The Entertainer! Magazine - January 2020 by Times Media Group

PHX METRO » JANUARY 2020

BIG DREAMS

‘Americano!’ is the show of the year

Dave Kindig is selling his ‘bitchin’ rides’ at Barrett-Jackson JULIANA HATFIELD

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THE ENTERTAINER! MAGAZINE JANUARY 2020

CONTENTS

ON THE COVER

AN ‘EPIC’ TASK

Gabe Kubanda has big plans for musicians around the world

HOT ‘SUMMER’

Disco Queen’s story shines on the ASU Gammage stage

Barrett-Jackson patrons can get a piece of Dave Kindig’s work on the cover: David Kindig Cover photo courtesy Barrett-Jackson

THE ENTERTAINER! MAGAZINE JANUARY 2020

CONTENTS

UPFRONT

Top 25 • Barrett-Jackson • Bobcat Goldthwait • National Mocktail Week • Dave Clark

CITY

publisher

Greater Phoenix Jewish Film Festival • Hip-Hop at the MIM • Joe Netherwood • Gabe Kubanda

TRAVEL ARTS

Arts Calendar • ‘Americano!’ The Musical • ‘Cabaret’s’ David Kelly • Hot ‘Summer’ at Gammage

DINING

Steve T. Strickbine

steve@entertainermag.com

Managing Editor

Turtle Island

Christina Fuoco-Karasinski

christina@timespublications.com

SAVING GRACE

Assistant Editor Connor Dziawura

Jerry Riopelle’s friends and family come together to celebrate his legacy

Beer and Wine Calendar • The District • The Whining Pig

CASINOS

Casino Entertainment Calendar • Jerry Riopelle • Queen Nation

SPORTS

Sports Calendar • Waste Management Phoenix Open • Waste Management Birds Nest • Rock and Roll Marathon

FAMILY

Family Calendar • Spongebob SquarePants Play

MUSIC

Live Music Calendar • Juliana Hatfield • Run River North • Dermot Kennedy • Saint Motel

NIGHTLIFE

designer

Shannon Mead

Courtney Oldham

production@timespublications.com

circulation director Aaron Kolodny

aaron@entertainermag.com

contributing writers

Alison Bailin Batz, Christopher Boan, Connor Dziawura, Sue Kern Fleischer, Rachel Howard, Laura Latzko, Haley Lorenzen, Carson Mlnarik, Randy Montgomery, Eric Newman, Taylor O’Connor, Bridgette Redman, Octavio Serrano, Ron Wade, Leslie Westbrook

‘THE GREATEST SHOW ON GRASS’

Staff Photographers

Chris Mortenson, Pablo Robles

Contributing Photographers Tim Fuller, Catie Laffoon, Natasha Wilson

Waste Management Phoenix Open returns to great fanfare

ONE COPY PER READER

The Entertainer! is circulated throughout the Phoenix Metro area, especially concentrated in entertainment districts. ©2018 Affluent Publishing, LLC. A free online subscription is available to all readers simply by going to entertainermag.com/subscribe. For calendar and news items, the deadline for submission is the 15th of the NOVEMBER prior to publication. Submissions are included based on available space and are used at the discretion of the editor. Unsolicited manuscripts, photographs or illustrations will not be returned unless it is specifically requested and submission is accompanied by a properly addressed envelope and sufficient postage. The Entertainer! makes every effort to authenticate claims and accurate times and event locations. We encourage readers to verify information prior to attending events or purchasing tickets.

Nightlife Calendar

IN CLOSING

cdziawura@timespublications.com

production manager

Dining Calendar • Tomaso’s Italian Kitchen • Dori Hand Roll Bar

BEER AND WINE

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DISTRIBUTION SERVICES PROVIDED BY:

AN AUTHENTIC EXPERIENCE

Irish singer Dermot Kennedy heads out on biggest tour yet

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480.348.0343

ROSE ROYCE & EVELYN CHAMPAGNE KING

1.3.20

CHIPPENDALES

1.25.20

GEORGE LOPEZ

2.1.20

QUEEN NATION

2.8.20

RAMON AYALA

2.27.20

WAR

3.12.20 TRACY MORGAN:

LARRY THE CABLE GUY

3.20.20

NO DISRESPECT

3.27.20 AT WILD HORSE PASS

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TOP25 Carson Mlnarik » The Entertainer!

Million Dollar Quartet

JANUARY 1 TO JANUARY 31 Phoenix Theatre’s newest show transports you right back to December 1956 when the million-dollar quartet—musical legends Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis—came together to cut a record in Memphis. A mix between stage show and concert performance, audiences are thrown in the middle of the iconic session to witness the magic. Phoenix Theatre, 1825 N. Central Avenue, Phoenix, 602.254.2151, phoenixtheatre. com, times vary, $41-$193.

Old School ’90s Hip-Hop Dance Party

JANUARY 4 Throw it back to the slick sounds of the ’90s with an all-out dance party spinning your yesteryear faves. DJ Slick 76 and DJ Melo are bringing back bops by the likes of Wu-Tang Clan, Beastie Boys, TLC, Salt-N-Pepa, Jay-Z and Destiny’s Child. Arrive before 10 p.m. for free entry. Ticket prices go up at the door. The Van Buren, 401 W. Van Buren Street, Phoenix, 480.659.1641, thevanburenphx. com, 9:30 p.m., $5.

Phoenix Suns vs. Sacramento Kings

JANUARY 7 “They’re playing basketball/ We love that basketball!” With basketball season in full swing, it’s the perfect time to cheer on the Phoenix Suns at their home court. With tickets in every price range, cheer on the guys as they take on the Sacramento Kings in what’s sure to be an exciting game. Talking Stick Resort Arena, 201 E. Jefferson Street, Phoenix, 602.379.2000, talkingstickresortarena. com, 7 p.m., $13-$1,000.

UPFRONT

PHX » CITY » LOCAL » PRIDE » DO » SEE shimmer extra bright during this special hot-air balloon and light festival. Attracting more than 80,000 people, the fest is your last chance to catch Glendale’s dazzling holiday display, as well as check out colorful glowing balloons, along with food, live music and good vibes. Downtown Glendale, 5800 W. Glendale Avenue, Glendale, 623.930.4500, visitglendale. com, 4 to 10 p.m., free.

David Spade

Sesame Street Live! Let’s Party!

JANUARY 10 We can’t tell you how to get to Sesame Street, but we can tell you how to get to Gila River Arena. In a new interactive show, Big Bird, Elmo, Oscar the Grouch, and all their friends are throwing the funniest and furriest party on their block—and you’re invited. Bring the kids and your biggest smile. Gila River Arena, 9400 W. Maryland Avenue, Glendale, 623.772.3800, gilariverarena. com, 6:30 p.m., $20-$70.

“Detective Pikachu”

JANUARY 10 Bring your chairs, blankets and Pokémon pals for a special presentation of “Detective Pikachu” as part of Downtown Mesa’s Second Friday Night Out. The hilarious family flick follows Pikachu, voiced by Ryan Reynolds, as he partners with 21-year-old Tim to track down his father—and possibly save the Pokémon race in the process. There may even be a lure or two for the trainers-in-themaking still playing “Pokémon Go.” Silver Lot, 219 W. Main Street, Mesa, 602.318.5689, 2ndfridaynightout. com, 6 p.m., free.

Glendale Glitter and Glow JANUARY 11 The lights at Glendale Glitters

JANUARY 11 David Spade has become a household name thanks to stints on “Saturday Night Live,” “Rules of Engagement” and films like “Grown-Ups” and “Joe Dirt.” His wise-cracking, sardonic humor about fame, self-deprecation and politics continues to make him a draw across the country. You won’t want to miss this ASU alum when he hits up Phoenix. Stand Up Live, 50 W. Jefferson Street, Phoenix, 480.719.6100, phoenix.standuplive.com, 7 and 9:30 p.m., $45.

“Mystery in the Museum: The Curator’s Conundrum”

JANUARY 11 Do you have what it takes to make it out of the SMoCA alive? Back by popular demand, this sleuthing series returns with a collection of puzzles, brainteasers, and riddles as a mystery unfolds within the museum walls. Time to get sleuthing! Don’t worry, there will also be a cash bar and light bites for those looking to fuel up in between clues. Scottsdale Museum of Contemporary Art, 7374 E. Second Street, Scottsdale, 480.994.2787, scottsdalearts. org, 6 p.m., $25.

