PORTFOLIO
Jingyang Huang
Selected Works from 2020 to 2022
Email:hsjhua25@liverpool.ac.uk
Motivation
The moment I knew I wanted to study architecture was the visual impact brought by the application of emerging technologies such as AR, VR and 3D printing technology in architecture. The combination of the two makes for cool, stunning architecture. With such expectation, I entered Xi'an Jiaotong - Liverpool University (XJTLU) to study BA Architecture in 2019. It gradually became clear that the relationship between new technologies and architecture itself was not that simple. Thanks to the traditional architecture education I received, starting from basic manual models and hand-drawn planes, I believe that the new technology serves the design itself. Thus, in later designs, new techniques gradually became the means of assisting my designs, with the aim of adding lustre to them. But I was still fascinated by the shock and impact of new technology, and I spent a lot of time trying and learning new technologies. I believe the future will be brilliant with the combination of new technologies and architecture. My hobbies after school are lighting design and scene setting in film and television production. I think the two disciplines are connected in part. In a way, I think they are both used to create a deep, layered picture with brush and light.
And I like to develop my hobbies outside of school. Combining my studies in architecture with my interest in the film and television industry to create something together. My main position on film and television sets is that of a lighting technician. I'm interested in this position because I think that lighting every scene is the same as doing architecture. It's all about people feeling the ambience of certain spaces. In my project "yu zhen tang". For the first time, I actually designed a light wood building and combined it with lighting design. I won some awards for this short film. In addition to this, I have also won awards in the film industry and design industry during my university years. I was also involved in an official XJTLU promotional film project as head of the lighting A-team.This is why I have always believed that interdisciplinary communication is very important and necessary.
MArch Cinematic and Videogame Architecture at UCL fits perfectly with my expectations for my future studies. Not only could I use my existing knowledge of architecture as a basis for new subjects, but I could also use my skills in my spare time to learn about subjects that interested me. At the same time, I can get exposure to new AR and VR technologies.
Jingyang Huang
Architecture student, Film Maker
Email:hsjhua25@liverpool.ac.uk
Tel:+86 188 8963 6998/ +44 7857 548616
Education
Xi'an Jiaotong-Liverpool University (XJTLU)
Architectture, Design School.
•Courses: Small Scale Architectural Design, Construction and Materials,Design Thinking and Articulation
University of Liverpool
Architecture,Fac of Humanities & Social Sci.
•Courses: Environmental Design,Urban Studies,History and Theory of Architecture
Project experience
The 2nd China College Students Design Exhibition. Designer
•Third Price of Best Exhibition Design
Yu Zhen Tang (Short Feature, 10'56) Click here to see the film
Gaffer and Architect
•Logline: A young lady who is paranoid that a doctor at YuZhenTang (a Chinese medical clinic) killed her mother and embarks on a revenge plan to get the criminal into prison.
•Worked as the gaffer and combining scene lighting design and architectural space design. Using architectural knowledge to help the crew complete the structural design and construction of the shooting scene.
•Related awards: New York Cinematography Awards -Best Film Lighting.
Galloping With Future (Promotion, 6'28) Click here to see the Film
Gaffer
•Published at the Xi'an Jiaotong-Liverpool University's 15th anniversary event and official public account
•Worked as the gaffer and complete the lighting work from the lighting design in the early stage of the project to the whole process of project implementation.
