Timber Design & Technology Middle East - March 2019 by Andy MacGregor

LUO Studio reuses wooden beams and rafters to build pergola for Luotuowan village American tulipwood pavilion showcased at the Design Museum as part of David Adjaye: Making Memory Malaysian Timber Council - strengthening Malaysian timberâ&#x20AC;&#x2122;s global presence SPINN Arkitekter and FORMAT Engineers collaborate on stunning new mountain hiking cabin above the Arctic Circle Studio RHE creates a 10-storey engineered timber atrium at the heart of a London office building

EDITOR’S NOTE Longfu Life Experience Center: © Jin Weiqi

March 2019 Issue 42 PUBLISHER Andy MacGregor publisher@citrusmediagroup.net +971 55 849 1574 MARKETING DIRECTOR Eric Hammond marketing@citrusmediagroup.net +971 4 455 8400 INTERNATIONAL SALES DIRECTOR James Hamilton james@timberdesignandtechnology.com EDITOR Tony Smith editor@timberdesignandtechnology.com

Timber Design & Technology is published 4 times a year

by Citrus Media Group (powered by WillyMac Associates FZ LLC) Level 14, Boulevard Plaza - Tower One, Emaar Boulevard, Downtown Dubai, PO Box 334155, Dubai, UAE Is designed by dozign and is printed by SUQOON Printing Press & Publishing Great care is taken to ensure the accuracy of the contents of Timber Design & Technology but the publishers accept no responsibility for any errors or omissions. All contents are © 2019 Citrus Media Group and may not be reproduced in any form without prior consent. Letters and readers’ contributions may be edited at our discretion.

Welcome to the first issue of 2019. We kick things off in China where LUO Studio have reused wooden beams and rafters to build a pergola for the Luotuowan village. As a part of the renovation project, one of the interventions involved the installation of a pergola to provide a shaded gathering space atop an existing escarpment built to negotiate a change in level within the village. During the village renovation process, a large number of wooden beams and rafters were dismantled and left over. In response, LUO Studio's design used the village's discarded timber to create a geodesic tunnel that also serves as a sheltered community gathering space. A collaboration first presented in 2008 by the American Hardwood Export Council and Sir David Adjaye is part of an exciting new exhibition at the Design Museum, London. Sclera, originally commissioned for the London Design Festival, is one of seven projects featured in David Adjaye: Making Memory, which runs February 2 to May 5, 2019. In the issue, we take a look at the Sclera exhibition at the Design Museum, which has been replicated following the original drawings by craftsman makers Benchmark. Measuring 4.5 x 3.4 meters, the fragment invites visitors to get a glimpse at what the original experience inside the pavilion was like, and to explore the look and tactility of the tulipwood. Interzum returns in 2019 and is once again the provider of impulses in 2019 for the design of the living spaces of tomorrow. The most innovative products, new technological developments and innovations in materials are being presented at the largest industry event worldwide. We explore the ‘Surfaces & Wood Design’ piazza, which will present product solutions for interior architecture and the furniture design of tomorrow in relation to the topic of surfaces. The piazza is divided into sections addressing the key words ‘Sustainability’, ‘Customized’, ‘Haptic’, ‘Lightweight’, ‘Digital Printing’, ‘Anti-Fingerprint’ and ‘Wood & Stones’ and we cannot wait to visit the show later this year. This issue also features two special supplements on behalf of the American Hardwood Export Council (AHEC) and Canadian Wood, who have supported the magazine from the outset. As always, I would like to encourage you to log on to the website - www.timberdesignandtechnology.com - for the latest updates and please get in touch if you have any suggestions for subjects we should consider covering. In closing, I would like to thank our advertisers, our partners and our readers, and look forward to meeting you at the Dubai WoodShow 2019.

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CONTENTS

12 SUSTAINABILITY

68 TECHNOLOGY

LUO Studio reuses wooden beams and rafters to build pergola for Luotuowan village

SCM machinery helps Cherwell improve quality, accuracy and productivity

16 ANALYSIS

70 TECHNOLOGY

American tulipwood pavilion showcased at the Design Museum as part of David Adjaye: Making Memory

Biesse's SOPHIA continues to be a rapidly evolving artificial intelligence platform

20 ANALYSIS

74 TECHNOLOGY

Interzum 2019 puts the focus on surfaces and materials

HOMAG partners with IVM Chemicals to build future-oriented advice center for surface finishing

31 COMMENT

76 WOOD WORKS

Malaysian Timber Council - strengthening Malaysian timber’s global presence

Sebastian ErraZuriz unveils the latest pieces from his ‘Mechanical Cabinet’ series at New York's R & Company

SUPPLEMENTS

23 CANADA WOOD

DESIGN & DECOR

43 AMERICAN HARDWOODS

34 LONGFU LIFE EXPERIENCE CENTER

40 VARDEN

GERMAN TECH MACHINERY TO DEMONSTRATE ITS OUTSTANDING EXPERTISE IN SOLID WOOD PROCESSING AND PANEL PROCESSING AT THE DUBAI WOODSHOW 2019

A pioneering development in this area is the WEINIG App Suite. Four additional applications have been integrated into the latest generation. The central themes are productivity and maintenance for the purpose of greater machine availability. This includes analysis and evaluation of production data as well as predictive maintenance. A particularly valuable feature for customers is the cockpit, which will be optimized for the individual requirements and most important processes of the user. This will allow businesses to work more efficiently and schedule maintenance breaks even better.

Image © GTM

A Weinig Powermat 700 will also be exhibited at the show. The Powermat 700 is designed with a revolutionary new operating concept which no other moulder can offer. The results include improved ease of operation and very short setup times that offer the highest degree of flexibility. With these outstanding qualities, the new Powermat is the perfect response to the market demands of today and sets a new standard for four-sided processing.

Image © GTM

On a 150sqm stand, German Tech Machinery, the leader for solid wood and panel processing will display a total of 7 exhibits for small businesses and industry, with a special focus on Industry 4.0. In the virtual tour of Weinig Solid WF, stand visitors will have the opportunity to look inside a Conturex system with the highest level of equipment using 3D glasses. Cutting-edge technology, integrated production and networking in the Weinig W 4.0 digital standard will come together in the ‘virtual reality corner’ to provide a spectacular experience.

Image © GTM

German Tech Machinery also will demonstrate the latest technology of Edgebanding on their stand. Live demonstrations on the Holz-Her Sprint 1329 will be available throughout the event. A highlight of this machine is the patented HOLZ-HER GluJet glue application system, which ensures extremely short heat-up times of only 3 minutes and high strength joint connections by injecting the glue under high pressure. Moreover, it allows use of waterproof PUR glue or EVA as well as various glue colors in cartridge or granulate form as a standard feature. A universal Sanding machine will also be on display and will be available for live demonstrations throughout the event. The WEBER KSN series is a completely redesigned automatic sanding machine for wood sanding, veneer sanding and lacquer sanding for artisans and industry. Up to 4 sanding stations allow for all machining variations. The design of the WEBER KSN demonstrates a new wood sanding dimension - not only visually. Thanks to uncompromisingly clean lines and ergonomically well-designed, the WEBER KSN is one of the most modern automatic sanding machines on the market. Visitors will also have the chance to catch one of many live demonstrations of GTM’s Lamello System. An innovative system to do all sorts of connections easier, stronger and more efficient, the suiting system is available for everyone. Whether it is a CNC controlled factory or a single man workshop, GTM promises to have the right connection system for customers.

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Image © DOMOTEX Asia/China Floor

DOMOTEX ASIA/CHINAFLOOR - THE LARGEST FLOORING TRADESHOW IN ASIA PACIFIC RETURNS FOR 2019 EDITION

From March 26 - 28, 2019, the floor covering industry will meet again in Shanghai to see the newest products and innovations in the world of flooring at DOMOTEX asia/CHINAFLOOR. This year’s show has attracted over 1,500 exhibitors from 40 countries spread out in 15 exhibition halls covering a total gross exhibition area of 175,000 square meters. InnovAction will hold its 7th edition in 2019 covering new products from 18 companies, which will compete to win one of the 2019 Best Products Awards. The other professional forums include events such as the World Flooring Forum, Luxury Brands Carpet Show, Chinese Original Carpet Design Show and MaterialDistrict. One day before the official opening of its 21st edition, the organizers of DOMOTEX asia/ CHINAFLOOR along with China National Forestry Industry Association are hosting the international Wood Flooring Forum 2019. The Forum will give wood flooring manufacturers, buyers and associations an overview of the opportunities and obstacles in the international wood flooring market addressing topics such as legal, trade and environmental issues affecting the flooring industry. The dedicated international buyer delegations underline the show’s international importance in the global flooring industry. An Australian delegation will be hosted for the second time; a hosted buyer program for wood and bamboo flooring will bring professionals from all around the world to conduct B2B meetings with exhibiting manufacturers; just as importantly, co-organized by Treniq international interiors network, the international crew of 20 flooring buyers will tour the carpet and wood halls. The wood flooring sector will present the latest innovations in solid

wood, engineered wood, laminate, cork, bamboo, and WPC flooring. International companies like Swiss Krono, Classen, Kaindl, Faus, Parador, Alsapan, Balterio, Berry Alloc, Quickstep, Granorte, Home Legend are gathering in Halls E1 and E3 to expand their business in Asia Pacific. At the same time, Nature, the famous domestic wood flooring brand, returns to the Shanghai show. Last, but not least, the solid wood heating flooring pavilion will have famous brands such as Teclic, Bloor, Yanni, Jinyi, Linchang, Minghe, Nuogao, Moganshan, and Jinxiang. The country pavilions from Iran, Turkey and India are returning to the show with a significantly increased space. In addition, the Afghanistan pavilion has expanded from 171 to 355 square meters. Belgium, Germany and the Netherlands are also coming back to the show to present a large variety of products including but not limited to machine-made carpets and rugs. In 2019, the resilient sector is expanding to a total of 5 Halls with famous international brands like Gerflor, Armstrong and LG Hausys returning to the show. The SPC flooring market continues to grow with even more attending exhibitors compared to last year’s show. Another highlight of DOMOTEX asia/CHINAFLOOR will be E7 that was specifically created for sports flooring presenting all kinds of new products. WPC indoor and outdoor flooring has become another new trend in resilient flooring. The FLOORTECH asia display area has more than doubled in size and will occupy over 21,000 square meters across two exhibition halls this year. In Hall E5 specifically, domestic companies such as Qingsu, Zhisheng Machinery and JWELL will be launching their newest products at the exhibition.

Image © Strategic Marketing

14TH DUBAI WOODSHOW GEARS UP TO LINK OPPORTUNITIES FOR WOOD AND WOODWORKING MACHINERY INDUSTRY AHEAD OF EXPO 2020 DUBAI

Dubai WoodShow anticipates at least 10,000 specialized professionals as it holds its fourteenth edition from March 12 - 14, 2019 at the Dubai World Trade Centre. The Dubai WoodShow is the world’s leading platform for wood and woodworking machinery where year on year, more business opportunities are linked between and among stakeholders. This year, Dubai WoodShow braces itself as the surge in demand in wood and woodworking machinery is expected to reach USD 2.4 trillion ahead of Expo 2020 Dubai. This would be ideal for exhibiting companies, with significant advantage to first time exhibitors, as the gateway for global opportunities will be opened during the course of three days. To bridge this gap in supply and high demand, Dubai WoodShow is poised to encourage suppliers from across continents to meet and secure business with buyers in one conducive environment dedicated to the needs and demands of the industry. Held annually, the Dubai WoodShow features wood and woodworking machinery products and related brands including hardwood and softwood, woodworking machineries and tools, flooring, plywood, veneer, MDF, laminates, boards, wood supplies, furnishings and fittings, paints, adhesives, and glues. Last year’s high points include millions of dollar worth of secured deals made mostly through its country pavilion feature availed by USA (American Hardwood Export Council), China, Italy, Russia (Russian Timber Industry), Canada (Quebec Wood Expert Bureau), Finland, and Turkey (Woodworking Machinery and Side Industries Businessmen Association or AIMSAD). The unique integrity of Dubai WoodShow, as in all other WoodShow series which are being held in other major cities, is its unshakeable commitment to improve and sustain the growth of the wood industry and consequently its related sectors. Held annually, Dubai WoodShow focuses beyond ensuring that sales and deals are made, but also on safeguarding against rapid changes and developments by preparing industry readiness. One fine area where Dubai WoodShow has been found highly competent is in linking opportunities between and among stakeholders. In every staging of the show, millions of deals are made by linking existing demands with quality supply at competitive rates. Housed under one

roof, a number of B2B meetings are conducted during the event where decision-makers themselves discuss and speedily arrive at a mutually beneficial business agreement. Industry challenges would be the second core area that Dubai WoodShow has shown its prowess. Through its global presence and wide network of industry players, Dubai WoodShow gathers insights which are then analyzed and where solutions are drafted within the operational capacity of the event. These solutions are offered to industry players as the event’s gesture of commitment to the industry. Such a case would be the assessment of governing policies that would enable industry growth and where protection and preservation of forestry is not compromised. Where low operational capacity is of utmost concern, Dubai WoodShow visitors can get the first-hand experience on how technological solutions can work to their advantage. As many businesses across sectors realize the advantage of disruptive technologies to their brand or product, so should specialized industry such as wood and woodworking machinery as they can enjoy a leap forward in terms of increased productivity and efficiency utilizing technological solutions offered at the event. Awareness of their competitive advantage, or lack thereof, is realized during one exclusive event where local, regional, and international competitors are present under one roof. The pulse of the buyers is felt thus equipping an exhibitor to review its sales and marketing scheme and attract their share of the market, thereby increasing their business bottom line. Top nationalities at Dubai WoodShow include visitors from the United Arab Emirates, Pakistan, Saudi Arabia, India, Oman, Bahrain, Kuwait, Algeria, Egypt, and Lebanon, along with event partners European Committee of Woodworking Machinery Manufacturers (EUMABOIS), Italian Woodworking Machinery and Tools Manufacturers’ Association (ACIMALL), AFEMMA- a national non-profit association representing woodworking equipment companies in Spain, AIMSAD, American Hardwood Export Council, Quebec Wood Export Bureau, Lunjiao Woodworking Machinery Association, and Association Technique Internationale des Bois Tropicaux (ATIBT).

www.interzum-guangzhou.com

LUO Studio reuses wooden beams and rafters to build pergola for Luotuowan village LUO Studio creates a geodesic tunnel that also serves as a sheltered community gathering space

Image Â© Jin Weiqi

Image © Jin Weiqi

Located at Longquanguan Town, Fuping County, Hebei, Luotuowan Village borders Shanxi Province, at the foot of the north side of Taihang Mountains. Surrounded by mountains, transportation to the village was a challenge and this held back the village’s economic development, which also resulted in an increasing number of dilapidated houses. Like many parts of rural China, the village suffered a period of decline and neglect in recent decades, as the country's focus shifted towards its expanding cities.

it was easier to implement and most of the residents were middle-aged and elderly people.

