&#x20AC;&#x2122;s thesis, I explored the Botanical Institute of Montpellier in order to experience several photo montages. This space is in a spatio-temporal inbetween since the Botanical Institute has been abandoned. The pictures present silhouettes as a way to personify and symbolize the perceived sensations and atmospheres. Black and white pictures underline the spaces, then uncovered. Along through my Urbex (Urban Exploration), several periods seemed to overlay, as if the space in itself was a herbarium, collecting and preserving the successive ages. Hence, even in such a silent place, we could almost hear the whispers of the past. Travelling, tilted framings, top-down and bottom-up views, zooming, focal settings, contrasts, composition, blurs were as many processes used in this photographic montage experiment.

INDEPENDENT ART WORK URBAN SKETCHING

CURRICULUM VITAE

THOMAS HUBERT

ARCHITECTE URBANISTE DE

Actuellement étudiant au Cycle d’Urbanisme de Sciences Po Paris, je suis à la recherche d’un stage de fin d’étude d’une durée de 3 à 6 mois à partir de juillet 2017.

FORMATION

Informations Age : 23 ans (11 juin 1993) Mail : thomas.hubert1@sciencespo.fr Mobile : 06.32.50.98.78 Adresse : Fondation des Etats-Unis 15, bd Jourdan 75014 PARIS Mobilité : Permis B, vélo Portfolio : https://issuu.com/thomashubert9

2016-2018

/ DESS Urbanisme - Cycle d’Urbanisme - Sciences Po Paris - Ecole Urbaine

2011-2016

/ Diplôme d’Architecte Diplômé d’Etat - Master Art & Architeture Ecole Nationale Supérieure d’Architecture de Montpellier

2008-2011

/ Baccalauréat S - Mention Bien - Lycée René Cassin, Bayonne

Compétences > Langues

EXPERIENCE PROFESSIONNELLE 2016-2017

/ NEXITY VILLES & PROJETS, PARIS - 9 mois Groupe de recherche sur « la Rue de Demain » - Projet collectif - Benchmark international (enquête de terrain en France et à l’étranger, rencontre d’acteurs de la ville) - Guide méthodologique sur la fabrique de « la Rue de Demain »

2015

/ MIRALLES TAGLIABUE EMBT, BARCELONE - 3 mois Assistant chef de projet Architecture - Stage - Gare de métro Clichy-Montfermeil, Ligne 16 du Grand Paris Express - Phase Avant Projet Définitif (APD) - MOA : Société du Grand Paris - Projet Vanke Cloud (Logements, bureaux et école), Guangzhou, Chine - Phase concours - MOA : Vanke

2014

/ PATRICK AROTCHAREN, BAYONNE - 2 mois Assistant chef de projet Architecture - Stage - Projet le Grand Parc, 69 logements, Bordeaux - Phase Etudes de Projet (PRO) MOA : SEM InCité - Projet de bureaux pour l’entrepris de BTP Colas - Phase Esquisse (ESQ) / DL & ASSOCIES, GUICHE - 1 mois Dessinateur projeteur - Stage - Participation à l’élaboration de plusieurs concours

FRANCAIS Langue natale ANGLAIS Langue maternelle Niveau avancé (IELTS / Cambridge C1) ESPAGNOL Niveau B2, Intermédiaire

> Informatique Niveau avancé AutoCAD, ArchiCAD, Adobe Photoshop, Adobe Illustrator, Adobe InDesign Niveau intermédiaire SketchUp, QGIS SIG, Microsoft Office Notions Revit, Rhino 3D

> Divers

2013

Dessin, Maquette, Photographie

/ G2C OPC, BAYONNE - 1 mois Stage de chantier - Mission d’Organisation, Planification et Coordination sur divers chantiers de logements au Pays Basque

2013

Distinctions

CENTRES D’INTERET

> 1er Prix : Mini-projet Urbain - 2017 Habiter le paysage des mobilités Sciences Po Paris - Cycle d’Urbanisme

ASSOCIATIF

> Mention Spéciale du Jury : Projet de Fin d’Etude - 2016 Franchir les rails - Directeur d’étude : Emmanuel Nebout ENSA de Montpellier

/ Président association Archipel - ENSA de Montpellier - 1 an Mise en relation des étudiants et de professionnels (architecture, urbanisme, design...)

PROJETS PERSONNELS

/ Diverses missions architecturales pour des particuliers et des promoteurs Dépôt de PC, relevé architectural, réalisation de perspectives...

SPORT

/ Rugby - 3e ligne aile à l’AORC (10 ans) et à l’ENSAM (2 ans)

VOYAGES

/ Angleterre, Allemagne, Suisse, Belgique, Italie, Pays-Bas, Grèce

> Exposition BUZZ #5 - 2014 Inferno, installation artistique Galerie Aperto, Montpellier

HUBERT Thomas thomas.hubert1@sciencespo.fr https://www.linkedin.com/in/thomashubertarchitecture https://issuu.com/thomashubert9