Dawn (Documentary,9'58) Click here to see the Film
Gaffer and Photographer
•Related awards: The 10th Academy Award of the Film and Television Society of China
Colleges and Universities-Documentary Unit Second Prize
Dialogue with Master Zhao, the carpenter (Documentary,3'02)
Click here to see the film
Gaffer and Photographer
•Published on the official account of "GRID" magazine of the Department of Architecture of XJTLU
Software skill
Software skill:
Other skill:
Rhino/CAD/Encsape/Lumion/V-ray/Unity/Grasshopper/Adobe Photoshop/Adobe Indesign/Adobe Iiiustrator/Adobe Lightroom/Adobe Premiere/Final Cut Pro X/Davinci/UE5/Microsoft Office Set
Photography/lighting design/scene construction/graphic design/3D modeling/scene rendering/hand drawing Nanjing,China (2020,9) (2021,6) (2021,6) (2021,4) (2020,6) Suzhou, China Suzhou, China Suzhou, China
(2019.08-2021.06) (2021.09-2023.06) Liverpool,England
Suzhou, China Haikou, China
Personal Statement
CONTENTS
The shape of the ridge
Sport and fitness center design
Type: Individual school design project
Location: Yunnan, China
Abundant space in the city
Primary school design
Type: Individual school design project
Location: Liverpool, England
Illusory translated into grottoes
Gaudi La Coma Artists' Residences
Type: Competition group work
Location: Huesca, Spain
Memory of the land
Monumental Architecture Design
Type: Competition group work
Location: Cape Canaveral, United States
Other work selection
Selected Works from 2020 to 2022 03/2022 - 06/2022 03/2022 - 06/2022 09/2022 - 11/2022 10/2022 - 12/2022 06/2020 - 09/2021
Year 2 Year 2 Year 3 Year 3
01 02 03 04 05
01 The shape of the ridge
-Sport and fitness center design
Type: Individual school design project
Location: Yunnan, China
Project description: The address of this project is in a valley with relatively beautiful scenery. Therefore, when designing this sports and fitness center, the first thing I considered was the relationship between the building and the natural site. Because the project site is located in a subtropical monsoon climate area. So I first inspected the local characteristic buildings, and found that many of these buildings have sloping roof structures. And their foundations are often raised due to climate and rainfall. Therefore, based on this relationship, I hope to use the form of the sloping roof to combine with the surrounding mountains to form a kind of echo.
Site analysis and case studies
The building is located in the south-west corner of China in a subtropical region. It has hot and humid climate characteristics. The building is analysed in relation to its climatic characteristics and local architecture. The site is located at the foot of a hill, which allows the use of wind and precipitation for cooling purposes.
The building's design is based on the style of the surrounding buildings and the sloping roof is the main focus of the building, which is designed to fit the mountains behind it. At the same time, the space under the eaves is fully utilised.
Site location Diagram of rainfall accumulation Diagram of rainfall areas Diagram of the daylight area Air circulation diagram Night Airfllow
Day Airfllow Site picture Sloping roof design Sloping roof design2 Sloping roof support Deformed sloping roof
Site map
Photo Montage
Site climate analysis
Explosion axonometry and flow diagrams
Interior corridor
Central garden
Outdoor corridor
Outdoor corridor
Outdoor garden
Outdoor corridor
Main flow
Views along the route
Main pedestrian flow routes
Drop off area
Design concept
In this project, the first thing I analyze is the flow of people. Separate the flow of visitors from that of staff. Visitors can walk around under the eaves, and at the same time, they can enter the central garden to watch. While people have entered the main entrance of the building, they gradually rise up following the natural topography until visitors reach the reception hall.
Design concept
Because my initial concept is to use the design of the sloping roof to echo the building with the mountain. Therefore, the design of the pitched roof becomes particularly important. During the design process, I repeatedly tried how to design the roof elegantly and beautifully. Finally, after many trials, the angle of the roof slope was determined. And it was decided to tighten the cornice of the roof inwards. The purpose is to eliminate the heavy feeling of a large roof. These continuous roofs are very beautiful and light from a distance.
1 1 2 3 4 5 Ground floor plan Design Process
Positioning of the roof structure and research
Roof form generation strategy
Stepped Garden Form Generation Strategy
Column pattern generation strategy
Using the concept of "Tai Chi" to generate
Based on the flow of people
Positioning of columns on the basis of body
Further generation of blocks
Further generation of terrace Garden
Further generation of terrace Garden
Further generation of blocks
Further generation of terrace Garden blocks
Further generation of terrace Garden blocks
Further generation of terrace Garden
Further generation of terrace Garden
Roof generation based on blocks Finished roofs
Finished terrace Garden
Finished terrace Garden
1 : Main exercise room (10-20 people)
2 : Small exercise room (5-8 people)
3 :Changing rooms & toilets
4 :Reception room
5 :Tea room
6 :Kitchen
7 :Coffee Bar
1 :Tea room
1 : Main exercise room (10-20 people)
2 : Small exercise room (5-8 people)
3 :Changing rooms & toilets
4 :Reception room
5 :Tea room
1 :Small exercise room (5-8 people)
2 :Terrace garden
1 2
2 3 4 5
6 7
1 First floor plan
Design concept on the left side
The rendering on the left shows what tourists see in the drop-off area. When visitors approach the building from a distance, they will gradually find that the shape of the building becomes clearer and clearer. When the distance is relatively close, the first thing you see is the sloping roof style of the coffee area. When you walk forward in the scene shown in this picture, you will see the main entrance of the building complex and the square in front of the building.
