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Chandler dance studio presenting ‘Season to Shine’

SANTAN SUN NEWS STAFF

Dance Connection 2, a Chandler dance studio serving the East Valley for 35 years, is collaborating with HopeKids Arizona, a local nonprofit that supports families with children with life-threatening illnesses, on its Season to Shine program.

DC2 hosted its Movin’ and Groovin’ dance workshop for the HopeKids families.

“This is an opportunity for these kids to forget about the illnesses they are battling and discover and express themselves through the sport of dance,” spokeswoman Shannon Moyette said, adding that “DC2’s highly experienced staff and company dancers” worked “closely with each child teaching them a variety of dance techniques and above all make life-long memories.”

The dance workshop was a stepping stone to prepare the foundation’s young performance hopefuls and their families for DC2’s A Season to Shine holiday showcase at 3 p.m. Dec. 11. A Season to Shine is full of holiday classics performed by the studios’ dancers that Moyette said creates “a memorable family event for all ages.”

Hope Kids Executive Director Andrea Lewis said, “Our goal is to provide hope for our children and their families and this program supports that mission.

“Collaborating with DC2 over the years has been such a rewarding experience for our children who are fighting cancer and other life-threatening medical conditions by allowing them to shine, make new friendships and most importantly provide hope.”

DC2 dancers will also perform two other shows at 7 p.m. Dec. 10 and Dec. 11 at the Queen Creek Performing Arts Center, 22149 E. Ocotillo Road, Queen Creek.

Tickets go on sale for the Friday and Saturday shows Nov. 23 at qcpac.com. A portion of proceeds from all three performances will be donated directly to HopeKids Arizona.

“It has been a tough time for many, so being able to make this program happen with HopeKids Arizona and share it with the community is truly a bright spot this holiday season,” said MaryAnna Gooch, owner of DC2.

“Seeing all our dancers share their passion and love of dance with these children both in the studio and on stage is an inspiration and an experience that I hope will stay with them beyond the dance floor.”

DC2 offers a variety of recreational classes to performance and competitive dance teams and anyone “interested in discovering and expressing themselves through the sport of dance.” Information: danceconnection2.com.

HopeKids provides ongoing events, activities, and a powerful, unique support community for families with critically ill children. Founded in 2001., it now serves nearly 1,500 families in Arizona. Information: hopekids.org.

Jordyn Berry laughs and Olivia and Gwen Ferguson dance with each other as children from HopeKids learn to dance with instructors from Dance Connection 2.

(David Minton/Staff Photographer)

Chandler author-artist keeping busy this season

SANTAN SUN NEWS STAFF

Chandler novelist-artist Laurie Fagen is a busy woman.

She has just released the third novel in “Behind the Mic” mystery series while her other interests are keeping her active during the holiday season.

The Fox Crossing author and longtime journalist has released her third novel in the series, title “Bleeder.”

Her protagonist, a Chandler radio crime reporter named Lisa Powers, helps police solve cold cases and because she’s in a gritty crime world all day, she writes campy murder mystery podcasts at night.

The main storyline of “Bleeder” focuses on “the often silent yet violent world of domestic violence,” Fagen explained. “My protagonist also investigates a cold case that may have been a result of a domestic incident as well.”

At the same time, Powers is covering the trial of a cop shooter who took her hostage in the previous “Behind the Mic” novel, titled “Dead Air.”

Fagen relied on her previous broadcasting career to take readers behind the scenes of that trial.

She used her experience running a contemporary art gallery in Chandler for her character’s podcast, titled “Art of the Steal,” where a gallery owner is found dead, a painting is missing and plenty of suspects emerge.

Fagen on her website, readlauriefagen.com, writes that the domestic violence story that launches “Bleeder” comes “mostly from my imagination, with a little help from various writers police academy sessions I have attended over the years. Some of the cop information about ‘DV’ is also from talking to law enforcement at those workshops as well.”

