Thomas White BA Hons Architecture Part 1 thomaswhite104@outlook.com 07540325104
http://linkedin.com/in/thomas-white-013064169
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Smoke and Mirrors The Paranoid Interface
This is an archive of surveillance and how it accesses personal information, without the public being aware. surveillance is split in to four taxonomies ; Communications, Data, Tracking and Covert which if combined, can generate a detailed profile of an individual. This therefore makes surveillance an archive of information and questions the blurred lines between privacy and security, as people are archived every day without knowledge of it happening. The archive itself uses surveillance to learn information about the inhabitants using the four taxonomies to generate their own profile, therefore allowing inhabitants to access their own information and to raise awareness of the issues faced by surveillance.
Site context plan, Elevations & floorplans
Final Site plan with proposal inserted N
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Start
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2 1. Bell house 2. Building proposal 3. Residential property
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Start
Scale 1:500
Plan iteration Last plan iteration process process
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Layer2 Layer2 Layer2
These plans show the final experiment iterations and the refinement of spaces, from 5 floors to 4 with much more use of space and thought in the construction of the building. This was through reconsidering the functionality of the security space, and the circulation of the spaces.
scale 1:500
Intelligent skin experiment & detail
Intelligent skin construction axonometric
Intelligent skin maquette / detail & damp proofing
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This model ws experiment with the ground level buildings materiality on site
Intelligent skin surveillance booth 1:1 prototype construction
telligent skin surveillance booth 1:1 prototype construction
These images display construction process the 1:1 prototype These images display the construction processthe of the 1:1 prototype and theofvarious processes usedand the various processes used toskin. create theprocesses intelligent skin. welding, These processes include, welding, and cutting metal, so that to create the intelligent These include, bending and cutting metal, sobending that whole creating surface ajoins thereofre creating faraday field when inside, which blocks radiowaves. the whole surface joinsthe thereofre faraday field when inside,awhich blocks radiowaves.
Intelligent skin surveillance booth 1:1 (with two- way panels) Intelligent skin surveillance booth 1:1 prototype (with Two way panels)
The intelligent skin concept comes from the two contrasting factors in surveillance, which are
The intelligent skin concept comes from the two contrasting factors in surveillance, which are counter surveillance and surveillance. The faraday surveillance The faraday cage istaking the counter-surveillance, it stops cage iscounter the counter-surveillance, as itand stopssurveillance. data and communication surveillance from place by blocking radiowaves as in devices like data phones, so that they cannot reach signal, thus stopping any surveillance from taking place as it does not have an interface to use.like However the and communication surveillance from taking place by blocking radiowaves in devices phones, surveillance part is the two way panel, as the people outside cannot see in, but the user inside can see them, therefore surveying without others so that they cannot reach signal, thus stopping any surveillance from taking place as it does not knowing. This creates a contrast but combines the two with purposeful iscolation, which stops surveillance from taking place bu can also be havethe ansurveyors. interface to use. However the surveillance part is the two way panel, as the people outside used against
cannot see in, but the user inside can see them, therefore surveying without others knowing. This
The intelligent skin is located throughout the building in the auditorium areas, however the surveillance booth functions as the space which a contrast but they combines two with purposeful iscolation, which stops surveillance from revealscreates the users learnt profile which can choosethe to dispose of or archive .
taking place bu can also be used against the surveyors. The intelligent skin is located throughout the building in the auditorium areas, however the surveillance booth functions as the space which reveals the users learnt profile which they can choose to dispose of or archive .
Intelligent skin surveillance booth 1:1 (without two- way panels) Intelligent skin surveillance booth 1:1 prototype (without Two way panels)
these photographs show the next stage the intelligent skin skin documentation, which revealswhich the hidden faradaythe skin these photographs show the next stage ininthe intelligent documentation, reveals which is usually only experineced from the inside. Therefore revaling the covert skin to the outside. hidden faraday skin which is usually only experineced from the inside. Therefore revaling the covert skin to the outside.
Surveillance building transversal section
Surveillance building longitudinal section
Factory of Menagerie
The concept comes from combining the two definitions of Factory and Menagerie. A factory is defined as a place producing a uniform product, without concern for individuality, while menagerie is a collection of wild or unusual animals, especially for exhibition. This means When combining these two, a Factory of Menagerie is a place which collects unusual animals for exhibition while they are formed in to a uniform product. This derives the concept of the folly and landscape, as the landscape is the menagerie exhibition. This is because the void in the landscape is the captivated area of the inhabitants, who are controlled at the pleasure of “the hand”. The three follies also create the factory in which the inhabitants serve and are controlled by. The three follies also serve one landscape which contains a void in the center. The void is an underground city controlled at the pleasure of “the hand”. The void is also an experimental study and exhibition of the inhabitants. The first folly scans the above landscape for victims to capture, which then transports them to the void.
follies atmosphere & plans Diagram of follies functions
Dermal scanning folly places the victims in the void
White pods in the void factory releases the pollutants
Void factory folly is opened by the hand when Dermal folly arrives
Dermal scanning folly scans for victims and captures them Liminal machine folly tranfers the fuel in to the factory
inhabitants dig the fuel
Folly interior atmosphere, plans & section HH Liminal folly atmosphere collage
Liminal folly longitudinal section CC
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This section shows the liminal machine folly and how it connects to the void factory through the pipe work and cabling. The pollutants is also shown being released in to the void city.
