San Diego CityBeat • Jan 14, 2020 by Times Media Group

JANUARY 2020 • SDCITYBEAT.COM • FREE

2 · SAN DIEGO CITYBEAT · JANUARY 2020

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ART DIRECTORS Jay Banbury Christy Byerly CONTRIBUTORS Karen Barnett Christopher Boan Jackie Bryant Catherine Hathaway Sara Harmatz Randy Montgomery Eric Newman Taylor O’Connor Bridgette Redman Leslie Westbrook PHOTOGRAPHERS Caroline Bader Jim Carmody Paul Husband Derrek Kupish Catie Laffoon Clark Reinking Rickett + Sones San Diego State Athletics Rachel Esther Tate

FEATURE

EDITOR Christina Fuoco-Karasinski

Jason Mraz

UPFRONT

NEIGHBORHOODS

PRODUCTION MANAGER Tristan Whitehouse

Tim & Eric

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Dermot Kennedy

Human Rights

NEIGHBORHOODS Balboa Park ____________________ 12-15 Old Town _________________________16

TRAVEL

North Park ________________________18 Little Italy _________________________19

Gaslamp _______________________ 20-21 Hillcrest __________________________23

ARTS

DINING | BEER

Travel _________________________________ 25 Arts ___________________________ 28 Dining | Beer _________________ 36-41

SPORTS San Diego CityBeat is published and distributed every month by Times Media Group, free of charge but limited to one per reader. Reproduction of any material in this or any other issue is prohibited without written permission from the publisher and the author. Contents copyright 2020.

CANNABIS

MUSIC

Sports _________________________________45 Music __________________________48

ON THE COVER:

CannaBeat ______________________61

Jason Mraz, courtesy Ashley White PR

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JANUARY 2020 · SAN DIEGO CITYBEAT · 3

TOP25 OUR PICKS FOR COOL THINGS TO DO THIS MONTH

Taylor O’Connor >> San Diego CityBeat

1 Midge Ure Acoustic Duo

JANUARY 16

The Grammy award-winning producer and guitarist, who’s worked with the Sex Pistols, Paul McCartney and Radiohead, will play acoustic versions songs from his catalog. This is a seated show for those 21 and older. Belly Up, 143 S. Cedros Avenue, Solana Beach, bellyup.com, 8 p.m., $25.

2 The Big Fake Wedding

JANUARY 16

Have wedding plans or need a caterer for an event? No need to stress out because now everything is laid out at the Big Fake Wedding. This is an alternative bridal show, complete with a vow renewal ceremony, snacks and a dance-party reception. Guests can meet with vendors and get inspired for their own events. See the website for the participating vendors. Sandbox Venue, 325 15th Street, Downtown, thebigfakewedding.com, 7 to 9 p.m., $15 to $27.

Zeppelin counterpart. In 18 years of touring, they have become one of the longest-tenured Zeppelin tributes. The Music Box, 1337 India Street, Downtown, 619.795.1337, musicboxsd. com, 8 p.m., $20.

JANUARY 19

5 Boomshaka 2020 Music Festival

8 Theo Katzman

9 Big Head Todd and the Monsters

JANUARY 23

Big Head Todd and the Monsters are celebrating their third-decade making music. Recently, the band produced its 11th studio album, “New World Arisin’.” The group formed in 1987, and kick-started its career in Colorado. Soon thereafter, they were selling out Red Rocks. “New World Arisin’” crisscrosses genres, giving fans a wide variety of styles. Belly Up, 143 S. Cedros Avenue, Solana Beach, 858.481.8140, bellyup.com, 8:30 p.m., $20.

JANUARY 18

This is perfect for those who resolved to travel more. The San Diego Travel and Adventure Show features information about more than 200 destinations; meet and greets with travel celebrities Cheryl Strayed, Patricia Schultz, Wayne Dunlap and Peter Greenberg; several travelfocused seminars, and the Global Beats Stage with songs and dances from a variety of countries. Plus, by attending guests can save big with exclusive showonly deals and trip giveaways. San Diego Convention Center, 111 W. Harbor Drive, Marina District, 203.878.2577, ext. 1, travelshows.com, 10 a.m. to 5 p.m., $18.

10 Fog Lake JANUARY 24

4 Zoso: The Ultimate Led Zeppelin Experience

For Zoso, it is not about being a Led Zeppelin tribute band, but touching a golden era in music. Every band member was carefully selected to portray the appearance and playing style of its Led

7 Fitbit Local Oceanview Sweat

Here’s a creative way to keep up that New Year’s resolution of losing weight. Fitbit local ambassadors Sheri Matthews Kimmel and Mike Sherbakov will lead an hourlong workout that incorporates strength, stepping and stretching. Zico coconut water will be there to keep everyone hydrated. Check-in begins at 8:30 a.m. and the workout begins at 9 a.m. One lucky guest will take home a Fitbit. Spanish Landing Park, 3900 N. Harbor JANUARY 18 The Boomshaka Music Festival celebrates Drive, San Diego, fitbit.com/local, 9 to 10 a.m., visit website for pricing. Southern California’s musical sounds by the likes of Iration, Cypress Hill, Don Carlos, The Green, The Movement, KBong and Seis Trails. In the surrounding JANUARY 22 festival village, guests can purchase handcrafted artisan items, craft beers and The former singer, drummer and guitarist cocktails and food. The evening is hosted in the funk band Vulpeck, Theo Katzman by Hawaiian reggae vocalist Trish of Hirie. decided to branch off and go solo in Pechanga Arena, 3500 Sports Arena 2017, with his debut album “Heartbreak Boulevard, Midway, 619.224.4171, Hits.” Katzman returns to his rock ‘n’ roll pechangaarenasd.com, 3 p.m., $75 roots, with 10 new songs about loss and heartbreak. He blends his vulnerability and imagination to create songs that are a blend of healing and hurting. Belly Up, 143 S. Cedros Avenue, Solana Beach, 858.481.8140, bellyup.com, 8:30 p.m., $20-$25.

3 2020 San Diego Travel and Adventure Show

JANUARY 18

hip-hop and Brazilian beats to make the perfect mixture for a party. He’s been honing his skills since the age of 13 and his 2015 song, “Ambiance,” made him a name to watch in 2016. His resume includes shows at Elrow in Barcelona, EDC Las Vegas and CRSSD. Bang Bang, 526 Market Street, Gaslamp District, 619.677.2264, bangbangsd.com, 10 p.m., $10-$20.

6 Mele JANUARY 18 This DJ, born Krissy Peers, is influenced by classic house music, transatlantic

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Newfoundland-raised Fog Lake—better known to his parents as Aaron Powell— started his pop career in college. He released his first album in 2013, and is known for collaborating with his fellow Canadian musicians. Now based in Montreal, Powell recently released “Captain,” the songs on which explore the dark parts of Powell’s life. Soda Bar, 3615 El Cajon Boulevard, City Heights, 619.255.7224, sodabarmusic.com, 9:30 p.m., $12.

11 Atomic Groove’s Winter Flannel Party Happy Hour JANUARY 24 Atomic Groove is one of San Diego’s best dance bands, performing at special events like parties, galas, fundraisers and weddings since 1995. Atomic Groove packs dance floors with its high-energy presentation and choice song selections. Flannel not required. Belly Up, 143 S. Cedros Avenue, Solana Beach, 858.481.8140, bellyup.com, 5:30 p.m., $20.

12 J. Worra JANUARY 24 DJ J. Worra, otherwise known as Jamie Sitter, was raised in a smalltown north of Chicago. Growing up, Sitter found herself drawn to different genres and music. By 2011, she made her first step into DJing and music production. She eventually headed to Los Angeles, but Chicago is still prominent in her sound. Bang Bang, 526 Market Street, Gaslamp Quarter, 619.677.2264, bangbangsd.com, 10 p.m., $10.

13 Saint Motel JANUARY 25 Los Angeles-based Saint Motel is vocalist/ guitarist/pianist A.J. Jackson, guitarist Aaron Sharp, bassist Dak Lerdamornpong and drummer Greg Erwin. Founded in 2007, Saint Motel made its mark with its 2015 “My Type.” The year 2016 marked Saint Motel’s “Saintmotelevision,” the first full album accompanied with a virtual reality experience. In 2020, the band is expected to release its third album, and is on tour to promote the release. The Observatory North Park, 2891 University Avenue, North Park, 619.239.8836, observatorysd.com, 8 p.m., $25.

14 Pure Project’s Four-Year Anniversary

JANUARY 25

Pure Project, a nonprofit organization dedicated to creating brews that use natural and local ingredients, is celebrating its fourth year. Join the celebration with a beer garden selling rare beers and cellar beers along with food trucks, music, games, raffles and prizes. Proceeds benefit San Diego Coastkeeper to protect and restore San Diego water. Pure Project, 9030 Kenamar Drive, Carlsbad, 858.252.6143, purebrewing. org, 1 p.m., $25.

15 Shen Yun

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JANUARY 24 TO JANUARY 26 Shen Yun allows guests to experience a lost culture through the art of classical Chinese dance. Ancient art forms meet

See

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TOP 25

Jolla, 858.454.9176, thecomedystore. com, 7:30 p.m., $20.

21 Big Salsa Festival

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JANUARY 30

with innovative multimedia, stunning costuming. San Diego Civic Theatre, 1100 Third Avenue, Downtown, 888.973.7469, shenyunperformingarts.org, times vary, tickets start at $80.

We’re not talking chips and salsa, but the dance! The Big Salsa Festival is a fourday event featuring some of the greatest names in the genre. Each day is packed with dance classes, live band concerts and Latin dance parties. Not a professional dancer? No problem! There are classes for beginners to learn the basic steps. San Diego Marriott, 8757 Rio San Diego Drive, Mission Valley, bigsalsafestival.com, 7 p.m., $50

16 Ruocco Park Market JANUARY 25 Set up at the edge of San Diego Bay, Ruocco Park Market sells Spanish paella Mexican, kettle corn, vegan food, barbecue, dessert dumplings, freshly made churros and dessert bao. Music and lawn games round out the day. Ruocco Park, 585 Harbor Lane, San Diego, 616.202.5244, sandiegofoodmarkets.com, 10 a.m. to 5 p.m., free admission.

JANUARY 26 This American rapper, singer and songwriter is Michael Lamar White IV. He’s best known for his songs “Dark Night Dummo” and “Topanga,” both of which landed in the Billboard Hot 100. His July 2018 album, “Life’s a Trip,” hit the Billboard 100 Albums Chart, selling 72,000 copies. Shortly after, in 2019, White released “!” and scored his first No. 1 album. Now, White’s most recent project, “A Love Letter to You 4,” reached 123.9 million streams in its first week of November. Soma San Diego, 3350 Sports Arena Boulevard, Midway, 619.226.7662, somasandiego.com, 8 p.m., $42.

From funk-laced beats and bass-heavy sousaphone blasts to the gritty warmth of singer J’Wan Boudreaux’s voice, New Orleans brass band-meets-Mardi Gras Indian outfit Cha Wa radiates the energy of the Crescent City’s street culture. Enchanted by the music and traditions of the Mardi Gras Indians, Cha Wa offers a modern mix of fiery, toe-tapping sounds and highlights the musicians’ personal ties to the street music of their hometown. Presented by ArtPower at UC San Diego. Price Center East Ballroom, 9500 Gilman Drive, La Jolla, 858.534.8497, artpower.ucsd.edu, 8 p.m., $9-$35.

FEBRUARY 11 In the midst of a comeback, Sinead O’Connor plays a sold-out show at Belly Up. There’s no denying she’s a talent, with songs like “You Cause as Much Sorrow” and “Black Boys on Mopeds.” See this alternative pop icon in an intimate setting and appreciate what she brings to music. Belly Up, 143 S. Cedros Avenue, Solana Beach, 858.481.8140, bellyup. com, 8 p.m., sold out.

JANUARY 25

18 Trippie Redd

FEBRUARY 6

24 Sinead O’Connor

17 “Mystery Science Theater 3000 Live: The Great Cheesy Movie Circus Tour!”

The hilarious Peabody Award-winning TV comedy is coming to San Diego with an all-new show. Join creator, Joel Hodgson, in his final tour and his movie-riffing robots, Tom Servo, Crow and Gypsy, as they take guests on a roller coaster ride through some of the cheesiest films. Sit in the same theater with your favorite TV characters and experience this comedy phenomenon in an acclaimed live event. Balboa Theatre, 868 Fourth Avenue, Gaslamp Quarter, 619.564.3000, broadwaysd.com, 7:30 p.m., prices vary.

23 Cha Wa

25 San Diego Sockers vs. Baltimore Blast

20 Hayley Kiyoko JANUARY 29 Hayley Kiyoko is a pop artist to watch. A veteran actress, Kiyoko turned to music and was nominated for two VMA awards and won Push Artist of the Year. She garnered more than 300 million global streams,1.8 million YouTube subscribers and was named to NPR’s list of “The 21st Century’s Most Influential Women Musicians.” Soma San Diego, 3350 Sports Arena Boulevard, Midway, 619.226.7662, somasandiego.com, 8 p.m., $35.

22 Mark Normand

FEBRUARY 12

JANUARY 31 This NOLA-born comedian frequented comedy festivals around the world. Under his belt he has a one-hour Comedy Central special, six visits to “Conan,” and a stop at the “Tonight Show with Jimmy Fallon” and “Late Night with Stephen Colbert.” Check out why this comedian is the one fellow comics are watching. The Comedy Store, 916 Pearl Street, La

It’s an old rivalry renewed as the Sockers take on the Blast for the second time in the 2019-2020 season. The teams are 1-1 when it comes to goals scored, so it looks to be anyone’s match. It will be Vinicius Dantas of Baltimore or Slavisa Ubiparipovic of San Diego’s to step up and take reins for their teams. Pachenga Arena, 3500 Sports Arena. Boulevard, Midway, 619.224.4171, 7:35 p.m., tickets start at $15.

19 “Disney On Ice Presents Mickey’s Search Party”

JANUARY 26

Bring the kiddos and join Mickey Mouse and friends as they head out on a treasure-finding mission. Sing along to everyone’s favorite songs. Pechanga Arena, 3500 Sports Arena Boulevard, Midway, 619.224.4171, pechangaarenasd.com, 5 p.m., $17.50. @SDCITYBEAT

JANUARY 2020 · SAN DIEGO CITYBEAT · 5

UPFRONT | COVER STORY

Shine On

Jason Mraz’s inclusive concert spotlights San Diego youth Christina Fuoco-Karasinski >> San Diego CityBeat

ason Mraz is proud of his adopted hometown of San Diego and he’s determined to show residents what they have. He’ll present “Shine,” a musical adventure through his catalog, Saturday, February 15, and Sunday, February 16, at the Spreckels Theatre. “Shine” centers around the local community and celebrates San Diego. The show follows Mraz and friends as they wake up and experience a full day in their Southern California neighborhood. They play at a local park, explore a farmers market, dance and fall asleep under the stars. The concert will feature performances by local arts education nonprofit groups, including Banding Together, who brings music opportunities to individuals with special needs; Malashock Dance, whose education program is designed to bring access to dance for underserved students, low-income families, individuals with disabilities, and promising pre-professional dancers who may face financial barriers; and transcenDANCE, who guides young people in underserved San Diego County communities to transcend barriers, expand their ambitions, and create positive change for themselves, their

families and community, through dance and performance. Grants from the Jason Mraz Foundation have empowered and inspired these groups to interpret some of Mraz’s songs through movement, singing and visual arts. The Jason Mraz Foundation has donated more than $1 million to various nonprofits supporting inclusive arts education and the advancement of equality. “We like to think the concerts are inspiring, fun and authentic,” Mraz says. “We’re going to be bringing a showcase of San Diego’s best perform-

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ers. I’m talking the next generation of performers: Today’s youth, tomorrow’s entertainers.” Mraz partnered with seven arts education programs in San Diego to showcase what they do, he says. “We want San Diego to see what’s right here and what kinds of programs exist,” Mraz says. “We have dance programs. We have vocalists, instrumentalists, a variety of the performing arts will be showcased through this theatrical rock concert.” The presentations are important to Mraz because he grew up through arts education programs. His goal is to bring awareness to groups like the ones that helped him. “I want young kids to have a great opportunity,” says Mraz, who lives in the San Diego area at Mraz Family Farms. “That gets to happen thanks to this show. The young people have a gig to really show up for and live into. The show itself is the culmination of the end of the season showcase. That’s fun, too.” Malashock Dance was excited and inspired from

day one, according to Molly Puryear, the group’s executive director. Since 1988, Malashock Dance has created and performed more than 100 original dance works, produced annual performances and workshops and collaborated with other renown artists and cultural organizations to critical acclaim. Founded by John Malashock following his extensive career in dance and theater, the company performs in various San Diego venues and events and has toured nationally and internationally. “The Jason Mraz Foundation is recognizing the work that is being done in this community and allowing us to expand on it,” Puryear says.

“It’s really a huge breakthrough opportunity for all of the mixed-ability students we work with. We would not otherwise be able to produce a show of this caliber. Having the resources and support of the Jason Mraz Foundation has been truly a joy from beginning to end.” Puryear says Mraz’s personal support has been appreciated. “We’re thrilled with how involved Jason has been personally,” she says. “There’s a lot of heart behind this and a true understanding. “It’s a transformational experience for anyone who’s ever been in the spotlight and jumped on the stage. It’s life changing and we truly believe in what that can do for a family.” Mraz was moved as he heard See

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UPFRONT | COVER STORY

“Shine”

organizations Wheelchair Dancer Organization

Angelo, 10, and Gracie. 8, Sanchez wheelchairdancers.org Wheelchair Dancers Organization (WDO) changes lives through dance.

A Reason to Survive (A.R.T.S.)

areasontosurvive.org Its mission is to ignite the power of creativity in youth, inspiring them to overcome obstacles and providing them with the skills needed to become compassionate catalysts for positive change in themselves, their communities and the world.

Banding Together

bandingtogethersd.org Founded in 2009, Banding Together brings music opportunities to individuals with special needs in the community.

Malashock Dance Company

malashockdance.org/danceability Promoting dance as an avenue for personal expression through participation, education, and artistic collaboration. Dance with this ABILITY Program: The class for students with intellectual differences is back in action at The Malashock Dance School. Join the group for a weekly class focusing on movement fundamentals, spacial and physical awareness, and creative problem-solving.

MRAZ

San Diego Queer Youth Chorus

sdpride.org/sdqyc San Diego Queer Youth Chorus encourages and fosters artistic expression, personal development, and leadership in lesbian, gay, bisexual, transgender, queer/questioning intersex and allied youth and presents musical performances that provide an opportunity and space for young people, however they identify, to say “this is a place where I am accepted for who I am and everything that I bring.”

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Puryear talk. “That’s what this is all about,” he says. “I always bring up the word ‘inspire.’ By hearing Molly’s testimony, this is what we’re doing to breathe life into programs and opportunities— inspire, inspire, inspire. “I’m inspired. We’re all breathing life into this together. We want our time here on earth to be positive and change life for good.” Mraz has new music on the docket for 2020. He’s unsure if the set will include some of those tracks. “It’s still up for debate,” Mraz says. “We have new material and a very full show based on the songs collected from the catalog. “The new songs reflect the time and breathe life into issues that need addressing and @SDCITYBEAT

transcenDANCE Youth Arts Project celebrating. There will be more information released on this next season or so, maybe March or April. “Right now, for me, ‘Shine’ is almost like a loophole that I found that allows me to continue to play at the level the young people play at. It’s freeing, especially for first-time people on stage. To be involved in a show like this and to provide the music for this show, it allows me to stay right there in that seat I got to stand in in eighth grade. That’s what the sensation

of what this whole journey has been about.”

Jason Mraz: “Shine” 7 p.m. Saturday, February 15, and 3 p.m. Sunday, February 16 Spreckels Theatre, 121 Broadway, Gaslamp District Sold out 619.235.9500, spreckels.net

tdarts.org transcenDANCE is a nationally recognized creative youth development organization that works with teens in underserved San Diego communities. Its programs change the trajectory of students’ lives by building resilience, confidence, and creativity and by instilling lifechanging skills such as leadership, collaboration and community engagement.

Guest artists

Pan 4 Students/Steel Drums; Chloe Mickley, Kristhaly Carvajal, Michael Garcia and Ty Bogikes, Billy Galewood, Evan Ruggiero, Chris Caswell and Raining Jane.