Fagen had a three-decade journalism and video production career that included KTAR News Radio in Phoenix; KWWL-TV, an NBC affiliate television station in Waterloo, IA; The Phoenix Channel, the City of Phoenix government access cable television channel; as owner of Word Painting and writer, producer and director for corporate video; and as former owner and publisher of SanTan Sun News, with her late husband, Geoff Hancock.

Fagen will also have her fiber and jewelry work on display and for sale at the 25th annual Hidden In The Hills studio tour at The Images Studio #18, 6925 E. Windstone Trail, Scottsdale.

In addition, Fagen Designs’ fiber wall art can be seen at The Finer Arts Gallery, a new art space at 6137 E. Cave Creek Road in Cave Creek. She will be volunteering at the Gallery from 11 a.m. to 6 p.m. Dec. 5 and Dec. 11. Info: FagenDesigns.com, facebook.com/ FagenDesigns and thefinerartsgallery.com.

Fagen also will sing Christmas songs accompanied by pianist Pam Morita of Phoenix with several other performers during a holiday concert 7 p.m. Dec. 3 for a fundraiser for the House of Broadcasting Museum.

The nonprofit House of Broadcasting, is dedicated to educating the public and preserving and celebrating the history, personalities, and paraphernalia of radio and television in Arizona. It is one of only five museums in the country dedicated to the broadcast industry. The four others are in Los Angeles, New York, Chicago, and Washington D. C.

All those on stage have worked in radio and television. It will be performed live at Central United Methodist Church, Kendall Hall, 1875 N. Central, Phoenix then rebroadcast on AZTV Channel 7 (AZtv.com). Information: houseofbroadcasting. com. Tickets: 602-944-1997.

Chandler author-artist Laurie Fagen has released her third novel in a mystery series revolving around a radio crime reporter. (Special to SanTan Sun News)

Chandler arts center off ering holiday shows

SANTAN SUN NEWS STAFF

Ballet Etudes will kick off the holiday season of special presentations at the Chandler Center for the Arts with several performances of the Christmas classic, “The Nutcracker.”

Here is a schedule of off erings at the center.

The Nutcracker

Nov. 26-Dec. 5

Let Clara’s magical journey surround you as she encounters life-size mice, swirling snowfl akes, dancing confections, and the Sugar Plum Fairy. A feast for the eyes and ears with colorful costumes paired with Tchaikovsky’s original score, Ballet Etudes’ Nutcracker is the perfect way to celebrate the holiday season with the entire family.

Spirit Of Christmas

Dec.11-19

The Spirit of Christmas is an energetic variety show featuring a cast of more than 100 dancers, singers, a horse and carriage, special guest performers, and a champion hoop dancer.

Sons Of Serendip

Dec. 22

Sons of Serendip is a unique Billboard-charting quartet with a harpist, cellist, pianist and lead vocalist. This charismatic quartet returns to Chandler to perform their unique arrangements of popular holiday songs. The America’s Got Talent fi nalists off er “emotionally stirring, breathtaking vocals and strings arrangements.”

Left: Ballet Etudes will present “The Nutcracker” at the Chandler Center for the Arts beginning Thanksgiving weekend. Right: “The Spirit of Christmas” off ers a colorful opening to the holiday season at Chandler Center for the Arts. (Special to SanTan Sun News)

The Best Of Broadway

with Musical Director JR McAlexander Dec. 31

Celebrate New Year’s Eve enjoying the greatest hits from Broadway, performed by four powerhouse vocalists and a live orchestra. The evening will include a champagne toast and party favors, all while reveling in the big bold music of Andrew Lloyd Webber and Rodgers & Hammerstein, as well as other popular Broadway shows.

Galley Exhibitions

Art Quilts XXVI: Stitching Stories

Vision Gallery and The Gallery at CCA Through Jan. 8

Quilts and storytelling have always complemented one another. Quilts are blanketed in the oral tradition from construction and deconstruction to concept, purpose culture and history. This year, our fan-favorite quilt show is all about telling stories.

There also will be a Vision Gallery Holiday Shopping Event 5-7 p.m. Dec. 20.

Find unique artist-created jewelry, ceramics, ornaments and more for everyone on your list. Enjoy hot chocolate and special treats as your browse through gift-giving delights.