However, a recent injection of investment by the local government meant the end of their neglect. The allocation of financial and material resources to renovate and construct houses in the village and help it shake off poverty was given the green light and villagers were allowed to choose a traditional wooden roof or roof made of cast-in-situ concrete for the house. The latter solution was preferred because

Alongside the investment in housing, a series of improvements to infrastructure and public space were proposed as part of the village's renewal. One of these interventions involved the installation of a pergola to provide a shaded gathering space atop an existing escarpment built to negotiate a change in level within the village. The village was built through reclamation of mountain and

During the village renovation process, a large number of wooden beams and rafters were dismantled and left over. Previously, the wood waste would have been used to make fires for heating and cooking purposes. However, recognizing the environmental impact of burning the beams whilst also trying to prevent forest fires, the dismantled beams and rafters of various sizes were left unused.

wasteland, so there were many slope protection structures and scarps. As such, the villagers intended to have a pergola over a long scarp with cement column piers along both sides, for them to have a rest in the shade. According to the original plan, heavy square steel bars and large timbers were identified as the main construction materials, which needed to be purchased and transported from other counties or city markets and required a professional construction team and utilization of crane. Significantly, the flat area at the site was too narrow to operate heavy machinery, which meant it was dangerous for people and livestock should an accident occur. In response to the above, LUO Studio's design used the village's discarded timber for a simpler and more convenient solution. Richard Buckminster Fuller summed up his concept on technology and human

development: ‘Dymaxion’, which means maximum gain of advantage from minimal energy input. As for construction activities, ‘dymaxion’ can be interpreted as ‘building the largest space and the most solid structure with minimal material use’. According to LUO studio, the design philosophy of ‘dymaxion’ actually resonates with the concept of rural construction. Today, many Chinese villages present a unique built landscape, which was created by generations of villagers who had the wisdom to make the best use of local materials and maximize functions with minimal input. The overall design was engineered so that more wood waste could be reused, and the actual construction work could be carried out by the villagers themselves. Wooden rod units constitute the structural system, which

By retaining the original length of the timber beams, the architects were able to create a structure that is well integrated with the surrounding mountains. Wooden beams were reclaimed from demolished houses of various depths, so the lengths of these beams were different. They didn’t cut or lengthen any beam. Instead, they took into account the tolerance of length variation and ingeniously arranged the position of each wooden unit. In this way, a flexible pergola structure which conforms to materials as well as the mountainous surroundings has been created.

Image © Jin Weiqi

enhances stability and enables a larger space. The structure also features a grid system that improves its performance in withstanding forces of nature, hence ensuring greater safety for a long period of use. With such construction scheme, LUO studio saved costs and improved efficiency.

Image © Jin Weiqi

American tulipwood pavilion showcased at the Design Museum as part of David Adjaye: Making Memory Sir David Adjaye OBE explores the role of monuments and memorials in the 21st century through seven of his projects

Image ÂŠ Ed Reeve

British-Ghanaian architect Sir David Adjaye OBE will explore the role of monuments and memorials in the 21st century through seven of his projects. He will examine the idea of the monument and present his thinking on how architecture and form are used as storytelling devices. This exhibition shows that contemporary monuments are no longer static objects in a field - plaques, statues or neo-classical sculptures - but are dynamic and complex spaces

that serve a wider purpose. A fragment of the Sclera pavilion will be showcased in one of the exhibition rooms. The original Sclera was an elliptical 12 x 8 meter American tulipwood outdoor pavilion located near the river Thames on the Southbank Centre Square. Inspired by the human eye, it was an exploration of form and space, and was designed as a public room in the heart of the city that could be simultaneously calming and uplifting - an immersive urban monument about slowing down in order to see and understand the world better. The fragment at the Design Museum, which has been replicated following the original drawings by craftsman makers Benchmark, measures 4.5 x 3.4 meters and will invite visitors to get a glimpse at what the original experience inside the

Image ÂŠ AHEC

A collaboration first presented in 2008 by the American Hardwood Export Council and Sir David Adjaye will be part of an exciting new exhibition at the Design Museum, London. Sclera, originally commissioned for the London Design Festival, will be one of seven projects featured in David Adjaye: Making Memory, which runs February 2 to May 5, 2019.

“I wanted to think about the role of sacred spaces, respite spaces, quiet monuments that played a certain role in our cities and maybe have now become more formal as religious spaces. I wanted to really find a way in which we could make a space that didn’t have the connotations of religion or formal monuments but one that could just allow citizens to retreat from the bustle of everyday life. Timber, such as tulipwood, brings a sense of calm and being amongst nature when surrounded by it,” added Adjaye.

Image © AHEC

“Working with tulipwood timber allows to really bring out a series of positive and negative forms together. The architecture looks opaque and solid as you approach it, you think it’s a sealed room that dissolves as you enter. You realize that it is a moment where your heightened feeling of light and air are brought into the fore and the visual world is taken away from you,” said Sir David Adjaye.

Image © AHEC

pavilion was like, and to explore the look and tactility of the tulipwood.

“Making the Sclera structure for the David Adjaye Show at the Design Museum gave us an opportunity to use American tulipwood at scale and in a really beautiful installation,” says Sean Sutcliffe, founder and MD of Benchmark. “We always welcome the opportunity to

Image © AHEC

“We are delighted that Sir David Adjaye OBE has selected Sclera as one of the monuments to be included in the Design Museum's exhibition. Sclera was our first structural experiment with American tulipwood, as well as our first collaboration with the London Design Festival. We have since gone on to push the species’ boundaries through research and various other landmark projects with LDF," said David Venables, European Director of AHEC.

make things with tulipwood, not just because it works really well, both machining and handwork are a joy, but significantly because tulipwood is a massively undervalued resource. It is plentiful in the North American forests, fast growing and highly sustainable as a material. It has good strength to weight properties and good stability. Quite why it has been historically so undervalued is a mystery to me, but at this point in time it is a good value hardwood.” American tulipwood is one of the most prolific hardwood species from the U.S. hardwood forests and is unique to North America. In 2008, American tulipwood had mostly been used for indoor applications, so Adjaye's preference for this species for outdoor use was significant. Adjaye exploited one of American tulipwood's key characteristics: to create the pavilion’s wooden flooring of extremely long strips set along the greatest length of the ellipse. The extensive stretch of single-piece floorboards accentuates the wood’s varying natural hues, inviting visitors to walk the full length of the pavilion. These regular flooring strips contrasted with the walls and ceiling to bring out the dynamic effect of light filtering onto the wood surfaces. Tulipwood is sourced from the Eastern United States, where the hardwood forest area is expanding at a rate of one football pitch every minute, and already exceeds 110 million hectares, equivalent to the combined area of France and Spain. This makes the material both sustainable and environmentally friendly, especially as it is one of the most abundant American hardwoods - accounting for 7.7 percent of the total standing volume in U.S. hardwood forests. Every year, even after harvest, the volume of tulipwood in the U.S. forest grows by 19 million m3, the equivalent of over 19 Olympic swimming pools per day.

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Interzum 2019 puts the focus on surfaces and materials ‘Surfaces & Wood Design’ piazza along with the ‘Disruptive Materials’ piazza to showcase innovative products, new technological developments and innovations in materials

interzum is once again the provider of impulses in 2019 for the design of the living spaces of tomorrow. The most innovative products, new technological developments and innovations in materials are presented at the largest industry event worldwide. The entire industry is here to experience product premieres and to have a look into the future: in addition to the new products of the exhibitors, the four piazza of interzum will once again be the trend hot spots of the event. The ‘Surfaces & Wood Design’ piazza presents product solutions for interior architecture and the furniture design of tomorrow relating to the topic of surfaces. The ‘Surfaces & Wood Design’

piazza is being curated by interior designer and trend expert Katrin de Louw, who, with her Trendfilter® agency, was responsible for a special exhibition on the topic of surfaces at the last edition of interzum. “Our aim is to make it possible for people to experience the manufacturers’ latest developments first hand, and to focus in particular on the most important from the great quantity of new developments,” says Katrin de Louw. To achieve this, she has further developed the area’s experience character: steel reinforcement mesh is used to stage the exhibits with a cool and casual look. Around large tables, visitors can now

experience and touch samples and prototypes and gain concentrated insight into the huge range of possibilities that carrier materials and surfaces offer customers. The piazza is divided into sections addressing the key words ‘Sustainability’, ‘Customized’, ‘Haptic’, ‘Lightweight’, ‘Digital Printing’, ‘Anti-Fingerprint’ and ‘Wood & Stones’. It is not just wood and wood materials that are presented at the special exhibition, but also related product groups such as furniture handles or upholstery and decor fabrics. With the relocation of the lecture area to hall 04.2

and into the new 'Speakers' Corner', the special event is now also significantly larger in area in comparison with interzum 2017. This will allow visitors to experience even more of the greater diversity of cutting-edge carrier materials and surfaces at the special exhibition and at the lectures of renowned experts and exhibiting companies. However, the piazza concept is not only the place where trend themes are being adopted and made available for visitors with products, but is instead, reminiscent of an Italian piazza, the central communication point within the trade fair. "The piazzas have considerable significance

Image ÂŠ Koelnmesse GmbH

Disruptive Materials Piazza: interzum presents the materials that are transforming the world Innovative materials and developments in materials technology have influenced humanity since the beginnings of time. Incremental advances lead

Image ÂŠ Koelnmesse GmbH

in the overall composition of interzum", says Maik Fischer, Director of interzum. "There, visitors can acquire an overview and then selectively visit the individual exhibitors. The success of this concept is demonstrated by the enormous popularity of the piazzas. This year we have also therefore decided to expand the exhibition area."

old systems entirely.

Image © Koelnmesse GmbH

“In contrast to material innovations, disruptive materials have far-reaching effects,” explains Dr. Sascha Peters. “While innovations enable the further development of an existing market, disruptions create a new one. For consumers, the effect of a disruptive change can usually only be felt some time later.” The exhibition is divided into four large themed areas: Biological Transformation, Resource Efficiency & Sustainability, Digital Materials & Smart Systems,

Image © Koelnmesse GmbH

with companies that produce leather from various plant fibers. This will be accompanied by research findings from a number of universities in fields such as "Baubotanik" - using plants to build living structures.

furniture production and interior construction should head to interzum 2019. The Berlin trend forecasting agency HAUTE INNOVATION has chosen the slogan ‘Disruptive Materials - Changing the Future’ for its showcase of some of the latest material innovations and disruptive technologies at interzum 2019. Dr. Sascha Peters, the agency’s founder and an expert in material innovations, is curating the special exhibition and has good reasons for picking this name. It is taken from the term ‘disruptive technologies’, used in digital technology to describe innovations that replace

The third themed area is devoted to lightweight construction and resource efficiency. The manufacturers presenting their developments in this section include Andrea Mocellin from Italy with his foldable vehicles and the German company Lightweight Solutions, which, true to its name, will be exhibiting an extremely material-efficient lightweight construction material. The fourth and final section focuses on production-related material

innovations. It will shed light on future issues such as 3D-printed houses or e-bikes made from plywood. interzum is a source of inspiration for the design of tomorrow’s living spaces, and with the Disruptive Materials Piazza, it is looking to the future. “An event that sets out to be a world-leading trade fair must meet demanding criteria. It must be international; it must enable exhibitors to make successful deals and to raise their profiles - and it must look ahead to the future,” says Maik Fischer, Director of interzum at Koelnmesse. “interzum covers all these aspects, with a strong focus on the future in the themed piazzas.”

and Production-Related Material Innovations. With more than 100 exhibits across roughly 400 square meters of exhibition space in Hall 04.2, the Disruptive Materials Piazza is set to be one of the major attractions at interzum. In the first section, Digital Materials & Smart Systems, visitors will have a chance to view heatable textile surfaces, magnetic woods and sofas that double as carbon loudspeakers. The environmental aspect is well represented in the second section in the form of bio-based materials and natural growth processes. Here Dr. Sascha Peters and Koelnmesse have partnered

Image © Koelnmesse GmbH

to huge changes in technology and society. If researchers and the directors of major, successful international companies can be believed, we are on the verge of the next significant change. Thanks to advances in materials research, the features and functions that will produce a new generation of products are becoming a reality. Industry can increasingly expect to see innovative materials that are lighter, thinner, more compact, more flexible or more wear-resistant. All those who want to discover the new opportunities that materials research is opening up for

Image © BCFII

Global Lumber Resources Inc. Goodfellow Inc. Quebec Wood Export Bureau Renē Bernard Inc. SPF Precut Lumber

Image © BCFII

“The Convention is really the trade event to be where all North-American and international wood manufacturers and buyers can meet in the same place at the same time. Participants can attend industry seminars on economy and wood markets, visit the exhibit hall, hear a keynote speaker and network”, says the manager of the event, Sven Gustavsson, from the Quebec Wood Export Bureau, one of the four organizing industry associations. For program and registration, please visit: www.montrealwoodconvention.com

Image © BCFII

The Montréal Wood Convention 2019 will take place from March 19-22 at Fairmont The Queen Elizabeth hotel in Montréal. The 2018 edition brought together nearly 1,000 participants and more than 110 exhibitors. In addition to Canadians from 7 provinces and Americans from 26 states, the Convention welcomed visitors from 9 overseas countries.

Image © BCFII

The Montréal Wood Convention

Image © BCFII

Global Buyers Mission The 16th Annual Global Buyers Mission (GBM) will be held in Whistler British Columbia (B.C.) Canada from September 11-13, 2019 and is expected to attract over 800 delegates from all over the world. An invitationonly event, GBM is designed to bring together international buyers of wood and value-added wood products with Canadian manufacturers. The event is a great opportunity to meet with Canadian manufacturers of products that include engineered wood products remanufactured items and components pre-fabricated housing and structures log / post & beam / timber-frame homes and structures millwork & finished building products and specialty lumber including Western Red Cedar - all showcased in a comfortable networking environment.

