TIANSU WANG Tel: 314-203-8496 E-mail: tiansuwang@wustl.edu Washington University in St. Louis: Master of Architecture Shenyang Architecture University: Urban design & Planning
CONTENTS
DISAPPEARING STADIUM SHARING STADIUM FOR PUBLIC
MIRAGE IN THE HIDDEN CORNER GHOST SANCTUARY
RHIZOGENESIS AND GROWTH MUSEUM RECONSTITUTION
SAME ELEMENT DESIGN CURLED WALL CABINET OF EXHIBITION
CURLY AND CANTILEVER DUPLEX HOUSE DESIGN
MYSTERIOUS LIGHT AND FUSION ART MUSEUM OF COLUMBUS
ABOVE AND BEYOND MUSEUM OF RED BEACH WETLAND
OTHER WORKS
HAND MODELS&ART WORKS&ABS WORKSHOP
DISAPPEARING STADIUM SHARING STADIUM FOR PUBLIC LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
St. Louis, Missouri, United States 2020 Chandler Ahrens
This project is a Sports Complex with a Basketball Stadium in North St. Louis as a way of studying the ablation of large scape architecture. With the continuous change of human's understanding of art and the pursuit of architecture, the development of architectural forms has become more and more diversified, and the building with ablation is an important trend. This trend has reasons for criticizing the aesthetic changes of vision-centric theory, the importance of humanistic expressions, the reasons for calling for the coordinated development and harmony. coexistence of architecture and the site environment.
2 miles 35 minutes 1.75 miles 30 minutes 1.5 miles 25 minutes 1.25 miles 20 minutes 1 miles 15 minutes
0.75 miles 10 minutes 0.5 miles 5 minutes
GYMNASTICS
BASKETBALL
JOGGING
BICYCLE
SKATING
FITNESS
TREADMILL
SOCCER
LEAGUE BODYBUILDING
SITE INFORMATION
The site of the entire building is in the north of St. Louis. North St. Louis has high rates of obesity and fewer medical resources than other areas. The design combines local issues and aims to design a stadium that is open to the public. The gymnasium contains various functions, including football, basketball, fitness, and some commercial parts. The roof of the building itself serves as a sports park, attracting more people to exercise here. And the basketball arena is a city-level stadium, not individual, but all high schools and universities can be rented by time. Holding the league can increase the flow of people to the whole stadium and attract more people to play sports here and have a healthier body.
It can be seen that the vast building volume has been hidden under the landscape. The building is not elevated above the surrounding buildings so that the enormous building volume is not obtrusive.
B
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MASTER PLAN
Because of people's dissatisfaction with the strong posture of architecture. As a result, I attempted to seek a dialogue between architecture and architecture, nature, and the city. They tried to let the architecture melts into the site, natural, and urban environment with a humble and friendly appearance, and prevent the expansion of the visibility of modern architecture. As can be seen from the figure, the whole building is effectively hidden under the landscape. And the roof space is effectively used to design the pedestrian path. Throughout the area, there are various sports venues and facilities that could become a future sports gathering place for St. Louis.