The box offi ce at the Chandler Center for the Arts, 250 N. Arizona Ave., is open 10 a.m.-5 p.m. Monday-Friday and noon-5 p.m. Saturday. Information: chandlerarts.org

The Gallery is open during the same times. Vision Gallery, 10 E. Chicago St. is open 10 a.m.-5 p.m. Monday-Friday and 10 a.m.-4 p.m. Saturday. Admission is free. visiongallery.org

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Hair and makeup by Terre Steed adds even more color to the Phoenix Theatre’s presentation of the musical hit “Rocky Horror Picture Show.” (Courtesy Phoenix Theatre)

Terre Steed brings color to ‘Rocky Horror’

BY ANNIKA TOMLIN

Staff Writer

Hair and makeup are essential components for a colorful theater production. Terre Steed is the mastermind behind or slew of hair and makeup creations for Phoenix Theatre most recently for the musical “The Rocky Horror Show.” He also plays the keys for the show as well.

“Our director, Robbie Harper, the story that he wanted to tell with this production especially given the climate that we have politically regarding gender and what that means, we wanted to show that these aliens, the characters of Frank N. Furter, Magenta and Riff Raff, gender is a construct — they don’t have gender,” Steed said about the show that plays until Dec. 5.

“Brad and Janet are coming into this story with their 1950s gender norms and then have all of those preconceived ideas of what gender is blown apart in a very aggressive way of course. For ‘Rocky,’ it’s all about makeup, wigs and rock ‘n’ roll and I feel like it is such unlike a lot of other shows because a lot of the story depends on strong hair and makeup concepts to pull that whole nongender thing across.”

Steed has been a hair and makeup designer for Phoenix Theatre for more than 15 years. He started as an apprentice that required a kick line of chorus girls to have the exact same wig.

“They hired me to come in and style 14 identical wigs,” Steed explains. “After that show closed, I get a call like three days later and they’re like ‘We want you to design our production of “Picnic”’ and so I think I did two or three shows that season and then it just kept going.”

He is involved in six to nine shows per season.

“Usually they have me do, like I don’t get to do the 30 person cast shows because I’m just me,” Steed said. “Anything usually that has drag I get to do because I was a female impersonator when I was in college. Anything with drag or anything with fun or glitter.”

Steed said he also works on “based on a true story” productions that call for him to recreate an actor as a real-life person. For most productions, he and the director have creative control over the hair and makeup looks.

“Other shows where the director or the costume designer because technically in theater hair and makeup fall under the umbrella of costumes, that they have a very specific idea about things and it has to look a certain way and sometimes my artistic input has to go in the backseat,” Steed said.

“I’m just there to give them on paper what they are seeing in their head. That is very rare that that happens because usually when people hire me for a show, they know what they are getting — I’m fairly opinionated.”

Outside of Phoenix Theatre, Steed has worked for the former Nearly Naked Theatre, as well as other theaters across the Valley. Steed also owns a hair salon called Fairest of All at Bethany Home on Seventh Street because he is “obsessed with Disney and the Evil Queen is my hero.”

While Steed is aware that Frank N. Furter as one of the main characters requires a well thought out hair and makeup design, Frank was not his top favorite character to design.

“I think for this show, personally, Frank is a great character because he is the lead but I think my favorite character makeup-wise for this show is Magenta,” Steed said.

“My dear friend Lynzee Foreman is playing the role of Magenta and my inspiration, the costume designer her name is Maci (Hosler), they based a lot of the costumes on post-pop-punk Britain. It’s very much in line with ‘Cruella’ with the plaids, stripes and leather.”

Steed said that the costumes are reminiscent of the ’80s “London postpunk fashion.”

“When I was designing the characters the image that came to mind

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FuelFest celebrates cars, revs up the Valley

BY CHRISTINA FUOCO-KARASINSKI

Staff Writer

Cody Walker and Tyrese Gibson were catching up at Red Lobster when the conversation turned to Cody’s late brother, Paul, of “The Fast and the Furious” franchise.