Image © BCFII

For program and registration please visit: www.bcwood.com/events/global-buyers-mission

Image © BCFII

Canadian Wood – the Foundation for Modern, High-quality and Sustainable Design High quality wood from Canada’s sustainably managed forests lends itself to a variety of applications, both structural and aesthetic, bringing warmth and natural beauty to your interior and exterior designs

The virtues of Canadian Wood Canadian hardwoods and softwoods are a renewable natural resource with many virtues. Wood is structurally strong, has load bearing properties, and its versatility, beauty and durability make it a material of choice for designers, specifiers and architects. Wood is a natural insulator that keeps you cool in summers and warm in the winters. This reduces the overall consumption of energy for any space, further reducing the carbon footprint of a building. A new generation of engineered wood products, modern software and new connection hardware are helping Canada’s wood products industry meet the growing demands of the construction sector and designers. More than ever, Canadian wood product manufacturers can tailor structural wood components to meet the needs of a project and allow designers to create eye-catching architectural features, customize furniture, and other interior finishing elements that reflect the values of their customer. Lastly, in Canada, laws and regulations ensure public forests are sustainably managed, and safeguard that our wood products come from legally harvested sources. This enables Canadian wood product manufacturers to obtain environmental certifications for their

products and assures consumers that they are receiving goods that comply with world-recognized standards for sustainable forest management.

Nature’s canvas The versatility of wood as a building material means it can take on many shapes and colours. Superior physical and working properties allow Canadian wood to be bent into different forms, carved or assembled with glues, nails or screws. Canadian wood can be sanded to a smooth finish and easily takes on stains. Wood species that are not inherently termite resistant can be treated to exhibit high resistance to termite, rot and decay. Canadian wood lends itself to both contemporary and traditional aesthetics. Wood adds a feeling of subtle opulence and warmth to any space with its natural grain, texture and colour. Like a blank canvas, wood allows designers to create a range of looks by simply altering its form or finish. Light or dark, wall panel or flooring, furniture or cabinetry, structural or interior finishing, wood is the material of choice for modern, high quality, sustainable design. * Sections reprinted with permission from Forestry Innovation Consulting India Pvt. Ltd. (FII India), http://www.canadianwood.in

Global Lumber Resources Inc. Booth number: D152

Named among the fastest growing companies in Canada, Profit Magazine rated Global Lumber as one of Canada’s top 50 firms. Global Lumber Resources Inc is Canada’s progressive Hardwood Lumber Company, providing consistent high quality lumber, veneer and wood panels to international markets. We are FSC and PEFC certified and we maintain stock of FSC & PEFC certified materials at our 200,000 Sq Ft facility at Jebel Ali Free Zone, Dubai UAE.

Image © Global Lumber Resources Inc.

EXHIBITOR PROFILE 27

and offers extensive experience and stocks of LEED certified wood and panels. Our people are trained to help clients with their project documentation, technical details, submittals and test reports. Products we carry include Hardwoods, Softwoods, No Added Formaldehyde MDF, NAUF Plywoods, Veneers and Laminates.

Contacts

Geared to cater to the Joinery and contracting industry in the GCC, our local distribution facility means zero lead time for urgent needs while customer’s planned requirements can still be met by direct shipments from our stocks in Canada/ US.

Zulfiqar A. Ghumman Director, Export Sales zag@globallumber.net

Global Lumber is member of the US Green Building Council (USGBC)

www.globallumber.net

Goodfellow Inc. Goodfellow Inc. has been processing and exporting wood since 1898. We dry, grade and process wood at our 4 facilities in Quebec. Our wood is kiln-dried using controlled processes on the cutting edge of technology. - Traditional drying and vacuum drying - National Hardwood Lumber Association (NHLA) approved Grading Staff - Forest Stewardship Council® (FSC®) certified hardwoods are available in most species

Image © Goodfellow Inc.

Booth number: B162

Contacts Jean Knittel Export Sales Manager jknittel@goodfellowinc.com www.goodfellowinc.com

Radhakrishnan Kandamath Regional Head, Dubai Office rk1@globallumber.net

Booth number: B164 The Quebec Wood Export Bureau (QWEB) is a non-profit organization showcasing wood products from Quebec, Canada, in export markets. Representing more than 125 manufacturers in different sectors, the QWEB provides you with direct access to Quebec's vast array of wood products: softwood and value-added softwood; hardwood and valueadded hardwood; light wood frame components, massive wood frame and engineered wood; wood flooring; and wood pellets. QWEB services: - Connect buyers with suppliers - Provide technical and promotional information about wood products and the companies that manufacture them - Tell you the characteristics and uses of products - Inform you on codes and standards of products

Contacts Sven Gustavsson Softwood Manager sgustavsson@quebecwoodexport. com www.quebecwoodexport.com

Renē Bernard Inc. Booth number: B166 René Bernard Inc. is a family owned business in its third generation operating out of Beauceville, Québec since 1966. We specialize in Eastern white pine lumber kiln dried, and pitch set. Our productions: white pine in 4/4”, 5/4”, 6/4” and 8/4” heavy sawn; white pine timbers up to 16”X16” rough or dressed; spruce dimension: 2X8, 2X10 and 2X12. Our operations consist of 2 sawmills, 3 separate kiln areas, and planning facilities located south of Quebec City, Canada. We sell throughout North America and overseas.

Bruno Couture Hardwood and Flooring Manager bcouture@quebecwoodexport.com

Image © Renē Bernard Inc.

Quebec Wood Export Bureau

Image © Quebec Wood Export Bureau

28 EXHIBITOR PROFILE

Contacts Peter Dupuis Sales Coordinator peter@renebernard.com rbinc@renebernard.com www.renebernard.com

EXHIBITOR PROFILE 29

Booth number: B160 Established in 1990, SPF Precut Lumber is an award-winning exporter and remanufacturer of Canadian wood products, based in British Columbia, Canada. A world leader in lumber export, SPF Precut Lumber exports 200 million board feet of lumber to 20 countries around the globe; promotes Canadian softwood lumber by developing ‘blue ocean’ markets; and supports the environment, industry peers, and the community. For nearly three decades, SPF Precut Lumber has connected its global partners to on-grade wood products with the fastest delivery times, the most competitive pricing, and the largest access to supply of Canadian softwood lumber on the principle of respecting, valuing, and honoring partnerships - international and local alike. This philosophy, history, and work ethic has made SPF Precut Lumber the largest exporter of Canadian softwood lumber products to the Middle East.

Image © SPF Precut Lumber

SPF Precut Lumber

Contacts Muhammad Amir President amir@spfprecut.ca

Mo Amir General Manager moamir@spfprecut.ca

www.spfprecut.ca

Every day, leading companies and organizations from around the world turn to Canada as their trusted business partner. The Canadian Trade Commissioner Service (TCS) is the strategic link to finding the right Canadian partners to match your specific requirements for procurement, investment, innovation or education. The Canadian Trade Commissioner Service has a network of offices located around the world in over 160 cities. We can introduce you to Canadian firms that are ready to do business in your market.

Visit tradecommissionner.gc.ca to find a Canadian trade commissioner in your market. For the United Arab Emirates, contact the Trade Commissioner Service at UAECommerce@international.gc.ca. For forestry products, you can also contact Dominic Leboeuf, Trade Commissioner at dominic.leboeuf@international.gc.ca. Booth No: B168

CANADA, A LEADER IN SUSTAINABLE FOREST MANAGEMENT.

COMMENT

Malaysian Timber Council - strengthening Malaysian timberâ&#x20AC;&#x2122;s global presence

Image ÂŠ MTC

Inaugural Malaysian Wood Expo to draw top exhibitors and buyers

To promote the development and growth of the Malaysian timber industry, the then Ministry of Primary Industries (MPI) established the Malaysian Timber Council (MTC) in January 1992. MTC has been mandated by MPI to take the lead in trade promotion and marketing of timber products and wooden furniture globally since 1998 and 2012, respectively.

through marketplace promotional booths in targeted international trade exhibitions in various countries.

MTC Chief Executive Officer, Mr. Richard Yu, said that in line with the task entrusted by the MPI, MTC has over the years organized the participation of Malaysian timber companies in timber and furniture pavilions in renowned international trade fairs. Besides which, MTC has also been promoting the Malaysian timberbased industry and products

MTC will be also organizing the inaugural Malaysian Wood Expo (MWE) in Kuala Lumpur from November 19-21. MWE 2019, the first true coming together of top exhibitors in this part of the world, is jointly being organized by MTC and Panels & Furniture Group of wood magazines.

For 2019, MTC will be organizing two pavilions, one each for timber and furniture. The timber pavilion will be at DelhiWood, India from March 13-16 while the furniture pavilion will be at Furniture China, Shanghai from September 9-12.

Image © MTC

Under marketplace promotion,

Image © MTC

MTC is targeting a total of 17 international fairs in various countries such as the Malaysian International Furniture Fair and Export Furniture Exhibition (Malaysia), Buildex Vancouver (Canada), National Wood Flooring Association Expo (USA), Korea Build (South Korea), Interzum Guangzhou (China), Japan Build Osaka (Japan), Bouwbeurs (The Netherlands), Batimat (France), Dubai Woodshow (UAE), World Build India (India) and Sri Lanka Wood International Expo (Sri Lanka). “These activities will be organized and coordinated by MTC personnel from MTC HQ in Kuala Lumpur as well as our regional offices covering Europe, Middle East and Africa as well as East and South Asia,” said Richard who

added that MTC will be opening an office in the USA later this year to cover the markets in the Americas. Besides market development and promotional programmes, MTC will also be organizing a series of talks, seminars as well as conferences such as the second edition of the Malaysian Timber Conference to be held in July in Kuala Lumpur. MTC will also be organizing a Technology Acquisition and Study Mission to Guangzhou, China from March 25-30 to highlight some of the latest developments in the woodworking and wood processing technologies to Malaysian wood products manufacturers. A Resource and Business Mission to Sweden and

Image © MTC

COMMENT 33

ASEAN as the third largest economy in Asia and fifth largest economy in the world, offers great opportunities with its recovery of exports and robust domestic demand. Since 2006, ASEAN’s Gross Domestic Product (GDP) has stood steadily at 5.3 percent. Total exports from the ASEAN economies rose by 14.7 percent to USD 1,322 billion in 2017. With several Free Trade Agreements under its belt, trading with ASEAN countries will lead to a wealth of business opportunities.

Both organizers - MTC and Panels & Furniture Group of wood magazines - have pulled out all the stops to make MWE 2019 a successful event. All the imperatives are in place to make MWE 2019 an important tool in one’s business wheelhouse. MWE 2019 is going to be about the market, trends, new products and the place where the tendencies of tomorrow are going to be discovered by all. * More information on MTC and its programmes and services is available at www.mtc.com.my.

Image © MTC

Ranked as the second most competitive economy within the ASEAN bloc, Malaysia, with its well-developed infrastructure, sound political climate, strategic geographical location and business facilities, make it an excellent gateway into ASEAN.

Malaysia is also a good timber manufacturing hub for export to ASEAN countries, which have a combined population of over 640 million and a GDP of USD 2.8 trillion.

The second edition of MTC’s Overseas Suppliers-Malaysian Importers/Manufacturers Exchange Programme will be organized in November in conjunction with MWE 2019. Through this business-tobusiness matching event, overseas suppliers of timber raw materials are invited to come and meet with potential buyers and importers in Malaysia. Regular publications and collaterals are also available to provide information on the latest updates in the Malaysian forestry and timber industry as well as on green development in Malaysia.

Fair to enhance trade and boost economy of Southeast Asian countries The Malaysian Wood Expo 2019 (MWE 2019) is a show not-to-bemissed! Jointly organized by the Malaysian Timber Council (MTC) and the publisher of wood magazines, Panels & Furniture Group, MWE 2019 will be the first true coming together of top exhibitors in this part of the world. Scheduled to be held from November 19-21, 2019 at the Putra World Trade Centre in Kuala Lumpur, MWE 2019 is expected to attract the finest international wood-based manufacturers, exporters as well as woodworking machinery suppliers and buyers who will tap into the unlimited opportunities that some of the fastest-growing Southeast Asian economies have got to offer.

Image © MTC

Finland for Malaysian woodbased manufacturers to source for Spruce and Pine is also in the works.

Longfu Life Experience Center: a reusable and removable building by LUO Studio Architects devise a modular timber structure, made up of units that could be produced from just three components

Image Â© Jin Weiqi

Image ÂŠ Jin Weiqi

Located in Puyang County, the Longfu Life Experience Center was commissioned by an eco-farm operator engaging in property development, who required a space to target consumers chasing a green lifestyle. It was vital that it was sustainable and built from natural materials, to match his corporate identity. Designed by architecture firm LUO Studio, this real-estate sales center in China's Henan province features a wooden structure that can easily be adapted or dismantled. According to the designers, a real estate sales center is the kind of temporary architecture that can only last several months or few years at most; and which is usually dismantled after houses are sold out. Even if it can be preserved in a few cases, its functions are completely transformed. Moreover, the interior decoration of real estate sales centers is generally complicated, causing obstacles and waste of resources in the process of functional repurposement.

Image ÂŠ Jin Weiqi

LUO Studioâ&#x20AC;&#x2122;s design not only meets the temporary need of marketing but also has potential for a wide range of other possible usages. They have designed a space without functional constraints rather than just a

sales center. In addition, they have also turned all necessary service spaces featuring great spatial restrictions such as staircase and bathroom into basic modules in accordance with ergonomics, and tried their best to weaken the functional attribute of other remaining spaces. In this way, they have separated function and space, so as to eliminate functional constraints of spaces.

