2018 第四屆台中國際動畫影展手冊 by Taichung International Animation Festival

2018

10.11-16

Taichung International Animation Festival

TIAF

指導單位

影視及流行音樂產業局

主辦單位

場地協力

特別感謝

贊助單位

媒體協力 www.funscreen.com.tw

FICE

ICHU

中郵局 OF

臺

協力單位

G POST

P18

開幕片 Opening Film

P20

閉幕片 Closing Film

P02

市長序 Preface by Mayor

P22

觀摩長片 Feature Films

P03

節目總監序 Preface by Program Director

P32

短片競賽：獎項與決審委員 Film Competition: Juries and Awards

P04

售票資訊 Ticketing

P34

短片競賽 Short Films in Competition

P08

活動資訊 Events

P49

學生短片競賽 Student Films in Competition

P14

戲院資訊 Venues

P64

焦點導演：影像頑童保羅布希 Director in Focus: Paul Bush

P16

場次表 Screening Schedule

P72

焦點工作室：創意立方體 Studio in Focus: Cube Creative

P76

焦點新銳：新女力爆發 Talents in Focus: New Female Wave

P81

角色方程式：怪怪惹人愛 Character Formula: Weird Things

P85

變動的世界觀：城市密碼 World in Motion: City Codes

P90

發現新視角：真實再現 New Angle: Animated Documentary

P94

TIAF 觀察站：拉丁魔幻 TIAF Observatory: Latin Fantasy

P99

TIAF 觀察站：東方奇幻 TIAF Observatory: Oriental Fantasy

P103

寶貝小宇宙：史微特哈星球 Baby Universe: Sweet-Heart Planet

P109

寶貝小宇宙：麥達令星球 Baby Universe: My-Darling Planet

P112

特別企劃：經典慾望 Special Program: Desire, Sexuality & Animation

市長序

市長序 Preface by Mayor

Preface by Mayor

邁入第四屆的臺中國際動畫影展，轉眼間又將在十月登場，這不只是屬於動畫創作者一年一度的文化盛事，也讓所有影迷得以欣賞來自世界各地的動畫傑作，一飽眼福，同時藉由影展期間的國際交流，讓臺灣動畫的軟實力走上世界舞台，在聚光燈下讓更多人看見。在策展團隊努力下，今年的影展規模更勝往年，還有許多令人期待的亮點。首先，我們非常榮幸邀請到黃瀛洲及紀敦智導演的首部動畫作品《重甲機神》與資深導演張毅的《狗狗傷心誌》，分別在開、閉幕中放映，這是臺中國際動畫影展開辦以來，首次由臺灣動畫電影作品同時囊括開、閉幕片。影展期間還有來自不同國家的創作者到臺中與觀眾見面，包括來自英國的焦點導演保羅布希、享譽國際的法國創意立方體工作室，以及來自日本的國寶級動畫大師月岡貞夫等人，都將與臺灣觀眾面對面，分享他們的創作歷程。向來深受觀眾期待的熱門單元「短片競賽」，除了今年報名件數突破二千件創下新高之外，最後入圍的一百部來自全球 26 個國家的精采動畫，更不乏來自四大國際動畫影展的作品在臺首映。特別是今年入圍的臺灣動畫創作，無論是在題材或美學上，都呈現出與以往不同的嶄新風格。新設立的「提案獎」，更吸引許多國內投資者和製作公司前來洽詢，精采可期。臺中市擁有豐富的影視產業資源和多元蓬勃的電影消費市場，為了善用臺中環境優勢發展成為國際友善影視之都，市府除了與本市影視發展基金會共同合作，務實推動影視產業補助、協拍服務和推廣各種影視活動，更積極新建霧峰「中臺灣影視基地」、水湳「中臺灣電影中心」及建置「中山 73 影視藝文空間」，為大臺中影視產業長期發展打底奠基。「臺中國際動畫影展」經過四年的耕耘，已經在國內外建立「臺中電影節」的品牌特色，藉此機會，我們要為辛勤創作的動畫工作者們，給予最大的鼓勵與支持，誠摯邀請大家前來臺中，參加一年一度的國際動畫饗宴！

The fourth edition of the Taichung International Animation Festival (TIAF) is due to be held in October again. Not only this is an important cultural event for the artists but a great opportunity for the audience to see animated films from all over the world. Moreover, the cultural exchange between Taiwanese filmmakers and their counterparts from other countries would push Taiwanese animation onto the international stage and be seen by a wider audience in the spotlight. Thanks to the effort the programming team have put in, the TIAF is expanded, showcasing many eagerly anticipated new films. First of all, we are honored to have Baryon, directors Jo-Jo and Mo Monster's first animated feature, as the opening film and A Dog’s Life directed by veteran filmmaker Chang Yi as the closing film. This is the first time that both opening and closing films are made by Taiwanese filmmakers. During the Festival, a large number of filmmakers from abroad have come to Taiwan to share their experience with the audience. They include British animator Paul Bush (Director in Focus), the renowned French animation company Cube Creative (Studio in Focus) and the celebrated Japanese animation master Sadao Tsukioka. This year, more than two thousand submissions to the Short Film Competition were received, and one hundred films are selected as the finalists. Coming from twentysix countries, many of the finalists have been screened at the four major international animation festivals and will hold their Taiwanese premieres at the TIAF. It is worth mentioning that the nominated Taiwanese animations have demonstrated a brand-new look in terms of subject matters and aesthetics. Furthermore, the newly established Short Film Projects' Pitching Award has attracted many investors and production companies. The film and television industries and the market for audiovisual products in Taichung are flourishing. Taking the advantages the city has, the Taichung City Government aims to make Taichung a friendly city for international film and television production. In addition to collaborating with the Taichung Film Development Foundation, several projects such as Central Taiwan Film Studios, Central Taiwan Cinema Center and Zhong Shan 73 Cinema and Art Space are under construction. After four years' hard work, the TIAF has established itself as the "Taichung Film Festival" with unique characters. Here we express our staunchest support and encouragement for animators. Lastly, we would like to invite everyone to come to Taichung to take part in this fantastic international animation festival!

臺中市長 Mayor of Taichung City

節目總監序

節目總監序 Preface by Program Director

The Dialectical Relationship between Fantasy and Reality

臺中國際動畫影展於 2015 年開始舉辦，從城市影展的規模，於去年增加了「國際競賽」項目與「臺灣動畫搶先看」單元，大舉邁向國際影展舞台，與積極推廣國人的原創動畫；今年在競賽項目上，進一步增設了「提案獎」，並提高臺灣動畫短片的入圍部數！此外，還很榮幸地邀請了黃瀛洲及紀敦智導演和張毅導演的原創動畫長片《重甲機神》、《狗狗傷心誌》作為開閉幕影片，持續鼓勵與彰顯臺灣原創動畫的軟實力 !

The Taichung International Animation Festival (TIAF) was established in 2015. Starting as a city film festival, it set up the International Competition and Taiwan Showcase as it marches onto the international stage to promote Taiwanese animation. Moreover, the Animated Short Projects' Pitching Award is added to the award list this year, and the number of nominated Taiwanese films in competition has increased. This year we are very fortunate to have invited Baryon directed by Jo-Jo and Mo Monster and A Dog’s Life by Chang Yi as the opening and closing films respectively. We hope that it not only encourages Taiwanese filmmakers but demonstrates the vibrant creative energy in Taiwanese animation.

整體來說，今年除了持續加強「親子動畫」和「劇情長片」的邀片質量，藉此吸引在地觀眾的參與之外；在其他觀摩節目單元的規畫和邀片上，更延續了去年「實驗與創新」的策展精神，大膽規劃了「奇幻與真實」的策展主題；細數下來，總共規劃了「焦點導演」、「焦點工作室」、「焦點新銳」、「角色方程式：怪怪惹人愛」、「變動的世界觀：城市密碼」和「發現新視角：真實再現」等節目單元，希望提供專業人士與市民更聚焦、更別致的動畫觀賞經驗 ! 「奇幻」可以說是文藝創作的基本元素，也已經形成了（影視）書寫的類型。所謂的「奇幻」影視作品，狹義而言，指的是取材自神話、宗教典故、民間傳說等故事內容改編或原創的作品。廣義來講，「奇幻」影視作品，更可以指稱超越邏輯與科學證明，充滿憑空想像、捏造非事實與非現實元素的作品。今年 TIAF 觀察站的「東方奇幻」和「拉丁魔幻」兩個節目單元，肯定能讓觀眾重新認識動畫「奇幻」表現力的傳統與現代面貌 ! 然而，有趣的是近二十年來，國際動畫影壇和研討會，也已經相繼討論起動畫「紀實」的可能性；許多動畫創作者，不再滿足於動畫被框限於奇幻影視類型，開始取材自現實與真實的題材，擺脫虛構，不少創作者甚至踏上了「動畫紀錄片」的創作領域。今年的「發現新視角：真實再現」節目單元，正是向觀眾展示了動畫如何紀實、如何表現真實的能力，完全不亞於動畫虛構的奇幻能力 ! 更進一步來說，很多優秀的動畫（影視）作品，卻也經常是奇幻中有真實，真實中有奇幻 ! 可以說，奇幻讓我們讚嘆，真實則讓我們感動 ! 期待今年精挑細選的節目不僅能讓我們的市民想像力馳騁，也能眺望世界，滿懷感動！

Overall, on top of raising the number and the quality of features and the films suitable for family viewing to attract local audience, we continue the "experimental and innovative" spirit from last year. As a result, we come up with the theme "Fantasy and Reality" this year and divide the program into several categories, including Director in Focus, Studio in Focus, Talents in Focus, Character Formula: Weird Things, World in Motion: City Code and New Angle: Animated Documentary. It is hoped that through these categories, the TIAF can offer the filmmakers as well as the public a more focused and enjoyable animation viewing experience. "Fantasy" is one of the basic elements in art and has become a genre in literature. The narrow definition of the so-called "fantasy films" refers to those based on mythology, religious tales or folklore. Broadly speaking, fantasy films mean those override logic and science and are full of imagination that blurs the boundary between reality and imagination. The "Oriental Fantasy" and "Latin Fantasy" at the TIAF will give the audience a new understanding of the traditional role fantasy plays in animation and its modern new look. Nevertheless, what is interesting is that in the past two decades, the possibility of making animated documentary has been discussed at the international animation forums. Many animators are no longer confined to fantasy. They begin to seek inspiration from the reality and have made animated documentaries. The New Angle: Animated Documentary at the TIAF will show the audience how animation could be used to reproduce reality. Furthermore, we see that in many brilliant animated films, fantasy and reality are often mixed, and therefore we can say that while fantasy amazes us, the reality moves our hearts. I hope that this year's program will not only make the audience's imagination run wild but bring the world to them!

臺中國際動畫影展節目總監 Program Director of Taichung International Animation Festival

Preface by Program Director

奇幻與真實的辯證

售票資訊

Ticketing

單場票預售票

元/張

銷售時間

9/21（五）12:00 - 10/10（三）23:59

全票

160

元/張

銷售時間

10/11（四）-10/16（二）

愛心 / 敬老 / 學生

元/張

銷售時間

9/21（五）-10/16（二）

100

元/張

銷售時間

10/11（四）-10/16（二）

入場須出示相關證件

日場票週一至週五 17:00 前場次

戲院內服務台現場購票僅收取現金

團體票於預售期間 9/21（五）至 10/9（二）開放團體訂票，單一場次購買 10 張以上即享團體優惠，意者請於週一至週五 14:00 - 18:00 洽詢，團票服務專線：(04)2323-6100#41 吳小姐。

退票方式 1. 票券退票最遲須於該場次前一天辦理（依各退票地點的退票受理截止時間），且每張須酌收 10% 手續費，逾時皆不受理。 2. 退票地點：．全臺 7-ELEVEN 門市 ibon 機台皆可辦理退票（9/21（五）- 10/15（一）每日 7:00 - 23:00），若為網路訂票，須取出票券後才可操作退票。．持票親赴以下地點辦理—— 影展前 9/21（五）- 10/9（二）：臺中市影視發展基金會（週一至週五 10:00 - 12:30，14:00 - 18:00，臺中市西屯區大墩十九街 186 號 9 樓之 2）影展期間 10/11（四）- 10/15（一）：至戲院現場影展售票服務處（服務台營業時間：每日首場電影放映前 30 分鐘，至當日末場電影開演後 20 分鐘） 3. 「換票」視同「退票」，請依上述方式辦理退票。

5 購票說明

＊每場限購 8 張；無跨場次結帳，若購買不同場次者，須分批結帳。售票資訊

ibon 機台購票流程

電影票

2018 臺中國際動畫影展

購票

閱讀服務須知

日期

選擇影片 & 場次

區域

票種、數量

座位

確認購票明細

輸入聯絡電話

點選線上購票

列印繳費單 & 持票須知

ibon 網站購票流程

持繳費單至櫃台繳費後取得購買的場次票券。

ibon 售票系統網 ticket.ibon.com.tw 網路購票須至 7-ELEVEN 超商印出實體票券，影展現場不提供取票服務。

訂購方式

ibon 售票系統網

登入或加入會員

選擇電影

2018 臺中國際動畫影展

選擇時間場次

區域

票種、數量

座位

確認購票明細

輸入聯絡電話＆付款方式

票券中心

電影票

2018 臺中國際動畫影展

取票

閱讀服務須知

確認取票明細

列印繳費單 & 持票須知

完成訂購後，憑「取票序號」至 7-ELEVEN 門市 ibon 機台取票。

取票方式

輸入「取票序號」

持繳費單至櫃台繳費後取得購買的場次電影票券。

注意事項 1. 影展配合電影分級制度，請家長留意影片分級進行購票，請依影展官網最新公告為準。 2. 兒童如未滿 2 歲無須購票，可入場觀賞【普遍級】影片，每位購買者限免費攜帶一名未滿 2 歲兒童入場。（未購票之兒童恕不提供座位） 3. 票券為唯一入場憑證，請妥善保存票券，如發生遺失、毀損或無法辨識等情形，恕無法入場。 4. 影廳內無障礙座位有限，如有需求，自 9/21（五）起，請於週一至週五 10:00 - 12:30，14:00 - 18:00 來電洽詢 (04)2323-6100#41 吳小姐。 5. 為維護觀影品質，影片映演 20 分鐘後不再開放入場，敬請準時入場。 6. 請遵守影城攜帶外食之相關規定入場。 7. 影片之權利屬於版權所有者，任何攝影、錄影、錄音行為皆屬違法，可能招致法律訴訟，主辦單位保留要求觀眾刪除檔案之權利。 8. 主辦單位保有更動節目之權利；如遇天災或不可抗力因素，主辦單位將依據臺中市政府公告之訊息，決定是否取消映演，並於官網公佈。 9. 上述事項若有未盡事宜，依影展主辦單位官方網站公告為主。

Ticketing

票券中心

售票資訊

Ticket Information

Ticketing

Individual Tickets Presale Ticket

NT $

Available from

Sep. 21 12:00 to Oct. 10 23:59

Regular Ticket

NT $

160

Available from

Oct. 11 to Oct. 16

Disabled/ Elderly/ Student

NT $

Available from

Sep. 21 to Oct. 16

NT $

100

Available from

Oct. 11 to Oct. 16

Please present a valid ID at entrance

Matinee Ticket Valid only for screenings starting before 17:00 from Monday to Friday

On-site ticket purchase can only be paid by cash.

Group Tickets Group Tickets can be purchased from Friday 21st September to Tuesday 9th October. Discounts are offered for each single purchase of more than 10 tickets per screening. Please contact (04)23236100#41 (Miss WU) for details during office hours: 14:00 - 18:00 on weekdays.

售票資訊

1. Ticket refund must be claimed at least 1 day before the scheduled screening, and a 10% handling fee will be charged per refunded ticket. Refund location: ．7-11 ibon system is available for ticket refund, only when the ticket is collected. ．Ticket refund service is available at the following places and dates: Before the festival (Sep. 21 - Oct 9.) : Taichung Film Development Foundation, every working day between 10:00 - 12:30 and 14:00 - 18:00. During the festival (Oct. 11 - Oct. 15) : Festival ticket booth at each venue. (The booth opens 30 minutes before the first screening of the day and closes 20 minutes after the last screening starts). 2. Ticket exchange is deemed as ticket refund. Patrons who want to exchange their tickets must follow the refund rules.

Terms and Conditions 1. The film festival will cooperate with the national film classification system. Parents are advised to pay attention to the film classification. Please refer to the annoucement on website for changing of classification. 2. Children under age of 2 are free of admission but no seat provided. Please present a valid ID at entrance. One adult with regular admission can bring only 1 child under age of 2. 3. Tickets only valid for designated seat as shown on the ticket. Please reserve the seat as you make the purchase, any loss or damage of tickets will not be replaced. 4. Barrier-free seat availability is limited. Please make a reservation by phone in advance at (04)2323-6100#41 (Miss Wu) on weekdays from Friday 21st September. 5. To manage screening quality and to show respect for other audiences, latecomers will NOT be admitted to the screening up to 20 minutes after the film begins, and the ticket is thus NON-REFUNDABLE. 6. Please follow the rules of eating and drinking at the venue. 7. All rights of the films belong to the copyright owners. Photography or video/audio recording during the screening is strictly prohibited. The festival reserves the right to demand that the recording to be deleted. 8. The festival reserves the right to change the program.

Ticketing

Refund

神獸帶你看門道門道壹

活動資訊

TIAF 選片指北針

Events

Program Guide 不藏私的單元導覽，讓你在月光下、書香間秒懂 TIAF 葫蘆裡賣什麼藥

月光電影院 9/22（六）19:00 ｜柳川藍帶水岸（中山路與民族路區段）放映影片

介紹單元

焦點工作室：創意立方體 TIAF 觀察站：拉丁魔幻、東方奇幻角色方程式：怪怪惹人愛寶貝小宇宙：史微特哈星球、麥達令星球

《幸福路上》109min（普）台北電影節百萬首獎得主從小琪的成長故事出發，帶領觀眾穿梭台灣 80 年代至今的各種時代變遷，透過小琪這一路上懵懂無知到勇敢出走的自我追尋，去探討幸福的真諦。

◎ 活動現場不提供座椅，前 100 名民眾可以獲得飛盤摺疊扇乙把。 ◎ 為考量民眾安全，活動當日遇雨取消，如有不便，敬請見諒。

書香電影院 9/29（六）19:00 ｜益品書屋｜臺中市南屯區惠文路 361 號放映影片

介紹單元

《Best of TIAF》70min（輔 12）

焦點導演：影像頑童保羅布希焦點新銳：新女力爆發變動的世界觀：城市密碼發現新視角：真實再現國際短片競賽

可重溫歷屆評審團高度讚賞的動畫短片精選，又能蒐集今年影展團隊私心片單，溫故知新，只在書香電影院。

◎ 因場地座位有限，本活動採 Accupass 線上報名，額滿為止。（當日將視現場狀況安排候補入場） ◎ 為維護館內藏品安全及環境衛生，館內禁止外食，敬請配合。

門道貳

臺灣動畫搶先看 Taiwan Showcase

10/14（日）14:00 - 15:00 ｜凱擘影城 10 廳這裡有最新最快的臺灣動畫資訊，想了解目前有什麼案子正如火如荼進行中，千萬別錯過！

《妖怪森林 LAQI》導演王世偉、高逸峰

《夜車 Night Bus》導演謝文明

《好時光 A Blissful Moment》導演廖士涵

◎ 免費場次，現場排隊入場，額滿為止。

門道參

頒獎典禮 Awards Ceremony

10/16（二）15:30 - 17:00 ｜凱擘影城 2 廳總獎金 140 萬究竟獎落誰手？除了令人屏息的獎項揭曉，還有 TIAF 要獻給大家的驚喜小彩蛋！期間限定，錯過沒有下一次。 ◎ 免費場次，現場排隊入場，額滿為止。

神獸帶你湊熱鬧

活動資訊

注意 ! 影展現場神獸出沒，張開你的大眼，敞開那顆勇於冒險的心，跟著神獸一起，湊。熱。鬧。

Events

熱鬧壹

玉花人魚游來游去－看繪本聽故事 10/13（六）13:00 - 13:30 ｜站前秀泰 S2 小書房兒童館（2F）

◎ 免費活動，現場排隊入場，額滿為止。 ◎ 10/13（六）13:50《寶貝小宇宙：麥達令星球》映演結束後，《喬納斯與海》的導演會到影展現場舉辦簽書會，僅限簽書，額滿為止。特別感謝

熱鬧參

吹氣生人討抱抱－枕頭電影院 10/13（六）20:00 - 20:30 ｜站前秀泰 S2 TIAF 服務台前 50 名穿成套睡衣觀賞《TIAF 觀察站：東方奇幻》的觀眾，可獲得吹氣生人賜福的安心枕頭乙顆，送給喜歡無拘無束的魚干女和邋遢男。

熱鬧貳

TIAF 要說故事給大家聽，繪本改編《喬納斯與海》同名動畫短片，描述一位喜歡大海的小朋友，夢想潛入海中與魚兒暢游同歡，觀賞《寶貝小宇宙：麥達令星球》之前別忘記先來聽聽故事。

米人五官許願池－搞怪拍立得 10/12（五）12:00 - 12:30 ｜凱擘影城 TIAF 服務台 10/13（六）19:00 - 19:30 ｜凱擘影城 TIAF 服務台沒有五官的米人，無法表達自己的喜怒哀樂，為了幫助米人實現有五官表情的心願，影展現場設置五官許願池，讓我們利用自己的創意擠出屬於米人的表情吧！參加資格：於影展期間購買《角色方程式：怪怪惹人愛》場次，即可憑票根至服務台向工作人員索取「米人臉型手拿板」，拍下屬於「米人」專屬表情，張貼於影展現場，並由觀眾進行票選，得票最高者，將可獲得影展閉幕片貴賓邀請函。 ◎ 本活動拍立得底片數量有限，換完為止。主辦單位將於 10/15（一）12:00 公佈得獎名單，請密切注意影展官方臉書與現場佈告欄。

熱鬧肆

番鬼婆點點名－映前小遊戲

熱鬧伍

TIAF 定番小遊戲：提早入場，就有機會獲得影展限定紀念品，看越多中獎機會就越大！

神話之鳥來送信－快閃郵局 10/13（六）｜站前秀泰 S2 TIAF 服務台凡於 TIAF 快閃郵局購買聯名郵票封套，即可獲得影展限量特製郵戳乙枚，立即投入郵筒，寄出你最深的想念！本活動為當日限時獨家，可遇不可求。

熱鬧陸

目龍現身見者有份－入場好禮

套住你心中最深的情慾大家一起來搞怪人人有糖吃凡購買《怪怪惹人愛》單元任一場次，凡購買《經典慾望》單元任一場次，凡購買《寶貝小宇宙》單元任一場次，入場前可獲得台灣森永製菓獨家提供牛奶糖乙份。入場前可獲得神怪傳說紋身貼乙張。入場前可獲得私密小禮乙份。

活動資訊

神獸獻好禮三點連一線眾多好禮扭出來

Events

凡購買以下單元，憑票根可至服務台兌換神獸戳章；集滿戳章完成賓果連線，可獲得扭扭樂機會。一張票根只能蓋一格，每格須為不同場次。

【神獸獻好禮】集點卡

TIAF 觀察站：東方奇幻或拉丁魔幻

特別企劃：經典慾望

角色方程式：怪怪惹人愛

焦點導演：影像頑童保羅布希或焦點新銳：新女力爆發

發現新視角：真實再現

寶貝小宇宙：史微特哈星球或麥達令星球

變動的世界觀：城市密碼

TIAF 觀察站：東方奇幻或拉丁魔幻

寶貝小宇宙：史微特哈星球或麥達令星球

加碼連線

競賽單元任一場次

神獸加碼連線：壹、完成任一連線者，憑競賽單元任一場次票根乙張，可加碼獲得「初級影迷」扭扭樂乙次。貳、完成競賽加碼連線者，可獲得「重度影癡」扭扭樂機會乙次。

集滿一條神獸認證「初級影迷」

乖乖造句狠大包 ABC字母包曜黑實木質感鉛筆組

質上牛奶糖

｜僅兌換五次｜

森永牛奶糖

嗨啾軟糖麗寶樂園免費入場券神怪傳說紋身貼

多樂福水果糖

集滿三條以上神獸認證「重度影癡」

女巫與海翁電繡貼布組

李慶成艾草沉香塔

美國玉米水壺屋經典款爆米花小罐

噶哈巫火神潮T

秋日圓盤摺疊涼扇

｜僅兌換三次｜

集滿五條以上神獸認證「職業影神」｜僅兌換乙次｜

日本JR鐵路通票

金典酒店柏麗廳自助餐餐券

影展週邊福袋

丰丹伴手禮禮盒

東京迪士尼免費入場券

FNG X TIAF聯名寶特袋

★ 以上禮品數量有限，扭完為止，請把握機會，越早扭越有機會抽到大獎 ★

【神獸邀你當評審－觀眾票選獎】凡看完競賽單元任一場次，即可投下您寶貴的一票。票數最高的短片，將榮獲「2018 TIAF 觀眾票選獎」。票選單即抽獎券，神獸將準備好禮，送給 50 位幸運觀眾評審。獎品包含：丰丹伴手禮禮盒、全國大飯店住宿券、影展週邊福袋、麗寶樂園免費入場券

抽獎名單將於 10/17（三）公布於官網最新消息，中獎觀眾請持票選單存根聯於 10/31（三）18:00 前至臺中市影視發展基金會辦公室領取（臺中市西屯區大墩 19 街 186 號 9 樓之 2），逾時視同放棄。

活動資訊

大師開講

Events

Masters' Talks

10/12

五

FRI

19:00-20:30 動畫如何書寫？一個歷史學家的觀察 Animation Writing: A Reflection on the History of Cinema 益品書屋｜臺中市南屯區惠文路 361 號

薩維耶卡瓦托普 Xavier Kawa-Topor

法國 NEF 新動畫書寫協會每年挑選 10 位導演到楓德浮修道院（Abbaye de Fontevraud）駐村，10 年來超過上百名導演到這中世紀修道院擷取靈感。什麼是動畫書寫？如何影響長、短片導演的創作？ 2019 年 TIAF 將與 NEF 合作，選送臺灣動畫導演前往法國楓德浮駐村創作，辦法將於講座後說明，有興趣的創作者敬請把握機會！ ◎ 因場地座位有限，本活動採 Accupass 線上報名，額滿為止（當日將視現場狀況安排候補入場）。 ◎ 為維護館內藏品安全及環境衛生，館內禁止外食，敬請配合。 ◎ 本場次備有同步口譯設備，憑個人有效證件免費借用，並請於活動結束當日歸還。

10/13

六

SAT

18:30-19:30 月岡貞夫大師講座日本動畫的寓言傳統 Master's Talk: Allegory in Japanese Animation 凱擘影城 10 廳

月岡貞夫 Sadao Tsukioka

身為漫畫之神手塚治虫第一助手的月岡貞夫說：「現今日本動畫的故事結構介於小說與寓言之間。」想參透這句話背後的意思嗎？想了解日本動畫暢銷全世界的秘密嗎？來來來，請掃 QR code ！ ◎ 因場地座位有限，本活動採 Accupass 線上報名，額滿為止（當日將視現場狀況安排候補入場） ◎ 本場次備有同步口譯設備，憑個人有效證件免費借用，並請於活動結束當日歸還。

活動資訊

10/13

六

SAT

Events

16:00-18:00 保羅布希焦點講座 1 玩影弄格 Director's Talk 1: Falling in Love with the Frame 凱擘影城 10 廳

保羅布希 Paul Bush

電影最小單位不是鏡頭是什麼？保羅布希一定會大喊：「影格！」瘋狂愛上影格的英國導演 26 年來用真人動畫（Pixilation）將影格玩得淋漓盡致，想知道他的靈感來源嗎？ ◎ 欲觀賞電影者須購票入場，講座視現場情況安排候補入場，額滿為止。 ◎ 本場次備有同步口譯設備，憑個人有效證件免費借用，並請於活動結束當日歸還。

10/14

日

SUN

17:00-19:00 保羅布希焦點講座 2 敘事的未竟之境 Director's Talk 2: The Hinterland of Narrative 凱擘影城 10 廳你是否已厭倦故事結構一成不變的套路？保羅布希將在講座中分享如何從生活經驗找尋創作靈感，以生命切身相關的故事，開發新的敘事，找到屬於自己的風格。 ◎ 欲觀賞電影者須購票入場，講座視現場情況安排候補入場，額滿為止。 ◎ 本場次備有同步口譯設備，憑個人有效證件免費借用，並請於活動結束當日歸還。

戲院資訊戲院資訊

Venues

Venues 雙十路一段 Sec. 1, Shuangshi Rd.

S2館 Taichung Showtime Cinemas S2

干城站 Gancheng Stop

南京路 Nanjing Rd.

街

新民

Xin

台中國軍英雄館 Taichung Hero Hotel 復興

, Fu ec. 4 xing 段S Rd 路四 .

o gu

路

國

建

臺中車站 Taichung Station

台中站前秀泰影城 S2 館 Taichung Showtime Cinemas S2 04-2211-7988 臺中市東區南京路 66 號 4 樓 4F., No.66, Nanjing Rd., East Dist., Taichung City

火車 Train │臺中車站 Taichung Station 走復興路四段、於南京路右轉，步行約 10 分鐘。 Take Fuxing Rd., turn right to Nanjing Rd. and walk for approximately 10 mins. 公車 Bus │干城站 Gancheng Stop 搭乘 158、301-304、307-308、6670 號公車；到站後，走南京路，步行約 5 分鐘。 By Bus No. 158, 301-304, 307-308, 6670; after arrival, take Nanjing Rd. and walk for approximately 5 mins.

戲院資訊 Venues

臺中車站 Taichung Station

段路四

Sec

uxi 4, F

新時代購物中心站 Taroko Mall Stop

復興

大智 i Rd

azh 路D .

n ayo 街D

大勇

ng as chu Tai Cinem o Kbr 4F

gS 街

和平

凱擘影城 Kbro Cinemas 04-3608-0900 臺中市東區復興路四段 186 號 4 樓（大魯閣新時代購物中心） 4F., No.186, Sec. 4, Fuxing Rd., East Dist., Taichung City (Taroko Mall)

火車 Train │臺中車站 Taichung Station 走復興路四段，步行約 5 分鐘。 Take Fuxing Rd. and walk for approximately 5 mins. 公車 Bus │新時代購物中心站 Taroko Mall Stop 搭乘 18、51、60、89 號公車。 By Bus No. 18, 51, 60, 89.

秀泰 14 廳

Showtime Cinemas 14

秀泰 15 廳

Showtime Cinemas 15

凱擘 10 廳

Kbro Cinemas 10

10/11 THU 10:00 焦點新銳：新女力爆發 ★ Talents in Focus : New Female Wave 81min ｜ 6+ ｜ P78 12:40 短片競賽 1：距離 Short Films in Competition 1 85min ｜ 6+ ｜ P36 14:50 學生短片競賽 1：你看的不是你看到的 Student Films in Competition 1 62min ｜ 6+ ｜ P51 16:40 短片競賽 2：愛的練習題 Short Films in Competition 2 71min ｜ 15+ ｜ P38 18:30 開幕片：重甲機神 Baryon ★ Opening Film: Baryon 110min ｜ 6+ ｜ P18 21:20 德黑蘭禁忌玫瑰 Tehran Taboo 96min ｜ 18+ ｜ P25

場次表 Screening Schedule

10/12 FRI

10:00 短片競賽 3：潛規則 Short Films in Competition 3 85min ｜ 6+ ｜ P40

10:00 變動的世界觀：城市密碼 ★ World in Motion: City Codes 77min ｜ 0+ ｜ P87

12:00 特別企劃：經典慾望 ★ Special Program: Desire, Sexuality & Animation 76min ｜ 15+ ｜ P114

12:00 學生短片競賽 2：我要大聲說不 ! Student Films in Competition 2 64min ｜ 12+ ｜ P53

14:30 短片競賽 5：純真 Short Films in Competition 5 75min ｜ 0+ ｜ P44 16:40 短片競賽 6：我 Short Films in Competition 6 67min ｜ 15+ ｜ P46 18:50 迪莉莉的巴黎奇幻搜查 Dilili in Paris 94min ｜ 6+ ｜ P26 21:00 肆式青春（日文版）★ Flavors of Youth 74min ｜ 0+ ｜ P30

13:30 角色方程式：怪怪惹人愛 ★ Character Formula: Weird Things 67min ｜ 6+ ｜ P83 15:30 學生短片競賽 5：它會跟著你一輩子 Student Films in Competition ５ 63min ｜ 6+ ｜ P61 17:00 學生短片競賽 3：我竟然在日常中都忽略它 Student Films in Competition ３ 61min ｜ 15+ ｜ P56 18:40 電影冒險家卡雷爾茲曼 Film Adventurer Karel Zeman 98min ｜ 0+ ｜ P24 20:50 大世界 Have a Nice Day 74min ｜ 12+ ｜ P27

10/13 SAT

10:20 短片競賽 4：負能量也是能量 Short Films in Competition 4 67min ｜ 18+ ｜ P42

10:00 溫泉屋小女將 Okko's Inn 94min ｜ 0+ ｜ P30

10:00 寶貝小宇宙：史微特哈星球 ★ Baby Universe: Sweet-Heart Planet 71min ｜ 0+ ｜ P105

12:00 學生短片競賽 4：你說它怪但它還挺有趣的 Student Films in Competition 4 65min ｜ 18+ ｜ P58

12:40 蟲蟲的異想生活 Tall Tales - From the Magical Garden of Antoon Krings 88min ｜ 0+ ｜ P31

12:00 焦點工作室：創意立方體 ★ Studio in Focus: Cube Creative 55min ｜ 0+ ｜ P74

13:50 寶貝小宇宙：麥達令星球 ★ Baby Universe: My-Darling Planet 76min ｜ 0+ ｜ P109 16:20 發現新視角：真實再現 ★ New Angle: Animated Documentary 76min ｜ 15+ ｜ P92 18:20 TIAF 觀察站：拉丁魔幻 ★ TIAF Observatory: Latin Fantasy 75min ｜ 15+ ｜ P96 20:30 TIAF 觀察站：東方奇幻 TIAF Observatory: Oriental Fantasy 76min ｜ 0+ ｜ P101

14:50 月光宮殿 Lost in the Moonlight 81min ｜ 0+ ｜ P28 17:00 勇闖鳥世界 Tito and the Birds 73min ｜ 0+ ｜ P28 18:40 特別企劃：經典慾望 ★ Special Program: Desire, Sexuality & Animation 76min ｜ 15+ ｜ P114 21:10 馬德法克大逃殺 Mutafukaz 94min ｜ 18+ ｜ P24

14:20 森林總動員 In the Forest of Huckybucky 72min ｜ 0+ ｜ P29 16:00 焦點導演：影像頑童保羅布希 ( 一 ) ★ Director in Focus: Paul Bush 1 58min ｜ 0+ ｜ P66 保羅布希焦點講座一：玩影弄格 Director's Talk 1: Falling in Love with the Frame 60min 18:30 月岡貞夫大師講座：日本動畫的寓言傳統 ◎ Master's Talk: Allegory in Japanese Animation 60min 20:00 角色方程式：怪怪惹人愛 ★ Character Formula: Weird Things 67min ｜ 6+ ｜ P83

秀泰 14 廳

秀泰 15 廳

凱擘 10 廳

10/14 SUN

10:20 寶貝小宇宙：麥達令星球 ★ Baby Universe: My-Darling Planet 76min ｜ 0+ ｜ P109

10:00 蟲蟲的異想生活 Tall Tales - From the Magical Garden of Antoon Krings 88min ｜ 0+ ｜ P31

10:00 企鵝公路 ★▲ Penguin Highway 118min ｜ 0+ ｜ P29

Showtime Cinemas 14

12:20 戰地記者之死 Chris the Swiss 90min ｜ 15+ ｜ P25 14:20 短片競賽 4：負能量也是能量 ★ Short Films in Competition ４ 67min ｜ 18+ ｜ P42 16:20 短片競賽 3：潛規則 ★ Short Films in Competition 3 85min ｜ 6+ ｜ P40 18:40 TIAF 觀察站：東方奇幻 ★ TIAF Observatory: Oriental Fantasy 76min ｜ 0+ ｜ P101 20:50 學生短片競賽 4：你說它怪但它還挺有趣的 ★ Student Films in Competition ４ 65min ｜ 18+ ｜ P58

★ 影人出席 ▲ 影片拷貝非英語發音且無英文字幕 ◎ 非售票之活動場次需配戴 3D 眼鏡

Showtime Cinemas 15

12:00 短片競賽 1：距離 ★ Short Films in Competition 1 85min ｜ 6+ ｜ P36 14:30 迪莉莉的巴黎奇幻搜查 Dilili in Paris 94min ｜ 6+ ｜ P26 16:40 戰火扶南 Funan 84min ｜ 6+ ｜ P31

Kbro Cinemas 10

14:00 臺灣動畫搶先看 ◎ Taiwan Showcase 60min 17:00 焦點導演：影像頑童保羅布希 ( 二 ) ★ Director in Focus: Paul Bush 2 62min ｜ 0+ ｜ P69 保羅布希焦點講座二：敘事的未竟之境 Director's Talk 2: The Hinterland of Narrative 60min

19:00 肆式青春（日文版）★ Flavors of Youth 74min ｜ 0+ ｜ P30

19:30 學生短片競賽 2：我要大聲說不 ! ★ Student Films in Competition 2 64min ｜ 12+ ｜ P53

21:10 發現新視角：真實再現 ★ New Angle: Animated Documentary 76min ｜ 15+ ｜ P92

21:20 變動的世界觀：城市密碼 ★ World in Motion: City Codes 77min ｜ 0+ ｜ P87

10/15 MON

10:00 安娜的幻想冒險 Ana and Bruno 97min ｜ 0+ ｜ P26

10:10 寶貝小宇宙：史微特哈星球 ★ Baby Universe: Sweet-Heart Planet 71min ｜ 0+ ｜ P105

12:20 溫泉屋小女將 Okko's Inn 94min ｜ 0+ ｜ P30

12:10 學生短片競賽 5：它會跟著你一輩子 ★ Student Films in Competition ５ 63min ｜ 6+ ｜ P61

15:00 馬德法克大逃殺 Mutafukaz 94min ｜ 18+ ｜ P24

14:10 大世界 Have a Nice Day 74min ｜ 12+ ｜ P27

17:00 TIAF 觀察站：拉丁魔幻 ★ TIAF Observatory: Latin Fantasy 75min ｜ 15+ ｜ P96

16:00 學生短片競賽 3：我竟然在日常中都忽略它 ★ Student Films in Competition ３ 61min ｜ 15+ ｜ P56

19:10 吃貨宇宙 ▲ Foodiverse 88min ｜ 0+ ｜ P27

18:00 焦點工作室：創意立方體 ★ Studio in Focus: Cube Creative 55min ｜ 0+ ｜ P74

21:10 短片競賽 5：純真 ★ Short Films in Competition 5 75min ｜ 0+ ｜ P44

18:55 尼古拉德浮焦點講座：飛舞的蝸牛－ 3D 動畫的表演技巧 ◎ Director's Talk: Animating Snails in Collaboration with Choreographer 60min

影片級數、場次及活動異動訊息請以網站及現場公佈為準

20:30 電影冒險家卡雷爾茲曼 Film Adventurer Karel Zeman 98min ｜ 0+ ｜ P24

單場次含多部影片者，依最高審議分級為入場級別 0+ 普遍級：一般觀眾皆可觀賞 6+ 保護級：未滿六歲不得觀賞，六歲以上未滿十二歲須由成人陪伴輔導觀賞 12+ 輔 12 級：未滿十二歲不得觀賞 15+ 輔 15 級：未滿十五歲不得觀賞 18+ 限制級：未滿十八歲不得觀賞 R18 超限制級：未滿十八歲不得觀賞，入場前須簽觀影同意書

★Q&A ▲ Non-English Language Films without English Subtitles ◎ Festival Event Free Admission Wearing 3D glasses Please refer to the announcement on website and venue for changes of ratings, screenings and events. The screening containing more than one film will be rated with highest classification rating of the films. 0+ = G : General audience. 6+ = P : No children under 6 allowed. Children aged 6 to 12 must be accompanied by an adult. 12+ = PG12 : No one under 12 allowed. 15+ = PG15 : No one under 15 allowed. 18+ = R : No one under 18 allowed R18 = R18 : The audience will be required to sign "Letter of Declaration" before entrance.