“First, I was so offended that he had never been to Red Lobster,” Gibson said with a laugh. “Cody said, ‘I don’t know what to order, dude. What are the hits here?’”

After a little ribbing, Cody told Gibson about he and Chris Lee’s plan to host festivals surrounding all-things cars called FuelFest.

Gibson said count me in.

After a pandemic-dictated halt to the 2020 event, FuelFest is coming to Wild Horse Pass Motorsports in Chandler on Dec. 4. They want it to succeed so much that Gibson said he feels vulnerable.

“I’ve only said this to a chosen few,” Gibson said. “Cody and I are very vulnerable when it comes to this whole thing about FuelFest. We were talking about Paul and to have this idea and to put this idea out there, we don’t want it to fail. We want this to be successful. We want people to know about this.

“We want to get the word out so people can show up. We want them to hit the road and come out to a really legendary day that you won’t forget.”

Now in its third year nationwide, FuelFest blends the enthusiast’s passion for the automotive world with celebrities, live music, food, drinks and art. The show features more than 600 top custom, exotic, rare and exclusive cars and trucks. There are car and drift exhibitions, and drag racing.

FuelFest will feature a live-action drift course that runs the entire length of the venue. Spectators can catch race cars drifting all day at FuelFest. The event will showcase precision driving skills in the FuelFest Drift Pit.

A portion of the events proceeds benefit Reach Out WorldWide, the nonprofit founded by Paul and continued by Cody, who is 15 years younger than his brother.

The organization was founded in 2010 by the late actor/producer after a massive earthquake devastated Haiti and Walker was inspired to organize a relief team that responded to the disaster.

ROWW’s mission is to fill the gap between the availability of skilled resources in post-disaster situations. ROWW completed four deployments in 2020 and continues to operate where needed. To date, FuelFest has raised more than $100,000 for the charity, Cody said.

“It’s a massive car festival, as we say,” said Cody, who recently moved to the Valley. “But it’s not just a car show. People are going to experience the whole shebang—drag racing, American muscle cars, exotic cars, European cars, crazy off-road vehicles. There’s something for everyone at the show.

“They can see the sights, smell the fuel, the burning rubber and just have a good time. The weather is going to be amazing, especially in December in the Valley.”

Arizona is important to Gibson as well as the singer-songwriter recorded the album “Black Rose” in a vacation rental in Paradise Valley. While he was here, he met one of his idols, Muhammad Ali, after receiving the “craziest text in the world.”

“My life changed forever in Arizona,” said Gibson, whose album hit No. 1. “I definitely have a different level of appreciation.”

Cody was flattered when Tyrese agreed to be part of FuelFest.

“Obviously, Tyrese and my brother go way back — all the way back to ‘2 Fast 2 Furious,’” he said. “We’ve all had a passion for cars and our careers are surrounded by cars. I’m heavily influenced by my brother and the whole car culture. It’s what I live and breathe every day.

“I knew Tyrese and I could put on something really special and unique for car fans and ‘The Fast and the Furious’ fans to come and experience with us together. It’s such a home run in so many ways to be able to do what you love and give back at the same time.”

Gibson echoed Cody’s sentiment.

“My thing has always been taking the culture and the energy and the fanbase of ‘The Fast and the Furious,’ which has had this worldwide cult following for 20 years, and turning it into an event.

“Paul Walker — everyone loves him. I miss him every day. He’s my brother, but Cody’s real brother. I want to take all of this energy and allow the fans to experience something that feels like ‘The Fast and the Furious’ without it being a movie premiere. Cody came up with this idea and it was a no brainer to be involved. Your background doesn’t matter — your religious or sexual preference. Cars and car culture is a universal language.”

Gibson explains the festive is “escapism” at its finest. After all, everyone wants to be in or own a nice car with “nice smelling leather,” and brightly colored with cool rims.

“We all know guys will go broke and literally have no gas money, but they will be more committed to rims and tires and souping up their engines,” Gibson said with a laugh.