Utilization of general timbers to maximize the space and make it extensible The client is an estanciero who pursues high quality of real estate development instead of instant commercial profits. Based on the concept of attracting buyers through creating a better lifestyle, he has been devoted to operating eco-farms as a way of engaging in property development. A green lifestyle was exactly what he wanted to convey to target consumers through the sales center. Timber along with green and natural materials that suited the client's identity, were the natural fit when it came to selecting the materials with which to construct the building. LUO Studio procured square logs in lengths of 3m, 4m or 6m, with a 200mm side length of the cross-section. To build a

The bottom part of each ‘clustered column’ is in the shape of regular polygon. These ‘clustered columns’ extend upward from the bottom and form a ‘square’ outside edge. Each unit along the edge was horizontally and

LUO Studio were asked to complete the design, construction, finishing and decoration of the architecture in less than two months and at the same time control all costs. The architecture was also required to be reusable in that it could be quickly constructed and dismounted. In order to address the challenge at hand, LUO Studio proposed a few basic solutions.

Image © Jin Weiqi

Rapid assembling via basic construction methods & reversibility

Firstly, in order to control labor cost and improve efficiency, they adopted simple and basic construction methods as well as generic material processing techniques, through which ordinary technical workers were capable of carrying out the construction work and materials could be processed in normal factories, which ensured the building to be constructed in a short time. Secondly, by ensuring

Image © Jin Weiqi

As forces acting on a circle plane are even in different directions, horizontal units of the clustered column were designed in the shape of regular dodecagon, which are nearly round, with a diameter of 1m. The section size of timber pillars of the clustered column is 120mm x 180mm. As for the design of the vertical units design, they applied the shape of trees. The clustered column was divided into five segments, each with the length of about 2m. These segments extend outward and upward to the ceiling, forming a cubic edge space with a height of 4.5m and a side length of 8m. With such clustered columns, they not only maximized the lower space but also the structural strength.

longitudinally interlined. Just like Lego bricks, each unit is independent or combined with others to create the desired space. The space is extensible. With a ‘continuous arch’ between each unit, the overall structure is very stable. And the more it stretches, the more stable the structure is.

Image © LUO Studio

large solid space and maximize its possible functions, several square timber pillars were combined together to form a ‘clustered column’ instead of using a single wooden pillar as the supporting unit.

Construction of a ‘smart’ cavity If the building is a person, all the equipment, electro mechanics, pipelines of it are the respiratory

Other parts of the building were also designed in a way similar to the structure of body. Taking furniture as example, all the furniture ‘grows’ on the structural column, with each table surrounding a single ‘clustered column’. All the furniture and guardrails stretch out of the core structure, and even weave a surface by extending outward. These necessary parts are concomitants of the main structure, providing support against it and making it more stable. Equipment, electro mechanics, pipelines, furniture and exterior were integrated into units of the structure to achieve the smallest occupancy, which facilitated separation of function and space and created a ‘smart’ space resembling the cavity of the human body

Universal space & universally-used space Mies van der Rohe called the Crown Hall at the Illinois Institute of Technology in Chicago a ‘universal space’. The design permits the building to change its functions, so Mies declared it “the clearest structure we have done, the best to express our philosophy.” In designing and constructing the Longfu Life Experience Center, LUO Studio chose to use standard timbers in China and utilized common processing and construction techniques, with a view to create a ‘universal space’ that boasts infinite possible usages rather than be limited to a certain specific function. The building is a ‘universal’ space, but more importantly it is a ‘universally-used space’. The whole building or any part of it can be enlarged, cut, replaced or moved based on different needs. What’s more, it can also be completely dismounted and repurposed, and its materials can be reused for other constructions, hence achieving the objective that both the space and materials can be most universally used.

Image © Jin Weiqi

For example, while measuring and grooving work was carried out at the site, components

Considering various practical factors, LUO Studio laid tiles on the ground floor by using cement mortar. However, all other parts in the space were connected by bolts. In this way, all components can be completely dismounted, installed, moved and reused for other constructions, making the building thoroughly reversible.

systems, collaterals and blood vessels of the body. All these systems in the body are by no means isolated, but are highly integrated with the skeletons and muscles in a symbiotic state, resulting in a more effective and intensive space.

Image © Jin Weiqi

The minimum unit could be formed only by three basic components, which was conducive to controlling the size and number of modular units. Besides, they also established a set of standards and simple approaches for assembly, so as to accelerate the construction and installation process. Thirdly, they subdivided all the types of work involved in the project as much as possible, processing materials in different factories, and arranging manufacturing workshops reasonably. In this way, all materials and components could be processed before or while the pre-order work on site was carried out.

of the steel structure, wooden columns and steel connection components were processed in different factories separately at the same time. After back-filling was finished, wooden column units were assembled on the basis of the steel structure. All wooden column units were interlinked through bolting steel connection components. And all relevant work such as installation of indoor furniture, air conditioning and wiring systems was carried out in a coordinated way. Eventually, they completed construction and decoration of the building ahead of schedule.

Image © Jin Weiqi

the standardization and modularization of units, they divided the whole building into several primary units. And these primary units were further split into various standard components which were assembled based on a unified approach.

SPINN Arkitekter and FORMAT Engineers collaborate on stunning new mountain hiking cabin above the Arctic Circle â&#x20AC;&#x2DC;Vardenâ&#x20AC;&#x2122; can withstand the harsh polar winter conditions of the area and provides hikers with a warm and inviting rest stop

Image © Tor Even Mathisen

In the summer of 2015 the Hammerfest chapter of The Norwegian Trekking Association (DNT) decided to build two simple warming huts to promote hiking in the mountains around town. The brief was simple - “we imagine a small hiking cabin with good windows that has a wood burning stove and simple benches, placed near the top of the mountain and designed such that it suits the terrain”. SPINN took up the challenge and produced a sketch design in the summer of 2015. “Varden” was conceived as an organic wooden structure that fit in with the local terrain, could withstand the harsh polar winter conditions of the area, provide hikers with a warm and inviting rest stop, and be an attraction in itself. To translate sketches of an organic wooden shell into reality, SPINN contacted their long time collaborators FORMAT Engineers to help them transform a double-curved wooden rock into a structure that could be manufactured precisely enough to be built on top of a mountain by a group of local volunteers. The sites were mapped in 3D using drone and photogrammetry software to give a detailed map of the surface which was used as a baseline for form-finding. The initial shapes made by the

architects in Sketchup and Rhino were further optimized and transformed by the engineers using Kangaroo and Grasshopper, together with some customized scripting tools developed by FORMAT. The result was a wooden cross-laminated timber shell with 77 unique panels that fit together like a 3D puzzle. The design was tested against simulated wind conditions to make sure that it would withstand winter arctic storms and extreme wind conditions. Snow simulations were also performed to ensure that the entrance would remain snow-free as intended. Structural forces between the panels were then determined to specify the correct type of screws and fasteners for the construction. 3D printing was used extensively to test out how the construction would fit together, and to test cladding options for the exterior. The design proposed by SPINN and FORMAT was something very different than the client expected, and had a higher budget, but they were determined to find a way to get the project built. A visualization and animation were made as part of a crowdfunding effort to raise the money necessary to realize the project. Local businesses volunteered materials and services, and Kebony donated materials for the exterior

In the end it was decided to build the structure in a controlled warehouse environment, where it would be put together and tested, then partially demounted for transport. One group of enthusiastic volunteers got the main structure of prefabricated CLT panels mounted together over a period of 4 workdays. Another group was responsible for cutting and measuring the frames and panels for the outer cladding based upon 1:1 drawings from SPINN. The volunteers used over 1,500 hours on the construction of one

cabin, plus the outer cladding for both. The only professional work on the project was the two-layer bitumen waterproofing of the shell, and pouring of the foundation on site. Split into two pieces, the first cabin was loaded onto a flatbed lorry and driven to Storfjellet. It was then lifted into place and winched together. The window, fireplace, ramp and interior furniture were all fitted into place on site. To date, the first cabin has been a great success, and has increased the traffic to Storfjellet significantly. The second cabin will be built on Tyven, a mountain on the other side of Hammerfest such that the two cabins will stand watch over the city and look over to each other across the beautiful arctic landscape of Hammerfest.

Image ÂŠ Tor Even Mathisen

cladding. According to the plan, the hiking association members would be responsible for raising the structure and transporting it to site.

Image ÂŠ Tor Even Mathisen

A Special Supplement

www.americanhardwood.org

The American Hardwood Advantage The volume of hardwoods standing in U.S. forests, which now exceeds 13 billion cubic meters, has more than doubled in the last 50 years and is still expanding (after harvesting) at a rate of around 150 million cubic meters per year, nearly 5 cubic meters every second.

Image © ZM Yasa Architecture Photography

New opportunities for U.S.hardwoods Thermal modification allows for the usage of American hardwood species in exterior applications

species that are of low natural durability and also lower value such as tulipwood and soft maple can now be utilized for these exterior applications. Thermally modified ash is probably the most popular species used for decking and cladding currently because of its attractive open grain, but with increasing demand and concerns about the impact of Emerald Ash Borer in the USA and Ash Die Back in Europe, attention is turning to alternative species. Other American hardwoods that thermally modify particularly well include tulipwood, soft maple, red oak and yellow birch.

The recent emergence of commercial thermal modification (TMT) applied to hardwoods has opened up new growth opportunities for other American hardwood timber species for exterior applications, which were previously the domain of chemically treated softwoods and tropical hardwoods.

Image © Helene Binet

This technology means that some American hardwood timber

Image © Jon Cardwell

The thermal modification of timber is not a new concept. The ancient Vikings knew that when building defensive fencing for fortifications, poles made from timber with a burnt surface lasted longer than those that hadn’t. More modern studies on possible benefits of TMT began in the 1930’s and 40’s in Europe and the USA but it never reached commercialization. It wasn’t until the late 1990’s that Scandinavia first introduced the commercial method of thermal modification that we recognize today, as a way of improving the durability and stability of native softwoods. Commercial kilns were first introduced into North America in the mid 2000’s to enhance the durability and value of some hardwood species and there is no doubt that this technology is changing the market

The two key benefits of the TMT process are to vastly improve the durability and the dimensional stability of the timber. The process reduces the timber moisture content to around 4 - 6%, the equilibrium moisture content is permanently reduced and so does not react to changes in humidity as quickly as untreated timber. This reduces the ability of the timber to absorb moisture, which greatly improves the stability properties. The durability is improved by the removal of the hemicelluloses and carbohydrates from the wood during the treatment process, the two main food sources for wood destroying organisms. Durability class 1 (very durable) which is equivalent to tropical timbers such as Ipe can be achieved with thermally modified American hardwoods. Other benefits include enhanced machining characteristics and a reduction in thermal conductivity. Importantly, the whole of the cross section of the timber is modified during the process, so profiles can be machined after treatment. Despite the small amount of additional energy used during the TMT process, life cycle analysis has shown that the end product has a better environmental impact than chemically treated timber. Further benefits of TMT treated timber include no requirement for special handling

precautions, and a more positive environmental impact at end of life. Also there are fewer potential sustainability issues associated with tropical timber from regions that have a high risk of illegal logging. In contracts independent studies confirm that American hardwoods are low risk. The TMT industry is now past the embryonic stage of development. There are well over 100 facilities worldwide producing commercial quantities of thermally modified timber with the main core of operating sites being in Europe. There is still continuing research to be done: on modifying different hardwood timber species, and making sure that all modified timber is fit for purpose for its designed end use. Not all properties are enhanced by the TMT process, for example bending strength is slightly reduced, so there is a question mark on the use of thermally modified timber for certain structural applications. AHEC believe that of all the hardwoods currently being thermally modified commercially that American tulipwood has a particularly bright future for cladding. It treats and machines easily and is light-weight, competitively priced and readily available. Two recent projects that have showed cased its potential include Maggie’s Oldham by dRMM Architects and Room on a Hill by Asif Khan.

Image © Petr Krejci

landscape for some American hardwood timber species.

Image © Jon Cardwell

Image © Petr Krejci

A Red Oak Renaissance There has never been a better time to buy American red oak. That’s partly because it’s in plentiful supply, and partly because it’s eminently affordable, with the price differential versus European oak as wide as it’s ever been. American Hardwood Export Council technical consultant Neil Summers acknowledges that both these positives for the global buyer are to some extent the consequences of a negative; the fact that China, as part of ongoing trade arm-wrestling with the U.S., last year imposed a 10% tariff on American hardwood imports. The Chinese are by far the biggest buyers of U.S. red oak, and indeed U.S. hardwoods generally, recently accounting for up to 60% of all American exports. So the tariff, which may be cranked as high as 25% when reviewed in early March, has left a lot of red oak seeking customers. However, going into 2019 AHEC clearly aims for price and availability to be far from the only attractions of the species. Backed by the efforts of its sawmill members themselves, it is focusing promotional and communications resources squarely on it. It is working with designers, makers and furniture students to highlight red oak’s versatility, aesthetics and technical performance. The timber is being taken in new directions in terms of processing, finishing and end use and it will take center stage at exhibitions. The marketing campaign will also feature showcase projects across Europe, including last year’s massive use of red oak for flooring, acoustic cladding and glulam at the new European HQ of financial data and media colossus Bloomberg in London. There will be a major stress on the species’ sustainability credentials too; the fact that it is America’s most prolific hardwood, with two cubic meters growing in the forest every second, and total growth exceeding harvest by 21 million m3 each year. Summers doesn’t deny that Chinese tariffs pose a challenge for U.S. hardwood mills, leading to price cuts to red oak in particular, which have left 4 quarter now 40% cheaper than the equivalent European. As red oak has been particularly impacted, the price gap with American white has also widened. “Initially wet weather restricted harvesting, so the effect of the tariff was muted to some extent, but with colder temperatures, supply has picked up and those mills with all their eggs in the Chinese basket have found it a struggle,”adds Summers. “If the tariff is raised, and particularly as the Chinese currency has also devalued against the dollar, it will be that much more difficult, leading to possible cuts in production, even layoffs.” But, he added, mills and end users are exploring new opportunities for red oak. “It is being thermo treated which, of course, makes it more durable, but also very attractive and a natural substitute for U.S. ash if supply continues to decline due to the Emerald ash borer. There is also a trend to painting oak kitchen furniture, which also logically opens the way to more use of red oak.” Resistance to the species, Summers feels, has been to an extent

Image © Morley von Sternberg

down to inertia and conservatism. “It’s more porous than white oak, so not suitable for barrels! But it machines just as well and finishes perhaps better; it bends more easily and takes treatment well for external use. It can also perfectly well substitute a species like meranti, with its similar density, permeability and grain,” said Summers. Among the red oak showcase projects this year, leading designer maker Sebastian Cox will be making a circular bar area for the Wallpaper* Handmade feature at the Milan furniture show. “One of his innovations will be to force dye into the vessels of the wood under pressure,” added Summers. Additionally, AHEC will be working with Polish furniture designer Tomek Rygalik on a red oak showpiece, which it hopes to bring to the London Design Festival, and it will also be challenging students of Rycotewood to fashion a table out of 2ft3 of the timber each. The latter project follows the success of AHEC’s design initiative with students at Ryecotewood Furniture Centre in Oxford last year and the students of the Building Crafts College earlier this year. Their challenge was to make a storage unit, also out of 2ft3 of red oak. Consequently they steamed, bent, planed, turned, oiled and stained the timber, transforming it into everything from a coffee table with a miniature oriental garden under glass, to a shoe cabinet comprising painted woven red oak veneer strips. Interestingly the students said they’d be happy to use the timber again, as did Michael Jones, project architect on the Bloomberg building at Foster+Partners – and it used 37, 160 m2 of red oak for the flooring, 1,858 m2 for the panelling and 1,350 m3 for the glulam. Over the course of the year, AHEC aims to help buyers discover the untapped potential of red oak, with the emphasis that there’s never been a better time to do it.

