TICIÀ SÀRRIES ARCHITECTURE
CURRICULUM VITAE Ticià Sàrries López
Donaustrasse 12043 Berlin Tel. +49 157 760 811 74 e-mail: ticia.sarries@gmail.com Born in Barcelona on January 21st, 1985 Nationality: Spanish
PROFESSIONAL EXPERIENCE
September 2012-February 2013 Intern at architecture office “Silvia Carpaneto”, Berlin. July 2012 Teacher of 3D graphic representation at summer school of ETSAV, Barcelona. October 2007-July 2012 Assistant scholar at ETSAV university’s IT department, Barcelona. Summer 2006 Draughtsman at architecture office “Master”, Barcelona September 2005/May 2006 Draughtsman and project architect assistant at “Microestaciones”, Barcelona. Summer 2005 Draughtsman at engineering office “IPB”, Barcelona. Summer 2003/04 Graphic design assistant at “JST Comunicació Gràfica”, Barcelona. Summer 2002 Graphic design assistant at “Ormoprint”, Barcelona.
LANGUAGES
Catalan and Spanish as mother tongues. English high level equivalent to Advanced, achieved in EOI. German medium level, equivalent to B1, achieved in ÖAD. French and Italian medium level equivalent to B1, achieved in EOI.
INFORMATICS
Mac and Windows environment. Microsoft Office. Adobe Photoshop, Illustrator, InDesign and Première. Autodesk Autocad, Archicad and Vectorworks. Rhinoceros, Google SketchUp, 3D Studio Max and Autodesk Revit Architecture Artlantis and V-Ray.
EDUCATION Currently working on my thesis, expected to be presented on June 2013 at Escola Tècnica Superior d’Arquitectura del Vallès (ETSAV). Year 2008/09 Erasmus scholarship holder in Austria at the Technische Universität of Graz (TUG). July 2010 International Workshop in Montpellier, France (Erasmus Intensive): Architecture and Social Interaction in Commercial Urban Places (ASICUP), at École National Supérieure d’Architecture de Montpellier (ENSAM). July 2011 Workshop: Risk Architecture, organized by the faculty of History of the Architecture School of Barcelona (ETSAB), at CCCB. August 2011 Workshop: Rural stone architecture landscapes, organized by Amics de l’Arquitectura Popular, in different towns around Lleida (Spain). September 2011 International Workshop: BIAW, organized by the faculty of Projects of ETSAV, at Can Batlló factory in Barcelona. October 2011 International Workshop: Emerging infrastructural landscapes, organized by the Landscape Intervention and Management Master of Universitat Autònoma de Barcelona, at Lleida-Alguaire airport. February 2012 Workshop: Cultural Landscapes, organized by the faculty of Urban Plan of ETSAV, in Albelda (Spain). March 2012 Workshop: Interior Space, organized by the Exhibition Space and Creative Museography Master of UPC, at CCCB. May 2012 International Workshop in Vicenza, Italy (Erasmus Intensive): Territorial Empowerment and Social Sustainability (TESS) at Universita degli studi di Ferrara (UNIFE).
CONTESTS, EXHIBITIONS AND PUBLICATIONS November 2012 Second price in urban plan contest Ideas Urbanas 2.0, organized by Institut Français in collaboration with the Catalan Government, with the project NaturApps: Santa Coloma Smart City. Exhibition of the project at Museu de la Ciència i la Tècnica de Terrassa. http://www.ideasurbanas20.com
March 2012 Design and construction of exhibition Urban Strategies for Santa Coloma de Gramenet, at contemporary art museum Can Sisteré, and also participant with project Santa Coloma Smart City, developed throughout Urbanística VIII. http://www.grame.net/es/principal/repositorio-de-noticias/actualidad-y-noticias/article/5406.html?cHash=7d c64ef5f8f4642d5ef91ca31c920f3b
October 2012 Publication of the project Tots cap a Can Batlló, in the nationwide newspaper La Vanguardia.