BUILD ORDER 2 Dimensional
LANDSCAPE
3 Dimensional
ARCHITECTURE
INTERWAVING OF ARCHITECTURE AND LANDSCAPE
Based on following the established order, the massive building volume is hidden by reshaping the terrain, and the different functions are connected by interspersing. HIDDEN
LANDSCAPE
STADIUM
DISAPPEARING STADIUM
SITE ANALYSIS
EXPLODED ANALYSIS
FUNCTIONS & STRUCTURE& MEP
Walking Road
Roof space
Roof structure
Running Track Soccer Field
Commercial Space Second Floor Structure
Basketball Stadium
Fitness Center Gateway
First Floor Structure
Parking Space
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1.Dinning Hall 2.Kitchen 3.Storage 4.Mechanical Room 5.Exhibition 6.Running Track 7.Soccer Field 8.Shop 9.Bath Room 10.Locker Room
Second Floor Plan
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40 20
160ft 80
1 1
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2 4 3
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1.Office 2.Meeting Room 3.Service Room 4.Mechanical Room 5.Media Room 6.Storage 7.Locker Room
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First Floor Plan
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1 5 3
4 6 4 6
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1.Locker Room 2.Bath Room 3.Team Fitness 4.Team Changeroom 5.Media Room 6.Storage 7.Mechanical Room Underground 0
40 20
Floor Plan 160ft
80
A-A Section Perspective
The section perspective clearly shows how the V-shaped structure supports the outdoor corridors and the building. Walking on the basketball court's left side, y it has a good line of sight with the square, effectively blurring the boundary b visit
long-span roof and clearly shows the relationship between the two and a half you have the perfect view of exploring the different activities on both sides. And between indoor and outdoor. Let tourists feel the fun of sports in the process of ting.
A semi-outdoor corridor with views of both the basketball court and the football field. People walk through this semi-outdoor corridor during jogging activities. At the same time, let the indoor people see the outdoor activities of people flickering in view.
The central square can host many activities, such as impromptu performances, singing performances, reading books, walking, etc. The sizeable sunken plaza is reached by a staircase and two ramps which creating a natural gathering effect. It can draw people into the stadium.
The opening space is used to evacuate the audience. Large V-trusses were used to support the long-span roof. The double-height space increases the visual connection between the entrance and the second floor. There will be different activities on the left and right sides of the view, which add interest in walking through the building.
B-B Section Perspective
The bridge connects different exits and provides an excellent grandstand for p or competition. Two and a half outdoor corridors can be seen inside, allowing v football fields on the left and right sides. Walking here, you can feel different according to the structure's order, adding light to the b
people. In the process of walking, one can observe the movement of the crowd visitors to see the interior as they walk outside.There are basketball courts and t games at the same time. Skylights and semi-outdoor corridors are designed building. And blur the lines between inside and outside.
While people enjoy the food, they can also notice the characters' activities on the runway and the central square. Semi-outdoor corridors also appear in view. Those who walked through the halls could see the people eating and the activities in the square. The whole area is very harmonious.
The opening double-height entrance reflects the sense of the scale of the building. The staircase at the entrance serves as a diversion, and the information desk is adequate space for information collection and distribution. Transparent glass blurs the interior and exterior spaces, enhancing the interaction between the interior and exterior.
The bridge connects different exits and provides an excellent grandstand for people. In the process of walking, one can observe the movement of the crowd or competition. Two and a half outdoor corridors can be seen inside, allowing visitors to see the interior as they walk outside.
There are basketball courts and football fields on the left and right sides. Walking here, you can feel different games at the same time. In the open space, you can enjoy snacks from the restaurant bar. Engage in the current movement whenever and wherever possible.
MIRAGE IN THE HIDDEN CORNER GHOST SANCTUARY DESIGN
LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
Huludao, Liaoning, China 2019 Jonathan Stitelman
The design of the sanctuary is all about finding the most comfortable, protected, and memorable scenes. Let some residents, even those without legal status, be granted temporary asylum. One of my most comfortable memories is of my grandmother's backyard, so many years ago. Although things have changed now, that familiar feeling still comes up frequently. Design a shelter for refugees based in grandma's backyard. I hope they can feel the same comfort, I think.It will serve as a temporary stop for the refugees.
Location: China, Liaoning, Huludao 40.875°N // 120.625°E Temperate Climate Zone June Sunlight - 15 hours, 55minutes December Sunlight - 10 hours, 05 minutes June Rainfall - 82.2” February Rainfall - 2.8”
The dream begins....... GRANDMOTHER'S COURTYARD Description: .This is a long and narrow space, next to my grandmother’s house, is the secret spcae of me and my brother. We have explored together and overcome the fear together. At that carefree age, there are many precious memories of us. Nature of Absence: When I was fifteen, this residential area was converted into a gas station. I even didn’t have time to go back to see my secret base. As I grow up, I become more mature. I always feel comfortable with this kind of enveloping space, and keep the initial curiosity about the unknown. And still believe when you overcome difficulties you will have good endings.