JANUARY 2020 · SAN DIEGO CITYBEAT · 7

UPFRONT

An Authentic Experience

Irish singer Dermot Kennedy heads out on biggest tour yet Taylor O’Connor >> San Diego CityBeat

rish singer-songwriter Dermot Kennedy wants to write songs with a purpose. Every detail in the artist’s career—from shows to lyrics to album structure—all have a deeper meaning than what is seen at first glance. The purpose behind all the details: true emotion and vivid imagery. “I want my fans to feel something real for a certain amount of time, to take a step out of everyday life and feel something authentic and real and deep,” Kennedy says. “I think that’s what my

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wrote. “I wanted the album to have a narrative. I wanted to have a very strong story,” he says. “The album almost runs in parts. The first part is the beginning of falling in love and then the second part deals with loss and grief and toward the end is like a renewal. It’s someone who’s been thrown an awful lot of good and an awful lot of bad.” Fans can store that away, but Kennedy doesn’t get into too much detail about what the songs mean to him. “I don’t necessarily want to go into too much detail in describing what the album is about because I don’t want to

I want to make sure that with all the touring that I don’t lose the love of performing. I don’t want to become someone who just goes through the motions. I want my performances to be powerful every night.

favorite music has done for me and I’d like to do that for them.” Released in October, his debut fulllength album, “Without Fear,” sent the singer on his longest and biggest tour, with more than 30 dates in North America performing in historic venues like Radio City Music Hall in New York City and The Wiltern in Los Angeles. “Some of them are so beautiful,” Kennedy says. “Stuff like that is just a massive deal. It’s very important to me. I don’t want to take anything for granted.” As for San Diego, Kennedy is set to perform at 8 p.m. Monday, February 3, at Cal Coast Credit Union Open Air Theatre at SDSU. “What people often expect is just me and a guitar or me and a keyboard in a venue that’s super intimate and quiet,” Kennedy says. “That’s not it. It’s the four of us on stage now and the production has gone up a gear completely and it’s quite a big show. “A really important thing for me is trying to paint a picture with my lyrics and have really vivid imagery in my songwriting and I want that to come across in my show.” Kennedy’s imagery is apparent in “Without Fear,” which he considers much more than a collection of songs he

get in the way of what people feel and what people take from it,” he says. With such a specific goal for the album, Kennedy says he had to be very selective with his songs. “You’ve got certain songs that you love and sounded good in the studio, but they didn’t necessarily fit in the story. I was working off of 80, 90 song ideas. I wanted the story to make sense within the album,” he says. “I was really determined not to have a compilation of songs that are listed in this way for no good reason. I wanted it to be a project as opposed to a compilation of songs that were listed in no particular order.” “Without Fear” closes with the title track, a song very close to Kennedy. Now 27, the songwriter wrote this tune years before any he had any recognition as an artist. “It was the song I had ready to go from when I was younger,” Kennedy says. “The song changed over time, but I wanted to run with it. Now, it’s our favorite song to play live and it’s one of the most precious songs on the album.” He chose the album name, “Without Fear,” because of his connection to the song. “To have a title that’s so personal,

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it’s a reminder of what I loved about music before I had a career. Then, it’s also a reminder to myself to live and try and create that way, to do everything I can to live and be an artist in that way,” Kennedy says. As Kennedy gains traction within the industry, it’s important for him to remain himself. “I’m just trying my best to hold on to what I truly am, to not change or fall into certain holes within the music industry,” he says. “There are so many ways to get big quick and to jump ahead of other artists. There’s so many gimmicks and so much trouble and so many people are crying out for something real and to actually feel something.” His authenticity and vulnerability are the reasons he has many fans. Leading up to the album release, Kennedy had more than 9 million monthly listeners on Spotify and 600 million streams across all platforms. “Without Fear,” landed at No. 18 on the Billboard Top 200 and debuted at No. 1 on the Official

U.K. Album Chart. This growth follows two of the album’s singles, “Power Over Me” and “Outnumbered.” The songs reached the charts in France, Germany, Belgium, the Netherlands, Switzerland and Canada. Being authentic, Kennedy says, is a blessing. “I don’t have to pretend or put on a face when I go on-stage. I don’t have to be something I’m not and that feels good. I want to continue down that path. “I want to make sure that with all the touring that I don’t lose the love of performing. I don’t want to become someone who just goes through the motions. I want my performances to be powerful every night.”

Dermot Kennedy

8 p.m. Monday, February 3 Cal Coast Credit Union Open Air Theatre at SDSU, 5500 Campanile Drive, Mission Valley Tickets start at $29.50 ticketmaster.com @SDCITYBEAT

@SDCITYBEAT

JANUARY 2020 · SAN DIEGO CITYBEAT · 9

UPFRONT

A Most Excellent Show, Indeed

Tim & Eric want fans to laugh at their figurative, on-stage pain Christopher Boan >> San Diego CityBeat

im Heidecker formed a comedic alliance with fellow Pennsylvanian, Eric Wareheim while the two attended Temple University more than two decades ago. The dynamic duo would go on to form the aptly named Tim & Eric, taking their brand of awkward, off-color comedy to venues around the globe. The pair appear on the Cartoon Network’s “Adult Swim,” with the show, “Tim & Eric Awesome Show: Great Job!” which ran from 2007 to 2010, before a spin-off movie, called “Tim & Eric’s Billion Dollar Movie” hit theaters in 2012. Fast-forward eight years and the two Keystone State legends are back with a new jaunt, called “Tim & Eric Mandatory Attendance Tour,” which kicks off its U.S. segment on Monday, January 27, at the Balboa Theatre. Heidecker says he’s excited to launch a new tour with a man he calls one of his best friends. Their on-stage rapport is 100% authentic. “I think the fun part about the early shows on the U.S. tour is they still are going to be really fresh and a little scary for us because we’re still getting our feet planted on some of the moves and parts of the show,” Heidecker says. “So, it’ll be that kind of fun, nervous kind of feeling, like when you’re watching a magician and you’re waiting for them to screw up.” Heidecker and Wareheim’s rehearsals highlight their bond, as they evidently

could not deliver their comedic lines with a straight face. “Last week, we were rehearsing the show and we couldn’t get through any of the bits without cracking each other up,” Heidecker says. “So, I think there’s going to be this scary feeling of, ‘OK, don’t laugh,’ which is embarrassing, because you’re just laughing at yourself. But, I’m excited for these shows.” Heidecker and Wareheim’s newest tour promises a series of surprises sure to bring the house down. Heidecker would not get specific but alluded to several items fans can expect when they come to the late-January shows. “It’s a really immersive, interactive tour. We’re sort of playing with expectations and kind of incorporating

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the audience into the story of the show a little bit, in a very stupid and silly way,” Heidecker says. “But, it also gets pretty dark at points and it gets into death and it gets into just some dark, dark things. It also gets a little referential and meta about our own career and what people expect us to do, versus what we want to do. “It’s sort of the landscape of comedy right now and this idea of being relatable and approachable and all of this focus grouping and that kind of stuff.” Longtime fans of both comedians can rest easy there will still be plenty of the signature off-the-cuff humor that made the pair’s show a cult favorite. Heidecker’s goal for 2020, is to keep each night fresh for the audience, so they don’t leave longtime fans wanting more by night’s end. “We’re leaning less on coming out with characters from the show, we’re going to try to create really a brand-new show that isn’t too derivative of anything that you’ve seen before,” Heidecker says. “It’s like if you’re a stand-up comedian, you wouldn’t want to see jokes being reused, you’d want to see new stuff. So, that’s kind of what we’re trying to do.” The element of surprise is key to Tim & Eric’s routine, as the duo’s main goal is to say off-color jokes sure to make each other crack up. Heidecker said the pair hopes the audience will go along for the ride with them, laughing at their nonsequiturridden content, so they’re not the only

ones doing so. It’s that nonconforming brand of comedy that keeps Heidecker and his partner in comedic crime coming back. Heidecker and Wareheim want to keep their edge, so each show will be unique and entertaining, “Every show’s a little different. There are things that work, things that don’t work, things that change the more we do it. Things get refined,” Heidecker says. “There’s the unpredictability of the audience. Our moods are going to be different every time. “So, every show isn’t just us sleepwalking through it. It’s always different and it’s always interesting to see what is different about it. I think that’s why we keep doing it.” Heidecker says they waste no time in ripping off a classic, self-mocking one-liner that sums up the pair’s modus operandi. “It’s two hours in a room with likeminded people laughing at some of the dumbest (stuff) you’ll ever laugh at,” Heidecker says. “And we want to create moments in the show where you feel, not just laughter, but you’re scared, or you’re confused, or you’re disoriented. “It’s a very immersive, interactive couple of hours in a theater. So, I can’t wait to do it.”

Tim & Eric Mandatory Attendance Tour 8 p.m. Monday, January 27 Balboa Theatre, 868 Fourth Avenue 619.570.1100 sandiegotheatres.org tickets start at $42.50

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JANUARY 2020 · SAN DIEGO CITYBEAT · 11

NEIGHBORHOODS | BALBOA PARK

Educating the Masses

Human Rights Watch Film Festival shares message of injustice Christopher Boan >> San Diego CityBeat

uman Rights Watch has hosted a film festival in the heart of San Diego for a decade, bringing the fight for justice to the big screen. This year’s Human Rights Watch Film Festival will be held at Balboa Park’s Museum of Photographic Arts from Thursday, January 30, to Saturday, February 1, with five films being shown. The lineup at this year’s event, which is one of 20 film festivals that Human Rights Watch puts on around the world, is stacked with award-winning cinema. The event kicks off on Thursday, January 30, with “Gay Chorus Deep South,” which is a 2019 film by David Charles Rodrigues that profiles the San Francisco Gay Men’s Choir’s tour through the Deep South, between Mississippi and Tennessee. Other films being shown are “Bellingcat: Truth in a PostTruth World,” “Slay the Dragon,” “Love Child” and “True Justice: Bryan Stevenson’s Fight for Equality.” Jen Nedbalsky, who serves as Human Rights Watch’s deputy director, says she believes the festival’s importance is even more paramount in today’s age of disinformation and rampant human rights abuse, both in America and overseas. The key function of the organization’s film festivals is their ability to bring communities

together and to educate people on the injustice that’s happening in their own backyard. “The film festival is really an extension of the organization, Human Rights Watch. We’re one of the largest human rights organizations,” Nedbalsky says. “The film festival exists in order to educate audiences that by getting involved they can make a difference. So, we like to showcase stories of change-makers who are working in their communities to change the narrative in regard to human rights, then using what they’re finding to press for change. “So, this year, we’re really happy to be shining a light on change-makers that are bringing change both in the U.S. and

abroad.” One film that Nedbalsky is excited to show at the San Diego festival is David Charles Rodrigues’ “Gay Chorus Deep South.” That excitement for Nedbalsky comes from the film’s reminder that human rights violations can happen here in America, and that they are not limited to what we see on the news in far-off places. Nedbalsky believes a key component of the organization’s film festival is its ability to thrust uncomfortable subjects upon viewers, which can help them stomach the injustice that’s happening around them. “It’s truly one of the favorite films that we’ve vetted over the

years,” Nedbalsky says. “It shows the importance that everyday Americans can take simply by having those tough conversations with people that might not necessarily agree with them.” Nedbalsky’s message about shining a light on rights abuses was seconded by Bud Johnston, who served as the producer of Rodrigues’ film. Johnston and Rodrigues spent the better part of three years working on the movie, which came from a desire to tell the tale of a cadre of men that bravely went into hostile territory to do what they love most, which is to sing. “I think that the film that we made came out of the elections in 2016, and David and I were

working together and trying to find stories that could bring people together, as opposed to what we’re seeing in the media, which was just so much divisiveness,” Johnston says. “So, that was really kind of the start of it, and when the San Francisco Gay Man’s Chorus announced that they were going to be doing a tour of the South, David had found this article that had come out, and it was the poorest touring red states in America. “And that was quickly shifted with a big headline, but it got our attention and it seemed like a story that could bring people together.” Rodrigues and Johnston have barnstormed the country in support of their film, placing “Gay Chorus Deep South” in more than 130 film festivals nationwide. They were accepted into the Human Rights Watch Film Festival late last year, after the festival’s screeners approved its content. Johnston says being included in the San Diego festival was a dream come true for the crew, as See

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it allows them to place a socially conscious film in front of its targeted audience. “Well I think the fact that it is specifically highlighting human rights stories and the definition

of human rights is the right to be human,” Johnston says. “And I believe that we all have the right to be human as long as we’re willing to listen to the other side or to opposition. “But also, you have to listen to be heard, and I think the chorus members are out on stage putting themselves under the spotlight and that’s a really brave thing.” @SDCITYBEAT

Another key reason why Johnston and Rodrigues wanted “Gay Chorus Deep South” included in this year’s film festival was its proximity to the Bay Area, where the chorus came from. “San Diego is in our home state, and we need to spread the message as far as we can,” Johnston says. “And we’ve been able

to do that all over the country, and all over the world as well.”

Exemplifying changemaker

Nedbalsky believes that films like “Gay Chorus Deep South” fit the key component of their San Diego event, as it tells the story of those seeking to bring positive change to their community.

“We like to show films about people or groups that are making a change and then using what they’re finding to push for change,” Nedbalsky says. “So, this year, we’re really happy to be shining a light on changemakers that are bringing change both in the U.S. and abroad.” The other film at this year’s event that Nedbalsky mentioned is “Bellingcat: Truth in a PostTruth World.” Nedbalsky believes the film, which is directed by Hans Pool, is vital in this day and age, as it follows a collective of journalists that use open-source data to track down the perpetrators behind the assassination of a former KGB agents in London. She says she believes the film, which was also released in 2019, because the team of journalists used means of collecting information that are similar to the ways that Human Rights Watch chronicles abuses in countries where transparency is lacking. “We love this film because it shows some of the ways that we actually investigate human rights abuse and crime,” Nedbalsky says. “Using open-source investigations, opening up rights abuses in countries where we might not have much in the way of data. “We’ll be showcasing local journalists that are using similar methods. We’ll discuss the importance of rooting out truth.” Nedbalsky’s response, when asked why San Diegans should flock to Balboa Park for this year’s

event, hit on a lot of the themes behind the annual spectacle. “We feel by the end of the event that a conversation’s been had and that the community’s been exposed to topics that they might not have ever considered,” Nedbalsky says. “Especially as we enter into this 2020 election year, I know that we want to come together as a community and we want the San Diego community to come out and really engage each other in-person—get away from our keyboards and our phones—and to come together in-person to have these conversations, and

to hear form inspiring human rights advocates and changemakers. “We find that the festival’s really inspiring, and we hope that we’ll see a lot of the community out there to see it.”

Human Rights Watch Film Festival

Various times Thursday, January 30, to Saturday, February 1 Museum of Photographic Arts, 1649 El Prado $14-$45 mopa.org

JANUARY 2020 · SAN DIEGO CITYBEAT · 13

NEIGHBORHOODS | BALBOA PARK

Something’s Bugging The Nat ‘Face to Face’ gives guests unprecedented looks at the tiniest population Christina Fuoco-Karasinski >> San Diego CityBeat

radley Tsalyuk of The Nat saw Sam Droege’s insect photographs online, but these weren’t the average pictures. These photos gave Tsalyuk and others who viewed them online a completely new perspective. “Many of the coolest-looking bugs are right in people’s yards,” says Droege, a wildlife biologist at the Patuxent Wildlife Research Center, which is part of the U.S. Geological Survey. “They’re exotic just because people haven’t seen them at the same scale as dogs and horses and cats.”

The exhibit developer, Tsalyuk agrees and he and The Nat are presenting “Insects Face to Face,” a yearlong exhibit with these larger-than-life photos. “It’s a photography exhibition on the fourth floor and it features these really compelling macro photographs from the U.S. Geological Survey Bee Inventory Monitoring Lab on the East Coast. “They’re just so astounding that we wanted to share them in the context of the museum. The images range from bees, moths and beetles, but they’re just different colors, patterns and textures that you wouldn’t see with the naked eye.” Tsalyuk and his team sorted through 800 photographs and pared that down to 36 for the exhibition. “We have a purple orchid bee and you’d never think you’d see a bee that color,” Tsalyuk says. “We have a surprisingly cute photo of a cockroach. You wouldn’t think a cockroach would look this way—almost gentlemanly. He looks very proper. There’s a velvet ant, which is covered in fuzzy white fur. The detail is astounding. Those are three highlights for me.” Tsalyuk describes the photographs as fluorescent, menacing and cute. Macro photography allows the insects to “become more than a dot on the wall.” Researchers snapped the photographs in search of identification tools like native bees and the plants and insects they interact with. The photos are taken at high and low magnification, using a little stacker—a screw-driven sled that the camera sits on. It is programmed to take a picture every so

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many micron. The software compiles them. “We have created a catalog of 4,500 super high-res photographs that are used all over the world for things like this,” Droege says. “We don’t care. We’re the federal government and we do this as a public service. We make them to help with the identification of insects—particular the bee species.” Droege says this particular use is important because many people do not have access to museums. “Museums are going away,” he says. “The Nat still has an active collection. I spend a lot of time there. I love the museum and found some interesting specimens back there. I’m your typical bee nerdologist. I play with a microscope all day.” It’s even amazing for Droege to see the photos enlarged. “We never print these things out,” Droege says matter of fact. “We have no budget to print things out. We don’t have traveling exhibits. People get in touch with us and say, ‘We’d love to put together an exhibit of your photographs.’ We tell them they’re really high resolution and that’s great, but you’re on your own.” The photographs are public domain so anyone may use them as they wish. “We retain no rights,” Droege says. “It’s somewhat expensive to put together

an exhibit and have them printed out professionally. The museums auction the prints at a gala or give them away to donors. People sell our photos all the time. We don’t consider that a bad thing. “Of course, the average person can get all these same pictures for free on Flickr.” Droege says, until his daughter notified him, he had no idea the photos were going viral. “One day, one of my daughters Facebooked me and said, ‘Papa, someone has stolen your pictures.’ I looked and there was no attribution, but I recognized the photos. They’re on Reddit and more than 240,000 people have viewed it. The comments are sometimes vulgar, but it’s funny. “That woke us up. We had a unique opportunity to reach people we don’t reach. I get to look at these under the microscope. You see exactly the same thing I see. They’re as beautiful as the flowers they’ve landed on. I hope guests to The Nat have an appreciation for the beauty of the Earth on the very smallest scale. It’s similar to what the Hubble Space Telescope photos did in understanding the beauty of the stars.” “Insects Face to Face” is free for members and included with general admission. The Nat recently opened “Living Lab,” See

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a new exhibition with live animals, who are “creepy, crawly and totally cool.” The facility has a Vivarium, a facility in which the staff cars for live animals, in the basement of the museum. “They’re two different exhibits, but they have some connections,” says Tsalyuk, of the exhibition on level one, just off the atrium. “It’s rooted in this idea of building empathy using our live animal collection. The museum had this collection of animals, some on display with exhibits or animal ambassadors through education and classes.” The Nat’s staff wanted to share the collection with its visitors. Living Lab showcases everything from the stinging and scaly to the fuzzy and flesh-eating, including a red diamond rattlesnake, an observation beehive, a Gila monster and centipedes and arachnids. @SDCITYBEAT

“There are dozens of regional animals and neighbors in our local mountains and desert,” he says. “We wanted to share the story of how amazing they are to the local ecosystems. These aren’t the cutest and fuzziest animals in our region. They’re creepy crawly. “Sometimes this is challenging for our visitors. They have fears they have to get over. We want to correct misconceptions about these animals and show them in a positive light.” He also has flesh-eating beetles that are useful to the museum, as the bugs clean skeletal specimens for the staff. “Guests can see what this process looks like,” Tsalyuk says. “We are putting in an observation beehive, which connects through the window. “Both exhibitions are just amazing. The two share this connection of trying to show the natural world in this light. They’re under-appreciated and misunderstood and we’re showing them in a new way. We’re hoping that visitors are just as astounded as we are.” JANUARY 2020 · SAN DIEGO CITYBEAT · 15

NEIGHBORHOODS | OLD TOWN

A ‘Leap’ of Faith

Lauren Yee brings basketball and diplomacy together in ‘The Great Leap’ Lutfy’s thoughts

Christina Fuoco-Karasinski >> San Diego CityBeat

ygnet Theatre’s Associate Artistic Director Robert Lutfy has been a fan of playwright Lauren Yee’s works. But when he saw she wrote a play about basketball, “The Great Leap,” he was sold. “I read ‘Hookman’ and ‘King of the Yees,’” Lutfy recalls. “When I found out she wrote a play about basketball, I was super excited. Lauren is always messing with the form of theater—the event of theater—in an interesting way. “I never thought I would have the right or be able to direct one of her plays.” Yee’s “The Great Leap” will stage at the Cygnet Theatre from January 22 to February 16. It tells the story of an American basketball team that travels to Beijing for an exhibition game in 1989. For two men with a past and one teen with a future, the game is a chance to claim personal victories on and off the court. Tensions rise up to the final buzzer as a pivotal moment in history collides with the action in the arena. “Like all of Lauren’s plays, there’s a theme of family secrets,” Lutfy says. “When those family secrets are revealed, there’s a catharsis at the end of the play.” The cast features Edward Chen, Manny Fernandes, Keiko Green and Scott Keiji Takena. “Lauren was very excited about the cast, too,” Lutfy says. “The woman playing Connie (Green) originated the role and is reprising it. A lot of UCSD alum, too. Lauren Yee graduated from there. Two of the four actors graduated from UCSD. Four of my designers went there. UCSD has a huge presence.” A North Carolina native, Lutfy grew up with basketball, specifically North Carolina Tar Heels hoops. He has fond memories of playing the game with his father, so he can somewhat relate to “The Great Leap.” “It’s not my culture, but it is

about a young man trying to find home and what that means to him,” Lutfy says. “It’s about the relationship with his parents, for sure.” Lutfy contends that everything Yee does is with meaning. For example, she depicts a pick and roll—an offensive play in which a player sets a screen (pick) for a teammate handling the ball and then moves toward the basket (rolls) to receive a pass—and that concept is laced throughout the play. The Chinese-American characters have a friend who’s Jewish and, Lutfy says, that makes perfect sense. “Why does Lauren make him Jewish, other than it’s another marginalized group of people in the country?” Lutfy says. “Jewish people were the first players in the NBA. The first player to ever score a goal in the NBA was a Jewish player.” In China, basketball is revered. Basketball is the only sport other than ping pong that was not banned by Chairman Mao, who believed it promoted

16 · SAN DIEGO CITYBEAT · JANUARY 2020

Communist ideals, Lutfy says. “When we think of basketball, we think of it as the most progressive sport—the sport of Obama, Black Lives Matter jerseys, kneeling at the anthem. There’s no controversy because it’s a liberal sport,” he adds. “In China, this idea that this sport is representing Communist ideals is happening at the same time. Now, China watches more basketball than America does. They consume more products than America does. It’s a huge phenomenon there.”