http://www.lavanguardia.com/vida/20110922/54219244092/la-nave-conquistada-de-can-batllo-ya-tienevideo-promocional.html
June 2011 Participant in the illustration festival Illu Station of Barcelona, with the exhibition Smells like green spirit. https://picasaweb.google.com/ilustation.festival/ExpoSMELLSLIKEGREENSPIRIT
June 2009 Publication of the article Zumthor & Pritzker in Master Heatches magazine. May 2009 Participant in the group exhibition Streetgallery, as part of the Lend Wirbel festival in Graz. http://lendwirbel.at/category/archive
April 2009 Participant in group exhibition in Zagreb, Croatia, with project The International M.M.A. January 2009 Participant in the group exhibition Auflauf in the botanical garden of Graz. http://izk.tugraz.at/izk/index.php?idcat=56
November 2004 First Prize in furniture design contest Carreteras Secundarias, organized by the Architects Association of Catalunya (COAC), with the awarded design exhibited at the Picasso Hall of Barcelona. http://www.coac.net/COAC/newsletter/2004/setmana47/newsletter47.htm
PROJECT INDEX Relocation of Barcelona Cathedral Museum onto Sant Sever church (10th Semester, ETSAV) Thesis (under development)
Heritage intervention
Extension of the urgent care facility at the anti-tubercular clinic of GATCPAC (9th Semester, ETSAV) Landscape intervention on the concrete squares on the way from the Seminar to the Opera (9th Semester, ETSAV) List of the colour trees of Barcelona (9th Semester, ETSAV) Landscape project on a cargo island in Hamburg Harbour (5th Semester, TUG) Landscape project in a tram line station in Montpellier (7th Semester, ENSAM) Landscape intervention in Alguaire-Albelda area, Lleida (9th Semester, ETSAV)
Landscape
Design of a shaded area at the F1 circuit in Montmeló (3rd Semester, ETSAV) Intervention in a popular library in the Can Batlló factory (9th Semester, ETSAV) Technological/urban intervention at Königsplatz in Munich (6th Semester, TUG)
Citizen participation, urban plan and technology
Technological/urban intervention in Santa Coloma de Gramenet (9th Semester, ETSAV) Theoretical project of post-apocalyptic situationist urban plan (6th Semester, TUG) Research project of New York’s history after Rem Koolhaas (4th Semester, ETSAV)
Theory
Research project of the new stained glass window of Cologne Cathedral (7th Semester, ETSAV) Housing block in Barcelona (5th Semester, ETSAV)
Dwelling
Housing blocks in Gleisdreieck, Berlin (10th Semester, Internship) Interactive wall project for a public building (6th Semester, TUG)
Interior design
Design of a multipurpose chair for a contest (2nd Semester, ETSAV)
Relocation of Barcelona Cathedral Museum onto Sant Sever church 10th Semester. ETSAV. Teacher Xavier Perxas. Thesis (under development).
INDEX heritage intervention
The inappropriate conditions in which the museum is at present made me think about its relocation to a bigger and better space. That could be the nearby church of Sant Sever, a genuine baroque jewel currently without any use. The new museum is thought as a cover around the church, that eventually becomes the core of the new museographic project.
Extension of the urgent care facility at the anti-tubercular clinic of GATCPAC 9th Semester. ETSAV. Teacher BĂ rbara Noguerol.
INDEX heritage intervention
Sited in Barcelona’s Raval neighbourhood, this jewel of the Catalan rationalist architecture was recently turned into a community health center. However, it needs to be expanded as the population is growing. This project aims to provide a cosy space for them not to feel opressed. Thus, my proposal is a one-direction wall system that prevents the patients from public eye while it allows to feel free from any constraint.
Landscape intervention on the concrete squares on the way from the Seminar to the Opera 9th Semester. ETSAV. Teacher Francesc Navés.