DREAM ISLAND SITE
This is a scene from memory. Next to my grandmother's house is a boiler room with a tall chimney and a small coal mountain. There are tall trees and a protective wall of red bricks. We often play inside and outside the wall. Climbing this wall is another novel, unknown and interesting world.
To ensure the continuity of the previous narrow and long space, a relatively closed trapezoidal plot was selected.
Choose the same height as the surrounding environment to form a huge and hidden volume.
From the low-level to the multi-level, it presents a diminishing gap, extending the meaning of standing high.
The material is similar to that of the surroundings, which acts as a camouflage. And the use of glass bricks increases the drama of the building.
CAMOUFLAGE STRATEGY
UNFOLD FACADES
The mixed arrangement of red bricks and glass bricks successfully hides the refuge in residential buildings.
TRADITIONAL
SOUTH VISION
EAST VISION
NORTH VISION
WEST VISION
SOUTH VISION
EAST VISION
NORTH VISION
WEST VISION
VANWARD
EXPLODED ANALYSIS
FUNCTIONS
PUBLIC BATHHOUSE Serving for 15-20 people. They could have a good rest here. Refugees can feel the regional characteristic culture.
MULTIFUNCTIONAL SPACE Serving for 10-15 people. This space contains the office classrooms and communication spaces of the refuge.
DORMITORY Serving for 10-15 people. Because of the frequent movement of people, the shelter has designed a dormitory-like space and everyone does not disturb each other.
LIBRARY Serving for 15-20 people. In this space, you can use surfing and reading on the Internet to determine your direction after leaving.
PRAY SPACE Serving for 15-20 people. A peaceful space.
A I E
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4TH FLOOR PLAN
1.exhibition space 2.bed room 3.living room 4.washroom 5.kitchen 6.square 7.courtyard
2ND FLOOR PLAN
3RD FLOOR PLAN
5TH FLOOR PLAN
6TH FLOOR PLAN
Even in rainy weather, it is a harmonious semi-open sanctuary.Help you shelter from the wind and rain, and seek peace and peace of mind.
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TOP OF PARAPET 62'-6"
6TH FLOOR 52'-3"
5TH FLOOR 42'-0"
3RD FLOOR 31'-9"
2ND FLOOR 21'-6"
1ST FLOOR 11'-3"
A-A SECTION
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1
01
02
VIEW FROM THE STAIRS
VIEW OF THE PRAY SPACE
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04
VIEW OF THE LIBRARY
VIEW FROM WALKING ROAD
Roof Level
Roof Membrane Wood Sheating Batt Insulation Dry Wall
Level 3
Wood Floor Wood Frame Concrete slab Wood Sheating Batt Insulation Dry Wall
Wood Floor Wood Frame Concrete slab
Level 2
Batt Insulation Wood Sheating Water Proof
Drainage Pipe Concrete Wall Footing Course Gravel Concrete Slab
This mysterious building has gone up. The mixture of red brick and glass brick adds a weird color to the building. The camouflage-like strategy is to locate the building between several residential blocks. I sat on that wall of memory, thinking back to my childhood. The backyard that made me brave and strong, the backyard that recorded so many happy memories. If I had known at that time that I could use this site to design a building, Maybe I would have been more pleased.I will be more hopeful about the future. Refugees, you deserve a happy life. I can't change anything, but I hope I can give you some temporary happiness. Now, it's time for the dream to wake up......