‘A really nice surprise’

Yee says the success of “The Great Leap” has been a “really nice surprise.” “You hope you get one production, but to have so many different ones and forms or iterations of it has been great,” Yee says. “Honestly, there are a lot of basketball fans out there. I think that’s one reason it’s so popular. Basketball diplomacy, international relations and history all make it in this play in very unexpected

ways. Those are entry points for a lot of different people.” Yee’s father played basketball while growing up in San Francisco—and he was pretty good at it, according to her. He traveled for games and went to China in 1981. “This was at a time when the country just recently opened up to outside tourists,” she adds. “It was his first look at what the country was like, where his parents came from but never went to. That was the starting point for the play.” Yee travels to theaters as often as possible to see companies’ interpretations of her plays. “One of the joys of being a playwright is potentially seeing some of these productions, many of which I’m not directly involved in,” she says. “It’s a delight to witness different people’s take on the show. It lends itself to wildly different interpretations and configurations. There are some nerves involved, but at the same time, my work is done. It’s not about worrying about my own work. I know the play holds. I find it exciting.”

Lufty has his own theory on “The Great Leap’s” popularity. “I think basketball, much like soccer, can be played on a budget,” he says. “You don’t need much. You just need a ball and a net on a tree.” Basketball is an individualized sport as well, as in China they keep statistics on dunks, for example. “The individual can be represented in basketball,” he says. “The individual can excel. There’s a star quality to basketball.” He’s quick to add “The Great Leap” isn’t necessarily “about” basketball. Yee uses it as a metaphor on creating distance between one person and the defender to take a shot. “The event of theater and sport, to me, are very similar,” Lutfy says. “Both require physicality, fast thinking, hours of preparation and responsiveness. “They’re shared live experiences, and both are influenced by reactions and the energy of their audience. In sports, you’re an athlete of your body. In theater, you are as well, but more of an athlete of your heart.” Yee captures this, he says. “I go to SDSU games and I’ll be sitting there noticing there’s a similar sense of camaraderie—a clear villain and a hero in the narrative of the game,” Lutfy says. “Most people aren’t on their cellphones. They’re full-bodied engaged with what’s happening in front of them. You hear the ‘bum-bum’ and you know to yell, ‘Defense!’ There’s a sense of ritual similar to the ritual of theater. Lauren really captures that.”

“The Great Leap”

Various times Wednesday, January 22, to Sunday, February 16 Old Town Theatre, 4040 Twiggs Street, Old Town 619.337.1525, cygnettheatre.com @SDCITYBEAT

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JANUARY 2020 · SAN DIEGO CITYBEAT · 17

NEIGHBORHOODS | NORTH PARK

Tasty Treats

The Gluten Free Baking Co. is moving into North Park Christina Fuoco-Karasinski >> San Diego CityBeat

oanna Canete was working as a leadership consultant in Italy when her little boy, Trey, was diagnosed with food allergies and intolerances. “On Friday he was fine, and on Monday we went into his school and I had to tell them he couldn’t eat egg, nuts and wheat,” Canete says. “They said, ‘No problem. We can handle that.’ I was so shocked.” Canete was lucky, as, per a government mandate, Italy must have two kitchens in every government building, like schools or hospitals—a regular kitchen and a celiac-safe kitchen. “Italy is the world leader on allergies and sensitivities associated with food,” Canete says. About 1% of Italians are diagnosed with celiac disease. There was still a problem: Trey, who was then 3, told his mother the gluten-free food didn’t taste good. Her other son, Tristan, must avoid dairy and gluten. So Canete and her husband, Ken, made it their mission to eat without potential allergens. Canete worked on creating food that was tasty and healthy for Trey. A Coronado resident, Canete tested her recipes on a teacher at Trey’s school who also couldn’t ingest gluten.

“This was back before I could Google ‘chocolate cake gluten free,’” she says. Her recipes were eventually a hit and she obtained a license to sell direct to customers or wholesale, and started The Gluten Free Baking Co. in 2015 out of her Coronado home. A majority of her clients have stuck with her during her five years in business, which sells cakes, bagels, cookies, muffins, dry mix, cupcakes and custom desserts. “It’s really sweet. They tell me, ‘I remember picking up goods from your front porch,’” she says with a laugh. She takes her customers’ input seriously, too. When she heard

the glaze on her lemon pound cake stuck to the wrapper, she revised it. Canete enjoys working with the celiac community. To help the community even further, Canete is scheduled to open a brickand-mortar store in North Park in February, its fifth birthday. She will reveal the address soon. “I have a 2,400-square-foot production kitchen in Clairemont, and I don’t have a retail front,” Canete says. “My customers are so diehard. They place an order two weeks in advance. We don’t do just one. If we have to do one cake, we have to plan it. Our customers have been begging us to have a retail site where they can buy a cake the day of their love one’s birthday.” Canete’s goods can be found in more than 20 cafes, coffee shops and restaurants throughout San Diego. She doesn’t have time for individual orders, so she deemed it best to open a brick-and-mortar shop. Canete recently appeared on Netflix’s “Sugar Rush,” with cake designer Lisa Altfest, a Carmel Valley native. They were the

only team who baked allergenfree sweets and, by focusing on their core principles of taste, texture and appearance, they placed second. “I have a strong intolerance to gluten and Lisa is a celiac,” she says. “I think that concept of feeling understood is huge. That’s what our clients expect. “I can’t tell you how many wedding consultations I’ve sat down to who have said the, ‘If I have one drop of milk in this cake, I will be sick on my wedding day.’ “With celiac disease, we’re a dedicated, gluten-free bakery. There’s no chance of cross-contamination. People really trust us with our health. We take that responsibility seriously.” Her goal is to open a glutenfree pastry school so she can share her message with burgeoning bakers. Her new location will have children’s classes—which she calls “labs”—that will teach cupcake or cookie decorating for children and

other offerings for adults. “There isn’t a school that exists,” Canete says. “I received a lot of letters after ‘Sugar Rush’ saying, ‘I’m a gluten-free pastry chef. Tell me how to mix flours.’ We don’t use a premix blend. “I have a little room in the bakery. Our ingredients room has 12 garbage can-sized bins of 12 different flours. Every recipe has a different mix of flours. We judge everything by taste, texture and appearance. Italy had the texture and appearance, but the taste was terrible. We found you have to mix your flour to get what you want. There needs to be an institution that teaches this.” Soon after her children were diagnosed with allergies, Canete learned just how flavorful her recipes were. “We eat gluten free in the house and my husband, over the years, became gluten free,” she says. “Making two meals every night for dinner was too much. He’s always been super supportive. “He absolutely loves Subway. They had a chocolate chip cookie, which was his favorite cookie. He left one on the counter that had one bite taken out of it. I asked him if the phone rang and he had to leave. He said, ‘No. Yours taste better. I’ve just gotten accustomed to your goodies and everything you make.’”

The Gluten Free Baking Co. thegfbakingco.com

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NEIGHBORHOODS | LITTLE ITALY

Family Time

Little Italy’s Piazza della Famiglia brings guests together Christina Fuoco-Karasinski >> San Diego CityBeat

ittle Italy’s Piazza della Famiglia was designed with family in mind. Whether it’s a work family or blood relatives, Piazza della Famiglia wants to show Little Italy visits a good time. “It’s such a unique space that’s really new to the Little Italy neighborhood,” says spokesman Curt Brooker. “It’s wide open. It has incredible views all the way to the bay. It’s such a great space to meet up on an everyday ba@SDCITYBEAT

sis.” Opened in March 2018, the Piazza della Famiglia is a 10,000-square-foot Europeanstyle public square. Created by the Little Italy Association and developer H.G. Fenton, Piazza della Famiglia features unique architecture and design, an Italian-style fountain and spectacular views of the San Diego Bay. “The piazza was designed and built to be a public space to enjoy the Mercado,” Brooker says about the farmers market. “It’s really built for people to enjoy Little Italy. Our goal is to really bring in some of these groups

and to let people from San Diego and those from different business trips or outings enjoy it, too.” The piazza has 7,400 square feet of available event space. The area is aglow with overhead market lights and seasonal hanging plants and planters. Even more, there are many nearby food options to choose from like Little Italy Food Hall, Morning Glory, Frost Me Café & Bakery and Farmer’s Table. Venue manager Erin Rudolf says Little Italy and Piazza della Famiglia is a nice break from the traditional San Diego haunts.

“Most convention groups have done the Gaslamp block party idea,” she says. “Little Italy is the dining hub of San Diego right now. It’s desirable. They can have events in one of the most beautiful places in the city and still have the vibe of being Downtown. In Little Italy, the area is very clean and having those views and creating experiences that you’re in Italy is amazing.” Brooker agrees. “It’s one of the most unique areas in San Diego,” Brooker says. “It’s one of the only places in Southern California where

you can still walk around with alcohol. Guests can enjoy a glass of wine and walk into the piazza, which doesn’t have fencing, and sit down at the tables and chairs and enjoy yourself.” The venue’s lights—even those around the fountain—can be customized to reflect the company’s or group’s theme. “It’s up-lit and really pretty at night,” Brooker says. “The surrounding venues off the piazza are amazing, too. It’s really cool to give (clients) the opportunity to not stick with one concept. They can do something similar to a progressive dinner or dine around.”

JANUARY 2020 · SAN DIEGO CITYBEAT · 19

NEIGHBORHOODS | GASLAMP

Connecting to Roots and Each Other Kuumba Festival celebrates the strengths of San Diego’s African-American community Bridgette Redman >> San Diego CityBeat

ajahn Blevins started Kuumba Fest as a behavior modification intervention for San Diego School. He was part of a team of specialists/ artists who used arts and fitness to help at-risk students change the direction their lives were taking. Little did he know, 28 years ago, that this would become the city’s largest Black History Month celebration. “Of the first 30 students, 29 were able to turn their lives around and they started being peer educators of other kids,” Blevins says. “We never set out to start a black history festival. We were just crafting an alternative intervention using the arts. It just was effective, and it kept growing from a one-hour show to a four-day show.” This year’s theme is “Black 2 Connected” and opens Friday, February 28, at the Lyceum Theatres with the annual Night of Positive Images that honors and celebrates black ancestry. Saturday focuses on family-centered events including Kuumba Kidz

performance. On Sunday there is a full day of artistic events that ends with an evening of comedy. The festival, which has evolved into a partnership with such organizations as the San Diego Repertory Theatre, the San Diego Urban Warriors and the African American Advisory Council of San Diego Rep, draws an audience of nearly

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5,000. It involves community leaders, celebrities, artists and performers. They work to involve all sorts of art from visual arts and crafts to gospel to hip hop to dance to speech to theater. Blevins says the second day is being produced by young artists and producers, people who were children or not even born when the festival first started.

“That is our ultimate goal,” Blevins says. “To leave this legacy to them and leave it to the next generation.” This year’s play was written, directed and features one of Blevins’ former protegees, Khalif Price, who is staging “Black is the Color of My True Love.” It is a romantic drama that will be performed on the final day of the festival at 6:30 p.m. In it, a professionally successful, middle-class AfricanAmerican couple is struggling with keeping their marriage together, which causes tragedy for their family. The ancestors show up and take them on a journey through time where they are shown couples trying to make their love work through such events as the Trans-Atlantic slave trade, slavery on plantations, the Jim Crow period, civil rights, the black power movement and the cocaine epidemic. Finally, they are put on trial for the tragedy they caused. It’s a show that Price developed from a book of poetry by the same name that he wrote and published in 2018. “The play is really speaking

to the fact that black relationships and black marriages are at an alltime low,” Price says. “Divorce rates among African Americans are at an all-time high. Some of the factors I am looking at are slavery and the history. It doesn’t negate the actual responsibility of the actual couple to amend their differences, but it shows there are a lot of outside influences that affect why the relationships have been damaged.” “Black is the Color of My True Love” is a twohour play that is a series of vignettes that depict the ancestors reciting excerpts of Price’s books. The two actors playing the main couple, Price and Ashli Sabree, also play each of the historical couples so that as the ancestors transport everyone through historical events, it is always the same couple trying to make their love work but being constantly bombarded with different obstacles. Price says writing the book of poetry was a form of therapy for himself because he had just ended a relationship after ten years. “I saw myself with four children, trying to figure out how to move on after loving someone for so long,” Price says. “How did it end when there was so much optimism and awareness and hope that we would be a really strong black couple.” He says he was reading the Song of Solomon in the Bible and engaging in the love story between Solomon and the Queen of Sheba when the song “Black is the Color of My True Love’s Hair” came on. He listened to the lyrics as she sang of an undying love. He felt like she was really speaking of a See

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kingly black man and wondered if it was just a safe way of trying to depict such a love in a song of that time. It was then, coupled with his own personal lost love, that he was inspired to write what became the basis for the play being performed at Kuumba Festival. Price also feels the show fits in well with this year’s theme, which is about black people throughout the entire African diaspora connecting to each other and finding solidarity. “Culturally in the United States, any marginalized group of people are constantly on this flight of achievement,” says Price. “You forget about connecting to the larger world around you, both your ethnic group and the globe around you. This is about broadening perspectives and broadening the outlook of our goals and connecting to other people who are trying to achieve as well and seeing what we can do in solidarity to each other.” It’s a solidarity that Blevins feels is important to explore both during the Kuumba festival and in activities throughout 2020. “We need to start coming together and building a legacy for our children and a reputation for our African-American community in San Diego,” Blevins says. “People come here and think there is no black cultural enrichment. But we have this incredible history and legacy. There just is no place you can go and learn about it.” Blevins points out that despite some of the negative images some have of the African American community in San Diego, there is a long history of cultural excellence. He points out that Kwanza started in San Diego, the man who invented it was a San Diego art teacher. He says they are also the only place in the country with a Malcolm X library. By encouraging connection, he says the city and the people in it will be able to build the legacy that is so important to everyone’s success. “The more we provide en@SDCITYBEAT

richment and pride, the more people will speak to each other and share their culture and testimonials,” says Blevins. “Their children will become more successful and ambitious. They’ll realize that we’re not second class. We’re trying to get people to connect so they can survive and prosper as a people and as a community.” Kuumba Festival for the past 30 years has set out to tell the stories of African Americans in San Diego using arts and culture. Blevins says the partnership with San Diego Repertory has also been a crucial element. When the festival started, he had founded a black theater company and others in the community would tell him that the white folk weren’t going to let him into their theater or if they did, they wouldn’t let him return. “I’ve been there for 28 years,” Blevins says. “It shows young people whose grandparents said there will never be a black president or black folks will never be in that theater, that if you have self-determination and self-love, you can accomplish anything.” Price also feels the self-love and connection to one’s history is important to being successful, especially in the context of a relationship or marriage. “When you look back and you start to compare what a struggle others have gone through, who have fought so diligently to have the opportunity you have, you have a little more humility,” says Price. “You are connected to a lot more sacrifices. Somehow, they were able to maintain relationships and love and faith and belief in God and still steam forward ahead. The connection (to the past) is enriching, it also creates a certain level of accountability.” With so much to offer and accomplish, Blevins is eager to throw open the door to everyone and encourages them to participate. “We celebrate everything else,” Blevins says. “Now it is important that we celebrate ourselves and anyone who claims to love us, should come out and learn about us and support our cultural enrichment as well.”

Full Schedule

Here is the full list of events for the Kuumba Festival. For more information, call 619.544.1000 or visit sdrep.org/kuumba.

Friday, February 28 Friday Night of Positive Images

Open for shopping at 6 p.m., the African Market Place offers exotic, cultural vendors, fashion, art, jewelry, food, live jazz, a community reception, exhibits, family resources, libations and a drum call serve as the preshow. Beginning at 7 p.m., pageantry and power backdrops the awards ceremony in the royal court, Parade of the Ancestors speak of black heritage, closing the night with a moving chore poem play “Sarah Elizabeth: The Lynching of a Black Woman Who was Connected.” Tickets are $25.

Saturday, February 29

Arts Experiential: through words and expression what it will take to reconnect to the struggle and journey for cultural integrity, survival and sustained prosperity. Tickets are $10.

8 p.m. YBNB VIP Showcase of positive images and vibration of local black owned businesses, and organizations that serve the community showcasing their products, brand and services. Admission is free.

9 p.m. Late Nite Live, Tribute to the Apollo Theatre – Interactive audience showcasing of San Diego’s top and most self- determined artist, performers and entertainers. Youth and adult segments and $600 in prizes. Tickets are $15.

Sunday, March 30 11 a.m. Readers Theatre presentation led by

11 a.m. Reopening of the African Market Place with the addition of the youth village, educational workshops, panel discussions and book fair. Entrance to the African Market Place is free.

Antonio Johnson connecting to and celebrating the African-American experience honoring the work of critically acclaimed August Wilson. Don’t miss this treat. Tickets are $10.

1 p.m. Annual youth presentation of Kuumba Kidz who learn African culture, history and heritage and share in the Youth Production. Tickets for Kuumba Kidz are $5.

Noon. Reopening of the African Market

2 p.m. Extemporaneous Speech Competi-

Place. Entrance to the African Market Place is free.

2 p.m. Panel Discussion: The Plight of the

tion – Youth and adult participants pull topics from the box and have 2 minutes to speak on their selected topic, with a $45 prize for each winner. Admission is free.

Black Family – Interactive panel of black men sharing, discussing and answering questions based on their feelings and experience on what it will take to save the black family. Admission is free.

2:30 p.m. Workshop on Healthy Foods –

4 p.m. Gospel Celebration: Hand clapping,

Cooking and healthy living demonstration and teach back. Admission is free.

3 p.m. Step & Dance – Black 2 Connected fitness and movement competition and showcase connecting dance and movement to healthy fit lifestyles and tools to address childhood obesity and increased discipline. Tickets to Step & Dance are $12.

5 p.m. Taste of Soul – Contest in the spirit of Ujamaa (Cooperative Economics) Kuumba Fest host a friendly competition of San Diego top chefs, cooks and restaurants promoting the best black-owned and -operated eateries. Tickets are $7.

6 p.m. Black 2 Connected Poetry Slam &

foot stomping traditional spiritually moving music, singing and rendering up praises for the positive vibrations and energy of empowerment from a higher power. Tickets are $10.

6:30 p.m. “Black is the Color of my True Love:” A romantic drama about a couple whose divorce causes the ancestors to take them on a journey of reconnecting can the ancestors help confront the pain and restore the American black family. Tickets are $15.

