t
e h
URBAN
N O I T S U A H X E
global theme
HYPER GENERATION sub-theme
THE URBAN EXHAUSTION by
Thu Trang Nguyen FW2016
CONTENTS INTRODUCTION MOODBOARD RESEARCH FABRIC PROPOSALS COLOUR RANGE FABRIC TRANSFORMATION /PRINTS LINE UP REALIZED SILHOUETTES UNREALIZED SILHOETTES COLLECTION PLAN
The urbanization spreads its hands further and further day by day, and along with this broadening, encourages or imposes, it leads to all of its residents. Since then, we start taking about the urbanization of all kinds possible, including infrastructures, furnitures, lifestyle and more than anything, the feelings. whether people come here or were born here, and especially among young people, they all have their lives framed in the big city scope, ironically created by themselves.
If youth is the most precious and beautiful period in one’s life, there is no difference between youth of young people living in big cities and elsewhere. One will always find during its youthful days one time or another having the power of passion, the fire of dream, the desire of success and the unexpected courage for change and goodwill.
Y
Those feelings are only stronger in the big cities framework where hopes are told to blossom and ambitions are lead to begin. With their youthful energy and talent, young people living in big cities have their daily life rushing, digging, seeking for opportunities, success and freedom. only here on the main road of achievement in big cities, young people can find all conditions to let them reach their long - waited freedom. It is the freedom of expressing themselves, of chasing after their dreams, of discovering everything around them, and of being recognized as who they are and how they have been trying.
However, the trade-off is never easy. Trapped in their own freedom, or to be more accurate, in their own goal of being free and successful, young people cannot avoid the bitterness of youth. Because youth does not only mean positive spirit, but also lack of knowledge, the weakness of experiences and therefore the feeling of loss, of loneliness, of unlimited wonders. Walking forth and back all kinds of crossroads in the big cities and eventually in their mind, young people spend their time thinking, striving, rumbling, searching for something in a daily rhythm.
i
...Somehow, they are rolled away, suffocating in this urban flow. They stand the chaos in a dry dreadful silence and endurance. Those unspoken feelings are gradually hidden bellow the fancy side of the urban life and the busy eventful style in big cities. That is what we call the urban exhaustion. It is an urban disease of hyper generation on their long and determined journey...
urban
The
EX HA USTION
2 3.
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3
4
1. The photo shows a typical urban city’s road. The stuffy atmosphere of the photo is a source of my fabric choice. 2. “Chaos Theory”. The photo represents s chaos where people push each other. 3. “New York City”. The photo describes the urban city in its rush hour. The stuffy atmosphere feeling of the photo is a source of my fabric choice. 4. “Autumn Rhythm” by Jackson Pollock. Drip painting shows dynamic movement, which is a source of my fabric transformation.
the C H A O S URBAN Rushing must be the local speciality in big cities, and which without any kind of planning. Everyday, at the same time, at the same places, people get down on the street, try to hold their breath while rushing everywhere they can, from public transport to coffee shop, from inside the house to outside at their workplaces, from the moment they wake up till the second they go to bed late that day, and all of this not necessarily for a specific reason. The cities are crowded but they do not really see anybody. In their rushing mind, everything and everyone seem to be just some fading smudges that accidentally happen in this whole chaos called urban life.
research
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5
7
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9 5. Europe’s transport network created by Fischer. 6, Hidden|Geometric maps, phot. by May Xiong. Youth also means lack of knowledge and experience, therefore it is unavoidable to be suffered from feelings of loss, lonelinness and wonders. Not only is it a representation of how the mind of young people living within an abounding network environment works, but how it is also a form of structure and intangible maps that leads them to continuously wander about the things they do. 7. People interacting creates a community network. 8. One example of URBANISM, intructored by Cecil Balmond. 9. A typical public transportation network of a urban city. 10. “Trace of Memory”, installation by Chiharu Shiota. Central to the artist’s work are the themes of remembrance and oblivion, dreaming and sleeping, traces of the past and childhood and dealing with anxiety. Her using yarns to create huge webs is a source of my fabric transformation.
the
URBAN
The concentration of population in the big cities is the natural cause that urban communities are born and networks are made. Living within, young people are forced to join in whether they want to be part of it or not, for the first purpose of surviving, and further, of succeeding. With all kinds of modern supports, there is nothing that grows faster than human networks which link a person to an another, crosses therefore a million of fates.