10/16 TUE

10:00 短片競賽 6：我 ★ Short Films in Competition 6 67min ｜ 15+ ｜ P46

19:00 閉幕片：狗狗傷心誌 ★ Closing Film: A Dog's Life 80min ｜ 0+ ｜ P20

12:00 學生短片競賽 1：你看的不是你看到的 ★ Student Films in Competition 1 62min ｜ 6+ ｜ P51

凱擘 2 廳

13:50 焦點新銳：新女力爆發 ★ Talents in Focus : New Female Wave 81min ｜ 6+ ｜ P78

10/16 TUE

16:30 德黑蘭禁忌玫瑰 Tehran Taboo 96min ｜ 18+ ｜ P25

10:00 森林總動員 In the Forest of Huckybucky 72min ｜ 0+ ｜ P29

18:40 短片競賽 2：愛的練習題 ★ Short Films in Competition 2 71min ｜ 15+ ｜ P38

15:30 頒獎典禮 ◎ Awards Ceremony 90min

20:40 戰火扶南 Funan 84min ｜ 6+ ｜ P31

Kbro Cinemas 2

開幕片 OPENING FILM

重甲機神 Baryon Baryon 紀敦智、黃瀛洲 Mo Monster, Jo-Jo 臺灣 Taiwan ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 110min

世界 World Premiere 首映

「史上第一部誕生於物理年會的科幻動畫電影！」近未來的某日，天空降下無數雷射攻擊，全世界第一流軍事武力強國瞬間慘遭殲滅。一艘護送秘密科技的美國環太平洋艦隊、一位來臺參加音樂季演唱的偶像明星、一座由臺中美日共管的海底探勘基地「鸚鵡螺市」，在完全與世隔絕的困境中，要如何對抗更強勁的海底怪獸攻擊而活下去呢？以主要角色出身暗喻臺灣處境現況，當世界末日來臨時，每個人不得不成為拯救自己的救世主！ When countless laser beams come down from the sky and destroy all the countries that hold the advanced weapons, the world descends into chaos. Taiwan fortunately escapes the first wave of attack. People then assume that the cities built underwater are immune to the invasion and therefore gather forces under the sea to prepare for the counter-attack. However, they are unware of the sea monsters that will prove to be the beginning of another nightmare...

10.11〈四〉18:30 ST 秀泰 15 廳 ★

閉幕片 CLOSING FILM

狗狗傷心誌 A Dog's Life 張毅 CHANG Yi 臺灣 Taiwan ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 80min

只要傾盡生命愛過，在相遇的那一刻，溫暖將永遠被記得。臺灣導演張毅重返影壇最新力作，《狗狗傷心誌》由「黑屁股」、「獨眼 Tiger」、「老流氓」和「暴妹」四段獨立故事組成，全片無對白，僅透過細膩的動畫和悠揚的配樂，精準掌握故事節奏。主人翁與狗狗們偶然相遇，卻在各種的意外和猶豫之間錯過了彼此相伴的機會，不同視角的交替，彷彿說的不只是狗狗的故事，而是生命中輪番上演的無常與無奈。 A Dog’s Life consists of four stories about four different dogs and their owners' lives, reflecting love, life and departure. It is produced, directed and written by legendary director of New Taiwan Cinema Chang Yi, who celebrates his return to cinema as a result of his commitment to the late Edward Yang.

2018 薩格勒布動畫影展競賽 2018 大阪亞洲影展競賽

10.16〈二〉19:00 Kbro 凱擘 10 廳 ★

觀摩長片 FEATURE FILMS

觀摩長片 FEATURE FILMS 逐格看世界劉永晧世新大學廣播電視電影學系副教授

今年的動畫長片單元，讓我們看見當前不一樣的動畫電影，理解新的動畫視野：在動畫中所逐格創造的電影世界，變得多樣且迷人 ! 整體而言，今年適合親子觀賞的長片有《森林總動員》，本片以森林中的動物和牠們所需要的食物編織出妙趣橫生的動畫。影片中的熊爸爸、熊媽媽倡導動物之間要和平相處，不要吞食彼此，兼具娛樂與教育意義 !《蟲蟲的異想世界》有善良的蜂后，被其他攻擊性的惡蜂鳩佔鵲巢；善良的小蜜蜂於是施展可愛又無效的招數來反擊惡蜂。《勇闖鳥世界》動畫風格則深具特色，影片講述小男孩如何學習與理解鴿子的語言，解救了僵化的世界。《吃貨宇宙》鋪陳麵粉星球與完美星球之間的戰爭，在手工食物與工業化食物之間展開對抗，除此之外還加上了科幻電影的元素，整體成績不俗 ! 適合青少年觀賞的長片則有《肆式青春》（日文版），為三段式的動畫，藉著食物、時尚與建築三種不同物件，描述了親情、手足之情與初戀，懷舊與純愛兼俱。《馬德法克大逃殺》充滿黑幫電影、青少年次文化、暗黑糸的莎士比亞的惡趣味；其中動畫人物造型涵括了歐、美、日系等風格，融合為一，令人耳目一新 ! 深具奇幻色彩的有《安娜的幻想冒險》，本片藉由一名誤認為被父親拋棄的小女孩的觀點，來看精神醫院中的一切。在精神疾病、幻象、可見與不可見中，驚奇連連 !

《迪莉莉的巴黎奇幻搜查》以一名黑人小女孩迪莉莉的視野，導引出 19 世紀巴黎的藝術家、文學家與城市發展史，是一部深具豐富藝術史與藝術性的大師之作。《月光宮殿》的劇情敘述時間的鑰匙，為十二生肖中的鼠神所掌握，但是牠一念的衝動，差點導致時間停擺引發大災難。偏向動畫紀錄的有《電影冒險家卡雷爾茲曼》，為捷克動畫家卡雷爾茲曼的故事，他是捷克動畫電影的先驅之一，在這部紀錄片中揭露他所曾經運用的傳統動畫特效，這些創新在今日顯得格外迷人。《戰地記者之死》，這部影片則結合了紀錄片與動畫二種特色，充滿個人電影的風格。動畫家導演本身為戰地記者的表妹，她重新走過親屬記者報導南斯拉夫內戰的路徑，這條追尋的道路也成為動畫家導演在探討戰爭與思考創作之路。《德黑蘭禁忌玫瑰》批判了伊朗社會加諸於女性的各種壓抑，力道十足。《大世界》尖銳地反省了當前中國社會從人人心中都有一頭野獸，沉淪到人人心中都只有一台無止盡的購物車。對於金錢與價值有著深刻的反省。《戰火扶南》為今年法國安錫動畫影展備受矚目的動畫，直接批判了柬埔寨共產黨暴力統治的歷史。本屆影展，在奇幻與真實的思考中，呈現了當前動畫電影的繽紛多彩 !

迪莉莉的巴黎奇幻搜查 Dilili in Paris

觀摩長片 FEATURE FILMS

See the World Frame by Frame Dr. LIU Yung-Hao Associate Professor, Department of Radio, Television & Film, Shih Hsin University

In the feature category of the 2018 TIAF, we see very different animated films that give us a new vision – frame by frame, cinema has become so colorful and charming in the world of animation. Generally speaking, there are four features suitable for family viewing. In the Forest of Huckybucky is an interesting animation about animals and their food. In the film, Daddy Bear and Mommy Bear teach the others that everyone should live in harmony and stop eating each other. It is a great educational and entertaining film. In Tall Tales, a kind-hearted queen bee is ousted by a group of malicious bees and her courageous subjects try to fight back with their useless and yet moving tactics. Tito and the Birds, a film with a strong visual style, tells the story of how a boy learns to understand the pigeons' language and save the world. Foodiverse is about the war between Planet Flouratia and Planet Perfection, a battle between the hand-made food and the food produced on an industrial scale. With a sci-fi element added, the film is fantastic to watch. There are a couple of films suitable for teenagers. Flavors of Youth is an animation in three segments; through food, fashion and architecture, it portrays the relationships between family, siblings and lovers in a nostalgic and innocent style. Mutafukaz is a gangster movie packed with youth subculture and Shakespearean black humor; the character design is an innovative combination of European, American and Japanese styles. A few fantasy films are included in this year's feature program. Ana and Bruno is told from the viewpoint of

a young girl, who is mistaken to be abandoned by her father. In the mental hospital, we see the mental illness, the illusion, the visible and the invisible. Told by a black young girl, Dilili in Paris reveals the history of how the city was developed and the lives of the artists and literary men in the 19th century Paris; it is a masterpiece about art and the history of art. Lost in the Moonlight describes that the key to time is held in the hands of Rat God, and an impulsive idea of his nearly stops time and triggers a catastrophe. A number of films are close to documentary. Film Adventurer Karel Zeman is the story of the Czech animation master Karel Zeman. Zeman is one of the pioneers in Czech animation and the traditional special effects Zeman used seem particularly enchanting in the Digital Age. Christ the Swiss is a mix of animation and documentary in a strong personal style. The director is the protagonist's cousin, who revisits the path that her cousin, a war correspondent, had taken during the Yugoslav Wars, and this journey inspires her to look into war and her own work. Tehran Taboo is a powerful criticism of how women are suppressed in Iranian society in various aspects. Have a Nice Day describes how the Chinese have fallen victim to materialism, reflecting the changes in people's values and views on money. Funan caught much attention at the Annecy International Animation Film Festival for its honest depiction of Cambodia under the brutal Khmer Rouge rule. In summary, the films selected for the 2018 TIAF fully demonstrate a broad spectrum in animation!

觀摩長片 FEATURE FILMS

觀摩長片

電影冒險家卡雷爾茲曼 Film Adventurer Karel Zeman 湯瑪士侯丹 Tomas HODAN ｜捷克、加拿大 Czech Republic, Canada ｜ 2015 ｜實拍、資料影片｜ DCP ｜ Color ｜ 98min

FEATURE FILMS

在還沒有《星際大戰》、電腦特效也尚未當道時，卡雷爾茲曼憑藉著對影像語言的精準掌控，手工創造出真實與奇幻交織的畫面。令人驚嘆的視覺效果，讓他被譽為最具想像力的「影像魔法師」，連提姆波頓、泰瑞吉蘭和山村浩二都五體投地，本片將帶領你一窺魔法背後的秘技，看他如何化不可能為可能。 Film Adventurer Karel Zeman is a biographical film that looks back at the life, work and significance of the genius of world cinema. We interview today's filmmakers to find out why his films are still alive and in many ways unsurpassed. There is one more story in the film - students of animation at Zlin University remake three of Zeman's best scenes, using old ways of making the special effects - how do they succeed? 2016 捷克金獅獎最佳紀錄片提名｜ 2016 廣島動畫影展

10.12〈五〉18:40 Kbro 凱擘 10 廳 10.15〈一〉20:30 Kbro 凱擘 10 廳

馬德法克大逃殺 Mutafukaz 西見祥示郎、吉翁雷納 Shojiro NISHIMI, Guillaume RENARD ｜法國、日本 France, Japan ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 94min

這裡是都市的藏汙納垢之所，幫派鬥爭成為每天司空見慣的日常街景，槍響與慘叫聲更是生活的主旋律。在這樣惡劣的環境中，足以撼動整個地球的陰謀正悄悄上演，暴力與死亡的陰影籠罩了整片天空、甚至連月亮都不再對人微笑。三名在街頭打滾的少年被捲入其中，唯一能夠拯救他們的就只有彼此的羈絆，以及心口那團熊熊燃燒的烈火。 Angelino is one of the thousands of deadbeats living in Dark Meat City. Following a foolish scooter accident caused by the heavenly vision of a mysterious girl, the young man starts experiencing violent headaches doubled with strange hallucinations involving monstrous creatures lurking throughout the city. Is Angelino losing his mind? Or is he the witness of a silent alien invasion? No matter what, he has to find out the truth. 2017 東京影展｜ 2018 法國熱拉爾梅奇幻影展青少年評審團獎

10.13〈六〉21:10 ST 秀泰 15 廳 10.15〈一〉15:00 ST 秀泰 15 廳

觀摩長片

FEATURE FILMS

安雅科夫梅爾 Anja KOFMEL ｜瑞士、德國、克羅埃西亞、芬蘭 Switzerland, Germany, Croatia, Finland ｜ 2018 ｜ 2D、複合媒材、資料影片｜ DCP ｜ Color ｜ 90min

觀摩長片

戰地記者之死 Chris the Swiss

FEATURE FILMS

1992 年南斯拉夫內戰，瑞士戰地記者克里斯前往克羅埃西亞報導，卻被人發現倒臥在血泊中，身上穿著外籍傭兵的制服。克里斯的死因對年幼的表妹安雅始終是個解不開的謎，二十年後，她決定拿起表哥生前寫的最後一頁日記開始展開調查，透過採訪、調閱歷史影像，試圖拼湊出他英年早逝的真相。 In the beginning of the 1990s, the Yugoslav Wars had started. Young men from all over Europe were taking part. On January 7th 1992, a Swiss journalist was found dead in Croatia, wearing the uniform of an international mercenary group. Twenty years later, his cousin, director Anja Kofmel, researches the background to understand why these men are so fascinated by war. 2018 坎城影展影評人週｜ 2018 安錫動畫影展

10.14〈日〉12:20 ST 秀泰 14 廳

德黑蘭禁忌玫瑰 Tehran Taboo 阿里蘇杉達 Ali SOOZANDEH ｜德國、奧地利 Germany, Austria ｜ 2017 ｜轉描｜ DCP ｜ Color ｜ 96min

華燈初上，德黑蘭的夜晚正要開始。妓女帶著兒子在計程車上進行性交易，樂手和少女在夜店廁所情不自禁，懷胎婦女瞞著家庭求職卻屢屢遭拒；同一社區裡的各種心事，如荊棘般交纏，在一通惡作劇電話後即將爆發。本片大膽挑戰伊斯蘭性別歧視與道德禁忌，間接穿插小男孩的純真視角，讓觀眾看見在被限制的自由之中，德黑蘭依舊燦爛綻放的生命力。 To pursue their freedom and happiness, four young people living in Tehran decide to follow their hearts and demonstrate their determination and longings to the world. They know that it means they have to challenge the taboos and social conventions in Iranian society but still, they can never expect such consequences of their actions... 2017 金馬影展｜ 2017 坎城影展影評人週

10.11〈四〉21:20 ST 秀泰 15 廳 10.16〈二〉16:30 ST 秀泰 15 廳

觀摩長片 FEATURE FILMS

觀摩長片

安娜的幻想冒險 Ana and Bruno 卡洛斯卡雷拉 Carlos CARRERA ｜墨西哥 Mexico ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 97min

亞洲 Asia Premiere 首映

FEATURE FILMS

小女孩安娜隨媽媽住在精神病院裡，某天院裡遭遇可怕的惡火龍襲擊，媽媽卻無端被囚禁，而爸爸又遠在他方。她決定冒險潛逃出去，踏上萬里尋父的旅程，回來拯救親愛的媽媽。病院裡的好朋友布魯諾自告奮勇同行，還帶上一群奇怪又滑稽的生物，展開這趟笑聲與淚聲交織的救援大冒險。 Ana is a peculiar girl who has escaped from a mental institution. She needs to find her father in order to save her mother. Helped by weird and funny fantastic beings that she meets in that place, she starts a journey full of thrilling and touching adventures. The film is based on the novel, Ana, by Daniel Emil. 2017 安錫動畫影展｜ 2018 季里諾伊比利美洲動畫獎最佳長片

10.15〈一〉10:00 ST 秀泰 15 廳

迪莉莉的巴黎奇幻搜查 Dilili in Paris 米休歐斯洛 Michel OCELOT ｜法國 France ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 94min

十九世紀末的巴黎仍瀰漫著美好年代的浪漫氛圍，城市一角卻盛傳有連續誘拐女童案件。來自新喀里多尼亞的原住民女孩迪莉莉，隻身跳上開往法國的船，與少年好友一同探索城市的每一個角落；也伏入險惡，調查誘拐案件的真相。繼膾炙人口的《嘰哩咕與女巫》、《一千零二夜》等名作後，動畫大師歐斯洛再以剪紙美學雕磨奇想，結合寫實風景、歷史脈絡，以女孩視角重探奇幻花都。 With the help of the delivery-boy, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest... 2018 安錫動畫影展開幕片

10.12〈五〉18:50 ST 秀泰 15 廳 10.14〈日〉14:30 ST 秀泰 15 廳

觀摩長片

FEATURE FILMS

劉健 LIU Jian ｜中國 China ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 74min

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大世界 Have a Nice Day

FEATURE FILMS

工地司機小張從黑道老闆劉叔那裡搶了一百萬現金，盤算著帶整容失敗的女友遠赴韓國重新手術。沒想到劉叔派殺手瘦皮追查，老實人小張只好帶著鉅款流亡，卻引來各路人馬覬覦。一項偷竊案，竟勾起小鎮民的邪念，引發一連串的謀殺與計算。導演劉健用黑色幽默手法，揭露當今社會亂象並描繪出人性的慾望與貪婪。 A city in southern China and a bag containing a million yuan draws several people from diverse backgrounds with different personal motives into a bloody conflict. Philosophizing gangster bosses, ageing hitmen, men and women who are tired of the struggle to survive - anyone who happens to have the bag holds on to it tightly, as if it were a lifeline. 2017 柏林影展競賽｜ 2017 金馬影展最佳動畫長片

10.12〈五〉20:50 Kbro 凱擘 10 廳 10.15〈一〉14:10 Kbro 凱擘 10 廳

吃貨宇宙 Foodiverse 陳廖宇 CHEN Liao-Yu ｜中國 China ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 88min

麵粉星球上的幸運餃子一毛錢，常被肚子裡的硬幣卡住無法動彈，她也因此充滿煩惱。暖男包子包墩墩是一毛錢的好朋友，總是默默支持和陪伴著她，當一毛錢得知通吃星球的高科技能解決她的煩惱時，便毅然決然和一群厭世夥伴一同出發，等待他們的會是超「完美」結局，還是一場邪惡的驚天陰謀呢？ On the Flouratia, Penny often gets stuck by the coin in her tummy, and that causes her so much trouble. Podge, the steamed bun, is her best friend who always supports her and keeps her company. When Penny learns that the technology on Planet Perfection could solve her problem, she decides to embark on an adventure with her companions. However, they have no idea what awaits them over there... 2018 休士頓影展競賽

10.15〈一〉19:10 ST 秀泰 15 廳 ▲

觀摩長片 FEATURE FILMS

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勇闖鳥世界 Tito and the Birds 古斯塔夫斯坦堡、加百列比塔爾、安德烈加托托 Gustavo STEINBERG, Gabriel BITAR, André CATOTO ｜巴西 Brazil ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 73min

FEATURE FILMS

10 歲的提托與母親相依為命，平靜的生活卻被突如其來的怪病打亂，在尋找特效藥的過程中，提托無意間發現這場傳染病似乎和自己行蹤成謎的父親，以及他消失前對鳥所做的研究息息相關。在朋友的陪伴之下，提托踏上了治療傳染病、發掘自己身世的冒險之旅。 Tito is a shy 10-year-old boy who lives with his mother. Suddenly, an unusual epidemic starts to spread, making people sick whenever they get scared. Tito quickly discovers that the cure is somehow related to his missing father's research on bird song. He embarks on a journey to save the world from the epidemic with his friends. Tito's search for the antidote becomes a quest for his missing father and for his own identity. 2018 安錫動畫影展競賽｜ 2018 巴西 Anima Mundi 動畫影展

10.13〈六〉17:00 ST 秀泰 15 廳

月光宮殿 Lost in the Moonlight 金玄珠 Hyunjoo KIM ｜南韓 South Korea ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 81min

身居十二生肖之首，日復一日，負責運轉時節的老鼠耐不住無聊，趁著移星換位之際溜出天宮，卻失足墜入凡間。在首爾，他邂逅了平凡的女孩茱莉，命運的相遇讓茱莉闖進仙界，等在他們面前的，卻是一連串超越人神與時空的驚天陰謀。華麗畫風融入韓國民間傳說、傳統歌舞、山水畫風與昌德宮等文化國寶，導演穿越古今、飛天遁地，鋪展宏偉格局，也開啟韓國動畫史詩新篇章。 Hyunjuli participates in a play called The Moonlit Lagoon at Changdeok Palace. She accidentally falls into another world of Moonlit Palace and meets Mr. Squirrel. Due to the trick of a blossom lady, Hyunjuli and Mr. Squirrel get into trouble and fail to go back home. Will Hyunjuli be able to save the palace and return home safely? 2017 安錫動畫影展｜ 2017 阿姆斯特丹兒童影展

10.13〈六〉14:50 ST 秀泰 15 廳

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FEATURE FILMS

拉斯穆斯席維特森 Rasmus A. SIVERTSEN ｜挪威、荷蘭 Norway, Netherlands ｜ 2016 ｜偶動畫、停格動畫｜ DCP ｜ Color ｜ 72min

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森林總動員 In the Forest of Huckybucky

FEATURE FILMS

哈吉布基森林裡住著一群快樂的動物，愛唱歌的老鼠克勞斯、儒雅聰明的老鼠莫頓、迷糊的兔子，以及大家長熊老爹；牠們唯一的煩惱是提防狐狸馬文搶奪食物，甚至吃掉牠們。有天莫頓想出和平共處的法則，但馬文會願意遵守並和大家成為好朋友嗎？改編著名兒童故事，耗時三年製作，完成這部淋漓暢快的歡樂歌舞片。 Claus Climber Mouse, Morten Wood Mouse, Mister Hare and all their friends dwell in the Huckybucky forest - a nice place to live, but the tiny animals have to watch out for some of the bigger ones. Marvin the Fox has an unfortunate tendency to devour all the mice crossing his path. As Horace Hedgehog attempts to eat Morten's grandma, they try to pass a law for all the animals to stop eating each other. 2017 安錫動畫影展｜ 2018 蒙特婁兒童影展最佳影片

10.13〈六〉14:20 Kbro 凱擘 10 廳 10.16〈二〉10:00 Kbro 凱擘 2 廳

企鵝公路 Penguin Highway 石田祐康 Hiroyasu ISHIDA ｜日本 Japan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 118min

身為全日本最會寫筆記的小學生，青山有著不輸給大人的聰明頭腦。某天，他意外目睹一大群本應只會在南極出沒的阿德利企鵝，搖頭晃腦地在牙科醫院前面排隊散步，在小鎮引起莫大騷動。到底是誰變的戲法？好學的青山為了解開這個謎，開始一系列瘋狂又奇幻的「企鵝研究計畫」。 Aoyama is a brainy boy. One day, he witnesses a waddle of penguins suddenly appear before the dental clinic. Wobbling in the street, they form the "Penguin Highway" seen only in the Antarctica and cause such a sensation in a small town in Japan! It seems that the penguins are transformed from the cola cans thrown into the air. But who did it? In order to solve the mystery, Aoyama begins his research project. 2018 加拿大奇幻影展今敏獎最佳動畫長片

10.14〈日〉10:00 Kbro 凱擘 10 廳 ★▲

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溫泉屋小女將 Okko's Inn 高坂希太郎 Kitaro KOSAKA ｜日本 Japan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 94min

FEATURE FILMS

小學六年級的小織，在父母車禍雙亡後被經營溫泉旅館「春之屋」的外婆收養，也開始了她的小女將修行之路。少根筋又冒失的她，時常被敵對旅館同齡之女秋野真月嘲笑。但生性樂天的小織，在旅館裡的幽靈小賣、美陽及鈴鬼鼓勵之下，努力地招待每位客人。是一部溫暖且歡樂的女孩成長記。 The story takes us into the daily life of Seki Oriko, a primary school pupil who, following the death of her parents, moves to live with her grandmother, the owner of a traditional inn. When not in class, the young girl works in the establishment and grows up little by little with the help of the ghost Uri-Bo and other mysterious friends. 2018 安錫動畫影展競賽

10.13〈六〉10:00 ST 秀泰 15 廳 10.15〈一〉12:20 ST 秀泰 15 廳

肆式青春（日文版） Flavors of Youth 易小星、竹內良貴、李豪凌 Joshua YI, Yoshitaka TAKEUCHI, LI Hao-Lin ｜中國、日本 China, Japan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 74min

一碗飄散著故鄉童年回憶香氣的三鮮米粉、一襲為相依為命的名模姊姊量身訂製的美麗時裝、一匣默默收藏初戀青澀告白的錄音卡帶。三座城市，三段回憶，三種情感，交織成一幅跨越時空的青春歲月浮世繪。由日本動畫大師新海誠所屬動畫工作室領銜監製，與中國繪夢動畫合作，以「北京、上海、廣州」為經、「食、衣、住」為緯，將親情、友情與愛情扣上時代記憶，繼《你的名字》後，又一部動人心弦的話題鉅作。 Told in three chapters in three cities, Flavors of Youth explores the simple joys of life through sensual memories and how the beating heart of love cannot be defeated by the flow of time. 2018 美國動畫展覽會

10.12〈五〉21:00 ST 秀泰 15 廳 ★ 10.14〈日〉19:00 ST 秀泰 15 廳 ★

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FEATURE FILMS

阿諾布朗、安東金斯 Arnaud BOURON, Antoon KRINGS ｜法國 France ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 88min

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蟲蟲的異想生活 Tall Tales – From the Magical Garden of Antoon Krings

FEATURE FILMS

小蟋蟀阿波羅一路吟遊演出，來到女王蜂的國度，全國上下正攜手準備即將到來的登基慶典。而女王的遠親溫蒂正覬覦著王位，暗地策劃了一個驚天大陰謀，準備把整個王國弄得天翻地覆！法國著名插畫家安東金斯身兼導演，改編自己的同名繪本，在可愛的昆蟲間，呈現生動的人類社會縮影。 When Apollo, a kind-hearted cricket, lands in the village of the Funny Little Bugs, the kingdom is disrupted. The beloved queen bee Marguerite is kidnapped on the orders of her treacherous cousin Wendy. Wendy relies on her accomplices, the Pests, to hold Marguerite captive as she takes over the throne. With the help of his new friends, Apollo and the band of brave Little Bugs run towards danger to free the Queen and save the hive. 2017 安錫動畫影展｜ 2017 魁北克親子影展觀眾票選獎

10.13〈六〉12:40 ST 秀泰 15 廳 10.14〈日〉10:00 ST 秀泰 15 廳

戰火扶南 Funan 杜來順 Denis DO ｜法國、盧森堡、比利時、柬埔寨 France, Luxembourg, Belgium, Cambodia ｜ 2018 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 84min

1975 年，柬埔寨共產黨取得政權後，逼迫上百萬人離開家園下鄉勞改。一位年輕的母親在全家遷移時與年幼的兒子走散，從此音訊全無。她懷抱著尋獲兒子的信念，在嚴苛的生存邊緣中不斷掙扎，同時也親嘗人性冷暖，看盡尊嚴殆盡的人。柬埔寨裔法國導演首部動畫長片，即摘下安錫影展最佳長片水晶獎，以個人苦難窺看歷史集體傷痛，寫實描摹赤柬時期人民的心理折磨，細緻的筆觸為影片增添了些許溫柔。 1975, during the Khmer Rouge revolution. Fighting for her own survival, Chou, a young Cambodian mother, looks for her 4-year-old son who was taken away from her by the regime. 2018 安錫動畫影展水晶獎

10.14〈日〉16:40 ST 秀泰 15 廳 10.16〈二〉20:40 ST 秀泰 15 廳

短片競賽

Film Competition

短片及臺灣短片競賽決審委員 Award Jury Short Films and Taiwanese Short Films Competition

余為政 YU Wei-Cheng

薩維耶卡瓦托普 Xavier KAWA-TOPOR

史貝拉卡黛茲 Špela ČADEŽ

臺灣資深電影、動畫導演、製作人，畢業於溫哥華藝術學院動畫創作研究所，現任國立臺南藝術大學兼任教授、動點子製片公司監製與創意總監。曾任香港電視台動畫指導、臺灣宏廣動畫製片公司企劃總監及導演。代表作品《清秀山莊》（1997）、《舵》（1986）、《牛伯伯與牛小妹大破鑽石城》（1983）等皆曾入圍金馬獎，亦曾出版動畫相關著作。

法國歷史學者，曾任法國孔克中世紀歐洲文明暨藝術中心負責人。任職巴黎影像中心期間曾促成多項動畫節目及交流，並邀請知名導演駐館、引介動畫學院交流。擔任楓德浮修道院負責人時，推動動畫書寫駐村計畫，迄今已有 30 國 200 多位動畫導演參與。2015 年創辦 NEF 新書寫動畫協會，並擔任凱撒獎動畫類委員及法國國家電影中心獎補助委員副主席。著有《動畫電影：在現實之外》及合著《動畫電影百選》。

斯洛維尼亞獨立動畫導演，2002 年畢業於盧比安納藝術與設計學院，隨後赴德國科隆媒體藝術學院深造， 2008 年以獨立動畫導演身分創作並身兼製片。擅長偶動畫及剪紙動畫， 2013 年《給自己的情書》榮獲廣島動畫影展最佳首部作品，橫掃國際 50 多個獎項及入圍。2016 年短片《醉貛》榮獲荷蘭動畫影展及薩格勒布動畫影展首獎，並受邀於日舞、克萊蒙費宏及安錫動畫影展放映。

Yu Wei-Cheng is a veteran film and animation director and producer, who graduated from the Art Institute of Vancouver. Currently, Yu is a parttime professor at the Tainan National University of the Arts. He served as animation supervisor at the Hong Kong Television Network Ltd. and the director and planning director at the Wang Film Productions Co., Ltd. His works include Annie's Magic Raccoon (1997), Duo (1986) were nominated by Golden Horse Award. In addition, Yu has published several books about film and animation.

Xavier Kawa-Topor had worked in the Centre Européen de Conques and Fontevraud Abbey. His passion for animation prompted him to organize animation-related programs and events at the Forum des Images in Paris. Moreover, 200 directors from 30 countries had been the artists-inresidence at the Fontevraud Abbey, a scheme Kawa-Topor set up. In 2015, he founded the NEF Animation A ssociation and ser ved as the chairman. Currently, Kawa-Topor is on the committees of the César Award for Best Animated Film and the CNC. He has published Cinéma d'animation – au-delà du réel and Le Cinéma d'Animation en 100 films.

Špela Čadež graduated in Graphic Design in Ljubljana in 2002 and continued her studies at the Academy of Media Arts Cologne. She's been working as an independent animation director and producer since 2008. Her films have received more than100 awards at festivals worldwide and were screened in competition selections. Čadež has impressed with films in puppet and cutout animation techniques, her work Boles (2013) has received 50 awards, distinctions and nominations around the world. Her latest film Nighthawk (2016) has received 23 awards and distinctions up to date with Grand Prixs at HAFF Festival Holland and Animafest Zagreb, and has been screened in selections at festivals such as Sundance, Clermont Ferrand and Annecy.

競賽獎項 COMPETITION CATEGORIES & AWARDS 首獎 Grand Prix 評審團獎 Jury Distinction 傑出創作獎 Outstanding Work

臺灣短片競賽 Taiwanese Short Films

臺灣學生短片競賽 Taiwanese Student Films

首獎 Grand Prix

票選獎 Popular Awards 觀眾人氣票選獎 Audience Award 青少年評審團獎 Young Critics Award 青少年評審團：于雅晴、方怡文、吳奇諺、吳承翰、胡庭柔、孫名妤、張氵靜、許煒晟、黃筱晴、廖行寬、趙姿涵、謝孟娟

學生短片及臺灣學生短片競賽決審委員 Award Jury Student Films and Taiwanese Student Films Competition

鄭多喜 Dahee JEONG

愛娃希維亞諾維克 Eva CVIJANOVIĆ

吉恩姆馬康德斯 Guilherme MARCONDES

韓國獨立動畫導演，從首爾弘益大學視覺傳達系畢業後，前往巴黎學習動畫，於法國國立高等裝飾藝術學院取得碩士學位。畢業作品獲 2013 年韓國獨立動畫影展首獎，曾二度受邀至法國楓德浮修道院駐村創作。首部個人動畫《歲月交椅》於 2014 年坎城影展平行單元導演雙週播映，同年獲得安錫國際動畫影展短片類水晶獎。近期作品《微塵光陰》榮獲 2016 年廣島國際動畫影展首獎。

波士尼亞籍動畫導演，現居加拿大蒙特婁，不僅擅長使用實體媒材，如：羊毛氈、水彩、蠟筆等，同時也擅用數位媒材。其成名作品《刺蝟先生的小屋》由加拿大國家電影局與克羅埃西亞動畫工作室共同製作，於 2017 年榮獲柏林影展青少年評審團特別提及，並受邀至 80 多個影展放映，獲 30 多座獎項肯定。目前與蒙特婁動畫團體合作進行創作。

巴西籍動畫導演，現居紐約，從建築轉往插畫與設計，擅長以實拍結合動畫，創造視覺夾帶象徵的多層次影像。曾於麻省理工學院開工作坊教授電影及遊戲故事創作，並於 2013 年起擔任該學院創新藝術獎評審。知名作品《虎》於各大國際影展榮獲超過 20 座獎項。近期作品《333 夜總會》在法國、美國、巴西的跨國投資下開拍，於美國西南偏南藝術節首映。

Eva Cvijanović is a filmmaker and animator based in Montreal who is compelled by the storytelling potential of environments and character. With her work, Eva often exploits the immersive power of tangible materials such as felted wool, watercolors and pastels, while being fluent in digital media. Her most notable venture was directing an NFB-Bonobostudio stop motion short Hedgehog's Home, which premiered at the 2017 Berlinale where it distinguished itself with a special mention and went on to screen at over 80 international festivals, winning over 30 prizes. She is currently expanding her horizons with the Montreal animation collective Astroplastique.

Guilherme Marcondes was educated as an architect, but decided early on to pursue a career in illustration and design. His projects are known for their distinctive combination of different live action and animation techniques that create immersive worlds of visual and symbolic complexity. His most well-known short-film Tyger won over 20 international awards. His latest film Caveirão is an international coproduction between France, USA and Brazil and it premiered at SXSW Festival in Austin. Guilherme has been invited to the Massachussets Institute of Technology, where he lead a weeklong workshop about creation of storyworlds for film and games. He has also been in the jury for the MIT Creative Arts annual competition since 2013.

Dahee Jeong studied at Hongik University in Seoul, and got a Bachelor of Arts in Visual Communication. She got a Master's at Ecole Nationale Supérieure des Arts Décoratifs in 2012. Her graduation film, The Hours of Tree, won the Grand Prize at the IndieAnifest 2013. She has been invited for the animation residency at Fontevraud Abbey, France in 2013 and in 2017. Her first film, Man on the Chair, was presented in the Directors' Fortnight section at the Cannes Film Festival 2014, won the Cristal for a Short Film at the Annecy International Animated Film Festival and was screened at over 100 film festivals around the world. Her most recent film, The Empty, won the Grand Prix at the Hiroshima International Animation Festival in 2016.

Film Competition

學生短片競賽 Student Films

首獎 Grand Prix 評審團獎 Jury Distinction 傑出創作獎 Outstanding Work

短片競賽

短片競賽 Short Films

短片競賽

Short Films in Competition

那動畫中的迷人光景馬匡霈、劉琬琳、謝珮雯短片及臺灣短片競賽初選評審

經歷有如馬拉松般數個月的作品審片及數小時的初審會議討論後，我們終於一窺今年度精采的入圍動畫將為觀眾們帶來什麼樣的迷人光景。首先令評審們都同感的，便是今年度許多的入圍作品，均成熟地運用數位工具融入平面繪畫元素及插畫感的效果，視覺上呈現風格化的設計及豐富的肌理細節。如法國動畫《自行車選手》，彷彿畫家波特羅筆下圓滾塊頭的角色，份量十足「精力」充沛。而匈牙利作品《犀牛與人魚》以迷人用色與造型，讓我們深陷醜人魚奶奶的家庭秘密。義大利作品《我們的故事》，則是用手繪感的插畫，包裹了家族移民史裡的濃苦，帶領觀眾一嚐苦甜交摻的過往。法國導演波赫士勒培的作品《墜落》，彷彿揉合畫家艾薛爾與波希暗黑版的享樂花園，懾人動態及畫面氛圍令人目不轉睛，均是充滿視覺衝擊的精選作品。除了精彩的視覺設計，我們也著迷導演們說故事的功力。加拿大導演特雷佛西門尼斯作品《男孩的週末假期》從孩子視角出發，帶領觀眾每週末穿梭在離婚父母間，從生活互動、物件細節的鋪陳，堆疊出令人感同身受的濃厚情感。而臺灣導演楊子霆的《我們的月亮》片頭即以懸念的手法巧妙地擄獲觀眾，一同經歷一場饒富詩意、刺激揪心的冒險，大貓工作室成熟的 3D 及手繪融合得恰到好處，也看見臺灣優秀敘事動畫的水準。今年亦有許多導演不約而同將動畫命題轉向關注「病與死亡」的狀態，《午後時光》中老媽媽迷走在重疊亂序的腦內風景；《父喪之日》用行政流程般處理父親後事的細碎，鋪織出印度的一塊社會切片與父子間若有似無的連結；《腦內對決》將病症及藥物治療以視覺的方式角色化，都深刻描繪了不同的內在與情感狀態。而本屆入圍臺灣短片的作品，值得肯定的是臺灣動畫人的創作力與實驗精神。史明輝的《小兒子－命大的蟑螂》以動畫改編文學小品，情感流露真摯有趣。林青萱的《未明》以雙圈的望遠鏡頭窺見了「水」不同的流動及意象，串聯起意識流與實時片刻，暗潮波濤似平未明。張徐展的《{ Si So Mi }》則在音樂意象和逐格手法間構築出另類的動畫韻味。在當代網路超額滿載的影像環伺下，本屆國內外入圍作品多元的題材和風格仍以奇思妙想打開一幕幕動畫中的迷人風景，期待能與你 / 妳的某時片刻有所共鳴。而臺中國際動畫影展難能可貴的持續為國內動畫人及愛好者，提供一個匯聚交流來自世界優秀作品的機會，也期許臺灣動畫人在滿天的星光中持續琢磨，找到每一個屬於自己的熠熠。

The Enchanting Scenes in Animation MA Kuang-Pei, LIU Wan-Lin, HSIEH Pei-Wen Preliminary Selection Jury for Short Films & Taiwanese Short Films Competition

Before the jury's meeting, I didn't expect it to last more than a few hours, but the nine-hour meeting proved me wrong and showed us the enchanting scenes in this year's nominated films. The judges agree unanimously that all the nominations demonstrate the filmmakers' skills in integrating digital tools into 2D drawing and illustration, showing their individual styles and richness in the content. For example, in Cyclist, we seem to be watching the energetic characters in Fernando Botero's paintings while in Mermaids and Rhinos, the amazing color and design draw us deep into the family secret of the ugly grandma mermaid. Through the hand-drawn illustration, Our Story leads the audience to experience the bitter-sweet past of an immigrant family. In addition, the gripping ambience and movement in La Chute directed by Boris Labbe looks like a dark version of the paradise created by Escher and Bosch. On top of the brilliant visual design, we were captivated by the narratives of the films. Canadian director Trevor Jimenez's Weekends starts from a child's point of view and guides the audience into its life moving between its divorced parents. The detailed description of their lives and the environment conveys strong emotions that the audience could easily empathize with. Our Moon by Taiwanese director Yang Tzu-Ting captures the audience's heart right from the beginning as they embark on a poetic eventful adventure. The perfect combination of the 3D and hand-drawn skills shows the high standards in the narrative of Taiwanese animation. This year, several directors show their concern about illness and death. The examples include the old woman's confused state in Late Afternoon, the Indian funeral customs that reflect the bond between father and son in Death of a Father and in Buddy Joe, illnesses and medical treatments are turned into characters. What is worth praising in the nominated Taiwanese films are the creativity and experimental spirit demonstrated in them. My Little Boys - The Lucky Cockroach by Jack Shih is an adaption of a short story that conveys such sincere emotions. In Unidentified by Lin Ching-Hsuan, we see water flow in different ways as the images string one's coconsciousness and time together. {Si So Mi} by Zhang Xu Zhan constructs an innovative flavor through music and stop-motion animation. The subject matters and the styles shown in this year's nominated films unveil countless enchanting scenes to us. The TIAF is a rare platform for the Taiwanese animators and we hope that they would seize this chance to learn and shine amongst their fellow filmmakers from all over the world.