8:30 p.m. Comedy Show/After-Hours

Event for the whole Kuumba Fest family and community to come together closing out Kuumba Fest 2020, gathering with celebration, laughter and healing featuring J. Anhur-Shi, Kayshawn, P. Howard, N. Robinson, W. Ford, B. Young. Tickets are $15.

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Tacos for Good

NEIGHBORHOODS | HILLCREST

Hillcrest eatery surpasses $100K in donations Christina Fuoco-Karasinski >> San Diego CityBeat

eff Pitroff has heard amazing, inspirational stories during his time as the operations manager of the nonprofit Tacos Libertad. “One of the biggest things I’ve seen is that, in today’s world, it’s nice to see how many nice people are out there doing amazing things for these amazing groups of people,” Pitroff says. “I’ve met some incredible individuals. It’s heartwarming.” Owned by Cohn Restaurant Group, Tacos Libertad has donated more than $100,000 to charity since opening its doors in 2017. “We’re thrilled to have surpassed $100,000 in donations and excited to build upon the momentum,” says Lesley Cohn, owner. “Both David (Cohn) and I grew up in philanthropic families and their generosity to those in need has always been an inspiration to us. Both our children and grandchildren volunteer in the community as they have been taught that giving is more rewarding than receiving.” Located in the heart of Hillcrest, Tacos Libertad is celebrated for more than its classic and fusion tacos. Each month, the team selects a different charitable beneficiary to donate 100% of its profits to. Previous organizations include Meals on Wheels and Rady Children’s Hospital. “It’s exciting for us,” Pitroff says. “We guarantee a minimum of $3,000 to each group. Our biggest check went to Rady Children’s Hospital’s Center for Gender-Affirming Care during Pride Month in July. We raised $11,734.” Through the end of January, 100% of the profits will go to Challenged Athletes Foundation for athletes with disabilities. The charities are chosen by an @SDCITYBEAT

anonymous board. “My position, as an operations manager, is once the advisory board selects the charity, we have an anonymous board who selects the charity,” Pitroff says. “The board selects the charities and submit them to me. I take over from there. I get the great job of telling them they’ve been selected. We keep it really, really simple for the foundation so they don’t have to do a lot of work.” Pitroff helps organize a kickoff party for the organization and the marketing team provides collateral. “The month goes by and about 45 days after the month closes, I get the second lucky job of letting them know we closed our books, we meet with them and we have one of those big, giant checks,” he says. “We take photos in front of the restaurant and hand over a check to them as well. We

encourage them to take group photos and stay and buy tacos for the next charity.” Among Pitroff ’s favorite tacos is the duck confit tacos with Oaxaca cheese, bleu cheese, caramelized onions, balsamic reduction and arugula, all in a corn tortilla ($4.50). He also enjoys the grilled avocado, with grilled avocado with cilantro, onions, lime, drizzle of olive oil and cotija cheese, all in a corn tortilla ($3.50). “They’re fantastic,” he says. “The avocado taco is a little warm, but then you bite into the avocado, which is cool on the inside. I love the texture and the homemade corn tortilla.” In the heart of Hillcrest, Tacos Libertad tends to be busiest from midnight to 2:30 a.m., after the bars let out. “Some nights we close at midnight, but when all the bars let out, there’s a huge line at the taco shop,” Pitroff says. “Behind

it is a French Parisian-inspired speakeasy. You can walk through the cooler door and into this beautiful speakeasy. You can grab your tacos and go back there and enjoy your tacos in the speakeasy.” While the entrees are important, so are the charities. Pitroff has been moved. “One story that really stands out to me is when we worked with the California Innocence Project. They work on exonerating people who have been wrongly committed,” Pitroff says. “I met a gentleman who spent about 16 to 18 years in prison. He was wrongly committed and released. He was released in time to walk his daughter down the aisle. His wife stood by his side during the whole thing. It was incredible.” He was freed thanks to DNA evidence that came to light as the practice became more com-

mon. “It was unbelievable,” Pitroff says. “I asked him, ‘How can you not be angry?’ He said it was amazing. He said he knew eventually he would be released and that, ‘Now that I’m a free man again, life is way too short to be angry.’”

Tacos Libertad

1023 University Avenue, Hillcrest 619.481.5035, cohnrestaurants.com/ tacoslibertad 4 p.m. to midnight Tuesdays 4 p.m. to 2:30 a.m. Wednesdays to Saturdays 2 p.m. to midnight Sundays

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TRAVEL

Turtle Bay Resort Family fun on Oahu’s North Shore ynnette, a librarian, and her justretired husband, Mario, traveled from Melbourne, Australia, to celebrate Mario’s 60th birthday in Hawaii. We met in the elevator on our first day at Turtle Bay Resort in Kuhiku and she was pleased to know there were laundry facilities on the third floor. The couple booked five nights at the Oahu resort located on the world-famous North Shore of Oahu, and they brought “the kids” along—their two young adult children, Rebecca and Michael. This is not unusual: As I explored the grounds upon arrival, a nursing mother sat by the resort’s casual pool overlooking a favorite local surf spot and a pod of youngsters happily played in the sand at another one of Turtle Bay’s many kidfriendly areas. In fact, the resort closed its child care center for lack of interest: Everyone wants to hang out together and indulge in the multitude of activities of-

Mario and his son planned to play golf together the next day (on his American time birthday); the night before the family splurged on dinner at the most upscale of the resort’s restaurants that include Pa‘akai (North Shore farm- and sea-to-table cuisine); Lei’s Lei’s at the golf course (we heard rave reviews from other guests) and Roy’s Beach House for lunch/dinner. The Lobby Lounge has pastries and fruit in the a.m. and cocktails at night, with an ocean view. There’s even a nightclub with live music on site that’s popular with locals simply called Surfer, The Bar. With a lovely view of the sea, from our fifth-floor hotel room in one of the 410 ocean view guest rooms, my sweetie Phil and I planned a full day ahead of our short two-night stay: He went off to explore hiking trails and practice gi qong; I decided to check out the hula class. We

fered. From a gentle protected beach for swimming to horse stables and trail rides along the sea to two 18-hole championship golf courses and 12 miles of hiking and mountain biking trails, there is something for everyone. There’s hula, surf and stand-up paddleboarding with a dog, tennis and even ukulele lessons. All ages will find plenty to do (or not do) at this super family-friendly retreat that also appeals to couples. The property encompasses nearly 1,300 acres on the island of Oahu’s North Shore—providing plenty of room for one and all to spread out and enjoy.

agreed to meet up for ukulele lessons at 8:45 a.m. From there we were off and running. Joining our a small group for free ukulele lessons was a couple from Minnesota celebrating their 25th wedding anniversary, a young permaculture farming family from New Zealand: 9-year-old daughter Lacey and her mum, Lynore Oakley, engaged in the class, while dad looked after their curly redheaded youngest family member, 4-year-old River. A mom from Berkeley with Erica, the Colombian nanny to her to daughters, strummed along as well, while the two daughters were elsewhere with their other mom. Another

Leslie A. Westbrook >> San Diego City Beat

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family with adorable 7-year-old, culture-sharing cousins Emily, from Long Island, and her cousin Ina, who lives in North Korea, were meeting in Hawaii for a family vacation with their Korean grandparents. Ina was a natural and, as it turns out, has a ukulele at home. The ukulele, originally brought to the Hawaiian Islands from Portugal, our teacher Alii Pukahi told us, means “jumping” and “flea” because the immigrant Portuguese played the instrument so fast that their hands resembled jumping fleas. In less than an hour, we all learned

to strum and sing along two songs: “You Are My Sunshine” and “Twinkle, Twinkle Little Star.” Turtle Bay is also a fine place for romance. I came with my ocean-loving partner, and we discovered plenty of quiet places to stroll and enjoy the mesmerizing aqua-colored waves with repeating sets of See

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hypnotic, foamy, white waves breaking. We enjoyed a casual lunch at The Point poolside bar with great, albeit windy, Pacific views—tasty kalua pork tacos for me, Ahi salad for him. Our friendly, local bartender offered up great off-property island tips, including the huli huli chicken, shaved ice and mochi balls in the historic town of Haleiwa (we stopped at Ray’s on our way back to the airport for chicken to go). The resort also gets a lot of repeat business, like the “Star Trek” TV producer who was visiting for the umpteenth time with his wife. He ordered something at the bar called a “Monkey’s Lunch,” a blended drink with bananas, Kahlua and Bailey’s Irish Cream that probably rings in at about a million calories. “I drank 10 in a row once,” he bragged, but then lamented, “That was a long time ago, and I gained 15 pounds!” I doubt it contained more calories than the Lava Flow my local friend Lori insisted I try: a pina colada made with half and half with strawberry syrup swirled throughout the refreshing mix that mimicked Madame Pele trapped in a cocktail.

I was excited and curious to try the latest spa specialty—the HydraFacial, administered by the delightful and engaging Maygen, a local mother of three. I showered, took a sauna and went to the outdoor rest area with ocean views to wait for Maygen and was offered a complimentary glass of sparkling wine. “It’s happy hour,” I was told (noon to 5 p.m. weekdays). Maygen went to work on my face with a sort of mini vacuum that, instead of being pinched and squeezed, was a painless and effective deep-cleaning treatment. I didn’t notice a huge change (Phil told me my face looked “plumper”), but I did love the treatment and would do it again in a Hawaiian heartbeat. Our last activity was a fantastic Tahitian Fitness dance class, created by Penny Toilolo from Laie, known as the mama of Tahitian dance. Her student Siona taught our class. For an hour, we swayed and swiveled our hips, gently moved our arms and built up to a frantic, sweat-inducing pace, complete with yelps!

We now have plenty of reasons to join other repeat visitors—to hop atop a horse, try a surfing lesson with Rocky Canon (with a dog on board) and improve our ukulele and Tahitian dance skills.

A “hui hou”—until we meet again, Oahu! For now, we will just have to practice what we learned at home and embrace the sweet aloha spirit in our hearts and souls with memories of Oahu’s awesome North Shore.

Turtle Bay Resort

57-091 Kamehameha Highway, Kahuku, Hawaii 1-808-293-6000, turtlebayresort.com

Go Local

ne nice thing about the super-friendly hotel staff at Turtle Bay is their tips on offproperty things to do. Here are a few: We stopped at the farmers market at Waimea Falls on the way to the resort and enjoyed tasting and trying samples of everything from gluten-free banana bread to falafel waffles and potions made from native plants said to alleviate pain from arthritis and other ailments. Waimea Valley Farmers Market at Waimea Falls; Thursdays 3 to 7 p.m.; 59-864 Kamehameha Highway, Hale’iwa, Hawaii. Huli huli chicken: Only open on the weekends, Ray’s Kiawe Broiled Chicken offers rotisserie plates to go. Locals like Turtle Bay bartender Allen

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order both the “chopped and the whole, so I can nibble on the chopped on the way home,” he says. Ray’s Kiawe Broiled Chicken, 66-160 Kamehameha Highway, Hale’iwa, Hawaii (Saturday and Sundays only). Best food trucks: Tourists stop at food trucks at famous Sunset Beach, but locals know the best food trucks are in Kahuku, a bit farther down the highway. Crystal healing treatment: Local Shawna Renee offers hour-long treatments ($60) incorporating specially blended oils to balance the chakras. A keepsake vial of moon water and crystal to “anchor one’s intentions” rounds out the experience. To book an appointment, visit magikalenergy. as.me

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ARTS

Art Events Calendar

enue, Downtown, 888.973.7469, shenyunperformingarts.org, times vary, tickets start at $80.

“Murder for Two: A Hilarious Whodunit” JANUARY 24 TO MARCH 1

Randy Montgomery >> San Diego City Beat “Twelfth Night”

TO JANUARY 19

The quick-witted Viola is one of Shakespeare’s most remarkable heroines. Assuming the disguise of a page boy for Duke Orsino, Viola finds herself at the center of an explosive love triangle in which identity, passion and gender all threaten to come undone. The themes of gender frequently appear in Shakespeare’s plays and this production will explore gender identity through text and genderfluid casting. Recommended for audiences 13 and older. Presented by San Diego Junior Theatre. Casa del Prado Theatre, 1600 Village Place, Balboa Park, 619.239.8355, juniotheatre.com, times vary, $14-$16.

composers and the repertoire. Presented by San Diego Symphony. Copley Symphony Hall, 750 B Street, Downtown, 619.235.0804, sandiegosymphony.org, 8 p.m., $23-$105.

Martha Graham Dance Company JANUARY 22

Erik Blake brought his family from Pennsylvania to celebrate Thanksgiving at his daughter’s new apartment in Lower Manhattan. As darkness falls outside the ramshackle, pre-war duplex, eerie things start to go bump in the night. Soon, family tensions reach a boiling point. Winner of the 2016 Tony Award for Best Play. San Diego Repertory Theatre, Lyceum Stage, 79 Horton Plaza, Gaslamp District, 619.544.1000, sdrep.org, times vary, $25-$65.

After an absence of nearly three decades, Martha Graham Dance Company returns to La Jolla Music Society to captive audiences. Martha Graham has been a worldleader in the development of contemporary dance since its founding in 1926. The show features masterworks by Graham, paired with an innovative new work by choreographer Pam Tanowitz. Prelude at 7 p.m., with an interview hosted by Molly Puryear. Showtime 8 p.m. La Jolla Music Society Civic Theatre, 1100 Third Avenue, Downtown, 619.570.1100, sdcivic.org, 7 p.m., tickets start at $24.50.

“Beethoven’s Symphony No. 5” JANUARY 17 AND JANUARY 18

“Janus IV” JANUARY 24 TO JANUARY 26

“The Humans” TO FEBRUARY 2

From the enigmatic to the iconic, join principal guest conductor Edo de Waart on a journey through three monumental works. Violinist Leila Josefowicz joins the symphony in a performance of one of her signature pieces, followed by Beethoven’s most famous piece. Arrive 45 minutes before the concert for a talk about the

The two-headed Roman god of beginnings and endings has again inspired the format for this annual repertory concert, which includes selections from Artistic Director Jean Isaacs’ chronology of over 100 dances as well as pieces created exclusively for “Janus IV” by Isaacs, Associate

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Artistic Director Terry Wilson and longtime company member/rehearsal director Liv Isaacs-Nollet. San Diego Dance Theater, Saville Theatre, San Diego City College, Corner of 14th and C streets, East Village, 619.225.1803. sandiegodancetheater.org, times vary, $20-$40.

“Mystery Science Theater 3000 Live: The Great Cheesy Movie Circus Tour!” JANUARY 25

The hilarious Peabody Award-winning TV comedy is coming to San Diego with an all-new show. Join creator and original host, Joel Hodgson, in his final tour and his movie-riffing robots, Tom Servo, Crow and Gypsy, as they take guests on a roller coaster ride through some of the cheesiest films. Sit in the same theater with your favorite TV characters and experience this comedy phenomenon in an acclaimed live event. Balboa Theatre, 868 Fourth Avenue, Gaslamp Quarter, 619.564.3000, broadwaysd.com, 7:30 p.m., prices vary.

Shen Yun JANUARY 24 TO JANUARY 26

Shen Yun allows guests to experience a lost culture through the art of classical Chinese dance. Ancient art forms meet with innovative multimedia, stunning costuming. alloriginal music and masterful artistry. San Diego Civic Theatre, 1100 Third Av-

Officer Marcus Moscowicz is a small-town policeman with dreams of making it to detective. One fateful night, shots ring out at the surprise birthday party of a great American novelist and the writer is killed. With the nearest detective an hour away, Marcus jumps at the chance to prove his sleuthing skills with the help of his silent partner. Whodunit? You’ll have to see the show to find out. New Village Arts Theatre, 2787-B State Street, Carlsbad, 760.433.3245, newvillagearts.org, times vary, $28-$58.

Mozart’s “Piano Concerto No.9” JANUARY 31 AND FEBRUARY 2

Wolfgang Amadeus Mozart’s Ninth Piano Concerto has been called the first masterpiece of the classical style. Renowned young pianist Benjamin Grosvenor brings this music to life. The evening is rounded out by two youthful works by Felix Mendelssohn, another child prodigy, who wrote the pieces when he was 16. Presented by San Diego Symphony. Copley Symphony Hall, 750 B Street, Downtown, 619.235.0804, sandiegosymphony.org, times vary, $23-$105.

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Up, Up and Away New Peter Pan musical flies into La Jolla cist Kirsten Childs, who has won an Obie for her “The Bubbly Black Girl Sheds her Chameleon Skin.” “It’s been a long and joyous process,” Joseph says. “It’s been one with many ups and downs as we figure out the story and how we want to present it. It was already produced six years ago in Dallas and it was a beautiful production, but afterward we all realized we still needed some time to figure out some issues and questions we had, so we went back to work.”

Bridgette Redman >> San Diego CityBeat

s a little boy, Rajiv Joseph had a cardboard box beside his bed. It contained Spiderman and Hulk comics and Peter Pan storybooks. Now as an adult, the acclaimed playwright is helping his childhood hero once again take flight in a new musical about the boy who never grew up. “Fly” soars into the La Jolla Playhouse from February 18 to March 29, brought to life by an award-winning creative team that includes two Tony winners and two critically acclaimed theater writers. It’s a project that was launched by Jeffrey Seller, who approached Joseph nearly 10 years ago about writing a Peter Pan musical. Seller, who has won four Tony awards, has produced such major hits as “Hamilton,” “Avenue Q,” “Rent” and “In the Heights.” He is now directing “Fly.” At the time, Joseph’s career was just beginning, and he had only written plays like “Bengal Tiger at the Baghdad Zoo,” for which he was a Pulitzer Prize for Drama finalist, and “Gruesome Playground Injuries.” However, he says, he had only seen musicals during his childhood in Cleveland until he hit grad school. This project was a natural fit. “I was approached by Jeffrey Seller @SDCITYBEAT

about adapting Peter Pan into a new musical and we talked about it,” Joseph says. “Growing up it had been my favorite story as a child and I was raised on musicals, so it didn’t feel like a new thing to me.” Seller introduced him to composer Bill Sherman, who did the orchestrations for “In the Heights” for which he won a Tony. The next to join the team was lyri-

Ready to fly

Now, with many changes made, they are ready to see the show staged again. The powerhouse creative team cast a starstudded cast. “This is a truly extraordinary company,” says Christopher Ashley, La Jolla Playhouse’s artistic director. “It’s a wonderful mix of Broadway veterans, playhouse newcomers

and local artists, and I can’t wait to watch their collective talents light up the Weiss stage in this enchanting new musical.” “Fly” aims to be faithful to the original novel’s themes while exploring certain aspects very deeply. At the first rehearsal, Seller read the opening paragraph of the book to the cast and crew. Joseph says everything in that first paragraph is what they are trying to achieve. It captures, he says, both the sadness and the joy of growing older and the challenges of leaving behind your childhood. “It’s very much a part of J.M. Barrie’s work, but not really an aspect that has been in the theatrical iterations of the story so far, so that was what we are striving for,” Joseph says. In this musical, Wendy (played by Storm Lever) takes center stage, in no small part because she does make the decision to grow up, understanding what she is giving up and what she is choosing. Joseph says Wendy has always been the character who undergoes a deep change in the story. “Wendy—a girl seduced by the mysteries of Neverland and struggling with her own impending womanhood—is the focus of this singular version of the Peter Pan story,” Ashley says. Peter Pan (played by Lincoln Clauss) See

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Creating Coastal Delights

Artist creates artistic wonderland in her Cardiff home Christopher Boan >> San Diego City Beat

ichelle Rose Gilman pauses for a moment as she describes her three-decade career in the North County art scene to take in the beauty of the CardiffOn-The-Sea shoreline. Gilman has lived in the northern enclave for decades, creating musiccentered artworks that transform various instruments into wonders of fantasy. Gilman, who was born in Brooklyn, found her calling after moving to San Diego County in the late-1980s. She is the daughter of a musicologist, so using instruments as her canvas came naturally, after launching her career selling artistic takes on children’s tables and rocking chairs in Del Mar. Gilman reflects on her decision to become an artist just before her momentary Pacific Ocean interruption, reflecting on the various modes of artistry she’s employed over the years. “I have done a lot of things, but one of the things that I have run through my entire life is art, it’s really who I am,” Gilman says. “So, I’ve always been involved with this creation of an art exhibit before. And I love it, it’s the way that I relax, and lately over the last few years it’s really been escapism from the chaos of the world.” Gilman’s latest venture is an online art gallery, called FeatherPunk, which allows her to reach a worldwide audience from her home. Fans of Gilman’s work can purchase a bountiful assortment of items on the site, from her instrument pieces to custom

jewelry and painted animal skulls. She’s found that musicians and record studios in San Diego County and across the nation have been a huge audience for her music-centric work, which is ideal, in her opinion. Gilman has spent much of the last decade doing philanthropic work, including serving on the board of Rock to Recovery, which aims to use music as a way to heal people through music. “Music is one of those things that has the ability to totally take you away,” Gilman says. “Music again like art has been a part of my life since I was little, growing up in a household that was full of music, with my dad, and continues

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to this day with my nonprofit work with Rock to Recovery.” Gilman’s passion for art has taken many forms over the years, including her time operating the Fusion Academy, which is a middle- and high school private school she launched in Solana Beach in 1989. That endeavor, which has bloomed from that coastal campus to a network of 60 campuses across California, Connecticut, Florida, Massachusetts, New Jersey, New York, Texas, Virginia, Illinois and Washington, remains one of the hallmarks of Gilman’s life. Gilman says the endeavor, which encouraged one-to-one education that boosts the morale and productivity of those left out by the traditional education system, has been one of the proudest things she’s been a part of. Another point of pride for Gilman is the book she put out in 2019, titled “The Wanderlust Warrior Project,” which features eight traits that every young female warrior should possess. “This book is geared toward young women, and what we’re finding now is that it’s resonating with all women,” Gilman says. “So, moms are buying it for their girls, but they’re also buying it for themselves, it’s fascinating. “And what it does, it’s basically an empowerment inspirational book. And it takes you through the eight traits that we consider that a young woman warrior should have: intelligence, bravery, wisdom and so forth. And not only does it talk about those things, but there’s workbook-style activities so they can get clarity on how to foster a lot of those traits within themselves. Also, there’s interviews with extremely successful women in all sorts of industries. And so, one successful woman anchors each chapter of the book. So, each woman excels in that one particular area.” Gilman hopes her novel can serve as another educational outlet for girls and women of all ages, learning what it takes to thrive in a fast-paced and relentless world. “We’re so thrilled, it’s selling really well, and it’s making a difference in the world,” she says.