Design concept on the right side
The rendering on the right shows the garden in front of the complex. Visitors can enjoy the fresh air outdoors. Not only that, visitors can also take a walk or exercise in the garden. When visitors walk to the south end of the garden, they can sit on the steps by the river and enjoy the breeze. After visiting the outdoor garden, visitors can move to the garden in the center of the building. There is a trail leading to reception.
A walkway along the circle of the building is also designed in the space under the eaves of the sloping roof. This not only enriches the moving line. And people can also take a walk therein to shelter from the rain when it is raining.
Thanks to the close relationship between the functional blocks of the building. Therefore, when tourists want to use certain functions, they can easily go to various places through the space under the eaves of the roof or the central garden.
Abundant space in the city
-Primary school design
Type: Individual school design project
Location: Liverpool, England
Project description: The location of this project is characterised by a relatively large number of functions in the surrounding area, with an abundance of public space or functional space. The traffic situation in the surrounding area is not too complicated and the traffic flow is low. People can access the site on foot. The enclosed building form will be the main design mode for this building, placing the main traffic space in the middle of the building as a 'key space', creating an abundance of staircases to connect the different floors and create a rich communication space, following the formal language of the existing building in the facade design and extracting some elements for recombination, with vertical elements and irregular blocks giving a neat and orderly feel, but at the same time having interspersed with massing.
02
Site analysis
The project is located in Birkenhead and covers an area of about 380 square meters. The complex urban functional layout is distributed around it, and convenient transportation is a great feature of this address. Across the road is the Birkenhead railway station. In addition, there are large green parks, historical buildings, commercial buildings and so on. Basically, these functional areas can be covered by a five minute walking circle, and the roads from the southwest to the northeast of the project address undertake the function of reaching the project address.
Passing through site
As one walks through the site of the project, one can pass through many different spaces. The red flow lines indicate the different views seen when walking to different addresses
Process of volume generation
Site area
Functional area
Pubilc area
Streetscape 1
Streetscape 2
Streetscape 3
Streetscape 4
Streetscape 5
Streetscape 6
Streetscape 7
Streetscape 8
Pull up blocks at the project sitee Due to site constraints at the back. The form of the building is restricted to an inner recess.
Defined by a wealth of internal interaction spaces throughout the floor
Determine the connection between the main entrance, playground and other spaces on the G level
Wraparound facade with interspersed masses
Integration of the facade with the building itself
Deepening of the building's interior layout and materials
Process of interior space layout Process of interior space layout Interior space base layout
Floor Plan
Entrance 2.Year1
4.Toilet
First
1.Main
classrooms 3.Multi-purpose activity room
3.Toilet Third Floor Plan 1.Year 3 and 4 classrooms 2.Print Room 3.Library 4.Toliet Fourth Floor Plan 1.Year 5 and 6 classrooms 2.Print Room 3.Roof garden 4.Toliet 1 2 3 4 1 3 1 2 3 4 2 3 4 2 1 0 1 5 10 0 1 5 10 0 1 5 10 0 1 5 10
Second Floor Plan 1.Year2 classrooms 2.Multi-purpose activity room
Fourth floor
The fourth floor is the upper grade classroom (year 5 and 6) and roof garden
Different functional areas
The division of different functional areas within a limited space can enhance the richness of the space, especially if the floor space itself is small.
Separating individual spaces and combining them can be a good way to make the best use of space.
About the Explosion Analysis
The functional arrangement of the floors is based on the needs of different age groups. Students in the lower grades should be placed on the lower floors to allow easier access to the classrooms.
The placement of the multi-purpose rooms on the lower floors allows for easier access to students from different floors. Basic functions such as classroom offices, medical rooms and kitchens are located on Level G to make it easier for students to seek help when they need it.