RHIZOGENESIS AND GROWTH MUSEUM RECONSTITUTE OF THE MET MUSEUM LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
New York, United States 2019 Julie Bauer
This comprehensive studio investigates the creation of spaces of art with a relevant character and specific atmosphere without competing with the works of art, but being more than the generic "white cube". It reviews the relationship between artwork, architectural setting, and experience and searches for contemporary solutions. The tree-trunk traffic space in the center leads to a variety of different Spaces, changing the traditional layout of the museum. People can feel the comfort and interest brought by the architecture after visiting the exhibition.
Location: United States, New York, Manhattan 51.3°N // W0.43°W Temperate Climate Zone June Sunlight - 14 hours, 55minutes December Sunlight - 10 hours, 05 minutes June Rainfall - 85.2” February Rainfall - 2.8”
New York Central Park Site Plan
Exisiting Plan
Propossed Plan
The pedestrian flow is not smooth enough in the existing plane, making the visit process incomplete and comfortable. After the side change, the connection to the current plan became a good turning point. Allow visitors to enjoy the exhibition better.
NORTH ELEVATION
1.Special exhibition 2.Machinery room 3.service center 4.coating room 5.Store 6.Work shop 7.Storage
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GROUND FLOOR PLAN The entrance to the building faces Central Park and directs lessons into a large atrium directly through a long sunken staircase. Set up individual exhibition halls on the basement floor so that people who often come to the Metropolitan Museum to watch the exhibitions can watch the new shows.
Roof
Mental columns
Central Louvers
Leaves-Like Ceiling
Truss Central Concrete
Regular Ceiling
Concrete Facade
Concrete Foundation
The greenery of Central Park takes root and sprouts from the center of the building, and the vast atrium connects different transportation functions. It makes people surprised after an extended tour of many traditional exhibition halls.
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1.sculpture exhibition 2. regular exhibition 3.traffic space 4.regular exhibition 5.cafe
SENCOND FLOOR RCP PLAN
In the refactoring, I extended apart from the center of each floor as a communication space. The area that distinguishes exhibitions from communal can be seen in the decoration of the ceiling. Leaf-shaped ceilings abstractly show the vitality of Central Park.
WEST ELEVATION
The different parts work harmoniously, the excellent restaurant is also well-organized, and th light and artificial light provides comprehensive lighting for the building.The two complementa concept is perfectly presented. The trunk-like traffic
he beautiful atrium and leaf-shaped ceiling produce a magical effect. The combination of natural ary ceiling lighting systems successfully distinguished different functional spaces. Moreover, this c space in the center sends people to various places.
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1.sculpture exhibition 2. regular exhibition 3.traffic space 4.regular exhibition 5.cafe
SENCOND FLOOR RCP PLAN
The traditional metropolitan m u se u m f l o o r p l a n sc a t t e r s transportation boxes and open spaces. The exhibition space is too monotonous and tedious. In the refactoring, I extended apart from the center of each floor as a communication space. The area that distinguishes exhibitions from communal can be seen in the decoration of the ceiling. Leafshaped ceilings abstractly show the vitality of Central Park.
TRADITIONAL PLAN
GROUND FLOOR PLAN
The atrium connects the whole building with beautiful light. The leaf-like ceiling is a symbol of communication space. The black specular reflective grille adds haze to the entire area. As you walk into the central space from a distance, your vision gradually becomes more transparent.
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
ABSTRACT MODEL
STRATEGY
REALISTIC
Because of the protection of the exhibits in the museum, there must be no direct sunlight. The facade is divided into several sections, and then the natural light is reflected in the gap through the arc-shaped staggered way to provide indoor lighting softly. Considering the different functional zones, I pushed forward some sections to create a space to interact with Central Park. While enjoying the artwork, you can also have a short break and enjoy the beautiful scenery of Central Park.
WEST ELEVATION
VIEW FROM PASSWAY
The lighting rod is suspended between the concrete beam and the small semicircular reflector.
3" Concrete Panel 0.5" Water Barrier Fiber Glass Insulation 0.5" Air Barrier 4" Metal studs 2" Dry Wall
Pipes are suspended from a metal structure in the ceiling above translucent glass strips.