Trump vs. Bernie

JANUARY 15 This improv performance imagines a hilarious debate between two politicians who could not be more different: Donald Trump and Bernie Sanders. Comedians Anthony Atamanuik and James Adomian imagine the two facing off at town hall-like events at venues across America as they discuss the country’s most pressing issues. With a comedy album and hour-

long special under their belts, the two are basically certified impersonators at this point. Tempe Improv, 930 E. University Drive, Tempe, 480.921.9877, tempeimprov. com, 8 p.m., $22-$32.

“Legally Blonde: The Musical” JANUARY 15 TO JANUARY 19 Elle Woods’ world of fashion and fun comes alive in an entirely different way with “Legally Blonde: The Musical,” based on the hit Reese Witherspoon film. Tackling stereotypes, scandals, the bend and snap and Harvard Law—what, like it’s hard?—the musical is a faithful adaptation of the film with the flash and fun of theater. Wear pink! Mesa Arts Center, 1 E. Main Street, Mesa, 480.644.6500, mesaartscenter.com, times vary, $18.

“Napoleon Dynamite” Live

JANUARY 17 This special screening is BYOT– bring your own tots. It’s been nearly 15 years since “Napoleon Dynamite” came out, introducing us to a quirky high schooler with some wicked dance moves and enduring catchphrases. Following the film, original cast members Jon Heder (Napoleon), Efren Ramirez (Pedro) and John Gries (Uncle Rico) will take the stage for a freewheeling discussion. Orpheum Theater, 203 W. Adams Street, Phoenix, 602.262.6225, phoenixconventioncenter. com, 8 p.m., $25-$75.

Nom Nom Noodles Festival

JANUARY 18 Get your nom nom on with Downtown Phoenix’s first Nom Nom Noodles Festival. More than 12 different local Asianinspired noodle and pasta businesses will be dishing out the best in chow mein, ramen and alfredo, with plenty of options for $5 and under. Treat your tummy with desserts, boba, beer and cocktails, in addition to games and an artist market. The Pressroom, 441 W. Madison Street, Phoenix, 602.396.7136, bit.ly/2P8An0D, 6 to 11 p.m., $8-$13.

“Darlin’ Companion: A Tribute to Johnny Cash and June Carter Cash”

“The Price is Right!” Live

JANUARY 18 Ditch the remote control and reruns to experience “The Price is Right!” live and on-stage. In a nontelevised performance, audiences will have a chance to come on down to play beloved games like Plinko, Cliffhangers and The Big Wheel and possibly take home a new car, vacation or prize! VIP experiences include souvenir photographs, prime seating, and a wheel spin of your own. Chandler Center for the Arts, 250 N. Arizona Avenue, Chandler, 480.782.2680, chandlercenter.org, 4 p.m. and 8 p.m., $31.50-$150.

An Evening With the Celebrity Housewives

JANUARY 18 If you live for the drama, you’re not going to want to miss this girls’ night out! Celebrity Housewives Kelly Dodd (Orange County), Leanne Locken (Dallas) and Sonja Morgan (New York) from the hit reality shows get together to gab about fam, business, fame and their personal dramas. Splurge on a VIP ticket and snag a special meet-andgreet pic for the ‘Gram. The Van Buren, 401 W. Van Buren Street, Phoenix, 480.659.1641, thevanburenphx. com, 8 p.m., $50-$80.

Michelle Rodriguez Q&A

JANUARY 18 Actress Michelle Rodriguez, one of the stars from the “Fast & Furious” franchise, will appear at this year’s Chandler International Film Festival for the 20th anniversary of her 2000 breakout film, “Girlfight.” She’ll walk the red carpet at 3:30 p.m. and the film will screen at 4:20 p.m. Following the screening, she’ll participate in a Q&A with fans and festival attendees. The film festival runs January 17 to January 20. Harkins Chandler Fashion Center, 3159 W. Chandler Boulevard, Chandler, chandlerfilmfestival.com, 3:30 p.m., check website for pricing. ENTERTAINERMAG.COM

JANUARY 19 This show-stopping tribute performance is the next best thing to seeing the Man in Black himself. Starring Scott Moreau who portrayed Cash on the Broadway Tour of “Million Dollar Quartet,” as well as Renee Kathleen Koher, the tribute hits 25 of their greatest love songs and duets. Whether you’re looking to “Walk the Line” or circle “The Ring of Fire,” prepare to be transported. Chandler Center for the Arts, 250 N. Arizona Avenue, Chandler, 480.782.2680, chandlercenter.org, 3 p.m., $30-$40.

The Arizona Wine Festival

JANUARY 24 TO JANUARY 26 Grab your booziest pals for an evening well-spent with the finest in Willcox wine and culinary concoctions, all to benefit Horses Help. Where else can you find over 25 Arizona wineries and more than 200 different types of wines? With food trucks, vendors and a vintage village, it’s the perfect sip-filled solution to get you out of bed for the weekend. The event kicks off with Horses Help Farmto-Table Winemakers Dinner from 6 to 9 p.m. January 24. Heritage Square, 113 N. Sixth Street, Phoenix, 480.516.8848, willcoxwinecountry.org, 11 a.m. to 7 p.m. Saturday, and 11 a.m. to 5 p.m. Sunday, $20.

bars aplenty, bring your 21-andup amigos and prepare to fiesta. Margaret T. Hance Park, 67 W. Culver Street, Phoenix, 602.534.2406, bit.ly/2E0qxYj, 1 to 5 p.m., $25-$45.

Barbie Truck Totally Throwback Tour

JANUARY 25 Life in plastic, it’s fantastic! Barbie is hitting the road to celebrate her 60-year legacy, and she’s trucking it! Check out Barbie’s pop-up store truck with limited edition retro Barbie merch and toys, as well as a customizable airbrush station. Scottsdale Quarter, 15059 N. Scottsdale Road, Suite 205, Scottsdale, 480.270.8123, barbie.com/barbietruck, 10 a.m. to 7 p.m., free.

Tempe Public Library FanCon JANUARY 25 This annual event is for the geek in us all! Featuring costume contests, artists, authors, shopping, and activities galore, this pop culture extravaganza celebrates all things nerdy. Whether you stan Marvel, DC, “Star Wars” or “Doctor Who,” you’re sure to find your people here. Tempe Public Library, 3500 S. Rural Road, Tempe, 480.350.4311, tempepubliclibrary.org/ FanCon, 10 a.m. to 4 p.m., free.

There’s no golf tournament quite like the annual Waste Management Phoenix Open. With commitments from players like defending champ Rickie Fowler, Jon Rahm and Gary Woodland, the pressure is on. This year’s Birds Nest concert series is also not to be missed, with faves like Miranda Lambert, G-Eazy, Dierks Bentley and Kygo hitting the stage Wednesday to Saturday. TPC Scottsdale, 17020 N. Hayden Road, Scottsdale, 480.585.4334, wmphoenixopen. com, times vary, $45$60 and free admission Monday and Tuesday.

“Mystery Science Theater 3000 Live:” The Great Cheesy Movie Circus Tour

JANUARY 29 “Mystery Science Theater 3000” has joked its way into the hearts of millions of TV audiences and found a new life on Netflix. The satirical laugh fest comes to life in a live show with creator and original host Joel Hodgson, as well as movie-riffing robots Tom Servo, Crow and Gypsy. Embark on a wild rollercoaster ride through some of the cheesiest films ever made with plenty of comments from the peanut gallery. Mesa Arts Center, 1 E. Main Street, Mesa, 480.644.6500, mesaartscenter.com, 7:30 p.m., $37.50-$78.

The Fab Four

JANUARY 24 This Beatles tribute group is dedicated to recreating the legendary group’s performance, down to every nuanced detail. Their uncanny renditions of classics like “Can’t Buy Me Love,” “A Day in the Life,” “Here Comes the Sun” and “Hey Jude” will have you dancing down the aisle as they traverse through costume changes, eras and bops. Mesa Arts Center, 1 E. Main Street, Mesa, 480.644.6500, mesaartscenter.com, 8 p.m., $29.50-$62.50.

Tacolandia

JANUARY 25 Welcome to Tacolandia, where the cocktails are free flowing, the good vibes are growing and taco cooking is always going. This outdoor taco sampling festival showcases some of Phoenix’s best taquerias from urban and modern twists, to authentic street-style. With live music, photo ops and

Patton Oswalt

JANUARY 25 Patton Oswalt wormed his way into our hearts on “The King of Queens” and “A.P. Bio,” but he’s just as hilarious when he’s on stage. The Primetime Emmy Award-winning funny guy brings his stand-up show back to Phoenix to wax on pop culture, politics, nerdiness and more. Celebrity Theatre, 440 N. 32nd Street, Phoenix, 602.267.1600, celebritytheatre. com, 8 p.m., $45-$95.