Third floor
The third floor is a combination of senior classrooms (year3 and 4 student) and a library.
Second floor
The second floor is a combination of classrooms for the second year students and a multi-purpose activity room.
First floor
The ground floor is a combination of classrooms for the first year students and a multi-purpose activity room. Student vertical flow lines
Student horizontal flow lines
The arrangement of the different functions into different spaces allows for a rational layout of the building. Different users can quickly and precisely find the floor they need.
Section 1&2
Infirmary and storage room
Multi-functional staircase
Explosion flow analysis diagram
0 1 5 10
Teacher's office and meeting room Playground Multi-purpose activity room 1 Year 1 classroom Multi-purpose activity room 2 Year 2 classroom Senior Classroom (year3,4,5,6) Printing room Student Activities Room Roof garden
Explosive functional analysis
Print room
Functional space for classroom or student use
Classrooom
Year 5 and 6 classroom
Roof garden
Roof garden with full sunlight conditions
Classrooom
Year 3 and 4 classroom
Multi-purpose activity room
The large space can be easily transformed into a restaurant, conference room, event room, etc.
Library
The library is set in the middle of several floors
Classrooom
Year 2 classroom
Multi-purpose activity room
The large space can be easily transformed into a restaurant, conference room, event room, etc.
Classrooom
Year 1 classroom
Playground
A place for students to do outdoor activities
Infirmary
Service class space set at G level
Teacher's office
Service class space set at G level
Stairs
Multi-purpose space connecting G to 1st floor
03 Illusory translated into grottoes
-Gaudi La Coma Artists' Residences
Type: Competition group work(Contributed to the full design process, building 3D models, Most of the renderings and some analysis diagram)
Location: Huesca, Spain
Project description: Extract invisible natural contour lines and make them concrete into buildings, establish the concept of irregular layer by layer retreat scheme, select local characteristic rocks as materials, combine natural plants to create wild luxury living space, and enrich the coordination of functional space to achieve concrete grotto space.
01 05 04 04 04 06 02 03 01Arstist's Working 02Arstist's Residence 03Arstist's Co-working 04Hostel 05Meditation and 06Original Building Possible expansion Built hostel area Possible expansion Built leisure area Possible expansion Built working area 1:1500 Service entrance Site Plan 3F 3F 2F 2F 2F 2F Main entrance
Site Analysis
From illusion to concrete of rock
Gaudi Planar Analysis
Casa
Circulation Analysis
The undulating multi-storey buildings formed according to the terrain are distributed in an orderly manner
by
1. Contours of the original terrain
After his design style formed, Gaudi used the free traffic space as the center to organise the plan, and differentiated the room to avoid the generation of repeated space.
User demand analysis
2. Generate polylines from contour.
3. Based on contour lines, generate guest rooms behind the contour lines
Environment Analysis
4. Use the same polyline design language to generate meditation and wellness areast
5. Combining two polyline designs
Sunshine Slope Rain Trajectory Temperature and Precipitation
catholic church Torre Calon Field farmland
building materials in local villages are irregular stone texture,Local materials meet sustainability
Most
The natural terrain formed
terraces shows rich natural lines
Batllo Casa Mila
Visitor Circulation Staff Circulation Artist Circulation Guest Room Guest Room Logistics Logistics Artists' Residence Artists’ Workshop Guest Room Restaurant Ticket Office Convalescent Area Vans Complex working environment limited workshop functionality Exhausted limited idea Lack of public space Monotonous spatial form
Single Rock Original Contour Layers of Rock Conversion of Polylines Grotto generate Grotto in the field Working Area Residence Co-working and yoga space Building expansion hostel area expansion leisure area expansion working area