Gilman also hopes her artwork can serve as a difference-maker, here in San Diego County, as well as in other reaches of the world. She believes that FeatherPunk can do just that, as has a cavalcade of quirky artisan items that are a hit with customers from various regions of the art world. Gilman hopes she’s left a definite mark, both on the art world as a whole and on those that have benefitted from her educational endeavors. She believes her online collection is an extension of that altruistic vision, as it allows the world to fill their home spaces with creatively cultivated artwork that are diligently crafted. “My hope is that when people go to FeatherPunk Studio and they see what I make, my goal is that they find their own wonderland, and that they realize that life can be beautiful, just like it is up here where I live,” Gilman says. “Things can be beautiful in a time of chaos and uncertainty. And that’s my big hope and my big goal, is that my crazy, eccentric, funky, fun, magical art inspires people to live outside their comfort zone; to be a little sillier, to be a little funkier, like we are here in Cardiff, and to realize that magic still exists.”

FeatherPunk Studio

To see Michelle Rose Gilman’s artwork, visit FeatherPunk Studio’s website, at featherpunkstudio.com. @SDCITYBEAT

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ARTS

Shabbat and Shakespeare

Community Center combines two classics for a time of connection Bridgette Redman >> San Diego CityBeat

ou don’t have to be Jewish to enjoy Shabbat and you don’t have to be a scholar to enjoy Shakespeare. And whoever you are, you can enjoy a combination of the two at the Lawrence Family Jewish Community Center in early February as its JCompany of young people put on “A Midsummer Night’s Dream” as part of a Shabbat celebration that includes a kosher meal. Shabbat is the traditional Jewish observance of the Sabbath, a day of rest and religious activities that focus on family and community. It is one of the central and oldest celebrations in the Jewish tradition. “What better sharing than classic theater brought together with the entire Shabbat experience,” says Joey Landwehr, the JCompany Youth Theatre’s artistic director. “If you are not Jewish, you can come. It’s not a big Jewish religious service necessarily, it’s really about community and connecting with family and your loved ones.” This is JCompany’s second time tackling Shakespeare and the first time pairing it with Shabbat. As an inclusive company, it tries to provide an alternative for observant youth who cannot participate in other theaters that require performances or rehearsals on Friday. In the past, they have not performed on Fridays, but this brings together theater and the celebration of Shabbat for a cultural event that is meaningful for performers and audience. They will reconfigure the David and Dorthea Garfield Theater from its usual 500-seat format to one with tables and chairs for 100 to 120 guests. They’ll give each participant a boxed lunch, something Landwehr calls “Shabbat in a basket.” The guests will go to their tables and have community time with the others. Before the show, JLearn Director Sarah Hanuka will provide background about Shabbat and the celebrations during it. “Sarah Hanuka is a brilliant scholar in Judaic studies,” Landwehr says. “She’ll come in and talk a little about what Shabbat is for the non-Jews in the audience. They’ll do the candle lighting and a little of the service and then we’ll present Shakespeare on stage. Everyone will get to spend that time with their family and loved ones.” Director Erin Peterson finds the marriage of the two events particularly appropriate.

She says in Shakespeare’s era, there were few places or times when people of all walks of life could come together. Two of the places where that happened were at religious institutions for prayer and the theater. “Theater is a transformative and communal experience,” Peterson says. “Shakespeare wrote about the human condition. He wrote about the ups and downs, the relationships and complex emotions. He truly celebrated the human experience. And with Shabbat Shakespeare, we’re coming together as a larger community of humans to connect with each other and share the experience of live theater.” With its star-crossed lovers, warring fairies and unusual transformations, “A Midsummer Night’s Dream” is considered one of Shakespeare’s most accessible plays for young actors and audiences who might not otherwise feel comfortable with the Bard’s elevated language. “‘A Midsummer Night’s Dream’ is a fun Shakespearean comedy that explores the mischief foolish mortals can get into when they’re at the mercy of magic and the power of love,” Peterson says. “And, in this particular production, we have our audience seated on all four sides of the stage so it’s an incredibly immersive experience that we all share.” Landwehr and Peterson have been eager to bring Shakespeare to JCompany’s young actors. Landwehr has wanted to stage it throughout his 16 years with the theater troupe and now has a receptive chief executive officer at the community

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center in Betzy Lynch. “Before she came to JCC, an idea like this wouldn’t even be discussed,” Landwehr says. “Now I come to Betzy with ideas and excitement and she greets me with that same excitement. This is just a stepping off for new and exciting programming we’re going to do.” The theater is known for presenting the big-name musicals and he says it has taken him about 15 years to convince everyone that Shakespeare is a good fit for their actors. When they did “Romeo and Juliet” last year in their rehearsal room, it performed to packed houses and the actors and audiences loved it. So, for this season, he wanted to step it up a level. Peterson has been performing in “A

Midsummer Night’s Dream” for more than 10 years and she says she still finds new moments and meanings in the story. It’s something she loves sharing with JCompany’s young people. “These young artists are remarkable,” Peterson says. “Each actor has been challenged to tackle the text, make it accessible to a modern audience, embody the character (for some it’s a real challenge since someone does transform into a donkey) and to have fun while doing it. “This is our second Shakespeare production so it’s not a style that they’re necessarily accustomed to, but with each rehearsal we chip away and discover new things. And seeing that ‘a-ha moment’ See

SHABBAT on page 34 @SDCITYBEAT

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FLY

from page 29

doesn’t really change as he never grows up nor transforms. Wendy realizes she does want to grow up and eventually sees the value in it, which is what “Fly” focuses on. The crocodile takes on a significant role in this musical and is portrayed differently than is traditional. She is a spirit of the island. “The figure in the story that everyone is frightened of is the crocodile,” Joseph says. “Unbeknownst to the characters, the crocodile is a sort of life force, the heartbeat embodiment of the island itself. In many ways, the crocodile is our guide through the story and the person Wendy is circling all along. Initially (the crocodile) comes across as a frightening character, but as Wendy starts to understand more about the world, she comes to understand that the crocodile is a life-giving force and not a destructive one.” The crocodile is played by Elyse LaFontaine, whom Joseph says does a beautiful job with capturing the creature’s mystery and mystique. The music is highly percussive with the primary element being drums. Seller wanted the crocodile to represent the heartbeat of the island and to hear that heartbeat throughout the show as soon as they arrive in Neverland. “The score Bill Sherman has composed is probably my favorite aspect of this show,” Joseph says. “The songs are pulsing and percussive and tribal. They have a primal energy that I’ve never seen before in any other Peter Pan. No other American musical has this type of score.” To that end, the all-female chorus never leaves the stage and represent the forest of Neverland. They create the world through their presence on stage and they also contribute to the sound of the island and the music of the show by drumming and singing. It helps to weave the mystery of Neverland deeply into the score. The

SHABBAT

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dawn on their faces when they finally unlock what something means or how they can relate to it is something that never gets old for me.” The cast in this show ranges from ages 7 to 17. Landwehr hopes they will eventually be able to move on to other Shakespearean works such as “Macbeth” or “Merchant of Venice” as the actors get more experience with the language and style. Meanwhile, this play has worked well, and Peterson encourages all audiences to

women also help with the flying; they attach children to the ropes. Set designer Anna Louizos built the set out of bamboo, creating an expressionistic set that doesn’t try to build a realistic or naturalistic forest. “It’s this incredible creation of wood that juts out at different angles,” Joseph says. “It can be moved and is modular so you can have different setups of Neverland. It is very expressionistic and exciting. I think it presents a Neverland the likes of which haven’t been seen on stage before.” The show has undergone a lot of changes since it first played in Dallas six years ago. Joseph says that while they were proud of that show and it was beautifully done, once they got a distance from it and started discussing aspects of it, everyone had questions and wanted to get to a deeper truth. “No one wants to settle if we can make it better,” says Joseph, adding everyone on the creative team has been a delight to

work with. “Everyone brings a different dynamic energy and it all flows from Jeffrey (Sellers) who is this incredibly brilliant and insightful man.” He says he always considered Peter Pan to be a peer of modern costumed superheroes. “I liked the fact as a child that a young boy could lord over a bunch of adults,” Joseph says. “I liked that Peter Pan had a sword, that he fought pirates, and that he flew. He’s a dazzling, charismatic and brave little boy.” Joseph says Peter Pan is always a fun character to write, even though he describes him as being almost more of a symbol, whereas Hook and Wendy are the characters that really undergo transformations in the story. Ten years after beginning the process, he is thrilled to see it come to the La Jolla stage and the San Diego community. “All of us on the creative team and cast are excited to be moving ahead with this and offer it to this community,” Joseph says. “It will be a really exciting experience for anyone who shows up.”

come out to see the show. “It’s accessible,” she says. “If you’ve never seen a Shakespeare play before or if you were stuck reading his work in English class and hated it, this is the production for you. William Shakespeare was a playwright. He didn’t write novels. He wrote plays and plays are meant to be performed. When spoken aloud, the words come to life.” She says they haven’t altered the text or changed the language, but that all of them take the time to make sure they understand what they are saying so that they can communicate it effective and in an entertaining fashion to the audience. “And there’s fairies and donkeys in it,” Pe-

terson says. “What more could you ask for?” Landwehr hopes this show will communicate to the community that JCompany is a very inclusive theater company. He says about half of the actors are Jewish while the other half are not. “No matter what your background or economic status or religion or color, I hope you will be a part of this either in the audience or on stage,” Landwehr says. While he acknowledges that many people are frightened of what they don’t know, Landwehr wants them to know it will be a great evening of theater with food and drink. “We’re not there to preach a sermon or say you should be doing this or that,”

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“Fly”

Various times Tuesday, February 18, to Sunday, March 29 La Jolla Playhouse, 2910 La Jolla Village Drive, La Jolla $25-$82 858.550.1010, lajollaplayhouse.org

Landwehr says. “We’re there to share the traditions and let you know you can be invited into our family. It’s about being together and sharing a meal and some good theater together. And what better way to do that than through the eyes of young people?”

“A Midsummer Night’s Dream”

7 p.m. Friday, February 7 8 p.m. Saturday, February 8 David and Dorthea Garfield Theatre, 4126 Executive Drive, La Jolla $29 in advance, lfjcc.org @SDCITYBEAT

@SDCITYBEAT

JANUARY 2020 · SAN DIEGO CITYBEAT · 35

DINING

Dining Calendar Randy Montgomery >> San Diego City Beat

San Diego Dim Sum Tour SUNDAYS

Join a Chinese American tour guide who specializes in Chinese cuisine for insight into dim sum’s culture and history. Enjoy a traditional dim sum brunch with tea at the premier dim sum restaurant in San Diego and partake in trips to an Asian supermarket and bakery. The trip is about 2.5 hours and a walking distance of about 1 mile. It begins at Jasmine Seafood Restaurant. Meeting Spot: Jasmine Seafood Restaurant, 4609 Convoy Street, Kearny Mesa, 858.268.0888, wildfoodietours.com, 10 a.m., $69.

diners simply visit their favorite participating restaurants during the week to enjoy special prix-fixe menus. A complete list of participating businesses is available on the event website, along with menus. Various locations, times and prices, sandiegorestaurantweek.com.

Breakfast with Kangaroos JANUARY 25

Arrive before the Safari Park opens for a bountiful buffet breakfast in the Zest Station, a shaded venue in the new Walkabout Australia exhibit. After breakfast, guests will have the unique opportunity to see how the kangaroos and wallabies start their day. San Diego Zoo Safari Park, 15500 San Pasqual Valley Road, Escondido, 619.718.3000, sdzsafaripark.org, 7:30 a.m., $54 plus park admission.

The Hillcrest Farmers Market SUNDAYS

The Hillcrest Farmers Market is filled with more than 175 vendors offering a wide variety of locally grown produce, gifts, arts and crafts, flowers and clothing. The market hosts a large variety of prepared and hot food items with an emphasis on international cuisine. Weekly entertainment is performed by a variety of local musicians. The market opened in 1984 with only 27 vendors and has continued to grow with the community. Hillcrest Farmers Market, 3960 Normal Street, Hillcrest, 619.237.1632, hillcrestbia.org, 9 a.m. to 2 p.m. free.

San Diego Restaurant Week JANUARY 19 TO JANUARY 26

San Diego Restaurant Week is a celebration that showcases the diverse culinary world in San Diego County, with over 180 restaurants participating. No passes, tickets or coupons are required for this scrumptious event. Instead,

you may find yourself as a prime suspect. Dinner includes appetizes, salad, choice of entree, and a dessert. The Dinner Detective, DoubleTree by Hilton Hotel Circle, 1515 Hotel Circle South, Mission Valley, 866.496.0535, thedinnerdetective.com, 7 p.m., $69.95.

Dinner with the Divas! ONGOING

Winter Waters Sustainable Dinner FEBRUARY 4

James Beard Smart Catch Leader Chef JoJo Ruiz leads the Winter Waters Sustainable Dinner Series, which includes collaborations with some of the world’s most talented chefs. For the February installment, Chef Gabe Erales of the acclaimed Dai Due Taqueria and Comedor in Austin will be the guest. Dinner includes selections from the raw bar, cold and hot appetizers, vegetable plate, entree with shared sides, dessert and liquor pairing. Serea at Hotel del Coronado, 1500 Orange Avenue, Coronado, 619.522.8100, hoteldel.com, 6 p.m., $120.

The Dinner Detective – Valentine’s Day Show FEBRUARY 14 Celebrate Valentine’s Day with your sweetheart with America’s largest interactive murder mystery comedy dinner show. While figuring out “whodunnit,” feast on a fantastic four-course plated dinner. Just beware… the culprit is lurking somewhere in the room, and

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kitchen. Watch the apple and cheddar tart being made. Indulge on appetizers while your whole roasted duck with stir-fry what berries and herb butter is being prepared. The space seats six to 14 of your closest friends. Juniper and Ivy, 2228 Kettner Boulevard, Little Italy, 619.269.9036, juniperandivy. com. times vary, prices vary.

Valentine’s Day Sweetheart’s Dinner Cruise FEBRUARY 14

Share the beauty of San Diego’s worldclass waterfront views with romantic photo opportunities sparkling in every direction while dining aboard a comfortable, modern yacht, beautifully decorated for Valentine’s Day. In addition to indulging on a gourmet steak or vegetarian dinner, enjoy music and dancing. Add an unlimited bar package to complete the evening. Flagship Cruises and Events, 990 N. Harbor Drive, San Diego, 619.234.4111, flagshipsd.com, 7 p.m., $89.50.

Chef’s Table ONGOING

Book the Chef ’s Table and get a frontrow seat to see Juniper and Ivy’s all-star team of chefs. This table will put diners at the heart of the restaurant’s main dining room with a clear view into the

Start with the Hedda lettuce garden salad, followed by Disco Dolly’s wild mushroom ravioli (or a variety of other sumptuous dishes), then enjoy the best in celebrity impersonation, hosted by Tootie, Cher, Bette, Gaga, Katy and P!nk. You never know who’s coming to dinner. $5 cover, plus $15 food minimum per person required. Reservations are required. Lips, 3036 El Cajon Boulevard, North Park, 619.295.7900, lipssd.com, 7:30 p.m., tickets start at $20.

Monday Oysters and Bubbles ONGOING

Charles and Dinorah deliver an adventurous, yet approachable dining destination for travelers and locals, offering the opportunity to experience familiar dishes prepared through a global lens. The restaurant is named after the original husband-and-wife owners of the Pearl Hotel, where it is located. On Mondays, enjoy $1 oysters and $7 glasses of bubbles at the bar, poolside or in the restaurant. Charles and Dinorah, 1410 Rosecrans Street, Point Loma, 619.226.6100, charlesanddinorah.com, times vary, prices vary. @SDCITYBEAT

DINING

A Fine Time to Dine

San Diego Restaurant Week returns with more than 100 restaurants Christopher Boan >> San Diego City Beat

wave of culinary creations is coming to America’s Finest City—at an affordable price—in mid-January, as the San Diego Restaurant week returns. The 16th event runs from Sunday, January 19, to Sunday, January 26, bringing more than 180 restaurants from the South Bay to East County, all the way up to Oceanside and Fallbrook into the fold, offering one-of-a-kind plates and drinks to patrons. This year’s restaurant week includes stops in La Jolla, as well as Little Italy, Mission Bay, Point Loma, Ocean Beach, Old Town and Hillcrest, to name a few. The restaurant list includes Backyard Kitchen and Tap, Beaumont’s Eatery, Blind Burro, Cicciotti’s Trattoria Italia and Seafood Cardiff and Union Kitchen See

@SDCITYBEAT

DINE on page 38

JANUARY 2020 · SAN DIEGO CITYBEAT · 37

DINING

DINE

from page 37

& Tap Gaslamp and Encinitas. The bi-annual event offers threecourse, price-fixed dinner menus that range in price from $20 to $50 per person, as well as lunch offerings from $10 to 20 per person. Eateries will offer customers the chance to pick combinations of entrees, appetizers, drinks and desserts, ensuring a unique experience for all involved. Tickets are not required for the week’s events, though reservations are recommended. The theme of January’s event, according to Kristina Owenburg, is “Restaurant Week Your Way,” which allows diners to pay the same price for food and drinks at a wider range of restaurants. Owenburg says she believes the thriving culinary scene in San Diego County is a major reason for the event’s rising popularity. Another key component, according to Owenburg, is the ability for families and others to enjoy establishments that might get

otherwise overlooked, because of the plethora of dining options in the region. “San Diego’s culinary culture is thriving right now and expanding more than we can ever imagine,” Owenburg says. “Restaurant Week is the perfect opportunity to explore the culture and take an edible excursion across this beautiful county. Not to mention you also explore the amazing sight of San Diego. “Friends, family and loved ones are able to connect over delectable meals and cocktails all for discounted prices at San Diego’s best.”

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San Diego Restaurant Week

sandiegorestaurantweek.com

@SDCITYBEAT

JANUARY 2020 · SAN DIEGO CITYBEAT · 39

DINING

Romance by Design

Architect Ariel Richardson shares her favorite spots Christina Fuoco-Karasinski >> San Diego CityBeat

riel Richardson, the founder of San Diego-based ASR Design Studio knows a beautiful room when she sees one. As a native Californian, Richardson has a deep appreciation for spaces that reflect the California coastal lifestyle— approachable, elegant, modern and airy. Armed with a Master of Interior Architecture, Richardson has been honing her skills for the past 13 years. For Valentine’s Day, she’s sharing her top five list of the most beautifully designed restaurants and bars lovers should visit this February 14.