自行車選手 Cyclists

短片競賽

馬匡霈 MA Kuang-Pei

劉琬琳 LIU Wan-Lin

謝珮雯 HSIEH Pei-Wen

臺灣獨立動畫導演，亦從事藝術教育、設計及插畫創作。畢業於臺南藝術大學音像動畫研究所，個人插畫與動畫作品具詩意性的超現實風格，擅長平面手繪質感創作。個人作品有《山水歷》（2008）、《「我說啊，」我說》（2009）、《阿母的老照片》（2014）等，曾獲安錫動畫影展、日本 Tokyo AsiaGraph、 TBS Digicon 6+、香港 Ifva 等影展的獎項肯定。

臺灣獨立動畫導演，現任高雄中華藝術學校多媒體動畫科主任。畢業於國立臺南藝術學院音像動畫研究所，個人首部動畫作品《瘤》入選南方影展動畫類，其他作品亦入圍許多國際影展，如《Welcome》入選北京第六屆學院動畫影展，《生珠》獲臺灣國際動畫影展學生動畫金獎、全球華語大學生影視獎最佳動畫、 ASIAGRAPH 2008 Wining works 等。

現任正修科技大學數位多媒體設計系專任教師，亦為策展人。畢業於國立臺南藝術大學音像動畫所，動畫作品曾入圍法國安錫動畫影展、獲金穗獎最佳動畫片，高雄電影節評審團大獎。曾為臺灣動畫作品企劃於龐畢度中心的展出，並曾舉辦「動畫十三」動畫影展。

MA Kuang-Pei currently works in art education, animation and illustration. A graduate from the Graduate Institute of Animation and Film Art at the Tainan National University of the Arts, Ma is known for his poetic surreal style in his illustration and animation as well his excellent skills in 2D handdrawn pictures. His works include The Landscape Tour (2008), The Soliloquist (2009) and The Photos (2014), which had won awards at the Annecy International Animation Film Festival, the Tokyo AsiaGraph, TBS Digicon 6+ and the Ifva (Hong Kong).

LIU Wan-Lin is an independent Ta i w a n e s e a n i m a t i o n d i r e c t o r and artist dedicated to animation education. She graduated from the Graduate Institute of Animation and Film Art at the Tainan National University of the Arts. The Tumor, her first animation work, was selected for the South Taiwan Film Festival. Welcome was screened at the 6 th International Student Film and Video Festival of Beijing Film Academy. The Woman with Pearls won the Student Award at the 2007 Taiwan International Animation Festival, Best Animation at the Global Chinese Universities Student Film and Television Festival and the ASIAGRAPH 2008.

HSIEH Pei-Wen is a full-time teacher in the Department of Digital Multimedia Design at Cheng Shiu University and a programmer. She graduated from the Graduate Institute of Animation and Film Art at the Tainan National University of the Arts, and her works had b een s el ec ted f or the Annec y International Animated Film Festival and won Best Animation at the Golden Harvest Awards and Jury Prize at the Kaohsiung Film Festival. Hsieh had curated a Taiwanese animation exhibition at the Centre Georges Pompidou. Moreover, she was in charge of the Thirteen International Animation Festival for five consecutive years.

Short Films in Competition

短片及臺灣短片競賽初選評審 Preliminary Selection Committee Short Films and Taiwanese Short Films Competition

短片競賽 1

10.11〈四〉12:40 ST 秀泰 15 廳 10.14〈日〉12:00 ST 秀泰 15 廳 ★

距離 Short Films in Competition 1

短片競賽

腦內對決 Buddy Joe 朱利安大衛 Julien DAVID ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 13min

1 Short Films in Competition 1

面對女婿的攝影機，邁入花甲之年的藝術家暢談他對生活、自然與藝術的熱愛，也聊起自己有帕金森症，就好像年老身體裡住著曲棍球選手一樣，瘋狂破壞他的大腦神經，唯有藥物才能控制破壞。藝術家以豐富的想像力面對疾病的痛苦打擊。 One afternoon, Hilton, a 60-year-old artist and decorator, is talking to his son-in-law Julien about all the aspects of the Parkinson's and his life together with his mate "Buddy Joe".

2017 安錫動畫影展｜ 2017 高雄電影節

我倆之間 Between Us Two 陳威強 TAN Wei-Keong ｜新加坡 Singapore ｜ 2017 ｜轉描、實拍、真人動畫｜ DCP ｜ Color ｜ 5min

母親死後十年，兒子對著母親出櫃。十年間，兒子覓得幸福、與丈夫共結連理；母親錯過了他的婚姻大事，如今他也離家遠去。回想母親在世的最後一夜，反覆問著不會有答案的問題，透過手繪動畫與照片拼貼，將對母親的綿長思念，凝結成一篇影像之詩。 A gay son talks to his dead mother. Now happily married, he thinks about the night before his mother passed away and keeps asking the questions that will never be answered. 2018 安錫動畫影展競賽｜ 2018 薩格勒布動畫影展

超級摩天世界 Skyscrapers 法比恩潔珍丹娜 Fabienne GIEZENDANNER ｜瑞士、法國 Switzerland, France ｜ 2017 ｜ DCP ｜ 2D、3D ｜ B&W ｜ 12min

兩位家財萬貫的大富翁，不僅要比華麗的衣著、貴氣的行頭，還要比誰的摩天大樓更高、更大、更有行頭！只見兩棟房子高得越來越離譜荒唐，直奔雲霄。誰將是這場炫富競賽的大贏家？ Two buildings rise in the sky; two billionaires helped by the most renowned architects, each one builds his own skyscraper, always more luxurious and higher. But how high will they go?

2018 首爾青年影展｜ 2018 棕櫚泉動畫影展

我們的月亮 Our Moon 楊子霆 YANG Tzu-Ting ｜臺灣 Taiwan ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 16min

三名負責探勘宇宙的工程師，在無垠的世界中操作地表列印機，揹負著打造新家園的任務，卻不幸遭到隕石雨攻擊，被困在一顆陌生的行星旁。無計可施的困境下，他們決定進入冬眠狀態，等待救援。 Three space engineers, who operate a surface printer, undertake a mission to build a colony. However, they get attacked by a meteor shower and trapped on a strange planet.

2018 金穗獎最佳配樂｜ 2018 台北電影獎入圍

蔡大衛 David CHAI ｜美國 USA ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 8min

亞洲 Asia Premiere 首映

Humans have been mistreating Mother Nature for too long. It is only a matter of time before she blasts back. Can humanity squeeze out a solution before it goes to pot? Don't stall to find out!

2018 西雅圖亞美影展｜ 2018 聖塔芭芭拉影展

地下鐵通勤 Subway Commute 徐國峰 Redic HSU ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 10min

世界 World Premiere 首映

戴著綠眼鏡的男子在尖峰通勤時間隨著人群魚貫進入地下鐵車廂，他與所有人一樣，如魁儡般地重複往返，在列車異常停靠的瞬間，他看見自身的幻象。在只有他的車廂裡，過去與未來延展開來，在密閉的時序之中，他似乎在找尋著某些東西。 During the commute, a man suddenly feels lost on the subway. He knows that there's something wrong and tries to look for the answer from the illusion of his past and the future.

憶難忘 The Call 安卡達米安 Anca DAMIAN ｜羅馬尼亞 Romania ｜ 2018 ｜ 2D、3D、停格動畫｜ DCP ｜ Color ｜ 10min

母親來電訴說她回到老家的夢，話筒傳來她的喃喃自語，她想念神秘卻遙遠的父親，她也喜歡在浴缸裡浸泡昨日的回憶，任水帶走身體的重量與她再也無法承受的過往雲煙。 A phone call, a bathroom and a woman are at the intersection of the worlds.

2018 多倫多影展｜ 2018 安錫動畫影展競賽

午後時光 Late Afternoon 路易絲巴格諾爾 Louise BAGNALL ｜愛爾蘭 Ireland ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 9min

那日短暫的午茶時光，艾蜜莉手上的餅乾意外沉入茶裡，她也隨之墜入回憶漩渦，回到兒時與父親在海邊渡過的夏日情景，或看著自己年少騎乘腳踏車穿越秋日樹林，或遇見心愛的另一半與他共組家庭。碎片般的回憶歷歷在目，漸漸地她想起了這裡的一切。 Emily exists between two states - the past and the present. She must journey through her memories in order to connect them.

2018 愛爾蘭電影及電視獎最佳動畫短片｜ 2018 薩格勒布動畫影展競賽

1 Short Films in Competition 1

一群太空人在探索新宇宙時，發現一顆狀似菊花的星球，在便便末日來臨前，太空人絞盡腦汁要阻止一切發生。他們發射手指號，什麼都抵擋不了他們與便便決一屎戰的決心！

短片競賽

菊花星球 Space Butthole

短片競賽 2

10.11〈四〉16:40 ST 秀泰 15 廳 10.16〈二〉18:40 ST 秀泰 15 廳 ★

愛的練習題 Short Films in Competition 2

短片競賽

自行車選手 Cyclists 維爾科波波維科 Veljko POPOVIĆ ｜克羅埃西亞、法國 Croatia, France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 7min

2 Short Films in Competition 2

自行車賽終於來到冠軍戰，領先群雄的兩位參賽者不分軒輊。但他們心中想的倒不是冠軍獎盃，而是在終點站等待的性感女神。翻躍千山萬嶺，飆速經過海岸線，急於穿越的卻是她雙腿之間的峽谷。當意氣風發的船長歸來海港城鎮，誰才是女神心中的冠軍？ The cycling season is nearing the end. The two men in the lead are competing for more than the Grand Trophy. Meanwhile, the small port town prepares for the arrival of a large ocean liner. 2018 薩格勒布動畫影展最佳克羅埃西亞影片｜ 2018 廣島動畫影展優秀獎

犀牛與人魚 Mermaids and Rhinos 維多莉亞特羅伯 Viktória TRAUB ｜匈牙利 Hungary ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 16min

八歲女孩蒂爾達身邊的人都不太平凡：奶奶曾是當紅馬戲團的人魚演員；母親風情萬種喜歡捻花惹草；心碎的父親在夜裡奔向大海不知去向；而賣烤魚的阿姨總是求歡被拒。蒂爾達看盡大人們的愛慾糾結後領悟到：不被愛的人，都會變成犀牛。 Eight-year-old Tilda's memories of her family come into life the circus member ex-mermaid grandmother, the erotically overheated mother and the disappeared father.

2018 薩格勒布動畫影展競賽｜ 2018 安錫動畫影展競賽

二比二 Two for Two 潔列娜奧羅茲 Jelena OROZ ｜克羅埃西亞 Croatia ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 8min

亞洲 Asia Premiere 首映

是什麼讓我們愛上對方？又是什麼使愛情突然停止？愛人的小屋是一棟脆弱的盆栽，當彼此突然不再說話，再也不能理解對方，就交換各自豢養的兔子吧！讓沈默的兔子找到正確的語言再說出我愛你，愛人的小屋便會充滿甜美的乳和蜜。 A portrayal of the moment we stop loving others. If we can't understand each other, maybe our avatars can find a common language? But whatever lies below the surface should stay that way. 2018 薩格勒布動畫影展特別提及

情鬥初開 Robhot 多納托桑索內 Donato SANSONE ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ B&W ｜ 6min

亞洲 Asia Premiere 首映

一對男女操縱人形的武裝機器，唇槍舌劍，互相傷害毫不手軟。在乾枯單調的森林裡，雙方戰得撕心裂肺，直至粉碎。脫離武裝機器的他她，終於見著彼此肉身。第一次的親密接觸，該是拳腳相向，還是另一種激情？ An ordinary domestic dispute turns into an organic and surrealist fight opposing two humanoid robots.

2017 史特拉斯堡奇幻影展｜ 2017 克萊蒙費宏短片影展

短片競賽

娃娃別哭 Dolls Don't Cry 費德瑞克騰布雷 Frédérick TREMBLAY ｜加拿大 Canada ｜ 2017 ｜偶動畫｜ DCP ｜ Color ｜ 20min

A man and a woman are making an animated film. He animates by night while she makes and repairs the accessories during the day. Behind the scenes, a woman is waiting for her entrance.

2017 瑞士 Fantoche 動畫影展｜ 2017 首爾動畫影展

我們的故事 Our Story 羅倫佐拉多法 Lorenzo LATROFA ｜義大利 Italy ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5min

亞洲 Asia Premiere 首映

1946 年 3 月，第二次世界大戰餘火未盡，8 歲的男孩和家人被迫越過海洋，落腳陌生的國度。爸爸在工廠做粗活，母親只能在夜裡販賣身體。幾年跌宕，他們終於落地生根，當他的女兒翻開這段回憶，生命的故事將被傳承。 Emigration is a common territory that has involved many people all over the world. The stories of today's emigrants are the stories of our past. Their 'story' is our story. It is everyone's story. 2018 貝魯特藝術影展｜ 2018 柏林動畫影展

（迷）留 St(r)ay 姚江 YAO Chiang ｜臺灣 Taiwan ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 9min

在失智的混亂中如何把握珍視的一切？年邁的駱駝先生在沙漠裡尋找失蹤的妻子，沿途接踵而來的插曲不斷阻礙他前進。沙漏計時開始，在他忘卻一切之前，在無邊無際的沙漠中，駱駝先生得找到此生最寶貴的事物。 A camel is on a quest to find his missing wife in the desert. It's the story of how someone recognizes the most important thing in life amid chaos caused by dementia.

2017 金馬獎動畫短片競賽

2 Short Films in Competition 2

男子在夜裡進行偶動畫的拍攝工作；女子則在白天來工作室依草圖製作道具和修補場景，共同完成一部兔子與狼相戀的故事。他們都隱約感覺到，在櫥櫃的深處與牆的另一邊，有一個目光正觀察著他們。

短片競賽 3

10.12〈五〉10:00 ST 秀泰 15 廳 10.14〈日〉16:20 ST 秀泰 14 廳★

潛規則 Short Films in Competition 3

短片競賽

死神練習生 The Death, Dad & Son 文森帕何諾、德尼瓦根維茲 Vincent PARONNAUD, Denis WALGENWITZ ｜法國 France ｜ 2017 ｜ 2D、3D、偶動畫｜ DCP ｜ Color ｜ 13min

3 Short Films in Competition 3

死神父子的一天從同桌早餐開始，死神爸爸照例到人間執行任務，獨自在家的小死神卻夢想成為卡通裡為民除害的超人天使。他把爸爸交付的家事丟一旁，結果晚上被狠狠地教訓。一怒之下，小死神決定離家出走，到人間「逐夢」。究竟他能拯救世界，還是越幫越忙？ The Death' son doesn't want to take over the family business. He has the secret dream of becoming a guardian angel, and his dad will have to get him out of this mess. 2017 多倫多影展｜ 2018 安錫動畫影展青少年評審團短片獎

當一個人 Where Am I Going? 黃勻弦、蔡易錦 HUANG Yun-Sian, TSAI Yi-Chin ｜臺灣 Taiwan ｜ 2018 ｜偶動畫、停格動畫｜ DCP ｜ Color ｜ 15min

世界 World Premiere 首映

老人獨自住在鐵軌旁的斗室，老屋面臨即將被拆除的命運。但他仍然堅持每天踩著三輪車，放著「修理紗窗、紗門、換玻璃」的廣播，穿越大街小巷。繞過繁華街市、新興高樓、黃昏市場以及天后宮。相同的場景日復一日，卻在這天重新發現日常的美好。 The old man goes to mend window screens by his bike. He passes through all the scenes, which make him either nervous or comfortable. It is his day as well as a metaphor of his life.

穿越時空遇見你 The Blissful Accidental Death 賽吉歐奈古里奇 Sergiu NEGULICI ｜羅馬尼亞 Romania ｜ 2017 ｜ 2D、3D、手繪｜ DCP ｜ Color ｜ 15min

男子不經意走進古董店，在一名女畫家的舊作中，找到封存 70 年之久的情書。他決定到療養院見已經 105 歲的女畫家。搭上火車，彷彿開進時光隧道，世界大戰烽火襲擊歐洲，砲聲與洪水同步入侵，她娓娓道來愛情的回憶。 A man finds a drawing with a secret love letter on the back, written 70 years ago. Finding out that the painter is still alive, the man goes on an unusual journey to meet her.

2017 安錫動畫影展首部作品 Jean-Luc Xiberras 獎｜ 2018 廣島動畫影展首獎

墜落 The Fall 波赫士勒培 Boris LABBÉ ｜法國 France ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 14min

伊甸園的人類來到塵世後，世間原本的秩序逐漸被打亂，各種悲劇無限輪迴，噩夢如黑洞般不斷裂天而降，惡火滿佈，人們落入無止盡的罪與慾，彷彿畫家波希《人間樂園》筆下的天堂、人間與地獄。 As celestial beings descend to Earth vitiating its population, the world's order unbalances. Initiated by these terms, a tragic fall leads to the parturition of crucial opposites: Hell and Heaven.

2018 薩格勒布動畫影展首獎｜ 2018 安錫動畫影展費比西影評人獎

黛莉雅赫斯 Delia HESS ｜瑞士 Switzerland ｜ 2018 ｜ DCP ｜ 2D、手繪｜ Color ｜ 9min

亞洲 Asia Premiere 首映

On a small planet, the inhabitants perform their poetically surreal actions, which repeat themselves in an endless loop, as they are part of a complex little ecosystem. 2018 盧卡諾影展｜ 2018 瑞士 Fantoche 動畫影展競賽

兄弟情深 Leo Minor 泰威德坎德 Taï WEDEKIND ｜法國 France ｜ 2017 ｜ DCP ｜ 3D ｜ Color ｜ 8min

一對手足情深的兄弟，弟弟里奧臥病在床，命在旦夕；哥哥守在床前，不願告別。浪聲侵襲，哥哥彷彿看見活蹦亂跳的弟弟出現在他身邊，他穿越冰冷陰暗的醫院走廊，懷抱著希望牽起弟弟的手，一起飛向浩瀚無垠的宇宙。 8-year-old Leo is dying of cancer. His imagination carries him and his big brother far away from the hospital room. Drifting through their emotions, they find the strength to cope with their grief. 2017 首爾青年影展競賽

父喪之日 Death of a Father 索姆納特帕爾 Somnath PAL ｜印度 India ｜ 2017 ｜ DCP ｜ 2D、手繪｜ Color ｜ 10min

醫院裡，巴布看著父親嚥下最後一口氣。父親走後，留給後人的瑣事接踵而來，上至父親姓名、年齡，下至身後事的禮俗、細節準備，壓的巴布喘不過氣。生活持續向前，巴布在逝者與生者之間焦頭爛額，卻始終沒有機會，好好地和父親說再見。 When Babu's father passes away, he is caught in the rituals and social formalities. As he looks for opportunities to deal with the loss of his father, death ends up as another mundane routine.

2018 安錫動畫影展競賽｜ 2018 巴西 Anima Mundi 動畫影展

3 Short Films in Competition 3

「圓」可以是腳踏車的齒輪，也可以是少女的泳帽。在一個小小的星球上，人們被自然的規律推動著，永不停歇。就像少女跳入水缸濺起水花驚動烏鴉，或是老人撿起圓石看見宇宙的運轉風暴，循環不曾停歇的「圓」，闡述了結束即是開始的迴旋奧秘。

短片競賽

迴舞 Circuit

短片競賽 4

10.13〈六〉10:20 ST 秀泰 14 廳 10.14〈日〉14:20 ST 秀泰 14 廳★

負能量也是能量 Short Films in Competition 4

短片競賽

亡命小巴 Death Van 麥克恩茲柏納 Michael ENZBRUNNER ｜加拿大 Canada ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 6min

4 Short Films in Competition 4

太空搖滾雙人組「死亡列車」在微型星球巡迴演出，卻成了骷髏大帝佔領星球的舞台。死硬搖滾碰上怪眼球使壞，眾生物被打趴，軟爛爛掛在舞池。邪惡勢力眼看就要佔領星球，雙人組與骷髏大帝展開殊死格鬥，邪不勝正、搖滾不死，繼續嗨下去才是 Rock n' Roll 的 Style! The fictitious space-rock duo Death Van tours through a miniature world inhabited by surreal creatures that is haunted and terrorized by a menacing and mischievous entity. 2018 首爾動畫影展競賽｜ 2018 安錫動畫影展競賽

他曾說過愛 Love He Said 伊尼斯席丹 Inès SEDAN ｜法國 France ｜ 2018 ｜轉描、手繪｜ DCP ｜ Color ｜ 6min

亞洲 Asia Premiere 首映

1973 年德裔美國詩人查理布考斯基，緩步走上位於舊金山的舞台，準備向早已瀕臨失控的熱情觀眾閱讀他的詩作《愛》。意外的是，這位平常作風放蕩不羈、專門描寫社會邊緣風景的龐克詩人，卻在此時此刻卸下武裝，展露他內心深處，對愛的渴求與柔軟。 1973, San Francisco. Charles Bukowski, underground poet and punk, reads his poem, LOVE, in front of a wild audience. But that day, instead of the punk, they found a broken man hungry for love. 2018 安錫動畫影展競賽｜ 2018 薩格勒布動畫影展

密逃成熟時 The Box 杜桑卡斯特里克 Dušan KASTELIC ｜斯洛維尼亞 Slovenia ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 12min

亞洲 Asia Premiere 首映

「跳脫框框」這句話，對於本身就生活在框框裡的扁頭族而言，根本毫無意義。他們的生活雖然無聊，卻也沒什麼想改變的意願。直到一名截然不同、對世界充滿好奇與疑問的嬰兒降生在框框裡，頓時為框框裡平穩的生活，帶來翻天覆地的改變。 Life in the Box is boring and miserable for the flat-headed creatures until one day when a new baby boy starts to grow in the middle of the Box!

2018 聖荷西電影與 VR 影展最佳動畫短片｜ 2018 歐洲獨立電影節最佳影片

溺愛成災 Flood 馬特史坦 Malte STEIN ｜德國 Germany ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 10min

亞洲 Asia Premiere 首映

洪水靜悄悄地淹上來，吞噬地表萬物。對關係緊張的母子而言，水位暴漲的危機現象，如同母親對兒子的控制慾，慢慢逼向臨近點。最終，他們的現實在壓力中崩毀，隨著洪水一同被吞噬。 A lake bursts its banks and begins to flood the town. At last there's a good reason to keep the son at home. But while the world sinks outside, a domestic apocalypse rages inside.

2018 圖爾庫動畫影展

短片競賽

失控的回憶 Reruns 羅斯托 Rosto ｜荷蘭、法國、比利時 Netherlands, France, Belgium ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 14min

Everything's different but nothing has changed. A trip through a sunken maze of memories and dreams.

2018 克萊蒙費宏短片影展最佳視覺效果獎

人之初性本羶 1st Day & Next Minute 莎拉柯佩爾 Sara KOPPEL ｜丹麥 Denmark ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 3min

當慾望與責任碰撞，我們不再只考量一個人的需求。本片以充滿情慾流動的畫面，讓性別的概念隨著破碎的時間與空間一同變得模糊、失去意義。而拉扯與糾結的關係，就如同畫面中的混亂與紛雜。 An explicit rush adventure into a she-persons zone of desires where lust & responsibility is constantly dividing & demanding needs.

2018 墨爾本動畫影展

獵殺腥聞 Hunter 山田遼志 Ryoji YAMADA ｜日本 Japan ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 9min

在這以他人隱私為食的時代，我們彼此窺視、享用不告而取的私生活片段。這樣互食的行徑逐漸開始系統化、商業化，無孔不入的耳目、無所不用其極的獵捕，被陌生人咀嚼、消化過後的殘渣經包裝後成為炙手可熱的暢銷品，造就這獵人與獵物的世界。 Hunter is looking for gossip every night. What about the food tonight?

2018 安錫動畫影展競賽

拉霸人生 Too Tame! 蕾貝卡布洛雪 Rebecca BLÖECHER ｜德國 Germany ｜ 2017 ｜ 2D、轉描、複合媒材｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

七個小房間，七個失去自由的人，七段不斷重複的行徑與沒有意義的輪迴。他們早已失去自己的人格，只能被動地接受被指派的命令。有錢能使鬼推磨，被金錢遊戲驅使久了，人是否也會變成鬼？ Seven protagonists, stuck inside the box, are trapped in their clichés and their recurring daily routine. Their individuality is only an apparent one. But show must go on and money is rolling in. 2017 Multivision 動畫影展最佳視覺藝術｜ 2018 萊比錫影展觀眾票選獎

4 Short Films in Competition 4

什麼都不曾改變，但一切都已失去原樣。穿梭在幽暗的水底迷宮中，回憶不斷湧現，在角落、在轉角處，甚至還能看見埋葬在腦海深處的夢想與過去的自己。隨著逐步深入，我們究竟在緬懷、否定，亦或是重新接納自己的心？

短片競賽 5

10.12〈五〉14:30 ST 秀泰 15 廳 10.15〈一〉21:10 ST 秀泰 15 廳★

純真 Short Films in Competition 5

短片競賽 5

小夏天三部曲 Nik Summer #1 #2 #3 奧斯卡歐伯里、湯姆葛雍、艾利瑪登斯、海洛斯歐特 Oscar AUBRY, Tom GOYON,Elie MARTENS, Héloïse SOLT ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 6min

Short Films in Competition 5

說到夏天，你腦中浮現的畫面是什麼？是沙灘、陽光、與朋友一同盡興玩樂？還是曬傷、中暑、讓人昏昏欲睡的炎熱？三部超現實的奇幻極短篇，令人在汗流浹背的同時，會心一笑。 A very short series about summer, wind and misadventures.

2018 首爾動畫影展

五分鐘海邊見 Five Minutes to Sea 娜塔莉米佐雅 Natalia MIRZOYAN ｜俄羅斯 Russia ｜ 2018 ｜手繪｜ DCP ｜ Color ｜ 7min

熱愛海水的小女孩被母親要求休息五分鐘再下水，這五分鐘像永遠一樣久。看著不同樣貌、不同心境的人們在沙灘上來來去去，儘管大家此時此刻都在同一片沙灘，但人人都在盼望、等著屬於自己的「五分鐘」過去。 Mom tells her daughter to have a five-minute break before she's allowed to swim again. Those five minutes seem like eternity to the little girl while she watches other beach goers.

2018 渥太華動畫影展

搞笑的魚 Funny Fish 克里絲娜桑德宏納爾 Krishna Chandran A. NAIR ｜法國、瑞士 France, Switzerland ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 6min

小魚們在海底悠遊生活，有一天牠們發現有隻被線綁著的金魚在海面上漂蕩，牠們集體號召魚兒幫忙把金魚拉到水底，眼看就要成功了，但牠們卻不曉得金魚其實只是顆氣球。 Somewhere in the middle of the ocean, a school of fish comes to the rescue of a goldfish floating on the surface of the water. What they don't know is that it's actually a balloon.

2018 克萊蒙費宏短片影展

海女 Haenyo, the Women of the Sea 艾洛伊吉米奈茲 Éloïc GIMENEZ ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5min

「在這裡，寧可生而為牛，也不要當女人。」透過韓國海女的雙眼，與富想像空間的線條，帶領觀眾進入海女的世界。以一則傍水而生的故事，感受韓文俚語特有的節奏感與音樂性。 This film focuses on the life of the Haenyo, the diving women of Jeju (South Korea), with 7 idiomatic expressions from the island. The animated sketches also highlight the musicality of their language.

短片競賽

畫畫相連到天邊 Grands Canons 艾倫比耶 Alain BIET ｜法國 France ｜ 2018 ｜實拍、手繪、停格動畫｜ DCP ｜ Color ｜ 11min

Superimposed, condensed, multiplied, thousands of documentary drawings in successive series come to life on the screen, composing a veritable visual symphony of everyday objects.

39 週又 6 天 39 Weeks, 6 Days 喬安娜寇茲克、波赫士希瑪 Joanna KOZUCH, Boris ŠIMA ｜斯洛伐克 Slovakia ｜ 2017 ｜手繪、真人動畫｜ DCP ｜ Color ｜ 8min

亞洲 Asia Premiere 首映

39 週又 6 天如同一篇「動畫」日記，紀錄一對夫妻等待新生命的過程。簡單的手寫食譜紀錄，表現內心期待的情緒。以實拍影像搭配手繪，交錯兩種視覺風格，述說珍貴的記憶與情感。 This film is an experiment, animated diary and personal documentary showing self-portraits of a woman and a man, a married couple and co-authors during the 40 weeks of pregnancy.

{ Si So Mi } 張徐展 ZHANG Xu-Zhan ｜臺灣 Taiwan ｜ 2017 ｜黏土、偶動畫｜ DCP ｜ Color ｜ 5min

「童年回憶中那陽光灑落的午後，烙印著與死亡擦身的記憶，一桶 9 分滿的水，以及浸在籠子裡尋求脫逃的老鼠。」用一首詩歌編寫一部歌舞劇，以城市裡常見的乾扁動物屍體作為主角，藉此隱喻生命故事的悲喜。 This animation is choreographed according to a German folk song. By showing the desiccated bodies of various animals seen in the city, it's an allegory of the joy and the sorrow in life.

2018 台北電影節｜ 2018 Asia Project 韓國現當代美術館展覽

風箏 The Wayward Kite 薛佑廷 HSUEH Yu-Ting ｜臺灣 Taiwan ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 8min

各色風箏在天空中舞動，一只紅色的小風箏奮力脫隊，揚長而去。它來到城市，穿梭於街道間，卻遭遇意外被丟棄在垃圾掩埋場。即使支離破碎，它依然努力拍動翅膀，想回天空飛翔。 Various kites dance in the sky. A little kite breaks its tether, fleeing to the city. The accidents and setbacks make it want to go back to the sky with its broken wings.

2018 比佛利山莊影展最佳動畫

5 Short Films in Competition 5

用一支畫筆就能讓大小日常物件躍然於紙上。搭配節奏輕快的配樂、流暢如跑馬燈般的畫面，引領觀眾飽覽當代生活的轉變。相似又迥異的物件不斷出現，也宛如一波波洶湧的浪潮衝擊人類，讓人重新思考，自己在當前世界的定位。

男孩的週末假期 Weekends 特雷佛西門尼斯 Trevor JIMENEZ ｜美國 USA ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 15min

短片競賽

每個週末小男孩都在離婚父母之間來回。儘管兩邊有著不同的生活型態，卻有相似的歡笑。然而這樣的平衡逐漸被打破、失去原有的模樣，小男孩該如何面對這樣的雙重生活呢？ Weekends is the story of a young boy shuffling between the homes of his recently divorced parents, revealing surreal dream like moments mix with the domestic realities of a family in Toronto.

5 & 6 Short Films in Competition 5&6

2018 安錫動畫影展觀眾票選獎、評審團獎｜ 2018 多倫多短片影展最佳動畫

小兒子—命大的蟑螂 My Little Boys - The Lucky Cockroach 史明輝 Jack SHIH ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 3min

改編自駱以軍暢銷散文《小兒子》。一隻大蟑螂的闖入，意外激起大人與小孩的家庭大戰。一家之主的爸爸對上小兒子的賴皮與堅持，以詼諧幽默的方式呈現兩代的對話與差異，充分反映親子間的生活小樂趣。 A cockroach finds its way into a home and causes absolute mayhem in the family.

短片競賽 6

10.12〈五〉16:40 ST 秀泰 15 廳 10.16〈二〉10:00 ST 秀泰 15 廳 ★

我 Short Films in Competition 6

流變 Panta Rhei 沃特邦蓋爾茨 Wouter BONGAERTS ｜比利時 Belgium ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 10min

當海洋生物學家史蒂芬遇上擱淺的鯨魚時，他發現鯨魚和自己一樣，都有逃離現狀的渴望。然而家中的漏水、街道的洪流與永不停歇的滂沱大雨，持續無孔不入地滲透進他的生活，他拚命地逃卻無能為力，直到隨著鯨一同躍進大海的深處。 Like the beached whales he studies, marine biologist Stefaan flees the ocean. But floods, leaking faucets and endless rain keep seeping into his life, and he can't keep the water out...

2018 安錫動畫影展｜ 2018 巴西 Anima Mundi 動畫影展

那天午後 Clemence's Afternoon 蕾娜依格盧莫涅 Lénaïg LE MOIGNE ｜法國 France ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 10min

小女孩與爸媽驅車前往郊區參加一場大型野餐派對，儘管有些遲到，依然受到主人熱烈歡迎。小女孩想加入其他小孩一起遊戲，然而她的善意卻一點也不被接納。本片以自然手繪筆觸，靈活描摹女孩的表情與情緒起伏。 Clemence and her parents take part in a large country picnic. Arriving late, Clemence joins the other children, but not everything goes as it is expected.

2018 柏林影展｜ 2018 斯圖加特動畫影展

愛洛蒂德蒙居 Élodie DERMANGE ｜瑞士 Switzerland ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 5min

As she is showering, dressing, putting on her make-up, a woman bares her soul. She speaks of her fears, her complexes, and the process of accepting - even loving - herself.

2018 坦佩雷短片影展首獎

自拍趣 Selfies 克勞狄斯詹蒂內塔 Claudius GENTINETTA ｜瑞士 Switzerland ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 4min

海灘的人們愉快自拍，卻不知將為自己留下被鯊魚襲擊前的最後身影；挑戰從高空一躍而下的男子，帥氣的自拍卻記錄下失敗的終站。從輕快幽默到深刻震撼，真實而漫長的人生被濃縮成手機屏幕裡的一張張停格，荒謬又直指人心。 In a veritable firework display of digital self-portraits, hundreds of quaint, embarrassing and dreadfully disturbing selfies are arranged in a unique short film composition.

2018 瑞士 Fantoche 動畫影展競賽｜ 2018 俄羅斯 KROK 動畫影展競賽

未來 Future 鍾侑軒 CHUNG Yu-Hsuan ｜臺灣 Taiwan ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 4min

未來，是當下永遠無法目睹的事。本片改編導演真實經歷，國小的他愛上畫畫，筆記本上的各式英雄與魔王有自己的故事，也承載著各種天馬行空的想像。長大後的他，透過動畫的魔法，讓英雄與魔王從紙上躍入銀幕，再現童年幻想的未來。 The hero and demon painted on the notebook have their own stories. This film is a promise I made to my old self. Let the magic of animation reproduce the imagination I had in my childhood.

結束的開始 Ceva 保羅穆列尚 Paul MUREŞAN ｜羅馬尼亞、捷克 Romania, Czech Republic ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 9min

你可曾想過蓋棺之後，今世所避免遭遇的事物，卻可能會是死後世界要面臨的障礙？導演用「自我」與「黑暗我」在陰間相遇的方式表達 : 即便前方充滿未知，仍必須克服恐懼。循著自身的影子，旅程必將持續。 Everything avoidable during one's lifetime might later become the building blocks of the afterlife. Here, fears have to be faced and journeys to be taken alongside one's shadow.

2018 首爾動畫影展競賽

6 Short Films in Competition 6

女子為自己沐浴梳妝，穿上性感裝束，點上朱唇妝扮。她向赤裸的靈魂自白：從青澀年少第一次面對友人的相機開始，從鏡頭裡到鏡頭外，她逐漸發覺自己的美好，開啟了一段接納自我、愛自己的探索旅程。

短片競賽

親密的我 Intimity

短片競賽

泥人家事 Whiteland 愛拉伊珊斯基 Ira ELSHANSKY ｜俄羅斯 Russia ｜ 2018 ｜ 2D、黏土｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

Short Films in Competition 6

灰色的黏土人落入純白的房間，他環顧四周，突然發現腳下所經之處，黏土的足跡已遍佈地面。他努力地來回擦拭打掃，卻始終無法將這個白盒子空間回復原來的純淨無痕，直到他跨越了牆的另一面，一切竟有了意想不到的改變。 A gray plasticine man discovers himself in a glowing white room. He leaves traces, but tries to keep the room in its original purity, until the boundaries of its space change.

2018 巴西 Anima Mundi 動畫影展競賽｜ 2018 俄羅斯 KROK 動畫影展競賽

奧立佛的生髮水 Keep Your Hair On, Olivier 阿梅勒梅卡特 Armelle MERCAT ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 12min

禿頭是愛情的殺手嗎？年屆半百的化學家奧利佛，害怕頂上無毛會從此失去老婆的愛，便發明了一套完美假髮喬裝術。然而卻發生了場意外，差點讓秘密曝光，眼看紙快包不住火，他決定拿起剃刀，姑且一試……。 Fifty-year-old chemist Olivier does everything in order to hide his baldness from his wife. But one day, Olivier is forced to use an extreme solution that might affect the couple's life.