Scale 1:50
Dermal folly section LL
Dermal folly section LL
This section displays the Dermal folly capturing a victim through its radar, which has triggered the Void factory in the background to prepare for another victim by opening.
Scale 1:2500 This section displays the Dermal folly capturing a victim through its radar, which has triggered the Void factory in the background to prepare for another victim by opening.
All follies longitudinal section CC
ALL follies longitudinal section CC
This section is an overview of the whole Void factory and dermal folly scenario as it shows the victims marching towards the void before they are captured. Then being captured and then finally the pollutants being released in to the city.
Scale 1:5000 This section is an overview of the whole Void factory and dermal folly scenario as it shows the victims marching towards the void before they are captured. Then being captured and then finally the pollutants being released in to the city.
Folly model maquettes
3 chosen follies
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The photographs show the 3 chosen follies in the landscape to scale. Number 1 shows the dermal scanning folly in its atmosphere and is diferent angled views. Number 2 shows the void factory folly in its landsape and how the structure is controlled and moved by “the hand�. Number 3 shows the liminal folly at a larger scale with the void wall that it is connected to. It also shows the front and side elevation, as well as the view from the folly to create a inhabitants perspective when in the folly.
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Bounded The woven boundary
Grasshopper 2D voronoi parametric design model process
Voronoi plan with points
Voronoi plan isometric view
Grasshopper 3D voronoi parametric design model process
2D box
Populated points
Voronoi frame generated
3D voronoi frame
3d printed parametric model diagram
Section CC
Section BB
interlocking weaved pipes
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Main pipe Sections revealing interior weave
Model exploded axonometric
Grasshopper parametric design model process
Line drawing curve
Grasshopper mapping & populating surface
Baked 3D model ready for printing
3d printed parametric model
MIxed Signals
Protest underwater pod plans Floor level plan
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Roof plan
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Roof plan
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1. Steel water tanks to submerse 2. Waterproof power source 3. Pedal to power the water motor 4. Gear stick to open water tank to allow water in 5. Motor to move the pod 6. 30mm Acoustic foam panels 7. Vinyl records 8. 20mm Welded Low alloy steel frame 9. 8mm Patinated brass cladding to blend in with canal 10. 8mm steel cladding hangers
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1. Waterproof solar light to sea underwater 2. Air locking door 3. Telescopic aerial 4. Mad. fm 104.6 flag
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1. Waterproof solar light to sea underwater 2. Air locking door 3. Telescopic aerial 4. Mad. fm 104.6 flag
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scale 1:10
scale 1:10 scale 1:10
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Mid level plan
In location image
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In location collage image
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1. Waterproof solar light to sea underwater 2. 8mm Patinated brass cladding to blend in with canal 3. 20mm Welded Low alloy steel frame 4. Steel water tanks to submerse 5. 20mm Water tight Glazing frame 6. Audio mixer 7. Turntable 8. Gear stick to open water tank to allow water in 9. Stella Artois beer 10. Ash tray 11. Adjustable microphone 12. Motor to move the pod 13. Speaker 14. 30mm Acoustic foam panels 15. 8mm steel cladding hangers
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This is the pod in location, just as it is about to submerse itself, it shows its exterior materiality. This materiality is created by the canal itself, as the brass cladding on the outside of the pod patinates when in this environment and forms a green colour, therefore making the pod even more covert, as it blends in with the canal environement.
scale 1:10
Protest underwater pod elevations
Protest underwater pod transversal section BB
scale 1:10
scale 1:10
Protest underwater pod transversal section CC
Protest underwater pod longitudinal section AA
Down From London
This project is based on Londoners moving to live by the sea, which has mixed responses from locals. This project aims bring both Londoners and Whitstable locals together through the business that the housing creates. It also aims to play on the types of Londoners who move to Whitstable, these Londoners are of two groups: the young adults and the elderly, who move to the sea to escape the hustle and bustle of the city as well as the house prices. This project targets these individuals and aims to integrate them by creating a space for them to live together, on the basis of an existing London scheme of elderly council housing by the sea and the care share scheme of students mixed with the elderly. The two types of residents will use the traditional jellied eel’s seafood process from the Eastend of London, to create a live work environment for both residents. The young students will learn from the elderly to be able to gain these traditional skills, to become a part of Whitstable’s competitive seafood market, by becoming a niche London traditional producer of eels.