Luciano prides himself on his farm to table methods and loves to personally check in on guests. Choose from picnic style outdoor seating or cozy booths and tables indoors. Hanging terrariums over dark wooden tables add some bohemian flair to the homey atmosphere. The restaurant is full of greenery, and large windows allow natural sunlight to stream into the place, creating a warm, comfortable vibe.

tures award-winning steak and seafood choices. Both restaurants offer patio seating and stunning views of downtown San Diego’s skyline and nearby Coronado Island. The ambiance is cool and elegant, and the gorgeous view makes this a perfect choice for a romantic dinner. The decor is simple with white tables and wicker chairs on the patio overlooking the waterfront. Inside, the decor is slightly more formal with dark chairs and booths. Stark white linens, high ceilings, and wall to wall windows allow the coastal vibe to permeate the indoors and keep the mood decidedly warm.

2. Cusp Dining and Drinks cusprestaurant.com

Cusp Dining and Drinks promises “coastal cuisine at its best.” Moon shaped tables and pairs of linen chairs for you and your loved one to sit side-by-side facing beautiful floor to ceiling windows with stunning ocean views. If you don’t nab a cozy spot right in front of the window, don’t worry because every C Level and Island Prime seat in the house has an ocean view. All tables and booths are angled to face the gorgeous view of La Jolla and the ocean. 1. C Level and Island Prime The decor is modern and minimal cohnrestaurants.com/islandcreating an elegant, yet casual atmoprime/gallery sphere. Th e tables are simple and sleek, For a unique dining experience with and the bar features dark wooden breathtaking views this Valentine’s stools and a view of the open kitchen. Day, I recommend Harbor Island’s C Located on the 11th floor of the Hotel Level and Island Prime, a restaurant on La Jolla, this posh spot is perfect for a stilts atop San Diego Bay. This unique romantic evening for two or your next split-level restaurant offers two dining corporate event. Th e menu features looptions. For cool cocktails and a seacally sourced seasonal ingredients and food-heavy menu, choose the C Level fl avorful dishes perfect for sharing. Lounge. For a more fine-dining experiThe nightly complimentary toast in the ence, choose Island Prime, which fealounge at sunset is a can’t miss!

Herb and Wood

pendant globe lights suspended from high ceilings lend a sophisticated ambience for both large parties and intimate gatherings. Choose from indoor seating in plush booths and couches or outdoor seating on the lovely garden patio. An iron chef ’s table draws the eye to the display kitchen directly behind it. The clean, modern white bar surrounded by chic black stools is the centerpiece of the restaurant. Beautiful paintings in the style of Les Fauves by Artist in Residence John Lane hanging throughout the restaurant create a transcendent experience.

4. The Red Door thereddoorsd.com

The airy cottage-inspired decor makes for a bit more of a casual, warm dining

3. Herb and Wood herbandwood.com

Cusp Dining & Drinks

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For an indulgent dining experience featuring carefully prepared California coast inspired seasonal dishes, visit Herb and Wood in San Diego’s Little Italy neighborhood. Lavish decorations including ornate chandeliers and

experience for Valentine’s Day at The Red Door. Come for the classic American comfort foods and fresh, locally sourced ingredients. Chef and owner

5. Herringbone herringboneeats.com/locations/la-jolla/gallery

I just love this place. The atmosphere

Herringbone

at Herringbone must be experienced in person. Interior design by Thomas Schoos features a mix of modern maritime-inspired wall art, industrial walls and tables, and warm coastal charm complete with 100-year-old living trees. The renovated 1930s era warehouse space showcases a high-ceiling indoor seating area overflowing with live olive trees, twinkle lights, and greenery, creating a garden-like atmosphere inside. Whimsical nautical touches like netting, life preservers, and coral are sprinkled throughout the restaurant. The cozy lounge area features a mosaictiled fireplace and coastal-inspired padded The Red Door rocking chairs. Herringbone offers a unique ocean-to-table menu with an alfresco dining experience. It’s the perfect romantic setting to take a special someone in your life. @SDCITYBEAT

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BEER AND WINE

Beer Calendar Randy Montgomery >> San Diego City Beat

Departing from San Ysidro, 619.878.3287, bajatestkitchen.com, 8:30 a.m. to 7 p.m., $199.

available to its subscribers and festival attendees. Liberty Station North Promenade, Liberty Station, 619.546.9694, moderntimesbeer.com, noon to 4 p.m., $65.

Brewery Tours and Tastings ONGOING

Wine and Oyster Pairing JANUARY 15

Indulge in a celebration of wine and oyster deliciousness. Charlie & Echo wine maker Eric Van Drunen and Captain Jack’s Shellfish Company founder Jon Bernetskie will guide guests through six unique and sumptuous pairings of wine and oyster, along with answering any questions about the mysteries and enjoyment of the two. Charlie & Echo, 8680 Miralani Drive, Suite 113, Miramar, 877.592.9095, charlieandecho.com, 6:30 p.m., $37-$49.

Stone Backstage Pass Experience JANUARY 16

Get backstage access and hang out with “Team Stone roadies,” while tasting rare beers from the cellar. Guests will get in-depth look at what went into crafting select beers. Backstage access includes five, 5-ounce pours, time in the brewing facility and other surprises. Stone Brewing World Bistro & Gardens, 1999 Citracado Parkway, Escondido, 760.294.7866, stonebrewing. com, 6:30 p.m., $25.

Valle de Guadalupe Premium Wine + Gourmet Food Tasting JANUARY 18

Guests’ taste buds will be guided through a mouthwatering exploration of Baja California’s Valle de Guadalupe, Mexico’s premier wine region. This expertly curated all-inclusive culinary wine tour will feature award-winning premium handcrafted wines, local artisan cheeses, cold-pressed organic olive oil and farm-to-table regional cuisine from one of the region’s top rated campestre-style eateries overlooking the vineyards. @SDCITYBEAT

Wine, Cheese and Olive Oil Class JANUARY 23

Enjoy the best sunset in the city, while sipping on California wines, champion cheeses and outrageous olive oils. We Olive & Wine Bar is partnering with Venissimo Cheese to take guests on a California-style tasting adventure. Guests will learn what separates the real deal from imposters in all three categories. Must be 21 or older. We Olive & Wine Bar, 1158 Prospect Street, La Jolla, 858.551.8250, weolive. com/la-jolla, 6 p.m., $60.

Beer Choir San Diego JANUARY 27

Happy New Beer! The Choral Consortium of San Diego will celebrate the New Year with a fun and happy Beer Choir gathering. The brewery offers unique flavors of craft beer in a one-ofa-kind atmosphere. The event is 21 and older. Kensington Brewing Company, 4067 Adams Avenue, Kensington, choralconsortiumofsandiego.org 7 p.m., $12.

Carnival of Caffeination: Pasty Palooza FEBRUARY 8

Modern Times hosts the fourth annual beer and coffee party, featuring brewers and roasters setting up shop at San Diego’s Liberty Station North Promenade for a day of pure, liquid magnificence. Sample unlimited 1- to 2-ounce pours from an arsenal of dark, coffee-centric, and barrel-aged beers alongside a bevy of dazzling coffee-creations from a variety of roasters. Modern Times Coffee will be creating a special coffee blend only

The hour-long tour includes five tasters, with detailed tasting notes for each beer. Personable and educated ambassadors will take guests on a behind-the-scenes tour of the facility from grain to glass. Capacity is limited. The tours are offered Fridays, Saturdays and Sundays. Mission Brewery is dog and kid friendly. Mission Brewery, 1441 L Street, East Village, 619.544.0555, missionbrewery.com, times vary, $12.

is complete with a world-class cocktail program highlighting current spirits offerings. Stop by during normal business hours for beverage and food menu offerings. Learn more by taking a tour Wednesday through Sunday evenings. This 45-minute educational experience and guided tasting demonstrates production of the award-winning vodka and gin. You & Yours Distillery, 1495 G Street, East Village, 619.955.8755, youandyours.com, 5 p.m., $15.

Bloody Mary & Bellini Bar ONGOING

Lodge Bloody Mary, Peach Bellini, Raspberry Bellini, oh my! These are just a few of the selections available at the Bloody Mary and Bellini Bar available during weekend brunch at A.R. Valentien, The Lodge at Torrey Pines’ signature restaurant. A.R. Valentien highlights regional cuisine crafted by Executive Chef Jeff Jackson. Guests can dine in the sophisticated dining room featuring California Craftsman design, or outside on the terrace with breathtaking coastal views. The Lodge at Torrey Pines, 11480 N. Torrey Pines Road, La Jolla, 858.777.6635, lodgeattorreypines.com, times and prices vary.

Distillery Tours ONGOING

This 2,300-square-foot, full-production distillery, tasting room and event space

Wine Special ONGOING

Family-owned and -operated, Solare Ristorante is dedicated to providing an amazing dining experience, thanks to Randy Smerik and his team. The authentic Italian cuisine features a focus on fresh and locally sourced ingredients, including fresh pasta made each morning and organic produce. In 2019, Solare was added to the Michelin Guide. On Tuesdays, all bottles of wine are 50% off (limit two). Solare Ristorante, 2820 Roosevelt Road, Liberty Station/Point Loma, 619.270.9670, solarelounge.com, times and prices vary.

JANUARY 2020 · SAN DIEGO CITYBEAT · 41

A TRIBUTE TO DAVID BOWIE Friday, February 28 @ 7:30 PM

Complexions is back to rock the Centerʼs stage! Experience the brilliance of David Bowie with STARDUST, an “utterly transfixing” (Billboard ) dance tribute to the late rock icon—his beloved hits and glam rock-inspired costumes transformed by the award-winning company into powerful, poignant movement. BUY TICKETS

Visit us at artcenter.org or call our Box Office at 800-988-4253

340 N. Escondido Blvd., Escondido, CA 42 · SAN DIEGO CITYBEAT · JANUARY 2020

@SDCITYBEAT

BEER AND WINE

WORT MENTIONING

Ch- Ch- Changes

10 years of highs and lows in the San Diego brewing industry Karen Barnett >> San Diego CityBeat

s a new decade settles in, the past cannot and should not be ignored. The last 10 years of San Diego beer have been monumental. There has been an explosion of investment in time, money and experimentation in the brewing industry. New businesses, failed businesses, company sales and acquisitions. Hundreds of ribbons and medals bestowed. Miles of tap lines. Over 5 million barrels of beer. Nearly 7,000 jobs. While the image of the beer industry in San Diego appears to be squeaky clean camaraderie, it’s not. I could give you a list of all the people who got punched in the face, but I won’t. Of course, as a member of any organization, it’s what you put into it that you get out, right? Maybe. It’s important to remember that although the “craft beer movement” was a push by everyone involved in the late aughts, everyone is, for all intent and purpose, a competitor. Not just in literal contests and competitions, but on the beer aisle shelves, draught lines, and even on our backs in the form of branding and merchandise. Competition is good though. It separates great beer from boring or bad beer. It sets a standard and becomes a guide for quality. Competition drives improvement and solves imperfections. Consumers decide with their dollars who should stay in business. Have any new styles really been invented in the last ten years? Not really. Levels of hoppiness have definitely ramped up, but they certainly weren’t invented. Palates just developed (and redeveloped) and were more accepting of pinier, resiny, juicier hop profiles. While some may be delighted by recent “milkshake” styles, I see “the emperor’s new beer” which would have been a mistake dumped down the drain years ago. To each their own on that one, I guess. Drinking craft beer became more mainstream in the last decade, and everyone seemingly wanted to be a part of it. Hell, the word “craft” itself became mainstream. Denny’s started advertising “craft” pancakes much like anyone can loosely use the words “world famous” and “award winning” without it having any

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sort of worthy significance. Even slapping the word “independent” doesn’t mean much when you see AB-InBev brands like Elysian Brewing ironically printing “Corporate Beer Still Sucks” on their labels. Consumers have been challenged to choose sides and it takes a real rebel to not give a Schlitz either way. Across the country, there has been a definite demand for better in the past 10 years. For more than beer, yet it still applies to beer. Accountability and inclusiveness. Demands for businesses to lead with a moral compass and shining a light on those who exhibit poor behavior. We’ve watched businesses close and decline in popularity for racism, misogyny and homophobia. Just like in politics, restaurants, and major corporations, people still show their allegiance to whatever they want, and we answer to our individual consciences. I’d like to think that over time, collectively, the general public will stop supporting breweries who objectify women, but it seems a hard habit to break and not important enough of an issue for others. I’d also like to think that especially in the “paper” trail of social media, one would realize when they shout about injustices in the beer community but then post promos or selfies with known abusers, bigots and misogynists that it reeks of hypocrisy and any credibility just turns to noise and justification. It’s quite disappointing. Has “local” become more important

in the last decade? To an extent. It’s definitely a buzzword, but local does not equate to quality. Local absolutely means supporting your neighbors and community, and of course that’s generally positive, but you can also re-read my soapbox up above for all the reasons you may not want to support all local. I’ve been thrilled to witness our local grocery stores and even our corner liquor stores begin to carry better beer in the past 10 years. That is definitely a positive achievement. While I still love to support specialty bottle shops and they absolutely still serve a purpose in existence, it’s great to have options at mainstream markets. Another not-so-fun result of the past decade and the beer boom has been watching so many friends struggle with alcoholism and substance abuse. I find it difficult to ignore as I know in my own stream of social media and personal circles, there are multiple events every single day of the week I am invited to. Multiple festivals every weekend. More so, it’s incredibly easy to hide a problem and even easier to soak it in beer. In a time when Uber and Lyft are so incredibly accessible, when we assume people are using them, they aren’t using them necessarily. In a time when depression is on the rise and we are receiving so much information about everything wrong in the world, we push drinking every day of the week. For breakfast, lunch, dinner and dessert. I watch the tolerances of people change—

one, three, five beers and they deem themselves still OK to drive, sometimes picking up their kids from school. There’s a definite problem in the service industry with staff drinking before, on their breaks and during work that would never fly in another industry. I think we can do better and I know how unpopular of an opinion even suggesting this is. My hope for the next decade starts with consumers caring about, demanding even that, breweries properly brew classic styles—and do it well! Like, really nail a solid core lineup. Stop trying to be the master of all, and just brew what you like to drink. With the saturation of breweries in San Diego, we definitely reach a broader base of drinkers. If the beer isn’t good though, we are miseducating consumers. Sorry, Chad, but that West Coast IPA you love from Red Rocket Brewing isn’t supposed to be sour. I’d love to see a resurgence of education. What makes a beer great? How are they supposed to taste? Less additives to make it taste like something else. Less hype and more delivery. We don’t need wizards, sorcery and crowdsourcing to sell beer. Good beer should sell good beer. I’d love to see accountability in the community for speaking out when behavior is poor. No more looking the other way to not make waves. Set the bar and demand better. Nobody is perfect—allow people to redeem themselves and move on. Are IPAs going to drift from popularity? Absolutely not. Our San Diego weather pairs perfectly with a crisp, clean IPA. Are we going to see San Diego beer drinkers expand their palates? Without a doubt. How many IPAs can you drink before you actually stop tasting the subtle differences from one to another? That’s where sours, Belgians and ambers come into play. I think we are going to see the popularity of these styles cycle back through. IPAs will definitely remain king though. It is not lost on me that my take on the last ten years appears to contain a lot of negativity, but the reality is San Diego achieved a lot and has so much to be proud of. It is not too much to ask for even better and to steer the ship towards continued success. Cheers to 2020 and the next decade of San Diego beer!

JANUARY 2020 · SAN DIEGO CITYBEAT · 43

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SPORTS

Hometown Gull

Chase De Leo proud to represent Southern California down there and stand in the tunnel and give us high fives. “So, just the support that there is, like I said, the hockey growth in California is huge and it keeps getting bigger and bigger each year.”

Christopher Boan >> San Diego CityBeat

hase De Leo grew up making the 15-mile pilgrimage between his parents’ house in La Mirada to the Honda Center to watch his hockey heroes take the ice. Now De Leo is tasked with guiding his hometown Anaheim Ducks’ top affiliate, the San Diego Gulls. He serves as the team’s top line center for a second consecutive season. The 24-year-old has thrived in that role, scoring seven goals and tallying six assists for the Gulls, as of January 9. His first season with the Gulls, in 2018-19, resulted in a career-high 20 goals and 35 assists, leading the team with a +19 rating. De Leo says playing for his hometowfranchise is a dream come true, after two seasons in the Winnipeg Jets organization. “I think nothing really beats walking into the arena and there’s palm trees that are pretty much attached to the Pechanga Arena,” De Leo says. “It’s usually 75 degrees outside walking into the rink. So, I don’t think anything beats that. Where on practice days you can wear basketball shorts or flip-flops and I don’t many other places allow you to do that. “So, just to be able to wear shorts or flip-flops or whatever outside the rink, then you get inside and it’s all business, it’s pretty cool to be able to do that.” De Leo wears his California lineage with pride, remarking on the growth of the game since his childhood days in northeast Los Angeles County. Part of that pride is the result of years spent watching the Ducks, longing to one day find himself on the other side of the glass.

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Dreaming big

His immense sense of pride also has to do with being part of an elite fraternity, as he’s one of 13 Californiaborn players to take the ice in either the American Hockey League or the NHL in the 2019-20 season. “It’s always been my dream. Growing up, my family had season tickets to the Anaheim Ducks, so I didn’t miss too many home games,” De Leo says. “I remember racing home from school, going to practice, and then racing home from practice, trying to get as much homework done as possible and then going straight to the Honda Center and then watching games. “So, it’s definitely cool to be on the other side of the glass now, when I do get a chance to put on a Ducks jersey and play at the Honda Center where I

used to be a fan banging on the glass; being upset after losses; being pumped after wins, where now I feel like it’s cool to on the other side of it. Be in the locker room and just try to represent my state of California.” Another point of pride for De Leo is having the opportunity to play for an AHL organization with such a devoted following. The Gulls led all 30 of the AHL’s franchises in average attendance, at 9,021 per game in 2018-19, bringing a cacophony of noise and passion to the 12,920-seat Pechanga Arena. “It’s super cool. Pretty much every game we have unreal attendance and they’re pretty rowdy and very supportive,” De Leo says. “Even when we play down in Ontario, there’s a bus full of fans who go

De Leo’s goal for the rest of the 2019-20 season is twofold: focusing on doing what he can to get the Gulls back into the AHL playoff race, while also playing well enough to draw a promotion to the NHL. The key to accomplishing the first part is for everyone on the Gulls to do their part for the team as a whole, pushing in the same direction towards success. “I think we had a tough start to the year, but we honestly just have to take it one day at a time,” De Leo says. “I know that sounds cliché, but all these points matter when it comes to every single game now. Pretty much every game now is worth four points for us. So, it’s definitely important to start getting these wins and we’re focused up and we know what it takes to turn this ship around and get it to go in the right direction.” As for his NHL dreams, the former fourth round selection in the 2014 NHL Draft, De Leo believes achieving that goal requires patience and poise. “It’s a privilege and an honor to be from Southern California and get to represent hockey in Southern California as well. It is, I think, a little bit extra motivation going to the rink every single day in San Diego,” De Leo says. “To be called up and be an Anaheim Duck and stay with my family. My family lives in La Mirada, so it’d be pretty cool to be with the Anaheim Ducks and stay with them and then spend some time with them as well and get them to come to some home games with all of my buddies. “So, it’s definitely an honor to be a part of this organization, and I hope to be a part of it for many years to come.” San Diego Gulls sandiegogulls.com

JANUARY 2020 · SAN DIEGO CITYBEAT · 45

SPORTS

Sports Calendar Eric Newman >> San Diego City Beat

San Diego State Men’s Basketball vs. Boise State JANUARY 11

The Aztecs take on Boise State, who have proven early in the season that they could challenge the best teams in the Mountain West Conference. They’re looking to come into San Diego and hand SDSU a loss. The two teams split their pair of games last season, with each winning at home. Viejas Arena at Aztec Bowl, 5500 Canyon Crest Drive, 619.283.7378, goaztecs. com, 7 p.m., tickets start at $20.

San Diego State Women’s Basketball vs. Fresno State JANUARY 15

The Aztec women continue with their 2019-20 season, taking on Fresno State. The Bulldogs have been reinvigorated by a pair of twin freshmen guards, Haley and Hanna Cavinder, who lead the team despite their young age. Viejas Arena at Aztec Bowl, 5500 Canyon Crest Drive, 619.283.7378, goaztecs. com, 6:30 p.m., tickets start at $7.