2018 克拉科夫短片影展金龍獎

未明 Unidentified 林青萱 LIN Ching-Hsuan ｜臺灣 Taiwan ｜ 2017 ｜水墨、手繪、實拍｜ DCP ｜ Color ｜ 4min

身體與不明液體接觸後，會產生各種不同的症狀與反應。當背景不斷變動，時而彷彿身處異地，時而讓人感到熟悉，然而定位卻始終無法明晰。本片以動畫手法，試圖傳達現代都市帶給人們的異域感，以及在生存與移動的軌跡中，如何找尋屬於自己的依歸。 Everything is fluid. The awkward situation represents the familiar and yet strange feelings. It draws us closer and repels us at the same time while we search for a place where we belong. 2018 廣島動畫影展競賽

低估滴咕 Cuckoo 艾琳赫利 Aline HÖCHLI ｜瑞士 Switzerland ｜ 2017 ｜ 2D、手繪、複合媒材｜ DCP ｜ Color ｜ 3min

公園裡的女孩餵著鴿子，不領情的鴿群不僅對食物嗤之以鼻，還天降一坨屎在她的頭上。結果女孩的腦袋瓜裡，竟孵出一隻小鴿子！面對一位時不時從耳朵探出頭來咕咕叫的新夥伴，女孩要如何與這隻再也形影不離的鴿子共處呢？ The skinny, young girl spends her time alone feeding pigeons in the park. But even they fly away from her. Suddenly, company turns up. But the beanpole feels uneasy about the new companionship, so she sets about going to a specialist for parasites. 2017 盧卡諾影展最佳青年電影｜ 2018 薩格勒布動畫影展競賽

學生短片競賽

廖偉智、蕭弘林、楊詠亘學生短片及臺灣學生短片競賽初選評審

在臺中市政府、臺中市影視發展基金會的努力打造，與石昌杰教授的策畫之下，臺中國際動畫影展已然成為動畫創作者們眾所期待的一場慶典。面對今年影像風格與媒材運用的豐富多元，評選的過程，猶如置身於上千佳餚的滿漢全席，入圍作品如同萬中選一實屬不易。「獨立觀點」、「創意精神」與「人文關懷」為本屆評審入選之核心主軸，因此獨創性、議題性、美學實驗性都是此次評選之重點。來自歐洲，尤其是法國傳統名校的作品，仍舊保持著質量極高甚至獨占鰲頭的趨勢，雖說技術力媲美商業製作團隊的作品比比皆是，但若內容欠缺創意與深度，仍舊難以雀屏中選。而其他國家的作品提供了我們不同面向的文化觀點，也反應更多的社會現實面，例如愛沙尼亞的《黃金餅乾》，幽默批判又真實；波蘭的《打噴嚏》以路上行人的噴嚏為基礎發展出充滿節奏感與動感、各式各樣天馬行空繽紛的動態。而且隨著網路普及與思想的開放，世界各地的學生創作者更樂於互相交流學習，本屆評審楊詠亘導演的一席話點明：「今年一些東方味濃厚的影片，後來發現大多為歐洲學生的作品，似乎也呈現了東西文化題材交融，新世代學生對創意的浪漫憧憬與現實關懷。」例如《妖怪與山神》結合日本傳統器樂與劇場形式，再搭配寫意的手繪動畫呈現日本民間故事。《西安城》運用中國神話題材元素、東方美學風格呈現、敘事旁白設計流暢，是部商業且成熟的動畫作品。反觀旅外或本地學子也能藉由這股浪潮與跨海的教育資源，精進作品並逐漸展露頭角，程度不再望其項背，例如《雛菊》入選國際學生短片的臺灣作品，描寫女孩與機器人之間的故事，在角色情感、敘事手法、鏡頭光影上整體表現成熟，是部動人的停格動畫作品；還有透過對話營造出強烈氛圍、情感細膩的《暑假的最後一天》；巧妙運用光影與鏡頭，含蓄且深刻處理同性情感和社會困境的《搬家日》；旅外學生優秀的作品《阿公》富臺灣民俗題材元素、美術背景筆觸具個人風格，作品敘事分鏡完整流暢自然。和同樣旅外入選的《小羊貝禮》喜劇節奏掌握得恰到好處，無冷場的笑點銜接以及充滿巧思的哏令人驚豔。望眼過去臺灣動畫藝術發展篳路藍縷，動畫先進與創作者們毋忘初衷的堅持，引領著我們不斷跨越時代的考驗，催生著不再僅是夢想的幼苗，而是能在世界綻放的璀璨芬芳。念念不忘，必有迴響。

Student Competition LIAO Wei-Chih, Amos HSIAO, YANG Yung-Shiuan Preliminary Selection Jury for Student Films & Taiwanese Student Films Competition

Thanks to the huge amount of effort put in by the Taichung City Government, the Taichung Film Development Foundation and Prof. C. Jay Shih, the Taichung International Animation Festival (TIAF) has become a festival eagerly anticipated by animators. "Independent viewpoint", "innovative spirit" and "humanistic concern" are the core of the judgment this year, and therefore innovation, issues and aesthetic experiment expressed in the films are emphasized. In general, the submissions from Europe maintain their high quality. Works from other countries provide us with different cultural viewpoints and reflect the reality in these societies. For example, Booth, an Estonian film, is humorous, critical and realist. Starting from the pedestrians sneezing in the street, Bless You! from Poland shows such a good rhythm and all sorts of incredible movements. Due to the fast development of the Internet, students around the world are more willing to share their thoughts. Director Yang Yung-Shiuan, one of judges, says. 'We see some films with strong Asian flavor, but they turn out to be works of European students. It seems to reflect the combination of the Eastern and the Western cultures as well as the romantic ideas and the concern about reality of the new generation.' For instance, Balance, a handdrawn animation that tells a Japanese folk tale, combines Japanese traditional musical instruments with theatre. Based on Chinese mythology, Xian is presented in an oriental visual style with a fluent narrative. Overall, it is a well-made commercial animated film. Moreover, the Taiwanese students who are studying in Taiwan and abroad have shown high quality in their works. Daisy, a student short film nominated in the International Student Competition, depicts the relationship between a girl and a robot; it is a moving stop-motion animation that demonstrates the director's expert skills in narration and chiaroscuro. Through conversations, a strong ambiance and subtle emotions are created in The Last Day of Summer. In A Moving Day, the clever use of light, shadow and lenses gently and yet profoundly conveys the difficulties gay face in society. Made by a student studying abroad, A Gong is packed with traditional Taiwanese customs; the unique personal aesthetic style makes it a fluently narrated film. Barry, also made by a student studying abroad, is a fantastic comedy full of funny jokes that shows excellent skills. Looking back, the situation was never easy for Taiwanese animators, but we have overcome the obstacles and now our dreams have been not only be realized but seen by the whole world.

Student Films in Competition

新世代學生對創意的浪漫憧憬與現實關懷

學生短片競賽

Student Films in Competition

恁老師卡好 Enough

學生短片競賽 Student Films in Competition

學生短片及臺灣學生短片競賽初審委員 Preliminary Selection Committee Student Films and Taiwanese Student Films Competition

楊詠亘 YANG Yung-Shiuan

廖偉智 LIAO Wei-Chih

蕭弘林 Amos HSIAO

臺灣獨立動畫導演，以結合實拍、攝影、手繪及複合媒材創作動畫見長。畢業於國立臺南藝術大學動畫藝術與影像美學研究所，作品《Cajon!》（2010）、《訊息》（2013）曾入圍國內影展。《關於他的故事》（2017）更榮獲 2017 臺北電影獎最佳動畫片、2017 臺中國際動畫影展最佳臺灣短片及觀眾人氣票選獎、2017 金穗獎最佳動畫片。

現任嶺東科技大學數位媒體設計系教師，亦為魔特創意有限公司創辦人，承接高品質 3D 動畫特效製作。畢業於台灣藝術大學多媒體動畫藝術學系，曾任電影「BBS 鄉民的正義」動畫總監、3D 立體布袋戲電影「奇人密碼─古羅布的謎」、電視影集「一把青」影像合成製作、3D 電腦動畫系列影集「富邦勇者傳說」製片與導演，電視劇「三明治女孩的逆襲」特效總監。

嘉南藥理大學資訊多媒體應用系專技助理教授，豆油瓶動畫工作室共同創辦人。畢業於南台科技大學數位內容與動畫設計所。作品《大頭仔的三塊厝》獲全球華人非常短片創意大賽及入圍多項獎項，更創立「DNA3 製片饗宴會」、「臺灣當代動漫原創論壇」，並成立「南島觀史─福爾摩沙」研究故事題材及籌備動畫《海神三部曲》。

Yang Yung-Shiuan is specialized in multimedia animation, which combines film, photographs and hand-drawn pictures together. She graduated from the Graduate Institute of Animation and Film Art at the Tainan National University of the Arts and her works, Cajon! (2010) and Message (2013) were selected for several film festivals in Taiwan. Stories about Him won Best Animation at the 2017 Taipei Film Awards, Best Taiwanese Short Film and Audience Choice Award at the 2017 Taichung International Animation Festival and Best Animation at the 2017 Golden Harvest Awards.

Liao Wei-Chih teaches in the department of Digital Media Design at Ling Tung University. He is also the founder of Movect Studios, a company that produces quality 3D animation special effects. After graduating from the Department of Multimedia and Animation Arts at the National Taiwan University of Arts, Liao had served as animation director on Silent Code and the 3D Taiwanese glove puppetry movie The Arti: the Adventure Begins, as producer and director on the 3D computer animation series The Fubon Hero Legend and as director of special effects on the TV drama Between. Moreover, he was in charge of the image synthesis in the TV drama, A Touch of Green.

Amos Hsiao is an assistant professor in the Department of Applied Informatics and Multimedia at Chia Nan University of Pharmacy & Science and the co-founder of Doyopins Studio. A graduate from the Graduate Institute of Digital Content and Animation Design at the Southern Taiwan University of Science and Technology, Hsiao's The Big Head Boy won awards at the Global Awards of Creative Tube. In addition to DNA3FeastParty and Taiwan Contemporary Animation Comic Original Forum, Hsiao founded Austronesian-Formosa, carrying out the research on the stories and the pre-production of the animation Prince of Ocean.

學生短片競賽 1

10.11〈四〉14:50 ST 秀泰 15 廳 10.16〈二〉12:00 ST 秀泰 15 廳★

你看的不是你看到的

Student Films in Competition 1

尼古拉卡皮坦、席琳度蘇特、盧卡斯杜爾凱、連尼馬侯特 Nicolas CAPITAINE, Céline DESOUTTER, Lucas DURKHEIM, Léni MAROTTE ｜法國 France ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 6min

Jude is a park ranger working in a big national park. One evening, she finds the hiding place of a poacher and decides to arrest him alone. But her decision won't be left without consequences.

不戰不相識 Blazing Fire 亞歷山卓奈特、梅德希克培佛斯特、歐荷庫德、麥西姆拉孔、侯許泰斯特 Alexandre NART, Médéric PRÉVOST, Aurel COUDERT, Maxime LACOMBE, Roch TASTET ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 4min

胡志明市的一幢民宅前，美國大兵按下門鈴，想見當年的恩人一面。天空下著與當時一樣滯悶的雨，思緒飛躍至多年前的戰地。砲聲隆隆、碎裂的彈藥如煙火飛撒上天，回望生死交迫的瞬間，一位北越士兵及時向他伸出援手，而美國大兵來不及說出的謝意卻隨著那救命的敵人沒入煙霧之中。 A spark of humanity in the Vietnam War's chaos.

草莓的滋味 Strawberry Ice Cream

艾利斯雅侯、馬丁雨曼、朱爾西格爾、山謬克魯格赫茲 Alix ARRAULT, Martin HURMANE, Jules RIGOLLE, Samuel KLUGHERTZ ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 6min

仇家的子彈讓摯愛的妻倒臥血泊，綿綿細雨不停，有如一場無法完成的逃亡。多年以來，用潔淨的衣衫掩蓋過去的腥風血雨，默默地守護孤子。無奈城市中最深邃的黑暗步步逼近，即將吞噬兒子最後的屏障。 Makoto is doing his best to raise his 7-year-old son Kazuki. Despite his best intentions, the violence comes back to bite him, and he has no choice but to face it.

2018 安錫動畫影展競賽

妖怪與山神 Balance 愛莉絲萊伍凱德 Alice LAHOURCADE ｜法國 France ｜ 2018 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

每逢十二月，是日本山神盤點山中圓石的日子，所有伐木活動都要中止。遠方的樹叢裡，藏了一隻專門攻擊路人的妖怪，妄想挪用圓石做為自己的武器，而山神卻暗示妖怪改取河床的圓石。本片運用生動的歌舞伎，巧妙地與手繪畫面來回切換，道出萬物自有其平衡之道。 In the mountains, Sansei makes his annual counting of pebbles. Not far from there, hidden in a bush, Shibagaki waits with one pebble in the hand. Both spirits will not delay meeting.

1 Student Films in Competition 1

國家公園管理員茱德正邁入中年，坐擁鬱蔥山林卻成日心神不寧，因為同事年輕幹練而備感威脅，也因此對工作充滿怨懟。偶然林中出現不尋常動靜，茱德意外目擊了盜獵行動，便思忖著要獨自完成逮捕。她不計後果的行為，會讓她付出什麼代價？

學生短片競賽

禁獵季節 Off Season

學生短片競賽

Renata 莊仁祥 ZHUANG Ren-Xiang ｜臺灣 Taiwan ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 12min

選擇徹底遺忘傷痛的記憶，要付出什麼代價？ Renata 因為一次的疏忽，失去摯愛的妹妹 Venessa，每天被內疚摧殘的她，在決定輕生的當下，突然想起森林女巫有消除記憶的魔法。愧疚的烈焰燃燒至心底，罪惡感的重量已超越負荷，Renata 決定放手一搏。

1 Student Films in Competition 1

When memories are tortured over and over again, oblivion is rebirth.

菲索 Fisso 劉靜怡 LOW Jing-Yi ｜臺灣 Taiwan ｜ 2018 ｜停格動畫｜ DCP ｜ Color ｜ 9min

相機城裡有位知名的相機醫師，任何頑固的機體經過他的巧手，都能立即恢復正常運作。然而手藝再巧，埋頭工作的他卻忽視每日相伴的愛妻，她身軀上的零件逐一鬆動瓦解。連遠遊他鄉的女兒，都透過接收器緊急救援，醫師又該如何挽救他深愛的另一半？ Through a cameraman's daily life, the film tells how a relationship between family is mended.

小羊貝禮 Barry 沈安琪 SHEN An-Chi ｜美國 USA ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 4min

亞洲 Asia Premiere 首映

貝禮的夢想是成為一名醫生，偏偏牠卻是一隻羊。好不容易打動人資部門，卻被指派為清潔小弟；貝禮不甘示弱，一遇上機會就力求表現，爭取晉升，這回果然吸引了主任的注意，被召至辦公室，眼看轉機就近在眼前。 Barry dreams of becoming a doctor but he is a goat. He fights flat out for an opportunity and finally catches the boss's attention. Summoned to the office, Barry believes that his chance has come...

西安城 Xian 羅珊坎波、寶琳雷杜、梅莉葉貝海雅、桂內爾貝芙 Roxane CAMPOY, Pauline LEDU, Myriam BELKHEYAR, Gwenaëlle BAVOUX ｜法國 France ｜ DCP ｜ 2D、3D ｜ Color ｜ 7min

遠古中國，邪惡的帝王欲以一幅畫表徵其威猛的國勢，廣召全國頂尖畫師，卻無人能讓帝王稱心，畫師們也因此慘遭斬首，僅剩一位神秘的畫匠接受挑戰。畫師開出了在空中花園作畫的條件，要求旁人勿擾。四季輪轉，畫匠終於宣佈完工，帝王看到成品卻怒不可遏。 A long time ago, the most terrible emperor that China has ever seen, commissions a painting to celebrate his cruel reign.

2018 斯圖加特動畫影展｜ 2018 墨爾本動畫影展

阿公 A Gong 劉晏呈、鄭煥宙、陳嘉言、瑪琳凡爾桂、田納傑洛維希 LIU Yen-Chen, Zozo JHEN, Ellis Ka-Yin CHAN, Marine VARGUY, Tena GALOVIC ｜法國 France ｜ 2018 ｜ 2D、3D、手繪｜ DCP ｜ Color ｜ 6min

A journey of a 7-year-old boy's acceptance of his grandpa's death through the unique traditional Taiwanese funeral customs.

10.12〈五〉12:00 Kbro 凱擘 10 廳 10.14〈日〉19:30 Kbro 凱擘 10 廳 ★

我要大聲說不 ! Student Films in Competition 2

誤會花了 Flower Found! 尤恩李猶菲爾林克 Jorn LEEUWERINK ｜荷蘭 Netherlands ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 7min

小老鼠在森林裡發現了鮮豔的小花，欣喜萬分。但等牠再回來，小花卻不見了！好心的小鳥帶著牠踏上找尋花朵之旅，一路上森林裡的動物伙伴也陸續加入，終於找到小花的身影，而看似可愛逗趣的故事，實則宛如動物農莊的政治寓言。 A beautiful red flower stands in the forest. When it suddenly disappears, the animals go searching for it. When they think they've found the flower, things quickly get out of hand.

2018 安錫動畫影展競賽｜ 2018 廣島動畫影展競賽

傷痕俱樂部 The Stained Club 梅蘭妮羅沛茲、西蒙布克里、瑪莉西歇爾斯基、艾莉絲居內、尚史黛菲比雍、碧雅翠絲維吉耶 Mélanie LOPEZ, Simon BOUCLY, Marie CIESIELSKI, Alice JAUNET, Chan Stéphie PEANG, Béatrice VIGUIER ｜法國 France ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

男孩遇到了一群與他有相似記號的朋友，儘管他們身上的記號都不一樣，但因「謎樣痕跡」而忍受旁人的異樣眼光與捉弄。男孩深信大家身上的記號是上天給的美麗禮物，直到某天，他發現大家似乎不這麼想。 Finn has stains on his skin. One day, he meets a group of cool kids with different stains on their bodies. One day, he understands that these stains aren't just pretty.

2018 棕櫚泉動畫影展｜ 2018 巴黎動畫影展

瞬間 A Blink of an Eye 奇安娜奈敘納 Kiana NAGHSHINEH ｜德國 Germany ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 4min

亞洲 Asia Premiere 首映

一名獨行女子在深夜的暗巷裡，遭到跟蹤狂襲擊，她奮力地纏鬥與掙扎，想盡辦法逃離這突如其來的魔手。作者不間斷地用特寫鏡頭，切換兩者的主觀視角，伴隨著詭譎的歌聲，將受害者的恐懼心理表現得淋漓盡致。 A woman walks home at night. She is overwhelmed from behind by a stranger. He grabs her and tries to rip off her clothes. They fight. The point of view switches between man and woman. 2018 安錫動畫影展競賽｜ 2018 薩格勒布影展競賽

1 & 2 Student Films in Competition 1&2

學生短片競賽 2

學生短片競賽

靈堂上擺著阿公騎著心愛打檔車的遺照，男孩被推進布簾，瞻仰最後一面。大人折著紙蓮花，男孩腦中卻充斥著疑問難以入眠。突然一陣熟悉的隆隆馬達聲，他不假思索衝入芒草叢裡，追尋若即若離的光點，在光亮處，出現一張陌生卻親切的臉。

學生短片競賽

我的小羊 My Little Goat 見里朝希 Tomoki MISATO ｜日本 Japan ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 10min

羊媽媽從大野狼的肚子裡救出了小羊們，唯獨不見老大身影，牠在森林裡四處尋找，只找回了穿著白色羊毛斗篷的小男孩。趁羊媽媽再次出門覓食，男孩想逃出這個可怕的地方，大野狼卻在門外虎視眈眈，小男孩與小羊們該如何是好？

2 Student Films in Competition 2

The mother goat rescues her babies from the wolf's belly. But she can't find Toruku, her eldest son! Where is Toruku?!

2018 TOHO Cinemas 學生映畫祭首獎｜ 2018 薩格勒布動畫影展競賽

黑羊效應 Scapegoat 羅茜 LUO Cian ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 4min

一群人欺負一個人，毫無道裡。就是得有人成為被獻祭的黑羊。取材自導演求學親身經歷，以日本動漫畫風人物、場景與節奏，呈現校園集體精神霸凌事件中，受害者的孤立無援。會不會我們都曾經是持刀的屠夫，或冷眼的白羊？ A story about bullying. Someone will be chosen as a scapegoat without reason.

諱言 Shadow 雷蕾 LEI Lei ｜中國 China ｜ 2017 ｜手繪｜ DCP ｜ Color ｜ 6min

狼爪在課後無人的教室伸向女孩，她不但無處傾訴，更要承受身旁異樣眼光造成的二次精神傷害。本片運用手繪油彩，畫面充滿隱喻和象徵，以扭曲的筆觸與抑鬱的色調呈現女孩心中承受的龐大精神壓力。 This film tells about a girl who had been followed and abused sexually suffers from secondary injuries, which come from different treatments of people around her.

迷在其中 In the Claw 江尚晏 JIANG Shang-Yan ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 7min

高中生沈大吉為了夢想的演唱會門票努力存錢。某天，他發現夾娃娃機中居然有演唱會門票，夢寐以求的演出似乎近在眼前。然而，他得在儲蓄與誘惑間，做出抉擇。 Shen Ta-Chi is a high school student. He's been saving up for the concert ticket. When he sees the ticket in the claw machine, he is torn between saving and gambling...

王擴 WANG Kuo ｜法國 France ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 4min

世界 World Premiere 首映

I'm talking about China. I'm talking about rampant urbanization and my childhood memories lost in the concrete.

歡迎來到肝大 GAN University 陳冠廷、林群鈞 CHEN Kuan-Ting, LIN Chun-Chun ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 9min

在器官的世界裡，肝臟大學是所有小器官們夢寐以求的至高學府，然而畢業門檻卻要器官完全黑掉。在這個弱肉強食、黑者為王的世界裡，肝男能夠順利畢業嗎？ In a style mixed with black humor, irony and imagination, the film shows our views on college students, the unbearable life style and the education system.

恁老師卡好 Enough 安娜曼莎瑞絲 Anna MANTZARIS ｜英國 UK ｜ 2017 ｜偶動畫｜ DCP ｜ Color ｜ 2min

人生中有多少煩躁令人想暴走的時刻？漫長的排隊、壅塞的車陣、無止盡的會議……能不能有這麼一次，就任性地躺下！本片由一系列充滿巧思的狀況劇串起，精準重現生活中各種失控時刻，幽默地反應現代人的真實心聲。 Moments of lost self-control.

2018 巴西 Anima Mundi 動畫影展觀眾票選獎｜ 2018 捷克 Anifest 動畫影展最佳學生影片

搬家日 A Moving Day 梁雅雯 LIANG Ya-Wen ｜臺灣 Taiwan ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 5min

一個尋常的午后，一間舊式老公寓套房內，準備搬離的年輕男子正在整理滿坑滿谷的舊物。環視房內滿滿的箱子，目光落在一旁尚未收拾的櫥櫃，看著裡頭破碎的馬克杯，他就這樣陷入回憶。 Jia is sorting his stuff as he is about to move. He opens the cupboard and finds a broken mug. All of a sudden, memories come rushing back to him.

2 Student Films in Competition 2

燕子穿梭在被嶄新高樓圍繞的老巷弄間。聽那撥浪鼓的聲音，賣糖畫兒的老人又來了，男孩高興地追了出去。隨著男孩的腳步，本片帶出中國高速發展的都市建設景況，對照因此不斷被拆毀的老房，在熟悉童謠的悠揚旋律中，我們緬懷過去。

學生短片競賽

撥浪鼓 The Rattle

學生短片競賽 3

10.12〈五〉17:00 Kbro 凱擘 10 廳 10.15〈一〉16:00 Kbro 凱擘 10 廳 ★

我竟然在日常中都忽略它 Student Films in Competition 3

學生短片競賽

甜蜜小時光 Sweet Wee Hours 茱蒂絲艾貝斯、伊妮絲畢尼、朱利恩寇堤、莉亞凱洛琳拉雪 Judith HERBETH, Inès BRINI, Julien CORTEY, Léa-Caroline LARCHER ｜法國 France ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 4min

夏夜晚風，巴黎女子優雅舉杯，倚窗觀察著鄰居動靜。對面的女子抱著話筒喋喋不休；另一頭的婦人翻找舊物，整理不停。形形色色的女子，在細膩的畫風下優雅移動、交錯，襯著輕快的法國香頌，交織成一幅巴黎獨有的夏夜浮世繪。

3 Student Films in Competition 3

In Paris, on a summer night, a woman sits at her window and dreams of her neighbors' nocturnal activities.

2018 巴西 Anima Mundi 動畫影展競賽

一如往常 As Usual 劉冠汶 LIU Kuan-Wen ｜臺灣 Taiwan ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 7min

神聖的廟與俗世的市場存在同一空間，形成特殊的人文景致，人與貓就在這「聖俗」混雜的場所裡生活著。導演以空間為主角，聲光為媒介，透過人與貓一天的生活作息，深入觀察那些我們習以為常、卻容易忽略的文化現象。 The temple and the market coexist on a particular occasion. As Usual tells the story of how people and cats live here for a day.

2018 俄羅斯 Insomnia 動畫影展

他說她說 The Deep End 艾利斯歐加登 Elise AUGARTEN ｜法國 France ｜ 2017 ｜手繪、複合媒材｜ DCP ｜ B&W ｜ 7min

亞洲 Asia Premiere 首映

小女孩獨自窩在更衣室，聽著泳池人聲喧嘩，看著一雙雙腳來去。終於她下定決心向外頭泳池走去，每走一步，世界彷彿跟著她的糾結而扭曲盤旋，迎接她的又會是什麼樣的冒險？水流與輪廓的線條交錯，充份展現手繪風格魅力。 A little girl waits in the locker room of a public swimming pool. Tired of waiting, she goes alone towards the pool. She is completely unaware of the adventure that awaits her.

2018 安錫動畫影展競賽｜ 2018 布魯塞爾 Anima 動畫影展競賽

月見冰 Shaved Ice, the Token of Love 黃維晨 HUANG Wei-Chen ｜臺灣 Taiwan ｜ 2018 ｜ 2D、3D、偶動畫｜ DCP ｜ Color ｜ 5min

在五〇年代的古早冰店裡，一條帕巾牽起正雄與子涵的姻緣。隨著情感的萌芽，倆人互動逐漸升溫，一碗紅豆牛奶月見冰，開啟他倆的人生新篇章。復古的細節，細膩的設計，帶觀眾穿越時空回到早期的純樸臺灣。 Narrated by Cheng-Hsiung and Tzu-Han, the film shows how the shaved ice was used as a token of love in the 1950s in Taiwan.

碧安卡卡德拉、伊莎貝拉盧、克絲汀詹普 Bianca CADERAS, Isabella LUU, Kerstin ZEMP ｜瑞士 Switzerland ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 6min

Heta lives with her pet seal in her peculiar house full of curious rooms and endless corridors. Her entire life consists of carefully planned and conducted routines.

2018 布魯塞爾 Anima 動畫影展競賽｜ 2018 薩格勒布動畫影展競賽

怪獸神話 Quest of the Battling Gods 谷耀介 Yosuke TANI ｜日本 Japan ｜ 2018 ｜ 2D、3D、手繪｜ DCP ｜ Color ｜ 13min

當生命來到最後一刻，戰神回憶起此生最壯烈的大戰。那場傳奇戰役中，兩隻怪獸打得難分難捨，整個宇宙為之沸騰；在一次次瀕死的攻防後，牠終於不敵對手倒地，也贏得全世界驕傲的淚水。奇幻畫風配上獨特日式聲線，打造如電玩般刺激的怪獸神話。 In the moments before death, a Battling Gods recalls his defeat in a magnificent fight. That battle transcended the parallel universes as the Battling God confronted another of his kind. 2018 安錫動畫影展競賽

打噴嚏 Bless You! 寶琳娜佐柯斯卡 Paulina ZIÓŁKOWSKA ｜波蘭 Poland ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5min

西方文化裡，每當有人打噴嚏，旁人就會反射地說出「Bless you!」。然而在此起彼落的祝福中，又有多少是發自內心？本片從打噴嚏這件小事切入，生動描繪現代人對旁人的煩躁與不耐，當這股鬱悶回到自己身上，又該如何調適與面對。 Everyone gets sick of everyone. But things become really bad when you get sick of yourself.

2018 柏林影展新生代單元評審特別提及｜ 2018 薩格勒布動畫影展評審特別提及

特拉維夫旅遊手札 Travelogue Tel Aviv 山繆派提 Samuel PATTHEY ｜瑞士 Switzerland ｜ 2017 ｜ 2D、手繪、複合媒材｜ DCP ｜ Color ｜ 6min

一位來自瑞士的年輕學生，用不同媒材與技法，記錄他在以色列首都特拉維夫旅行半年的所見所聞。從城市街道、夜間派對，到武裝戰士和跨種族與宗教的日常，透過畫筆，一幕幕躍然紙上。他也在旅程中放縱想像力馳騁，而更了解這個國家。 A you ng art s tud ent f rom S wi tzerl and arri ves i n Tel Aviv for a six-month visit. Through drawing he learns to analyze, understand and free himself from this contrasting environment. 2018 卡地夫動畫影展最佳學生短片

3 Student Films in Competition 3

在一幢充滿機關與密道的神秘屋子裡，赫塔與她的小海豹相依為命。日復一日在這個奇異空間，她重複著剪髮、擠奶、餵食等瑣碎日常。某天她失手將頭髮掉進浴缸，一連串的驚奇變化擾亂了她的作息，悲傷又苦惱的她，決定脫下衣服、放手一搏。

學生短片競賽

腐小姐 Living Like Heta

無重力的愛 No Gravity 查琳巴希索特、傑瑞米希歇、菲歐塔寇斯米迪斯、芙洛阿利耶史塔達、莫德雷蒙布朗夏、呂多維克亞伯拉罕 Charline PARISOT, Jérémy CISSÉ, Fioretta Caterina COSMIDIS, Flore ALLIER-ESTRADA, Maud LEMAÎTRE-BLANCHART, Ludovic ABRAHAM ｜法國 France ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 8min

學生短片競賽

結束了宇宙漫遊，太空人回到地球討生活。他打起領帶，走進職業介紹所，央求辦事員派給他「正常」的工作，然而太空人根深蒂固的無重力習慣，卻一點也無法適應一般人的差事，無法融入的他，該如何繼續地球人生？ An astronaut comes back to earth and tries to fit in again.

3 & 4 Student Films in Competition 3&4

2018 棕櫚泉動畫影展

學生短片競賽 4

10.13〈六〉12:00 ST 秀泰 14 廳 10.14〈日〉20:50 ST 秀泰 14 廳 ★

你說它怪但它還挺有趣的 Student Films in Competition 4

尖叫魚 Sog 喬納坦舒溫克 Jonatan SCHWENK ｜德國 Germany ｜ 2017 ｜ 2D、3D、停格動畫｜ DCP ｜ Color ｜ 10min

一場浩劫般的洪水退卻後，一隻隻魚兒受困在乾枯的枝頭，顫抖著身軀放聲尖叫。穴居的人們聞聲而來，一名好心人試圖拯救乾涸的魚兒，卻抵不過多數人的惡意，只能眼睜睜看著牠們被擊落死亡。而這一串攻擊行動，竟引來大地的怒吼。 After a flood, some fish got stuck in old trees. In danger of drying-out they scream sharply. Woken up by the noise, the inhabitants of a nearby cave aren't happy about the unintended gathering... 2017 安錫動畫影展最佳學生畢業短片水晶獎｜ 2018 棕櫚泉短片影展最佳學生動畫

少女的煩惱 Sowing 瑪麗娜麥里爾斯查卡 Maryna MILIUSHCHANKA ｜德國 Germany ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

純真的少女和祖母一起生活在烏克蘭偏遠小屋裡，她相當珍惜一顆復活節彩蛋，直到某天看見祖母平日梳理羊毛的雙手，端起剛屠宰的新鮮雞肉，她開始意識到死亡的存在。以偶動畫樸實的質地，反襯出寓言的真實與殘酷。 A girl lives quietly with her grandmother in a small shabby house until a chain of dramatic events forces her to question her tranquil world.

2018 瓦爾納動畫影展

基情未了 Birds of a Feather 丹佩里 Dann PARRY ｜英國 UK ｜ 2017 ｜偶動畫｜ DCP ｜ Color ｜ 4min

愛情如此美好，誰都不例外。當愛情降臨在兩個男人之間，指尖微觸、激情交媾，都成了暴露自我，置身於危險的箭靶上。恐懼被他人眼光獵殺而感到焦慮不安，哪裡才有羽毛恣意展翅的地方？粗獷大膽的陶土造型，抑鬱暗處與鮮紅如血的霓虹光暈，精準剪接出詩意的氛圍。 This film follows a man and his struggle with his identity, projected anxieties and relationships. It explores the thoughts and conflict a person faces from both internalized and externalized homophobia. 2017 棕櫚泉動畫影展｜ 2018 坎伯利影展最佳英國影片

洪嘉彣、陳怡聞 HUNG Chia-Wen, CHEN I-Wen ｜臺灣 Taiwan ｜ 2018 ｜手繪｜ DCP ｜ Color ｜ 3min

世界 World Premiere 首映

About a trace of love.

長鼻子的男孩 Nosis 文森奈豪斯 Vincenz NEUHAUS ｜德國 Germany ｜ 2018 ｜手繪｜ DCP ｜ Color ｜ 8min

亞洲 Asia Premiere 首映

男孩長著罕見的長鼻子，卻不知道這個與眾不同特徵的真正意義。直到某天滑倒、鼻子埋進蛋糕，他才意外發現鼻子不僅能看穿食材與烘焙細節，還能看透事物的本質。男孩開始用長鼻子重新探索世界，然而一切卻彷彿成癮般，隨著他越陷越深，事情也越發不可收拾。 When a boy with a long nose accidentally falls into a cake, his life changes in unforeseen ways. Equipped with a super-nose, he begins to re-explore life, but everything comes at a price. 2018 安錫動畫影展競賽｜ 2018 渥太華動畫影展

秩序的秩序 Lost Control 張䕒澤 CHANG Chia-Tse ｜臺灣 Taiwan ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 6min

亞洲 Asia Premiere 首映

男子進入自己舒適的房間，不滿規劃好的物品位置，重複地移動打掃、改變物件擺設。卻因控制不了自身的行為，他最終陷入混亂次元裡無法脫身。導演改編好友的真實病況，經過長時間的觀察，以獨特角度思考解讀強迫症與秩序之間的微妙關係。 As soon as the man walks into his room, he's dissatisfied with the arrangement of the stuff that he planned before. Therefore, he rearranges it and cleans the room over and over again. 2018 墨爾本動畫影展｜ 2018 雅典數位藝術節

黃金餅乾 Booth 奧圖瑪舒克 Ottomar SUKKO ｜愛沙尼亞 Estonia ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 3min

亞洲 Asia Premiere 首映

烘焙店前大排長龍，人們接連掏錢購買剛出爐的餅乾，飢餓的男子口袋沒半毛錢，只能摸摸鼻子上茅坑。身形矮小的他，一不留神就被盲眼大個子擠下糞坑，順著水流與糞便來到地下密室，還沒顧上自身髒臭，就目睹一個驚天大秘密。 A hungry man, who can't afford to buy cookies, discovers through an unfortunate coincidence a dark secret that is never meant to be seen by any witness.

2018 西班牙 ANIMAC 動畫影展｜ 2018 捷克 Anifilm 動畫影展

4 Student Films in Competition 4

關於愛的綿密痕跡，劉以自慰重演過去的一段關係，她在幻想中擠出人形，在歡愉裡捕撈短暫浮現的回憶殘影，把未盡的甜美承諾兌現，反芻所有流留下來的東西，直到身軀變得渾圓光亮，鏡射出她從未見過的自己。

學生短片競賽

劉 LIU

學生短片競賽

鼠眼金睛 Fuse 夏蒂阿迪布 Shadi ADIB ｜德國 Germany ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 7min

殺死一隻老鼠的最好的方法是什麼？人人喊打的老鼠終於被逮住，麵包師傅與屠夫爭論不休，連卡車司機都來湊熱鬧，要比誰的滅鼠主意最變態偏執，但生命中最抓狂的小事，就是會意想不到的反撲。平面線條隨邪惡幻想、動感音樂放肆流動，宛如一齣失速狂想曲。

4 Student Films in Competition 4

A mousetrap snaps shut. A group of men discuss how to kill the animal in the little box. As the macabre game unfolds and spirals out of control, both victim and tormentor suffer the same fate. 2018 斯圖加特動畫影展競賽｜ 2018 安錫動畫影展競賽

一坨糟 A Mess 郭家伃 GUO Jia-Yu ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 6min

在一個頭髮至上的世界，人人注重自己的髮型勝過長相，然而主角卻因為一段不為人知的過去，總是頂著一頭亂髮。一次意外，迫使她不得不正視自己內心，面對過去慘痛的回憶，及從未痊癒的童年遭遇。 In the world, where people value their hair styles more than anything, comes a girl with a tousled hair. When an accident happens, it forces her to face the difficulties in her childhood...

死神卡卡 Stuck in the Middle 丹尼斯弗勒希翁、艾迪恩伯納非尼、羅曼馬歇第、希西米諾德、朱利恩阿多、勒歐耐佐 Denis FLEURION, Étienne BONAFINI, Romain MARCHETTI, Cécile MINAUD, Julien ADOUM, Léo NEZOT ｜法國 France ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 6min

亞洲 Asia Premiere 首映

四個法國男子興奮地前往美國展開一趟公路之旅，在穿越中部沙漠時，好心讓路邊的神秘男子搭便車，一切的混亂就從此開始。先是在加油站鬧事遇襲，接著一言不合拔刀相向，神秘男子始終沈默不語，彷彿一切都在他算計之中。 Four friends are making a road trip through the United States. In the middle of the desert, they pick up a strange hitchhiker. From that moment on, their journey will never go according to plan.

纜車上的戀曲 Tight Rope Act 艾斯瑞拉斯科、馬克思奧特、碧安卡史加利 Esra LASKE, Markus OTT, Bianca SCALI ｜德國 Germany ｜ 2018 ｜ 2D、偶動畫｜ DCP ｜ Color ｜ 4min

世界 World Premiere 首映

單軌纜車緩緩上升，小情侶促膝對坐，穿越皚皚白雪，坐覽絕世美景。就在這浪漫的一刻，男子拿出戒指，女子卻重嘆了一口氣，男子落寞將戒指收回。突然纜車一歪，浪漫的場景眼見要變成災難，即將命喪於此的是人還是愛情？ A romantic ride in a ski gondola goes wrong. Proposals and murder attempts will not leave the couple unscathed.

學生短片競賽 5

10.12〈五〉15:30 Kbro 凱擘 10 廳 10.15〈一〉12:10 Kbro 凱擘 10 廳 ★

它會跟著你一輩子

Student Films in Competition 5

雷米克拉克、萊拉柯蒂詠、納坦奧特納 Rémy CLARKE, Leïla COURTILLON, Nathan OTAÑO ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 7min

Laure replaces a deceased swimmer in the team. The qualifiers are near and the team worries about their chances at winning. The grief and stress makes Laura become obsessed with the dead player.

雛菊 Daisy 余聿 YU Yu ｜美國 USA ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 10min

女孩黛希一人住在大房子裡，由保姆機器人阿班陪伴、照顧著。一次空襲後，黛希消失了，阿班踏上尋找黛希的旅程，遇見一個個存活下來的機器人。童話般的氛圍，述說機器人對小女孩的愛，並透過不同機器人的主客觀視角交錯闡述故事，別具巧思。 Daisy is a young girl who is being cared for by Ben, a robot caretaker, during the war. After a bomb attack, Daisy vanishes, and Ben begins his search for her. 2018 學生奧斯卡｜ 2018 蒙特婁動畫影展競賽

鬼故事 Ghostory 阿莉胥別塔格貝洛娃 Alžběta GÖBELOVÁ ｜捷克 Czech Republic ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 10min

亞洲 Asia Premiere 首映

陰間的靈魂都記得在世的身份與死因，偏偏只有「鬼」對自己生前記憶一片空白。他帶上攝影機，開始尋找自己生前的蹤跡。手繪動畫刻意模擬紀錄片手持鏡頭的攝影效果，搭配充滿奇想與幽默的情節，一鬼一機浩浩蕩蕩展開探究生死的鬼魂實境秀！ In the world in-between the earth and the heaven, where it's clear at first sight how each one died, the ghost tries to find his own death experience. His friends are helping him with the shooting and his own atonement. 2018 捷克動畫影展｜ 2018 巴西 Anima Mundi 動畫影展

月圓時刻 When the Raven Comes 楊子新 YANG Tzu-Hsin ｜美國 USA ｜ 2018 ｜ 2D、手繪｜ DCP ｜ Color ｜ 4min

市場的小販們紛紛收攤，準備與家人團聚中秋，小吃店的阿婆卻留在店內直至明月高照，貌似在等待著誰。輕快的節奏結合色鉛筆筆觸與漫畫風格，保留手繪隨興筆觸，帶出熟悉的臺灣在地生活氣息。 As people head out to enjoy the Moon Festival with their family, an old lady remains in her shop till the full moon is high in the sky. It seems as if she's waiting for someone.