Image © Alfonso Quiroga

Image © T.Zed Architects

Image © Christian van der Kooy

Image © Fosters & Nigel Young

Image © John Marshall

Demystifying lumber grading It has never been more important for specifiers and end users of imported timber in the MENA region to know exactly what they are buying. Other than the critical environmental credentials, is it going to be fit for purpose? What is the likely wastage? Is it the right quality for the right price?

Image ÂŠ AHEC

With no local timber grades to compare to, it is most certainly more challenging when it comes to evaluating imported species. Hardwood sawmills in the United States, for example, are required to follow grading rules that have their origins more than 100 years ago when they were first established by the National Hardwood Lumber Association. Headquartered in Memphis, Tennessee, the NHLA is responsible for ensuring a national standard is adhered to domestically and also provides a clear framework for all exported timber. When it comes to export markets, the most frequent questions the NHLA fields surround, firstly, the differences between grades and also how best to judge defects in the wood. The terms that buyers would be most familiar with when it comes to American hardwoods, are FAS and Prime. FAS (Firsts and Seconds) is the top NHLA grade and long, clear cuttings make it suitable for high quality furniture, or architectural interiors. Prime is a proprietary, and equally high quality grade initially developed for the export market where European buyers were seeking a timber that was square edged and easier to distribute. According to the NHLA rules, an FAS board has to be 6 inches wide and

allows for a small amount of wane not to exceed half of the length. Initially, although the clear yield was there, appearance was lacking and those buyers who were used to buying tropical, square-edged lumber were disappointed. American suppliers, in response, edged the lumber more heavily which improved appearance but did result in some narrower widths that would not meet the minimum width requirement for FAS. Thus a new premium grade was created: Prime. Over the years the Prime grade has grown to mean a lot of things to a lot of suppliers. If you are buying Prime the NHLA advises that you use the FAS grade as your point of comparison. A key driver of the popularity of American hardwoods in the MENA region is the range of species, affording a vast choice of colour and character. Whilst one man’s character can be another man’s defect when selecting timber, the NHLA grading rules do provide a framework to make it easier for buyers to judge. For a timber to be graded FAS, 83 1/3% (10 of every 12 feet) must be defect-free. This clear area also must maintain lengths of 5 feet and or 7 feet, ensuring that the buyer receives long, clear pieces. In addition, the grading rules limit the size of defects outside the clear area that is required to make the grade. Wane, split, knots, pith, warp / cup, and the ends of the boards all have limitations that when exceeded will drop a board out of the FAS grade. In every package of FAS lumber that is “on grade” (i.e. meeting the minimum standard for FAS), there will be a range of quality from 100% clear to the minimum of 83 1/3% clear. The NHLA grades have evolved to accommodate the differences inherent in species – the burls and swirls common in willow are not considered a defect nor are the pin knots for which cherry is revered. The beauty of the NHLA grades is that they can then be used as a basis on which the buyer and seller can agree to amendments, safe in the knowledge that there is a rigorously considered minimum standard. * For a comprehensive, yet easy to follow guide to grading rules for American hardwoods, visit www.americanhardwood.org.

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Image ÂŠ Tizia May Photography

Wellbeing by Design: The Hungry Fox in Thermally-Modified American Tulipwood

Image © Tor Even Mathisen

The café is the first project in Australia to use thermally-modified American tulipwood in exterior cladding. Selected for its rich color and uniform texture, American tulipwood provided not only the aesthetic impact sought by Bruce Henderson Architects, but also the stability. The thermal modification process heats the tulipwood

to almost the point of combustion. This changes the molecular structure of the timber and results in a material that durable for outdoor use. It requires minimal attention once outside which makes it a perfect choice for a project such as this. Interior Architects, Lukas Partners, took on the challenge of creating a contemporary, warm and inviting interior for the café. Aware of biophilic design principles and their emotional impact, the mood they looked to capture was one of earthy Australian fauna. Their focus was on natural materials, inspired by gum nut and eucalyptus tones. The vaulted ceiling, taking its lead from the exterior design, is also an expanse of thermally-modified American tulipwood. This richness is offset by a stone counter. A velvet-finished granite with a steel edge adds impact front of house and counterbalances the exposed concrete floor. Chunky American ash tables, created by local high-end manufacturer

Image © Tizia May Photography

The link between our physical environments and our emotional wellbeing has been substantiated by a number of studies. Australian designers seem to have a unique affinity with the natural environment and an innate understanding of how best to bring nature closer to life and leisure. The latest example of this skill is a café which recently opened its doors in Melbourne. The Hungry Fox (by LaManna) at Autocentro at Essendon Fields has been designed using natural materials from around the world and has a mouthwatering global menu (Peking duck bao buns and homemade ricotta gnocchi) that combine to provide an uniquely uplifting Australian experience.

Charles Sandford, are accompanied by chairs created from the same timber with perforated leather seating and wool which has retained its natural color variation. This perforation forms a motif throughout the space, the screens in the waiting area and the laser cut American walnut veneer panels that mask an acoustic board with style, making the café the perfect venue to meet for relaxed conversation. The look is completed with vast drum pendants created to Lukas Partners’ design by local bespoke lighting specialist Bad Wolf.

Image © Peter Tarasiuk

Image © Tizia May Photography

The playground adjacent to the café has been created by Adventure+. Australian white cypress thoughtfully treated with a tint to match the American tulipwood cladding means that the Hungry Fox is a magnet for families in addition to local professionals and shoppers from the nearby LaManna supermarket.

Image © Peter Tarasiuk

The rich and welcoming space creates a true sense of wellbeing. Perhaps the biggest accolade is from the staff themselves. “I love coming to work here. It feels like a log cabin and it’s really cosy. Especially in winter” says Hayley Cardis, who has worked at The Hungry Fox since it opened. It’s a healthy habitat in every way for all who visit.

AMERICAN TULIPWOOD Liriodendron tulipifera Commercially American tulipwood is one of the most prolific hardwood species from the U.S. hardwood forests and is unique to North America, having been eliminated in Europe by the last ice age.

Forest distribution Tulipwood trees grow exclusively in North America and are widely distributed throughout most of the eastern United States in mixed hardwood forests. It is a single species and is not a poplar (Populus) being a Magnoliacae producing wood that is superior to the many poplar species. The trees are huge and identified by their tulip-like flowers giving rise to the name. Tulipwood grows from north to south and is one of the most sustainable hardwoods in the USA.

Material availability Tulipwood from the USA is readily available as sawn lumber in a wide range of grades and thicknesses (4/4” through to 16/4”) due to its ease of drying. A relative knot free timber average lumber widths and lengths can be higher than other commercial species. Tulipwood is used in plywood production but with more limited availability as decorative veneer. The sapwood produces the often preferred whiter wood, as the heartwood usually exhibits strong colour variation, however the use of unsorted tulipwood displaying all its natural colour variation is on the increase, especially in Europe. Tulipwood is sold domestically, and sometimes referred to in export, as ‘poplar’ but should not be confused with European or Chinese poplar.

Wood description

However there is a marked difference between the sapwood and heartwood of tulipwood. The sapwood is creamy white whereas the heartwood can vary from pale yellow or brown and even green to purple in extreme cases. The wood darkens with time on exposure to UV light and the green colour will turn brown. The wood of tulipwood is straightgrained with a medium to fine texture.

Mechanical properties Tulipwood has extraordinary overall strength properties relative to weight, making it highly suitable for structural applications, such as glue-laminated beams and cross laminated timber (CLT). The wood has relative low density, but with high bending, shock resistance, and stiffness values, but is lower in compression and hardness. The wood has medium steam-bending capability and is extremely stable when fully dry and not installed in humid conditions. It is easy to finish and stain, so is highly suitable for furniture and joinery.

Performance Tulipwood lumber is easy to machine, plane, turn and glue with good performance screwing, although pre-boring is recommended. It tends to split when nailed. Tulipwood can easily be stained and polished to a very good finish. The wood can be susceptible to movement in performance in humid conditions. The wood is non-resistant to decay. The heartwood can be resistant to preservative treatment, whereas the sap is permeable. Overall, tulipwood can be considered for preservation with modern preservation treatment methods including thermal modification, to which it is particular suited.

Tulipwood has less strong grain characteristic than species such as ash and oak and is more like maple in character but darker in colour.

AMERICAN WALNUT Juglans nigra

American walnut is one of the most sought-after species in markets across the world and is unique to North America.

Forest distribution American walnut trees grow very widely across the eastern USA in mixed hardwood forests and on farms, concentrated in central states but spread from Texas to the eastern seaboard. The trees are one of the few hardwood species planted as well as occurring and regenerated naturally. They grow relatively tall and straight with few lower branches.

Material availability Walnut from the USA is available as sawn lumber and as veneer. The lumber is generally sold un-steamed and unselected for colour. Specialist producers may offer steamed walnut intended to darken the sapwood and thus reduce the colour difference between heartwood and sapwood. Recent years have seen huge global demand for this species. NHLA Grading Rules are modified for walnut allowing smaller specifications and smaller clear cuttings and sapwood is admitted without limit. Consultation with suppliers is recommended.

Wood description The sapwood of walnut is creamy white, whereas the heartwood is light

brown to dark chocolate brown, making the difference in colour quite distinct. Occasionally the heartwood has dark, even purple, streaks. The wood of walnut is generally straight grained, although sometimes with wavy or curly grain that produces its characteristic and attractive figure, sought after by designers. American walnut is quite different to European walnut, which tends to be lighter in colour.

Mechanical properties Walnut is tough, hard and of medium density. It has moderate bending and crushing strengths and is low in stiffness. It has good steam bending classification.

Performance American walnut works easily with hand and machine tools. It has excellent planing, turning and moulding properties. It has good nailing and gluing properties and can be stained and polished to an excellent finish. The wood dries slowly and has good dimensional stability when dry. The wood is rated as very resistant to heartwood decay and is one of the most durable (decay resistant) American hardwoods.

AMERICAN RED OAK

Quercus spp, mainly Quercus rubra

American red oak is the dominant species in the U.S. hardwood forests - with distinctive grain, and wood that is not always red in colour. The name is supposedly due to the leaf colour in the fall. Red oak may be sold on the basis of ‘northern’, ‘southern’ and ‘Appalachian’ but this may be an over-simplification of the differences according to growing location. For example, red oak grown at higher altitude will tend to be slower grown with a denser grain appearance and texture, regardless of geographical location.

Wood description In general the sapwood of red oaks is light brown and the heartwood is often, but not always, pinkish to reddish brown. The colour difference between the sapwood and heart wood is quite distinct. The wood of red oaks is generally straight-grained and coarse textured. The wood is figured with medullary rays – a feature of all true (Quercus) oaks – smaller in red oak than white oak. The wood is porous, and easily identified from the end grain, so not suitable for wine barrels.

Forest distribution Red oak trees grow only naturally and almost exclusively in North America, although planted elsewhere. They are widely distributed throughout most of the eastern United States in mixed hardwood forests. The trees are very tall. There are many sub-species, all within the red oak classification, which grow from north to south; some high in the mountains and others on low land giving rise to different characteristics.

Mechanical properties American red oaks have very good overall strength properties relative to weight. The wood is hard and heavy with medium bending strength, stiffness and high crushing strength. It has excellent steam bending capability. Being hard, stable when dry and easy to finish and stain, it is ideal for furniture and flooring.

Performance Material availability Red oak from the USA is readily available as sawn lumber and veneer, in a wide range of grades and sizes. Thicker lumber (10/4” & 12/4”) can be sourced in relatively small volumes from specialist suppliers, but is widely produced throughout the hardwood industry from 4/4” (25.4mm) through to 8/4” (52mm). In the north the sapwood tends to be less due to the shorter growing season, than in the south where the wood is grown faster with more open grain and texture. Red oak may be sold on the basis of ‘northern’ and ‘southern’, but this may be an over-simplification of the differences according to growing location.

Red oak lumber machines well, with good performance in nailing and screwing, although pre-boring is recommended. It glues well and can be stained and polished to a very good finish. Being porous, red oak absorbs all treatments. The wood dries best slowly to minimise degrade, but with high shrinkage and can be susceptible to movement in performance in humid conditions. The wood is rated as slightly resistant to heartwood decay, but moderately easy to treat with preservatives. This makes red oak suitable for being thermally modified.

AMERICAN HICKORY Carya spp. American hickory and pecan are different species of a very diverse group, but in the round (log) they are virtually indistinguishable from each other and therefore often processed by saw mills and sold mixed together.

Forest distribution The hickories are an important group and the trees grow naturally throughout the Eastern U.S., from north to south. They are split into two groups; the more important true hickories and hickories producing pecan nuts, the latter being an important fruit-bearing tree. Trees vary in size enormously.

Material availability Hickory sawn lumber is readily available in export grades, but sold unselected for colour and mixed. The NHLA FAS grade permits a minimum width of 4 inches (101.6mm). The lower NHLA grades (1 & 2 common) can produce an attractive and fashionable rustic look. Lumber is mainly produced in thinner stock (4/4” & 5/4) although a limited amount of thicker material may be available.