INDEX landscape
The anti-tubercular clinic is situated in the middle of an urban plan project by the architects Lluís Clotet and Oscar Tusquets from 1981, as part of a public space system, meant to improve the health conditions of the city centre. Even though the proposal was well-intentioned, the resulting squares turned to be scarcely used, partly due to the lack of vegetation. As a consequence, my project consists of revising those spaces and proposing landscape solutions for them. 1 Catalpa bignonioides Catalpa, Árbol de las trompetas, Catalpa commun, Indian bean tree
Alineació, Alineació de carrers estrets, Ombra a l’estiu
2
1
Citrus aurantium Taronger amarg, Naranjo amargo, Bigaradier, Seville orange
Formació de tanques, Formació de primers termes (enquadrament de jardí), Enmarcar elements escultòrics, Alineació, Alineació de carrers estrets, Connexió jardí-paisatge circumdant, Aromatizar l’ambient
2 3
3 ACACIA RETINOIDES
Mimosa floribunda, Mimosa siempre en flor, Mimosa des quatre saisons, Silver Wattle
4 Formació de primers termes (enquadrament de jardí), Grups o massissos
4
List of the colour trees of Barcelona
INDEX landscape
9th Semester. ETSAV. Teacher Francesc Navés. Every landscape architect has his/her own card collection of species. Mine has just started with 50 species classified by colours.
Prunus cerasifera atropurpurea
Arbre de l’amor, Árbol de Judea, Gainier siliquastre, Judas tree
Ginkgo, Árbol de los escudos, Arbre aux 40 écus, Ginkgo
Ginkgo biloba
Catalpa bignonioides Catalpa, Árbol de las trompetas, Catalpa commun, Indian bean tree
Prunus persica
Liriodendron tulipifera
jacaranda mimosifolia
Grups o massissos, Alineació, Connexió jardí-paisatge circumdant, Efecte de catifa, Alineació de carrers estrets
Filtre visual i acústic, Alineació, Ombra a l’estiu
Alineació, Alineació de carrers estrets, Ombra a l’estiu
Connexió jardí-paisatge circumdant, Aromatitzar l’ambient
Enmarcar elements escultòrics, Grups o massissos, Pantalla vidual i acústica, Configuració de 3 nivells de jardí (sostre, intermig y sòl), Alineació, Connexió jardí-paisatge circumdant
Alineació, Efecte de catifa
Cercis siliquastrum
Presseguer, Melocotonero, Pêcher, Peach tree
Arbre de les tulipes, Tulipero de Virginia, Tuliper de Virginie, American tulip tree
Xicranda, Jacaranda, Flamboyant bleu, Jacaranda
Pissardi, Ciruelo rojo, Prunier de pissard, Cherry plum
h: 5-8 m d: 3-4 m
h: 20-30 m d: 6-10 m
Pla de l'Os, a la Rambla, Àrea de jocs infantils de Vil·la Amèlia, Av. Xile, Pg. Zona Franca, Pg. Fabra i Puig, Rbla. 11 setembre, C/Socrates, Pg. Sant Gervasi
Formació de tanques, Formació de primers termes (enquadrament de jardí), Enmarcar elements escultòrics, Grups o massissos, Alineació, Connexió jardí-paisatge circumdant
7 8 9 10
0
7
14
0
7
14
7 8 9 10
0
7
14
h: 20-35 m d: 8-15 m
Jardins de la Universitat
C/Madrazo, C/Rubió i Balaguer, C/Segle XX, C/Torre dels pardals, C/Marne...), C/Pont del Treball, C/Pallars, Rbla. Carmel
Parc de la Pegaso, Parc de la Ciutadella, Vil·la Amèlia, alguns punts de Montjuïc, Av. Diagonal, C/Garriga i Roca, als voltants de la Font d'en Fargas, Via Augusta, Jardins de la Universitat
7 8 9 10
h: 4-8 m d: 2-4 m
h: 9-12 m d: 5-8 m
7 8 9 10
h: 6-10 m d: 5-8 m