5 Student Films in Competition 5

蘿拉替補了游泳隊裡去世的隊友卡蜜兒。賽期將至，蘿拉的成績進步幅度還是有限，前輩們擔心如此下去勝算渺茫。摯友逝去的悲傷、成績提升的壓力，讓蘿拉執迷地在泳池裡將自己逼至絕境。

學生短片競賽

與魂同游 Camille

學生短片競賽

暑假最後一天 The Last Day of Summer 周子羣、葉信萱、陳姿穎 CHOU Tzu-Chun, YEH Hsin-Hsuan, CHEN Tzu-Ying ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 4min

寧靜的夏夜，三個玩伴在空地上玩耍放煙火，卻差點釀出大禍。全片用倒敘法，一步步揭露事件發生的經過，將兩人因闖禍而不知所措的態度，推向衝突氛圍的最高點。以實驗性的粗獷筆觸與凌亂畫風，展露創作團隊的獨特面貌。

5 Student Films in Competition 5

On a calm summer day, the children want to have a different ending to their vacation...

採訪個鬼 Life of Death 布萊恩艾菲安迪、傑森奇安托羅 Bryan ARFIANDY, Jason KIANTORO ｜印尼 Indonesia ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5min

世界 World Premiere 首映

電視節目斗膽製作了死神專題，不但專訪還貼身記錄他的工作實況，試圖揭開他的神秘面紗。沒想到死神有妻小，索命也是為了養家活口，偏偏老婆抱怨他太過投入工作，太少陪伴家人。原來死神一點也不好當，不但要面對天人交戰，還得看盡人間百態。 Death talks about his existence, his job, and his opinions on human beings in an interview from the documentary, Life of Death.

魚男孩 FishBoy 安妮塔布魯維瑞 Anita BRUVERE ｜英國 UK ｜ 2018 ｜偶動畫｜ DCP ｜ Color ｜ 9min

亞洲 Asia Premiere 首映

即便魚仔有個如陽光般的女友，但他仍把自己囚禁在黑暗的回憶，活在過去的陰影中無法走出來。作者使用各種藍色布料表現海浪與水波，記憶裡的黑暗思緒轉化為藍色魔爪，緊抓著他那澎湃卻憂鬱的心靈世界。 FishBoy lives in darkness, his guilt consuming him. His girlfriend is a glimpse of light in his dark world, but despite her best efforts, FishBoy is unable to let go of his troubled past.

2018 薩格勒布動畫影展競賽｜ 2018 俄羅斯 Insomnia 動畫影展競賽

回應？ Answers? 林聖惇 LIN Sheng-Dun ｜臺灣 Taiwan ｜ 2018 ｜ 2D、3D ｜ DCP ｜ Color ｜ 4min

一場意外讓機械工程師失去了未出世的孩子。愧疚感促使他日以繼夜地製作有生命的機器小孩，卻也因而長年忽略了妻子對他的關愛。生命中充滿太多選擇，是工作、夢想還是金錢，答案該是什麼 ? An engineer lost his unborn child in an accident. His guilt prompts him to build a robot child but neglect his caring wife. Facing so many choices in life, what would you choose?

余易儒 YU I-Ru ｜臺灣 Taiwan ｜ 2018 ｜ 2D ｜ DCP ｜ Color ｜ 5min

In the silent snowy world, four ants carry the burden in their lives as they search for the direction and the meaning of life.

記憶便利貼 Memo 朱立安貝格、依蓮娜杜沛蘇瓦、朱爾都宏、薇薇安基瑪黑斯、伊涅絲夏伯 Julien BECQUER, Éléna DUPRESSOIR, Jules DURAND, Viviane GUIMARÃES, Inès SCHEIBER ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 5min

老路易斯等著女兒回家用餐，但他發現咖啡喝光了，女兒堅持順路幫他買來，老先生不懂這麼簡單的事情，女兒為什麼不能讓他自己來？有別於多數探討失智的作品，本片以色彩暈染褪色的效果，從長者視角讓觀眾體會失智者的心境。 Louis, a retired man, resists the overprotection of his daughter Nina to keep his independence.

5 Student Films in Competition 5

廣闊無垠的皚皚白雪中，四位背負著包袱的沉默青年，正走在冷峻的軌道上。他們追隨著金色的樺木葉指引，並回想過往的生活記憶，試圖從中理出自我人生方向。就在擦肩而過的瞬間，他們似乎得到了彼此的共鳴。

學生短片競賽

共鳴 Resonance

焦點導演：影像頑童保羅布希

特別感謝

Director in Focus: Paul Bush

焦點導演

影像頑童保羅布希 Director in Focus

Paul Bush

保羅布希 - 真實與虛構交會的魔法林玲遠國立政治大學傳播學院助理教授

把 1940 年的電影片段重新拿來演出，卻不是以鏡頭為單位，而是以影格為單位，讓演員照著原本的畫面，像假人般一格一格靜止擺出，一張張拍攝下來後再連續播放。這些「表演」雖然看起來跟原本片段十分接近，卻都是製造出來的，不是真有過這些動作。這是英國動畫家保羅布希 2001 年的作品《變身怪醫》。你問為什麼如此大費周章？他可能會說，那是為了讓我們重新看見電影的魔法。保羅布希以停格實驗動畫聞名，常用的技法包括真人動畫（pixilation）、活動照相（moving photographs）、縮時攝影（time-lapse）和底片刮畫（scratching on film）。不過，與許多動畫人不同，技法並不是他獻身的對象，真實與虛構交會的火花才是他的興趣所在。例如採用底片刮畫的《但丁神曲》（1994）、《古舟子詠》（1998），和《秘愛》（2002），雖然視覺風格強烈，就像一般的表現性動畫一樣，但其實都是從既有的經典版畫或實拍影片轉繪而來。又例如縮時攝影的作品，包括《新宿武士》（2004）、《在瑞士中心旋轉》（2006），前者在新宿街頭，後者在瑞士的滑雪聖地，攔下數十人詢問願不願意在鏡頭前拍五分鐘的縮時攝影，結果構成了有著濃濃紀實意味的地區人物群像。

保羅布希擅長讓無生命的事物產生奇特的生命感。《家具之詩》（1999）的主角是日常傢俱；《五分鐘進化論》（2004）是昆蟲標本；《縮時博物館》（2015）則是博物館的歷史文物。保羅布希讓它們動起來的方式，並不是像偶一樣去操弄它們，而是將大量同樣屬性的事物壓縮在一起，彷彿它們共享同一個靈魂，躁動不安。 1996 年的《擬像》也是一個特殊的作品，裡面都是為了科學、研究而產生的影像，來自軍事、醫療診斷、科學實驗室，以及車輛測試影片。把這些影像嚴謹地組織在一起，儘管沒有旁白說明，卻述說了關於我們自身的故事。影片確實是說故事的好工具。不過，保羅布希不只是想說故事，他還想讓觀眾看到影片裡的每個影格，那些欺騙我們眼睛和情感的影格。電影裝置其實是一種干預，為了和觀眾分享電影這個黑盒子的秘密，他將電影的干預推到極致，讓不會動的動起來，把動個不停的定下來。在現今數位科技發達，AI 就可以合成影像的時代，停格動畫如此古老的技藝，還可以做什麼？如果你也有這樣的疑惑，一定要看看保羅布希 2018 年甫完成的《百變摩托車》，這部片用了上千部摩托車，把影格的連續 / 不連續做了極為創意的發揮。在古老的技藝裡面，藏著電影勾人的魔法。

切膚之親 Lay Bare

焦點導演：影像頑童保羅布希 Director in Focus: Paul Bush

The Magic of the Clash between Reality and Illusion Dr. LIN Ling-Yuan Assistant Professor, College of Communication, National Chengchi University

Here is the remake a clip of a 1940 film, however, it is not reproduced shot by shot but frame by frame; copying the original film, the actors pose for the camera like mannequins and all the photos are strung together and played as a film. Although the "performance" seems very close to the original, it is constructed rather than performed. This is how British animator Paul Bush made his 2001 film Dr. Jekyll and Mr. Hyde. If you ask him why he put in so much effort to do that, he might tell you that it is to lead us to rediscover the magic of cinema. Bush is known for his experimental stop-motion animation, and the techniques he often uses include pixilation, moving photographs, time-lapse and scratching on film. Nonetheless, unlike many animators, techniques are not what he devotes himself to since his true interest lies in the collision between reality and illusion. His Comedy (1994), The Albatross (1998) and Secret Love (2002) made by scratching directly on film express a strong visual style just like ordinary animation. However, all the images are actually based on either classical prints or live-action footages. Shinjuku Samurai (2004) and Central Swiss (2006) are time-lapse animation; the former takes place in the street in Shinjuku in Tokyo and the latter a ski resort in Switzerland. In these places, Paul Bush stopped dozens of people and asked them if they would be willing to pose for the camera for five minutes, and the result is the realist portrayal of people we see in the film. Bush is an expert on bringing life to lifeless objects. The protagonists are furniture in Furniture Poetry (1999), a

collection of dead insects in While Darwin Sleeps...and historical items in the museum in The Five Minute Museum. Bush brings life to them but does not control them like puppets; instead, he compresses a large number of things that have the same quality together as if they share the same restless soul. The Rumor of True Things (1996) is a special film. All the images come from the scientific research that is not aiming for art or entertainment but for the purposes such as military, medical diagnosis and car testing. Bush made a documentary by putting all the images together in a highly organized way. Although there is no commentary in the film, it clearly tells a story that reveals truth about us as human being. Film is a great medium for story-telling. Nevertheless, Paul Bush wants to not only tell stories but let the audience see the individual frames of the film, the frames that cheat our eyes and emotion. Film apparatus is, in fact, a kind of intervention. In order to share the secret of the black box with the audience, Bush pushes the intervention to its limit – he makes the motionless move and stops what moves. In the Digital Age when even artificial intelligence can easily produce realistic images, what can we do with an old technique like stop-motion? If you have the same doubt, you must see Ride Bush made in 2018. Thousands of motorcycles are used in this film, and Bush has made an innovative use of the continuous/discontinuous running of frames. Hidden within an ancient technique is the magic of cinema.

焦點導演

10.13〈六〉16:00 Kbro 凱擘 10 廳 ★

影像頑童保羅布希（一） Director in Focus: Paul Bush 1

焦點導演：影像頑童保羅布希︵一︶

但丁神曲 His Comedy 保羅布希 Paul BUSH ｜英國 UK ｜ 1994 ｜底片刮畫｜ DCP ｜ Color ｜ 8min

在詩人維吉爾的帶領下，但丁穿越一片荒涼的城市，遁入地獄核心。在那裡等待罪人的不僅只是懲戒的末日光景，更有人類一生親手犯下的恐怖罪行。改編自十九世紀藝術家多雷的版畫作品，布希在 35 釐米膠卷上再次刻下地獄的面貌。 The film is based on Gustav Doré's 19th century engravings that illustrate Dante's The Divine Comedy. All the images are produced by engraving directly into the surface of 35mm color filmstock.

Director in Focus: Paul Bush 1

1994 墨爾本影展最佳動畫｜ 1994 葡萄牙 Cinanima 動畫影展最佳實驗動畫

古舟子詠 The Albatross 保羅布希 Paul BUSH ｜英國 UK ｜ 1998 ｜底片刮畫｜ DCP ｜ Color ｜ 15min

老水手帶領船員踏上偉大的航線，卻誤殺象徵幸運的信天翁，招來連番厄運。船被困在無風死寂的海中央，最終只有老水手生還，在罪惡感與恐懼中苟活。改編自英國古詩《古舟子詠》，以木雕版畫為視覺原型，再傳百年古調。 Samuel Taylor Coleridge's The Rime of the Ancient Mariner illustrated by 19th century wood engravings are brought to life by scratching directly into the surface of color filmstock.

1998 薩格勒布動畫影展最佳短片｜ 1998 廣島動畫影展評審團特別獎

家具之詩 Furniture Poetry 保羅布希 Paul BUSH ｜英國 UK ｜ 1999 ｜停格動畫｜ DCP ｜ Color ｜ 5min

哲學家維根斯坦如是問：「為何我不會懷疑這張桌、這只花瓶在沒人注意時會變形？或，誰會去想像這種事？」從維根斯坦的小哉問出發，不只桌子、花瓶，導演再次將各種形貌的物件快速交疊，讓它們在轉瞬間變化萬千，從日常生活中擷取超寫實細節。 Paul Bush accepts the challenge from the idea in On Certainty by Wittgenstein and changes not only a table but also chairs, shoes, jugs, teapots and almost everything else lying around his house. 2000 坎城影展導演雙週｜ 2000 柏林 Transmediale 藝術節大獎

變身怪醫 Dr. Jekyll and Mr. Hyde 保羅布希 Paul BUSH ｜英國 UK ｜ 2001 ｜真人動畫｜ DCP ｜ Color ｜ 5min

改拍自 1941 年的經典老片《變身怪醫》，導演用真人動畫手法重新詮釋。透過兩人分飾一角與精準的攝影對位，眾演員身影巧妙地在篇幅中心快速疊影。就如攝影機罹患精神分裂症一般，畫面近乎痙攣般地跳動，在虛實身份中切換，創造一種視覺變身奇觀。 Imagine that the camera is possessed with a psychosis similar to human schizophrenia and these symptoms come on as a result of a trauma from recording horrific events like those in Dr. Jekyll and Mr. Hyde. 2002 荷蘭動畫影展 Anyzone 獎｜ 2002 義大利西恩納短片影展評審團推薦獎

保羅布希 Paul BUSH ｜英國 UK ｜ 2002 ｜底片刮畫｜ DCP ｜ Color ｜ 3min

改編自北歐傳統歌謠《父與女》，以版畫為風格，搭配歌曲與舞蹈，搬演一場父親質問女兒戀人身份的精彩交鋒。村民圍著營火群舞，女兒顧左右而言他，激起父親的憤怒；而村民居然開始選邊站，一場比真愛更激情的戰火一觸即發。 A father questions his daughter about a suspected lover. While she deflects him with her answers, the villagers take sides. What begins as a harmless banter becomes bitter and angry and ends with violence.

藝伎今晚不上班 Geisha Grooming 保羅布希、麗莎米羅伊 Paul BUSH, Lisa MILROY ｜英國 UK ｜ 2003 ｜ 2D、手繪｜ DCP ｜ Color ｜ 3min

導演與加拿大藝術家麗莎米羅伊合作，讓她畫作中的人物動起來。藝伎彷彿被注入靈魂，在鏡頭前梳妝打扮，最後戴上耳機準備出門去。手繪線條模擬藝伎的傳統靈魂，動態與音效則提煉出輕快的現代感。 A thoroughly modern geisha gets ready for a fun night out. This film is the first episode of a series of short animations based on the characters in Lisa Milroy's paintings.

新宿武士 Shinjuku Samurai 保羅布希 Paul BUSH ｜英國 UK ｜ 2004 ｜縮時攝影｜ DCP ｜ Color ｜ 6min

酣睡的嬰兒、西裝筆挺的上班族、年輕學生，26 位途經新宿的人，停留在電車上、街道中央，或柏青哥電動場。2004 年 8 月 27 日星期五，布希在東京鬧區隨機捕捉來往行人，拍下他們人生中的 5 分鐘，以縮時攝影呈現大城市的一日眾生相。 Friday, August 27, 2004. The Samurai are twenty-six citizens of Tokyo, who are asked to stand still for five minutes in front of a time-lapse camera while the teeming crowds stream by.

五分鐘進化論 While Darwin Sleeps... 保羅布希 Paul BUSH ｜英國 UK ｜ 2004 ｜停格動畫、縮時攝影｜ DCP ｜ Color ｜ 5min

地球上的一千萬種昆蟲中，大約只有一百萬種被命名。本片縱覽昆蟲學家 Walter Linsenmaier 目前收於瑞士琉森歷史與自然博物館的 25 萬件昆蟲標本，呈現其中 3,500 件館藏。布希以縮時攝影，快速格動展現昆蟲的進化，彷彿在眼前幻化為真。 More than 3,000 insects appear in this film, each for a single frame. As the colors change across their bodies, it is as if the genetic program of millions of years is taking place in a few minutes 2005 安錫動畫影展競賽｜ 2005 巴塞隆納獨立影展最佳動畫

Director in Focus: Paul Bush 1

2003 俄羅斯 KROK 動畫影展特別榮譽獎｜ 2003 馬德里實驗電影週評審團特別提及

焦點導演：影像頑童保羅布希︵一︶

秘愛 Secret Love

焦點導演：影像頑童保羅布希︵一︶

保羅布希如是說 Paul Bush Talks 保羅布希 Paul BUSH ｜英國 UK ｜ 2005 ｜實拍｜ DCP ｜ Color ｜ 2min

當布希 50 歲時，已累積十多部動畫及短片作品，本片中他將鏡頭轉向自己，直面觀眾，分享上一部作品《五分鐘進化論》的構思，告訴世人他的所思所想。在倫敦的各個角落、觀光景點前，躲在鏡頭後的布希終於出現，再喊一聲「卡」！邁向下一部創作。

Director in Focus: Paul Bush 1

Paul Bush tries to talk about the making of While Darwin Sleeps... and his aspirations for cinema. But all the time the film itself tries to take over and in the end completely overwhelms him.

切膚之親 Lay Bare 保羅布希 Paul BUSH ｜英國 UK ｜ 2012 ｜真人動畫｜ DCP ｜ Color ｜ 6min

延續王爾德對「美」的可見性與神秘性思考，布希邀請來自世界各地、不同性別與年齡的 500 位民眾，展開一系列美與身體的探索攝影。以特寫拍下他們的身體細部、皮膚斑點、毛孔與手指末梢，遠至五官及整個臉部。構成這部優雅而詼諧的人體微觀大全。 Lay Bare is a composite portrait of the human body, revealing it as it is only rarely seen in the intimate relationships we have with our family or our lovers–erotic, comic, beautiful and vulnerable. 2012 安錫動畫影展

保羅布希

Paul Bush 享譽全球的實驗動畫大師。自 1994 年至今已製作多部動畫短片，作品囊括多項海內外知名獎項，並在世界各大影展、藝廊與電視節目播放。近年已有多個城市舉辦他的回顧展，包括根特、都靈、波哥大、布達佩斯、蒙特婁、布里斯托與倫敦等。2013 年他首度於英國發表動畫長片作品 Babeldom，備受好評。 1981 年布希創立了電影工作坊，開始相關的影像教育工作。1995-2001 年間任教於倫敦大學金匠學院視覺藝術課程， 2003 年起進入英國國立電影電視學院任職。此外，布希也曾多次為全球各大學校提供藝術與影像相關的講座、工作坊與課程，如瑞士盧塞恩大學、義大利羅馬電影實驗中心、英國皇家藝術學院、美國哈佛大學等。 Paul Bush is a filmmaker most well-known for experimental stop frame animation. He has made numerous short and medium length films since 1983. He has won many awards and his films have been shown in festivals, cinemas, galleries and on television all round the world. There have been retrospective programmes of his films recently in Ghent, Turin, Bogota, Budapest, Montreal, Bristol and London. In 2013 his feature film Babeldom was released in UK cinemas to critical acclaim. He began teaching in 1981 and established a film workshop in South London. He taught on the visual arts course at Goldsmiths between 1995 and 2001 and at the National Film and Television School since 2003. Bush has lectured, run workshops and tutored at numerous art and film courses around the world including Luzern University, Centro Sperimentali di Cinematografia in Italy, Royal College of Art and Harvard.

Director in Focus: Paul Bush 2

2018 百變摩托車 Ride 2017 石光之流 Elegy 2016 Threesome 2015 縮時博物館 The Five Minute Museum 2015 Good Friends 2012 切膚之親 Lay Bare 2012 Babeldom 2006 在瑞士中心旋轉 Central Swiss 2005 保羅布希如是說 Paul Bush Talks 2004 五分鐘進化論 While Darwin Sleeps... 2004 新宿武士 Shinjuku Samurai 2003 藝伎今晚不上班 Geisha Grooming 2002 秘愛 Secret Love 2002 Busby Berkeley's Tribute to Mae West 2001 複寫雙人舞 Pas de Deux de Deux 2001 Lie Detector 2001 變身怪醫 Dr. Jekyll and Mr. Hyde 2000 Flik-Flak 1999 家具之詩 Furniture Poetry 1998 古舟子詠 The Albatross 1996 擬像 The Rumour of True Things 1995 靜物速寫 Still Life with Small Cup 1994 但丁神曲 His Comedy 1991 Lake of Dreams 1990 Lost Images 1990 Forgetting 1987 So Many, So Magnificent 1983 The Cow's Drama

焦點導演：影像頑童保羅布希︵二︶

作品年表 Filmography

10.14〈日〉17:00 Kbro 凱擘 10 廳 ★

焦點導演

影像頑童保羅布希（二）

本場次有導演開場表演

Director in Focus: Paul Bush 2 焦點導演：影像頑童保羅布希︵二︶

擬像 The Rumour of True Things 保羅布希 Paul BUSH ｜英國 UK ｜ 1996 ｜實拍｜ DCP ｜ Color ｜ 25min

影像氾濫的時代，卻有許多畫面只留在特定人士眼底。武器模擬測試紀錄、地球表面熱感應掃描，人體檢查、牙科手術側錄，或相親影帶。舉凡專業研究、或不被注意的日常細節留下的影像，相互拼湊即是一門影像人類學，也是留給後世的備忘錄。 An 'accidental' portrait of a society constructed from its moving picture ephemera. The Rumour of True Things is an unnerving composite of found images and sound.

Director in Focus: Paul Bush 2

1996 波昂錄像雙年展大獎

靜物速寫 Still Life with Small Cup 保羅布希 Paul BUSH ｜英國 UK ｜ 1995 ｜底片刮畫｜ DCP ｜ Color ｜ 3min

義大利畫家喬治莫蘭迪平生繪製器皿、瓶罐的畫作超過一千幅，寫實的物件素描逐漸成為創作中的抽象符號。布希以底片刮畫技法，模擬莫蘭迪的筆觸，將他作品中的器皿形象刻在電影膠卷上，揣想畫家創作時聽聞的聲響，使靜物作畫的動態過程，重現於觀眾的眼簾。 Still Life with Small Cup is a reworking of an etching by the Italian artist Giorgio Morandi. It's brought to life by scratching frame by frame directly into the photographic emulsion of color filmstock. 1996 薩格勒布動畫影展特別成就獎

複寫雙人舞 Pas de Deux de Deux 保羅布希 Paul BUSH ｜英國 UK ｜ 2001 ｜真人動畫｜ DCP ｜ Color ｜ 5min

芭蕾經典舞碼《天鵝湖》於十九世紀問世後，不斷反覆搬演，成千上萬的舞者幻化為天鵝，舞動愛情，其中屬白天鵝與王子的雙人舞碼最為經典。相同的舞步，將兩組舞者的肢體疊影串連，振翅高飛的角度、羽毛的弧線，而兩人間的情感流動能否也複製重演？ The famous pas de deux from Swan Lake by Tchaikovsky is performed by two couples in this film. They are forged frame by frame into a new dance. 2003 拿坡里舞蹈節電子編舞家獎

在瑞士中心旋轉 Central Swiss 保羅布希 Paul BUSH ｜英國 UK ｜ 2006 ｜縮時攝影｜ DCP ｜ Color ｜ 8min

如同《新宿武士》的概念，導演來到瑞士貝肯里德的滑雪勝地，捕捉 31 位前來滑雪、登山或度假的人的臉孔。在登山纜車上，戴著護目鏡或拿著雪橇、雪板，在一片蒼茫的瑞士，他們驅車、搭船、火車或搭巴士前來，徜徉在美景中，停留在鏡頭裡。 It's winter and the inhabitants of central Switzerland are heading for the mountains. Paul Bush captured the portraits of Swiss people, using a time lapse camera as an extraordinary activity takes place.

保羅布希 Paul BUSH ｜瑞士、英國 Switzerland, UK ｜ 2015 ｜停格動畫｜ DCP ｜ Color ｜ 7min

若你要尋訪冬宮博物館 400 間展覽廳，得徒步走上 20 公里；若你想盡覽所有收藏品，得花上 9 年的時間。布希提供了另種視角，大量蒐集來自英國與瑞士博物館的藏品影像，運用電影的魔法快速堆疊，將漫長的人類的歷史濃縮成 5 分鐘，一覽不可能之「縮時博物館」。 An experimental animation in which thousands of artefacts from the collections of small museums are brought to life in an animated history of human endeavor.

石光之流 Elegy 保羅布希 Paul BUSH ｜英國、瑞士 UK, Switzerland ｜ 2017 ｜停格動畫｜ DCP ｜ Color ｜ 6min

這是一部只由石頭與光所創作的動畫。詩意變化著的礦石脈紋，記載的是歲月的積累、生命的悲喜、世事的無常。導演透過光照下的石礦切面，以大自然最豐富的線條與筆觸作為影像素材，如同詩人一般吟唱時間流動、生命來去的輓歌。 'Elegy is a form of poetry natural to the reflective mind. Sorrow and love became the principal themes of the elegy. Elegy presents everything as lost and gone or absent and future.' Samuel Taylor Coleridge 2017 巴西 Anima Mundi 動畫影展競賽｜ 2018 鹿特丹影展

百變摩托車 Ride 保羅布希 Paul BUSH ｜葡萄牙、英國 Portugal, UK ｜ 2018 ｜停格動畫｜ DCP ｜ Color ｜ 6min

從腳踏車到打檔摩托車，上百台 1950 至 60 年代出產的二輪車款在眼前快速輪轉，透過引擎、頭燈、油箱等配備，縮時看穿其中的進化，也呈現設計美學的進程。騎士仔細擦拭機車，戴好安全帽、手套，踩發入檔，如上個世紀般，踏上旅程。 Ride is an homage to the iconic motorcycle design and culture of the 1950s and 60s. A rider prepares his bike and departs on an idealized journey into the countryside and into the future.

2018 安錫動畫影展競賽

Director in Focus: Paul Bush 2

2015 渥太華動畫影展最佳實驗抽象動畫｜ 2016 薩格勒布動畫影展競賽

焦點導演：影像頑童保羅布希︵二︶

縮時博物館 The Five Minute Museum

特別感謝

焦點工作室：創意立方體

焦點工作室

創意立方體

Studio in Focus: Cube Creative

Studio in Focus

Cube Creative

尼古拉德浮 Nicolas Deveaux

尼古拉德浮的動物奇幻世界戴芃儀中央大學英美語文學系副教授

初觀賞尼古拉德浮的影片很難不懷疑自己眼前的影像是真是假。這份疑惑，正是他高超的電腦動畫擬真技術所設下的挑戰。說起來，高度擬真的影像並不討喜。對於動畫界而言，超級照片寫實（hyper-photorealism）常被認為過度模仿物理世界，因而限制創作者天馬行空的想像力。對於真人電影而言，逼真的 CG 影像，基本上算是一種騙術（trick），屬於廣告片與票房電影的範疇，以炫技為目的，缺乏所謂的藝術深度。但此次影展的作品卻大大顛覆了這些通俗的看法。尼古拉德浮創造奇妙的幻覺，逼使我們暫時放下區分真實與虛幻的執著，進而專心享受各種肢體律動的可能性，甚至是詩意。而動物的身體，正是他探索的主體。有趣的是，沒有人認真想過動物的世界。卡通動畫中動物角色的舉止和人沒有兩樣；而動物奇觀之類的紀錄片，要依靠旁白口述解說才能理解動物的行為，反倒提醒了我們動物距離人類十分遙遠。德浮的電影卻完全打破這些狹隘的觀點，作品兼具紀錄片般的逼真寫實，卻把場景調換為人造環境，並且解放動畫一直以來對於動物本質的壓抑，反而盡力探索動物在人造環境從事極限活動的可能，且不失幽默。

首先，在三部短片中，最令人驚奇的是動物的表現是如此的「淡定」。無論是在體育館玩跳床的小象，或玩花式跳水的長頸鹿，總是如此自在地玩樂，旁若無人。而最新力作更與法國編舞家菲利浦德庫弗烈合作，描述一群在半空中跳芭蕾的蝸牛，令人驚豔，示範了無論身在何時何地都能做自己的可能。這不禁令我們反思身為成年人類，有多久沒有無特定目的性地遊玩了？畢竟日常生活似乎是無止盡地為下一個活動做準備，無形中也限制了想像力。有趣的是為德法電視台 ARTE 製作的「奧林匹克動物員」系列中的動物多了幾分情緒。像是大象看到場邊的河馬和啦啦隊的駝鳥在打情罵俏而決定火力全開，令人會心一笑。終究，德浮的電影像是某種實驗室。他的問題如下：如果把動物放入這樣的環境，他們會想要如何使用這樣的身體去享受生命？且讓我們一起復健成年人的想像力吧！

奧林匹克運動員 Athleticus

焦點工作室：創意立方體 Studio in Focus: Cube Creative

Nicolas Deveaux’s Fantastic Animal World Dr. TAI Peng-Yi Associate Professor, Department of English at National Central University

When you watch Nicolas Deveaux's films for the first time, it is hard not to doubt if the images you are watching are real or not, and this is exactly the challenge that Deveaux takes up with his super computergenerated mimicry animation. Frankly speaking, highly realist images are not particularly appealing. In animation, hyper-photorealism is regarded as a method that mimics the real things to such an extent that it restricts the animators' imagination. For live-action films, the super realist computer-generated imagery is regarded as a trick that belongs to commercials and blockbusters as it is all about showing off one's skill and lacks artistic merit. However, the films shown at the 2018 TIAF completely overthrow these commonly believed ideas. The amazing illusion Deveaux creates forces us to give up the obsession with telling reality from illusion, and by doing so, we could enjoy watching all sorts of possible or even poetic body movements. Bodies of animals are exactly what Deveaux looks into. It is interesting is that we have hardly seriously thought about the animal world. The animals in animation behave just like humans. On the other hand, while watching a wildlife documentary, we rely on the narrator to understand the animals' behaviors, and that reminds us how distant the animals are from humans. Nevertheless, in Deveaux's films, such viewpoints are overthrown. The images in his films look as real as in documentary, but the films not only are set in the man-made environments

but liberate the animals' true nature. Moreover, Deveaux explores the possibilities of animals doing extreme sports in the man-made environments with a humorous touch. In the first three short films shown at the TIAF, what amazes us is how calm these animals are. Whether it is the elephant jumping on the tarpaulin or the giraffes performing fancy diving, they all seem calm and enjoying themselves. Deveaux collaborated with choreographer Philippe Decouflé on his latest film, in which a walk of snails do ballet in the air; it not only is amazing but shows us that we can be ourselves anytime and anywhere. As an adult, it makes me think about how long it has been since the last time I went somewhere and had fun without any specific purpose in mind. After all, we seem to be preparing for one task after another in our daily life and losing our imagination in the process. Interestingly, in the Athleticus series Deveaux made for ARTE, the animals show more emotions. For instance, when the elephant catches sight of the hippo flirting with an ostrich cheerleader, he is determined to win the gold. Plots like this never fail to put smiles on our faces. Deveaux's films are like a laboratory of some sort. He asks, 'If animals are put in such an environment, what would they do with their bodies to enjoy themselves?’ As adults, let's try to regain our ability to imagine!

焦點工作室

10.13〈六〉12:00 Kbro 凱擘 10 廳 ★ 10.15〈一〉18:00 Kbro 凱擘 10 廳 ★

創意立方體

本單元須配戴 3D 眼鏡

Studio in Focus: Cube Creative 焦點工作室：創意立方體

時速一公尺 1 Mètre/Heure 尼古拉德浮 Nicolas DEVEAUX ｜法國 France ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 9min

Studio in Focus: Cube Creative

象徵著當代高速移動的飛機，卻有一群被公認慢郎中的蝸牛在機翼上翩翩起舞，滑溜的身形搭配曼妙的舞步，彷彿上流宴會精心設計的華爾滋舞會。隨著飛機逐漸加速、飛入空中，蝸牛們在這極端的快慢對比中，帶來一場華麗中帶著優雅，刺激又不失沉穩的精彩演出。 Caught up in our human lives, we miss out on the amazing. On an airplane wing, a company of snails performs a wonderfully slippery choreography. 2018 美國 SIGGRAPH 動畫影展｜ 2018 富川動畫影展

五米八的歡樂 5 Mètres 80 尼古拉德浮 Nicolas DEVEAUX ｜法國 France ｜ 2012 ｜ 3D ｜ DCP ｜ Color ｜ 6min

噗通噗通的水聲，長頸鹿們聚在一起，長長的脖子彼此扶持，一個接一個，在高空中助跑飛躍，大秀精彩的特技跳水。飛濺的水花、優雅的身影，五米八的長頸鹿們玩得不亦樂乎，也帶來新鮮又討喜的特技演出，Who's Next ？ In a maze made of steel and concrete, a journey of giraffes show up from nowhere. They climb on the stairs, queuing for their turn to dive. What on earth prompts them to do that? 2013 安錫動畫影展｜ 2014 廣島動畫影展特別獎

焦點工作室：創意立方體

七噸重的輕盈 7 Tonnes 3 尼古拉德浮 Nicolas DEVEAUX ｜法國 France ｜ 2008 ｜ 3D ｜ DCP ｜ Color ｜ 3min

Studio in Focus: Cube Creative

七噸重的大象，每一步都帶來沉重的轟鳴，每一聲都在抗拒地心的呼喚；而這一次，牠要對抗引力、挑戰跳跳床！結合導演對動物的狂熱，前身 7 Tonnes 2 早在 2003 年推出時掀起話題，這版不僅提高 3D 技術層次，加入更多動作，更異想天開要幫大象挑戰不可能的任務！ When a 7-ton-elephant walks, each step hits the ground with a loud bang, resisting the gravity. This time the elephant is going to fight against the gravity as it jumps on a trampoline! 2014 愛丁堡 3D 電影節｜ 2014 墨爾本動畫影展

奧林匹克動物員 Athleticus 尼古拉德浮 Nicolas DEVEAUX ｜法國 France ｜ 2018 ｜ 3D ｜ DCP ｜ Color ｜ 37min

亞洲 Asia Premiere 首映

萬眾矚目的動物奧林匹克正式開跑！體型懸殊的選手們正摩拳擦掌，火鶴表演高難度體操、長頸鹿跟鴕鳥接力賽跑、烏龜居然跟大象 PK 足球，海獅還幫大家按摩。一系列為德法藝術台製作的動畫短片，玩轉眾人對動物的想像，短短篇幅迸出令人意想不到的超展開，動物控絕不能錯過！ The Olympic Games have started! Here we see flamingos performing gymnastics, giraffes racing against ostriches, turtles playing football with elephants while sea lions massage the players! 2018 安錫動畫影展

焦點新銳：新女力爆發 Talents in Focus: New Female Wave

鄭多喜 Dahee JEONG

愛娃希維亞諾維克 Eva CVIJANOVIĆ

史貝拉卡黛茲 Špela ČADEŽ

焦點新銳

新女力爆發 Talents in Focus

New Female Wave 重溫時間、家庭與愛情的感動黃聖閎臺中國際動畫影展節目統籌

不少女導演的創作因議題被歸類為女性主義作品，為此， TIAF 特別策劃「新女力爆發」單元，邀請三位新生代女導演作品，看看新女力們如何翻轉男女二元對立關係，或以相似的議題與手法喚起觀者的記憶、感動與會心一笑。以家為題，三位導演都透過個人對家的記憶喚起群體對家的文化記憶。《樹敘時光》是南韓導演鄭多喜就讀法國高等裝飾藝術學校時的作品，實景拍攝結合手繪，以落葉歸根比喻遊子的鄉愁。《對海的呢喃》是現居蒙特婁的愛娃希維亞諾維克的思鄉之作，回憶兒時在波士尼亞渡過的夏季恬靜時光。斯洛維尼亞的史貝拉卡黛茲則在《醉貛》中呈現隱性的家，首次以分層攝影台拍攝，呈現酒後視覺渙散、焦點模糊的景象，暗喻酗酒對家庭帶來的問題。觀點交錯，三位導演在塑造角色世界觀時，皆嘗試內化不同性別角色，交錯男女視角讓觀眾感受各種細膩情緒。《給自己的情書》改編自俄國作家高爾基的短篇小說《情人》，以偶動畫講述靈感枯竭的男作家為女鄰居代筆寫信而文思泉湧。《從前從前》以女孩視角配合爺爺的旁白，回憶女孩與母親被迫離開熟悉的家園。《微塵光陰》彷彿一首女子內心渴望被愛的詩，以房間比喻身體，男

子小心保存房間裡的痕跡，就像是她盼望被人呵護與思念的方式。視覺化是三位導演將抽象概念具象化的方式，創造讓人有共鳴的角色或物件。史貝拉卡黛茲就讀科隆傳媒藝術學院時的兩部偶動畫作品：《寂寞裁縫師》呈現裁縫師如何憑想像力自娛，又如何為寂寞找到愛情；《愛情診療室》透過心碎淚流不止的男子，思索難以捉摸的愛情習題「心痛要把心拿掉？還是邂逅重新讓自己怦然心動的人？」在《歲月交椅》中，鄭多喜將時間視覺化，讓男子、椅、樹、筆、畫產生循環關聯，讓時間自然藏身其中。最後《刺蝟先生的小屋》改編自塞爾維亞詩人布蘭柯喬比奇的同名詩作，將淡泊無窮樂的信念視覺化，講述堅毅的刺蝟先生在森林裡過著深入簡出的生活，導演使用羊毛氈創造出的動物世界，不禁讓人聯想到魏斯安德森。綜觀「新女力爆發」精選作品，不論是鄭多喜的「時間三部曲」、愛娃希維亞諾維克的「家庭三部曲」，或是史貝拉卡黛茲的「愛情四重奏」都是難得能一次看完她們系列作品的機會。三位導演也會到臺灣與觀眾碰面，記得把時間留下來到戲院感動一番。

給自己的情書 Boles

焦點新銳：新女力爆發 Talents in Focus: New Female Wave

To Relive the Warmth of Time, Home and Love Alexandre Huang Program Manager of TIAF

Due to the issues tackled in the films made by female directors, many are labelled as feminist, and thus the TIAF comes up with the category - Talents in Focus: New Female Wave. We invite the films made by three women directors to see how they reverse the malefemale dichotomy and how they, with similar issues and methods, wake the viewers' memories and the moving moments they experienced in life. Focusing on home, three directors rekindle people's collective memories of home through their personal memories. Korean director Dehee Jeong made The Hours of Tree while studying at École Nationale Supérieure des Arts Décoratifs in France. The allegory of "falling leaves return to their roots" presented in the combination of real footage with hand-drawn pictures is used to express her homesickness. Seasick shows how director Eva Cvijanović, who now lives in Montreal, misses her home country as she recounts the tranquil summer time she spent in Bosnia in her childhood. In Nighthawk, Slovenian director Špela Čadež uses multiplane camera technique to create the blurry vision one has when drunk, and it is an implication for the trouble caused by one's drinking problem. All three directors switch the viewpoints between men and women when creating the world view for the characters and convey all kinds of subtle emotions to the audience. Adapted from Her Lover, a short story by Maxim Gorky, Boles is a stop-motion animation that describes a male writer, who is suffering from writer's block, gains inspiration from writing letters for a woman living next door. Once Upon a Many Time looks back

at how the girl and her mother were forced to leave home from the girl's point of view and narrated by the grandfather. The Empty feels like a poem about a woman longing for love; the room is the symbol of her body, and how the man carefully preserves every trace in the room is like the way she longs to be taken care of and missed. By creating characters or objects that resonate with people, the three directors visualize the abstract concepts. Čadež made two stop-motion animation films when she was studying at Academy of Media Arts Cologne. One of them is Mate to Measure that describes a tailor who entertains himself with his imagination finds love in his lonely life. Lovesick ponders over the difficult questions about love through a heartbroken man who cannot stop crying. Should we take our hearts out when they ache? Or should we try to meet another person who makes our heartbeat race again? In Man on the Chair, Jeong visualizes time by making the continuous connection between the man, the chair, the tree and the painting, allowing time to hide behind it. Lastly, adapted from the poem with the same title by Branko Ćopić, Hedgehog’s Home visualizes a happy modest life as the film unveils the simple life Hedgehog leads in the forest. The animal world created by Cvijanović with felted wool figures reminds us of Wes Anderson. This a very rare opportunity to see these three directors' films in one go, and they will come to Taiwan to meet the audience. Therefore, please save your time for these moving moments in the cinema.