“They want to compete and win and beat everyone in their neighborhoods. Every man has a hotrod covered up in their garage. They may be married for 40 years and have 10 grandkids. But they take the car cover off and start that engine and they’re rejuvenated.”

Cody Walker is using some of the proceeds for Reach Out WorldWide, a nonprofit found-

ed by his late brother. (Special to SanTan Sun News)

Cody Walker is flattered that Tyrese Gibson is joining him in FuelFest. (Special to SanTan

FuelFest

WHEN: 10 a.m. to 4 p.m. Dec. 4 WHERE: Wild Horse Pass Motorsports Park, 20000 S. Maricopa Road, Chandler COST: $15 to $300 INFO: fuelfest.com

ROCKY from page 47

immediately when I thought of Magenta and thought of that era in mind was Siouxsie Sioux from Siouxsie and the Banshees,” Steed said.

“She is very much getting to make one of my friends look like Siouxsie Sioux, who is a personal hero of mine from the ’80s. As a progressive female rocker, she is a badass. I loved doing her design.”

Steed grew up as a teen in the ’80s idolizing people such as Boy George and Duran Duran.

“All the boys who wore lots of makeup,” said Steed, who attended Trevor G. Brown High School in Tolleson.

“I was always super obsessed with such things and then I started getting into theater in early high school and they were always needing someone to do the makeup.”

His first role was for a church production where he played an 80-year-old woman and used his “mom’s eyebrow pencils and all that stuff” to create the illusion of being that character.

With an art background, Steed had plans to follow a career in theater going to Phoenix and Glendale Community colleges to major in the field. Ultimately, he decided that “the only thing that you can do with a degree in theater is teach it” and that he wanted to do something else.

“(I got) my cosmetology license because it pays better, way more work and less extra time,” Steed said. “My idea was never to work in a salon.”

He planned to stay in theater as an actor and musician as well. Years later he still enjoys what he does.

Steed said he enjoys “just the transformative power of makeup in particular, I consider myself a makeup artist first and a hairdresser second.

“But just when you can see someone and watch the change in their face, they can see someone that they didn’t think that they could be. The person that they always thought that they were inside they get to see on the outside whether because they don’t have the skill or the time or they have just been afraid.”

“The Rocky Horror Show”

Left: ZooLights makes for a massive footprint, encompassing most of the zoo. Right: The lights at the zoo have been a popular Valley holiday attraction for 30 years.

(Special to SanTan Sun News)

ZooLights returns with 3 different experiences

BY CONNOR DZIAWURA

Staff Writer

Thirty years in, ZooLights has become something of an annual tradition.

Each year, as winter approaches and the weather begins to cool, the popular production returns, attracting families from around the Valley to celebrate the holidays by seeing Phoenix Zoo in a new light.

Presented by SRP, the seasonal display of lights returns to the zoo beginning at 5:30 p.m. most days from Nov. 24 to Jan. 15 in its traditional walk-thru format, with special dates slated for drive-thru and sensory-friendly versions. Tickets must be purchased online in advance.

And its scale is “massive,” according to ZooLights supervisor Justin Davis.

“It’s almost our entire zoo except for our Children’s Trail,” Davis said. “So, I mean, it’s a pretty massive footprint that we have. We’re probably in the realm of about 3 million lights now, like just with everything that we do with our trees, with our armatures, our specialty lights.”

Davis describes the millions of colorful LED lights and hundreds of displays and armatures as a mix of new and old. In addition to fan-favorite lit animal sculptures like lions, tigers and the dinosaur Fran, he said Phoenix Zoo is introducing a herd of 12 buffaloes. Other new critters attendees can check out include two “oversized” black widows as well as an oversized ant colony with four ants and an ant hill.

Designed by artist Russell Ronat, 13 illuminated mixed-media paintings of endangered species are special this year. Featuring an elephant, hawksbill sea turtle, Amur leopard, Bornean orangutan, wolf and Bali mynah, among others, the pieces are part of Ronat’s Project Holocene, an international traveling art exhibition to bring attention and funding to wild animal conserva-

See ZOO on page 50

Guide to Chandler Parks

With more than 60 parks in Chandler, a variety of park programs to participate in and the option to rent fi elds and pavilions for life celebrations, residents and visitors have plenty of options to get out and enjoy the outdoors.

