Consume

Page 1

ontent


62-67

68-73

art direction

subvertising

74-79

74-79

80-85

98-103

zero foot print

graphic outcomes

86-91

visual thinking

display type

photoshop as research tool 80-85

design a logo

56-61

newpaper image

38-43

32-37

26-31

20-25

14-19

1-13

joe & jimmy

50-55

creative alphabet 44-49

vernacular type

typo critique

book design

shoebox collection

Screen narrative

intorduction

Content




introduction

CONSUME

THE PROJECT

Doing the “consume” project actually gave a broader understanding of the word than I have imagined over the years, The word originates form a root word “consumer”

I started off the project with a brainstorm of the word consume from the artistic point of view, in order to help me in the kind of images to capture.

DEFINITIONS 1.to destroy or expend by use; up. 2.to eat or drink up; devour. 3.to destroy, as by decomposition or burning 4.to spend (money, time, etc.) Wastefully. 5.to absorb; engross. (Used without object) .To undergo destruction; waste away. 7.to use or use up, consumer goods.

The following are some of the words that came out as a result of the brainstorm; Invention, people, time, give, fashion, energy, drink, food, price, distraction, pollution, quantity, clothes, waste, buy, vehicle, eat, intake, animal, recreate, expression, passion, human, enjoy, moment, use, enjoy, together, smoking, disaster, collection, attention, implement, production, bin, effort, price, fuel, kill, large, huge, goods, image, rubbish, create, take, service, continue, continues, plenty, consumption,

shopping,


introduction

13

c

onsume is a comprehensive environmental research project which began in summer 2008 and is meant to be due for assessment on 11th december,2008. The project opens up with a photographic documentation of interesting images relating to the word consume and found interesting type in the environment. In order to capture interesting images I started off with a brainstorm with the word consume and type. Having returned from the summer break, the consume project continued with series of workshops with most of the workshops featuring the images taken during the summer break, these workshops were in the form of teaching sessions into various fields e.g. Illustration, typography, web design, advertising, typography, book design, etc. The end product of the protect is this interesting book which crosses various design fields with the aim of communicating design in different ways to the reader. The book pens up with an introductory capture which you are currently reading, followed by a fifteen chapters of various workshops and a sixteenth chapter of three graphic outcomes as a result of the consume project. These outcomes could be in the form of poster, flick book, an invented font type (typeface), packaging for a product, visual performance, etc. The book is aimed to appeal to all designers. This book has made me to realize that research can be presented in an interesting way, rather than just showing image and type .

An image of chicken found in peckham marked. The word chicken came up during a brainstorm with the word consume.

English beef in walwarth road, but do consumers really care if its English, halal or Turkish, well, I don’t, meat is meat a beef is beef


screen narrative

fun HOW BASIC MESSAGES ARE PUT TOGETHER This chapter looks at how words and images are put together to make meaning, most major design industries play around with words and images before coming out with ideas, in this chapter we will be looking at certain key words in relation to type and images. SIGN: can be said to anything that makes a meaning, it could be in the form of a logo, illustration, typography or photography. DENOTATION: this is the actual or fixed meaning of a word. CONNOTATION: this is the image that comes to mind when a word is mentioned. NB: connotation and denotation can sometimes be the same depending

Clean suicide Luxury

15


screen narrative

17

In a screen narrative workshop, people put words they thought fit well with certain images next to the images. It was interesting to know how people think about certain things or habits, for instance someone put the word enjoy next to an image of a person drinking a pint of beer


screen narrative

chips

rubbish

waste shame

junk cheap drunk Killer london revenge disgusting friday nigh

t


shoebox collection

C

hapter of shoebox collection teaches how objects can be arranges in different ways to achieve an interesting outcome. The image is a shoebox collection in the coming pages of this chapter will show how the collection can be rearranged in an alphabetical, categorical, hierarchical, location al and time which items where bought, the aim is to come up with an interesting photographic or illustrational arrangement. This chapter teaches how objects can be arranges in different ways to achieve an interesting outcome. The image is a shoebox collection in the coming pages of this chapter will show how the collection can be rearranged in an alphabetical, categorical, hierarchical, location al and time which items where bought, the aim is to come up with an interesting photographic or illustrational arrangement.