2.000 Level Plan 3 6 4 4 5 5 33 18 4 6 6 27 2 2 2 2 2 2 2 2 1 0 10m 20m 50m 100m 9 36 32 32 28 28 28 17 21 21 22 -3.000 Level Plan 0 10m 20m 50m 100m 9 28 28 29 29 29 29 29 29 36 18 21 21 23 23 23 23 23 23 23 23 24 24 24 24 25 25 25 25 25 25 25 25 35 35 25 25 2222 19 20 14 1. Cafe 2. Hostel 3. Book Cabinet 4. Reception 5. Hall 6. Salon 7. Party Area 8. Restaurant 9. Linen Room 10. Toilet for Men 11. Bathroom for Men 12. Toilet for Women 13. Bathroom for Women 14. Laundry 15. Staff Quarter 16. Staff Dining Room 17. Lobby Bar 18. Warehouse 1- 1Section 0 10m 20m 50m 100m
7.000 Level Plan 3 7 18 4 27 3 2 2 2 2 2 2 2 2 2 2 2 0 10m 20m 50m 100m 8 9 9 10 12 13 11 34 28 30 32 32 32 32 26 21 21 22 14 13.000 Level Plan 4 26 27 4 2 2 2 2 2 2 2 2 2 2 2 2 0 10m 20m 50m 100m 10 12 12 13 11 9 28 14 15 16 1 1 2-2
1 0 10m 20m 50m 100m 8 17 24 24 Women 19. Quarantine Room 20. Kitchen 21. Dressing Room 22. Bathroom 23. Artists ' Residence 24. Artists ' Workshop 25. Artists ' Workstation 26. Equipment Room 27. Living Room 28. Office 29. Spa 30. Swimming Pool 31. Laundry 32. Sauna Room 33. Convenience Store 34. Meal Preparation Room 35. Display Area 36 Meditation Area & Yoga Area
Section
Hostel Room Type
The hostel is divided into four - person suites and eight - person suites
The four-person ensuite has its own ensuite, and the room is further divided into two separate rooms, which are used as a queen bed room and a double room. The two rooms are relatively private and have some space for communication.
Suites for eight people pay more attention to openness and people's communication. Once, although the suite of eight people is also divided into two rooms, but the two rooms have relatively strong connectivity, people in the two rooms can see each other's living conditions, but also have a common activity and work space.
Green Building Facilities
Hostel Plan - Suite for Four
Hostel Plan - Suite for Eight Artists' Residence Conversion
Removable Wall
Artists’Residence - for Artists
Artists’Residence - for Tourists
A OPENNESS
The building is equipped with a planted roof for roof insulation and a rainwater collection system for sanitation.
i. Suspended Ceiling Main Pipe Water Storage Tank Structure Details & Schematic of Rainwater Collection System Rainwater Collection Pipe Rainwater Collection Pipe Toilet Water Supply Pipe h. Concrete Roof g. Filling Layer f. Heat Insulating Layer e. Leveling Layer d. Sloping Layer c. Water Proof Layer b. Leveling Layer a. Soil Covering Layer 1. Planting Roof: Rainwater Collection Outlet 1 2 a. Exterior Finish 2. Overhanging Roof: b. Plaster c. Heat Insulating Layer d. Parapet Wall e. Concrete Roof f. Steel structure layer g. Exterior Finish
The artist workshop can realize the conversion of private space and public space through the disassembly and installation of part of the walls.
CAVE OF LIGHT
THE LIGHT AND SHADE OF GROTTOES
OPENNESS IN THE SEAM
HOSTEl
HOSTEL FOR ARTIST
Grottoes That Appear Gradually In The Twilight
The main concept is to outline the building in layers with linear and point light sources
First, use linear and point lights to express the outer contour of the multi-segment polylines of the building.
Secondly, the light from the internal light source of the building and some vertical lights are used to increase the sense of hierarchy.
Finally, combined with the lighting design concept, the overall adjustment of the light ratio of the light and the light-dark contrast relationship.
TWILIGHT IN THE GROTTOES
Memory of the land
-Monumental Architecture Design
Type: Group work (Contributed to the full design process, building 3D models. All of the indoor renderings and half of the analysis diagram)
Location: Cape Canaveral, United States
Project description: This project is located at Caravelle Point Air Force Base in the eastern United States. The base is located on Launch Complex 34, which has witnessed two important sub-events in aviation history, the Apollo I rocket fire and the first manned flight rocket launch. Through XR technology, the project serves as an experiential pavilion for the Apollo I accident and its impact on the history of spaceflight that followed.