Waste Management Phoenix Open

JANUARY 27 TO FEBRUARY 2 Let the countdown begin!

King Princess

JANUARY 29 Alternapop singer King Princess is only 20 years old, but she’s doing things her way entirely. Since producer Mark Ronson pegged her for his record label, she’s made a mark with tracks like “1950,” “Cheap Queen” and “Hit the Back,” balancing queer themes with pop sounds and a stage presence you have to see to believe. Get ready to dance. The Van Buren, 401 W. Van Buren Street, Phoenix, 480.659.1641, thevanburenphx. com, 8 p.m., $27.50.

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Dave Kindig is selling his ‘bitchin’ rides’ at Barrett-Jackson Christina Fuoco-Karasinski >> The Entertainer!

ave Kindig vividly remembers his first visit to Barrett-Jackson. The host of Velocity’s “Bitchin’ Rides,” Kindig was impressed by the caliber of available vehicles and the showmanship of the auctioneers. “I went with a couple friends to experience it,” Kindig says. “We were there with multiple millions of dollars of vehicles being sold. “I remember it was the year BarrettJackson sold the Ron Pratte GM Futurliner.”

ENTERTAINERMAG.COM

Kindig has since sold a bevy of vehicles through Barrett-Jackson, including a 1968 Camaro, 1967 Mustang, 1966 Nova and a 1937 Chevy. “We did quite well with all of them,” he says. “It was a great experience with Barrett-Jackson. I don’t sell at any auto auction unless it’s Barrett-Jackson.” This year’s Barrett-Jackson Collector Car Auction is set for Saturday, January 11, to Sunday, January 19. Thousands of automobiles, both old and new, will be displayed at WestWorld of Scottsdale. Several celebrity vehicles will also be up for auction, including Travis Barker’s 1941 Cadillac Series 62

Deluxe Convertible, and former Denver Broncos quarterback John Elway’s 1992 Dodge Viper. Kindig is no different. He’s selling a 1972 Chevrolet Blazer Custom SUV at no reserve. The green and white colors represent an ultra-clear contrast from the inside out. Painted in PPG forest green all over-GM sheet metal and trim with a vanilla top, Kindig says it looks great on its lowered stance thanks to AccuAir suspension. Under the hood sits a GM Performance LS3 6.2-liter V8 engine, detailed to look part of the era and backed by a 4L65E four-speed automatic transmission. The interior is done in beer foam leather to factory style. The interior features a full, custom stereo. Kindig’s other vehicle on the block is a 1967 Volkswagen Type II doublecab custom pickup “double deluxe.” Kindig calls it a “fresh concept” of a VW deluxe bus and a double cab

mixed in the “Double Deluxe” and features custom touches. The vehicle is rolling on 17-inch chromed Porsche Fuchs wheels and sitting on new airride suspension, with a Type 1 fourspeed manual transaxle and powered by a 1915cc 4-cylinder engine topped with a 40 mm carb and a Bergmann Porsche-styled fan shroud. Disc brakes up front and drum brakes in the rear help bring it to a stop. The body has a custom-built deluxe sunroof and a Deluxe Bus port window in the roof. All the glass is safari-mounted and chrome-plated. A fourth door was added to the Double Deluxe, as well as the 1958 taillights and rear-quarter air vents. The interior is fully customized by SewFine Interiors in vintage red with velour carpet, while the exterior had many hours of finish, bodywork and then sprayed in modern classics manic red and magic marshmallow. Kindig says it isn’t upsetting to turn the vehicles over to BarrettJackson or clients after he’s rehauled them. “I love the camaraderie I have with my clients,” Kindig says. “Every car I’ve done, I’ve been allowed to hang on for a minute. I can take care of logistics, compete, drive it a little bit and put on some miles on it. Make sure it’s valet proof and then give them back to the clients so

THE ENTERTAINER! MAGAZINE JANUARY 2020

daughter, Baylee, was 3 (she’s now 23); his son, Drew was just born when he quit his job. “My wife let me quit my job. I cashed in my 401(k)—I had $4,800—and started the business out of my garage. It wasn’t always easy. There were a lot of struggles and heartache and lessons to be learned. “I never gave up on it, though. Twelve years in, we realized we had something that could take care of our family and all the families who worked for us. We’re taking care of the machine that takes care of us.” He counts Craig Jackson among his family. “Craig Jackson knows how to throw a party,” Kindig says. “They create every kind of automotive dream and everything around it. It’s not just an auction. It’s the surroundings—the exhibitors, the art galleries—and that time of year is not bad compared to Utah weather. “I’ve always admired how they put the whole thing together at WestWorld. They do a marvelous job. Everyone has a good time.”

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Barrett-Jackson Collector Car Auction

WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale, 480.421.6694, barrett-jackson. com, various times Saturday, January 11, to Sunday, January 19, ticket prices vary depending on the day.

uide to The Insider ’s G 1707667

they don’t have problems.” Kindig and his team work on about 16 to 20 cars at a time. He is even amazed by his team’s work. “I was watching ‘Beyond Bitchin’’ the other day, where they revisit the most Bitchin’ rides we had done,” says Kindig, who lives in Draper, Utah. “It’s cool to see some of those cars and seeing the builds.” Kindig has sold more than a dozen vehicles in nine years with BarrettJackson. He’s a firm believer he has to spend money to make money. Kindig is a designer and builder who owns a hot rod shop and hosts “Bitchin’ Rides” on Motortrend. He says he began his career at age 5 playing with Lego and hot rods. “I just never let it go,” he says with a laugh. “I’m self-taught. There’s a lot of great stuff that came from Lego. It teaches you to work with your hands. “I try to inspire kids. If they like to draw, I show them how to perfect their craft and what they’re doing. The best way to start is with Lego. It’s done me good so far.” Motortrend thinks so, too. Kindig says he wasn’t a bit nervous when he embarked on his TV career. “I’m a ham,” he says, laughing. “I’ve always been comfortable in front of groups of people. I’ve always been very open and passionate about what I do and, fortunately, I have people who admire what we’re doing.” He owes his success to his wife, Charity, who encouraged him to quit his job and pursue his dreams. Kindig admits the timing was awkward. Their

nment

Arizona Entertai

.com

entertainermag

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A New Spin

Sushi Roku at W Scottsdale joins mocktail craze Christopher Boan >> The Entertainer!

ushi Roku bar manager Sarah Ehrman found herself in a bit of a quandary earlier this year, and it resulted in a radical change to the restaurant’s drink menu. Ehrman, who runs the bar at the sushi eatery inside the W Scottsdale, says guests would ask her for nonalcoholic versions of iconic cocktails. Her problem was the bar did not have any preset menu for such drinks, leading her staff to develop a trio of “mocktails.” The drinks have been a smashing success for the restaurant in the three months they’ve been offered, according to Ehrman. There’s been a rise in popularity for nonalcoholic takes on classic libations. “It definitely started because it’s not fair that people who don’t drink can’t have a fun beverage,” Ehrman says. “And we were just getting a lot of requests for our signature cocktails without alcohol, so much so that it’s like let’s cater to these guys a little bit more. “And then, if we’re just all

Coco Loco $12

Coconut water, coconut syrup, lime and pineapple juice

ENTERTAINERMAG.COM

making up random mocktails on the fly at the different locations, that customer can’t depend on something between location to location. They might’ve really liked something and could never get it again.” Mocktails have exploded in popularity, so much so that a Seattle woman named Marnie Ray created National Mocktail Week, January 12 to January 18, one year ago. “Throughout 2019 more restaurants and people entertaining at home began to serve up mocktails with greater frequency and flare, a trend we don’t see slowing down. We saw establishments make an effort to create and serve extraordinary alcohol-free drinks to patrons,” says Ray, who’s been sober for 17 years. “The mocktail movement is about so much more than the drink—it’s about making guests feel welcome at our establishments and included in the moment.” With the number of Americans choosing not to drink alcohol but still socializing and enjoying going out for a meal, the need for better and more Mocktails on the menu is needed and encouraged. Sushi Roku offers a trio of mocktails—Zen Garden, Lost in Paradise and Coco Loco. Zen Garden features cucumber, mint and a mixture of lime, lemon and Red Bull brand tonic water. Lost in Paradise has a spicy mix of serrano peppers and passion fruit puree, while Coco Loco is