Wood description The wood of hickory varies greatly in colour, grain pattern and appearance from this very diverse group. It is fine textured and the grain is usually straight but can be wavy or irregular. The sapwood is white and maybe tinged with brown, while the heartwood is pale to yellow brown to dark in colour. Deep purple mineral streaks are a natural characteristic. Bird pecks are also a common characteristic and neither is considered a defect.

Mechanical properties The wood of hickories is rather coarse and varies from strong to less strong but is heavy and very hard. It has good bending strength, shock resistance and excellent steam bending properties.

Performance Hickory is considered difficult to machine and glue, and very hard to work with hand tools. It will hold nails and screws well but tends to split so pre-boring is advised. The wood can be sanded and polished to a good finish.

AMERICAN WHITE OAK

Quercus spp, mainly Quercus alba

American white oak is one of the most popular species from the U.S. hardwood forests in export markets – and is unique to North America. White oak may be sold on the basis of ‘northern’, ‘southern’ and ‘Appalachian’ but this may be an over-simplification of the differences according to growing location. For example, white oak grown at higher altitude will tend to be slower grown with a denser grain appearance and texture, regardless of geographical location.

Forest distribution White oak trees grow exclusively in North America and are widely distributed throughout most of the eastern United States in mixed hardwood forests. As with red oak there are many sub-species, all within the white oak classification, and together form the most common species group accounting for about 33% of the American hardwood resource. The trees are tall and easily identified by their rounded leaf form, turning brown in the fall. White oaks also grow from north to south; some high in the mountains and others on low land giving rise to different characteristics.

Material availability White oak from the USA is readily available as sawn lumber and veneer, in a wide range of grades and sizes. Due to lengthy drying times not all suppliers offer thicker lumber stock (10/4” & 12/4”) but it is available in limited volumes. In the north the sapwood tends to be less than in the south where, due to the shorter growing season, the wood is grown faster with more open grain and texture. White oak may be sold on the basis of ‘northern’ and ‘southern’, but this may be an over-simplification of the differences according to growing location.

Wood description

grown globally. In general the sapwood of white oak is whitish to light brown and the heartwood is normally light to mid or even dark brown. The difference between the sapwood and heartwood of white oak is less distinct than in red oak. The wood of white oaks is mainly straight-grained with medium to coarse texture. The wood is figured with medullary rays – a feature of all true (Quercus) oaks – and these in white oak are longer than those of red oak; thus producing a more pronounced figure. The heartwood wood is not porous, so is suitable for wine barrels and exterior use.

Mechanical properties American white oaks have excellent overall strength properties relative to weight, making them a preferred hardwood species for structural applications. The wood is hard and relatively heavy with good bending strength and compression strength but lower in stiffness. Structural testing carried out in Europe confirms that the white oak has a greater inherent fibre strength than European oak. It has excellent steam bending capability. Being hard, stable when dry and easy to finish and stain, it is highly popular for furniture and flooring, especially in export markets.

Performance White oak lumber machines well, with good performance in nailing and screwing, although pre-boring is recommended. It glues well (although the inclusion of primers are recommended for structural gluing) and can be stained and polished to a very good finish. The wood has to be dried slowly and carefully to avoid degrade and it has high differential radial and tangential shrinkage so can be susceptible to movement in performance in humid conditions. It has excellent drilling and finishing properties. The heartwood is resistant to decay and resistant to preservative treatment.

White oaks have an attractive grain, similar to many other oaks

AMERICAN PECAN Carya spp. American hickory and pecan are different species of a very diverse group, but in the round (log) they are virtually indistinguishable from each other and therefore often processed by saw mills and sold mixed together.

Forest Distribution Pecan trees grow naturally in the south eastern USA and principally in the Mississippi valley. It is an important fruit-bearing tree and varies in size enormously.

Material Availability Pecan sawn lumber is available in export grades, but sold unselected for colour and mixed. The NHLA FAS grade permits a minimum width of 4 inches (101.6mm). The lower NHLA grades (1 & 2 common) can produce an attractive and fashionable rustic look. Lumber is mainly produced in thinner stock (4/4” & 5/4) although a limited amount of thicker material may be available.

Wood Description The wood of pecan varies greatly in colour, grain pattern and

appearance from this very diverse group. It is coarsely textured and the grain is usually straight but can be wavy or irregular. The sapwood is white and maybe tinged with brown, while the heartwood is pale to yellow brown to dark in colour. Deep purple mineral streaks are a natural characteristic. Bird pecks are also a common characteristic and neither is considered a defect.

Mechanical Properties The wood of pecan is usually considered very strong with excellent stem bending classification, high crushing strength, high stiffness and very high shock resistance

Performance Pecan is considered to have good machining properties resembling those of hickory but difficult to glue, and is very hard to work with hand tools. It holds nails and screws well but tend to split so preboring is advised. The wood can be sanded, stained and polished to a good finish. It can be readily dried but has fairly high shrinkage. The wood is non-resistant to heartwood decay and classed as moderately resistant to preservative treatment.

AMERICAN CHERRY Prunus serotina American cherry is a supreme hardwood species from the U.S. hardwood forests and is unique to North America, with warm colour tones and superb finishing qualities.

Forest distribution American forest cherry trees grow principally in the northeast of the USA in mixed hardwood forests. The species is different from the many floral cherries planted throughout the world. It is a single species; the trees growing tall and often in dense stands in several U.S. states, notably Pennsylvania, New York, Virginia and West Virginia. Cherry has a relatively short rotation, taking less time to mature than other hardwoods. Much of the current resource is the result of cherry’s ability to regenerate naturally after forest fires.

Although the difference between heart and sap colour is marked, this can be reduced by steaming. The wood of cherry has a fine uniform, straight and unpronounced grain with a fine smooth texture. The small brown pith flecks, pin knots and gum pockets or streaks are natural characteristics of cherry, but their occurrence varies according to region.

Mechanical properties Cherry has medium density, with good wood bending properties, medium strength and shock resistance, but low stiffness, and can be steam bent with care. Being hard and stable when dry the wood is very easy to stain and finish to an excellent surface. It is highly prized for furniture and interior joinery. As a relatively soft species, American cherry is only suitable for flooring in areas with low traffic, such as bedrooms, or in cultures where shoes are not worn in homes – as in Asia.

Material availability Cherry from the USA is readily available as veneer and sawn lumber in a range of grades and sizes, although limited as thicker material; 10/4” (63mm) & 12/4” (75mm). The species can be subject to cycles of popularity or fashion, so that apparent shortages of dry lumber available to deliver may not reflect the substantial resource available for harvest. Cherry may be sold selected for colour, defining the amount of sap-free material or sold sap-free one face. For example, cherry boards may be sold 90/50 meaning 90% heartwood and not less than 50% heartwood on the reverse side – or sold in other specifications. Consultation with suppliers is recommended.

Performance Cherry lumber is easy to machine, plane and turn. It glues well with good performance in screwing and nailing. It has excellent carving and moulding properties. Cherry can easily be sanded, stained and polished to a very fine and smooth finish. The heartwood is resistant to decay and is moderately resistant to preservative treatment. Users should take into account that both the heartwood of cherry can darken in tone quite quickly on exposure to light.

Wood description The heartwood of cherry can vary from rich red to reddish brown and darkens on exposure to light with time. The sapwood is creamy white.

AMERICAN HARD MAPLE

Acer saccharum, Acer nigrum

Hard maple, growing naturally in the hardwood forests of North America, is world-renowned for its delicate colour, hardness, fine grain and finishing quality.

Forest distribution American hard maple is a cold climate species although trees can grow throughout the USA in mixed hardwood forests but favouring the more northern states. The species is quite different from other maples throughout the world. The trees often grow in dense stands on many types of soil and are also farmed for their famous maple syrup. Harvesting the trees is seasonal (autumn and winter).

Material availability Hard maple from the USA is readily available as sawn lumber in a range of grades and sizes and as veneer. Lumber is regularly produced in 4/4” through to 8/4’” but limited as thicker stock. The lumber may be sold according to (white) colour selection, for which a premium is normally charged. This is usually done using the NHLA grading standard for colour sorting producing colour grades such as “1&2 white”. Consultation with suppliers is recommended.

Wood description The sapwood of hard maple is normally creamy white but can show a slight reddish/brown tinge. White sapwood lumber can be

selected and veneer is always selected. The heartwood of hard maple varies in colour from light to dark reddish brown and may also vary according to region. The difference between heart and sap colour may only be slight. Both may contain pith fleck as a natural characteristic. The wood of hard maple has a close fine texture and is generally straight grained. Hard maple can occur as ‘curly’, ‘fiddleback’ and ‘birds eye’ figure. The wood darkens on exposure to light with time.

Mechanical properties Hard maple is hard, as the name suggests, and is heavy with good strength properties. It has high resistance to abrasion and wear as well as good steam bending properties. Accordingly it is a preferred species for flooring, including sports floors, bowling alleys and worktops.

Performance Hard maple lumber is excellent to machine, bore, turn and finish. It glues, planes, drills and carves well but screwing and nailing is only fair. It produces good mouldings. Hard maple can easily be sanded, stained and polished to a very fine and smooth finish. The heartwood is only slightly or non-resistant to decay and the heartwood is resistant to preservative treatment. The sapwood is permeable.

AMERICAN ASH

Fraxinus spp, including Fraxinus americana American ash is ideal for bending and turning- and strong and tough with distinctive grain, character and colour.

Forest distribution American ash trees grow commonly throughout the eastern United States in mixed hardwood forests, from the north in New York State to the southern States along the Gulf of Mexico, and everywhere in between. They grow high in the mountains and low on the plains and coastal areas giving rise to great variety of character. With such widespread distribution in latitude, climate and soil conditions, there are significant variations in ash depending on location, in particular between the slower grown northern and faster grown southern trees. There are also sub-species that add to this variety. Despite some longer-term threats by forest pests and disease to the ash standing stock of timber, ash is a prolific species.

Material availability Ash from the USA is readily available as sawn lumber and veneer, in a wide range of grades and sizes. In the north the sapwood tends to be less due to the shorter growing season, than in the south where the wood is grown faster with more open grain and texture. Ash may be sold on the basis of colour and is widely available for export. Ash was the 4th major American hardwood species to be exported worldwide by volume in 2015. Ash lumber is available in a range of grades from 4/4” (1” or 25.4mm) through to 8/4” (2” or 52mm) although limited volumes of 10/4” (2.5” or 63mm) and 12/4” (3’ or 75mm) can be sourced.

Wood description In general ash is a light coloured wood, with sapwood varying from white to yellow and heartwood light to dark brown, sometimes with lighter

streaks. The colour difference between the outer light-coloured white sapwood and inner, darker, even brown heartwood is quite distinct. Ash wood is generally straight-grained with a coarse uniform texture. Its appearance has a very strong grain contrast between the softer summer growth and hard winter growth rings. No two pieces are ever the same in appearance. Light brown flecks, or mineral streaks, sometimes referred to as ‘glassworm’, are common in ash and are treated as a natural characteristic, and are not considered as a defect under the NHLA Grading Rules. They do not undermine the integrity of the wood.

Mechanical properties Ash wood has very good overall strength properties relative to its weight. It has excellent shock resistance, which takes some of the pain from those using hand tools and sports equipment, such as baseball bats. It steam bends very well, so is a favourite of furniture makers and hobbyists. Being very hard, stable when dry and easy to finish and stain, it is ideal for furniture and flooring.

Performance Ash lumber machines well, with good performance in nailing, screwing, gluing and can be stained and polished to a very good finish. Black stained ash has experienced several successful fashion cycles in furniture. The wood dries fairly easily with minimal degrade. With good stability there is not much movement in performance. Ash veneer laminates well to board materials. Ash is not resistant to heartwood decay and the heartwood is moderately resistant to preservative treatment, but the sapwood is permeable. This makes ash very suitable for being thermally modified, as has now been proven through its widespread use for decking, cladding, worktops and garden furniture.

AMERICAN SOFT MAPLE

Acer rubrum, Acer saccharinum

Soft maple, growing naturally in the hardwood forests of North America, is one of the most prolific and sustainable species, similar to hard maple but slightly softer in impact hardness.

Forest distribution American soft maples grow widely across the eastern USA in mixed hardwood forests with more red maple in the northeast and silver maple concentrated in the mid and southern states. The name can be misleading as soft maple is not technically very soft. There are a significant number of sub-species – all sold as soft maple. Several, including Pacific coast/big leaf maple (Acer macrophyllum), grow in the northwest USA, for which there are specific grading rules that apply.

colour, especially from one region to another. The sapwood of soft maple is normally greyish white but can be darker, with pith flecks as a natural characteristic. The heartwood of soft maple varies in colour from light to dark reddish brown. The difference between sap and heartwood is greater than in hard maple. The wood of soft maple is generally straight grained with fine texture, with a grain pattern similar to American cherry, soft maple can be stained as a cherry substitute.

Mechanical properties Soft maple has good bending and crushing strength, but is low in stiffness and shock resistance. It is about 25% less hard than hard maple. Accordingly it is not recommended for flooring or work tops.

Performance Material availability Soft maple from the USA is widely available as sawn lumber in a range of sizes and grades, but rarely as veneer. The lumber is normally sold unselected for colour. West coast production is usually sold surfaced and graded from the better side, in a departure from standard NHLA Grading Rules.

Wood description Soft maples are somewhat like hard maple, but much more variable in

Soft maple lumber is excellent to machine, bore, plane and finish. It turns, glues, planes, drills and carves well but screwing and nailing is only fair. It produces good mouldings. Soft maple can easily be sanded, stained and polished to a fine and smooth finish, and has good steam bending properties. It is regarded as a substitute for cherry when stained. Its mechanical properties and performance also make it a substitute for beech. The wood is non-resistant to decay and the heartwood is moderately resistant to preservative treatment. The sapwood is permeable.

americanhardwood_imea

mena@americanhardwood.org www.americanhardwood.org

Studio RHE creates a 10-storey engineered timber atrium at the heart of a London office building

Image ÂŠ Studio RHE

Structure was built using two types of engineered wood: glulam and cross-laminated timber (CLT)

London-based Studio RHE has renovated the Import Building for Trilogy Real Estate, as the first phase of the reinvention of the Republic complex in East India Quay. As the first phase to be completed at Republic, the building provides 281,000 sq.ft of mixed use work and leisure space. Formerly known as East India Dock, this tired 1990s granite clad post-modern office complex has been reinvented to create a dynamic collaborative campus focused on well-being, connectivity, creativity and flexibility. Externally, the existing dock has been reinvigorated as a public garden and external break out space. A two storey retail and office extension has been added along the full length of the building and inside an engineered timber grid infill to the Atrium has increased lettable area and re-focused the buildings functionality.