San Diego Sockers vs. Mesquite JANUARY 19

The Sockers continue their 2019-20 season of indoor soccer by taking on Mesquite. It is also Family Fiesta Fanfest and First Responders Night, meaning the fans will receive a promotional pen and bookmark, and first responders will be honored throughout the night. Pachenga Arena, 3500 Sports Arena Boulevard, 866.799.4625, sdsockers.com, 5:05 p.m., tickets start at $15.

Farmers Insurance Open JANUARY 22 TO JANUARY 26

Watch as some of the world’s top golfers take on Torrey Pines in one of the best tournaments in the beginning of each calendar year. Enjoy the beautiful San Diego weather, and cheer on your favorite golfers or stay put at your favorite hole to see each contestant come by. Torrey Pines Golf Course, 11480 N Torey Pines Road, La Jolla, 858.452.3226, farmersinsuranceopen.com, times vary by day, general admissions tickets start at $65.

San Diego Gulls vs. San Jose Barracuda JANUARY 31

The Gulls return from the AHL All-Star break with a home game to end the month of January. They take on in-state rival Barracuda to 46 · SAN DIEGO CITYBEAT · JANUARY 2020

face off for the second half of the season. Pachenga Arena, 3500 Sports Arena Boulevard, Midway, 619.224.4171, 7 p.m., tickets start at $19.

San Diego Gulls vs. Tucson Roadrunners FEBRUARY 7

The Gulls face off against the Tucson Roadrunners in an early February game to close the gap between the two teams. Along with the intense game, the fans can also enjoy a $2 Bud Light because it is Bud Light Night at Pachenga Arena. Pachenga Arena, 3500 Sports Arena Boulevard, Midway, 619.224.4171, 7 p.m., tickets start at $19.

San Diego State Men’s Basketball vs. New Mexico FEBRUARY 11

The Aztecs take on New Mexico, who will be looking to improve upon its rankings in the Mountain West Conference. The Aggies arrive in San Diego looking to pick up a difficult win against the SDSU squad. Viejas Arena at Aztec Bowl, 5500 Canyon Crest Drive, 619.283.7378, goaztecs. com, 8 p.m., tickets start at $20.

San Diego Sockers vs. Baltimore Blast FEBRUARY 12

It’s an old rivalry renewed as the Sockers take on the Blast for the second time in the 2019-2020 season. The teams are 1-1 when it comes to goals scored, so it looks to be anyone’s match. It will be Vinicius Dantas of Baltimore or Slavisa Ubiparipovic of San Diego’s to step up and take reins for their teams. Pachenga Arena, 3500 Sports Arena Boulevard, Midway, 619.224.4171, 7:35 p.m., tickets start at $15.

San Diego State Women’s Basketball vs. Boise State FEBRUARY 15

In the middle of tough conference play, San Diego’s women’s basketball takes on Boise State. The Broncos are sitting pretty in the division looking to pick up yet another win on the road. Make sure to get to the game early as it is the PLAY4KAY Pink Game, where the first 500 fans will get a pink SDSU T-shirt. Viejas Arena at Aztec Bowl, 5500 Canyon Crest Drive, 619.283.7378, goaztecs. com, 1 p.m., tickets start at $6. @SDCITYBEAT

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JANUARY 2020 · SAN DIEGO CITYBEAT · 47

MUSIC

CONCERTS Sara Harmatz >> San Diego CityBeat JANUARY 15 Coco Montoya Belly Up Tavern, 8 p.m., $20-$35 Run River North The Casbah, 9:15 p.m., $15-$17 Red Death Ché Café Collective, 6:30 p.m., $12 Justin Linn & the Rotation Soda Bar, 9:30 p.m., $6 JANUARY 16 Midge Ure Belly Up Tavern, 8 p.m., $25-$44 La Neve Ché Café Collective, 7 p.m., $10 Los Stellarians Music Box, 8 p.m., $27-$47 Little Evil Soda Bar, 8:30 p.m., $7 JANUARY 17 Karl Denson’s Tiny Universe Belly Up Tavern, 9 p.m., $26-$46 Nascar Aloe House of Blues, 7 p.m., $15 Matumbi Music Box, 9:30 p.m., $27 Boychick Soda Bar, 9 p.m., $8 JANUARY 18 The PettyBreakers Belly Up Tavern, 9 p.m., $20-$35 Peach Fever Brick by Brick, 8:30 p.m., $15-$100 The Paranoyds Ché Café Collective, 7 p.m., $10-$12 Elbow House of Blues, 7 p.m., $35-$90 Zoso Music Box, 9 p.m., $20-$40 Boomshaka 2020 Music Festival Pechanga Arena, 3 p.m., $70 Hieroglyphics Soda Bar, 9:30 p.m., $28 JANUARY 19 Mobile Deathcamp Brick by Brick, 8 p.m., $12-$16 Reverend Horton Heat House of Blues, 8 p.m., $25-$30 Tularosa w/The Cedar Shakers Soda Bar, 8:30 p.m., $8 JANUARY 20 Dani Bell and the Tarantist The Casbah, 8:30 p.m., $5 Thee Sacred Souls Soda Bar, 9 p.m., free JANUARY 21 The Used Belly Up Tavern, 8 p.m., $40-$70 Satin Nickel The Casbah, 9 p.m., $6 Jason Devore Soda Bar, 8 p.m., $15 JANUARY 22 Theo Katzman

Belly Up Tavern, 8:30 p.m., $20-$35 Lil Boii Kantu Soda Bar, 9 p.m., $15 JANUARY 23 Big Head Todd & the Monsters Belly Up Tavern, 8 p.m., $45-$48 Koo Koo Kanga Roo House of Blues, 6:30 p.m., $15-$40 Dude York Soda Bar, 9:30 p.m. $12 JANUARY 24 Railroad Earth Belly Up Tavern, 9 p.m., $25-$44 Judas Priestess Brick by Brick, 8:30 p.m., $15 Cursive The Casbah, 9:30 p.m., $25 Drake Bell House of Blues, 7 p.m., $20 Sullivan King Music Box, 9:30 p.m., $20 Fog Lake Soda Bar, 9:30 p.m., $12 JANUARY 25 Railroad Earth Belly Up Tavern, 8 p.m., $25-$44 Bleed the Sky Brick by Brick, 7:30 p.m., $18-$22 Dirty Sweet The Casbah, 8:30 p.m., $15 Jacquees House of Blues, 7 p.m., $30-$75 Stepping Feet Music Box, 8 p.m., $15 Saint Motel Observatory North Park, 8 p.m., $25 Los Dug Dug’s Soda Bar, 9:30 p.m., $15 JANUARY 26 Back to the Garden: Sounds of Laurel Canyon Belly Up Tavern, 7 p.m., $19-$34 Staining the Twilight Black Ché Café Collective, 7 p.m., $8 Scarface Music Box, 8:30 p.m., $20 The Shivas Soda Bar, 8:30 p.m., $10 Trippie Redd SOMA, 7 p.m., $42 JANUARY 27 The Marcus King Band Belly up Tavern, 7 p.m., $26-$76 Riff Raff Brick by Brick, 8 p.m., $18-$22 The Midnight Pine The Casbah, 8:30 p.m., $5 Thee Sacred Souls Soda Bar, 9 p.m., free JANUARY 28 John Mayall Belly Up Tavern, 8 p.m., $30-$53 City of the Sun The Casbah, 9 p.m., $15 The Marcus King Band

48 · SAN DIEGO CITYBEAT · JANUARY 2020

Music Box, 8 p.m., $26 Mattiel Soda Bar, 8 p.m., $12 JANUARY 29 Tower of Power Belly Up Tavern, 8 p.m., $56-$159 Higher Power Ché Café Collective, 7:30 p.m., $12 Queensryche Music Box, 8 p.m., $37 Hayley Kiyoko SOMA, 7 p.m., $35 JANUARY 30 Sergio Mendes Belly Up Tavern, 8 p.m., $50-$88 Internal Bleeding Brick by Brick, 7:30 p.m., $14-$18 The Toasters The Casbah, 8:30 p.m., $15-$17 J.I. House of Blues, 7 p.m., $20 Shady Bug Soda Bar, 8:30 p.m., $8 Fistfights with Wolves Music Box, 8 p.m., $10 JANUARY 31 Wolf Parade Belly Up Tavern, 9 p.m., $32-$56 Horrorpops Brick by Brick, 8:30 p.m., $28-$32 Death Eyes The Casbah, 9:30 p.m., $7 Randy Houser House of Blues, 7 p.m., $30-$75 The Joe Kay Experience Music Box, 9 p.m. $22-$32 Death Cab for Karaoke Soda Bar, 9 p.m., free

FEBRUARY 1 Magic Giant The Observatory North Park, 8 p.m., $25 Ozomatli Music Box, 9:30 p.m., $35 Eric Nam House of Blues, 7 p.m., $40 Tainted Love Belly Up Tavern, 9 p.m., $24-$42 FEBRUARY 2 Outlier and Ether Coven Brick by Brick, 7:30 p.m., $10-$12 FEBRUARY 3 Dermot Kennedy Cal Coast Credit Union Open Air Theatre, 8 p.m., $29.50-$179 FEBRUARY 4 Vader Brick by Brick, 7:15 p.m., $25-$30 Howard Jones Belly Up Tavern, 8 p.m., $40-$70 Pinegrove Music Box, 8 p.m., $24 The New Pornographers The Observatory North Park, 7 p.m., $30 FEBRUARY 5 Danko Jones Brick by Brick, 7:30 p.m., $16-$20 Daring Greatly & Sister Speak

Belly Up Tavern, 7:30 p.m., $16-$28 Matisyahu Music Box, 8 p.m., $42 Armin Van Buuren Soma San Diego, 9 p.m., $45 FEBRUARY 6 Mortiis Brick by Brick, 8:30 p.m., $22-$26 Pigeons Playing Ping Pong Belly Up Tavern, 9 p.m., $23-$40 Tender Music Box, 8 p.m., $18 Chris Lane House of Blues, 7 p.m., $74 FEBRUARY 7 The Classic Crime Brick by Brick, 7 p.m., $18-$23 The English Beat Music Box, 9:30 p.m., $26-$46 Xavier Omär The Observatory North Park, 7 p.m., $20-$30 Zach Villere House of Blues, 7 p.m., $16 FEBRUARY 8 TobyMac Pechanga, 7 p.m., $24.75 The 69 Eyes Brick by Brick, 7:30 p.m., $24-$28 Dead Man’s Party Belly Up Tavern, 9 p.m., $20-$35

See

CONCERTS on page 49

Scarface Music Box, 8:30 p.m. Sunday, January 26, $20 Mr. Scarface is back, and he’s coming to Music Box. The legendary Houston lyricist and Geto Boys member will bring his influential tunes to Music Box. From solo albums like “The Diary” and “The Fix” and hard hitters such as “I Seen a Man Die” and “No Tears”—the latter of which was featured in Mike Judge’s “Office Space”— Scarface’s impact on Southern hip-hop cannot be understated. Damn, it feels good to be a gangsta. @SDCITYBEAT

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F P B $ T M B S

F D B K M T S

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MUSIC

CONCERTS

from page 48

Rob Garza Music Box, 9:30 p.m., $22 Jauz The Observatory North Park, 7 p.m., $30 Logan Mize House of Blues, 7 p.m., $15 FEBRUARY 9 Poncho Sanchez Belly Up Tavern, 7:30 p.m., $30-$53 The Glorious Sons Music Box, 8 p.m., $22-$101 Begonia Soda Bar, 8:30 p.m., $10 FEBRUARY 10 Distinguisher Brick by Brick, 8 p.m., $10-$14 Katchafire Music Box, 8 p.m., $32-$52 The Drowns Soda Bar, 9 p.m., $10 FEBRUARY 11 Dashboard The Observatory North Park, 7 p.m., Sold-out

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FEBRUARY 12 Ottmar Liebert & Luna Negra Belly Up Tavern, 8 p.m., $35-$62 Ward Davis Soda Bar, 9 p.m., $20 Nightly House of Blues, 7 p.m., $12 FEBRUARY 13 Murder by Death Belly Up Tavern, 8 p.m., $23-$41 Young Dolph Music Box, 8 p.m., $35-$150 Thee Sacred Souls Soda Bar, 9 p.m., free FEBRUARY 14 The Como La Flor Music Box, 9 p.m., $18 Cowboy Diplomacy Soda Bar, 9 p.m., $8 Sitting On Stacy Soma San Diego, 7:30 p.m., $15 Chris Farren House of Blues, 7 p.m., $13 FEBRUARY 15 Art Laboe Pechanga Arena, 7:30 p.m., $33$120 Ross the Boss Brick by Brick, 7:30 p.m.,

$20-$25 The California Honeydrops Belly Up Tavern, 9 p.m., $25-$44 Metalachi Music Box, 8 p.m., $20-$52 Three Bad Jacks Soda Bar, 9 p.m., $12 Electric Feels: Indie Rock Dance Party Observatory North Park, 8:30 p.m., $10 Jason Mraz Spreckels Theatre, 7 p.m., $169-$600

FEBRUARY 16 Alexandra Savior Soda Bar, 8:30 p.m., $12 ALO Belly Up Tavern, 8 p.m., $22-$39 Noah Reid House of Blues, 8 p.m., $25 FEBRUARY 17 Ingested Brick by Brick, 7:30 p.m., $15 Electric Hot Tuna Belly Up Tavern, 8 p.m.,

$39-$69 Devon Baldwin Soda Bar, 9 p.m., $10 FEBRUARY 18 Eric Hutchinson Belly Up Tavern, 8 p.m., $25-$44 Year of the Cobra Soda Bar, 9 p.m., $10 In Search of Solace Brick by Brick, 7:30 p.m., $8-$12 Sarah McLachlan San Diego Civic Theatre, 8 p.m., $83-$369

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MUSIC

BLACKGOLD

Feeding Frenzy This estate sale ends in tears Alfred Howard >> San Diego City Beat

was at the health foods expo once at the Anaheim Convention center. If you linger around ‘til the closing hours of the event early Sunday evening, vendors start going from giving away samples of their products to just throwing bags of free food into the crowd. There’s a tax on eating healthy and one year I estimated I got about $1,200 worth of free supplements and Boujee hippie elixirs, alternative milks and various herbal placebos. That year, when the olive bar started giving out free olives, all hell broke loose. I saw an old man, wide with a trash bag wingspan full of free samples trample four women to get jars of green olives. If you ever want to see the true nature of human beings, give them surreal discounts in a confined space. I was online looking through potential estate sales on a Thursday night. It was San Diego cold and my socks were off. I have to specify this level of frigidity because I can feel the incredulous fist shaking from the one reader in Minnesota. Suffice to say, I was in for the night. There it was, an estate sale too alluring to ignore. The listing was full promising photographs of antique gems, the remaining possessions of a hoarder with an eye reminding me you can’t take it with you, but might as well enjoy it while you can. The first day of the estate sale involves a list that usually goes out at 5 a.m. and a sale that starts calling out numbers at 8. You gotta get a low number on the list to get in before the gems get picked. Every once in a while, they put the list out the night before, so I put the socks back on and drove over to the address and signed up, No. 3.

I bought myself a couple extra hours in the morning, but when I landed at the sale at 7:45 there was already the stirrings of upset folks. Someone had stolen the list in the night. Yup, that’s how competitive it is out there. So, I went from No. 3 to No. 83, which was a demotion not felt since Sean Spicer went from White House Press secretary to being eliminated from “Dancing with the Stars.” I found the guy running the estate sale and pleaded for entrance. I said I was scrawny and wouldn’t take up space. I wouldn’t clog up the jewelry room, I just wanted in to the record room. I even presented a photograph I had taken of the list and the promoted me to No. 21 in line. I had a chance. The line was mostly antique guys and the record guys slept in. When I got into the house’s

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thin corridors, I knew it was trouble. It was a claustrophobic person’s worst nightmare— trample city. The record room was small enough to confine a misbehaving prisoner in contemplative and torturous solitary. It was also full of records. Fuller than I realized. I had gotten a good stack together before two more record piranhas sardined themselves into the room. (I had to double down on the fish metaphors.) It was tighter than a 1992 Pantera mosh pit. I felt like we were all digging into our most ancient survival instincts. As I was checking the records I got for scratches, the third man noticed that underneath the table was a bathtub filled with more records. I totally blew it. I had position, but I didn’t scan the room thoroughly. I also recognized “the third man”

as the guy who got a killer collection of records in front of me at an estate sale about a decade ago. I heard something crash and him make a noise. The table had collapsed beneath the weight of records, pinning his arm against the bathtub. I only thought for one second “if he loses his arm, I can probably get the bathtub gems he gathered while he’s carted off to the hospital” but once that slim second passed, I jumped over him and held up the heavy table and did my best to keep that table steady while he kept grabbing Beatles and Rancid records. It was somewhat revealing to know that I’m only part piranha and mostly human. I’ll recall missing the bathtub full of records ‘til senility sets in and hopefully allows me to live in earlier moments of better

judgment. But I did grab a killer stack of records and one oneof-a-kind gem. The gem was an audiodisc homemade record from April 18, 1953. The artist was an unknown artist named Benny Strange and the song was called “Pretend,” a popular song, written in 1952 by Dan Belloc, Lew Douglas, Cliff Parman and Frank Levere. The recording reminds me of a Daniel Johnston recording with its youthful endearing innocence. I literally cried as I listened (though the lone teardrop was probably more from missing the bathtub full of rare records than the feelings I got from a fragilely delivered antique melody over cracking bar room piano notes, probably.) Those interested in selling collections of records, CDs or cassettes should contact Alfred Howard at alfredhoward23@ gmail.com. @SDCITYBEAT

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JANUARY 2020 · SAN DIEGO CITYBEAT · 51

MUSIC

For Her

Country’s Chris Lane has ‘big, big plans’ with Lauren Bushnell Christina Fuoco-Karasinski >> San Diego CityBeat

hris Lane is a happy man. He recently married Lauren Bushnell of “The Bachelor” fame on October 25, and the two adopted a puppy, Cooper. “We’re excited,” says Lane, who was featured in People’s “Sexiest Man Alive” issue. “We’re getting settled into our new home now. We don’t have a whole lot. “Our puppy is the best. We rescued him not too long ago. He’s 8 months old. He’s the sweetest pup in the entire world. He definitely appreciates the fact that we rescued him. He is spoiled rotten right now.” Lane has returned to the road as well, planning to hit House of Blues San Diego on Thursday, February 6, with Blanco Brown and Ernest. The year 2019 was stellar for Lane. Not only did he marry, but he toured with Brad Paisley. His resume also includes stints with Rascal Flatts and Florida Georgia Line. He’s on

his own headlining jaunt now. “I learned a lot along the way,” he says about the Paisley tour. “The energy’s been

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great. My show is a highly energized show. I throw some fun covers in there that people will know. I hope people will walk away saying, ‘Man, I want to see that guy again.’ “With Rascal Flatts, Florida Georgia Line and Brad Paisley, everyone has a common theme. They don’t take themselves too seriously. The crowd reacts to that. It helps me show my personality and people walk away from that having had a good time.” Lane’s latest single is “Big, Big Plans,” a song he penned for Bushnell. Cowritten with Jacob Durrett and Ernest K. Smith, “Big, Big Plans” has amassed 47 million streams. The song has had a curious effect on audiences. “I’ve had, on this first leg of the tour, 15 to 18 proposals—one every night—which was really cool,” Lane says. “It’s cool that they’re taking it and making it their own story and plugging it in that way. They’re literally taking my song and applying it to their lives and to their own story.” “Big, Big Plans” follows his second No. 1 single, the gold-certified “I Don’t

Know About You,” which topped the Billboard Country Airplay and Country Aircheck/Mediabase charts. It racked up 290 million-plus overall streams. The music video has surpassed 50 million views since its premier on CMT’s “Hot 20 Countdown” and was Vevo’s most-viewed country music video for multiple weeks. Lane will tour until he heads out with Kane Brown on “The Worldwide Beautiful Tour,” an opportunity he’s definitely appreciative of. “It’s a great opportunity to just continue touring and continue playing in front of a lot of people,” he says. “I’ve been so blessed and so lucky to be able to go out and tour with the guys.”