Sushi Roku at W Scottsdale

7277 E. Camelback Road, Scottsdale, 480.970.2121, sushiroku.com a newfound take on a beach favorite, with coconut water and syrup mixed with lime and pineapple juice with a splash of soda water. Ehrman says the trio of drinks has been in hot demand since finding its way on the menu at the sushi haunt, with the Zen Garden being a crowd favorite so far. Ehrman says the drinks have been a hit, in part because the clientele at the W Scottsdale wants the taste of a cocktail without the inebriation that comes from it. “This is an exciting development, because everyone should be able to turn up and still be able to drive home afterward if they want to,” she says. “And it’s just fun to be part of something that started here and is definitely branching

Zen Garden $12

Cucumber, mint, lemon, lime and pineapple juice, Organics by Red Bull Tonic

out.” Ehrman’s statements are supported by global market research firm Mintel, who found in a 2019 study that 45% of Millennials would give up alcoholic beverages to improve their health. Ehrman is hopeful that the trend toward nonalcoholic drinks will continue and encourages more bars and restaurants to embrace the trend. She believes that Sushi Roku’s new menu items can serve as a step in the right direction in that regard, as customers will be able to order the same drinks at their locations. No longer are mocktails the on-thespot creation of bartenders, as they’re the next big thing in the bar industry, at least if people like Ehrman have their way. “If I make 20 signature cocktails on a slow night, I’ll make at least two of these new mocktails. And it’s refreshing for people to see something that they can order that doesn’t have to have alcohol,” Ehrman says. “So, it’s nice for them to be able to have a nice drink and something fun that they can’t get just anywhere. And they don’t have to booze themselves up.”

Lost in Paradise $12

Serrano jalapenos, orgeat, lemon and pineapple, passion fruit and Organics by Red Bull Ginger

FLIGHT

Tito Puente, Jr. with The Rico Monaco Band

co-presented with

FEB 15

JAN 17 FEB 1

written by Craig Wright directed by Ralph Remington

MAR 13 - 28

Joan Osborne/ The Weepies APR 4

Legends of Freestyle featuring

Coolio & Rob Base

MAR 21

BREWSICIAN Dave Clark, Arizona musician and craft beer expert, pens book and album

Connor Dziawura >> The Entertainer!

ne could argue that Fountain Hills’ Dave Clark is Arizona’s foremost “brewsician.” On one hand a singer-songwriter, the Cleveland native also has decades of experience in craft beer. He identifies as one of two master-level beer judges (through the Beer Judge Certification Program) in Arizona and is also a Certified Cicerone who has worked at various small- to large-scale breweries, doing

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everything from sales to distribution and even brewing. … Now, Clark has written his first book, “Phoenix Beer: A History Rising to New Peaks.” Published in late November, the book comes just months after Clark released his debut solo album, “Rock City.” He also frequently writes for publications about one passion, while performing the other at restaurants and bars across the state. “It’s really kind of funny how it all came out,” Clark admits of the book, which he wrote while working on his album.

“When you think about what you want to do in your life, you set your goals. I never actually made a true bucket list, but there are things that you know that you want to do. And, on my list was record multiple albums, but I wanted to write at least one book and I wasn’t sure what that would be. If I would’ve had to venture a guess, I probably would have guessed something in music.” The hardest part of getting to that point, however, is finding a publisher, he says. Luckily for Clark, Arcadia Publishing found him. He says the company discovered him through his freelance writing and asked that he contribute to a growing series of books that explores the history of beer in different cities. He had already committed to recording an album, but he buckled down and made sure he could meet his publisher’s deadline, too. The album and book were finished within a week of each other, he says. When approaching the book’s subject matter, he thought back to the time he spent more than a decade preparing to open his own brewery. He never did, but because of the hurdles that taught him, he chose to pay tribute to those who did achieve such goals. “I wanted my book to represent the people more than the beers because, for the most part in craft breweries, a lot of the beers change,” Clark explains. “Today you’re brewing an IPA with Simcoe hops and tomorrow you’re brewing that same beer with Citra hops. The beers evolve, but the people are the constant behind the breweries. “I wanted to feature them, talk about how it went from idea in the mind to reality in the world and what that process looks like, and know the struggles they might have had, the obstacles they had overcome. I wanted to tell those stories. So it was not only informational but also a little bit inspirational. As a musician, Clark’s resume includes work with bands such as Fatal Vision, Dreamer, Auntie Social, Rough House, Baby Blue and Dia Pason, though he went solo in the early 1990s. On the 11-track “Rock City,” Clark handles most of the instrumentation. “I’m probably what you would call either pleasantly or unpleasantly a control freak,” he says. “I have a vision of what the songs are supposed to sound like. I don’t write a part of a song or I don’t have an idea for a

song; I write the song start to finish, every note of every instrument. I write every word. I know where it’s going to be louder and quieter and faster and slower. I see the whole song in my head.” With the record, Clark wanted to hark back to the late ’80s, when he was fully immersed in hair metal. He says the spirit of the genre is alive and well in today’s melodic rock—just without the Spandex and hairspray. That, he says, has earned his songs regular rotation on the Greek internet station Rock Melodic Radio as well as in countries like Italy and Wales. “You put your album out online and all of a sudden you start hearing from people all over the world,” he says. “It’s really interesting, because that never would have happened 20 years ago.” While music and craft beer may seem like two entirely different worlds, for Clark they’re one in the same. “I think the perfect tie-in between these things is simply that if there’s any craft beer bar, if there’s a brewery, if there’s any place that values craft beer that also has live music, I’m that perfect person for them to look at, because not only can I be up on stage entertaining, I can talk to them about the different beers that are being featured,” he says. Because many people aren’t familiar with Clark’s originals, he puts a heavy emphasis on covers in his live sets. So, he spends much of his time exploring classic tunes from the 1960s to the ’80s, occasionally dabbling in the ’50s and ’90s and working in originals from “Rock City,” all while engaging the audience. And to keep his idea of authenticity, the performances are stripped down—just him and a guitar. “There are so many local musicians that are just background music, and I simply don’t choose to be that. I choose for it to be more of a show, and I want people to be as interactive as possible,” he explains. “That’s what I aspire to, and that’s what I go for every time I play.” For more information, visit daveclarkmusician.com or brewsician. com.

Dave Clark Phil’s Filling Station Grill 16852 E. Parkview Avenue, Fountain Hills, philsfillingstationgrill.com, 6 to 8 p.m. Fridays January 3 and January 31. Vino Di Sedona 2575 W. State Route 89A, Sedona, vinodisedona.com, 7 to 10 p.m. Saturday, January 11. Saddle Bronc Grill 11056 N. Saguaro Boulevard, Fountain Hills, saddlebroncgrill. com, 6 to 9 p.m. Saturday, January 25.

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STILL LAUGHING

Comedian Bobcat Goldthwait returns to his form of therapy Christina Fuoco-Karasinski >> The Entertainer!

obcat Goldthwait has never been good at selfpromotion, he says. The 57-year-old comedian has been in his profession since he was 15, so he thinks he should have mastered it by now. To keep the conversation going, he makes wisecracks and admits to duping journalists in the past. He once imitated Dave Grohl during a phone interview when the Foo Fighters frontman was in Nirvana. “You never know,” he says when asked about it. “This could be Dave Grohl.” Goldthwait still has it in him. He’s marking a return to the comedy circuit after directing films and TV shows. He helmed “Jimmy Kimmel Live” along with films like “Sleeping Dogs Lie” and “World’s Greatest Dad.” He’s currently working with Judd Apatow on turning a documentary about comedian Barry Crimmins, who died in 2018, into a feature film. “I direct a lot of things, like different people’s stand-up specials,” he says. “I directed a live performance of the author Mo Willems, who writes books for kids at the Kennedy Center. It was really fun. The kids were like a room

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full of drunken sailors. I am busy a lot.” He’s returning to the stage because he misses connecting with people—no matter their political or social stances. Also, “the world’s so fractured right now.” “It must be easier for younger comedians in this day and age to get material,” he says. “The nation is getting more divided. Last night, I was in an uber left progressive neighborhood.” Goldthwait suggested the audience “change their perspective.” That went over like a ton of bricks. “The show felt like the orchestra on the Titanic,” he says. Goldthwait didn’t want to give away too much about his show, but he did say it’s evolved over the years. The one common thread is it serves as therapy for him. “As a guy getting close to AARPcard age, I think it would be a little on the sad side if I did the same act as I did in the ’80s,” he says without realizing the AARP age is 50. “I do still have a lot of energy in my show, though. I just don’t sound like Grover on crack.” “I’m just really grateful I get to do this. That’s a new thing. That wasn’t always the case. It’s a pretty amazing thing to have the ability to go up on stage and entertain after all these years.”