焦點新銳

10.11〈四〉10:00 ST 秀泰 15 廳 ★ 10.16〈二〉13:50 ST 秀泰 15 廳 ★

新女力爆發 Talents in Focus: New Female Wave

焦點新銳：新女力爆發

樹敘時光 The Hours of Tree 鄭多喜 Dahee JEONG ｜法國、南韓 France, South Korea ｜ 2012 ｜ 2D、手繪、實拍｜ DCP ｜ Color ｜ 8min

一雙垂暮之年的手，揭開了探討人與樹的動畫小品。導演巧妙地結合兩者，畫出「會動的樹」與「像樹的人」，他們分別在四季流轉的白紙上更迭出現，藉此隱喻人類與自然宇宙的循環關聯，也將生命的思索推向充滿詩意的意象境界。

Talents in Focus: New Female Wave

Observing life cycles of trees, director Dahee Jeong figures out the differences and the resemblances between trees and humans. This film is a collection of stories inspired by these various lives. 2012 荷蘭動畫影展｜ 2013 首爾動畫影展評審團特別獎

歲月交椅 Man on the Chair 鄭多喜 Dahee JEONG ｜法國、南韓 France, South Korea ｜ 2014 ｜ 2D、手繪｜ DCP ｜ Color ｜ 7min

一名男子坐在椅子上，試圖站起來，卻由於某種原因無法站立。因此，他思考了片刻，思考了人類的存在性，試圖詢問這個沒有答案的問題。 Man on the Chair is tormented and constantly doubts his very own existence. It is just merely a picture that I created... Perhaps could I be also an image crafted by others?

2014 安錫動畫影展最佳短片｜ 2014 廣島動畫影展評審團大獎

微塵光陰 The Empty 鄭多喜 Dahee JEONG ｜法國、南韓 France, South Korea ｜ 2016 ｜ 2D、手繪｜ DCP ｜ Color ｜ 9min

空蕩的房間裡保存著一個人生命的痕跡，曾經在那面牆上的、在那扇窗邊、在門旁的，或那空間裡的生活小物，是否就像人的存在與死亡，都只是時間的流。 A room retains one's traces of life. I want to question humans' being and loss as time flows by reflecting on the traces left in a room and its elements ranging from space, walls, door, windows, stuff and so on.

2016 廣島動畫影展短片首獎｜ 2016 首爾動畫影展短片首獎

從前從前 Once Upon a Many Time 愛娃希薇亞諾維克 Eva CVIJANOVIĆ ｜加拿大、波士尼亞 Canada, Bosnia ｜ 2010 ｜水墨、手繪、複合媒材｜ DCP ｜ Color ｜ 5min

亞洲 Asia Premiere 首映

戰火迫使居民離開家園，也讓一家人就此分別。那一刻，所有人、事、物與自己的關係將自此斷裂，即便是好久好久以前，也將成為一生中最殘酷與深刻的記憶。本片為導演初試啼聲之作，以孩童無邪的觀點與祖父的口述，描述離鄉背井的無奈傷痛，輕輕一掠，卻後勁無窮。 This is a memory film told through a child's viewpoint. It deals with the relationship to things, places and people left behind when one is forced, by whatever circumstances, to leave what they considered home. 2010 羅馬尼亞動畫影展最佳巴爾幹動畫｜ 2010 芝加哥兒童影展

愛娃希薇亞諾維克 Eva CVIJANOVIĆ ｜加拿大 Canada ｜ 2012 ｜手繪、複合媒材｜ DCP ｜ Color ｜ 3min

Soaking in the sand, a forlorn figure seeks the refuge of the sea. Drifting in the current, he enters an ethereal underwater world in this animated maritime escapade set to traditional Croatian music. 2014 華盛頓影展最佳短片｜ 2014 薩格勒布動畫影展

刺蝟先生的小屋 Hedgehog's Home 愛娃希薇亞諾維克 Eva CVIJANOVIĆ ｜加拿大 Canada ｜ 2017 ｜停格動畫｜ DCP ｜ Color ｜ 10min

備受景仰的刺蝟先生，常被森林裡的動物朋友們邀請到家中作客，但無論回程路途再遠、時間再晚，牠總是堅持不留宿，總說自己的家裡最舒服。大家決定偷偷跟蹤他回家，探探刺蝟先生口中，那幢金窩銀窩都比不上的狗窩，究竟是豪華的城堡，還是氣派的別墅？ The Hedgehog is respected and envied by other animals, but his unwavering devotion to his home annoys a number of beasts. They march off towards Hedgehog's home and spark a tense and prickly standoff. 2017 柏林影展水晶熊獎特別推薦｜ 2017 安錫動畫影展青少年觀眾票選獎

寂寞裁縫師 Mate to Measure 史貝拉卡黛茲 Špela ČADEŽ ｜斯洛維尼亞、德國 Slovenia, Germany ｜ 2004 ｜偶動畫｜ DCP ｜ Color ｜ 7min

檯面上，裁縫師總能煞有其事地為顧客量身；檯面下，他卻兩手插腰，任想像力揮刀舞剪、穿針引線，彷彿魔法般地完成精緻衣裳。就這樣日復一日，直到愛情突然降臨，失控的想像力只想寬衣解帶，而裁縫師又該如何量身訂做專屬自己的愛情呢？ The daily routine in the shop is so turbulent that it's sometimes necessary for the tailor to fantasize about something. But what happens when love comes into play, and his thoughts can no longer be controlled? 2004 斯洛維尼亞伊佐拉動畫影展最佳影片｜ 2005 巴西 Anima Mundi 動畫影展

愛情診療室 Lovesick 史貝拉卡黛茲 Špela ČADEŽ ｜斯洛維尼亞、德國 Slovenia, Germany ｜ 2007 ｜偶動畫｜ DCP ｜ Color ｜ 9min

男孩得了「淚流不止」的毛病，捧心蹙眉的走進診療室，醫生對他抽絲剝繭居然摘掉了他的心臟。患有「頭身錯位」症的女孩，因找不到方向而跌跌撞撞走進診間。已無心的男孩遇見了待診的她，兩具有缺陷的身體，一瞬間好似遇到最完美的靈魂。 Pain from the heart, never drying tears and turned around heads are difficult to treat, but fortunately not incurable...

2007 葡萄牙阿爾加維影展最佳動畫｜ 2008 台台北電影節國際學生金獅獎評審團特別獎

Talents in Focus: New Female Wave

面對一望無際的大海，小男孩有些膽怯，他伸出小小的腳趾先熟悉及膝的水面，再戴上蛙鏡看看水底悠游的魚兒，最後縱身一躍，潛進一望無際、更深更遠的大海，再回顧來時彼岸。平靜悠揚的克羅埃西亞樂曲，揭開出乎意料的結局，猶如《海灘男孩》版的南柯一夢。

焦點新銳：新女力爆發

對海的呢喃 Seasick

焦點新銳：新女力爆發

給自己的情書 Boles 史貝拉卡黛茲 Špela ČADEŽ ｜斯洛維尼亞、德國 Slovenia, Germany ｜ 2013 ｜偶動畫｜ DCP ｜ Color ｜ 13min

Talents in Focus: New Female Wave

靈感枯竭的作家菲力普，總把自己囚禁在滿是藏書的公寓房間。某日，他經常偷窺，卻又總是避免接觸的隔壁鄰居 – 風塵女子泰瑞莎闖入了他的小屋，請求他代筆給未婚夫的情書，菲利浦答應了。事情本該就此落幕，直到泰瑞莎再次來訪，並央求菲力普為她寫「給自己的情書」。 Filip lives in a poor neighborhood. He dreams of writer's glory and luxurious lifestyle in a more prosperous part of town. One day Filip gets a knock on the door. His neighbor Tereza, an older prostitute that Filip tries to avoid by all means, asks him to write a letter for her fiancé... 2014 廣島動畫影展最佳首部作品獎｜ 2014 薩格勒布動畫影展觀眾票選獎

醉貛 Nighthawk 史貝拉卡黛茲 Špela ČADEŽ ｜斯洛維尼亞、克羅埃西亞 Slovenia, Croatia ｜ 2016 ｜停格動畫、剪紙、複合媒材｜ DCP ｜ Color ｜ 9min

一隻嚴重酒醉的貛、一輛偷來的警車、一位安靜的乘客、還有兩顆熟透的西洋梨，共譜出一場瘋狂的深夜漫遊。這一切到底是真是假，又或者亦假亦真 ? 導演從一篇關於醉貛的新聞報導得到靈感，試圖透過動物角色的荒謬舉止來傳遞警訊。醉貛的脫線行徑或許令人捧腹，但卻可能發生在每一個人身上。 A badger lies motionless on a road. A police patrol approaches the body in the dark. They soon realize that the animal is not dead but dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn. 2017 薩格勒布動畫影展最佳動畫短片｜ 2017 美國柏克萊動畫影展最佳敘事動畫

貪食怪歐格 The Ogre

角色方程式：怪怪惹人愛

角色方程式

怪怪惹人愛 Character Formula

Character Formula: Weird Things

Weird Things

怪奇大雜燴王綺穗臺北藝術大學動畫學系副教授

動畫之所以迷人，其中的原因之一是因為動畫可以創造出極具想像力的世界觀與角色，而非常人表演之所及。名導演史蒂芬史匹伯就曾說過：若能使用實拍就能表達的故事，那就用實拍吧！使用動畫是試圖想做到實拍無法達到的事。也因此動畫中的角色設定就格外的重要了，要使觀眾可以對虛擬角色產生比實拍角色更細膩敏感的同理心或厭惡感，完全靠導演的巧思來經營。在馬里奧拉德夫與奇亞拉史嘉蒂共同執導的《[O]》裏，設定使用各種怪奇角色來模擬自然界的生命循環，所有循環都是由聲音的頻率與震動來組成，是一片相當奇幻的作品。《失敗的神秘動物學家》裡的神秘生物學家有趣地只看得見眼前研究主題－一隻會飛的藍色小象，而看不見所有在主題旁邊的其他傳說中的神秘生物們，並只追求科學期刊上面首度發表與命名的機會，將高高在象牙塔上的科學家們幽了一默。在《海底末日》中，我們可以看到製作團隊的巧思，將後工業機械的零件組合成海底下的生物，美麗寫實的畫面讓觀眾誤以為真，也讓觀眾省思人類工業發展對海底生物產生的巨大影響。一直穿越並遇到不同詭異怪獸的《時空任意門》，是讓人又期待又怕受傷害的一連串探險旅程，兩位主角的非凡勇氣撐到最後竟然是最大的考驗。然而在人與人之間的關係印象與情感糾葛，動畫作品裡

使用特殊的角色設計或者以動畫作為比擬的方式也是常見的表現手法。露葵斯安德列執導的《再見海象爺爺》，就用非常細膩的手法將一家人的混亂關係、與對爺爺怪怪的印象做了最深刻的詮釋，在風大的沙灘上家人不停的為了小事爭吵不休，奶奶則堅持要進行她的祈禱儀式，而弟弟想到的是那個脾氣古怪、就像一隻海獅的爺爺。而在偶動畫短篇《蟑螂情緣》裡，兩位獨居隔世的老人因為要對付牆洞不斷竄出的蟑螂，而意外的有了最美的邂逅。《蛙少年》則是將原生於叢林的蛙少年，應是帶入社會進行「教化」，而到最後雖然行為上似乎已經同化到人類社會的環境中，但仍然無法教化他最純真的心。年輕女導演蘿琳布蕾特的作品《貪食怪歐格》中，設定了一位非常沒有安全感體型龐大的貪食物，在一次高級宴會裡，同時想在社交上做個得體的人，卻又對著滿屋子的美食產生無比的貪婪之意，而一發不可收拾。或許所有的怪奇角色都是在詮釋某部分的人性，這些怪怪惹人愛的個性角落均擁有著氣宇非凡的能力，將世界扭轉、倒過來看看，看可否讓觀眾們將既有的觀念與規則打破來享受怪奇角色所提供的新觀點！

角色方程式：怪怪惹人愛 Character Formula: Weird Things

A Miscellany of Weird Things Dr. WANG Chi-Sui Associate Professor, Department of Animation, Taipei National University of the Arts

One of the reasons why animation is so enchanting is that animation could create such an imaginative world perspectives and characters which surpass general live-action films. Director Steven Spielberg once said that if actors could achieve the desired effect, one should use real actors. The reason for using animation is to do something that live-action could not achieve. Therefore, the character design and its performance play an extremely important role in animation. To make the audience empathize or resent the virtual characters more than real characters totally depends on the director's creativity. In [O], a fantasy film directed by Mario Radev and Chiara Sgatti, all sorts of strange characters are designed to mimic the life cycles in the nature, and all the cycles are composed of sound frequency and vibration. The Cryptozoologist shows a cryptozoologist who is so obsessed with his subject – a flying blue elephant – that he is blind to other mythological creatures around him. All he wants is to be the first one to publish the article on that creature in the journal. Humorously, the film director makes fun of the scientists living in the ivory tower. In Hybrids, we see the production team's clever ideas that they build a sea creature made of the machine parts, but the beautiful and realistic image tricks us into believing that those are real living creatures. Moreover, the film makes us ponder over the impact of the industrialization on marine life. The Nowhere Room leads us to a series of adventures where we keep running into strange monsters through various doors, and the incredible courage the two characters

demonstrate proves to be the biggest challenge they have ever need to face. In order to depict the complicated relationships between people, it is common for animators to design some special characters or to use animation as allegory. In Grandpa Walrus, director Lucrèce Andreae delicately interprets the chaos in the family and their impression of their strange grandpa. On the windy beach, the family keep fighting over trivial things while grandma insists on performing her praying ritual, and what the younger brother has in mind is the eccentric grandpa, who is just like a walrus somewhat. In Cockroaches, a stop-motion animation, two elderly people accidently encounter each other while dealing with the roaches and end up in a happy relationship. Istók tells a story of young frogboy who grew up in the forest trying to adapt himself in society; although in the end, he behaves just like a human being, his heart remains pure and innocent. Directed by Laurène Braibant, The Ogre shows a giant ogre who suffers from a sense of insecurity; at a classy dinner party, he wants to be respectable, but his huge appetite triggers an unstoppable disaster. Maybe these weird characters are various interpretations of human nature, and they all possess incredible capabilities. Let's turn the world upside down and see if the audience could discard the old rules and conceptions and enjoy the world from the new viewpoints inspired by these characters.

角色方程式

10.12〈五〉13:30 Kbro 凱擘 10 廳 ★ 10.13〈六〉20:00 Kbro 凱擘 10 廳 ★

怪怪惹人愛

Character Formula: Weird Things

馬里奧拉德夫、奇亞拉史嘉蒂 Mario RADEV, Chiara SGATTI ｜英國 UK ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 7min

荒漠大地以音頻與振動循環，生命在母體每顆毛細孔的舒張與收縮間吐息，試圖探頭成形。然而此地流出的並非奶與蜜，餵養的也非尋常物種。也許是末世想像，更可能是生命源頭，簡單筆觸創造出複雜世界，將這異想短篇勾勒出不可思議的蒼涼。

2018 安錫動畫影展競賽｜ 2018 日舞影展

時空任意門 The Nowhere Room 麥里歐兄弟 The Brothers MCLEOD ｜英國 UK ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 7min

遊樂場裡面的無間門可要小心慎入，除非你是探險活寶，否則一進去可是會小命不保！英國知名插畫家麥里歐兄弟與迪士尼合作，簡單線條繪出一個無限奇想的神秘空間，無厘頭的風格令人嘴角失守且笑意滿點，篇幅雖短卻使觀眾回味無窮。 Two friends find themselves in a world of doors. One leads home, but where do the rest lead?

2017 曼徹斯特動畫影展

再見海象爺爺 Grandpa Walrus 露葵絲安德列 Lucrèce ANDREAE ｜法國 France ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 15min

爺爺過世了，奶奶拖著全家到海邊悼念他，但這趟旅程簡直糟糕透頂，老媽只會大小聲、雙胞胎姐姐一路鬥嘴、小弟弟又哭又鬧還要我揹，真是夠了！偏偏奇怪的事陸續發生，先是我看到爺爺變成海象，姊姊們也被海草攻擊，到底爺爺要和我們說什麼呢？ On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don't care and Lucas is alone. Grandpa was a weird guy and now he's dead. 2017 安錫動畫影展觀眾票選獎｜ 2018 凱薩獎最佳動畫短片

蟑螂情緣 Cockroaches 馬可瑞巴、安娜索拉納 Marc RIBA, Anna SOLANAS ｜西班牙 Spain ｜ 2017 ｜偶動畫｜ DCP ｜ Color ｜ 2min

在一棟公寓大樓裡，孤單的老先生與老太太，隔著一道牆在各自家中用餐；這廂的老先生穿著狗狗裝，那廂老太太的牆上擺著愛犬骨灰。某天牆上跑出一隻小強，竟意外改變了這兩個不曾察覺彼此的寂寞靈魂。 A man, a woman, a building and a plague of cockroaches...

2018 里斯本 Monstra 動畫影展

Character Formula: Weird Things

[O] is a film that imitates nature in its manner of operation, depicting life cycles in a world entirely based on sound frequency and vibration.

角色方程式：怪怪惹人愛

[O]

角色方程式：怪怪惹人愛

蛙少年 Istok 羅蘭多斯 Roland TÓTH ｜匈牙利 Hungary ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 12min

啟蒙時代的匈牙利，一個遙遠的傳說，少年以沼澤為家，與水獺們一起捕魚。某天，他意外遭漁民捕獲，從此被囚禁在人類世界，直到少女將他帶出牢籠。就在看似要融入人類社會的那一天，少女的婚禮上，少年獻上一份特別的禮物。

Character Formula: Weird Things

The story takes place in the age of the Enlightenment in Hungary and tells the legend of Istok Hany by balancing between reality and fiction.

2017 維爾紐斯 Tindirindis 動畫影展短片類特別提及｜ 2018 巴西 Anima Mundi 動畫影展

貪食怪歐格 The Ogre 蘿琳布蕾特 Laurène BRAIBANT ｜法國 France ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 10min

神秘男子筆挺的燕尾服下，隱藏著不可告人的慾望。杯觥交錯的饗宴裡，壓抑的慾望終於傾洩而出。巨大的飢餓讓他無法停止進食，食物酒水一一掃入口中。他的身體越漲大，場面也越來越失控。簡單細緻的筆觸充滿無邊幻想，彷彿斯凡克梅耶碰上比爾普林頓。 An insecure giant holds on eating, terrified at the prospect of revealing his ogresque self and so compromising his place in society. During a business banquet, his true nature will be put to the test 2017 安錫動畫影展 Canal+ 評審特別獎｜ 2018 廣島動畫影展木下三蓮獎

失敗的神秘動物學家 The Cryptozoologist 文森馬洛 Vicente MALLOLS ｜西班牙 Spain ｜ 2015 ｜黏土、停格動畫｜ DCP ｜ Color ｜ 8min

神秘動物學家博納致力尋找未知生物，前往北海的遙遠島嶼搜查百年難見的「象蠅」，卻見樹不見林地錯過更多珍禽異獸。在目標即將達成之際，壞消息卻又從天而降！本片以色彩繽紛的黏土動畫，打造充滿驚喜的原創神秘生物。 Bernard, a veteran cryptozoologist, has the chance to hunt one of his greatest challenges - the Mosquifan. As a result, he goes on an adventure full of difficulties and surprises, trying to capture that strange creature. 2016 雅典動畫影展｜ 2016 克萊蒙費宏短片影展

海底末日 Hybrids 弗洛里安巴哈、馬修普約爾、金塔亞德、尤安帝羅、羅曼蒂里翁 Florian BRAUCH, Matthieu PUJOL, Kim TAILHADES, Yohan THIREAU, Romain THIRION ｜法國 France ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 6min

放眼望去，那片看似平靜的海洋，人為製造的污染及無法分解的垃圾，早已不知不覺侵蝕大海，身著瓶蓋的寄居蟹，包覆金屬外殼的魚類，一如既往悠游其間。儘管弱肉強食的法則不變，這片深受污染的海域，依舊改寫了海洋生物的生存之道。 When marine wildlife has to adapt to the pollution surrounding it, the rules of survival change...

2018 安錫動畫影展學生動畫評審團特別獎｜ 2018 斯圖加特動畫影展

變動的世界觀：城市密碼 World in Motion: City Codes

變動的世界觀

城市密碼 World in Motion

City Codes

城市迷走王綺穗臺北藝術大學動畫學系副教授

城市作為動畫創作主題或背景，常包含兩個面向：一個是對比式的，用繁華忙碌喧鬧的城市來對比主角內心的掙扎與孤寂；另一個面向則是以城市作為叢林法則的指涉，主角在其中追求生存與面對的方式。這次選片除了每一部在這兩個面向的著墨之外，還更加上了幾片更具實驗性的表達方式。

主角則是在萬物均能飛翔的末日城市中，唯一尚未有辦法跟上演化的物種，致力研發了機械翅膀後，卻要抉擇是否飛翔能帶給他更好的未來。《地久天長》呈現後工業的極權統治之下的人們，雖然因為木偶操縱的機械裝置最後崩毀而苦勞的人們可以因此而解放，但諷刺的是他們卻只想回到專制的體制裡繼續做工。

李少莊《我城的相痕－第八章》與約翰莫瑞納的《紐約自畫像》都是非常具有實驗性的影像作品，前者使用單一背景構圖來凸顯燈光在新舊澳門城市街道發展的角色；因為日益繁華所增加的霓虹燈招牌，逐漸地改變扭曲的街景，甚至到最後幾乎是認不清原本樣貌只徒留些微痕跡的無奈。後者則是收集紐約城市裡的日常聲音，編輯搭配上多層次的影像，讓畫面具有在機械聲光下微微詩意的表現，也讓觀眾體會另一種對於紐約的印象表達。同樣是以紐約為背景的《搖擺布魯克林》，卻用了非常經典的大樂團音樂與活潑的動態圖像帶出紐約布魯克林區的繁忙與工業性，富饒趣味。黃志聰的《耳朵星期天》則是將簡潔的動態圖像來帶出喧嘩的城市中，各式各樣具活力的聲響。

法國導演大衛科卡達索爾特的《城市邊緣》則將背景設在被廢棄的城市裏，狗群們有著自己的生存模式與地盤階級觀，為人類於廢墟中所遺留的痕跡再度做了新的詮釋。德國年輕導演尼基塔迪亞科在《醜貓與酋長》中使用了一隻醜陋貓的視角以及嶄新的 3D 視覺效果來呈現都會一角，相當具有創新氣息。

而在過度發展的城市當中，人的存在變得太過渺小微弱而無法發覺，《失物招領》中主角雖常認真地執行職務，但是在大環境的逼迫下只能被調離原職，但是也決定要跟過去的自己做一次創意的大冒險。《漂浮異世界》的

當城市進入高度發展的狀態，人們最基礎的需求如何去解決呢？《在世界的中心丟飯碗》提供了這樣的思考方式，在全部仰賴科技的社會中工作是怎麼樣的一個狀態呢？而在《您辛苦了》中更是對高科技的商城中，卻對難以解決一個閃到腰老婦人的問題提供了一個日式幽默的詮釋。這個單元的節目讓我們看到了城市的各種印象與想像，想像每個人心目中的那個城市與居住的角色如何生活在其中。對於觀影的我們，何嘗不是經歷了一場多樣城市的輕旅行呢？

失物招領 Lost Property Office

變動的世界觀：城市密碼 World in Motion: City Codes

Lost in the City Dr. WANG Chi-Sui Associate Professor, Department of Animation, Taipei National University of the Arts

When an animation is set in a city, it tends to show two aspects: one is to use the hectic urban city in contrast to the struggling and loneliness that the protagonist suffers, and another one is to use the city as an allegorical metaphor, in which the protagonist fights to survive within the jungle of an urban city. In this year's program, apart from the aspects mentioned above, some films are presented in a more experimental style.

on an adventure. The hero in Flutter is the only species that has not yet evolved the ability to fly, but after he has put in so much effort and finally built the mechanical wings, he then begins to wonder if flying would bring him a better future. Forever depicts the workers who have been liberated as a result of the breakdown of the controlling system, but the irony is that they soon want to go back to work for the totalitarian regime.

The Scars of My City by Bianca Lei and Home: A Portrait of New York City by John Morena are films of an experimental nature. In the former, Lei uses a single background composition to enhance the role of neonlighting plays in the development of the streets in Macau. The increasing number of neon lights gradually changes the look of the street. In the end, it has become almost unrecognizable and only saved for a few traces left. In the latter, Morena collected the sounds in the daily life in New York and edited it with layers of images; the images convey a poetic feeling amid the mechanical sounds and show the audience a different impression of New York City. Also set in New York, Brooklyn Breeze uses the classic Michael Arenella's music and motion graphics to portray the hubbub in Brooklyn and its industrial nature. In Silence directed by Ng Chee Chong shows the lively sounds in a bustling city with simple animated graphics.

Peripheria by French director David Coquard-Dassault is set in an abandoned city; the dogs live in an order and hierarchy created by themselves, which serves as a new interpretation of what is left by the humans in the ruins. In Ugly, German director Nikita Diakur reveals a spot in a metropolis through an ugly cat's point of view in 3D with an innovative touch.

In an over-developed city, the existence of men seems to have become so insignificant that it cannot be detected. In Lost Property Office, the protagonist works hard every day, but the situation forces him to leave the job, and that prompts him to give himself a chance to go

When the city is highly developed, how would people solve their basic needs? The Last Job on Earth provides us with a thinking and shows us what it is like to be living in a society totally depending on high-tech products. In Gokurōsama, we see that in a shopping center equipped with all sorts of high-tech devices, the protagonist struggles to help an old lady who has sprained her back. The director interprets the situation with a sense of Japanese humor. The films in this category unveil various portraits of cities where the characters live. While we watch the films, doesn't it feel like taking a journey through all these cities?

變動的世界觀

10.12〈五〉10:00 Kbro 凱擘 10 廳 ★ 10.14〈日〉21:20 Kbro 凱擘 10 廳 ★

城市密碼

World in Motion: City Codes

李少莊 LEI Sio-Chong ｜澳門 Macau ｜ 2015 ｜停格動畫、錄像｜ DCP ｜ Color ｜ 4min

將相片加上不同的痕跡，影像因此被改變及扭曲。而城市急速發展的過程中，也如同被刻上一道又一道的傷痕。關切人與環境因素相互作用的導演，透過動畫手法，重新為老照片燃起一盞盞霓虹，隨著影像流轉，為澳門城市急遽發展發出時光的嘆息。

2015「女兮歸來」中國當代藝術展｜ 2017 EXiM 兩岸四地實驗動畫活動

紐約自畫像 Home: A Portrait of New York City 約翰莫瑞納 John MORENA ｜美國 USA ｜ 2018 ｜ 2D、手繪、複合媒材｜ DCP ｜ Color ｜ 3min

亞洲 Asia Premiere 首映

紐約是世界首都還是文化熔爐？紐約什麼都是，也什麼都不是。以實驗動畫短篇見長的導演，濃縮五光十色卻冰冷機械的生活經驗，採集城市中的日常聲響，搭配抽象的手繪影像，拼湊獨樹一格的紐約印象，傳遞對當代物質文明的體察與隱晦批判，帶領觀眾體驗紐約日常。 A portrait of New York City in three parts. This film is a combination of #s 5, 6 and 7 of 52 experimental animation films John Morena made in 2017. 2018 安錫動畫影展競賽｜ 2018 巴西 Anima Mundi 動畫影展

搖擺布魯克林 Brooklyn Breeze 艾力克斯布多文斯基 Alex BUDOVSKY ｜美國、哥倫比亞 USA, Colombia ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 4min

亞洲 Asia Premiere 首映

與曼哈頓僅一岸之隔的布魯克林，雖同屬紐約區，卻有著截然不同的獨特風情。本片以紐約爵士音樂大師 Michael Arenella 與他率領的夢幻爵士樂隊音樂作品為靈感，透過樂音與動畫的描摹，視覺化這趟生動的旅程，帶領觀眾「樂」覽布魯克林的絕色美景。 Brooklyn Breeze is a 2D animated musical short film, a visual journey through different parts of Brooklyn based on a tune recorded by New York-based Michael Arenella and his Dreamland Orchestra. 2018 安錫動畫影展競賽｜ 2018 斯圖加特動畫影展

失物招領 Lost Property Office 丹尼爾艾格達 Daniel AGDAG ｜澳洲 Australia ｜ 2017 ｜停格動畫、複合媒材｜ DCP ｜ Color ｜ 10min

亞洲 Asia Premiere 首映

各式各樣的失物堆滿車站的失物招領處，老管理員獨自一人管顧，直到他被車站解雇。辛苦半生，如今他也成為失物，但他是否也將如同滿室的物件一般遭棄蒙塵？還是他將巧手打造自己無拘無束的未來呢？ Ed is the sole custodian of the Lost Property Office. In many ways, he's as lost as these items. When losing his job, Ed decides that he's not leaving without taking his life with him.

2017 墨爾本影展評審團特別獎｜ 2018 奧斯卡最佳動畫短片提名

World in Motion: City Codes

Based on old Macau photos, director Lei Sio-Chong tries to reflect on the city development in Macao today in The Scars of My City (Chapter 8).

變動的世界觀：城市密碼

我城的相痕（第八章）The Scars of My City (Chapter 8)

變動的世界觀：城市密碼

漂浮異世界 Flutter 弗拉迪米爾托多洛夫 Vladimir TODOROV ｜美國、保加利亞 USA, Bulgaria ｜ 2016 ｜ 2D、複合媒材｜ DCP ｜ Color ｜ 10min

末日城市裡萬物均能飛翔，唯獨主角沒有翅膀，飛不起來，只能看著別人在頭頂上自由來去。無法忍受的孤獨感，使他閉門打造出一對人工翅膀。眼看迎向天空的未來唾手可及，卻意外發覺地面有更深情的羈絆。

World in Motion: City Codes

When everyone can fly, being stuck on the ground is no fun as loneliness, depression and despair come to you. Bowing down to them is an option while finding the courage to soar is priceless. 2017 巴西 Anima Mundi 動畫影展｜ 2017 雨舞影展最佳動畫短片

地久天長 Forever 鐘甦 ZHONG Su ｜中國 China ｜ 2015 ｜ 3D、複合媒材｜ DCP ｜ Color ｜ 7min

在巨大的機器控管下，人民隨著木偶指揮的鈴聲而勞動，週而復始地工作。某天機器突然故障，看似重獲自由的苦勞人不但無意歡慶，反而群起抗議要恢復工作。作者以工業城的意象，諷刺人民早已被機器奴役，不嚮往自由而只願回歸體制內。 Forever shows the ruins of a dystopian city controlled by a totalitarian machine. When the mechanism breaks down, the involuntarily freed inhabitants demand the return of the police state that kept them safe and secure. 2016 薩格勒布動畫影展競賽｜ 2016 瑞士 Fantoche 動畫影展新秀獎

耳朵星期天 In Silence 黃志聰 NG Chee-Chong ｜馬來西亞 Malaysia ｜ 2017 ｜ 3D、複合媒材｜ DCP ｜ B&W ｜ 4min

車水馬龍的繁忙情景與城市中的躁動聲響，都化為具象與抽象的形體在片中交替演出。導演將生活中因噪音所致的內心焦慮與抗議，轉譯成隨處可見的視覺印象，是一部難得「看見聲音」的動畫。 In Silence is an animation inspired by noise that bombards our ears throughout the day. It mainly displays anxiety and irritations caused by noises and reflects the strong detestation from the inner heart. 2017 荊山經典文創藝術獎荊銀獎

城市邊緣 Peripheria 大衛科卡達索爾特 David COQUARD-DASSAULT ｜法國 France ｜ 2015 ｜ 2D、3D ｜ DCP ｜ Color ｜ 12min

荒蕪的廢棄大樓矗立成群，陽光照射成排玻璃，強風揚起塵埃，塑膠袋漫天飛舞，這是一座現代龐貝城，徒留人類生活的遺跡。當城市化為荒野，一群流浪狗在裡頭晃蕩、咆嘯與爭奪，空氣彌漫著無路可逃的絕望不安，直到一聲轟然巨響劃破這片寂靜。 A journey into the heart of a large and abandoned council estate. Peripheria portrays an urban environment becoming wild: a modern Pompeii, where the wind blows and dogs roam, tailing the remains of human life. 2016 廣島動畫影展木下蓮三獎｜ 2016 安錫動畫影展動畫短片觀眾票選獎

尼基塔迪亞科 Nikita DIAKUR ｜德國 Germany ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 12min

支離破碎的世界裡，流浪動物穿梭在城市邊緣求生。醜貓終於和牠的靈魂伴侶「神秘酋長」相遇。導演展現 3D 的影像魅力，設計出一幅既繽紛而奇特的數位視覺風景。為後現代的都會角落及廢墟，多添抹一道新色彩。

2017 薩格勒布動畫影展特別提及｜ 2017 瑞士 Fantoche 動畫影展新秀獎

在世界的中心丟飯碗 The Last Job on Earth 摩斯工作室 Moth Studio ｜英國 UK ｜ 2016 ｜ 2D、3D ｜ DCP ｜ Color ｜ 3min

美國萊斯大學電腦科學教授 Moshe Vardi 曾說過：「在接下來的三十年內，機器可以取代 50% 的人類工作。」在阿莉斯的世界，食衣住行皆有機器代為操勞，她起身準備去上班，卻驚覺自己的工作被機器取代。 'Machines could take 50% of jobs in the next 30 years', says Professor Moshe Vardi. Meet Alice, holder of the last recognizable job on Earth who tries to make sense of her role in an automated world. 2017 卡地夫影展委託影片特別提及｜ 2017 埃米爾獎最佳委託影片

您辛苦了 Gokurōsama 克雷曼婷弗烈、歐荷蓋兒、梅尼昂雪子、安娜梅茲、羅賓米利歐雷利、羅曼沙維尼 Clémentine FRÈRE, Aurore GAL, Yukiko MEIGNIEN, Anna MERTZ, Robin MIGLIORELLI, Romain SALVINI ｜法國 France ｜ 2016 ｜ 3D ｜ DCP ｜ Color ｜ 7min

日式商場裡，便當店店員如往常般準備當日菜餚，老太太卻意外閃到腰，這該如何是好？偏偏今天商場諸事都不順，一下搬運人員狀況百出，一下遇上大地震，連電梯和醫院的門都卡住，究竟這衰運罩頂的一天，商場可以順利開張嗎？ Early in the morning in a Japanese shopping center, a shopkeeper gets stuck. In order to help her, her young employee decides to cross the shopping center with her.

2017 安錫動畫影展競賽｜ 2017 美國 SIGGRAPH 動畫影展

World in Motion: City Codes

An ugly cat, who struggles to coexist in a fragmented and broken world, eventually finds a soulmate in a mystical chief. It is inspired by the Internet story, Ugly the Cat.

變動的世界觀：城市密碼

醜貓與酋長 Ugly

發現新視角：真實再現 New Angle: Animated Documentary

發現新視角

真實再現 New Angle

Animated Documentary 動畫如何紀實？石昌杰臺中國際動畫影展節目總監

動畫可運用媒材的多元性，以及逐格「無中生有」的操控性，其媒體特質普遍被認知為奇幻、虛構、擬像，甚至抽象的影像語彙。反觀記錄片的實拍影像語法，則已經被認知為紀實、非虛構、實像，甚至實證的影像語彙。多年來，這樣的認知被深信不移！然而，近年來越來越多動畫創作者，嘗試跨越影視創作類別，在聲軌上傾向紀錄片本質的真實錄音與剪接 : 獨白、對話、訪談的再處理 ; 但是在畫面上，又開放給虛構、擬像甚至抽象的動畫表現手法，開創了「動畫記錄片」，正嚴肅地挑戰著動畫片與記錄片的分際 ! 本單元節目中的八部短片，正好展現了這類影視美學的新視角。從內容主題上來看，《那一個晚上》裏一名母親遭逢兒子槍擊身亡的惶恐無助，《倖存者》裏受訪女性面對家暴的複雜情緒，《縫補人生》裏英國老奶奶回憶舊時代愛情與婚姻的喜樂與濃情蜜意，《堅毅》英籍華裔母女尋常的家庭對話，所交織的代溝和歷史議題，《所有我能記得的事》家人面對祖母失智的病情探究與心情起伏，《來自海灘的女孩》中創作者緬懷兒時同伴一起成長的歡樂，和遭逢玩伴事故意外身亡的不捨，《和姚帥一起放鞭炮》裏大陸同學假期返鄉，感受到城鄉差距與留守兒童的失落感，還有《親愛的籃球》中籃球巨星柯比布萊恩透過獨白，表露深愛籃球運動的真摯情

感！這些作品，透過獨白自述，或對話交談，在在聲聲動人！在視覺畫面的表現上，大部分作品不約而同採用了轉描技法，並穿插搭配照片或影像，特意保留紀實感；因此《所有我能記得的事》以純粹抽象的動態圖像來表現 ( 雖然片尾也放入了照片 )，就顯得相當大膽！《和姚帥一起放鞭炮》利用手機影像和聲音的創作手法，則是相當具有當代實驗性！此外，《縫補人生》和《來自海灘的女孩》則大量使用了停格動畫，尤其《縫補人生》以真人大小的場景與物件作為拍攝主體，充滿真實的「紀實感」！片中不時透過影子的表演，不僅帶出虛實換場的劇場感，更增加了觀眾的觀影樂趣！《來自海灘的女孩》和《親愛的籃球》這兩部影片，則是擺脫一般民眾認為紀錄片缺乏影像魅力的魔咒！《來自海灘的女孩》在實景、沙偶、沙雕、沙畫等多種媒材之間轉換，不但與內容表裡呼應又層次豐富！《親愛的籃球》則由迪士尼大師級動畫師葛連基恩親筆手繪，和好萊塢作曲大師約翰威廉斯配樂，簡單質樸流利的手繪動態中，卻有一種豪華的視聽感受！當代的動畫創作者正以動畫記錄片這一種創作形式，對於真實社會議題、事件、甚至個人親身經歷而發聲！誰說動畫不能「紀實」？

親愛的籃球 Dear Basketball

發現新視角：真實再現 New Angle: Animated Documentary

Can Animation be used as Documentary? C. Jay SHIH Program Director of TIAF

The wide range of materials available in animation and the total control over the creation of image make animation become a visual language used to describe fantasy, fiction or even abstract ideas. On the other hand, documentary shot with real people in real time is regarded as a visual language used to tell real stories, facts or even used as evidence. For so many years, such views are firmly believed. Nonetheless, in recent years, more and more animators try to cross the boundary between genres. In terms of the sound, they use recording of real sound, including monologue, dialogue and interview and edit it afterwards. As for image, it is still reserved for the fictional or even abstract animated images. The result is the creation of "animated documentary", a genre that seriously challenges the boundary between animation and documentary. In this screening program, there are eight short films that demonstrate such a new angle. In terms of the subjects, His Mother’s Voice describes the fear and the sense of helplessness a mother suffers from after her son has been shot dead; Survivors unveils the complicated emotions of a group of domestic violence victims; in Mend and Make Do, we listen to an old English grandma reminisce about the joy of love and marriage in the old days; through the conversations between a British Chinese mother and her daughter, Tough looks into the generational gap and historical issues; All the Things I Can Remember depicts how the family cope with their grandma's dementia; in Guaxuma, the director remembers the happiness she

felt with her childhood friend and the sorrow of losing her friend to an accident; Set off a Firecracker with Yao Shuai shows the gap between urban and rural areas and the sense of loss that children left behind by their parents feel through the eyes of a youth who comes home in the countryside during the holiday; in Dear Basketball, Kobe expresses his passion for the sport in a monologue. These films deeply move our hearts with the monologues or dialogues in them. In terms of the visual styles, most films adopt rotoscoping mixed with photos or footage to retain the sense of reality. Therefore, it is daring for the director to use abstract moving graphics in All the Things I Can Remember (despite the photos used in the ending). The use of image and sound recorded on a cell phone in Set off a Firecracker with Yao Shuai is rather experimental. Mend and Make Do and Guaxuma integrate stop-motion animation into the content to enhance the sense of reality. Guaxuma and Dear Basketball definitely shatter some audiences' impression that documentary is boring. In Guaxuma, the materials shift between real sets, sand dolls, sand sculpture and sand paintings, and it not only echoes with the story but makes it more interesting. Dear Basketball is hand-drawn by animation master Glen Keane and the score is composed by John Williams. Despite its deceptively simple looks, it is, in fact, a splendid audiovisual feast. By making animated documentaries, the animators voice their views on social issues, events or even personal experience. Who says that animation cannot be used as documentary?