shoebox collection

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This is the content of a shoebox collection over summer period during the time of the consume investigation, to the none normal person who is not into design, this would have been rubbish, little would he or she know that an interesting image could be created out the rubbish. The shoebox workshop, was very helpful, the fact that simple information could be presented in a more creative yet interesting way. May be if people who are not designers will see some outcome of the shoe box collection, then they will think twice before throwing away certain things. I can argue my way that making something out of nothing is a vital aspect of creativity, there is always new coming up, if someone will pause for a second and think about how certain things were invented, how many trails that had to be done before one invention, then the world will be ready to give birth to countless creative persons, It seems a bit crazy sometimes how people think about art and put limit to art, but really art can be said to without limit, who would have thought there is creativity or beauty in rubbish, but here we are , This is art for us

The content of a shoe box collection, was meant to be rubbish but out of it is beautiful art.


shoebox collection

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In the shoebox workshop Ola decided to do a collection of mobile phones and document them in different ways. After drawing outline on the phones, there is an interesting grid result which could be a graphic outcome.


book design

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This chapter gives tips on some key things to look at when designing a book, these tips are applicable to other designs. . HIERARCHY: it is important to note that in designing every book or any visual piece of art, some words are more significant than others, for that reason, there should be a distinction between these words, and this distinction can be done using color, weight of type, upper or lower, size, etc. TYPE CHOICE: Choosing a font type for a design needs to be considered depending on the type of design it is. For book design, there has to consistency in the type of font chose, on the other hand some special font types could be brought in to play the role of an image, and should not be a lot. CONSISTENCY: It is important to keep a consistent flow of the designs in the pages, this can be achieved by sticking to the chosen font type, the chosen flow line, the style and position of chapter opener, position of page number etc. USE OF GRID: the use of grid is vital in designing most books, the grid actually helps in keeping a contact flow in a design (book), as a designer, it is also important to note that the grid there to guide you but not to rule.


book design

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Some FdA graphic design students giving their thoughts on how some pages and spreads work in a book.


book design

A book is the birthplace of graphic design. Historian Lucien Febvre said that is “it assembled permanently the works of the most sublime creative spirits in all fields.... And created new habits of thought not only within the small circle of the learned, but far beyond, in the intellectual life of all who used their minds. Hans Peter Willberg, a highly experienced book designer, has roughly categorized types of books based on conventions of subject matter. This determines how they are designed. Willberg’s category are: typography for linear reading, typography for information, typography for consultation and selective reading and typography for units of meaning. Dutch book designer Jost Hochuli draws a distinction between macro and micro typography, macro being book as a whole navigation elements, and each page, and micro being the spaces around and between the lines words and letters. The images on the side are a collection of books during my research.


typo critique

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ood typography is appealing to the eye, it is quite easy to read a book and not think about of how much work that goes into how the layout is set, the typography involved and so on. In this chapter, we will look at some typographical faults, that is basically criticizing a piece of typography. Almost all type are legible. The choice of typography works really well on the swing ticked. The choice of color works really well, the shiny look of the logo distinguishes it from the type. Its been designed to look good rather than to read. There is to many things going on, example the type sizes. It was not a good idea to put button on the swing ticket. The logo looks more of a wine logo, rather than a logo for a garment. The swing ticked talks about glossiness but has no glossy fell to it. The stitching makes it work as a fashionable piece. Using the alphabet V to create a box makes it have a unique feel to it The whole design looks old fashioned.