U-shaped glass can simulate daylight by artificial light on both sides when there is not enough sunlight.
Double glazed skylight system with internal shading sprinkler.
Original Sunlight
Artificial lighting
13'
Weakened Sunlight 30°
5'
Air returning through the 5 inches gap between the floor and truss
3" Concrete Corrugated Metal Panel 1' I Steel Beam Ventilation Ducts 3" Dry Wall 4' Metal truss
The exhibition space in the museum is divided into the sculpture area and the painting area. The sculpture sections tend to approach Communal space because this is relatively unafraid of high light. However, there will be no intense light in the painting area. And because of the free plane, the boards can be rearranged for different exhibitions.
Two spaces with different functions coexist in harmony. The leaf-shaped ceiling extends from th Park to always feel the main concepts of the desig
he inner bucket to the communication space. Allow visitors who enter the museum from Central gn, drawing like roots and spreading like the vine.
CURLED WALL CABINET DESIGN
LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
Columbus, Indiana, United States 2018 Nathaniel Elberfeld
CABINET DESIGN
The cabinet uses arc elements that are curled out of the wall and used the same material as the wall. And if you look from the direction of the facade, it disappears from the wall.
CURLY AND CANTILEVER DUPLEX HOUSE DESIGN
LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
Columbus, Indiana, United States 2018 Nathaniel Elberfeld
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Columbus has been called one of the best cities in the world for architecture lovers. We think it’s a great place for you to fall in love with architecture for the first time, too. Columbus's buildings embody "the optimism that Americans express in their buildings."These retro-Victorian landmarks have indeed set up a platform for the "architectural mecca" of Columbus, a scenic town in the Midwestern state of Indiana. Since 1954, the Cummins Foundation, founded by Miller, has employed i.M. Pei, Robert Venturi, Illyr Saarinen and his son, Arrow Saarinen, to design more than 70 buildings.As a result, the town became a testing ground for modernist architectural aesthetics, catapulting it to no. 6 on the list of American cities built. The design includes a duplex house and a sculpture museum design. Its role is to connect the famous architectural blocks according to the urban environment.
AXON ANALYSIS
The house uses a cantilever structure to form a natural open-air open space. The glass box encloses one of the faces to form a public space for residents to use. There are large and small display spaces on the five thick columns. After someone stands in the exhibition space, let passers-by think that people may also be a work of art. The first floor serves the family, and the second and third floors are rented to students and workers.
CONCEPT DESIGN TYPOLOGY CONCEPT
CURL INWARD CONCEPT
EXPLODE ANALYSIS
CONCRETE
RENTING FLOOR MENTAL TRUSS
COMMUNAL FLOOR COLUMNS WITH POCHE
FAMILY FLOOR
GROUND FLOOR PLAN
The house uses a cantilever structure to form a natural open-air open space. A large space is created under the cantilever structure for residents to park and outdoor activities. The huge pillar with poche became the main structure. A relatively private space is enclosed by the pillars. It does not affect the light and retains the privacy of the duplex house.
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TOP OF PARAPET 32'-6"
3RD FLOOR 20'-0"
2ND FLOOR 10'-0"
A-A SECTION
THIRD FLOOR
SECOND FLOOR The second floor is primarily a Shared space. The space inside the glass box is an adequate lounge space for both upstairs and downstairs. The third floor is designed for college students nearby, a rich living space with individual entertainment facilities, and thinking space.
The wall below the curl just isolates the space of different functions.The living room was not completely separated from the dining room, retaining a certain degree of permeability. The dining room lighting is right; you can enjoy the meal in the bright sunshine.
An adequate skylight adds an atmosphere of peace to afternoon tea. Playing pianos to guitars' sound, tenants sit on high stools between massive pillars, watching the traffic flow. The observer and the observed will produce similar feelings.