COMMUNITYNETWORK Unintentionally trapped in this coburg, young people often have to stand the feelings of being dragged along, imprisoned in those crossing lines with nothing better than a loosen power of control and the loneliness which follows. How irony it is when one freedom must be paid by an another, but living in big cities does not allow them to choose. Their only choice is by consequence to be the master of their own connections, and maybe further, the master of their own destiny...
10.
research
THE SH APE I choose oversized shape for my garments to represent the contemporary urban city that is described as harsh, noisy, chaotic and stuffy. The shoulder lines are also dropped to give the effect. As people suffer the stress it brings, I apply the sleevelike belt to express this exhausting feeling.
ASYMmETRY
The asymmetry aspect and irregular details are applied for the garments to descibe the chaotic city and sometimes-the mental breakdown of the citizens.
Dropped shoulder is applied throughout the collection
SLEEVE A P P L I C AT I O N S
3 long pipes are drapped at the hem of the dress
The urban human network which links people to another. Hands connecting hands are represented by sleeves applications. In this case, sleeves are used as symbols of hands to describe the urban human network.
Multi-functional belt
The belt is another application of the sleeves. It is tied by two of its endings which look like pipes. Since spring and summer in Europe is pretty cool, the belt could turn out to be a cape to keep warm, especially for the afternoon or evening usage.
research
TXL1 WOOL GARBADINE wool 40% polyester 50% cotton 10%
TXL2 GABARDINE cotton 60% polyester 40%
TXL3 NEOPRENE neoprene 100%
TXL4 WOOL 1 wool 100%
TXL5 WOOL 2 cotton 50% polyester 50%
TXL6 3D effect ink
&
FA B R I c s
TXL7 COTTON cotton 70% polyester 30%
SUPPORTIVE MATERIALS
&
TXL8 SILK ORGANZA silk 100%
TXL9,10,11 UNWOVEN 1,2,3 polyester 100%
TXL12 FUSING cotton 50% polyester 50%
TXL13T COTTON FIBERS cotton 100%
TXL14 THREADS cotton 100%
Thick and stiff fabric are used since they are able to keep oversized shape.The grey-textured kind of fabrics are chosen to express the harsh of the urban life. It is the representation of the heavy, stuffy air that people in urban city have to suffer everyday. The unwoven has texture like a web network is used for fabric transformation. Besides, some cotton fibers are also needed to to the emroidery.
PANTONE NECTARINE 16-1360 TCX
PANTONE BLACK 19-3909 TCX
PANTONE CLOUD DANCER 11-4201 TCX
COLOURRANGE
PANTONE SHADES OF GREY SMOKE 14-4505 TCX SMOKED PEARL 18-0000 TCX NEUTRAL GREY 17-4402 TCX
COLOUR
SAMPLE 1 The unwoven is fused with thin see-through fusing. It is inspired by the daily going-to-work atmosphere of the urban city live.
SAMPLE 2 Paint on cotton is inspired by driping paint style of Jackson Pollock. It is to describe the chaos of the urban city life.
FABRIcTRA SAMPLE 5 Double layer of the unwoven on cotton. Embroidery inspired by the urban community network. The installation “Trace of Memory” by Chiharu Shiota is a source of this sample.
SAMPLE 6 Double layer of the unwoven on cotton. Embroidery inspired by the urban community network. The installation “Trace of Memory” by Chiharu Shiota is a source of this sample.
SAMPLE 3 Straightlines embroidery represent the moving vehicles on the road of the urban cities.
SAMPLE 4 Unwoven on the cotton’s surface. Its texture looks like web network.
ANSFORMATIONS SAMPLE 7 Unwoven on the cotton’s surface. Its texture looks like web network.
SAMPLE 8 Unwoven is placed on top of white fabric. The zigzag detail is sawn on the combination’s surface to represent citizens’ rushing movement.
LINE UP
REALIZED silhouettes
SILHOUETTE FW2016
1
“The Urban Exhaustion”
FRONT
BACK
ACCESSORieze
asymmetrical top/PALAZZO PANTS /multi-functional belt DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS COMOPOSED OF 3 PIECIES. THE TOP IS MADE OF WOOL GABARDINE. THE FRONT IS MADE OF FABRIC TRANSFORMATION SAMPLE 6. FINISHING WITH BIAS AND FACING. THE PAL AZZOO PANTS ARE MADE OF GABARDINE, CLOSED WITH INVISIBLE ZIPPER AT THE RIGHT SIDE. FIINISHING WITH BIAS.