prop de la caserna del Bruc, C/Alfambra, Parc de les Aigües
0
7
14
7 8 9
0
7
14
Av. Pedralbes, Pl. del Nord, Pl. Doctor Letamendi, Passatge Senillosa, Rbla. Guipúscoa, Rbla. Prim, C/Antonio Machado, Jardins de la Universitat
9 10 11
0
7
14
Sophora japonica Sòfora, Acacia del Japón, Sophora du Japon, Japanese pagoda tree
Paulownia tomentosa
Liquidambar styraciflua
Parkinsonia aculeata Parquinsònia, Palo verde, Arrête-boeuf, Jerusalem thorn
Pebrer bord, Falso pimentero, Faux poivrier, Peruvian pepper
Schinus molle
AILANTHUS ALTISSIMA
Alineació, Connexió jardí-paisatge circumdant, Ombra a l’estiu
Alineació, Ombra a l’estiu, Aromatitzar l’ambient, Efecte de catifa
Pantalla contra vent, Alineació, Connexió jardí-paisatge circumdant, Configuració de 3 nivells de jardí (sostre, intermig y sòl) Enmarcar elements escultòrics, Filtre visual i acústic,
Formació de tanques, Formació de primers termes (enquadrament de jardí), Perímetres de tancament, Aromatitzar l’ambient
Configuració de 3 nivells de jardí (sostre, intermig y sòl), Enmarcar elements escultòrics, Alineació
Grups o massissos, Pantallas contra vent, Alineació, Connexió jardí-paisatge circumdant
Paulònia, Paulonia, Paulowniam Empress tree
Liquidambar, Árbol del ámbar, Copalme d’Amérique, Sweet gum
Vernís del Japó, Árbol del cielo, Faux Vernis du Japon, Tree of Heaven
h: 6-8 m d: 6-8 m
Pl. Karl Marx, C/Tarragona, Rbla. Carmel, Av. Rio de Janeiro, Av. Brasil, Pl. Francesc Macià, Parc de la Ciutadella
7 8 9 10
h: 15-20 m d: 7-10 m
0
7
h: 10-15 m d: 8-12 m
h: 4-6 m d: 6-8 m
h: 15-20 m d: 5-7 m
h: 6-10 m d: 5-8 m
h: 15-20 m d: 8-10 m
14
Pl. Pompeu Gener, C/Bailén, C/Biosca, C/Floridablanca, C/Felip II, C/Puigcerdà, C/Sardenya, Pl. Nou Barris, Rbla. Carmel, diferents punts dels barris d’Horta Guinardó i SantsMontjuïc
7 8 9 10
0
7
14
Rbla. Poblenou, C/Méndez Núñez, C/Provençals, C/Santander, Av. Rio de Janeiro, Av. Meridiana
7 8 9 10 11
0
7
14
Pl. Santa Madrona, C/Antoni de Capmany, C/Ribes, Pl. John Lennon, Pl. Universitat, Pl. Drassanes, C/Torrent de l’Olla, C/Numància, C/Fluvià, Rda. Sant Martí, C/Tarragona, C/Argullós, Via Augusta, Pl. Guinardó, Ptge. Llívia, Pg. Valldaura, C/Dublín, Pl. Pau Vila, Pl. Molina
C/Doctor Salvador Cardenal, Parc de la Ciutadella, Jardins de la Universitat
7 8 9 10
0
7
14
9 10 11
0
7
14
C/Nàpols, C/Sant Antoni Maria Claret, C/Ausiàs March, Pg. Maragall i Pg. Valldaura
Vil·la Amèlia, C/Eduardo Conde, Cruïlla Aribau-Diagonal, Pl. Francesc Macià, C/Tarragona, C/Manacor, C/Cartellà, Turó Park
9 10 11
0
7
14
7 8 9 10
0
7
14
Landscape project on a cargo island in Hamburg Harbour 5th Semester. TUGraz. Teacher Joost Meuwissen.
INDEX landscape
The most recent urban explosion of Hamburg has brought to the city —and specially to its harbour— quite a lot of great buildings done by prestigious architects. The side effect of this urbanistic development has been the appearance of a number of interesting in-between spaces. In the vicinity of Herzog & de Meuron’s Philharmonic Hall, the island where I develop my project becomes the Yellow Submarine of the very Beatles that started their career in Hamburg. On their way back to Liverpool, though, they forgot the poor submarine in the Hafen, and soon the sea creatures started colonizing its deck.