B-B SECTION
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TOP OF ROOF 30'-0"
3RD FLOOR 20'-0"
2ND FLOOR 10'-0"
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MYSTERIOUS LIGHT AND FUSION SCULPTURE ART MUSEUM DESIGN
LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
Columbus, Indiana, United States 2018 Nathaniel Elberfeld
Location: United States, Indiana, Columbus 39.12°N // 85.54°E Temperate Climate Zone June Sunlight - 14 hours, 35minutes December Sunlight - 10 hours, 05 minutes June Rainfall - 75.2” February Rainfall - 2.8”
DESIGN THINKING
The exhibition space and office space are separated by a door, and the interference is complemented. The traffic space of the exhibition area is surrounded by the surrounding area, so that people can see the exhibits on the thick wall while walking, and sometimes enter a small exhibition hall.
TYPOLOGY MODEL
EXPLODED ANALYSIS
VIEW FROM THE ROAD
Curved elements fill the whole building, and built-in exhibition spaces can be seen everywhere. Skylight will occasionally fall from the ceiling to create an exciting light relationship.
Inside the museum, there is a high reading area where the sun comes in at noon to wash the tall bookshelves, which add a sense of mystery to the museum with a thick color tone.
ABOVE AND BEYOND MUSEUM OF RED BEACH WETLAND LOCATION DATE INSTRUCTOR INDIVIDUAL WORK
Pianjin, Liaoning, China 2015 Ran Wei
This is where I was born. This is like the treasure of my home town. Above the bright reddness of the wetland I want to create a building that belongs to here, embraces here and recaptures here.
EXTRACTING THE LINES & COLORS Red Beach Wetland scenic corridor is located in Panjin City, Liaoning Province, Dawa County with a total area of more ​​ than 20 acres. It is characterized by endless red beaches wetland resources, reed marshes, reeds, and tens of thousands of waterfowl. The redness of this area comes from the color of Suaeda and this kind plant changes its red color in different season. The landscape over here, as shown in the picture below, is quite linear and horizontal. I tried to extract the lines and colors of the natural landscape and reflect them in my design.
SPRING
SUMMER
FALL
WINTER
REFLECTING THE LINES & COLORS
EXTERIOR FACADE Pixelated red beach image of different shades of red is mapped onto the exterior facade to blend the building into the landscape.
INTERIOR FACADE Vistitors can enjoy the view of the red beach both from the view cut of the window and the permeation of the wall.
TRIMMING THE SCENERY VIEW
FRAME VIEW
EDIT VIEW
CUT VIEW
ADJUST VIEW . LEVELING
BOXES OF VIEWS POSITION
DIFFERENT ANGLE
INTERCHANGE
SPACE
TYPE
RESULT
EXPLODED AXON 1 OFFICE
6 RESTAURANT
2
4 PROJECTION ROOM
4
2 VIEWING ROOM
6 3
5
1
SECOND FLOOR PLAN
FOURTH
M
H FLOOR PLAN
3 AUDITORIUM
5 EXBITION HALL FOR MIGRATORY BIRDS
The gorgeous light and shadow combined with the cut view of the building window produced a wonderful picture, and the scenery of the red beach was in full view.
The skin of the building causes different light spots to appear at different times. The empty building thus becomes more layered.
Advance Building system workshop ask for a music hall design. In my team , I work for structure design, digital model making, rendering. At the begining of work, we decide to response to the local context: Church remains, so we use a CLT panel and trangle element to form the roof
ABS WORK SHOP AUDITION DESIGN LOCATION DATE TEAM WORK
St. Louis, Missouri, United States 2019 Modeling and Structure Design
OTHER WORKS
1 3 2
1. Barcelona Lobby design
hand model
2. House of Zhou
mark pen sketch
3. Same element design
318 studio
2018.9.3
2014.5.3
2017.10.5
Polaroid photography
2020.8.5
Time will take away some things, but it also will precipitate something.
The end.