Fee Waybill Rides Again
Fee Waybill
facebook.com/TheFeeWaybill thetubes.com
The Tubes’ lead singer goes solo for hard-driving rock record BY CHRISTINA FUOCO-KARASINSKI
perfect sense: Waybill moved to Scottsdale in the 1950s and grew up at 68th Street and Osborn Road in Southwest Village. He remembers riding his horse around town and hitching it up in front of drug store or movie theater. Things have changed. Now the area is full of hipsters, and parking spots now lie where hitches The Tubes’ lead singer Fee Waybill says he’s happy his new solo album, “Fee Waybill Rides Again’. (Submitted photo) were located. “I was ensconced in the theater depart“It’s all different, but I grew up on a horse until I was about 16, 17 years old— ment at ASU,” he says. “I still love the theuntil rock ‘n’ roll music took ahold of me,” atrical stage. There’s a little theater in Auhe says. “Until I moved to California, I was gusta, Michigan, called the Barn Theatre, on a horse every day. It’s great to get back it’s the oldest for-profit summer stock to it. Now I can play gigs and ride horses.” theater. I started working there in 1998 Arizona boy He attended ASU, where he hoped doing the ‘Rocky Horror Picture Show.’” Waybill’s album cover—designed by to study oceanography and transfer to He starred as Frank N. Furter, but his The Tubes’ Prairie Prince—recalls a very Scripps Institution of Oceanography in favorite play is “Spamalot,” for which he Arizona red-and-orange sunset. It makes San Diego—until he discovered acting. plays King Arthur. Waybill was scheduled to return to Scottsdale to play Talking Stick Resort in September for his birthday. The COVID-19 pandemic nixed those plans. He enjoys traveling to Arizona in better times, either Clinical research provides an opportunity to play a more active role in to perform or to see his brother, who lives your own health on a ranch in Cave Creek. He’s looking forward to the time when concerts return. He isn’t interested in streaming shows, although he’s frequently approached to do them. “I don’t want to do it,” he says. “I keep Continuous care and compensation provided turning them down. This is not what we do. We try to reach them eye to eye and translate that joy from across the foot- Must be 70 or older and insured lights. through Medicare A&B “I don’t want to play at a drive-in with - z Week Duration - Can Complete Remotely everybody sitting in the tailgate of their car with a crappy speaker hanging from the window.” COVID nearly stopped “Fee Waybill Rides Again” as well. “The whole music business shut down,” he says. “But we thought everyone is sitting at home quarantining. We thought it would be nice to give them something to listen to, spread the joy a little bit. “I’m so glad we did. We’ve received such a good response. It has brought a little bit EMAIL: INFO@TITANCLINICALRESEARCH.COM of joy to people who are hunkered down in the house wearing a damn mask.”
The Tubes’ lead singer, Fee Waybill, says he’s happy his new solo album, “Fee Waybill Rides Again,” has seen the light of day. It’s been a passion project for him and his longtime writing partner, pop-rock star Richard Marx. “We’ve been working on this record on and off for seven years, Richard and I,” he says. “The first song we wrote was ‘Faker.’ I went back and looked at my lyric sheet and it said ‘2013.’ Over the years, we did one here and one there. We had rough versions of some of the songs and then years went by.” In early 2019, Waybill and Marx decided to do something with the songs. “We had been dragging this through the dirt here for six or seven years,” he says with a laugh. “We tweaked here and there and redid some stuff, wrote a couple new songs.” Besides “Faker,” the album features the melodic and soulful “Say Goodbye,” the
hard-charging political commentary on “Promise Land” and the crossover country vibe, “Still You on the Inside,” written by Marx, Nickelback’s Chad Kroeger, and Chris Daughtry. The talented guests on the album also include Michael Landau, Vertical Horizon singer Matt Scannell and drummer Josh Freese (Nine Inch Nails and Sting). “Don’t Want to Pull the Trigger” is a hard-driving, relentlessly addictive addition to the album. It begins with a voice memo that Marx sent to Waybill. “He originally texted me that little intro part and I was listening to it on my phone,” says Waybill, who has written songs with Marx since 1983. “Elizabeth, my wife, heard it and said, ‘That’s so cool. Why don’t you attach that somehow to the intro of the actual recorded song?’”
TITAN CLINICAL RESEARCH
STUDY OPPORTUNITIES
Check For Undiagnosed Atrial Fibrilation Or Atrial Flutter
Venous Leg Ulcers
CALL: ( 602) 314-4349
18
|
SEPTEMBER 2020
www.LovinLife.com