Landscape project in a tram line station in Montpellier
7th Semester. ENSAM. Teachers Gui Jordan, Miguel Usandizaga, Josep M. García.
INDEX landscape
The technical campus of Montpellier is laid out around the tram line in the northern part of the city, with Occitanie as main station. Surrounded by empty places and far from the city centre, this station became the site of a team project developed in just 2 weeks in which, using the word association, we turned Occitanie —the ancient condominium of the Mediterranean sea— into Océanie. To shape this idea we proposed a large park focusing its design on the sea waves and navigation imagery, with the station as the central point of activity.
Landscape intervention in Alguaire-Albelda area, Lleida 9th Semester. ETSAV. Teachers Francesc Muñoz, Carles Llop.
INDEX landscape
Two similar situations in the same region —the bad management of both an airport in one town, and a cultural landscape heritage in the other— were the starting point of two different projects that, due to their geographical and thematic similarity, became part of a whole. In the two cases I focused on the magnificence of the dry landscape as an added value for “slow” culture, aiming for new tourism and farming activities.
Design of a shaded area at the F1 circuit in Montmeló 3rd Semester. ETSAV. Teacher Lluís Tobella.
INDEX landscape
Facing the challenge of supplying a shelter under which services and activities could take place, I designed one single object that could provide shade by means of repetition and combination. The result is a “forest” where the surface above is opaque, while side views are totally open and transparent. This system would also allow infinite growth in all directions.
Intervention in a popular library in the Can Batlló factory
9th Semester. ETSAV. Teachers Mariona Benedito, Markus Vogl, Enric Massip.
INDEX participation, urban plan and technology
Symbol of the neighbourhood’s resistance against real estate speculation, the establishment of a public library in an appropriated industrial compound was the starting point of this team project. It was carried out at three levels: first, we crafted a mural that points at the entrance of the library —as it is hidden—, and a set of lamps made out of the material that we found right at the abandoned factory, in order to create a cosy, inhabitable space. Second, we uploaded a promotional video on Youtube to highlight the popular participation in the project. And finally, we proposed a re-organisation of the public space to provide services to the neighbourhood.
20:00
20:30
21:00
21:30
22:00
As a consquence of the intense thought on how to face the design of a Nazi Documentation Centre right at the spot where German fascism first showed its ugly face, this project proposes an alternative to the original assignment. It offers other values that look more to the present, and a place where everybody can protest, no matter where they live on the planet. All they need is a computer or smartphone connected to the internet to choose what they want to complain about, how many led lamps on the ground they want to switch on and for how long.
MUNICH UNFAIR BAROMETER Ticià Sàrries López
MUNICH UNFAIR BAROMETER
SPECIAL FEATURES
PERMANENT SHOW: EVERY 30’ SYSTEM UPDATE DATA, CHANGE THE TOPIC TO SHOW, AND SO, COLOUR AND SHAPE
DAY AGAINS NUCLEAR CENTRALS.
SPECIAL FEATURES
MESSAGES TYPED WILL BE SHOWN ON THE LEDS AS A MESSAGE BOARD
20:00 UPDATE DATA, CHANGE THE TOPIC TO SHOW, AND SO, COLOUR AND SHAPE
SELLAFIELD 2 WILL PRODUCE 7.5 TONS OF PLUTONIUM EVERY YEAR. 1.5 KG OF PLUTONIUM MAKE A NUCLEAR BOMB. SELLAFIELD 2 WILL RELEASE THE SAME RADIOACTIVITY INTO THE ENVIRONMENT AS CHERNOBYL EVERY 4.5 YEARS. ONE OF THESE RADIOACTIVE SIBSTANCES, KRIPTON 85, WILL CAUSE DEATH AND SKIN CANCER.