Bobcat Goldthwait

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CITY

STYLE » ENVY » PASSION » FASHION » BEAUTY » DESIGN

‘GREAT FILMS WITH A LITTLE JEWISH FLAVOR’ Annual festival is dubbed a ‘can’t-miss occasion’ Christopher Boan >> The Entertainer!

he Greater Phoenix Jewish Film Festival is a labor of love for executive directors Barry Singer and Jerry Mittelman. They work throughout the year to find the world’s best examples of Jewish film and Israeli TV programming for the annual festival, which is set for Sunday, February 9, to Sunday, February 23. Singer gave a short and sweet reason about why Phoenicians flock to the event. “They are great international films and they range from documentaries, to comedies to dramas,” Singer says. “They’re just good films. And as we say in our tagline, ‘Great films with a little Jewish flavor.’” At the festival, filmgoers can watch a wide array of cinematic genres, with 32 new films and 13 short films being shown. Singer and Mittelman have been involved for more than two decades, with both calling the event a can’tmiss occasion, regardless of the guest’s denomination. According to Singer, the festival sprung out of a mutual love of film and a desire to share Jewish culture with the Valley as a whole, in a relaxed-yetinformative atmosphere. The completely volunteer-led festival

has run smoothly all these years, thanks to the effort put in by the likes of Singer and Mittelman, as well as dozens of others who share a common love of film. “We’ve all done all of the jobs that are necessary to see this festival grow to something really big,” Mittelman says. “The important thing is we have an all-volunteer team who works,” Mittelman says. “It’s a working board. The amiability and the collegiality with this group is something to behold. There’s nothing that seems to come in our way to interfere with the work that has to get done. Everybody is happy to do it.” This year’s festival, which will be held at Harkins Shea (7354 E. Shea Boulevard), as well as Harkins Tempe Marketplace (2000 E. Rio Salado Parkway) and Harkins Park West (9804 W. Northern Avenue, Peoria) costs $11 for adults, or $150 for a festival pass that allows guests to watch all of the films once. The film festival, which is the longest-running cinematic event in the Valley, features close to 2,900 minutes of Jewish cinema from 14 countries. The festival’s entrants are selected by volunteers who scan the world to find the best examples of Jewish film, according to Mittelman. The group meets once week, from the time the festival wraps up until the new one’s films are released, to collect and cultivate a well-rounded selection THE KEEPER

CRESCENDO

of films for the next year’s event. Both men are quick to point out the festival is not a religious gathering, however, with the committee having no fear to censor what they show to audiences. “No organization controls us. We’re not subject to any censorship, and it’s a very democratic system that we operate,” Mittelman says. “We have a small, deep, democratic system that we operate, and it’s worked successfully, and it’s helped our growth over the last 24 years.” Singer adds in years’ past they’ve shown films that have drawn the ire of viewers, but that such artistic freedom is paramount to keeping the festival’s offerings fresh and thought-provoking. Some screenings with featured guest speakers have caused guest to erupt, but Singer doesn’t chide that. “That freedom, that independence, is very important to us,” Singer says. “And it’s almost unique in the Jewish film festival world, mostly affiliated with official other organizations. “And the fact that we are independent and look, focus on the films and our audience is really a plus for us.” A new facet of this year’s festival is a series of Israeli film student films from the Israeli Film Contest. The top-three finishers from that

contest will be shown at the festival, joining other Israeli television programming, like “Autonomies.” Both men declined to name their favorite film, likening it to choosing a favorite child. Mittelman’s answer to picking a favorite is for visitors to go on the festival’s website, gpjff.org, to cull through the full list of screenings to see what interests them. That way, he says, everyone in the party will be sure to have a great time at the film festival. “We get that question from our friends and family all the time,” Mittelman says. “So, we always tell them to take look at the website, because they’re all favorites in their own way.”

Jewish Film Festival

Harkins Shea (7354 E. Shea Boulevard, Scottsdale), Harkins Tempe Marketplace (2000 E. Rio Salado Parkway) and Harkins Park West (9804 W. Northern Avenue, Peoria), 602.753.9366, gpjff.org, various times Sunday, February 9, to Sunday, February 23, $11 adults, $7 students and active military, $150 festival pass.

CELEBRATING HIP-HOP THE ENTERTAINER! MAGAZINE JANUARY 2020

The MIM explores the genre with a weekend full of events Christina Fuoco-Karasinski >> The Entertainer!

en years ago, when the Musical Instrument Museum opened, the first signature event was centered around hip-hop. To mark the decade anniversary, the MIM is returning to the genre. “Celebrate Hip-Hop” runs from 9 a.m. to 5 p.m. Saturday, January 18, and Sunday, January 19, and features beat-making and hip-hop dance workshops, street art demonstrations and performances combining streetstyle dance and live DJ sets. “We thought it was kind of fitting to start the 10th year anniversary and bring that full circle,” says Ryan Borden, the MIM’s public programs manager. Contributing to the activities will be AZ Beat Lab and Samuel Pena. “He’s a good friend of the museum,” Borden says. “He’s been here before in several different capacities.” Jukebox Dance Studio in Downtown Mesa will lead a dance workshop. The Furious Styles Crew is slated to perform and curate a concert. “We have one performance slot,” Borden says. “Like all of

our programs—cultural or artistthemed—there’s so much more to that theme than we’re able to dig into and uncover in the span of a weekend. “Edson ‘House’ Magaña is really talented and is originally a b-boy himself. He’s a lecturer at the Herberger School for the Arts at ASU. He is really tapped into what’s going on in the underground around here. We’re fortunate he was willing to help us put this program together.” Such and Champ Styles will guide guests through their creative process and share their experiences as graffiti and street artists both days. “Such and Champ Styles are going

to do a live mural for us,” Borden says. “We’re going to have it on display in our education room for the rest of the year. “They did a live mural for us years ago. They also painted the backdrop to our hip-hop display in our galleries. They’ve had continued involvement in our museum, We’re happy to have them back.” On Saturday only, the MIM will screen the film “American Beatboxer”

from 10:30 a.m. to noon. The film tells the story of the first American Beatbox Championships in 2010. All of the activities are included with general admission and, Borden says, it’s perfect for all ages. “We’re been doing a really good job of bringing aspects of music making and dance to the MIM,” Borden says. “We’re getting various institutions involved so we have deep, meaningful cultural value.”

this drop-in music-making session.

This captivating performance showcase combines street-style dance forms, live DJ sets, and more, all curated by long-time hiphop community mainstay Edson “House” Magaña and Furious Styles Crew.

DANCE WORKSHOP 1:15 to 2 p.m. Bust a move in this hip-hop dance workshop with instructors from Jukebox Dance Studio, led by codirectors Leah Roman and Rae Rae. PHOTO BOOTH 9:30 a.m. to 4 p.m. Have your picture taken with musical props at MIM’s photo booth, and get your own copy. “AMERICAN BEATBOXER” 10:30 a.m. to noon (Saturday only) Discover the evolution and competition of beatbox culture with a screening of American Beatboxer, an award-winning feature documentary film about the first American Beatbox Championships in 2010. SPOKEN WORD LECTURE AND DEMONSTRATION 10:30 to 11:15 a.m. (Sunday only) Join Phonetic Spit director Tomas J. Stanton in “From the Margins

to the Core,” an interactive journey through the history of spoken word poetry. Experience this lyrical art form firsthand from Phoenix’s premiere spoken word ensemble dedicated to youth empowerment and social change.

LIVE ART DEMONSTRATION 10:30 a.m. to 2:30 p.m. Watch artists Such and Champ Styles paint a hip-hop-influenced artwork from start to finish. Stop by at 2 p.m. to hear Such and Champ discuss their work with guests in a special Artist Encounter!

ARTIST ENCOUNTER: SUCH AND CHAMP STYLES 2 to 2:30 p.m. Artists Such and Champ Styles will guide you through their creative process and share their unique experiences as graffiti and street artists. MUSIC AND DANCE SHOWCASE 2:30 to 3:30 p.m.

HIP HOP-THEMED EXTRAS AVAILABLE FOR PURCHASE During Café Allegro lunch hours, enjoy a stylistic menu featuring fun dishes such as turkey with spinach soup, chicken and beet salad, blended beef burger with beans, and crumble cake for dessert. Shop the Museum Store for gifts inspired by hip-hop, as well as a selection of music and books for adults and children.