04
The display content is divided into two parts, so two organizational modes are adopted. The problem of space can be transformed into three aspects for cognition, boundary, scale, and shape. Make distinctions between areas and control the streamline. For example, design an exhibition space in the plane part and a space in the vertical direction. This can ensure that the two parts are both independent of each other and closely connected in space. Ensure the continuity of visits .
Cape Caravelle Air Force Station
Important events of the Apollo program
The development process of the Apollo program
What happened to Apollo 1
Rocket launch site
Site leftovers Block lifting Tower generation Climate boundary Axis and streamline relationship Final plan relationship
First floor plan
view
Plan generation Block generation
Aerial
CHAPTER 1
Visitors enter the story from the first-person subjective perspective of the three crashed astronauts, and sit in their seats to experience the astronauts' operating procedures on the day of the crash.
CHAPTER 3
Fisrt stage: they can read background information of the accident.
Second stage: Experience in simulation cabin
Visitors can look into the hollow part of the disc and see the AR virtual rocket model of each part and the animation demonstration of the improved model based on the accident.
CHAPTER 4
They can walk through the 'rocket' (Cylinder) and watch the inside and outside the details of the rocket with VR technology.
Visitors can look at the outside part and see the AR virtual rocket combined with the real launch site to launch into space.
The story is the last to look forward to the future. You can use AR eyes to see the future development in this spiral tour route.
element 1 element 1 element 2 element 2
element 1 element 1 element 2 element 2
OUTSIDE INSIDE STORYLINE LAUNCH PROCESS SPRIAL SPRIAL
CHAPTER 2
Visitors enter the lower part of the tower, put on AR glasses, and enter the story from the first-person subjective perspective of the three wrecked astronauts, and feel the story decades ago on the rising ramp.
Visitors enter the lower part of the tower, put on AR glasses, and enter the story from the first-person subjective perspective of the three wrecked astronauts, and feel the story decades ago on the rising ramp.
Visitors enter the second part of the tower, which is divided into an inner circle and an outer circle, where visitors can feel the proportion and structure of the real rocket.
Visitors enter the second part of the tower, which is divided into an inner circle and an outer circle, where visitors can feel the proportion and structure of the real rocket.
At this time, the tour route has risen to the middle and upper floors of the tower, and tourists can look outside to see the AR virtual rocket launch into space combined with the real launch site.
At this time, the tour route has risen to the middle and upper floors of the tower, and tourists can look outside to see the AR virtual rocket launch into space combined with the real launch site.
At this time, the tour route has risen to the highest level of the tower, and people can experience the development of future aerospace technology in the spiral route.
At this time, the tour route has risen to the highest level of the tower, and people can experience the development of future aerospace technology in the spiral route.
STAGE 1--"Substitute"
STAGE 3--"Feeling"
STAGE 3--"Feeling"
STAGE 1--"Substitute"
STAGE 2--"Absorb"
STAGE 4--"Future"
STAGE 4--"Future"
STAGE 2--"Absorb"
Yu Zhen Tang (Short Feature, 10'56) Click here to see the film
Gaffer and Architect
•Logline: A young lady who is paranoid that a doctor at YuZhenTang (a Chinese medical clinic) killed her mother and embarks on a revenge plan to get the criminal into prison.
•Worked as the gaffer and combining scene lighting design and architectural space design. Using architectural knowledge to help the crew complete the structural design and construction of the shooting scene.
•Related awards: New York Cinematography Awards -Best Film Lighting.
Galloping With Future (Promotion, 6'28) here to see the Film
Gaffer
•Published at the Xi'an JiaotongLiverpool University's 15th anniversary event and official account
•Worked as the gaffer and complete the lighting work the lighting design in the early stage of the project to the process of project implementation.
05 Other works selection
Design process
Jiaotongofficial public from early whole implementation.
Dialogue with Master Zhao, the carpenter
(Documentary,3'02)Click
here to see the film
Gaffer and Photographer
•Published on the official account of "GRID" magazine of the Department of Architecture of XJTLU
Dawn
(Documentary,9'58)Click
here to see the Film
Gaffer and Photographer
•Related awards: The 10th Academy
Award of the Film and Television
Society of China Colleges and Universities-Documentary Unit
Second Prize
Behind the scene
Film
Future Click