àrries López
SPECIAL FEATURES
20:00
20:30
PERMANENT SHOW: EVERY 30’ SYS
DAY AGAINS NUCLEAR CENTRALS.
20:30
21:00
MESSAGES TYPED WILL BE SHOWN ON THE LEDS AS A MESSAGE BOARD
DAY AGAINS NUCLEAR CENTRALS. 21:00
21:30
M
Ti
MESSAGES TYPED WILL BE SHOWN ON THE LEDS
SELLAFIELD 2 WILL PRODUCE 7.5 TONS OF PLUTONIUM EVERY YEAR. 1.5 KG OF PLUTONIUM MAKE A NUCLEAR BOMB. SELLAFIELD 2 WILL RELEASE THE SAME RADIOACTIVITY
Ticià Sàrries López
INDEX participation, urban plan and technology
6th Semester. TUGraz. Teachers Joost Meuwissen, Mathieu Wellner.
T SHOW: EVERY 30’ SYSTEM UPDATE DATA, CHANGE THE TOPIC TO SHOW, AND SO, COLOUR AND SHAPE
Technological/urban intervention at Königsplatz in Munich
Technological/urban intervention in Santa Coloma de Gramenet
INDEX participation, urban plan and technology
9th Semester. ETSAV. Teacher Carles Llop.
Can Franquesa is a neighbourhood in the North of Santa Coloma that, even though it is disregarded by the rest of the city, has an exceptional location at the base of the mountain and breathtaking panoramic views over Barcelona. This project aims to give an added value to this place by means of Augmented Reality technology, designing different routes for each application. This will bring this outlying neighbourhood closer to the city, the citizens closer to nature, and Santa Coloma closer to Barcelona. This project has been awarded and exhibited in 2 competitions.
mirador carregadors
Theoretical project of post-apocalyptic situationist urban plan
INDEX theory
6th Semester. TUGraz. Teacher Joost Meuwissen.
I HOPE TO MEET YOU AGAIN, DARLINGS!
In this project we were encouraged to imagine a situationist city, after reading the texts written by Guy Debord and Constant. In my proposal I looked for situations in which such a city could make sense further than the situationist experience. For this reason, I based my work on the novel The Drowned World, by J. G. Ballard. Trying to shape a primitive world inhabitated by intellectuals, I saw a network of wheels as the perfect solution to colonize the space, as it fits very well to the situationist concepts of wandering and game. HEY! CAN JOIN YOU?
SURE! WE’LL HAVE A GREAT TIME TOGETHER TONIGHT
LET’S NOT SEPARATE EVER!
COOL! THE WHOLE HOUSE JUST FOR ME!
I HOPE TO MEET YOU AGAIN, DARLINGS!
BYE BYE, DARLING
COOL! FINALLY SOME COMPANY!
PLEASE!! DON’T LEAVE ME THIS WAY!!
HEY! CAN JOIN YOU?
SURE! WE’LL HAVE A GREAT TIME TOGETHER TONIGHT
LET’S NOT SEPARATE EVER!
KISS ME AND I’LL LET YOU GO
COOL! THE WHOLE HOUSE JUST FOR ME!
COOL! FINALLY SOME COMPANY!
Research project of New York’s history after Rem Koolhaas 4th Semester. ETSAV. Teacher Josep Giner.
Study, summary and chronology of the origin and growth of New York, based on the book Delirious New York, by Rem Koolhaas.