BEAT-MAKING WORKSHOP 11:30 a.m. to 12:15 p.m. Hip-hop music needs a beat, so come create your own with Samuel Peña and the educators from AZ Beat Lab in ENTERTAINERMAG.COM

Just for Laughs

Comedian Joe Netherwood infuses humor into his artwork Sue Kern-Fleischer >> The Entertainer!

ife has a funny way of steering us in a different direction. And for acclaimed oil painter Joe Netherwood, life took a serious turn after he spent five years performing as a professional stand-up comedian throughout the Mid-Atlantic and Midwest states. Back then, he had no idea that years later, he would be invited to participate in prestigious, juried shows at the C.M. Russell Museum in Great Falls, Montana, the Phippen Museum in Prescott, the Briscoe Western Art Museum in San Antonio, Texas,

the Gilcrease Museum, in Tulsa, Oklahoma, the Museum of Western Art in Kerrville, Texas, and many other notable Western art shows. Growing up in Richmond, Virginia, Netherwood loved watching Western movies and TV shows, but he was equally passionate about comedy. “When I first heard Southern comedian, Brother Dave Gardner, I started buying his comedy albums,” Netherwood says. “I was only in fourth grade, but I’d take his material and perform it in front of my classmates. That was a watershed year for me as my teacher, Ms. Stacy, recognized my art skills, and she encouraged me to continue drawing and painting.” Later, in high school, Netherwood

“GRAMPA’S SADDLE” BY JOE NETHERWOOD 36” HIGH X 24” WIDE - OIL ON LINEN

PHOTO CREDIT: ROSE PHOTO LTD.COM

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JOE NETHERWOOD AT ARIZONA FINE ART EXPO

PHOTO CREDIT: ARK PHOTOWORKS

formed a rock band with fellow students, performing various gigs at clubs around Richmond, including several after-hours clubs, which were open from 1 to 3 a.m. “One of the band member’s father owned The Bee Club and performing after hours there was an eye-opening experience for me,” he says, adding that he witnessed fist fights and other crazy scenes. “On Monday mornings, my English teacher, Mrs. Posey, always asked us to stand in front of the classroom and share experiences from our weekend. That was my steppingstone to performing comedy. I would share funny experiences from our gigs, and by doing so, I became more comfortable performing in front of a group.” After high school, he served in the Air Force and was stationed in Texas. In 1984, he moved to Philadelphia, where he worked as a designer and an illustrator, and later, studied with several faculty members of the Pennsylvania Academy of Fine Arts. While in Philadelphia, he discovered open mic nights at comedy clubs. “There were no comedy clubs in Richmond, so I was really excited to have a chance to develop my material,” Netherwood says. He started performing at The Comedy Factory Outlet doing 3-minute sets, often last in the line-up, but the more he performed, the better he got. “One night, the club owner asked me if I could work on weekends, helping to greet and seat people, and other tasks. It was a great opportunity, and eventually, I became the opening act, doing 10-minute sets,” Netherwood says. While he enjoyed writing material, he had the most fun ad-libbing, even when there was an occasional heckler. “I loved the energy of the crowd,” he

says. “I was good at coming up with quick, witty responses during normal banter with audience members, but one of my favorite things was to eat hecklers alive. Some comedians freeze when that happens, but I was like, “Bring it on!’” Netherwood was so good, he started performing in a few other comedy clubs in Philadelphia and he traveled to several states, and as far west as Kansas, to perform new material. He also entered a comedy contest in Atlantic City and finished strong as a finalist with one of his biggest audience ovations. “I’ll never forget that contest,” he says. “It was at the Comedy Stop at the Trop in the Tropicana Hotel in Atlantic City, and one of the other finalists was a young comedian named Ray Romano, who ended up winning the contest. Gee, I always wondered what the heck happened to him.”

TAKING HIS ART SERIOUSLY Throughout Netherwood’s comedy career, he worked full-time as a graphic designer and illustrator. A trip to Brandywine River Museum in Chadds Ford, Pennsylvania, was the catalyst for his fine art career. It influenced him to portray the love of the West that lay dormant in him since childhood. “I grew up watching Roy, Hoppy and Gene’s adventures on TV, but seeing N.C. Wyeth’s classic western illustrations at the museum reignited that passion I had for the West,” he says. Five years after his trip to Brandywine River Museum, he and his wife, Stephanie, moved to Arizona, where his career took off. Mostly self-taught, he immersed himself in the Western lifestyle by visiting and working on ranches, cattle drives and roundups. In addition, he spent countless hours researching the Old West.

THE ENTERTAINER! MAGAZINE JANUARY 2020

“I’m a hopeless realist,” he says. “Not only do I want my work to show the diverse cultures and ethnic backgrounds of the West, I want every detail to be accurate. That means all of the clothes, accessories, riggings on horses, wagons and other details must be period correct.” With each oil painting, he strives to tell a story. Whether it’s a large evocative painting depicting a battle, a medium-sized piece showing the serene landscape of the plains, or a miniature portrait showing the raw emotions of his subject, he pays close attention to form, color and light to capture the beauty and untamed wilderness of the American West. “The characters of the West intrigue me the most, and I enjoy the challenge of portraying their diverse personalities,” he says. “I get the most satisfaction from painting their faces, and I save that for last. It’s kind of like having dessert after a meal—it’s my favorite part of painting, and I look forward to seeing the final, finished piece.” While he takes his painting very seriously, the Scottsdale resident never lost his sense of humor. “Sometimes I insert humor into my paintings, and, if I can, I’ll come up with a clever, tongue-in-cheek title for a painting,” he says, adding that he even keeps a journal of title names that he and Stephanie come up with. “We have a lot of fun coming

up with creative titles, and I think our collectors find them to be entertaining.” Netherwood is one of nearly 100 artists participating in the Arizona Fine Art Expo, which begins Friday, January 10, and runs daily from 10 a.m. to 6 p.m. through Sunday, March 22, under the “festive white tents” at 26540 N. Scottsdale Road. During the fine art show, he will exhibit a variety of paintings depicting mountain men, Native Americans, cowboys, cowgirls, ranchers and other Western scenes. “We have great camaraderie among the artists at the Arizona Fine Art Expo, and I really enjoy getting to meet patrons and share my inspiration for my work,” Netherwood says, showing off some of his wit. “And I still get to share my sense of humor with patrons who visit my studio, only in this case, I’m performing at an art show in front of a smaller crowd.”

“THE NIGHT MESSENGER” BY JOE NETHERWOOD 8” HIGH X 10” WIDE - OIL ON BOARD PHOTO CREDIT: STEPHANIE NETHERWOOD

Arizona Fine Art Expo

Under the white tents, 26540 N. Scottsdale Road, Scottsdale, 480.837.7163, arizonafineartexpo.com, 10 a.m. to 6 p.m. Friday, January 10, to Sunday, March 22, $10; $8 for season passes for seniors and military; free for children 12 and younger. “GUARDIANS OF SACRED GROUND” BY JOE NETHERWOOD 30” HIGH X 40” WIDE - OIL ON BELGIAN LINEN

PHOTO CREDIT: STEPHANIE NETHERWOOD

“IF YOU’RE LOOKING FOR TROUBLE…” BY JOE NETHERWOOD 10” HIGH BY 8” WIDE - OIL ON BOARD PHOTO CREDIT: STEPHANIE NETHERWOOD

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‘EPIC’ TASK

Gabe Kubanda has big plans for musicians around the world Christina Fuoco-Karasinski >> The Entertainer!

abe Kubanda looks at music differently than most musicians. With an acute business sense, the Glendale singersongwriter has “epic” plans for his career and others around the world. In 2011, Kubanda founded “The Epic Proportions Tour,” a jaunt that visits high schools, colleges and military bases around the world. Kubanda’s business partner, Peter Sotos, is a U.S. Army veteran. “We support our servicemen and know that because they are on the front lines keeping us safe and free, we’re able to do what we do,” Kubanda says. “Regardless of the crazy politics on both sides of the aisle, we know that it is a massive sacrifice for the men and women in the military. So we love to give back, and put on concerts for them whenever we can.” Kubanda and Sotos are generous and don’t take advantage of bands, as many do in the industry. “We actually pay the bands,” he says with a laugh. “We take care of their travel and their lodging and a lot of their food. We give them a crazy tour experience for free and they get paid. “That’s how I want the music

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industry to run. I want to give people opportunities and not just try to see what I can take from them. Last year’s European tour was nuts. I took a couple bands around Denmark, Sweden and the U.K. for a month and a half and it was amazing.” On average, the tour performs to approximately 250,000 fans between the ages of 14 and 24 per tour, thanks to sponsors and benefactors. This month, Kubanda will speak and perform at the NAMM (National Association of Music Merchants) Show in January in Anaheim. He’ll sit on the “Smart Touring” and “How to Land Brand Partnerships” panels at 1 p.m. and 3 p.m., respectively, Thursday, January 16. Both events require NAMM badges. Those without a badge can see Kubanda perform at midnight Friday, January 17, on the Anaheim Hilton lobby stage. The show is free.