Whistable housing manifesto diagram Manifesto diagram
Whitstable housing floorplans
plans 1:100/ 50
Whistable housing sections B
A
Masterplan sections
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Section AA
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Section BB
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1. Soof garden 2. Student floor 3. Social integration space 4. main central street 5. Interior student private access staircase 6. Exterior student private access staircase 7. Eel pipe for eels to migrate from sea to the site (once bred)
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Construction hoarding graphic
Whistable housing masterplan, axonometric & perspective
1:50 spatial concept maquette
concept of inhabitable furnms for the students to watch ral location of interest. This e landscape, because of the
This model was the first iteration of the house and inspired the concept of inhabitable furniture and change in levels, to create inhabitable viewing platforms for the students to watch over the elderly preparing the eels, making the kitchen the central location of interest. This then brought about the idea of a house which is carved in to the landscape, because of the flowing level changes.
Final housing 1:50 model
n used to capture atmospheric moments through , such as the kitchen and viewing platform, as h to show a sense of scale of the model. These anges in the model as well as its materiality. This reflective interior texture of the model, and the cast ows the eels that will be farmed on site in the water, urface.
This is the Final model, which has been used to capture atmospheric moments through photography of the key internal spaces, such as the kitchen and viewing platform, as well as an exterior eye level photograph to show a sense of scale of the model. These photographs, also highlight the level changes in the model as well as its materiality. This materiality is shown through the pearly reflective interior texture of the model, and the cast concrete elements. The model also shows the eels that will be farmed on site in the water, to show an overall context below the surface.
Lisbon Building techtonics
1st column physical 1:50 model
Final floating staircase 1:50 model
5th column physical 1:50 model
13th column physical 1:50 model
16th column physical 1:20 model
Final column physical 1:20 model
Perforated concrete floorslab physical model lighting study
Exposed aggregate (red limestone) concrete material test
Final red oxide exposed aggregate concrete material test
Floating staircase iterations
2nd floating staircase iteration timber frame materiality
Glulam columns & perforated concrete floor slab Final column 2 vaulting study and materialty test
Perforated concrete floorslab test
The Golden Kleptocracy
This project looks at the mass corruption scandal in Lisbon and how the EU bailout of €78 billion from the Troika brought corruption through business from European investors and global investors. This meant that the lack of money in the city pushed politicians to greed, where they made unlawful deals to gain personal wealth. These acts relate to the Golden visa scheme which was the figurehead of corruption in Lisbon and is why the word ‘Golden’ is chosen in the title. The word Kleptocracy meaning “ruled by thieves” is defined as a government with corrupt leaders (kleptocrats) that use their power to exploit the people and natural resources of their own territory in order to extend their personal wealth and political powers. This problem brings to the forefront a need for change in the decision making of the city and the country and thus a grassroots bottom- up approach to tackle corruption working from each community up. This building will therefore be a platform for change within the city and will use collective decisions to rebuild the trust in the city once again.
Lisbon Location plan and context
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Key areas 1. Site 2. Igreja e Convento da Graça 3. St Vincent parish council
Scale 1:1200
The process of granting visas itself was tainted with corruption. Portugal’s golden visa scheme was at the centre of a corruption scandal. In 2014 police arrested 11 people as part of Operation Labyrinth, an investigation into allegations that foreigners had been granted golden visas in exchange for bribes. In 2016, the murdered investigative journalist Daphne Caruana Galizia had pointed at alleged irregularities in the process of granting Maltese citizenship to Middle Eastern applicants through the country’s Individual Investor Programme. The allegations range from a total lack of transparency around the process to possible corruption involving a man closely affiliated with Maltese high-ranking officials and the use of shell companies.
Lisbon goverment corruption
Massing studies
Building program
Lisbon Building perspectives
South elevation AA
East elevation CC
West elevation DD
Lisbon plans
Lisbon perspective section BB
Lisbon Axonometric
Lisbon Section AA
Roof debating chamber techtonics
The debating chamber at the very top of the building is the key space in the program and structure hierarchy. The space overlooks all the spaces as well as providing fenestration throughout the building. This provides a transparent location to debate the topics being addressed in the court, broadcasting centre and protest commons, therefore allowing the users debate and come to a collective decisons over the various topics. The dome is also a symbol of governance and power and religion and has been used in this instance, to challenge its function by reversing the hiearchy to its grass roots of public decisons.
ysical model photographs
Final model 1:100 physical model
es a the contextual and atmospheric feel of the building and higlights the form ng. The model also relates to the golden theme as plwood timber has been used to he model higlights the key space of the building, which is the roof debating chamand arrangement of the space. The subterranean levels are also exposed to play on l a provide context of the staircase to the convent therefore creating a feel for the model also shows solar studies from the lighting of the model, as the lighting was sun path of the site, therefore creating an overall atmospheric and contextual study
The final physical model provides a the contextual and atmospheric feel of the building and higlights the form and access points of the building. The model also relates to the golden theme as plwood timber has been used to represent this. The key part of the model higlights the key space of the building, which is the roof debating cham-ber and provides the structural and arrangement of the space. The subterranean levels are also exposed to play on the transparency theme, as well a provide context of the staircase to the convent therefore creating a feel for the building and its narrative. The model also shows solar studies from the lighting of the model, as the lighting was purposely angled to mimic the sun path of the site, therefore creating an overall atmospheric and contextual study of the building.
The final physical model provides a the contextual and atmospheric feel of the building and higlights the form
Lisbon building axonometric & wormseye