SAMPLE 6
THE MULTI-FUNCTIONAL BELT (COULD BE A BELT/SCARF) IS MADE OF WOOL GABARDINE. FINISHING WITH BIAS. GABARDINE
WOOL GABARDINE
silhouette 1
SILHOUETTE
FW2016
2
“The Urban Exhaustion”
FRONT
BACK
ACCESSORIZE
CUT-OUT top/JUMPSUIT/multi-functional belt DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS COMOPOSED OF 3 PIECIES. THE TOP IS MADE OF FABRIC TRANSFORMATION SAMPLE 4 CLOSE WITH INVISIBLE ZIPPER AT THE BACK. FINISHING WITH DOUBLE L AYER OF FABRIC. THE JUMPSUIT IS MADE OF GABARDINE, CLOSED WITH INVISIBLE ZIPPER AT THE FRONT. ITS COLL AR IS MADE OF FABRIC TRANSFORMATION SAMPLE 2. FINISHING WITH OVERLOCK AND FACING (ARM-HOLE,COLL AR.) THE MULTI-FUNCTIONAL BELT (COULD BE A BELT/ A CAPE/ SCARF) IS MADE OF WOOL. RAW EDGE FINISHING.
SAMPLE £2
SAMPLE 4t
GABARDINE
WOOL
silhouette 2
SILHOUETTE
FW2016
3
“The Urban Exhaustion”
FRONT
BACK
ACCESSORIze
asymmetrical cropped-top/skort/multi-functional belt DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS COMPOSED OF 3 PIECIES. THE ASYMMETRICAL TOP IS MADE OF WOOL GABARDINE (THE RIGHT FRONT, BACK AND THE SLEEVE). ITS POCKET IS MADE OF FABRIC TRANSFORMATION SAMPLE 2 THE LEFT FRONT IS MADE OF FABRIC TRANSFORMATION SAMPLE 1 FINISHING WITH BIAS.
SAMPLE 1
SAMPLE 2
WOOL GABARDINE
COTTON
THE SKORT IS MADE OF FAtBRIC TRANSFORMATION #5, AND #6. OPEN WITH ZIPPER AND SNAP ON THE FRONT. FINISISHING WITH BIAS THE MULTI-FUNCTIONAL BELT (COULD BE A BELT/ SCARF) IS MADE OF WOOL 1.
WOOL
silh
houette 3
SILHOUETTE FW2016
4
“The Urban Exhaustion”
FRONT
BACK
ASYMMETRICAL CROPPED-TOP/CUT-OUT SKoRT DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS COMPOSED OF 2 PIECIES. THE ASYMMETRICAL CROPPED- TOP IS MADE OF FABRIC TRANSFORMATION SAMPLE 6 (OUTTER PART), AND SAMPLE 1 (UNDERNEATH PART). CLOSE WITH INVISIBLE ZIPPER ON THE CENTER BACK. FINISHING WITH FACING.
SAMPLE 1
SAMPLE 5
SAMPLE 6
SAMPLE 7
THE INNER PART OF THE SKORT IS MADE OF FABRIC TRANSFOMATION SAMPLE 7 THE OUTER PART - SAMPLE 5. OPEN WITH ZIPPER AT THE BACK. FINISHING WITH OVERLOCK (INNER PANTS) AND LINING (OUTER SKIRT).
silhouette 4
SILHOUETTE FW2016
5
“The Urban Exhaustion”
FRONT
BACK
Dress with drapes at hem DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS A DRESS. IT IS MADE OF WOOL GABARDINE. FINISHING WITH BIAS FOR THE SEAMS, AND FACING (COLL AR, HEM) ITS YORK IS MADE OF FABRIC TRANSFORMATION 6. THE BOTTOM PART IS DRAPED WITH 3 PIPES MADE OF LIGHTER WOOL. THE PIPES HAVE THE SIMIL AR TEXTURE AS THE WOOL GABARDINE.
SAMPLE 6
OPEN WITH INVISIBLE ZIPPER ON THE CENTER BACK.