Image ÂŠ Studio RHE

The project is innovative in

The reduction of machinery not only improved the working environment for installers by reducing noise, but also in turn improved Health and Safety and reduced the impact of construction works on surrounding communities. The speed of delivery was also increased by the lightweight timber as it allowed for larger panels and fewer joints. The construction sequencing was programmed to allow the existing tenants to remain in

its use of modular timber construction within the atrium and extensions. A lightweight timber structure was devised that could be manufactured offsite and then quickly assembled on site to the existing foundations without the use of heavy machinery. The glulam timber structure and infill CLT slabs were manufactured in small enough sizes to enable them to be safely manhandled into place without the use of heavy lifting equipment.

stairways if required.

This development has been designed to appeal to the next generation of creative and tech businesses, who have been priced out of neighboring fringe areas such as Shoreditch and Hackney. A tight budget, governed by the target market has resulted in design being used as a tool to maximize values, space and aesthetics.

The atrium spills into adjacent mixed-use amenity areas such as the ground floor gym, a coffee shop, cafe and retail units. On the ground floor are also a living room, library and bookable meeting rooms for communal use. The new rooftop deck functions as an amenity space for hosting events and yoga classes overlooking the city. An event space on the top floor also provides further rooftop communal amenities.

Each floor plate is designed to be operated as single occupancy or multi-let tenancies. Moreover the atrium infill provided the future flexibility to vertically connect floors together via additional

A major bus route and turning area were re-routed to enable the central space between the buildings to be redeveloped as Public Realm with water gardens and external break out

spaces. It was important to make significant improvements to the urban realm which would benefit tenants of the building as well as the local community. Extensive initiatives for developing ecology and biodiversity within the area as a whole were created for this project. The new green roof (blue roof system) on the East extension to the Import and Export Buildings also includes solar panels. The introduction of urban greenery was carefully designed to make an increasing contribution in the long term without making undue demands on maintenance resources. Tree species were selected which are reliable and vigorous in the shady conditions.

Similarly, waterways which run parallel with the building have been planted with a range of aquatic flora to encourage the success of native species such as small birds and dragonflies adjacent to the neighboring Site of Importance for Nature Conservation (SINC). "We are transforming the Import Building into a dynamic collaborative 21st century workplace, with flexible spaces and innovative amenities and facilities," said Richard Hywel Evans, director of Studio RHE. "It will form a cornerstone to this sustainable unique new working neighbourhood, and we look forward to the next stages of the development."

Image ÂŠ Studio RHE

place, and refurbished spaces to be made available for occupation on a floor by floor basis.

17 â&#x20AC;&#x201C; 19 SEPTEMBER 2019 DUBAI WORLD TRADE CENTRE

SCM machinery helps Cherwell improve quality, accuracy and productivity It all began in 2014 with a small company - Creations - producing quaint children’s playhouses. The natural evolution and next stage of development meant the creation of Cherwell - bespoke interiors specialists based in Dubai, U.A.E. The enterprising company evolved by devising full fit-out and interiors for the residences of discerning clients. Today, Cherwell is a high-end joinery and fit out company specializing in the residential market. According to Tom Brooks, Owner,

Cherwell, it all comes down to what the company believes in the first place: producing quality, in an environmentally sustainable way with excellent client communication and the core values of investing in its workforce and loyal customers. These are Cherwell’s keys to success. As such, their experienced team creates fantastic spaces for residential and commercial clients. Cherwell also have their own specialist joinery division who design and build truly custom kitchens, dressing rooms, bathrooms

and loose and fixed furniture. This is complemented by their knowledgeable in-house contracting team who can execute all other required works to the expected Cherwell standard. Working with small traditional machines, Cherwell were able to execute projects but were limited to an extent. According to Brooks, they contacted SCM and asked for a more advanced machine, in particular a wide belt sander. Diego Piersanti, Commercial Director, SCM Group Middle East responded with a strategy for Cherwell’s development plan and the rest is history. “We decided to go for a slightly higher spec than what was really needed so that we had room to grow without forced further investments in the short term. We feel it was the right choice as we now have a state-of-the-art factory capable of delivering highquality in a short time thanks to our capacity and flexibility. Reliable technology gives us peace of mind and lets us focus completely on our company development and customers’ satisfaction. Our operators feel

confident working on easy-to-use equipment, and the possibility to work and to be integrated with third-party software makes the whole process very efficient and streamlined from the design office to the one ready for delivery,” said Brooks. SCM provided Cherwell with 20 different technologies including n.1 waterjet 5 axis (EASYLINE) and n.1 CNC for glass and stone (SPEED) supplied by CMS (a company of SCM GROUP SPA). The Beamsaw SCM Gabbiani PT with integrated back loading table and ‘FlexCut (double-independent pusher)’ technology allows for incomparable flexibility and productivity. Cherwell are able to enjoy increased productivity of up to 30 percent and space saving up to 20 percent owing to the simultaneous execution of both rip and cross cuts. Also supplied was the Edgebander SCM Olimpic k560, which allows for a perfect joint line on account of the ‘SGP’ glue pot that features perfect dosing and a special spreading roller. The use of EVA and Polyurethane glue is made possible by the anti-adherent plasma treatment and a fast

Image © SCM

and simple glue changeover. As such, 12 mm solid wood lipping for panels up to 60mm thick is possible. The SCM Superset NT with 7 heads (6+universal) moulder allows for increased productivity as the set-up of the system enables the operator to change tools and perform adjustments in just a few seconds, decreasing set up times by up to twenty times. The new electronic control MOBILE PC also makes machine programming intuitive drastically, providing clear and precise information and reducing the possibility of human mistakes. It also allows up to 260mm width for the finished section. SCM provided Cherwell with a 5 axis CNC Morbidelli M100 that has a 5.5m working area that allows the company to process doors with maximum productivity thanks to the possibility to load/unload one side while the CNC is working in the other side. 5 axis also means the highest flexibility to support any design that projects may require. According to Brooks, the

introduction of a suite of SCM and CMS machines in a bespoke designed and purpose-built large facility has enabled Cherwell to work on bigger scale projects whilst not compromising quality. Having the latest technology has also meant they can keep a high level of design integrity whilst still looking at higher volume projects. This is an area that is often compromised when scale is introduced. With a one-stop shop with SCM and CMS, Cherwell now have machines from classical, through volume, specialist (5 axis) but also the waterjet and stone and glass polishing. “Cherwell has always tried to offer our clients a high-quality product delivered in a timely fashion. SCM’s machinery has helped us not only improve, quality and accuracy but also productivity. The fact that SCM offer a full suite of machines means that we only have to maintain one relationship for service, maintenance and spares which also goes a long way to minimizing down time. SCM was also very helpful in the design process for our facility, helping consider work flows,” concluded Brooks.

Biesse's SOPHIA continues to be a rapidly evolving artificial intelligence platform SOPHIA is a constantly changing world that integrates the experience of Biesse customers from around the world and involves them in the process of creating new services

Enriched with new features that further enhance human interaction, Biesse's SOPHIA, continues to be a rapidly evolving artificial intelligence platform. Thanks to SOPHIA, customers now have access to a host of services that simplify work management and improve the productivity of their machines and systems. “Our results show that SOPHIA helps increase the operating time of a machine and helps reduce diagnostic times by eighty per cent,” said Stefano Calestani, the Group's new Service Innovation Director. “Even though it has just been released in the market, SOPHIA has already helped improve our relationship with our customers by minimizing the time spent on troubleshooting problems and by offering effective and immediate solutions."

What is SOPHIA? SOPHIA is a digital platform that provides users with access to more machine information and initiates concrete actions to optimize performance and monitor the quality of the work produced, anticipating the causes of faults and providing clear solutions to resolve any anomalies. The data gathered and analyzed by artificial intelligence is transformed into useful data to help optimize customer production and product quality, providing extremely valuable opportunities for growth. This information also

provides customers with tools to prevent problems that could damage production. Thanks to SOPHIA, Biesse can take proactive steps to contact customers, reducing machine stoppages and inefficient time-wastage.

New functions The platform consists of two powerful areas: IoT and Parts, integrated with each other. These are connected to two apps that provide customers with easy access to Sophia's capabilities.

Greater security The flow of data is developed solely by the machine to network, never the other way around. The security of the information collected is guaranteed by two different systems: https communication protocol, a protocol for secure communication over a network via an encrypted connection; or access to the cloud with twofactor authentication (token + password).

Worldwide cover Biesse's entire global service network is interconnected and has access to the SOPHIA web portal, ensuring customers all over the world receive quick and decisive responses and solutions. Through this tool, Biesse technicians are able to constantly monitor possible problems, generating in real-time the solutions required to solve them.

Quick program installation Distribution of the SOPHIA loT SOFTWARE is extremely straightforward and rapid. It takes place through a dedicated function on the app, called Software Distribution Manager, which, through a protected mode, directly sends the specific software package to the machine.

The IoT - SOPHIA app provides a comprehensive overview of the specific machine performance features, with remote diagnostics, machine stoppage analysis and fault prevention. The service also provides a continuous connection with the Biesse control center, the option of calling for assistance from within the customer app with reports of issues managed as a priority. The 2019 edition of the Dubai WoodShow will bear witness to the new features of the IoT SOPHIA app, which will greatly improve personalized interaction with the customer depending on machine operation and will significantly reduce service times. Through the app, users will be able to receive notifications regarding production status, machine stoppages, production progress, maintenance alarms, logistics and tending direct to their mobile phone. Customers will always have access to information, wherever they are, even if the machine is not in operation. An important supplementary feature of the app is the addition of new indicators, whether they

Biesse and Intermac spare parts. The portal provides customers, dealers and branches with the opportunity to navigate within regularly updated documentation relating to their own machines and carry out interactive research within machine designs, documentation and bill of materials. It also allows customers to directly create a spare parts cart with information on real-time warehouse availability of parts and the corresponding price list, to monitor the progress of orders and provide a list of emergency and recommended spare parts. PARTS - SOPHIA, available 24 hours a day, 7 days a week, is a multi-lingual and multi-platform tool integrated with leading operating systems, specifically iOS and Android, and is also available via a dedicated smartphone or tablet app.

If required, via their mobile, customers can create a video connection that will allow the Biesse service to see what the customer outlines, therefore facilitating communication. It will also be possible to facilitate required maintenance operations by automatically compiling a shopping cart filled with spare parts considered to be necessary to carry out operations, then monitor the status of the machine components and receive notifications when work is required, for example when a part deteriorates. The customer can choose whether to confirm the order or not.

SOPHIA in the present and in the future

The second area of SOPHIA is PARTS, the new easy, intuitive and personalized tool for ordering

SOPHIA IoT was first conceived in April 2016, as part of a pilot project based on the concept of connecting a sample of some

The new features further integrate the PARTS - SOPHIA app with the lo-T - SOPHIA app through the automatic creation of a spare parts cart following a loT maintenance task; the opening of a technical assistance request using the portal or the PARTS SOPHIA app; and the ability to see and use a machine's technical documents on both the app and the platform.

Image ÂŠ Riccardo Rossi, Chiara Giombetti and Caterina Canducci

are the same for all different types of machines or specific to the type of work. The first version of the app introduced three important indicators related to productivity: Availability, efficiency and effectiveness. The new version of the app will allow users to see new settings specific to the type of work, namely between the many on offer, for beading machines the number of steps or information on the type of glue used, or for CNC machining centers the effect of tool changing or use of the working area, etc. This feature is of great value to the customer, who, up until now, have never had access to easily traceable information and therefore specifics regarding their own production.

of the main machines from a Rover range used by customers. This connection was then implemented on other types of machines and will cover the entire Biesse (wood and advanced materials) and Intermac range by the end of 2018. Initially, loT SOPHIA was available in Europe, America and Canada, and by the end of 2018 the platform was meant to go global.

Subsidiaries Division Director. “We are drawing increasingly close to our customers in order to accompany them in a process of growth that determines an optimization of all main assets, be they technological, strategic, organizational and human,” adds Broccoli.

The PARTS SOPHIA portal was conceived at the start of 2016 and made available to branches and dealers in August 2017. It is now available in major languages and for the majority of machines produced by Biesse and Intermac. August 2017 saw the launch of the app linked to the portal, which is now used by all dealers and branches and available to all customers.

Customers from various sectors worldwide can learn first-hand the benefits that the platform provides by visiting the company's stands at the many trade fairs Biesse takes part in and Biesse showrooms worldwide. There will be a site dedicated to SOPHIA where users will be able to find all the information on the new platform. To better understand the features of the platform there are also several videos available on Biesse's YouTube channel.

“SOPHIA is a constantly changing world that integrates the experience of Biesse customers from around the world and involves them in the process of creating new services. Biesse strongly believes in this project and has made provisions for solid investment over the course of next three years. The team dedicated to the project has significantly grown in the past few months and is set to increase with resources distributed worldwide. By the end of 2018 the platform will have been implemented worldwide, in accordance with the development schedule set out,” states Federico Broccoli, Wood Division Director/Sales -

“We’re thrilled to introduce SOPHIA to the Middle East at the Dubai Woodshow, as part of our global ‘Future on Tour’ golden anniversary celebrations,” says Renato Manganelli, Managing Director of Biesse Middle East. “After 50 years of innovation and technology, we dedicate this year to examining our company’s future, which goes hand in hand with the motto of next year’s Dubai Expo 2020: ‘Connecting Minds, Creating the Future.’ As we welcome this monumental global exhibition in Dubai, we hope many of our customers will be delighted to discover our latest and greatest technologies and truly ‘Live the Biesse Experience’.”