B


typo critique

This chapter gives tips on some key things to look at when designing a leaflet, these tips are applicable to other designs. . HIERARCHY: it is important to note that in designing every or any visual piece of art, some words are more significant than others, for that reason, there should be a distinction between these words, and this distinction can be done using color, weight of type, upper or lower, size, etc. TYPE CHOICE: Choosing a font type for a design needs to be considered depending on the type of design it is for a leaflet design, there has to consistency in the type of font chosen Looking at the leaflet on the right hand page, there are a few things we can talk about, I guess you are a designer or a design student then you might have spotted a few typographic mistakes as well First of all we have to consider what are the important elements in the leaflet, obviously all the element are necessary but some are more important that others, that is when hierarchy comes in. Looking at the leaflet, you realize there is the use of one font type in the leaflet, which is a good thing but there is the use of too many weights in the leaflet, which is not a good thing, and the is repetition of some of the information, which is not necessary.


typo critique

37

Mr. Ben helping some FdA students to find faults in a typography piece, he talks about hierarchy, kerning and leading.

David and his mate sharing their ideas on what they think about the newspaper advertising.


vernacular type

39

Ed Fella

Ed Fella is an artist, educator and graphic designer whose work has had an important influence on contemporary typography. He practiced professionally as a commercial artist in Detroit for 30 years before receiving an MFA in Design from the Cranbrook Academy of Art in 1987. He has since devoted his time to teaching at the California Institute for the Arts and his own unique self-published work which has appeared in many design publications and anthologies. In 1997 he received the Chrysler Award and in 1999 an Honorary Doctorate from CCS in Detroit. His work is in the National Design Museum and MOMA in New York. Looking at Ed Fella’s work inspired to come up with some interesting typography.


vernacular type Some alphabets created using different printing techniques

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j


vernacular type

43

Having done a workshop on vernacular type, I can define it to be the mixer of art and type, it is interesting to understand that there is no fixed way of designing vernacular type, it also has no rules and restrictions like other type styles. A person’s creativity level will determine how good they will be in designing vernacular type. Drawings are an unconscious discharge of all the styles and forms that are put in to create an interesting vernacular type. Having the basics of drawing in your unconscious will make you naturally good in designing vernacular type, having said that, there is no wrong or right vernacular type since all designers are different, hence with different approaches to work. Ed Fella says “I don’t have to make meaning anymore, I can just use the techniques, like a machine that has long ago stopped making widgets, but the machine is still running. I’m still making stuff. I love the craft of it-of carefully making some little thing...”


creative alphabet

I took time to visit this barber who does creative designs and typography in hair, I was impressed by the kind of work I saw him do, I decided to en cop rate it in the consume project, I decided to interview him and get his thoughts about design, and this is what he had to say. Q1, How did you learn how to make design/ type in hair? ANS, I will say I didn’t really learn, its a natural thing I guess, but the more I do the better I become. Q2,How long would it take you to design a head? ANS, It depends on the design, if its simple it would take about 15minutes but if its complicated, it could take between 30 to 40 minutes. Q3,Do you have any art background, I mean have you studied art in the past? ANS, I have never studied art but I have a passion for art and anything creative. Q4, Do you enjoy doing it, or you do it for the sake of money? ANS, Its not all about the money, I just enjoy doing it, I find fulfilment in seeing a smile on the face of my customers after each design. Thank you very much for your time, I will get you a copy of the page your designs are going to be in my book. . Alright no problems, and all the best with your studies.

Creativity and typography in the hair


creative alphabet Cigarette typography. Making good use of photography, I managed to create the typeface from cigarette, the idea was from a found image of cigarette, so I decided to expand on the idea of this waste which looked like the alphabet “I�. I had to try different techniques, from Photoshop through to photography.