WOOL GABARDINE
WOOL
silhouette 5
SILHOUETTE FW2016
6
“The Urban Exhaustion”
FRONT
BACK
ACCESSORIZE
Cropped-top / shorts / multifunctional belt DESCRIPTION
SAMPLES & FABRICS
THE SILHOUETTE IS COMPOSED OF 3 PIECES. THE ASSYMETRICAL TOP IS MADE OF WOOL GABARDINE (OUTER PART). ITS POCKET IS MADE OF THE FABRIC TRANSFORMATION SAMPLE 6. THE INNER PART IS MADE OF FABRIC TRANSPARENT SAMPLE 1. FINISHING WITH LINIING (WOOL GABARDINE PART), AND TOPSTITCH (TRANSPARENT PART) THE SHORTS ARE MADE FABRIC TRANSFPDFORMATION SAMPLE 2. FINISHING WITH BIAS, THE MULTI-FUNCTIONAL BELT IS MADE OF WOOL RAW EDGE FINISHING.
WOOL
COTTON
WOOL GABARDINE
UNREALIZED silhouettes
7 FW2016
8
FRONT BACK
DESCRIPTION
cropped cardigan /peeged pants
The silhouette is composed of 2 pieces. The cropped sweatshirt is made of wool gabardine. Its pocket is made of fabric transformation sample 2. Invisible zipper is attached on the center back. Finishing with bias. The pants are made of fabric transformation sample 2 (dripping paint on slik organza). It is attached with a belt.
BACK
The silhouette is composed of 2 pieces The cardigan is made of fabric transformation sample 6. It has 2 welt pockets at the front. Finishing with lining. The pegged pants are made of black gabardine. Its invisible zipper is attached on the center back Sew with french seam. Finishing with french seams, topstitch and facing (collar and armhole)
Cropped sweatshirt /peeged pants with tie
DESCRIPTION
FRONT
9 FW2016
10
overSIZED JACKET/MULTI-FUNCTIONAL BELT
FRONT BACK
DESCRIPTION
cropped-top/palazzo/sleeveless jacket
The slihouette is composed of 3 pieces. The cropped-top is made of gabardine. Finishing with bias and facing The palazzo is made of fabric transformation sample 3 The ssleeveless jacket iscomposed of 2 layers. The outer layer is made of fabric transformation sample 2. The inner layer is made of fabric trtansformation sample 7. Finishing with bias and facing.
ACCESSORIZE
The oversized jacket is made of wool gabardine. It’s open and it has 2 pockets at the front. Finishing with bias. The multi-functional belt is made of wool gabardine. It could be used as a scarf.
DESCRIPTION
FRONT BACK
11 FW2016
12
FRONT BACK
DESCRIPTION
Cropped sweatshirt /shorts
The silhouette is composed of 3 garments. The cropped-top is made of fabric transformation sample 8. Finishing with bias and facing. The pegged pants are made of white gabardine, Ink dipped at the hems. Overlock finishing. The multi-functional belt is made of wool. Raw edge finishing.
accessorize
The silhouette is composed of 2 garments. The cropped-sweatshirt is made of wool gabardine. It has a pocket at the front, which is made of fabric transformation sample 6 Finishing with bias. The shorts are made of fabric transformation sample 2. The invizible zipper is attached on the center back. Overlock finishing.
Cropped-top /pegged pants/MULTI-FUNCTIONAL BELT
DESCRIPTION
FRONT BACK
13 FW2016
14
FRONT BACK
DESCRIPTION
Cropped-top /asymmetrical sleeveless jacket/pegged pants
The slihouette is composed of 2 garments. The sweatshirt is made of wool gabardine It has a pocket at the front made of fabric transformation sample #6, and a collar made of fabric transformation sample #2. Finishing with bias and facing The pants are made of fabric transformation sample #5. Invisible zipper is attached at the center front. Finishing with bias and facing
BACK
The silhouette is made of 3 garments. The cropped-top is made of sample 5. Finishing with lining. The pants are made of fabric transformation sample 3. Its invisible zipper is attached at the center front. The jacket is made of gabardine and fabric transformtion sample 2 Finishing with bias and facing.
Cropped-SWEATSHIRT /SHORTS
DESCRIPTION
FRONT
15 FW2016
16
FRONT BACK
DESCRIPTION
ASSYMETRICAL CROPPED-TOP /PEGGED PANTS
The slihouette is composed of 2 garments. The sweatshirt is made of wool gabardine (outer part). Its inner part is made of fabric transformation sample 1. Open with invisible zipper at the center back. Bias finishing. The pegged pants are made of fabric transformation sample 5 and 8. Overlock finishing.