INDEX theory
banda la variació de proporció per tal d’aconseguir més tonalitats, i la mescla òptica dels colors purs. En les obres mencionades de Richter els quadres es toquen “cos a cos”, sense línia, provocant aquesta mescla òptica, i pel fet de ser quadres tan petits i variats de colors purs els que configuren la superfície de les obres, també juga amb INDEX Research project of the new stained glassles window of Cologne Cathedral proporcions d’aquests colors per tal d’aconseguir variacions de tonalitat. Signac theory 7th Semester. ETSAV. Teacher Francesc Recasens. afegeix, “no és suficient que la tècnica de la divisió asseguri, per la mescla òptica d’elements purs, un màxim de coloració: mitjançant la dosificació i l’equilibri d’aquests elements, segons les regles del contrast, de la degradació o de la irradiació, garantitza integral de l’obra”. És com cada quadre del vitrall cathedral. fos una In which direction Critical analysis of contemporary restoration practices on thel’harmonia basis of Gerhard Richter’s intervention in si Germany’s most important d’una de cultural Georgerheritage Seurat.building without any documentation of the original window and is restoration developing? And how is it possible topinzellada restore such an pintura important
avoiding the obvious? In my research, not only did I find connections to theTalment, theories of the great restorers from the XIX century, but also to the avant-garde movesi mirem el porcés de com s’ha produït el vitrall, veiem que els 72 colors ments Neo-Impressionism and De Stijl, and to contemporary art. seleccionats s’arrangen en els panells informàticament emprant un programa que els ordena aleatòriament. Com que no tots els colors apareixen amb la mateixa freqüència, la coloració es pot controlar molt subtilment. De la variació d’aquests paràmetres es van fer diverses versions de prova, i no deixa de sorprendre com de diferents són entre sí.
Talment, sisisimirem elel porcés de com s’ha produït el vitrall, vitrall, veiem que els 72 colors colors Talment, mirem porcés de com com s’ha s’haproduït produïtel vitrall,veiem veiemque queels els72 colors Talment, mirem Talment, si mirem el el porcés porcés de de com s’ha produït elelvitrall, veiem que els 7272colors seleccionats s’arrangen en els panells informàticament emprant un programa que els seleccionats s’arrangen en els panells informàticament emprant un programa que els seleccionats s’arrangen en els panells informàticament emprant un programa que seleccionats s’arrangen en els panells informàticament emprant un programa que els els ordena aleatòriament. Com que no tots els colors apareixen amb la mateixa ordena aleatòriament. Com que no tots els colors apareixen amb la mateixa ordena aleatòriament. Com que no tots els colors apareixen amb la mateixa ordena aleatòriament. Com que no tots els colors apareixen amb freqüència, es pot controlar molt subtilment. De lalavariació variació d’aquests freqüència, la coloració es pot controlar controlar molt molt subtilment. subtilment.De Dela variaciód’aquests d’aquests freqüència, la coloració freqüència,la la coloració coloració es es pot pot controlar molt subtilment. De la variació paràmetres es van fer diverses versions de prova, i no deixa de sorprendre com de paràmetres es van fer diverses versions de prova, i no deixa de sorprendre comde de paràmetres es van fer diverses versions de prova, i no deixa de sorprendre paràmetres es van fer diverses versions de prova, i no deixa de sorprendre com diferents són entre sí. diferents són entre sí. diferents són entre sí. diferents són entre sí. 4096 4096Farben, Farben,Gerhard GerhardRichter Richter1974 1974
Glasfensterentwurf Glasfensterentwurffür fürGoos, Goos, Vilmos VilmosHuszár Huszár1923 1923
“Composició “Composició és és l’esteticisme l’esteticisme relacional relacional d’una d’una estructura estructura pictòrica pictòrica basat basat en en l’usual l’usual balanç balanç dispar dispar i i dinàmic dinàmic dels dels elements. elements. Els Els plans plans individuals individuals estàn estàn hieràticament hieràticament connectats”, connectats”,explica explicaHubertus HubertusButin, Butin,qui quiva vaser serl’assistant l’assistantde del’artista l’artistade de1996 1996aa1998, 1998, i i que que argumenta argumenta que que aquest aquest concepte concepte de de composició composició no no és és aplicable aplicable alal vidre vidre de de Richter, Richter,jajaque quelala“es “esrejecta rejectalalasubordinació