47


creative alphabet

G

ood typography come in several languages, we need several special characters in order to make a typographically a correct translation. One of them is in French, the “unbreakable space” (and for some, its little brother, the “thin unbreakable space”). But there is no easy way to get them to work reliably with Drupal. What is the way forward? Different typography appeal to different people, a style of typography that will appeal to an Islamic person may not necessary appeal to a Christian, having said that, it is not always the case. That makes sense only if they have been influenced by the style of typography from both regions In tradition, typography is used to create a feeling, that is why typography can be personalized depending on background, religion, feeling, influence etc. We use type to render an “unbreakable, But that’s not a solution to the differences in ideas. The solution will be an understanding of individual opinion of a good design, and may be the style of typography that surrounded people when, they were growing up.

Created by a student from a religious background


joe and jimmy

51

From the quote “That is what makes it art rather than just stuff “ By Fronies Upritchart. This beautiful art piece was created spending not more than five pounds to come up with.


joe and jimmy

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From the quote “money is a necessary constituent of art” by Giavih Turk. Having to work on such a quote as an art student was challenging because you don’t need that much money to make art, even though art is expensive, the artist must be creative enough to create interesting art without having to spend that much. My team then decided to contradict the quote, in other word “money is not a necessary constituent of art” Artist name: Ryan Davies Materials: string and Robinson fruit cans Theme: The medium of communication conveyed through sound in an image portrays a vivid understanding of how technology has alienated society however having said that has united us. Photographed: 20th October, 2008. Price: £479 Dimensions: Variable.


joe and jimmy

55

The workshop with Joe and Jimmy was one exciting yet a challenging one, we were given quotes to create any art piece from, we also has to spend not more than two pounds for materials. For such a task there had to be a lot of planning but we didn’t have enough time either. I realized creativity at ones finger tips was very important and also being a good person when it comes to budgets was essential. The good thing is has to work in teams, in this case you needed a good team player in a team.


newspaper image

Creating a story with newspaper images and text Playing around with images and type could create an interesting story, in this workshop, we had to put random words from newspapers on or next to newspaper images, and that was a bit of fun, We realized we where creating some form stories around the images.


newspaper image Creating a story with the images and text,, whenever you see and image and words in a newspaper, it makes you start to imagine the scene of the story they are trying to communicate in the newspaper. These words are nit the actual words that matches the images in the newspapers the y came from, we had to make it up, to create our own stories from the images, depending on how you saw a particular picture, you gave it a word or word to fit.

59


newspaper image

A story of the American dream, From newspaper image workshop How images are derived can vary enormously, Images are meant to convey a specific message, be it for a book, newspaper or advertising. An images together with a word is even meant to communicate more effectively, having said that, the kind of text put together with a particular images can change the entire meaning of the image when it was alone. As Designers,it is very important to understand the role an image plays in various pieces of designs.


art direction

63

disgust happy

In this workshop with Orlagh, we had to come up with an advertising campaign, in a team of four people, each team had a word to work on, there was three groups in all, and the words were: DISGUST, HAPPY AND FEAR. It was a quick but an interesting project. My group started off with a brainstorm with the work disgust, we then started doing some mock up drawing to generate some ideas, we game up with three ideas and decided to stick to one, since we had to come up with only one advertising campaign. It was a good feeling to generate some interesting ideas from a word. This is what advertising is all about.

Advertising is a form of communication that persuades potential customers to purchase or to consume more of a particular brand of product or service. Many advertisements are to increased consumption of those products and services through the creation and reinforcement of brand image. It is normally communicated through various media.

fear


art direction

65

DISGUST With the word “disgust”, myself and Jamie came up with this idea of treating a condom as if its been used and, dangling it in the face of a mate, At first we weren’t sure about how to capture an image out of that, because we wanted it to be more like a real scene instead of an acted one. We later came up with an idea of me taking a quick photograph as soon Jamie dangles the condom, and behold, the idea worked really well, the biggest image on the right hand page is the result. Apart from the main idea, we also came up with other interesting for the same word we were given, “disgust” Because it was such a short project, we couldn’t get enough time to manipulate the image in Photoshop, but I think if we had enough time, we would have captured some more images using other people. And come up with the best one. I think we would have also played around with color and effects in Photoshop, to get a more interesting result. Other groups also came up with some interesting ideas the workshop, using various words they were given. The project made to start looking at advertising campaigns from a different perspective.