BACK
The sihouette is composed of 2 garments. The cropped -top is made of fabric transformation sample 5. It has a pocket at the front made of fabric transformation sample 6. The top is open at the front with snaps. Finishing with facing and lining. The pegged pants are made of all-over printed cotton. Overlock finishing,
Cropped-TOP /Asymmetrical PEGGED PANTS WITH A TIE
DESCRIPTION
FRONT
17 FW2016
18
FRONT BACK
DESCRIPTION
sleeveless jacket/Cropped-top /palazzo
The silhouette is composed of 3 garments. The jacket is made of fabric transformation sample 2. It has pockets on the front. Finishing with lining. The cropped-top is made of fabric transformation sample 5. Finishing with bias and facing. The palazzo is made of gabardine. Its waistband is made of fabric transformation sample 3.
BACK
The silhouette is composed of 3 garments. The jacket is dual-layered . Its outer part is made of fabric transformation sample 7. The inner layer is made of neoprene. Finishing with bias and facing. The cropped-top is made of fabric transformation sample 2. The zipper is attached at the center back. Finishing with bias and facing. The pegged pants are made of printed gabardine. Its waistband is made of fabric transformation sample 3
asymmetrical paint dripped jacket Cropped-top/palazzo
DESCRIPTION
FRONT
19 FW2016
20
FRONT BACK
DESCRIPTION
Cropped-shirt/skort
The silhouette is composed of 2 garments. The cropped-top is made of 3 layers. The most inner layer is made of fabric transformation sample 6, the middle layer - neoprene, the outest layer - sample 7 The pants are made of printed gabardine. It has 2 flaps creating pockets. Open with invisible on the right side.
BACK
The silhouette is composed of 2 garments The cropped-shirt is made of fabric transformation sample 6. It is pleated at the front. Finishing with lining The skort is all-over printed. It has pockets at the sides, zipper on the center back.
Multi-layerting Cropped-top /pegged pants with flaps
DESCRIPTION
FRONT
21 FW2016
22
FRONT BACK
DESCRIPTION
SEE THROUGH DRESS WITH PLEATS AT THE SIDES
The dress is made of black gabardine. Its cut-out part is black ink dripped on see-through silk organza. Three pleats are applied to each side of the skirt. The zipper is attached on the center front. Finishing with bias, and facing (collar and armhole)
BACK
The dress is made of fabric transformation sample 1 It is see-through and it has a flap at the front made of fabric transformation sample 6. The york is made of fabric transformation sample 7 . Three pleats are applied at each side of the skirt. The invisible zipper is attached on the center back. Sew with french seam. Finishing with french seams, topstitch and facing (collar and armhole)
CUT-OUT DRESS WITH PLEATS AT THE SIDES
DESCRIPTION
FRONT
23 FW2016
24
FRONT BACK belt
DESCRIPTION
oversized jacket /pegged pants
The silhouette is composed of 2 garments. The cropped-top is made of fabric transformation sample 5 (upper part, collar and the back), and sample 1 (the rest). The skirt is made of 2 layers. The inner layer is made of gabardine. The outer layer is made of fabric transformation sample 2.
BACK
The silhouette is composed of 2 garments and a belt. The short-sleeve oversized jacket is made of wool gabardine. Finishing with bias and facing. The pants are made of fabric transformation sample 8. The belt is mde of wool gabardine.
asymmetrical cropped-top /cut-out skirt
DESCRIPTION
FRONT
25 FW2016
26
FRONT BACK
FRONT BACK
DESCRIPTION
cropped top /pegged pants/sleeveles gathered jacket
The silhouette is composed of 2 garments. The cropped-sweatshirt is made of neoprene. It has a cut-out part paint dripped (sample 1). Opened with zipper at the center front. Finishing with bias. The shorts are made of fabric transformation sample 2. An invisible zipper is attached at the back. Finishing with overlock and facing.
BACK
The silhouette icomposed of 3 garments. The cropped-top is made of fabric transformation sample 1. The zipper is attached at the center back. The pegged pants are made of gabardine. Opened with invizible zipper at the back. Finishing with overlock and facing. The gathered jacket is made of fabric transformation sample 2 and sapmple 5. Finishing with lining.
cropped-sweatshirt /ink-dripped shorts
DESCRIPTION
FRONT
27 FW2016
28
FRONT BACK
DESCRIPTION
asymmetrical dress with tie
The high-neck dress is made of wool gabardine and fabric transformation sample 6. The tie at its hem is made of wool. It’s open with an invisible zipper attached at the center back. Finishing with bias and facing.