subordinaciócompositiva compositivadels delselements elementsen enfavor favord’una d’una relació relacióegalitària egalitàriadels delscamps campsde decolors, colors,perquè perquèaquests aquestssón, són,per perprincipi, principi,no nosolament solament iguals igualsen entamany, tamany,sinó sinóen envalor”. valor”.L’historiador L’historiadorde del’art l’artconclou conclouque que“el “elconcepte conceptede de serialització serialitzacióde deplans plansabstractes abstractesde decolor colordins dinsd’una d’unaxarxa xarxaortogonal ortogonalresulta resultaser sertan tan versàtil versàtilque quefins finsi itot totpot potomplir omplirlalaforma formad’una d’unafinestra finestramedieval”. medieval”. Cal Calassenyalar assenyalarque queen enRichter Richterno noconeixia coneixial’existència l’existènciad’aquest d’aquestprojecte projectede del’artista l’artista constructivista, constructivista,ninitampoc tampoces esva vafixar fixaren enuns unsvitralls, vitralls,aalalamateixa mateixacatedral catedralde deColònia, Colònia, que quedaten datendel del1300, 1300,i ique querepresenten representenun unmotiu motiude detaula taulad’escacs, d’escacs,igual igualque queelelseu seu disseny. disseny. Aquest Aquest fet fet és és particularment particularment interessant interessant perquè perquè “mostra “mostra lala sensibilitat sensibilitat de de Gerhard Gerhard Richter Richterper perles lespossibilitats possibilitatsd’un d’undisseny dissenymodern modernen enelelcontext contextd’una d’unacatedral catedralantiga, antiga,i i forma formaun unpont pontcreatiu creatiuentre entreels elstemps”. temps”. Això Aixòés ésimportant importanttenir-ho tenir-ho en encompte, compte,per per donar donaruna unaresposta respostaaatots totsaquells aquells–l’arquebisbe –l’arquebisbei iresta restade declergat clergatde del’arquebisbat l’arquebisbatde de Colònia Colòniaalalfrontfront-que quevan vanmostrar mostrarelelseu seuescepticisme escepticismei idescontent descontentaal’hora l’horade debuscar buscar una unasolució solucióen enl’art l’artcontemporani. contemporani.
Un Diumenge a la Grande-Jatte, Georges Seurat, 1884-6
Housing block in Barcelona
INDEX dwelling
5th Semester. ETSAV. Teacher Joan Llecha.
Located in an atypical geometry block in the Eixample district in Barcelona, the project I propose is the result of my intention for every neighbour to have the same conditions of sunlight, natural ventilation and depth of sight —that in the best cases reaches 400m. The building folds up into itself to achieve these premises and the staircases absorb the deformations. Appart from that, each appartment is designed by starting from a central piece, the kitchen, that organizes the rest of the dwelling around it.
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Housing blocks in Gleisdreieck, Berlin 10th Semester. Internship.
INDEX dwelling
Right next to Potsdammer Platz there is a huge unoccupied piece of land that connects Mitte and Schรถneberg quarters, in Berlin. There are two underground lines that cross the void, and a city competition was set up to build a 3 star hotel and 200 dwellings, as extension of the new plan developed in the area. Our proposal consisted of 6 housing blocks that provided as much transparency and long views as possible. Public space was one of the cores, together with the best qualities of light and ventilation for all the apartments.
Interactive wall project for a public building
6th Semester. TUGraz. Teachers Peter Hammerl, Ferdinand Oswald.
INDEX interior design
In this project we were asked to use concrete blocks made by YTONG, which are known for their sructural capacity despite their lightness. Taking advantage of this feature, I designed an interactive wall from which some factory-prepared bricks —chosen by the customer— can be removed in order to craft furniture, and be placed back into the wall once they have fulfilled their function to make more space in the room.
Design of a multipurpose chair for a contest 1st Semester. ETSAV. Teacher Emiliano L贸pez.
INDEX interior design
My first project at university was the design of a temporary emergency house for refugees and its furniture. From the latter I developed, later on and separating it from its original context, one of the furniture pieces that finally became a table-chair/chair-table more likely to be used in a school or meeting room. This design was awarded in a contest organized by the Architects Association (COAC) and shown at the Picasso Hall of Barcelona during November, 2004.