art direction

fear

Most people normally associate certain colors to certain scene, occasion, feeling, mood or behavior, For this group, the word they were given is fear, they related the color black to the word fear, The group came up with an interesting image of a persons in darkness, whose face is not easy to see, the idea worked really well with the help of the photography dark room.


subvertising

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ood typography come in several languages, the same way good advertising come in different ways and forms, but sometimes people don’t really pay attention to the content in an advert, it will take a person with good typographical detail to spot certain mistakes in adverts. In this workshop with David, we looked at different adverts and how we can twist the meaning, David came up with his word “subvertising�, which simply means to subtract from an adverts, I guess you have seen four images of advertising on the right hand page, you are probably thinking two of them are the same, and the other two are also the same, but if you give it a close look, you will realize the text are different. This is what the workshop was all about, changing or twisting the meaning of adverts to communicate a different message.


subvertising



design a logo

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ood logo design always begins from making rough work, before a logo is designed, one must understand what a logo is, what it represents and what it is supposed to do. A logo is not just a mark it reflects a business’s commercial brand through the use of shape, fonts, color or images. A logo is for inspiring trust, recognition and admiration for a company or product and it is our job as designers to create an identity that will do its job. Logos can be classified into three main groups, these are symbols, logotype and mark. Symbols: These are very simple logos, they are normally without type, they are in the form of shapes and forms. Logotype:This is usually typeface used to create a logo, e.g., H&M,V&A. Mark: This is a combination of symbol and logotype.


design a logo

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THE HISTORY Logo was created in 1967 at Bolt, Beranek and Newman (BBN), a Cambridge, The first four years of Logo research, development and teaching work was done at BBN. The goal was to create a math land where kids could play with words and sentences. or messages. The use of virtual Turtles allowed for immediate visual feedback and debugging. Modern Logo has not changed too much from the basic concepts before the first turtle.

IMPLEMENTATION As of July 2008 there were 187 implementations and dialects of Logo, each with its own strengths. Most of those 187 are no longer in wide use, but many are still under active development. As yet there is no single agreedupon Logo language definition or standard, though there is a broad consensus on core aspects of the language. There are substantial differences between the many dialects of Logo. The situation is confused by the regular appearance of turtle graphics programs that mistakenly call themselves Logo.

Some well known logos around the world.


design a logo

Thomas Thompson Abor Logo design can be personalized , the logos in this page were done using the alphabets TTA representing my name, Thomas Thompson Abor, I made good use of racing and the photocopy machine, the work was scanned into photoshop perfection. I made good use of both upper and lower cases juxtaposition, superimposition and other techniques. The logos could have been carried forward by introducing color, played around with the weight to achieve different results. These types of logos fall under the logotype category, they are very simple and do not come with shapes, they are purely type used to create the logo. After this workshop, I have been able to create a personal logo which will go on by business card. There are other ways of designing logos, thus symbols and marks, symbols are also simple but they are purely shapes used to create the logo, and mark is a combination of symbol and logotype.


photoshop as a research tool

81

D

uring this workshop, David teaches how to create animation in Photoshop, which was quite interesting, even though the workshop is called Photoshop as a research tool, we made use of illustrators, where we has to import the images from Photoshop to illustrator and analyzing the images by tracing over them to create an interesting effect. I should say it was an interesting workshop, the workshop was not restricting, it gave a bit of freedom to play with the images in Photoshop and also the kind of effect I wanted to use to analyze the images. We also looked at some exciting work from other sources and how they represent information using different techniques. I have therefore learnt about how to create animation in Photoshop, and how to represent information in different ways, e.g., using color, lines, shapes, forms etc.