Chris Lane w/Blanco Brown and Ernest

7 p.m. Thursday, February 6 House of Blues, 1055 Fifth Avenue, Downtown Tickets start at $55 ticketmaster.com

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JANUARY 2020 · SAN DIEGO CITYBEAT · 53

MUSIC

Stripped Down

Phil Vassar will showcase his songwriting talents at intimate show Alan Sculley >> San Diego City Beat

hil Vassar has always considered himself a songwriter first—even though he has a 20-year solo career numbering 10 albums (including compilations and other albums) and countless tours. But this winter, Vassar the artist is doing more to showcase “Vassar the songwriter” than any point since his self-titled debut album arrived in 2000. First, there is an early 2020 tour that will find Vassar playing in a stripped back format that will allow him to freely interact with audiences and share stories about the songs he performs. “I mean, how fun is that?” Vassar says of the tour. “It’s like be a songwriter again, and just get up there and it’s all about the song and not how many video screens and lights, you know what I’m saying. It’s all about the song again. I love it.” In addition, Vassar will soon release a new album, “Stripped Down,” that was recorded in fairly minimalist settings. “It’s very underproduced instead of overproduced,” he says of the album. “You know, we tend to get in the studio, and just because we can, (we’ll) have 20 people cutting and doing overdubs and this and that. This is just flat out, some of the songs are just me and an acoustic guitar or me and some band sounds or something, like a little loop to kind of get the groove going. But I really like it—a lot.” Many a songwriter will say the true test of a song is whether it holds up in a solo acoustic format, which means “Stripped Down” should be as much of a showcase for Vassar’s songwriting as for his singing and piano playing—and a significant departure from his other albums, which have typically featured pretty full arrangements and a good number of uptempo, feel-good songs. Along with newly written material, “Stripped Down” will include two songs Vassar wrote two decades ago that come from a stack of unreleased compositions he’s accumulated over the years. “It’s funny, to one of my friends out in California, I said, ‘Listen to this tune’ and it’s one of the songs called ‘I Won’t Forget You,’ and she was weeping, I mean, crying,” Vassar recalls. “She goes ‘This is the best song you’ve ever written.’ And she’s a writer and a friend of mine, and I said, ‘You know, I love this song. It just never made sense to cut it on one of these other records.’ “And there’s another song called ‘Perfect

World’ that I wrote,” he elaborated. “It’s really sort of poignant right now. It kind of talks about politics, the world and all of this stuff, but it’s fun. It’s a funny kind of a tongue-in-cheek song. So I love it. Those two songs along with the other stuff that’s brand new, I really like it.” “Stripped Down” will arrive at a point where Vassar’s musical life is quite different than it was in the first decade and a half of his career. He came to Nashville in the early 1990s, and found success toward the end of the decade as a songwriter. Artists who had hits with Vassar songs included Collin Raye (“Little Red Rodeo”), Alan Jackson (“Right on the Money”), Tim McGraw (“For a Little While”), Jo Dee Messina (“Bye Bye, Alright”) and Blackhawk (“Postmarked Birmingham”). But Vassar always had his eye on being an artist in his own right, and in 1999 he was signed by Arista Nashville. He had considerable success, beginning with his self-titled debut album, which kicked out four top 10 hits, including the chart-topping “Just Another Day in Paradise.” His follow-up albums, 2002’s “American Child” and 2004’s “Shaken Not Stirred,” were also successful, adding five more hit singles, including the No. 1 hit, “In A Real Love,” to his catalog. For a time, Vassar looked like he might be able to make the leap into the top ranks of country stars, but

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his career leveled off with the 2008 album, “Prayer of a Common Man” and 2009’s “Travelling Circus.” They still produced hits, but didn’t take Vassar to a new level. After that, Vassar stepped back from recording, with 2016’s “American Soul” being his only other full-length studio album of original material. Vassar likes his career where it is now as an independent artist with a catalog of hits (10 No. 1 singles and 26 top 40 hits as a songwriter and artist overall) that enable him to remain a reliable concert draw. He doesn’t miss the pressures that came with trying to get chart-topping singles or having to cater to various interests in the industry. “You know it’s funny, I was listening to that song ‘Rhinestone Cowboy’ the other day, the Glen Campbell song, which I love,” Vassar says, before singing a famous couplet from the tune. “‘There’ll be a load of compromising/On the road to my horizon,’ I’m like holy crap, no truer words have ever been said. And it’s true. But now we can kind of do things at our own (pace). “Now I can play because I want to, not because I have to,” he says. “I don’t have to get up and worry about if I’m going to make my house payment or whatever, if my kids are going to go to school. You can just go out and play because you love it, and I love it more than I ever have because of that.” So Vassar continues to make touring a

priority, and his acoustic tour this winter is a kind of show he’s never taken out on a tour. “I’ll do weekends like that or something like that every once in awhile, but this is like a real major (acoustic tour),” Vassar says. “We’re starting on the East Coast and I think we end up on the West Coast, literally in L.A., San Diego and Phoenix. So, we’ll work our way all the way across the country.” Vassar won’t be performing alone on this tour, though. “My guitar player (Jeff Smith) comes with me. He’s kind of a permanent fixture,” Vassar said. “He’s great. He’s my musical brother, you know. He tours with me everywhere… And in certain markets, Jack Tempchin’s going to play with me, in San Diego. I mean, he only wrote ‘Peaceful Easy Feeling,’ and some of the Eagles’ songs and ‘Slow Dancing.’ That’s one of the greatest songs ever. Just in different markets I’m going to have different people maybe get up with me and play, and some local guys.” He’ll also have another special guest—his vintage Roland drum machine, which he used to set beats and tempos when he wrote some of his biggest hits. The Roland, it turns out, is no stranger to live performing, either. “I used to play these bars where it was just me with this drum machine and we were killing it,” Vassar says. “I called it Roscoe. (I’d say) ‘Me and Roscoe are rocking the house tonight.’ It was so much fun. That’s how I sort of built my world, just me and that drum machine. I’ll tell you what, I learned a lot about entertaining and writing and all of that stuff in those bars. I wouldn’t trade it for anything.”

Phil Vassar

6:30 p.m. Friday, February 14 Humphreys Backstage Live, 2241 Shelter Island Drive, Shelter Island Tickets start at $49 humphreysrestaurant.com @SDCITYBEAT

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Dazzling Effort

MUSIC

Saint Motel brings immersive concert experience to North Park Christopher Boan >> San Diego City Beat

os Angeles-based quartet Saint Motel is hitting the road in January, with singer A.J. Jackson promising a show you won’t soon forget. The band, which is touring in support of the first part of an album trilogy, “The Original Motion Picture Soundtrack, Part 1,” will bring an immersive concert experience to San Diego in January. Jackson wouldn’t tip his hand when asked what that experience will entail but did give a few hints as to what might be up their collective sleeves. “Our new album is coming out in three parts,” Jackson says. “We’ve put out part one; part two’s going to come out kind of when the tour starts, and we wanted this first tour to kind of take that concept and drive it home.” Jackson promises their newest tour will be a spectacle that enthralls everyone in attendance, regardless of whether they’ve attended one of their shows in the past. It’s rather apropos that Jackson, who founded Saint Motel as a film school student in 2007, is putting so much energy and effort toward the cinematic aspects of the act’s live performance. The driving question for Jackson and fellow bandmates Aaron Sharp, Dak Lerdamornpong and Greg Erwin was how they could continue to reinvent the live act, so as to give fans a reason to keep coming out when Saint Motel comes to town. “The question we posed to ourselves was, ‘How do you feel like you’re inside of a movie?’” Jackson says. “And that’s what we’ve been exploring. Because we don’t want people to sit back and watch visuals; we want them to be an active part of the whole experience.” Saint Motel will tour through the Observatory North Park in San Diego on Saturday, January 25. Jackson and his bandmates have found tricks that allow them to dazzle fans, without breaking the bank. He believes the collective’s ability to present a one-of-a-kind concertgoing experience is what sets them apart, explaining the band’s meteoric rise since its debut album, “ForPlay,” came out in 2009. “There’s going to be a lot of classical, @SDCITYBEAT

tiny theater tricks that you can do like that,” Jackson says. “But there’s a lot of really cool high-end visuals we’re doing and some cool productions. There’s a big element to the show that, once you get there, you’ll right off the bat understand how it works. But I can’t really say too much about it now.” It’s that abundance of energy and creativity that allowed Saint Motel to thrust its way near the top of the U.S. Adult Album Alternative as well as Alternative Rock and Rock charts in 2014, with the release of “My Type.” The horn-driven song catapulted Jackson and company into the forefront of the alternative rock scene. Jackson wasn’t complacent, however, as Saint Motel went back to the drawing board to continue its ascent. That effort paid off in full, with 2016 release “saintmotelevision” reaching the 62nd spot in the U.S. charts, with the lead single, “Move,” topping out at the

third spot in the U.S. AAA chart, the band’s best finish. Jackson attributes much of the success of “My Type” and “saintmotelevision” to the band’s decision to self-produce its albums. That decision allowed the act to have complete control over its sound, which gave Jackson and his bandmates the ability to experiment in ways that were previously impossible. Jackson recounted the struggles that came from having to find a producer and a label when “ForPlay” was released a decade ago. He and his bandmates decided to form their own label after their debut work. That creative freedom extended to Saint Motel’s live shows, with the band finding ways to broaden its audience through one-of-a-kind live music experiences. Jackson says the quartet’s mission is to do whatever it takes to make sure

everyone in attendance has a great time, from the opening song of its set to the encore. “We go the extra mile to try to take it to the next level,” Jackson says. “It’s never the same show, and we’re always trying to make it the most experiential, crazy thing that we can. So, if you’ve never seen a Saint Motel show and you just like the music, you’re going to be in for a treat. “And if you’ve seen a Saint Motel show and you want to come back, same kind of deal, because we don’t kind of do the same thing. We’re always trying to push the boundaries.”

Saint Motel

Observatory North Park, 2891 University Avenue, North Park, observatorysd. com, 7 p.m. Saturday, January 25, $25.

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MUSIC

Musical Confessions

Marcus King pairs with Dan Auerbach for ‘El Dorado’ Alan Sculley >> San Diego CityBeat

ne thing Marcus King can guarantee fans that come out for his concerts promoting his new solo album, “El Dorado,” is they won’t hear strict reproductions of the studio versions of the songs from that album, or for that matter, from any of his previous releases. “My least favorite thing is to hear someone basically put a cassette player on when they get on stage,” King says. “That’s no fun.” In the case of some of the “El Dorado” songs, King and his band have been pretty much forced to divert from the studio versions. On the ballads such as “Break” and “One Day She’s Gone,” King prominently incorporates strings, while thick retro-styled female backing vocals are a big part of the song “Beautiful Stranger.” These elements are not in the instrumental/vocal arsenal of

the Marcus King Band, which includes singer/guitarist King, drummer Jack Ryan, bassist Stephen Campbell, trumpet/trombone player Justin Johnson, sax player Dean Mitchell and keyboardist DeShawn Alexander. It hasn’t taken long for the “El Dorado” songs to transition into their own entities live, King says. “We’ve been test driving them for a while, and they’re just becoming different songs out here, staying true to what they are, but obviously, we don’t have a string section out here and we don’t have as many vocals and we don’t have a full horn section,” King says. “So, it’s a lot different out here, man, and I think anybody that comes to see the live show would agree.” Along with using strings, horns, female backing vocals and also singing for the first time in falsetto on several songs, something else makes “El Dorado” different for King. It’s the first Marcus King solo album.

Although the Marcus King Band is very much intact, circumstances led King to step away from his group to make the new album. “The opportunity availed itself to be able to work with some legends, like (drummer) Gene Chrisman and (keyboardist) Bobby Wood,” King says, mentioning two musicians who were original members of the Memphis Boys, the house band at Chips Moman’s famed American Sound Studio (they played on Dusty Springfield’s “Son of a Preacher Man” and Elvis Presley’s “Suspicious Minds” and many other famous songs). “I had to make a decision, and I’m glad that I did it. I feel it’s important to step away from the norm every now and then. It refreshes you in all senses of the word.” For “El Dorado,” King teamed with another in-demand producer in Dan Auerbach of the Black Keys. “Well, we started writing together

a couple of years ago. He (Auerbach) called me out of the blue, or his manager called me out of the blue and said, ‘Dan wants you to come to Nashville and do some writing,” King says, explaining his history with Auerbach. “That really sparked a good friendship and a good writing partnership.” Despite the wide range of instrumentation, the “El Dorado” album came together quickly. King’s writing sessions with several respected tunesmiths (Paul Overstreet, Ronnie Bowman and Pat McLaughlin) took only about a week and a half and recording was finished in three days.

Marcus King Band

8 p.m. Monday, January 27 Belly Up Tavern, 143 S. Cedros Avenue, Solana Beach $26-$76 bellyup.com

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The 2020 San Diego Go Guide will publish on Thursday, February 27, 2020 For more information and to advertise in this special publication, please call: SAN DIEGO CITYBEAT SALES DEPT.

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Of Life and Death

MUSIC

Elbow covers the dire and celebrates a birth on latest album Christina Fuoco-Karasinski >> San Diego City Beat

uy Garvey has fond memories of San Diego. The singer of the Manchester, Englandbred dream pop band Elbow found a taste of home here. “I remember having a day off there when the rest of the band went over the border to Mexico,” Garvey says. “I hung out on my own and found a bar that serves Guinness. It was so nice. It was one of the best days I’ve ever had.” The Mercury Prize-winning Elbow plays House of Blues Saturday, January 18. The set will be a retrospective of the band’s career, with a chunk of songs from its eighth album, “Giants of All Sizes.” “There are a few songs we’d be remiss not to play, but we’re doing half of the album from

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the latest record in the set,” he says. “Everything else is from down the years. It’s quite a long set. It’s really exciting. I doubt anyone will be disappointed, if that’s not too presumptuous.” “Giants of All Sizes” was recorded at Hamburg’s Clouds Hill Studio, The Dairy in Brixton, 604 Studios in Vancouver and Blueprint Studios in Salford, with additional recording at the band members’ studios in Manchester. Garvey calls it “an angry, old blue lament which finds its salvation in family, friends, the band and new life.”

“This is our ‘German’ album,” he says with a laugh. “All the big numbers came from those sessions. We had a traumatic, sad time—from what’s happening in the Western world to Trump to our own little version of Trump (Boris Johnson) who’s in office right now. “Brexit has been appalling. It’s really divided the country. Each side is thinking the other side is bad. It’s an awful thing.” The band also mourned the deaths of close friend Scott Alexander, who owned Manchester clubs Big Hands

and Temple Bar; Garvey’s dad, Don, who succumbed to lung cancer; and friend Jan Oldenburg, owner of the Night and Day Café, where Elbow arrived at its first record deal. The three died within eight days of each other. The Manchester bombings and the Grenfell Tower fire are also covered on here. “There’s some thinly veiled anger on here,” he says. “It sounds weird to say, but it was made with a heavy heart, but I’m still grateful we made it. It was a cathartic experience to write it.” Alexander, he says, had two teenage children. “It was terrible,” Garvey says. “He was one of the real pillars of the community. I carried two coffins and gave two eulogies in eight days. “It is a record that, lyrically, takes in moments of deep, personal loss, whilst reflecting

the times by confronting headon the specters of injustice and division not just in the U.K., but across the world. It is a record that could only have been made in the 21st century.” Garvey also made a documentary about his father, another project that taught him the value of life. “We still have other ones who are great,” says Garvey, who recently became the father to a son. “The closing song on the record, ‘Weightless,’ is about my dad. “My son, though, is the most musical, clever child I know. He’s great. He’s my best mate.”

Elbow

7 p.m. Saturday, January 18 House of Blues, 1055 Fifth Avenue, Downtown Tickets start at $35 houseofblues.com

JANUARY 2020 · SAN DIEGO CITYBEAT · 59

MUSIC

Just Having Fun

Mustard Plug continues to tour the world nearly 30 years in Catherine Hathaway >> San Diego City Beat

rom the beginning, the Michigan ska band Mustard Plug set out to have a good time. Soon after Mustard Plug’s formation in 1991, the musicians and their fans loved it. They grew from small shows to touring around the country in a time when ska music’s popularity was surging. “Obviously ska was big around then,” says trombonist Jim Hofer, who joined the group in 1996. “That was kind of the height of the genre in America. There are a lot of bands out there like us that were just doing it because they loved to do it, too.”

Mustard Plug has enjoyed steady success since those days. The collective recently returned from playing in Japan with the JapaneseAmerican ska band Kemuri. In a few months, Mustard Plug will head abroad again

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to Australia. “It is a fun thing to do,” Hofer recalls about touring. “We’re still doing it. We’re still having fun. It really hasn’t lost a lot of popularity in the past 15 years.” “Fun” is the best word to

use to describe Mustard Plug’s sound, Hofer says. The shows are one big party. Mustard Plug plays The Casbah on Thursday, January 30. “We’re a party band. Not that all of our music is fun or silly or whatever. We have serious things, too. We’re mostly just a fun party band,” he says. Mustard Plug will be joined by The Toasters, one of the first secondwave ska bands. “It’s a pretty laid-back vibe,” Hofer says about the tour. “It’s a pretty diverse crowd. “It’s a mix of young people, old people, kids of old people who show up. We have parents who bring their kids. The parents are into it and the

kids are into it. The kids love it. You have fun.” Although the band has years of songs in its repertoire, it’s working on writing more to perform. Hofer says writing is a lot trickier than it used to be. “We’re kind of a part-time band,” he says. “We all have kids and families now.”

The Toasters and Mustard Plug w/Half Past Two, San Diego City Soul Club DJs

The Casbah, 2501 Kettner Boulevard, 619.232.HELL, casbahmusic.com, 7:30 p.m. Thursday, January 30, $15-$17.

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CANNABIS

CannaBeat

Looking Ahead

What to expect of cannabis in 2020 Jackie Bryant >> San Diego City Beat

ith an ongoing vape safety crisis, lack of access to legal banking, sluggish sales, legal and illicit market company raids, big IPOs, bigger valuation busts and mass layoffs, it is safe to say that California’s cannabis industry in 2019 experienced a return to earth from the soaring expectations that came after 2018 and recreational legalization. Though there was a lot of bad news, there is still plenty to look forward to in 2020. The first bit of good news is that it’s normal for markets to correct frequently as well as early on. Considering the

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legal market is only recently fully operational, it’s hardly surprising that there are some fairly large bumps in the road—not only due to normal market cycles, but especially because the market moved from a long-time illicit one to a fully legal one in just a couple of years. The best way to understand this is to look at other legal cannabis markets, many of which are experiencing the same ups and downs as California. Oregon, for example, is finally climbing out of its famed low-sales abyss that seemed to consume its markets in recent years. Growers are finally seeing an increase in wholesale prices from recorded record lows. Once California’s markets thin out a bit, weeding

out (no pun intended) some of the less solvent players, there should be a period of stabilization. This will come at a price—2020 will see a lack of access to capital, seeing that investors are now realizing cannabis isn’t a surefire way to make money, but that also means only the strong will survive. CBD, despite the specter of looming regulation increases, saw a banner year for growth during 2019, most notably in the health and wellness sectors. Thanks to 2018’s passage of the Farm Bill, which legalized See

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hemp production in the United States, production of that specific cannabinoid is expected to further soar. There are positive things afoot when it comes to legislation, as well. Strength in numbers applies to cannabis policy, too, so expect more states to adopt favorable cannabis legalization, which only helps the larger case of federal legalization and descheduling. Illinois, for example, went fully recreationally legal on January 1, with a variety of industry predictions all pointing toward strong sales and efficient policy rollout. New Jersey, New York, Arizona and more are expected to inch toward full legalization during 2020. The MORE Act is still on people’s lips. Expect cannabis policy to be a hot talking point during the 2020 presidential election. On a local level, things are a bit more dire. California’s cannabis consumers need to remember for 2020, unfortunately, an increase in prices. As of January 1, the California Department of Tax and Fee Administration raised the cannabis markup and cultivation tax rates as it is required to do per Prop 64. The mark-up rate will jump from 60% to 80% (this rate is the

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basis for the state’s 15% cannabis excise tax). The cultivation taxes increased on cannabis flower per dry weight per ounce from $9.25 to $9.65. Cannabis leaves per dry weight per ounce increased from $2.75 to $2.97, and live cannabis plants per ounce increased from $1.29 to $1.35. Expect these taxes to not be absorbed by the manufacturer nor the distributor, but to be passed on to the consumer instead. There are varying opinions on whether or not this is good for the industry, but it’s generally understood by insiders in both the legal and illicit markets that California’s high cannabis taxes are an impediment to growth, squeezing both customers and growers and creating a high barrier to entry that crushes small businesses and keeps a thriving black market with lower prices roaring on. I’m nervous for the industry’s health in 2020, despite good news for the cannabis industry’s future in the United States as a whole. California is supposed to be cannabis’ holy grail: It’s the largest legal market in the world as well as the home of much of the highest-quality bud man has ever grown. But over-legislation and overtaxing combine to exacerbate other market forces that are significantly challenging the industry. It’ll be interesting to see what happens during the coming year.

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@SDCITYBEAT