HOMAG partners with IVM Chemicals to build future-oriented advice center for surface finishing

Image ÂŠ Homag

Clever automation of nesting systems can become a success factor as part of digitalization with HOMAG

High-quality coated surfaces always require the perfect synergy between the machine technology and the components or materials used. This can only be achieved through close partnerships and communication between machine manufacturers and coating agent specialists of all kinds. As the leading provider of production solutions for both the wood processing industry and trade, HOMAG is now working in partnership with IVM Chemicals GmbH. In the coating specialists' technical center in Herrenberg, surface

processing machines have recently been made available to allow customers to experience 'live' surfaces finishing. "In the Surface Competence Center, you can always find the latest automated developments. With application-oriented live demonstrations of HOMAG coating systems close to our company's site, we are providing the ideal place to get to know the latest technologies," said Josef Zerle, HOMAG Executive Director Surface Processing.

Extensive test runs for HOMAG customers In most cases, extensive test

runs are required to determine the correct surface technology for high-quality wood surface processing. Often, small factors have a large impact on achieving the optimal end result. For users who are familiar with demanding surfaces when manufacturing furniture and components, IVM Chemicals' technical center offers excellent, expert advice on site. Experts from the surfaces teams at HOMAG and DĂźrr, application engineers from Croma Lacke and specialists from the IVM Group's research and development laboratories provide comprehensive, professional and

personalized advice.

Everything under one roof: Sanding, priming, intermediate sanding and coating In Herrenberg, application solutions are presented live with numerous opportunities for users to test materials, machine technology and procedures and how they interact. As a machine manufacturer, HOMAG installed an example HOMAG SPRAYTEQ S-100 series in Herrenberg. The SPRAYTEQ S-100 is one of the most modern and highly efficient spray coating systems on the market and is based on HOMAG's partnership with the renowned

Image © Homag

brand Makor. The new series was first presented at LIGNA 2017. The SPRAYTEQ S-100 offers woodworking companies a range of spray painting machines that are optimally tailored to help them get started with automated spray painting. Different machine designs from the SPRAYTEQ S-100 series cover the various requirements and production volumes. It can be configured as an autonomous spraying machine, as part of a comprehensive coating system or can be combined with automated workpiece handling as an autonomous painting cell.

painting machine, the advice center also currently features a HOMAG SANDTEQ W-200 wide-belt sanding machine. The technical center also features a combined nozzle channel with TL and IR dryers. This machine can simulate different air volumes and temperatures, enabling the simulation of any drying situation. There are also new rollers and UV lamps. This makes it possible to test and showcase applications from the Croma Lacke range with the latest machine technologies and UV-roller systems for the parquet and door industries.

Advice for any surfaces Alongside the HOMAG spray

With this new partnership, all

surface processing requirements are covered: from sanding, priming and intermediate sanding through to applying the final coating. Thanks to IVM Chemicals' expertise and the knowledge provided by HOMAG and Dürr, as well as the experience of coating experts, users from the surface processing sector can get comprehensive advice in the new technical center. The advice center is available to interested parties and customers of IVM Chemicals and HOMAG AG, as well as professionals from the woodworking industry. Here,

production processes can be tested and optimized with specially-modified coatings. An additional advantage: The test runs often prove to be helpful when choosing the right system. "Though a symbiosis of customized coating systems and efficient application technologies, we want to provide optimal application solutions. The excellent conditions at the business group's German location can now be used for this solutionoriented customer service," concluded Alexander Kollat, IVM Group General Manager.

Sebastian ErraZuriz unveils the latest pieces from his â&#x20AC;&#x2DC;Mechanical Cabinetâ&#x20AC;&#x2122; series at New York's R & Company

Image ÂŠ Sebastian Errazuriz Studio

Breaking the Box also debuts newly developed pieces from ErraZuriz’s Metamorphosis series. Drawing inspiration from the Chilean landscape where the artist was born, the series investigates the dichotomy between nature and adaptation. On view is a wooden carved bench and table that are each composed of an organic tree form bases. The new works continue the ongoing series of tree pieces questioning the R & Company is thrilled to announce ‘Breaking the Box’ a solo presentation of new work by Sebastian ErraZuriz. This is ErraZuriz’s first exhibition with the gallery taking place at the 64 White Street location on the upper level and atrium space. Breaking the Box presents a curated selection of ErraZuriz’s newest functional sculpture that exemplifies his multifaceted practice and evolution as a contemporary artist and designer.

constraining meaning into closed and simplified boxes defined by previous cultural conventions. We live within these pre-established cognitive borders, where we only tend to see, recognize and accept as true, that which has been previously ordered and defined. In ‘Breaking the Box’ I use art, design and craft to break open our relationship to objects, function, beauty and time in order to reconsider conventions," says ErraZuriz.

The diverse work on view challenges the boundaries between art, design and technology while inviting the viewer to question their purpose and function. His experimental approach to this new series is seen through the varying materials and stylistic methods he employs. Unified together thematically through their ongoing exploration of nature, humor, life and death, ErraZuriz encourages viewers to engage and discover the new works in the exhibition.

The top floor of the gallery is devoted to presenting functional pieces including newly developed designs from ErraZuriz’s Mechanical Cabinet series. Utilizing the highest level of traditional woodworking, each piece is crafted with technical precision that allows for their unique form to transform. These modular credenzas, cabinets and boxes at first glance appear simplistically elegant but they each possess a surprising element. Functioning in a similar mode to a fan, when opened the interactive works can rotate, spin, and take new shapes, colors and

"We tend to understand reality by

Another central focus of the exhibition is a monumental Bird Chandelier installed in the dramatic 40-foot atrium gallery space. Developed specifically for the exhibition, the illuminated sculpture cascades down three stories, activating the entire gallery. The whimsical chandelier consists of a hundred vibrant taxidermy birds that are harmoniously perched and flying in and out of the crystal structure. Drawing visual parallels to a nest, the piece resembles a moment frozen in time. The birds are motionless yet appear energetic bringing to question both life and death.

ErraZuriz states “The mechanical cabinet series is part of an ongoing exercise developing through systems to create outside of the box in methodical and structured manners. On the other end, this aviary series embody the daily reminder of the fragility of time and the need to also think freely and intuitively.”

history and meaning of wood made furniture. ErraZuriz developed three main series using different technics from innovative 7 axis CNC robots carving or high-end hand carving to real trunk and branches repurposing. The two pieces from the Metamorphosis series presented here are simultaneously simple and complex with clear references to their history and materiality.

forms. Merging both advanced technology and traditional craft, this versatile series allow for various interpretations that test the limits between sculpture and function.

CIFM / interzum guangzhou returns with packed lineup of activities

The most influential trade fair in Asia for furniture production, woodworking machinery and interior decor industry interzum guangzhou 2019 - will take place from March 28 - 31, 2019. Over 1,500 exhibitors will showcase an international mix of the latest technology in the furniture production industry, featuring over 85,000 visitors from home and abroad who will fulfill their purchase requirements in this flagship fair. We talk to Karen Lee (pictured), Vice General Manager, Koelnmesse Co., Ltd ahead of the show.

01. In retrospect, what were the major achievements of the last edition of the show? In 2018, CIFM / interzum guangzhou achieved 150,000 sqm, spanned 17 exhibition halls, and featured 1,459 companies from 38 countries and regions. The proportion of international exhibitors exceeded 23 percent, and the event attracted 89,858 visitors from 132 countries and regions. With continuously increasing demand in recent years, customized and ‘nonstandardized’ furniture have become an important development trend for furniture makers. The popularity in cabinet customization has further spurred

the concept of made-to-measure interiors for the entire home. In view of this trend, the Custom Furniture Suppliers Zone debuted at the international hall in the last edition and was well received by the industry. Brand manufacturers from countries such as Japan, India, Germany, Russia and South Korea exhibited in the feature zone, which effectively links the entire industrial chain and reflects the challenges and business opportunities brought about by the customization trend to the furniture industry.

02. How is the next edition positioned? What are the main objectives? As you may know, interzum Cologne in Germany is the oldest

and most renowned furniture production exhibition in the world. interzum guangzhou, being its only satellite event in China, has always been known for its professionalism and internationalization. It has long been praised as a not-tobe-missed furniture production trade fair by the industry. As mentioned earlier, along with the boom in China's custom furniture industry, there is a lot of room for development of upstream custom furniture enterprises. Building on this momentum, participants will see the Custom Furniture Suppliers Zone double in size in 2019, featuring the Turkish pavilion. The expansion and proactive move is expected to give interzum guangzhou an edge and cement its role as a leader

for furniture production industry trends.

03. Are there any new events such as awards, seminars and workshops at the next edition? The ‘20 PLUS 20 Annual List’ interzum guangzhou Outstanding Accessories List launched in 2018 received great attention from exhibitors and visitors with the 20 finalists gaining recognition and immense exposure throughout the entire event period. Entering its second year in 2019, we aim to further elevate the professionalism and credibility by specially inviting internationally renowned designer and member of the interzum Award jury, Dick Spierenburg, as the chairman of

Some of the brands to appear in 2019 for the first time include: Fritz Egger (Austria), Impress (Germany), AAPH (Singapore), TZ Austria (Austria), Sewon (Korea), Freitas Irmaos (Portugal), Germantops (Germany), MA.CO.2L (Italy), Elastron (Portugal) and Toppan (Japan).

08. What - in your opinion - are the major trends for the timber industry at the moment?

the judging committee.

04. How does interzum Guangzhou aim to be different from other industry trade fairs? interzum guangzhou enjoys the good reputation established by its parent event, interzum. Since its inception in 2004, interzum guangzhou has established itself as the definite ‘one-stop’ trading platform. Thanks to China being the world's largest furniture production base and the largest furniture consumer market, interzum guangzhou has always played the role of providing the best platform for international high-quality furniture production enterprises to enter the Asian market, while serving as the gateway for high-quality Chinese companies to go to the world. More attention is also being paid on creating a more ‘immersive experience’ in recent years. We encourage exhibitors to demonstrate their latest products, technologies and solutions on the spot so visitors can observe and better experience the latest features and industry trends instead of relying only on verbal exchange.

05. What does interzum Guangzhou specifically offer to the timber and related industries? Wood and wood-related products have always been key exhibit categories of interzum guangzhou, which has attracted renowned international wood exporting associations from various countries to lead their members to participate in the exhibition annually. Association pavilions to be featured in 2019 include the American Hardwood Export Council (AHEC), Canada Wood, Malaysian Timber Council, French Timber, American Softwoods, and the Quebec Wood Export Bureau (QWEB).

06. How many visitors and exhibitors are likely to be there at the next edition? What percentage of them are repeat exhibitors and how many of them are new? interzum guangzhou 2019 is expected to have more than 1,500 exhibitors from around the world. Among them, about 10 percent will be making their debut appearance at the show. We are anticipating over 90,000 trade buyers to gather in Guangzhou and experience the event with us.

As a producer and consumer of wood products, China is a major player in the global trade in timber products. China's industrial materials, pulp and paper products market ranks second in the world, after the huge US market. At present, China imports logs and sawn timber from more than 100 countries. The main sources are concentrated in countries with abundant forest resources and developed forest industries, mainly in Europe, America, Africa, South America, Southeast Asia and Russia. Since 2015, an increasing number of timber producing countries worldwide have been proposing policies to ban or limit

log exports. The rise in timber prices will directly lead to higher costs for downstream wood products. Taking the wooden plank industry as an example, the rise in timber prices has directly led to an increase in the cost of the planks, which in turn has led to some manufacturers to pass on the cost to consumers.

09. What role does the show play in promoting / facilitating trade and development in the region? Guangdong province, as the first region in China to open to foreign trade, has a long history of international trade and development experience. Apart from that, Guangdong is also the largest furniture production base in China, and the epicenter of the entire national industry value chain. As an annual industry event, about 90,000 people from around the world gather at interzum guangzhou in March every year. Due to the excellent geographical location of the exhibition, exhibitors based locally can conveniently invite buyers and interested partners to visit their factory after the exhibition, providing a concrete basis for cooperation between the two parties.

07. Who are some of the new exhibitors making their debut at the next edition?

Malaysian International Furniture Fair

Bois & Habitat

March 8 - 11 Putra World Trade Center and MATRADE Exhibition and Convention Center Kuala Lumpur, Malaysia http://2019.miff.com.my .............................................................................................

March 22 - 25 Namur Expo Namur, Belgiun www.bois-habitat.be/en .............................................................................................

Export Furniture Exhibition

DOMOTEX asia/CHINAFLOOR

March 9 - 12 Kuala Lumpur Convention Center (KLCC) Kuala Lumpur, Malaysia http://efe.my .............................................................................................

March 26 - 28 Shanghai New International Exhibition Center (SNIEC) Shanghai, China http://domotexasiachinafloor.com .............................................................................................

The Big 5 Saudi

TECHNOMEBEL and World of Furniture

March 10 - 13 Jeddah Centre for Forums & Events Jeddah, Saudi Arabia www.thebig5saudi.com .............................................................................................

March 26 - 30 Inter Expo Center Sofia, Bulgaria http://technomebel.bg/en or http://furnitureexpo.bg/en .............................................................................................

Dubai WoodShow

CIFM / interzum guangzhou

March 12 - 14 Dubai International Convention & Exhibition Center Dubai, UAE www.dubaiwoodshow.com .............................................................................................

March 28 - 31 Pazhou Complex Guangzhou, China www.interzum-guangzhou.com .............................................................................................

DELHIWOOD

Project Qatar

March 13 - 16 India Expo Centre and Mart Greater Noida, Delhi, India www.delhi-wood.com ...........................................................................................

April 29 - May 1 Doha Exhibition & Convention Centre (DECC) Doha, Qatar www.projectqatar.com .............................................................................................

LAS-EXPO

interzum

March 15 - 17 Kielce Trade Fairs Congress Center Kielce, Poland www.targikielce.pl .............................................................................................

May 21 - 24 Koelnmesse GmbH Cologne, Germany www.interzum.com .............................................................................................

LUBDREW

LIGNA

March 22 - 24 Lublin Trade Fair and Exhibition Center Lublin, Poland www.lubdrew.pl .............................................................................................

May 27 - 31 Hanover Exhibition Center Hanover, Germany www.ligna.de .............................................................................................

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The Biesse IoT platform which enables customers to access an extensive range of services to streamline and rationalise their work management processes. Tel. 971 4 887 8533 middleeast@biesse.com

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Distinctive. Dependable. Professional. The solution for your Surfaces. SPRAYTEQ S-100. Compact Machine Design Automatic finishing in merely 150 ftÂł. Efficiency Substantial lacquer savings with precise parts recognition and exact spray control. Process Security An intuitive user interface and machine monitoring assures optimal production.

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