The workshop with David, how information can be represented in different ways


photoshop as a research tool Analyzing images using lines, shapes and colors

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Photoshop is fun

photoshop as a research tool

85


display type

87

D

uring this workshop, certain key terms came up which I decided to investigate and learn more about, I will address the key terms here but in the following a pages, I will use some of the key terms practically. The following are the key terms that came: Leading: refers to the amount of added vertical spacing between lines of type. In consumer-oriented word processing software, this concept is usually referred to as “line spacing”. Tracking: refers to the horizontal spacing between letters or characters. Kerning: refers to the process of adjusting letter spacing in a proportional font. In a well kern font, the two-dimensional blank spaces between each pair of letters all have similar area. Display font: This is normally large type used in newspapers and magazines. Ligature: this occurs where two or more graphemes are joined as a single glyph. Ligatures usually replace consecutive characters sharing common components, and are part of a more general class of glyphs called “contextual forms” where the specific shape of a letter depends on context such as surrounding letters or proximity to the end of a line. A widow is generally a single line of a paragraph appearing at the top of a page, An orphan is generally a single line of a paragraph appearing at the bottom of a page.

Examples of display type used in magazine design


display type

“A MAN CAN NEVER BECOME A MAN UNLESS HE BUYS A NEW CAR AND A WHITE SHIRT”

“A MAN CAN NEVER BECOME A MAN UNLESS HE BUYS A NEW CAR AND A WHITE SHIRT” Good typography come in several languages, we need several special characters in order to make a typographically correct translation. One of them is in French, the “unbreakable space” (and for some, its little brother, the “thin unbreakable space”). But there is no easy way to get them to work very well, What is the way forward?

Quote by Bukom Banku


visual thinking display type

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93

In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography,

It is important to know these parts of letters and the role they play in typography in order to understand how and why certain letters forms are used to play specific roles in typography.


visual thinking

93

In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography, In this chapter, we’ll making good use of some of the three dimensional waste we make in our homes, The main aim of this workshop is to make animation from waste. We’ll make use of photography,


visual thinking

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Early examples of attempts to capture the phenomenon of motion drawing can be found in paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.A 5,200 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat painted along the sides.This has been claimed to be an example of early animation.[1]There would, however, have been no way of watching the figures in motion,and the claim has been debunked here. The phenakistoscope, praxinoscope,as well as the common flip book were early popular animation devices invented during the 1800s,while a Chinese zoetrope-type device was invented already in 180 AD.These devices produced movement from sequential drawings using technological means,but animation did not really develop much further until the advent of cinematography. There is no single person who can be considered the “creator� of the art of film animation, as there were several people doing several projects which could be considered various types of animation all around the same time.


visual thinking

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Joel Veitch MA makes funny stuff. He writes, directs, sings and makes songs, animations, and comedy. He makes commercials, stuff for TV, music, promos, virals, and a bunch of other stuff. He is the creator of the cult website RATHERGOOD.COM which he began in 2000. Since then its unique menagerie of animals and songs - particularly his singing kittens and moon-obsessed Spongmonkeys - have developed a worldwide cult following. He is also lead singer of the band 7 Seconds Of Love, and a member of the International Academy of Digital Arts and Sciences. What we did in this workshop, is actually similar to what Joel Veitch does, making interesting characters from waste, it was such a fun


zero foot print

99

D

uring this workshop, we learnt how to economise paper, its basically talks about how to fit as many sheets to as possible to save money, for instance, if you had an A3 sheet, you could two A4 pages on that A3 paper, rather than printing the A4 sheet on one A3 and trimming it down to an A4 size, The essence of this workshop was to help us cut down cost when printing the entire book. Having said that, we had to bare in mind some key things, e.g. The format of the book, the trimming space at the edge of the paper and the other key elements. We had to work in teams, on the big image on the next page, Natasha, works with Leanne, to create several sheets from an A2 paper.


zero foot print

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A demonstration of how to work out your measurements, Its seems like book design is easy, but a lot work goes into it.

