Music History Info Graphics Case Study

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BERKLEE ONLINE

24,427 ONLINE STUDENTS

200+ COURSE & PROGRAM OFFERINGS

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Berklee Online is the online extension school of Berklee College of Music, delivering access to Berklee’s acclaimed curriculum from anywhere in the world. Berklee Online’s award-winning online courses, multi-course certificate programs, and Bachelor of Professional Studies degrees are accredited and taught by the college’s worldrenowned faculty, providing lifelong learning opportunities to people interested in music and working in the music industry.


THE CLASS

MUSIC HISTORY OF THE WESTERN WORLD 1 & 2

JUST AS LEARNING THE THEORY BEHIND HOW MUSIC CREATION WORKS, EXPLORING THE HISTORY OF MUSIC, INCLUDING IMPORTANT COMPOSERS, PERFORMERS, AND THE EVOLVING INFLUENCE OF SOCIETY ON MUSIC, IS KEY TO UNDERSTANDING THE GENRES OF MUSIC THAT WE PERFORM, CREATE, AND CONSUME TODAY. Author: Tom Rudolph | Course Code: OLART-211

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A TIME LINE

AN INTERACTIVE CLASS SUPPLEMENT

YOU WILL BE ABLE TO Identify the seminal pieces of major composers, Understand how geography relates to each era, Learn about the representative musical forms and genres, Learn terminology associated with each style period, Learn about the lives of major composers.

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WHO?

12 Week Course

$1,400 3-credit Tuition

Motivated Connected Adults in the Music Industry Looking for Continuing Education Opportunities

Our online students come from over 130 countries around the world. Although bonded by a shared love of music, their backgrounds are diverse. Our students include members of Dave Matthews Band, Nine Inch Nails, Sugarland, and Karmin; producers running major recording studios; executives at industry leading technology and business firms; and much more.

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SKETCHES AND CONCEPTS

CLIENT(S) : The New School? Berklee Online

PROBLEM: Students (and Teachers) need a tool to help explain, connect, compare ideas and concepts within musical eras.

FEATURES/GOALS: Time line Foundation Audio/Video?, Map(s), Quiz? Data Q’s: Life details, Work statistics (keys, instrumentation, etc), Location, Instruments, Gender, Era comparisons 6 - - Western Music History Website Prepared By Tiffany Lin


SKETCHES AND CONCEPTS

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SKETCHES AND CONCEPTS

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MID FIDELITY IDEAS THE CLASSICAL ERA

Location

Location Pie?

First Last First Last First Last First Last

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MID FIDELITY IDEAS

THE CLASSICAL ERA

Medival

Renaissance

Baroque

Classical

Romantic

Modern

MUSIC HISTORY 101

Location First Last First Last First Last First Last

Location Pie?

Location First Last First Last First Last First Last

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Location Pie?


MID FIDELITY IDEAS THE CLASSICAL ERA

Life Span

Cause of Death

First & Last Works

1730

1820

First Last

67 Years xx Years

First Last

xx Years

First Last xx Years

First Last

xx Years

First Last

xx Years

First Last

xx Years

First Last First Last First Last

xx Years xx Years

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MID FIDELITY IDEAS THE CLASSICAL ERA

Life Span

Cause of Death

First & Last Works

0

15

Cause of Death Cause of Death Cause of Death Cause of Death Cause of Death

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MID FIDELITY IDEAS THE CLASSICAL ERA

Life Span

First & Last Works

Cause of Death

0

90

First Last

12 & 65 Years

First Last

12 & 65 Years

First Last

12 & 65 Years

First Last First Last First Last First Last First Last First Last

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MID FIDELITY IDEAS THE CLASSICAL ERA

All

Concertos

First Last

Symphonies

String Quartets

First Last

Operas

First Last

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Sonatas

First Last

First Last

First Last

First Last

First Last

First Last


MID FIDELITY IDEAS THE CLASSICAL ERA

SYMPHONIES

00 symphonies composed in the classical era

The "Italian" style of symphony, often used as overture and entr'acte in opera houses, became a standard three-movement form: a fast movement, a slow movement, and another fast movement. Haydn and Mozart, whose early symphonies were in this form, eventually replaced it with a four-movement form through the addition of a second middle movement (Prout 1895, 249). The four-movement symphony became dominant in the latter part of the 18th century and most of the 19th century.

LENGTH AND # OF MOVEMENTS MAJOR WORKS

ORCHESTRA SIZE

12 Woodwind Brasss

8

20

Low Strings

Strings Violin 1 Violin 2 Baroque Ensembles Classical Orchestra Early Romantic Orchestra

Composer Work Name Op 3 N 3 Work Name Op 3 N 3 DM

Work Name Op 3 N 3

Composer Work Name Op 3 N 3

KEYS MAJOR

KEYS MINOR

Work Name Op 3 N 3 Work Name Op 3 N 3

CM

Composer Work Name Op 3 N 3 Work Name Op 3 N 3

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DATA SOURCES

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PROCESS w b p

1 2

wo

ind w d o

s

bras

s

v

per

s

string

sion

b

cus

vc

Woodwinds

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PROCESS

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PROCESS

FRANZ SCHUBERT

No. 8 The Unfinished

No. 9 The Great

No. 4, D 417 Tragic

No. 6, D 589

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FINAL SCREENS

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CITATIONS

http://www.nndb.com/people/989/000091716/ http://www.hoasm.org/XIIC/Haydn.html http://www.classicalarchives.com/composer/2207.html http://en.wikipedia.org/wiki/Baroque_orchestra http://en.wikipedia.org/wiki/Orchestra http://www.biography.com/people/franz-joseph-haydn-9332156#awesm=~oHikjLFpIkseZs http://dictionary.onmusic.org/terms/4467-wolfgang_amadeus_mozart http://www.britannica.com/EBchecked/topic/528336/Franz-Schubert

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