EPIC PROPORTIONS The Epic Proportions Tour brings along a full backline, highly trained road crew and a state-of-the-art sound system. The idea came about simply. “I was in L.A. with a post-emo band called Letters Burning and we were struggling to get people out to shows all the time, you know, getting our friends and family members to buy tickets and have to deal with two-

drink minimums and parking on Sunset Boulevard,” he says. Kubanda had an epiphany: go to the fans. “I was thinking high schools. Those are the types of fans that we want,” he says. “We started just calling up high schools and saying, ‘Hey, can we play a free lunch concert for your students?’ Many of them said yes. “I was surprised it was that easy.” Success required plenty of cold calls and many a polite “no thank yous.” “At first, they said, ‘You can’t sell CDs. You can’t talk to the kids. You can’t get their emails. You can’t do this…’” he recalls. “But then they started getting familiar with us. I left the band and started ‘The Epic Proportions Tour.’ We added colleges and military bases to that equation. “They realized we’re always bringing out good bands and if there are problems, I’m the fall guy. They can yell at me and that’s cool.” Kubanda has toured with bands from Australia, Canada, Argentina and Arizona. “We’re pretty ragtag, but I’m still proud of it,” he says with a laugh. “Seriously, we’ve never quit. We’ve never canceled a tour—even in the face of really harsh circumstances.” That includes surviving a serious crash when its bus was hit by a semi during a tour.

“We were traveling to San Francisco to do a bunch of college shows in the spring and it was at the end of our tour,” Kubanda explains. “A semitruck driver fell asleep at the wheel and hit us going 70-75 miles per hour. Our entire bus flipped off the road multiple times. We were all in bunks and apparently that’s what saved us. We were bouncing around in a short space instead of flying all around the cabin and getting thrown out of windows. “We had a summer tour planned right after that and we waited to do all the chiropractor’s stuff later,” he says with a smile. “We went on tour.” The acts with Kubanda, including Lost in Atlantis and the Thomas King Band, sustained many injuries, mostly abrasions from the steel that kept the metal bunks in place, and broken bones. “We all survived.”

MUSICAL FAMILY Kubanda grew up in a musical household, performing in his church and jazz band in high school. He also teamed with his friends to form garage rock bands in Seattle. “I always thought it would just be a hobby,” he says. “I took the big step and moved to L.A. to go to UCLA Music Business School. It was an afterhours program.”

THE ENTERTAINER! MAGAZINE JANUARY 2020

He studied music business at UCLA and that led to an internship with a manager who worked with Filter, BT, the Crystal Method, Psychedelic Furs and Henry Rollins. “Basically, I was just running coffee and errands for people,” says Kubanda, who will soon release the hook-laden single “Let’s Ride.” “But it really opened my eyes to how the industry was—the good and the bad of it. I really didn’t like a lot of it. “When I started this tour, I wanted it to be anti-industry in a way. I wanted to focus on being nice to people. That’s how I’ve operated ever since. The key is to be nice and work hard.”

MUSIC EDUCATION Kubanda slowly went from playing lunch concerts to also speaking in classes. He dubs it #EduMusication, which pairs professional artists with music students for “rousing” workshops, demos and Q&As, showing how students can start today on their journey toward a rewarding career in music. The organization is also offering $5,000 scholarships with Full Sail University; freebies; and music gear provided by Ernie Ball, Orange Amps; PRS Guitars and Line 6. “We’re a 501(c)(3) nonprofit,” he says. “We offer music inspiration and education workshops for free. We just want to show if we can do it, you guys can, too—but start now. Don’t wait as long as we did. “Get on YouTube, start making cover videos, start managing your own

student band, start playing shows, start interning places. Think about a career now instead of 20 years later.” The next “Epic Proportions Tour” will kick off March 9 at South By Southwest Music Conference and continues through April 30 in New York City. By performing at South by Southwest and NAMM, Kubanda has honed the art of networking and feeling comfortable approaching complete strangers to chat. “Walking up to complete strangers, you never know where it’s going to lead,” he says. “I think that’s really important for any musician or anybody who wants to be in the industry, If you sit at home and play guitar all day long, nobody’s going to hear you. “NAMM is especially important because all the music merchants are there and all the vendors are there. If you want to be sponsored by your favorite guitar company or a piano company or a piece of gear or a DJ, this is where you’re going to meet those people face to face. I know musicians tend to get in their little bubbles and just hang out with local music people, but you need to branch out.”

Epic Proportions Tour epicproportionstour.com NAMM namm.org

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TRAVEL

VACATION » SIGHTS » DAY TRIPS » ADVENTURE » EXPLORE » TRAVEL

Turtle Bay Resort

Family fun on Oahu’s North Shore Leslie A. Westbrook >> The Entertainer!

ynnette, a librarian, and her just-retired husband, Mario, traveled from Melbourne, Australia, to celebrate Mario’s 60th birthday in Hawaii. We met in the elevator on our first day at Turtle Bay Resort in Kuhiku and she was pleased to know there were laundry facilities on the third floor. The couple booked five nights at the Oahu resort located on the worldfamous North Shore of Oahu, and they brought “the kids” along—their two young adult children, Rebecca and Michael. This is not unusual: as I explored the grounds upon arrival, a nursing mother sat by the resort’s casual pool overlooking a favorite local surf spot and a pod of youngsters happily played in the sand at another one of Turtle Bay’s many kid-friendly areas. In fact,

the resort closed its child care center for lack of interest: everyone wants to hang out together and indulge in the multitude of activities offered. From a gentle protected beach for swimming to horse stables and trail rides along the sea to two 18-hole championship golf courses and 12 miles of hiking and mountain biking trails, there is something for everyone. There’s hula, surf and stand-up paddle boarding with a dog, tennis and even ukulele lessons. All ages will find plenty to do (or not do) at this super family-friendly retreat that also appeals to couples. The property encompasses nearly 1,300 acres on the island of Oahu’s North Shore—providing plenty of room for one and all to spread out and enjoy. Mario and his son planned to play golf together the next day (on his American time birthday); the night before the family splurged on dinner

at the most upscale of the resort’s restaurants that include Pa‘akai (North Shore farm- and sea-to-table cuisine); Lei’s Lei’s at the golf course (we heard rave reviews from other guests) and Roy’s Beach House for lunch/dinner. The Lobby Lounge has pastries, fruit in the a.m.; cocktails at night with an ocean view. There’s even a nightclub with live music on site that’s popular with locals simply called Surfer, The Bar. With a lovely view of the sea, from our fifth-floor hotel room in one of the 410 ocean view guest rooms, my sweetie Phil and I planned a full day ahead of our short two-night stay: he went off to explore hiking trails and practice gi qong; I decided to check out the hula class. We agreed to meet up for ukulele lessons at 8:45 a.m. From there we were off and running! Joining our a small group for free ukulele lessons was a couple from Minnesota celebrating their 25th wedding anniversary, a young permaculture farming family from New Zealand: 9-year-old daughter, Lacey, and her mum, Lynore Oakley, engaged in the class; while dad looked after their curly redheaded youngest family member, 4-year-old River. A mom from Berkeley with Erica, the Colombian nanny to her to daughters, strummed along as well, while the two daughters were elsewhere with their other mom. Another family with adorable 7-year-old, culture sharing cousins Emily, from Long Island and her cousin Ina, who lives in North Korea, were meeting in Hawaii for

a family vacation with their Korean grandparents. Ina was a natural and as it turns out, has a ukulele at home. The ukulele, originally brought to the Hawaiian Islands from Portugal, our teacher Alii Pukahi told us, means “jumping” and “flea” because the immigrant Portuguese played the instrument so fast that their hands resembled jumping fleas. In less than an hour, we all learned to strum and sing along two songs: “You Are My Sunshine” and “Twinkle, Twinkle Little Star.” Turtle Bay is also a fine place for romance. I came with my ocean-loving partner and we discovered plenty of quiet places to stroll and enjoy the mesmerizing aqua colored waves with repeating sets of hypnotic foamy white waves breaking. We enjoyed a casual lunch at The Point poolside bar with great, albeit windy, Pacific views—tasty kalua pork tacos for me, Ahi salad for him. Our friendly local bartender offered up great off-property island tips, including the huli huli chicken, shave ice and mochi balls in the historic town of Haleiwa (we stopped at Ray’s on our way back to the airport for chicken to go). The resort also gets a lot of repeat business, like the “Star Trek” TV producer who was visiting for the umpteenth time with his wife. He ordered something at the bar called a “Monkey’s Lunch,” a blended drink with bananas, Kahlua and Bailey’s Irish Cream, that probably rings in at about a million calories.