Ola works with Junior to work out how many of their leaflet will fit on their A2 paper.


zero foot print

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A typical example of how to workout how smaller pages can be arranged on larger pages for print.


graphic outcomes

105

Cigarette alphabet


graphic outcomes

107

What will the rules of time travelling be? can we change the past or future? Its about time we start taking these issues really seriously.

DOES TIME REALLY TRAVEL AS WE THINK?

ARADOXES

ontent

intro

5

trashes artists creative

10 13 16

fine art

20

active art

26

books

32

adverts

40

subverts art tools

48 55

materials

61

timing

70

deadline

81

Two magazine spreads and a content page, During the consume project, I Thought of some areas I was not strong at, one of it was, time keeping, I then thought of bringing that into the book as an outcome. I set myself a challenge coming to college and early and doing some work, when I started doing that, I was getting to college half an hour early, and that made me to design a page and call it time travel, meaning, from the time get to college and the time I lesson start is not much of a difference, so it could be a good habit.

this issue, we look at the theories & concepts of Time Travel, a seemingly impossible idea to demonstrate in realwelcoming you In the world of science andtechnicalphilosophy, time i travel remains theas enigmatic as forwhat would the time travelling be? we also infuturechange the past or f we ask peoples thoughts and opinions Is time travel more than just a pseudo scientifical novelty that will only ever exist in science fiction? The concept of travelling foward andbackward to different points in timehas been explored in science fictionnovels, TV shows and movies, usuallyrealised in the form of a physicaltime machine in and movies, usualrealised in the form of aphysicaltime machine in which, the time travellwould begin their trip into anotherIf we could travelinto the past, it’s mind-boggling what would be possible. For one thing, history would become an experimental science, which it certainly isn’t today. The possible insights into our own past and

this issue, we look at the theories & concepts of Time Travel, a seemingly impossible idea to demonstrate in realwelcoming you In the world of science andtechnicalphilosophy, time i travel remains theas enigmatic as forwhat would the time travelling be? we also infuturechange the past or f we ask peoples thoughts and opinions Is time travel more than just a pseudo scientifical novelty that will only ever exist in science fiction? The concept of travelling foward andbackward to different points in timehas been explored in science fictionnovels, TV shows and movies, usuallyrealised in the form of a physicaltime machine in and movies, usualrealised in the form of aphysicaltime machine in which, the time travellwould begin their trip into anotherIf we could travelinto the past, it’s mind-boggling what would be possible. For one thing, history would become an experimental science, which it certainly isn’t today. The possible insights into our own past and

time travel this issue, we look at the theories & concepts of Time Travel, a seemingly impossible idea to demonstrate in realwelcoming you In the world of science andtechnicalphilosophy, time i travel remains theas enigmatic as forwhat to different points in timehas been explored in science fictionnovels, TV shows and movies, usuallyrealised in the form of a physicaltime machine in and movies, usualrealised in the form of aphysicaltime machine in which, the time travellwould begin their trip into anotherIf we could travelinto the past, it’s mind-boggling what would be possible. For one thing, history would become TV shows and movies,

this issue, we look at the theories & concepts of Time Travel, a seemingly impossible idea to demonstrate in realwelcoming you In the world of science andtechnicalphilosophy, time i travel remains theas enigmatic as forwhat to different points in timehas been explored in science fictionnovels, TV shows and movies, usuallyrealised in the form of a physicaltime machine in and movies, usualrealised in the form of aphysicaltime machine in which, the time travellwould begin their trip into anotherIf we could travelinto the past, it’s mind-boggling what would be possible. For one thing, history would become TV shows and movies,

representing the issue of time travel with an image


graphic outcomes

109

Consuming leaves

Consumed junk

Image captured on a rainy day during the summer, consume research

When I did a survey this image, about what people thought of the image, junk is one of the words that came up

Summer Research

Image from a workshop With Joe and Jimmy.A burning piece of art

Summer Research


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