BACK
The dress is made of fabric transformation sample 8. The transformation pattern is placed on the neoprene’s surface to keep the shape. The sleeve and the tie are made of wool gabardine. Finishing with bias and facing.
sleeveless asymmetrical dress with tie
DESCRIPTION
FRONT
29 FW2016
30
FRONT BACK
DESCRIPTION
sleeveless jacket /cropped-top/shorts
The silhouette is composed of 2 garments. The pegged pants are made of gabardine. Overlock finishing. The top is made of gabardine, fabric transformation sample 4 , and 6. Finishing with lining.
BACK
The silhouette is composed of 3 garments. The jacket is made of gabardine . Its hem is made of fabric transformation sample 2. Finishing with lining. The cropped-top is made of neoprene. Its cut-out part and the collar are made of fabric transformation sample 2. Raw edge finishing. The shorts are composed of 2 layers. The outer layer is made of fabric transformation sample 5. The inner layer of neoprene. Zipper at the center back. Finishing with overlock and facing.
transformed jacket /pegged pants
DESCRIPTION
FRONT
COLLECTION
PLAN
Tops
FW16SLH15T
FW16SLH04T
TXL1 SAMPLE 5,7
SAMPLE 1,6
FW16SLH13T
FW16SLH30
TXL3 SAMPLE 2
TXL1 SAMPLE 2,5
FW16SLH16T
FW16SLH07
SAMPLE 5,6
TXL1,9,11 SAMPLE 5,7
FW16SLH03T
FW16SLH23T
FW16SLH20T
FW16SLH06T
TXL1,7,9 SAMPLE 1,2
SAMPLE 1,5
TXL1 SAMPLE 5
SAMPLE 5,7
FW16SLH10T
FW16SLH19T
TXL7,11 SAMPLE 4
SAMPLE 5,7
FW16SLH20T
FW16SLH11T
TXL7 SAMPLE 8
SAMPLE 8
FW16SLH14T
Accessorize
SAMPLE 5
TXL4
TXL4
TXL4
Overalls. Dresses FW16SLH02J
FW16SLH022D
TXL2 SAMPLE 2
SAMPLE 1,6
FW16SLH05D
FW16SLH028D
TXL 1 SAMPLE 1,6
TXL 1, 7 SAMPLE 8
FW16SLH05D
TXL 1 SAMPLE 1,6
Skorts FW16SLH04S
FW15SLH04TB
TXL7,10,13 SAMPLE 5
TXL2,3,9,12 SAMPLE 5,7
FW16SLH04S
FW16SLH23S
TXL2,7,10,13 SAMPLE 5 TXL2,3,9,12 SAMPLE 5,7
Outerwear
FW16SLH02OTW
FW16SLH12OTW
SAMPLE 4
FW16SLHO8OTW
FW16SLH01OTW SAMPLE 5,7
FW16SLH29OTW
TXL 2 SAMPLE 4,6
TXL 1
TXL 3 SAMPLE 2,4
FW16SLH17OTW
FW16SLH29OTW
FW16SLH24OTW
TXL 1 SAMPLE 5
FW16SLH10OTW TXL 2 SAMPLE 4,6
FW16SLH25OTW
TXL 4 SAMPLE 5,7
TXL 7 SAMPLE 2,4
FW16SLH26OTW TXL 3 SAMPLE 2,4
TXL 3 SAMPLE 2
FW16SLH24OTW TXL 1
FW16SLH30OTW TXL 2 SAMPLE 2,4
FW16SLH18OTW TXL 3,7 SAMPLE 7,2
FW16SLH21OTW TXL 2,8 SAMPLE 2,4
Pants
FW16SLH8P
FW16SLH14P
FW16SLH07P
TXL 7 SAMPLE 3
TXL 7 SAMPLE 3
TXL 8,4
TXL 7 PRINT
TXL 7 SAMPLE 3
TXL 7 PRINT
FW16SLH19P TXL 7 SAMPLE 3
FW16SLH06P TXL 7 SAMPLE 2,3
FW16SLH12P
TXL 7 SAMPLE 6,8
FW16SLH17P
FW16SLH01P
TXL 2 SAMPLE 3
FW16SLH13P SAMPLE 5
TXL 8 SAMPLE 2
FW16SLH15P
FW16SLH16P
FW16SLH14P
FW16SLH19P
FW16SLH25P TXL 7 SAMPLE 2
TXL 2
TXL 2 SAMPLE 3 PRINT
FW16SLH30P
d n E