Visit the Guide to Chandler Parks at chandleraz.gov/ParkGuide to discover all the things parks have to off er.

ZOO from page 49

tion.

Though some of the pieces are prints of Ronat’s previous creations, Davis said others were made custom for the zoo.

“He made prints of them and then he went in and used different mediums, like different types of paints and varnishes and lacquers and pencil, all different mediums so if you come during the day and see the portrait or the picture, it’s really pretty. It’s great, but then if you were to come back at night, it’s like it’s almost a whole different picture because it’s illuminated from the backside of it,” he explains.

The Wildlife Lantern Safari, returning this year with an estimated 60 or more glowing lanterns, adds another element.

“They’re like Chinese lanterns, so they have a light skin on them, and then they go through — it’s actually a third party that does that — and they do airbrush work on it,” Davis explained.

“They actually do a really good job, and some of them are massive. They’re really cool. They just kind of help switch it up.”

Two Music-in-Motion Light Shows, which Davis said will include the music of the Trans-Siberian Orchestra, will also keep the seasonal mood going.

“And now what that is, is around our main lake, after you walk in, we have a giant globe and then 11 pillars in the middle of the lake, and then all the trees that are around the lake are wrapped and then they all synced by a computer to dance along with the music that’s playing,” Davis explains.

Families can see these sights and more through the regular Walk-Thru ZooLights or the drive-thru Cruise ZooLights. The latter was a new addition last year, due to the pandemic. And seeing as it was a success, according to Davis, the zoo decided to do it again with limited dates, though more could be added with demand.

Foot traffic will be closed for Cruise ZooLights nights, which also won’t have the Music-in-Motion Light Shows. Davis said drivers can tune their radios to a station synced to the displays, or they can roll down their windows to hear the music playing throughout the zoo.

“We still want to give that as an option because our ZooLights trails have grown so much over the last year or two that the elderly or very young children, they don’t want to have to walk the entire trail,” Davis explains. “So, we did make Cruise ZooLights an option still this year for those who don’t want to walk, but we are mostly back to walking.”

Along the way at ZooLights this season, vendors will remain open so guests can warm up with hot cocoa or enjoy snacks or other concessions.

“The biggest thing about ZooLights is it’s a very tradition-based thing,” Davis said. “A lot of our guests are return guests because it’s just become a holiday tradition for them.”

Millions of colorful LED lights and hundreds of displays and armatures offer a mix of new and old at the Phoenix Zoo’s ZooLights

show. (Special to SanTan Sun News)

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2 -8 oz. Filet Mignon (Short Loin

Bacon-Wrapped Tenderloin Steak)

2 -8 oz. Bottom Portion of Sirloin 2 -8 oz. Boneless Rib Eyes 2 -8 oz. Seasoned Grill Steaks

(Bottom portion of sirloin) 2 -6 oz. Chopped Sirloins

(Not less than 85% lean) 4 -1/4lb. Lean Patties (Not less than 80% lean)

2 -1 lb. pkgs. Beef Fondue/Kabob Meat

AZ store only. EXPIRES 12/31/21.

COUPONWOW! HOLIDAY SAUSAGE LOVERS' BUNDLE!

1 Chub Summer Sausage 2 pkgs. Snack Sticks 1 pkg. Link Sausage

AZ store only. EXPIRES 12/31/21.

ONLY $3999 JR. BEEF, PORK & CHICKEN BOX

2 - 8 oz. Boneless Pork Chops 2 - 8 oz. Beef Grill Steaks 2 - 6 oz. Boneless Chicken Breasts $2495

AZ store only. EXPIRES 12/31/21. BEEF, PORK & CHICKEN PACK

4 -8 oz. Boneless Pork Chops 4 -8 oz. Beef Grill Steaks 4 -6 oz. Boneless Chicken Breasts 1 -6.5 oz. Jar Special Spice

AZ store only. EXPIRES 12/31/21.

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