發現新視角

10.13〈六〉16:20 ST 秀泰 14 廳 ★ 10.14〈日〉21:10 ST 秀泰 15 廳 ★

真實再現 New Angle: Animated Documentary

發現新視角：真實再現

那一個晚上 His Mother's Voice 丹尼斯杜皮可夫 Dennis TUPICOFF ｜澳洲 Australia ｜ 1997 ｜轉描｜ DCP ｜ Color ｜ 14min

電話鈴聲劃破午夜，正欲入睡的母親得知兒子中槍的消息，匆匆趕到案發現場卻被拒於門外，更在焦急的等待之後，親眼目睹愛子離開人世。本片透過母親在廣播節目裡重述當晚事情發生經過，用聲音讓觀眾親歷撕心裂肺的喪子之痛。

New Angle: Animated Documentary

Two versions of the same radio interview. A mother tells how she heard that her son was dead.

1997 墨爾本影展最佳動畫短片｜ 1997 安錫動畫影展

倖存者 Survivors 席拉索菲恩 Sheila M. SOFIAN ｜美國 USA ｜ 1997 ｜手繪｜ DCP ｜ Color ｜ 16min

家暴受害者在家庭責任與自身安危間矛盾掙扎，如何轉念、如何自衛，如何鼓起勇氣終結痛苦的迴圈？多位走出暴力陰影的倖存者及社工專家現「聲」說法，由內而外透視家庭暴力的形成，剖析施暴的心理起源，也見證倖存者穿越漫長黑暗，身心傷痕的癒合歷程。 With images that are sometimes abstract, Survivors is based on interviews with victims of domestic violence, who recount their brutal histories, and with the help of counselors, take their first steps towards healing. 1999 加州日影動畫影展｜ 2013 斯圖加特動畫影展

縫補人生 Mend and Make Do 貝西布希 Bexie BUSH ｜英國 UK ｜ 2014 ｜停格動畫、玻璃彩繪、剪紙｜ DCP ｜ Color ｜ 9min

歡迎來琳恩太太的客廳喝杯茶，聽聽她細數過往回憶，那些大時代下的愛戀與憂愁，那些小情歌中的希望與恐懼，那些死生闊契的過去，以及那些與子偕老的曾經。說著說著，房間裡那些陪伴她半個世紀的家具、衣飾與日用品，似乎都有了生命。 Cup of tea? Come and take a seat in Lyn's cosy front room, hear her story of wartime love and watch as her belongings come alive with the hope, fear and humor of one spirited lady.

2014 安錫動畫影展｜ 2014 薩格勒布動畫影展

堅毅 Tough 鄭像賢 Jennifer ZHENG ｜英國 UK ｜ 2016 ｜手繪｜ DCP ｜ Color ｜ 5min

黃皮膚，白面具，身為中國移民家庭後代，在北愛爾蘭出生長大的導演，始終對自己的出身血緣和文化認同矛盾感到苦惱。在一次創作機緣下，他下定決心與母親面對面，展開一場非日常對話，從認真理解母親的過去開始，重新思量自己的現在與未來。 Some things can only be understood with maturity. New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. 2017 英國影藝學院電影獎短片競賽｜ 2017 日舞影展

楊雅棋 YANG Ya-Chi ｜臺灣、美國 Taiwan, USA ｜ 2017 ｜手繪、複合媒材｜ DCP ｜ Color ｜ 5min

All the Things I Can Remember is an animated documentary that examines the mental state of a person who has Alzheimer's. It shows how the disease affects the patient through the eyes of the family. 2018 美國馬麥斯湖影展｜ 2018 加拿大女性之眼影展

和姚帥一起放鞭炮 Set off a Firecracker with Yao Shuai 董曉博 DONG Xiao-Bo ｜中國 China ｜ 2016 ｜ 2D、底片刮畫、複合媒材｜ DCP ｜ Color ｜ 7min

四川仁壽縣城郊，小男孩姚帥的父母在外地打工多年未歸，奶奶獨自辛苦將他從小娃拉拔到小學。除夕夜，姚帥盼著爸媽返鄉陪他一起放鞭炮，習以為常的過年團圓，卻是留守兒童的奢望。透過動畫，鏡頭下的寫實人物與嚴肅議題，多了一絲柔軟童趣的色彩。 Yao Shuai and his grandma live in the suburbs. His parents left for work years ago and haven't been home since. Will they come back and set off a firecracker with him during the Chinese New Year? 2017 西安美術學院金拴馬獎二等獎｜ 2017 北京電影學院動畫學院獎優秀獎

親愛的籃球 Dear Basketball 葛連基恩 Glen KEANE ｜美國 USA ｜ 2016 ｜ 2D、手繪｜ DCP ｜ Color ｜ 5min

叱吒籃壇 20 年，NBA 史詩級巨星柯比布萊恩久為傷病所苦，決定在 2017 年季後結束球員生涯。然而勤奮不懈的他，前腳剛離開球場，後腳便踩進好萊塢，寫了一封獻給籃球的情書，製作成感人動畫，邀來約翰威廉斯打造磅礡配樂，一舉拿下奧斯卡金像獎最佳動畫短片。 This hand-drawn film speaks directly to the game of basketball and conveys Kobe Bryant's gratitude, love, and passion for the sport before leaving it behind. 2018 奧斯卡金像獎最佳動畫短片｜ 2018 安妮獎最佳動畫短片

來自海灘的女孩 Guaxuma 娜拉諾蒙德 Nara NORMANDE ｜法國、巴西 France, Brazil ｜ 2018 ｜停格動畫、複合媒材｜ DCP ｜ Color ｜ 14min

出生在海邊的嬉皮家庭，少女娜拉與摯友泰拉在愜意氛圍中一同遊樂、探索成長。無論闊別多少年，她永遠不會忘懷那海、那人、那時光。巴西新銳導演轉化童年經驗與閨蜜記憶，在蔚藍海水與金黃細沙間，咀嚼青澀時光的神秘、美麗和憂傷。 Tayra and Nara grew up on a beach in the north east of Brazil. They were inseparable. The sea breeze brings so many happy memories back to Nara.

2018 安錫動畫影展｜ 2018 渥太華動畫影展

New Angle: Animated Documentary

遺忘了回家的路、親愛的家人，也忘了自己是誰。罹患阿茲海默症的阿嬤，病情慢慢惡化。她帶著日漸失能的腦袋與身體，從前熟悉的阿嬤終將去向何方？隨侍在側的親人們，又該如何調適心裡的不安與不捨？孫女以動畫給阿嬤捎上一封家書，永誌不忘。

發現新視角：真實再現

所有我能記得的事 All the Things I Can Remember

猴塞雷 Shave It

觀察站：拉丁魔幻 TIAF TIAF Observatory: Latin Fantasy

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拉丁魔幻 TIAF Observatory

Latin Fantasy 自然環境與現代生活交織的魔幻魅影張晏榕國立臺灣師範大學圖文傳播學系助理教授

「魔幻寫實」一詞，在文學領域常被與拉丁美洲的作品相連結，是上個世紀 60 年代開始在世界文壇風起雲湧的寫作風格，在哥倫比亞作家馬奎斯的作品《百年孤寂》 1982 年獲得諾貝爾文學獎之後聲勢達到顛峰。本單元藉此以「拉丁魔幻」為名，所蒐羅的拉丁美洲動畫作品中，獨特的印地安文化崇敬自然環境的神話傳統和現代生活的魔幻想像交會，譜出種種詭麗的動態影像，與「魔幻寫實」的表現精神若合符節。印地安原住民豐富的神話傳統依然是拉丁美洲創作者取之不盡的題材，委內瑞拉導演以薩亞斯皮瑞茲的作品《黑莓與螢火蟲》以電腦 Cut-out 的製作形式忠實重現印地安原住民的黑莓與螢火蟲的愛情神話，可以一窺初民社會對於自然界生物現象的豐富想像。而現代化之後對於動物和原住民賴以生存的自然環境破壞也常常激發創作靈感。阿根廷導演何吉德雷索與費南多馬多納度作品《猴塞雷》以風格化的 3D 電腦動畫技術，絕妙的諷刺了人類破壞森林環境所可能（或不可能）造成的反撲。同樣以自然環境為主題，英國導演索拉達阿奇拉的作品《燦爛的腐朽》則以不帶批判的角度詩意地呈現了自然環境裡動物的腐朽過程。進步而規訓化的現代社會與初民原始豐饒節慶的辯證出現在本次拉丁美洲的兩部作品裡，混合媒材表現形式也呼應了內容主題的矛盾與混亂。巴西導演吉恩姆馬康德斯的作品《333 夜總會》以精緻的各種製作技術表現了

大城聖保羅夜晚時間暫停的神奇時刻，用節慶式的歡樂與體制規訓的追逐，暗喻都會裡每晚固定上演的情節。同是巴西導演吉恩姆馬康德斯的作品《虎》則從作家威廉布萊克的同名詩作得到靈感，同樣以混合媒材表現在大都會生活的人們夜晚顯露出的動物本性，影片中被巨大的人影操控行走的神秘的巨虎是動物性觸媒的象徵。除了都會的開闊空間，個人生活經驗裡的恐懼與創傷的魔幻想像也成為本單元幾部作品的表現題材。哥倫比亞導演阿德莉安娜蔻貝特作品《致回憶》以停格動畫製作技術和炭筆強烈的筆觸表現出對祖父母回憶裡的童年創傷。智利導演奈爾阿特萊、克里斯托巴里昂和瓦昆寇奇納的作品《厄夜露西亞》則也使用停格動畫技術，以極富創意的方式呈現出女孩恐懼幻想的具象形態。巴西導演派卓哈瑞斯則以創作團隊裡真實的個人經驗創作了《卡哥白費工》，以 2D 電腦繪圖黑白線條的強烈風格，表現魔樣的漁人在夜晚的碼頭，費盡力氣釣上魔樣大魚的神奇經驗。最後，巴西導演喬瑟夫史拜克尼斯的作品《床頭驚魂記》以停格動畫技術，配合天主教堂管風琴音樂呈現已成經典的哥德式陰森氣氛，表現男女主角生理疾病與心魔幻覺的交互作用。本單元的作品從原初神話，到傳統與現代生活交織的詭麗影像，呈現拉丁美洲魔幻與寫實的層層風貌。

觀察站：拉丁魔幻 TIAF TIAF Observatory: Latin Fantasy

The Fantasy of Modern Life Mixed with Natural Environment Dr. CHANG Yen-Jung Assistant Professor, Department of Graphic Arts and Communications, National Taiwan Normal University

The term, "magical realism" is often associated with the Latin American literature. It is a style that began to emerge in literary works around the world in the 1960s and reached its climax when Gabriel García Marquez, best known for One Hundred Years of Solitude, was awarded the Nobel Prize in Literature in 1982. In the films shown in Latin Fantasy category, we witness the traditions of the unique native Indian culture, which worships the nature, mixed with the surreal imagination of modern life. The mythical and beautiful moving images seen in these films echo with the spirit of magical realism.

reflect the contradictions and chaos in the stories. In The Master’s Voice: Caveirao, Brazilian director Guilherme Marcondes shows the magic hour in São Paulo with various refined techniques. The festive joy and the chase by the establishment is an allegory of what happens in the city every night. Tyger, another film by Marcondes, is inspired by Willian Blake's poem with the same title. Again, by using the mixed materials, Marcondes reveals the animal nature shown in the night life in a metropolis. The mysterious giant tiger controlled by the large shadow of a human is a symbol of the catalyst for animal nature.

The Indian mythology remains a rich source that inspires the Latin American filmmakers. With computer cutout technique, The Blackberry and the Firebeetle made by Venezuelan director Isaias Perez faithfully reconstructs the love story of the Blackberry and the Firebeetle in the Indian mythology and reflects the American natives' imagination of the nature. The destruction of the environment on which the natives rely for their livelihood also serves a source of inspiration. Using the stylized 3D computer animation techniques, Argentine directors Jorge Tereso and Fernando Maldonado sarcastically predict the possible (or impossible) fightback from the nature after the humans have destroyed the forests. With a theme on the nature, British director Soleded Águila reveals how the dead animals' bodies decay in the natural environment in a poetic and objective way.

Apart from the open space in a metropolis, the fear and trauma one suffers in life are the subjects of a number of films in this category. Using stop-motion and charcoal, Colombian director Adriana Copete expresses her childhood trauma in the memories of her grandparents in Wind up Memories. Chilean directors Niles Atallah, Cristóbal Léon and Joaquín Cociña also adopt stop-motion in Lucia to convey the girl's fear and illusion in an innovative way. Based on the experience of his crew member, Brazilian director Pedro Harres made Castillo y el Armado; the computer-generated 2D graphics portray the magic experience of catching a big fish on the dock.

The dialectical relationship between the orderly modern society and the festive atmosphere permeating in the native society appears in two films in this category, and the combination of different materials used in them

Lastly, The Feather Pillow by Brazilian director Joseph Specker Nys uses stop-motion and pipe organ music to create the spooky gothic atmosphere to show the illusions the protagonists suffer from both mental and physical illness. From the original mythology to the fantastic images reflecting the mix of traditions and contemporary lives, these films present different layers of the Latin magical realism.

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10.13〈六〉18:20 ST 秀泰 14 廳 ★ 10.15〈一〉17:00 ST 秀泰 15 廳 ★

拉丁魔幻 TIAF Observatory: Latin Fantasy

觀察站：拉丁魔幻 TIAF

虎 Tyger 吉恩姆馬康德斯 Guilherme MARCONDES ｜巴西 Brazil ｜ 2006 ｜ 2D、偶動畫｜ DCP ｜ Color ｜ 5min

身型巨大的老虎踏過遊樂園，在城市巷弄裡穿梭，揭開城市不為人知的一面。舊有的框架被挑戰，整個城市湧現嶄新的生命力；老虎緩步前行，牠會暴露出潛藏表層之下的真實，抑或帶來超脫形體的狂想與昇華？

TIAF Observatory: Latin Fantasy

A giant tyger mysteriously appears in a big city, revealing the hidden reality in an otherwise ordinary night. Tyger is a short film inspired by William Blake's poem of the same title.

2006 巴西 Anima Mundi 動畫影展｜ 2007 克萊蒙費宏短片影展最佳影片、榮譽獎

黑莓與螢火蟲 The Blackberry and the Firebeetle 以薩亞斯皮瑞茲 Isaias PEREZ ｜委內瑞拉 Venezuela ｜ 2017 ｜ 2D、3D、停格動畫｜ DCP ｜ Color ｜ 10min

亞洲 Asia Premiere 首映

這是委內瑞拉原住民流傳已久的故事，年老枯萎的黑莓愛上了她身邊徘徊的螢火蟲。她用自己僅剩的黑莓餵食螢火蟲，只希望他能留下來陪伴她度過餘生，然而螢火蟲刻薄地嘲笑卻刺傷了她的心。然而當他們再度相遇，螢火蟲卻沒想到，當時的自大將帶給他難忘的教訓。 It's a tale from Venezuela. A Fire Beetle finds an old Blackberry; she falls in love with him, but he rejects her. Time passes, the Blackberry is reborn and the Fire Beetle learns a lesson. 2017 Pop Com 短片影展最佳動畫｜ 2017 委內瑞拉影展最佳動畫短片

燦爛的腐朽 Immersed 索拉達阿奇拉 Soleded ÁGUILA ｜英國 UK ｜ 2012 ｜ 2D ｜ DCP ｜ Color ｜ 4min

皓白的大地，寂靜卻又嘈雜的生態系統，似乎有什麼在暗處匍匐、覬覦著生命。在壓抑與詭譎中陰影逐漸籠罩，為萬物帶來平等的凋零。數位繪圖的跳躍筆觸配上沉穩的配樂旋律，讓人沉浸在這片深邃的雪白中。 A mysterious portrait of the beauty in decaying of natural wild life.

2012 倫敦動畫影展｜ 2013 渥太華動畫影展

床頭驚魂記 The Feather Pillow 喬瑟夫史拜克尼斯 Joseph Specker NYS ｜巴西 Brazil ｜ 2018 ｜偶動畫、停格動畫｜ DCP ｜ Color ｜ 12min

改編自赫拉蕭奎若嘉的短篇驚悚小說。美麗的艾莉西亞似乎生病了，日漸消瘦、日夜遭受莫名恐懼侵蝕，連醫生都找不出任何病灶。冷淡的丈夫旁觀著這一切，卻沒想到將妻子漸漸逼上絕路的瘋狂也正侵蝕著自己，一點一點地自陰影中爬出。 Shortly after her honeymoon Alicia contracts an inexplicable illness while her husband Jordan seems indifferent. Something hidden is driving her insane. The disease makes Alicia mix reality with gruesome hallucinations. 2018 安錫動畫影展競賽｜ 2018 巴西 Anima Mundi 動畫影展競賽

奈爾阿特萊、克里斯托巴里昂、瓦昆寇奇納 Niles ATALLAH, Cristóbal LÉON, Joaquín COCIÑA ｜智利 Chile ｜ 2007 ｜停格動畫｜ DCP ｜ Color ｜ 4min

潛藏在暗處的狼形怪物嚇壞了小女孩，黑暗逐漸吞噬她的世界，在驚惶中帶來混亂與想像力無邊無際的奔馳。叫喚著自己名字的怪物不斷在窗外徘徊，行蹤可疑的鄰居更是讓小女孩不知該如何是好，只能看著黑暗降臨、弄亂一切。

2009 瑞士 Fantoche 動畫影展國際短片首獎

致回憶 Wind Up Memories 阿德莉安娜寇貝特 Adriana COPETE ｜哥倫比亞 Colombia ｜ 2012 ｜手繪、停格動畫｜ DCP ｜ Color ｜ 12min

亞洲 Asia Premiere 首映

被父母留在祖父母家的小女孩，不聽祖母告誡，獨自一人到閣樓探險。在一堆堆雜物間，小女孩慢慢為自己與祖父的記憶上緊發條、逐格播放那些褪色的破碎片段，在現實與虛幻之間，開始一場帶點困惑、帶點詭譎，卻無比動人的回憶之旅。 The film tells the story of a little girl, who looks for her grandpa's memories in the train and machines that lie in the attic, where the broken old things are kept.

2014 墨爾本動畫影展

猴塞雷 Shave It 何吉德雷索、費南多馬多納度 Jorge TERESO, Fernando MALDONADO ｜阿根廷 Argentina ｜ 2012 ｜ 2D、3D ｜ DCP ｜ Color ｜ 4min

失去家園的小猴子撿到了一把電剪刀，決定剃掉毛髮潛入人類社會，卻發現人類的世界遠沒有自己想像得複雜，或者說，太簡單了些。於是在登上頂點之後，隱藏在內心深處的渴望也越來越強，那股報復人類的衝動，也逐漸失控。 A monkey disguised as a human moves to the city. After a stunning success in business, he gains political power and becomes the president. Now he is ready to make a change.

2013 巴西 Anima Mundi 動畫影展最佳動畫短片

卡哥白費工 Castillo y el Almado 派卓哈瑞斯 Pedro HARRES ｜巴西 Brazil ｜ 2014 ｜ 2D ｜ DCP ｜ B&W ｜ 14 min

靠著釣魚維生的青年今天的運氣似乎不太好，出門前爺爺還唱衰他釣不到魚！不服氣的青年決定挑燈夜戰，在沒釣到魚之前絕不回家！沒想到這樣一意孤行，卻引來了深海裡不懷好意的目光。 Castillo divides his time between the carpets he has to carry, his family and a fishing rod at the pier. On a windy night, he faces his own brutality on the line of the fish hook.

2014 威尼斯影展 Horizons 獎競賽｜ 2015 巴西 Anima Mundi 動畫影展最佳動畫短片

TIAF Observatory: Latin Fantasy

Lucia is the 1st short video of the series Lucía, Luis and the Wolf. The video was shot frame by frame with a digital camera. The materials used include charcoal, dirt, flowers, found objects and cardboard.

觀察站：拉丁魔幻 TIAF

厄夜露西亞 Lucia

觀察站：拉丁魔幻 TIAF

333 夜總會 The Master's Voice : Caveirão 吉恩姆馬康德斯 Guilherme MARCONDES ｜法國、美國、巴西 France, USA, Brazil ｜ 2013 ｜ 2D、3D、實拍｜ DCP ｜ Color ｜ 10min

TIAF Observatory: Latin Fantasy

每到凌晨 3 點 33 分，世界將暫時慢下腳步，短短的一秒被無限放大、成為靈體放肆出遊的逢魔時刻。悶了一整天的靈體們，在大街上熱舞高歌，享受短暫的自由歡樂。然而，總是有人試圖攪局，一場不為人所知的你追我跑，就在大街小巷裡走跳上演！ Every night at 3:33 all clocks stop. During what's a fraction of second to mortal eyes there is a second night, a magical one where the spirits of the city come out to play. It's the story of the eternal battle for the soul of São Paulo. 2014 舊金山影展｜ 2014 墨爾本影展

333 夜總會 The Master's Voice : Caveirão

離騷幻覺—汨羅篇 Dragon's Delusion - Departure

觀察站：東方奇幻 TIAF TIAF Observatory: Oriental Fantasy

TIAF 觀察站

東方奇幻 TIAF Observatory

Oriental Fantasy 神異奇幻的華麗寓言與當代迷幻的視覺實驗張晏榕國立臺灣師範大學圖文傳播學系助理教授

如同西方奇幻作品往往從希臘神話、北歐神話等等各區域的民族神話或宗教取材改編，東方的奇幻故事也多半來自於古老的民族傳說或有宗教寓意的故事，然而與西方奇幻故事主要頌揚英雄事蹟不同，東方的奇幻故事時常帶有道德的警世意味。本單元以「東方奇幻」為名，所蒐集的動畫影片或是呈現出東方民族傳統裡奇幻世界的善惡觀，並以繁複華麗的視覺風格挑戰了由西方主導的影像視覺美學，或是在傳統之外，所嘗試的當代奇幻視覺實驗。在這個單元的動畫作品裡，中國的導演們特別愛好在民族傳統與歷史取材，呈現出近年大國崛起後在文化上的自信。導演劉高翔的《通天繩》藉由在街頭表演戲法的主角回憶，述說來自印度的通天繩戲法幻術加上道家關帝廟裡威風凜凜的神祇如何讓心存惡念的盜賊落荒而逃，影片散點透視的平面視覺風格和以黃褐為基調的色彩模擬了宋明時期的長軸寫實風俗畫卷。導演白斌的《獵人與骷髏怪》則是敘事結構類似於「英雄的旅程」的藏民族傳說，是獵人英雄與骷髏怪物的善惡鬥智，影片繁複且具裝飾性的圖像與角色構型，以及鮮豔濃烈的色彩，呈現出介於亞利安印度和漢民族之間的獨特韻味。兩部影片不約而同的以電腦 Cut-out 技術製作，呈現的平面視覺風格迥異於西方的透視寫實傳統。取材於傳統，但不以善惡道德為主題或致敬傳統藝術風

格，香港導演江記、李國威、崔嘉曦的作品《離騷幻覺— 汨羅篇》藉引古代屈原投江的事件，穿越到詭麗奇幻的未來世界，用當代的美形角色與彩度濃烈的色調，呈現電幻夢境般的迷離景象。同樣是以 2D 電腦繪製為主，《識途》的導演鄭午則以唯美的風格，表現出古代戰時婦人們等待良人歸來的悲戚氛圍。撇開厚重的傳統，中國導演鄧強的作品《十八重天》以獨特的 3D 電腦動畫渲染技術，以奇形的動物象徵當代工業系統的機械，呈現出現代工業社會對傳統的破壞和對環境的汙染，及個體在巨大系統中被迫同質化的悲哀。兩部韓國導演的作品則進一步脫離具象與意義，以高度的形式主義呈現意象。導演韓秀斌的作品《游走》是一部以 3D 電腦動畫技術呈現實驗形式，關於不停走路循環的電音奇觀。導演金剛敏的作品《記號》則用電腦 Cut-out 技術，表現關於胎記與遺傳的詭異奇想。最後，在傳統與現代的模糊交界，丹麥導演蘇菲肯馬克的作品《津波》以日本 2011 年強震造成的海嘯災難發想，以精緻的 2D 和 3D 電腦動畫影像述說災害過後，人與海神生物所面對的不同困境。本單元作品從思古幽情，到現代與未來的瑰麗影像，展現東方奇幻境域裡深厚的人文底蘊。

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觀察站：東方奇幻 TIAF TIAF Observatory: Oriental Fantasy

Fantastic Allegories and Contemporary Visual Experiments Dr. CHANG Yen-Jung Assistant Professor, Department of Graphic Arts and Communications, National Taiwan Normal University

As the western fantasy films are often based on the Greek or the Scandinavian mythology or religious tales, their oriental counterparts are mostly inspired by the ancient folklore or religious teachings. However, unlike the western fantasy films that often sing praises to the heroes, the oriental fantasy films tend to convey moral messages. In Oriental Fantasy, these films show the traditional moral values in the oriental cultures and challenge the western aesthetics with complex and splendid visual styles. In this category, the Chinese directors prefer to seek inspiration from traditions and history, showing their self-confidence as China rises to power. Directed by Liu Gao-Xiang, The Psychedelic Rope tells the story of the villain beaten in the Indian rope trick performed before the god in the temple. The multi-point perspective and the brownish yellow hue adopted in the film reproduce the feel of the scrolls made in the Song Dynasty. The Hunter and the Skeleton directed by Bai Bin describes a hero's journey inspired by the Tibetan folklore. The fight between the hero and the skeleton monster is shown in strong colors packed with complicated graphic symbols and character design, and results in a unique style between the Indian and the Han Chinese cultures. Both films are cutout animation and the 2D visual style is different from the traditional western perspective realist drawing. Based on the folklore but free from moral messages or homage to traditional art, Dragon’s Delusion – Departure made by Hong Kong directors Kong Kee, Lee Kwok-

Wai and Tsui Ka-Hei starts with Chinese poet Qu Yuan throwing himself into the Miluo River in the past and leads the audience to the dazzling future world. Using beautiful contemporary character design and saturated color scheme, a dreamy atmosphere is created in the film. Made with 2D computer-generated drawing, director Zheng Wu expresses the sorrowful and sober ambiance in which the women are waiting for their husbands to return from the war in Hundred Miles Red. Discarding the traditions, Chinese director Deng Qiang adopts 3D computer animation techniques in Eighteen Heaven. The strange animals are used as symbols of machines in the modern industry, depicting the pollution and the damage the industry done to the environment and the sadness of losing individuality in the establishment. Two Korean directors present their works in formalism. Just Walking by Subien Han is an experimental film about endless walking figures with electronic music in the background. Jeom by Kangming Kim is a cutout animation fantasy about birthmarks and genetics. Tsunami by Danish director Sofie Nørgaard Kampmark begins with the tsunami in Japan in 2011 and shows the difficulties men and sea creatures face after the disaster in refined computer-generated images in 2D and 3D. From the ancient traditions to the fantastical images set in the present and the future, these films fully demonstrate the richness in the oriental fantasy.

TIAF 觀察站

10.13〈六〉20:30 ST 秀泰 14 廳 10.14〈日〉18:40 ST 秀泰 14 廳 ★

東方奇幻

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TIAF Observatory: Oriental Fantasy

白斌 BAI Bin ｜中國 China ｜ 2012 ｜ 2D、3D ｜ DCP ｜ Color ｜ 26min

While out on an excursion in the mountains, a Tibetan hunter encounters a skeleton demon. Unsure whether the skeleton is friend or foe, the hunter soon becomes the hunted in this surreal landscape. 2012 北京獨立影展評審特別推薦獎｜ 2015 渥太華藏族影展觀眾票選獎

津波 Tsunami 蘇菲肯馬克 Sofie Nørgaard KAMPMARK ｜丹麥 Denmark ｜ 2014 ｜ 2D、3D ｜ DCP ｜ Color ｜ 7min

在海嘯中失去一切的男子獨自在殘骸中生活著，選擇用規律的日常生活掩飾殘破，在午夜夢迴中逃避殘酷的真實。直到有一天在家中遇見海洋精靈，在幫助對方的同時，他也理解到逝者已矣，終於放下一切告別過去。 Haru, in denial after a tsunami, discovers a magical sea spirit. Through it, he realizes the necessity of facing reality and dealing with his loss.

2015 坎城影展電影基金會學生短片競賽

十八重天 Eighteen Heaven 鄧強 DENG Qiang ｜中國 China ｜ 2015 ｜ 3D ｜ DCP ｜ Color ｜ 8min

這裡的一切都是人造的，虛假的幸福、虛假的不幸，就連希望都是謊言。慾望的碰撞，在毀滅的殘骸中重建的新時代，以及那遙不可及的美好境界，是否能經得起時間的考驗？或者這也是一個建立在脆弱基礎上的假象？ In today's world, we witness people's longing and desire, destruction and creation as well as the conflicts and clashes between tradition, culture and industry. Time will be the judge of all the rights and wrongs. 2014 西安國際影像節最佳動畫獎

遊走 Just Walking 韓秀斌 Subien HAN ｜南韓 South Korea ｜ 2018 ｜ 3D ｜ DCP ｜ B&W ｜ 5min

思緒似乎不曾休息，無止盡地運轉，彷彿無數個自己在腦海中奔跑打轉，試圖前往某個未知挑戰。我們在無止盡的情緒與思緒中打轉迷失，有時錯亂，有時挫敗；但在這片混亂中，卻總能找到屬於自己的寂靜與平靜，收拾迷惘，繼續前進。 This is a therapeutic animation about the mind.

2018 安錫動畫影展｜ 2018 巴西 Anima Mundi 動畫影展

TIAF Observatory: Oriental Fantasy

不聽從村中老人勸告、執意在拜佛後隔天入山打獵的獵人，不僅手氣極差、一個獵物都打不到，夜晚更有不請自來的山中怨靈骷髏怪。正當獵人絕望之際，骷髏怪竟主動提議要放他一馬，更提出要成為他的朋友。導演以藏族傳統唐卡繪畫藝術，重新詮釋西藏民間故事。

觀察站：東方奇幻 TIAF

獵人與骷髏怪 The Hunter and the Skeleton

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觀察站：東方奇幻 TIAF

記號 Jeom 金剛敏 Kangming KIM ｜南韓 South Korea ｜ 2017 ｜手繪、沙動畫、剪紙｜ DCP ｜ Color ｜ 4min

一塊黑色的圓點胎記，冥冥中連結起三代父子。這胎記到底是一種烙印、一種傳承、一種束縛，或只是一塊毫無意義的斑點？不管怎麼樣，我們的主角都決定要一勞永逸地擺脫掉它，他用力刷呀刷地，想要解決這長久以來的糾結。

TIAF Observatory: Oriental Fantasy

A father and son both have the same big birthmark on their butt. Believing that the two birthmarks are connected, the son scrubs his father's birthmark to remove it but fails to get rid of it. 2018 日舞影展｜ 2018 渥太華動畫影展競賽

離騷幻覺—汨羅篇 Dragon's Delusion - Departure 江記、李國威、崔嘉曦 KONG Kee, LEE Kwok-Wai, TSUI Ka-Hei ｜香港 Hong Kong ｜ 2017 ｜ 2D、水墨、手繪｜ DCP ｜ Color ｜ 8min

兩千年前，汨羅江邊楚國的祭司屈原，相信只要捨棄靈魂便能不再痛苦；兩千年後，一班神祕列車乘載著失落靈魂的秘密，向著汨羅江緩緩駛去。有著屈原容貌的男子手持車票，懷抱著沒人知曉的期待與預感，踏入車廂。當年屈原以《離騷》傾訴楚國，本片則回應當代香港社會現況。 Two thousand years ago, poet Qu Yuan believed that as long as one was willing to give up his soul, one would not suffer. In contemporary Hong Kong, a man is looking for the secret of lost souls. 2017 舊金山新概念影展｜ 2018 英國福伊爾電影節

識途 Hundred Miles Red 鄭午 ZHENG Wu ｜中國 China ｜ 2017 ｜ 2D、3D ｜ DCP ｜ Color ｜ 7min

婦人點起燈火，目光穿透了濃霧、眺望著虛無，等待良人歸鄉。達達馬蹄聲響，回想良人臨行前的決然與壯烈，戰爭在盔甲與配劍映襯下鋒銳地讓人心碎。馬蹄聲越發清晰，大紅披掛在風中飛揚，婦人已分不清眼前的紅綾究竟是重逢喜氣，或是無情的血光。 Standing quietly behind the city gate, a group of women light the lamps in the mist, waiting for their husbands to come home from the battlefield. Suddenly, the sound of hooves shatter the silence... 2017 斯圖加特動畫影展

通天繩 The Psychedelic Rope 劉高翔 LIU Gao-Xiang ｜中國 China ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 10min

熙攘的大街上，賣藝的少年顯露了一手神奇的弄繩技巧。當他再度踏入那座破舊的古廟，不禁憶起年少時為躲避蒙面人的追殺，在此遇見了神秘的異國老者；煙霧繚繞中，帶有魔力的笛音響起，一條不知從何而來、通往何方的通天繩，將少年與蒙面人一同拉入難以忘懷的狂想裡。 In the bustling street, a young man shows his magic skill in controlling a rope. In a derelict temple, he reminisces about the mysterious old man and the masked killer in an unforgettable performance... 2017 安錫動畫影展｜ 2017 瑞士 Fantoche 動畫影展

好想住在動物園 I Want to Live in the Zoo

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寶貝小宇宙 Baby Universe:

寶貝小宇宙 Baby Universe 彩耀的動畫拼盤——啟動美好的親子時光游珮芸臺東大學兒童文學研究所副教授兼所長

2018 第四屆臺中國際動畫影展，為觀眾們精心準備了 21 部適合親子共賞的短片。有別於在家中觀看的電視動畫，或是電影院放映的商業長片，本次影展的短片來自十多個國家，是蘊含多元文化的彩耀拼盤，無論是製作的技術、美術風格、故事取材等，都具實驗性，打破我們對動畫的概念框架。短片有多短呢？最短的《催淚合唱團》，只有 1 分鐘。但這一分鐘的爆笑力度，讓人終身難忘。最長的《彩虹戰事》有 14 分鐘，以寓言道盡地球上人種之間的歧見與衝突。這兩部短片都以黏土製作；各自發揮了黏土動畫立體與可塑變形的特質。動畫常雋刻出童年的情感與慾望，幾部以孩童為主角的短片如：《好想住在動物園》、《噓！》、《給媽媽的禮物》、《小魚夜未眠》，觀眾可以從中看到自己童年的身影，或任性、或頑皮、或愛幻想。聲音與影像的共舞是短片的靈魂。故事的奇思異想，也因為沒有語言的定著，帶給人更多的想像與詮釋的空間。《春仙子與水精靈》，以水彩渲染的畫面，隨著音樂炫

麗變換，是聲音與影像交融的傑作。其他如《全家不在我家》、《完美桌先生》、《小鎮樂隊的一天》，除了各形其趣的美術風格，畫龍點睛的音效和配樂，是讓畫面鮮活起來的要素。動畫是萬物有靈的世界。幾部動、植物為主角的短片，如《籠籠好夥伴》、《天才小螞蟻》、《嘟嘟鳥找麻吉》、《尋找鳥朋友》，有的描寫友情、有的講述創意，也有的誇大角色或闡釋哲理。其中臺灣製作、客語發音的《小樹歪歪》，表面上是一個善有善報的故事，背後蘊含著老莊思想。人因夢想而偉大。刻劃追尋夢想、不屈不撓的作品如《喬納斯與海》、《追月亮的狼》。而當「夢想」是貪婪發財，又會如何？《船長的許願盒》讓我們見證了一切。這是一部有皮克斯 3D 功力、美式幽默的作品。最後，還有描寫抽象的人際關係如《連髮兄弟》、神秘生命輪迴的《跳躍吧靈魂》、宇宙天體運行的童話《太陽投幣機》，每一部作品都令人低迴深思、每一部作品都令人驚艷。

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寶貝小宇宙 Baby Universe:

A Colorful Animation Palette – Happy Family Time Dr. YU Pei-Yun Associate Professor & Chair The Graduate Institute of Children's Literature, National Taitung University

21 films suitable for family viewing are selected for the 2018 TIAF. Different from the television animation seen at home or the commercial films screened in the cinemas, the short films selected in this category come from more than ten countries and could be described as a colorful multi-cultural palette. Whether it is the production skill, the aesthetic style or the story, these films are experimental in some aspect and often shatter our impression and idea of animation. How short are these short films? At the Opera, the shortest among them, is only one-minute, however, the film is so funny that one will never forget it. The longest in this category is the 14-minute Ethnophobia, which depicts all sorts of bias and conflicts between men in an allegory. Both of the films are plasticine animation which excel in using the unique characters of plasticine and its malleability. Animation often portrays the emotions and longings one has in the childhood. In several films whose protagonists are children such as I Want to Live in a Zoo, Hamlet. Comedy., The Gift and Water Path for a Fish, the audience are bound to catch a glimpse of their younger selves; they might be stubborn, naughty or full of imagination. The duet between sound and image is the soul of a short film. With stories stemming from the wildest imagination and without the restriction imposed by language, a short film leaves the viewers more space for imagination and interpretation. The watercolor

images change in rhythm with the music makes The First Thunder an outstanding work that demonstrates the harmonious combination of sound and image. Other films, including The House, The Table and A Festive Wind, all display their unique and intriguing aesthetic styles as the sound effect and music add a perfect finishing touch to them. In animation, every nature thing in the universe has a soul. A number of films such as In a Cage, Ant, Sabaku and Colorbirds have animals or plants as the protagonists. Amongst them, some describe friendship while some talk about creativity and some even have exaggerated characters or philosophy hidden behind the stories. Slant the Sapling,a Taiwanese animated short spoken in Hakka, tells the story about someone rewarded for his kindness, but underneath the surface lie the philosophies of Laozi and Zhuangzi. We grow great by dreams, hence there are films that show us how people realize their dreams after having overcome all the obstacles. Nonetheless, what if one's dream is driven by greed? Wishing Box, a well-made 3D animation full of American humor, provides an answer to that question. Moreover, there are Link that tackles the abstract relationships, Running Lights that deals with mysterious life cycle and The Theory of Sunset, which is a fairytale of the movement of stars. In this selection, every film not only amazes us with the genius it displays but makes us ponder over various questions in life.

寶貝小宇宙

10.13〈六〉10:00 Kbro 凱擘 10 廳 ★ 10.15〈一〉10:10 Kbro 凱擘 10 廳 ★

史微特哈星球

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Baby Universe: Sweet-Heart Planet

茱莉亞奧克 Julia OCKER ｜德國 Germany ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 4min

忙著備糧的小蟻工們，合作無間的接力就像和諧的協奏曲。可偏偏有隻鬼靈精怪的小螞蟻，覺得一成不變的工作太無聊，總是把搗亂當遊戲，結果搞得秩序大亂、人仰馬翻，蟻工工頭哨聲大作。而小螞蟻的各種奇想，正帶領大家經歷一場前所未有的創意大冒險！

2018 斯圖加特動畫影展最佳兒童動畫短片｜ 2018 魁北克親子影展最佳短片

小樹歪歪 Slant the Sapling 郭浚明 GUO Jun-Ming ｜臺灣 Taiwan ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 5min

森林裡有棵剛冒芽的小樹苗，她的名字叫歪歪，活潑善良的她，立志要和周圍的大樹一樣長得又高又直。正當她努力伸展身軀，為動物朋友們遮蔭避暑，卻漸漸發現自己和那些大樹一點也不同，她不安的詢問好友小松鼠，長得歪歪的我，是不是很奇怪？ In the forest, a sapling named Slant sprouts from the ground. When she grows up, Slant finds that unlike those tall and straight big trees, her body is slanting to one side...

2017 信誼兒童動畫獎評審團特別提及｜ 2018 台灣兒童影展台灣獎

彩虹戰事 Ethnophobia 瓊恩松加 Joan ZHONGA ｜希臘、阿爾巴尼亞 Greece, Albania ｜ 2016 ｜黏土、停格動畫｜ DCP ｜ Color ｜ 14min

地球上住著紅、黃、藍三個顏色的種族，他們經常因為瓜分獵物或因顏色不同，而殘害其他顏色的人，只有在酒酣耳熱時才會忘記彼此顏色不同，醒來後卻又繼續趕盡殺絕。其他顏色的人種因此逃離自成一國，惹得三色國王更加憤怒，一時炮火漫天，滿地汙泥再也分不清彼此顏色。 Survival, clash and symbiosis go side by side; all accompanied by bursts of joy and pain as a result of man's internal need to find and exaggerate differences when similarities are obviously greater. 2017 瑞士 Fantoche 動畫影展觀眾票選獎、最佳兒童動畫獎｜ 2018 里斯本 Monstra 動畫影展觀眾票選獎

好想住在動物園 I Want to Live in the Zoo 葉甫根尼婭高盧比瓦 Evgenia GOLUBEVA ｜俄羅斯 Russia ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 6min

莎夏每天在家裡總是被要求整理房間、吃麥片、做功課，真是無聊斃了！有天她拖著行李，帶著各式各樣的動物外衣，決定要一個人搬到動物園裡住，一起和熊貓、企鵝、大猩猩、長頸鹿等，展開充滿樂趣的新生活！ Sasha struggles at home. Her parents expect her to tidy up her room, eat porridge and do homework. Sasha decides that life in the zoo sounds much more interesting and off she goes!

2018 西雅圖兒童影展｜ 2018 卡地夫動畫影展

Baby Universe: Sweet-Heart Planet

The ants are working together perfectly. But there is one ant, who is doing everything differently.

寶貝小宇宙：史微特哈星球

天才小螞蟻 Ant

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寶貝小宇宙：史微特哈星球

全家不在我家 The House 薇若妮卡查哈諾娃 Veronika ZACHAROVÁ ｜捷克 Czech Republic ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 5min

隨著屋主一家人搬離，空盪盪的屋子失去了「家」的功能。然而小小空屋不甘寂寞，決定循著前屋主們留下的全家福合照，與一張噱頭十足的地產名片，踏上萬里尋親的冒險旅程。沒想到鄉下老屋進城去，卻意外遇上警察來攪局，展開一場亡命追逐。

Baby Universe: Sweet-Heart Planet

The House is a short animated movie from a world that is similar to ours, and yet a little bit different. Everything begins, when the family leaves their tiny house in the suburbs.

2017 芝加哥動畫影展｜ 2017 巴塞隆納兒童影展評審團獎

小鎮樂隊的一天 A Festive Wind 瑪喬蓮佩爾騰 Marjolaine PERRETEN ｜瑞士 Switzerland ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 10min

小鎮的清晨在吱喳的鳥叫聲中甦醒，工作人員馬不停蹄地佈置會場，準備迎接這一天的音樂大賽與慶典。樂手的問候聲、悠揚的暖身樂章、小鳥們的唱和曲調，交織成賽前的練習曲。突然，一聲午後雷鳴，緊張的比賽氣息開始蔓延，究竟冠軍會獎落誰家？ Early in the morning, the workers are busy getting the venue ready for the music competition and the festival. When the thunder strikes in the afternoon, it signals the start of the competition. Who will become the champion? 2017 捷克茲林兒少影展｜ 2017 俄羅斯 KROK 動畫影展

太陽投幣機 The Theory of Sunset 羅曼索柯洛夫 Roman SOKOLOV ｜俄羅斯 Russia ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 9min

在滿天星斗的寒天雪夜中，騎單車的守夜者穿越無盡的森林，叫醒睡眼惺忪的太陽。而他的神聖任務不只如此，還要一路護送太陽，確保今日時程順利行進。沒想到半路竟碰上單車拋錨，大夥兒急得像熱鍋上的螞蟻，眼看就要耽誤產神和死神的行程了。 Late at night, a dedicated cyclist traverses the wintry forest and the challenge is to make sure that this new day gets off to a fresh and timely start.

2018 紐約兒童影展評審團獎｜ 2018 安錫動畫影展

尋找鳥朋友 Colorbirds 奧娜拉克瓦 Oana LACROIX ｜瑞士 Switzerland ｜ 2018 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 7min

亞洲 Asia Premiere 首映

繽紛的森林裡，各種純色羽毛的鳥兒依著自己的色彩，群居在森林的枝頭或石頭上。某天，一隻特別的鳥兒來到這座森林，牠有著獨一無二的彩色羽毛，卻難以融入其他鳥群，格格不入的牠，究竟哪裡才是棲身之所呢？ In a large forest, where single-colored birds live, everyone has found his place in a tree that looks like him. But what happens when a bird has two colors?

2018 安錫動畫影展｜ 2018 巴西 Anima Mundi 動畫影展

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安娜塔西亞梅利克霍瓦 Anastasia MELIKHOVA ｜俄羅斯 Russia ｜ 2017 ｜ 2D ｜ DCP ｜ Color ｜ 5min

魔鏡魔鏡，世界上最美麗的是什麼？冬夜裡的白雪老婆婆這次沒有回春的蘋果，手中的魔鏡也被調皮的雨露精靈偷走，花仙子隨著驟響的第一道春雷翩然降臨，她的雲裳一揮，寒冰化作流水，百花一同齊放。季節更迭如同萬花筒裡的大千鏡像，迷幻而炫麗。

2017 渥太華動畫影展｜ 2018 比利時 Anima 動畫影展

船長的許願盒 Wishing Box 張文麗、李楠 ZHANG Wen-Li, LI Nan ｜美國 USA ｜ 2017 ｜ 3D ｜ DCP ｜ Color ｜ 5min

貪心的海盜船長意外得到神秘寶箱，打開卻發現裡頭空無一物。失落之際，忠心的跟班小猴竟憑空從箱裡抓出一條香蕉，他才發現這是可以滿足任何心願的許願盒！留美中國導演集結來自皮克斯工作室的一流班底，獻上技術與創意兼具的歡樂佳作！ Wishing Box is a short animated film about adventures on the high seas with a silly pirate and his lovable monkey companion. It's an enchanting and fun story with a message about greed and success. 2017 美國金鷹獎最佳學生動畫｜ 2018 多倫多兒童影展

Baby Universe: Sweet-Heart Planet

It is a musical fantasy about the awakening of nature and the character from winter hibernation and about the way out of its own "world" into a world, which is full of beauty and adventures.

寶貝小宇宙：史微特哈星球

春仙子與水精靈 The First Thunder

喬納斯與海 Jonas and the Sea

寶貝小宇宙

10.13〈六〉13:50 ST 秀泰 14 廳 ★ 10.14〈日〉10:20 ST 秀泰 14 廳 ★

麥達令星球

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Baby Universe: My-Darling Planet

尤金法捷耶夫 Eugeniy FADEYEV ｜俄羅斯 Russia ｜ 2016 ｜ 2D、手繪、剪紙｜ DCP ｜ B&W ｜ 5min

一群小蘿蔔頭跟著老師到劇院觀賞《哈姆雷特》，開演前老師千叮萬囑要大家保持安靜、遵守禮儀秩序，但初來乍到的小朋友們個個好奇又好動，舞台上的演員奮力演出經典劇作，坐不住的小鬼們也上演各種令人噴飯的惡作劇，最後竟引發全場騷動！

2017 東京動畫獎｜ 2017 西雅圖兒童影展

催淚合唱團 At The Opera 璜帕布羅查拉梅亞 Juan Pablo ZARAMELLA ｜阿根廷 Argentina ｜ 2010 ｜黏土、停格動畫｜ DCP ｜ Color ｜ 1min

在歌劇院，觀眾忘情地看著台上的演出，眼淚難以自制、潰堤而出。滿溢而出的淚水慢慢匯聚成座下的小水塘、淌過走道的潺潺涓流。這到底是表演太過精彩、讓人難以自制，還是有其他的原因？神奇的歌劇，今晚也再次帶來難忘的演出。 An original and particular moving night at the opera.

2010 安錫動畫影展

完美桌先生 The Table 尤金博索夫 Eugène BOITSOV ｜法國 France ｜ 2016 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 4min

亞洲 Asia Premiere 首映

木匠先生一手絕活，圓規捲尺在手，鋸子錘子左右，操作丈量、敲打琢磨，熟練打造堅實方正的絕世好桌。儘管桌子不必完美也能發揮作用，但專業的職人絕不允許任何一絲微小的凹凸翹起。他會一次次跳進工具海，用盡所有辦法，撫平一切不完美！ A woodworker with a perfectionist streak is obsessed by the idea of creating the perfect object.

2017 安錫動畫影展｜ 2017 斯圖加特動畫影展

給媽媽的禮物 The Gift 席南薩高盧 Sinem SAKAOGLU ｜德國、土耳其 Germany, Turkey ｜ 2017 ｜剪紙、停格動畫｜ DCP ｜ Color ｜ 6min

塔瑞在敘利亞是不為人知的超級英雄，他最大的任務是飛天遁地、為媽媽摘取美麗花朵、撿拾五彩石頭和取得美味點心。如今他來到新環境，玫瑰高踞牆頭，石頭不再繽紛，塔瑞的超能力好像消失了，他該如何為媽媽準備禮物呢？ 6-year-old Tarek is a boy from Aleppo. Back home, he used to be a superhero, but now in a new place, he seems to have lost his power just before his biggest secret mission.

2017 芝加哥兒童影展短片獎｜ 2018 多倫多兒童影展

Baby Universe: My-Darling Planet

Led by their strict teacher, a group of children go to the theater, where the play, Hamlet, is performed. The children are bored and start laughing and vandalizing...

寶貝小宇宙：麥達令星球

噓！ Hamlet. Comedy.

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寶貝小宇宙：麥達令星球

連髮兄弟 Link 羅伯特羅貝爾 Robert LÖBEL ｜德國 Germany ｜ 2017 ｜ 2D、手繪｜ DCP ｜ Color ｜ 8min

兩個頭髮緊密相連的人，卻對世界有著截然不同的欲求和意志，彼此互不相讓，在拉扯、牽絆、收放之間努力抗衡對方，一心想要攀向各自心目中的巔峰；然而共生共繫的髮絲，不僅交纏著彼此的一舉一動，也牽動著彼此的命運。

Baby Universe: My-Darling Planet

Two characters are linked by their hair. They influence each other by every move they make and wherever they go.

2017 富川動畫影展｜ 2017 萊比錫紀錄片暨動畫影展

籠籠好夥伴 In a Cage 路易克布呂耶 Loïc BRUYÈRE ｜法國 France ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 6min

大灰熊被關在籠子裡，鄰居鳥媽媽準備帶著雛鳥一起離開，學不會飛翔的小紅鳥，被留下來和大灰熊相依為命。時序推移，牠們成為最好的朋友，大灰熊為小紅鳥遮風擋雨，小紅鳥教大灰熊引吭高歌。有一天小紅鳥學會飛翔了，牠們的友情會受到什麼考驗呢？ It's the story of an encounter – a caged bear, who can't sing, meets a little bird who, can't fly but sings beautifully. Their friendship will be mutually beneficial, and together they'll overcome their disabilities... 2017 比利時 Anima 動畫影展最佳兒童短片｜ 2017 魁北克親子影展

喬納斯與海 Jonas and the Sea 瑪爾里絲凡德威爾 Marlies VAN DER WEL ｜荷蘭 Netherlands ｜ 2015 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 12min

在大人眼裡，白天的海洋是捕獲魚群的謀生地，夜晚則是吞噬一切的不祥之地，人人畏懼，但在從小生活在岸邊的喬納斯眼中，海洋是魚兒悠遊自在的美麗世界，他夢想潛入海裡與魚兒暢遊同歡，然而眼前困難重重，他能否達成夢想，待在最喜歡的地方呢？ Jonas and the Sea is an animated short film about a man, who casts aside everything in pursuit of his dream. A dream we all share - the quest to find a place we can call home, even if it's underwater. 2015 阿姆斯特丹 KLIK 動畫影展職人獎｜ 2016 多倫多影展最佳兒童短片

跳躍吧靈魂 Running Lights 杰德希雅 Gediminas ŠIAULYS (Ged Sia) ｜立陶宛、印度、芬蘭 Lithuania, India, Finland ｜ 2017 ｜ 3D、停格動畫、複合媒材｜ DCP ｜ Color ｜ 11min

百無聊賴的孩子們搭公車時碰上了一場兔子意外事件，目睹生命驟逝，將小兔子安葬是他們唯一能做的事。當塵土蓋住兔子的身軀，地底間突然發生了騷動，微光聚集、萬物靈動，黑暗大地漸漸有了彩色的光。 This is a story about life and death. A hare's life ends by merging with nature but is reborn in plants and animals. This fairytale for children encourages us to think about the meaning of death. 2017 巴西 Anima Mundi 動畫影展｜ 2017 立陶宛維爾紐斯影展觀眾票選獎

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梅賽德斯瑪蘿 Mercedes MARRO ｜西班牙、哥倫比亞、法國 Spain, Colombia, France ｜ 2016 ｜ 2D ｜ DCP ｜ Color ｜ 8min

在貧窮的小鎮與停水的夏夜裡，突然一陣風吹醒了小男孩，他看到窗外有隻擱淺的小金魚，奮力跳躍掙扎著。正當他苦惱沒有乾淨的水救金魚時，鎮上的供水來了，但貓兒在一旁覬覦卻讓金魚不得不在水桶間逃亡，這條驚險的求生水路，能不能讓小金魚順利脫困？

2017 信誼兒童動畫獎國際組首獎｜ 2017 紐約兒童影展

嘟嘟鳥找麻吉 Sabaku 瑪爾里絲凡德威爾 Marlies VAN DER WEL ｜荷蘭 Netherlands ｜ 2016 ｜ 2D、剪紙｜ DCP ｜ Color ｜ 2min

大嘴鳥最喜歡與好朋友水牛先生一起旅行，沒想到有一天水牛先生突然過世，悲傷的大嘴鳥只好重新尋找旅伴，可是牠的嗓門太大聲，一開口就驚擾羊群、嚇壞烏鴉，還差點摧毀企鵝的家園，究竟適合大嘴鳥的好旅伴在哪裡呢？ When Sabaku's best friend Buffalo passes away, he needs to find himself a new friend. He tries connecting with different species but soon finds it hard. Nevertheless, he is determined to overcome all the difficulties. 2017 捷克茲林兒少影展｜ 2017 墨爾本動畫影展

追月亮的狼 Moonwolves 尼梅尤瑟夫 Nima YOUSEFI ｜瑞典 Sweden ｜ 2016 ｜ 2D、3D ｜ DCP ｜ Color ｜ 12min

滿天星斗化為飛舞的螢火蟲，引領小狼發現森林裡的蠟燭、燈泡和圓盤，而最吸引牠們的，是天上那大又圓的月亮，散發著美麗飽滿的光芒。小狼試著爬上高塔、盪鞦韆高飛，都無法觸及月亮，不過沒有任何挫折能阻撓牠們，因為追尋夢想是一場無止盡的美好旅程。 The Moonwolves live in a magical forest. They love the moon so much that they decide that they can't just sit and stare at it anymore. Therefore, they decide to go to the moon! 2016 奧林亞影展｜ 2016 紐約兒童影展

Baby Universe: My-Darling Planet

Oscar is sleeping in his room when a wind wakes him up. From his window he sees a little goldfish jumping in a dirty puddle! Oscar tries to save the goldfish but has no water...

寶貝小宇宙：麥達令星球

小魚夜未眠 Water Path for a Fish

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蘆吮 Asparagus

特別企劃：經典慾望

特別企劃

經典慾望 Special Program

Special Program: Desire, Sexuality & Animation

Desire, Sexuality & Animation 慾望、性、動畫珍琵琳臺中國際動畫影展客座策展人、臺北藝術大學動畫學系客座教授譯者張晏榕

珍琵琳 Jayne PILLING

本單元影片各自為了探索慾望的本質而展現不同風格、技術與手法。這裡所謂「慾望」並不侷限於性慾，而是更宏大的人性中想與他人連結的動驅力。動畫時常被認為比實拍影片享有更大的自由和空間讓想像奔馳，甚至不須言語對話。然而超越語言的屏障，引發的無意識感受卻是難以名狀且不合理的，如同這個單元作品裡所表現的慾望與幻想。於是，在探索與表現心智的狀態與無意識的運作下的性與慾望，動畫能夠有獨特的呈現方式，不必被描繪現實所侷限，也不須遵守敘事的傳統，動畫短片運用無拘無束的想像、視覺象徵、變形、聲音的創意來表現這些無法言喻的經驗。

久的影響力甚至可見於近年的電視影集《西方極樂園》。克雷格沃爾奇的超現實主義作品《慾望羽翼》則呈現了男性氣概的危機，以冷酷的哥德式視覺風格的破碎樣貌呈現。故事中男主角孤獨的住在廣闊莊園華廈，夢想著建構長著翅膀的人類形式，他滿足於運用科學技術剖析並製作的精緻骨骼小模型，可以由自己獨立操作，由於自知無法控制門外的世界，又困惑於自己的慾望，主角建構了自己的牢籠。直到一位女性進入了他的莊園，一切開始改變，動畫影片將女性角色以寫實的相片呈現，她的肉體出現擾亂了原先精準而細緻的男主角科學世界，形式上寫實的圖像也同時顛覆原本設定的視覺風格。

動畫短片容許故事的非線性，甚至不合理，如同人類的慾望，甚少是合理的。從歷史觀點來看，西方女性主義在 1970 到 1980 年代興起與散播，提供許多女性動畫導演以影片創作展現自己的機會，他們所創作的作品時常挑戰女性的刻板印象，然不只於此，她們更開啟和擴展了創作題材的疆域，大大超越了所謂的「女性」議題。

性傾向和性別認同的議題，如異性戀、同性戀、變性者，甚至是拒絕社會二元性別區分的狀態，都進入動畫短片的主題。幸次郎的作品《赤裸青春》使用日本動漫風格類型表現青少年對性的焦慮，劇中主角一再狂熱的捕捉眼神的交會，直到結局才流露出真正的情感。喬瑟夫曼的停格動畫《海灘不寂寞》則以歡樂的氣氛描繪在陽光沙灘上的小男孩，目睹周遭成人們沉浸於各類色情的調戲後，用自己的方式創造伴侶。

蘇珊彼特的《蘆吮》被稱為「迷人的如火山爆發般的色彩的性心理能量」，是一部女性主義影片也是獨立製片動畫的里程碑。以現今眼光看來仍極具震撼與挑逗的能量，她企圖創造「一種在創意過程產生情色寓言的視覺詩篇」希望影片「反射出大眾的白日夢」。艾莉森斯諾登的《充氣伴侶》以較為傳統的卡通風格和幽默來說故事，帶些許顛覆意味的設定，道出愛慾的失落和期待的「消氣」。故事中獨居的主角老太太郵購了一個充氣伴侶，劇情呈現出的幽默帶有苦澀的甜蜜，在這樣強烈而特異的情境裡，她的寂寞心情令人難忘。 1990 年代中期有幾位男性動畫導演的作品以新穎的方式探索愛慾主題，安德里安海卡德的作品解構男性氣概，以戲劇化的方式表現角色如何在符合社會觀點「當個真正男人」壓力下，內化於心理層面，影響行為和情緒。在《彈孔硬幣》中，兩個牛仔白天在岩石的陰涼處歇息，夜晚進入了愛慾的市集，探索大男人主義的態度充滿矛盾與爭議，被認為歧視女性，甚至引發女性主義者的憤怒，然而這部以美國西部荒野作為影像標誌的作品，持

在「真實世界」，慾望的經驗總是伴隨著自我的肉體，所以我們可能會好奇：動畫如何在二次元的平面表現這種真實的肉慾呢？在蓋爾比舒的作品《甜蜜誘惑》中，長著貓耳的女主角跟隨著一隻流浪狗離開她生長的地方和同類夥伴，愛上了一個喜歡烹飪的馬，影像連結了美食與淫慾，基於對肉體的貪婪，食物作為愛慾的誘餌，動畫中柔美的曲線和多彩的視覺拼盤讓愛慾清晰可見。以同樣風格化，但更多元的視覺意象，埃莉卡羅素的奧斯卡提名作《三人舞》則以誘人的舞蹈編排表現愛慾的三角習題，藝術風格表現從傳統的寫實素描繪畫到完全的抽象圖案，技術上使用了筆刷、噴槍和手繪線條。這部動畫影片的獨特之處也在音樂的製作，並非在影片製作之前或完成後配樂，而是在製作過程中透過不斷交流討論，由音樂創作者即興演出，產生了影片中強而有力的非洲音樂。

文中所討論影片及其他影片，都包含在珍琵琳著作《Animating the Unconscious: Desire, Sexuality and Animation》

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Desire, Sexuality and Animation

This programme presents films which, however different in style, technique, and approach, interconnect via their explorations of the nature of desire. 'Desire' not only as sexual desire, but also as a human drive for connection with another.

Animation can thus make a unique contribution to the exploration and expression of states of mind, the workings of the unconscious, sexuality and desire. Unrestricted by the dictates of photographic realism and narrative convention, animated shorts can make such experience palpable via unfettered imagination, visual metaphor, metamorphosis and highly creative use of sound. The short format also allows for narratives that are neither linear, nor rational - just as desire is rarely rational. Historically, the rise and spread of feminism in the West offered women animators opportunities in the 1970s/80s to emerge in greater numbers as filmmakers in their own right. Yet whilst often challenging stereotypical depictions of women, perhaps more importantly, women animators also opened up new terrain in terms of the scope of subject-matter in animation (and in so doing, went far beyond what might be seen as 'women's issues'). Susan Pitt's Asparagus, described as 'a mesmerising... volcanic eruption of color and psychosexual energy', was a landmark in both feminist filmmaking and independent animation generally, and it still retains its power to shock and provoke. Aiming to create "a visual poem that is an erotic allegory of the creative process", the filmmaker wanted the film "to mirror the way we daydream". Alison Snowden's Second Class Mail uses a more traditional approach – cartoony and humorous – but to subtly subversive effect, in its story of disappointed desires and literally deflated expectations, when a little old lady shops by post for an inflatable partner. The humour is bitter-sweet, however, since it is the poignancy of the situation, of her loneliness, that lingers in the memory. The mid-90s saw the emergence of a number of male directors whose films also explored desire in new ways. Andreas Hykade's deconstructions of masculinity dramatise how social pressures to conform with ideas of what it is 'to be a man' are psychologically

Described as 'an icy gothic sliver of masculinity in crisis' Craig Welch's surrealistic How Wings are Attached to the Backs of Angels features a lonely man in an empty mansion, building skeleton models and dreaming of making wings for the human form. His intricate gadgets manipulate yet insulate, as his science dissects and reduces. Unable to control the world beyond his doors, and confused by his own desires, the protagonist constructs his own prison. When a woman drifts into his house, everything changes. The predominant style has all the precision and detail of a scientific diagramme, but is deliberately 'disturbed' by the use of the photographically real, fleshly attributes of its female character. Gender and sexual identity issues - heterosexual, gay, trans-gendered and the non-binary - also began to be addressed in animated shorts. Kojiro Shishido's Naked Youth employs the style and tropes of Japanese anime to convey a teenager's mounting sexual tension, via obsessive recollections of a series of glances exchanged, until the final scene when he literally lays bare his feelings. In much more playful mode, Joseph Mann's stop-motion Sandy portrays a child on the beach on a sunny day: surrounded by adults engaged in a range of erotic foreplay, the child seeks to create his own companion/partner. In 'real-life', desire is always experienced within and through the corporeal self, so one might ask: how is it possible to convey real sensuality when that corporeality is rendered two-dimensional through animation? Gael Brisou's Sweet features a young feline, attracted by a little stray dog, who leaves her native Eden and falls in love with a horse that loves to cook. The film draws on the connections between food and sensuality, the appetites of the flesh, food as a bait for love, its sinuous animation and gorgeous visual palette making desire palpable. Equally stylised, yet more varied in visual design, is Erica Russell's Oscar-nominated film Triangle, which choreographs the dance of seduction in a love triangle, with artwork styles ranging from classical drawing to pure abstraction, via paint brushstrokes, air-brush and the drawn line. The film's impact also derives from its powerful African music soundtrack, created by a continual process of inter-action between filmmaker and improvising musicians, rather than being composed before or after the completed film.

Note: Some of these films, along with many others, are discussed in the author's book 'Animating the Unconscious: Desire, Sexuality and Animation.'

Special Program: Desire, Sexuality & Animation

It is often said that animation can take far greater liberties with its subject matter than live-action, offering, quite literally, a blank page on which to draw forth an imaginative vision, often without needing words. Transcending the barriers of language can also give voice to those unconscious feelings which can be hard to articulate or rationalise, i.e. to desire and fantasy.

internalised, affecting both behaviour and emotions. In Ring of Fire two cowboys spend their days in the cool shade of a rock but by night they make their way to the bazaar of sexual desire. This controversial exploration of macho attitudes, attacked by some for misogyny, and provoking hate mail from outraged feminists, uses the iconic imagery of the American Wild West, whose enduring potency can be seen in the recent TV series 'Westworld ').

特別企劃：經典慾望

Jayne PILLING Guest Curator of TIAF Professor, Department of Animation, Taipei National University of Arts

114

特別企劃

10.12〈五〉12:00 ST 秀泰 15 廳 ★ 10.13〈六〉18:40 ST 秀泰 15 廳 ★

經典慾望 Special Program: Desire, Sexuality & Animation

特別企劃：經典慾望

充氣伴侶 Second Class Mail 艾莉森斯諾登 Alison SNOWDEN ｜英國 UK ｜ 1984 ｜手繪｜ DCP ｜ Color ｜ 4min

Special Program: Desire, Sexuality & Animation

一位寂寞的老婦人，每日都過著單調平凡的生活。某天透過郵購，收到了一個咖啡色的神秘包裹，裡面裝著一尊充氣人偶。而奇妙的「他」竟開始改變了她平靜的一天。簡單的情節，透過手繪獨有的溫暖質感，將老年人渴望陪伴的心情化為可愛的故事。 Second Class Mail is an Oscar-nominated film about a woman who shops by post.

1985 奧斯卡最佳動畫短片獎提名｜ 1985 安錫動畫影展

蘆吮 Asparagus 蘇珊彼特 Suzan PITT ｜美國 USA ｜ 1979 ｜ 2D、手繪｜ DCP ｜ Color ｜ 18min

不曾露面的女主角帶著我們一同進入她猶如白日夢的意識思想，承襲自榮格對影像的敘述，蘆筍化身為情慾的象徵，在超現實的異想世界中流動。看似充滿純真無邪的畫面，其實都滿溢著人心深處的野獸本能，張牙舞爪著、試圖從意識的侷限中掙脫。 The unseen heroine leads us into her consciousness. Based on Carl Jung's description of image, different symbols are hidden behind each frame as everything doesn't seem as simple as it appears. 1979 巴爾的摩影展首獎｜ 1979 亞特蘭大獨立影展首獎

慾望羽翼 How Wings are Attached to the Backs of Angels 克雷格沃爾奇 Craig WELCH ｜加拿大 Canada ｜ 1996 ｜ 2D ｜ DCP ｜ B&W ｜ 11min

在一個完全由機械組成、缺乏情感與活力的世界裡，一位因內心虛無而感到恐懼的男子，試圖用自己的方式尋求救贖。在他無止盡的幻覺中，現實與虛無的界線漸漸消滅，只剩下男子心中的執念與恐懼長存。 In this surreal exposition, we meet a man obsessed with control. His intricate gadgets manipulate yet insulate, as his science dissects and reduces. How exactly are wings attached to the back of angels? 1998 薩格勒布動畫影展設計特別提及｜ 1998 廣島動畫影展特別獎

海灘不寂寞 Sandy 喬瑟夫曼 Joseph MANN ｜英國 UK ｜ 2013 ｜ 3D、停格動畫｜ DCP ｜ Color ｜ 3min

亞洲 Asia Premiere 首映

夏日海灘擠滿了成雙成對的情侶，享受陽光與旁若無人的親暱愛撫，曖昧氣息一點也不輸艷陽的熱辣。小男孩巧手堆出凹凸有致的沙美人，與她進行各種親密接觸，細膩的偶動畫配上導演詼諧的巧思，火辣勾勒這天真逗趣的慾望奇想。 Sandy's seaside world was brought to life entirely through the art of stop-frame animation. It took 8 months of work, a lot of sand and hours of molding to create the film.

115

宍戸幸次郎 Kojiro SHISHIDO ｜日本 Japan ｜ 2007 ｜ 2D、3D、手繪｜ DCP ｜ Color ｜ 10min

They meet by accident in the shower room. In the boxing ring, the boxers fight each other. Standing among the audience, the teenage boy watches the boxer in amorous admiration. 2007 安錫動畫影展

甜蜜誘惑 Sweet 蓋爾比舒 Gaël BRISOU ｜法國 France ｜ 2005 ｜ 2D、手繪｜ DCP ｜ Color ｜ 5min

叢林中被野狗分了心的貓女，離開了她熟悉舒適的伊甸園，途中被陌生的聲音吸引，她走進謎樣的空間並愛上了馬廚師。這部色彩華麗又充滿誘惑香氣的短片，就像是令人難以拒絕的異國風味水果。 Attracted by a little wild dog, a young feline leaves her native Eden and falls in love with a cook horse.

2005 安錫動畫影展｜ 2005 巴西 Anima Mundi 動畫影展

彈孔硬幣 Ring of Fire 安德里安海卡德 Andreas HYKADE ｜德國 Germany ｜ 2000 ｜ 2D、3D、手繪｜ DCP ｜ B&W ｜ 16min

兩個牛仔在白天烈日高漲時，窩藏在各種沙漠奇岩的陰影下飲酒作樂，到了晚上則前往鎮上尋求慾望的紓解。小鎮臥虎藏龍，越是深入就遇到越多迷人又危險的事物，漸漸地他們才發覺自己完全迷失其中，而他們的人生也從此完全改變。 Two young cowboys make their way to the bazaar of sexual desire and get dragged in further and further. By the time they manage to leave, they find that their lives have been changed forever. 2000 斯圖加特動畫影展｜ 2000 渥太華動畫影展首獎

三人舞 Triangle 埃莉卡羅素 Erica RUSSELL ｜英國 UK ｜ 1995 ｜手繪、複合媒材｜ DCP ｜ Color ｜ 9min

透過肢體與音樂的張力，不需要言語也能感受到三名角色之間的愛戀拉扯，以及對彼此身心帶來的衝擊。逐漸加速的配樂，升溫的情感，越發扭曲而衝擊的肢體伸展，名為「愛情」的漩渦，將身處其中的每個人吞噬，身不由己。 A music and dance choreography exploring the dynamic of a love triangle. Through motion, music and color, three figures impact on one another, creating abstract interpretations of complex body language. 1995 奧斯卡最佳動畫短片提名

Special Program: Desire, Sexuality & Animation

兩位少年在淋浴間偶遇，激起夏天的許多剎那。體育館裡，拳擊隊男子的身軀近身交會，擂臺上下，少年看著他的眼神是愛慕、是曖昧。淋浴間裡熱氣蒸騰，一幕幕動情時分挑動心弦。導演以手繪搭配電腦繪圖，勾勒逼真豔陽風情，道出一則則仲夏情迷。

特別企劃：經典慾望

赤裸青春 Naked Youth

10 15

INTERNATIONAL ANIMATION FILM

FESTIVAL AND MARKET

ANNECY

JUNE 2019

www.annecy.org

annecyfestival

CALL FOR ENTRIES

TOKYO is the HUB of CONTEMPORARY

ANIMATION

C A L L DE A DLI N E

F O R

E N T R I E S ! !

SHORT:2018.10.31 FEATURE:2018.11.10 http://animefestival.jp/en/

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特別感謝 Special Thanks

丁祈方

王丹荷

王登鈺

王綺穗

史可欣

任惠璇

江佩凌

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潘盈潔

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鄭舜文

戴芃儀

謝佳錦

謝桓縉

簡子婷

藍祖蔚

蘇育民

蘇詠智打里摺建築藝術有限公司法國在台協會英國文化協會國立臺灣藝術大學富邦文教基金會萬事達廣告 Norwegian Film Institute Swedish Film Institute

財團法人臺中市影視發展基金會－臺中國際動畫影展執行團隊 Taichung International Animation Festival Office, Taichung Film Development Foundation 諮詢委員

Committee Board

王雅倫 WANG Ya-Lun ｜宋欣穎 SUNG Hsin-Yin ｜孫松榮 SING Song-Yong ｜康進和 KUNG Gen-Ho ｜張杏如 CHANG Sing-Ju ｜曹文傑 TSAO Wen-Chieh ｜陳怡菁 CHEN Yi-Ching ｜陳斌全 CHEN Pin-Chuan ｜黃文浩 HUANG Wen-Hao ｜黃茂昌 Patrick Mao HUANG ｜蘇微希 SU Wei-Hsi 節目組節目總監客座策展人節目統籌國際聯絡國際聯絡競賽專員提案獎專員放映統籌接待統籌節目助理節目助理節目助理

Program Program Director Guest Curator Program Manager Program Coordinator Program Coordinator Competition Coordinator Pitching Award Coordinator Screening Manager Hospitality Coordinator Program Assistant Program Assistant Program Assistant

石昌杰 C. Jay SHIH 珍琵琳 Jayne PILLING 黃聖閎 Alexandre HUANG 陳曼嘉 CHEN Man-Chia 王正穎 WANG Cheng-Ying 吳斐琳 WU Fei-Lin 曾文郁 TSENG Wen-Yu 賴欣儀 Fay, Hsin-I LAI 馬巧音 Veronica MA 朱怡蓁 CHU Yi-Chen 林昱伶 LIN Yu-Ling 許宜琦 HSU Yi-Chi

活動組活動統籌活動專員活動專員活動助理戲院統籌

Event Event Manager Event Coordinator Event Coordinator Event Assistant Theatre Coordinator

游雅鈞 YOU Ya-Chun 吳逢萱 WU Feng-Hsuan 陳欣佑 CHEN Shin-Yo 邱小惠 CIOU Siao-Huei 褚俊杰 CHU Jun-Jie

媒宣行銷組 Marketing Communications Press Manager 媒宣統籌 Marketing Coordinator 行銷專員

羅令杰 LO Ling-Chieh 莊庭瑜 CHUANG Ting-Yu

行政組行政統籌行政專員行政助理

Administration Administrative Coordinator Administrative Coordinator Administrative Assistant

劉姿青 LIU Tzu-Ching 吳貞慧 WU Chen-Hui 陳妤芳 CHEN Yu-Fang

刊物編輯文字編輯英文編輯美術設計美術設計

Editorial Team Executive Editor English Editor Art Design Art Design

蔡瑞伶 Stella TSAI 何美瑜 Isabella HO 陳安如 CHEN An-Ju 曾德瀚 Austin TZENG

財團法人臺中市影視發展基金會 Taichung Film Development Foundation 董事長執行長副執行長

President Director Deputy Director

林佳龍 LIN Chia-Lung 林盈志 LIN Ying-Chih 吳蓓琳 Beline WU

推廣組組長組員組員組員組員

Cinema Promotion Division Head Program Officer Program Officer Program Officer Program Officer

黃聖閎 Alexandre HUANG 曾文郁 TSENG Wen-Yu 劉姿青 LIU Tzu-Ching 王正穎 WANG Cheng-Ying 陳曼嘉 CHEN Man-Chia

協拍組組長組員組員組員

Production Support Division Head Coordinator Coordinator Coordinator

游雅鈞 YOU Ya-Chun 吳翔傑 WU Hsiang-Chieh 黃瑾佩 HUANG Chin-Pei 王靖儀 Mifen WANG

管理組組長組員組員組員

Management Division Head Coordinator Coordinator Coordinator

Legal Advisor 法律顧問典範法律事務所張桂真 CHANG Kui-Chen

簡嘉瑱 CHIEN Chia-Chen 許馨元 HSU Hsin-Yuan 賴柏欣 LAI Bo-Shin 張文珊 CHANG Wen-Shan

手冊撰稿 Contributors 王綺穗、朱孟瑾、林佳蕙、林昱、洪健倫、徐硯怡、陳永融、黃博鉞、黃瑋儒、劉佳倩、謝璇、蘇逸華字幕翻譯 Subtitling Translation 吳奕倫、吳貞儀、李金寶、林師祺、徐硯怡、馮英鳳、黃瓊慧、董承平、雍志中、鍾展文手冊印刷 Printed by 晶華彩色印刷有限公司主視覺插畫 Main Visual Illustration 角斯 Chiaos 網站製作 Webpage Design 瓜口瓜設計工作室 Quack Website 形象廣告 Promotional Animated Film 導演 Director ｜詹凱勳 Eden CHAN 動畫師 Animator ｜詹凱勛 Eden CHAN、陳威元 CHEN Wei-Yuan、林維玟 LIN Wei-Wen、楊凱婷 YANG Kai-Ting、莊敦凱 CHUANG Tun-Kai 音樂與聲音設計｜ Music & Sound Design 王文星 WANG Wen-Hsing 片花預告 Teaser 發記影像設計 OZ Design 活動側拍 Photographer 昶旭影像設計工作室 S.H.B. Studio

臺中市政府 Taichung City Government

市長

Mayor

林佳龍 LIN Chia-Lung

新聞局局長副局長主任秘書專門委員專門委員

Information Bureau Director-General Deputy Director-General Chief Secretary Assistant Director-General Assistant Director-General

卓冠廷 CHO Kuan-Ting 呂美莉 LU Mei-Li 林尚賢 LIN Shang-Hsien 陳瑜 CHEN Yu 陳文信 CHEN Wen-Hsin

影視發展科科長股長科員

Film Development Division Chief Head Officer

劉仲偉 LIU Chung-Wei 林依融 LIN Yi-Jung 陳采欣 CHEN Tsai-Hsin

行銷企劃科科長股長股長

Marketing and Planning Division Chief Head Head

林碧芬 LIN Pi-Fen 吳蕙芬 WU Hui-Fen 何世煌 HO Shih-Huang

會計室主任 Chief of Accounting Office

陳淑媛 CHEN Shu-Yuan

影展完整資訊請洽官網購票請洽

指導單位

主辦單位

影視及流行音樂產業局