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“I drank 10 in a row once,” he bragged, but then lamented, “that was a long time ago and I gained 15 pounds!” I doubt it contained more calories than the Lava Flow my local friend Lori insisted I try: a pina colada made with half and half with strawberry syrup swirled throughout the refreshing mix that mimicked Madame Pele trapped in a cocktail. I was excited and curious to try the latest spa specialty—the HydraFacial, administered by the delightful and engaging Maygen, a local mother of three. I showered, took a sauna and went to the outdoor rest area with ocean views to wait for Maygen and was offered a complimentary glass of sparkling wine. “It’s happy hour,” I was told (noon to 5 p.m. weekdays). Maygen went to work on my face with a sort of mini vacuum that instead of being pinched and squeezed was a painless and effective deep cleaning treatment. I didn’t notice a huge change (Phil told me my face looked “plumper”) but I did love the treatment and would do it again in a Hawaiian heartbeat. Our last activity was a fantastic Tahitian Fitness dance class, created by Penny Toilolo from Laie, known as the mama of Tahitian dance. Her student Siona taught our class. For an hour, we swayed and swiveled our hips, gently moved our arms and built up to a frantic, sweat inducing pace complete with yelps! We now have plenty of reasons to join other repeat visitors—to hop atop a horse, try a surfing lesson with Rocky Canon (with a dog on board) and improve our ukulele and Tahitian dance skills. A “hui hou”—until we meet again, Oahu! For now, we will just have to practice what we learned at home and embrace the sweet aloha spirit in our hearts and souls with memories of Oahu’s awesome North Shore.

Turtle Bay Resort

57-091 Kamehameha Highway, Kahuku, Hawaii 1-808-293-6000, turtlebayresort.com

GO LOCAL One nice thing about the superfriendly hotel staff at Turtle Bay is their tips on off property things to do. Here are a few: We stopped at the farmers market at Waimea Falls on the way to the resort and enjoyed tasting and trying samples of everything from gluten-free banana bread to falafel waﬄes and potions made from native plants said to alleviate pain from arthritis and other ailments. Waimea Valley Farmers Market at Waimea Falls; Thursdays 3 to 7 p.m.; 59-864 Kamehameha Highway, Hale’iwa, Hawaii. Huli huli chicken: Only open on the weekends, Ray’s Kiawe Broiled Chicken offers rotisserie plates to go. Locals like Turtle Bay bartender

Allen order both the “chopped and the whole, so I can nibble on the chopped on the way home,” he says. Ray’s Kiawe Broiled Chicken, 66-160 Kamehameha Highway, Hale’iwa, Hawaii (Saturday and Sundays only). Best food trucks: Tourists stop at food trucks at famous Sunset Beach, but locals know the best food trucks are in Kahuku, a bit farther down the highway. Crystal healing treatment: Local Shawna Renee offers hourlong treatments ($60) to balance the chakras incorporating specially blended oils. A keepsake vial of moon water and crystal to “anchor one’s intentions” rounds out the experience. To book appointment: magikalenergy.as.me

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ARTS

CULTURE » THEATER » DANCE » GALLERY » DRAMA » VISION

ARTS

CALENDAR Randy Montgomery >> The Entertainer!

installations, visitors will see 20 penguins posing among the cactus and 40 majestic grey wolves guarding the Sybil B. Harrington Cactus and Succulent Galleries. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix, 480.941.1225, dbg. org, times vary, free-$29.95.

Southwest Gospel Music Festival

“Lies Unsaid:” Paintings by Cam DeCaussin

TO JANUARY 31 This public installation focuses on the intimate stories and private lives of the strangers you pass every day. Simple curiosity, or even voyeurism, is a profound and common dynamic in society. Cam DeCaussin’s artwork is inspired by walks in ordinary neighborhoods, using the low light of evening, where each window transforms into a TV screen depicting an intimate story. Appaloosa Public Gallery, 7377 E. Silverstone Drive, Scottsdale, 480.312.7323, scottsdalepublicart.org/ events, times vary, free.

“Wild Rising” by Cracking Art TO MAY 10 This installation features animal sculptures made from colorful and recyclable plastic. The vibrant art forms are the creations of Cracking Art, a collective of artists who specialize in plastic as an artistic medium. With 12

JANUARY 6 TO JANUARY 8 The Southwest Gospel Music Festival has grown to become one of the most exciting multiday gospel music events to take place west of the Mississippi River. The three-day, foursession event features the best in southern gospel music. Performers include The Booth Brothers, The Hoppers, Legacy Five, Greater Vision, Triumphant Quartet, Poet Voices, Tribute Quartet, Liberty Quartet, Keepers of the Faith and renown speaker/ comedian, Dennis Swanberg. Presented by SWG Music. Mesa Arts Center’s Ikeda Theater, 1 E. Main Street, Mesa, 480.644.6500, mesaartscenter. com, times vary, $13-$58.

“Summer: The Donna Summer Musical”

JANUARY 7 TO JANUARY 12 She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music

REAL GOLD. REAL

Burger.

diva who followed. With a score featuring more than 20 classic hits, experience a moving tribute to the voice of a generation. ASU Gammage, 1200 S. Forest Avenue, Tempe, 480.965.3434, asugammage. com, times vary, $30-$125.

your imagination soaring. We’re sure to include music from your TV and movie sci-fi favorites. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe, 480.350.2822, arizonawindsymphony. com, 7 p.m., $12 and $15.

“Dick Clark’s Countdown to the 1950s: Starring The Rave Ons!”

JANUARY 10 Back by popular demand direct from New York City, The Rave Ons perform their new show that has delighted audiences around the world. Rock out to the top hits of the 1950s like “Who’s Sorry Now,” “That’ll Be the Day,” “Donna,” “At the Hop,” “Rock Around the Clock” and “Hound Dog.” Queen Creek Performing Arts Center, 22149 E. Ocotillo Road, Queen Creek, 480.987.7469, qcpac.com, 7:30 p.m., $22-$27.

“She Kills Monsters”

JANUARY 10 TO JANUARY 26 A comedic romp into the world of fantasy role-playing games. Agnes Evans leaves her childhood home following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, she stumbles into the imaginary world that was Tilly’s refuge. A heart-pounding homage to the geek and warrior within us all. Contains adult language and content. Presented by Mesa Encore Theatre. Mesa Arts Center’s Farnsworth Studio, 1 E. Main Street, Mesa, 480.644.6500, mesaartscenter. com, times vary, $23-$26.

Arizona Wind Symphony Presents “3-2-1 Blast Off!”

JANUARY 15 Travel to musical worlds beyond our galaxy. Let your ears lead you to a dimension as vast as space and as timeless as infinity. Set

“Flight”

JANUARY 17 TO FEBRUARY 1 Two young orphaned brothers embark on a desperate odyssey to freedom and safety. With their small inheritance stitched into their clothes, they set off on an epic journey across Europe, in a heartwrenching road story of terror, hope, imagination and survival. Mixing graphic novel with exquisite diorama, this unique experience makes a powerful impact in an emotionally devastating story. Contains adult content. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe, 480.350.2822, tempecenterforthearts. com, times vary, $10-$20.

“Charlotte’s Web”

JANUARY 17 TO FEBRUARY 2 Wilbur is an irresistible young pig who desperately wants to avoid the butcher. Fern is a girl who understands what animals say to each other. Charlotte, the extraordinary spider proves to be “a true friend

THE ENTERTAINER! MAGAZINE JANUARY 2020

and a good writer.” Determined to save Wilbur, Charlotte begins to weave the beautiful, knowing story about friendship. Presented by Theater Works. Peoria Center for the Performing Arts, 10580 N. 83rd Drive, Peoria, 623.815.7930, theaterworks. org, times vary, $18.

Queen Creek, 480.987.7469, qcpac.com, times vary, $13-$15.

Black Violin: Impossible Tour

“Carnival of Illusion”

JANUARY 17 AND JANUARY 18 Imagine a vaudeville-inspired theater show with old-world magic, add a twinkling hint of 1900s Parisian humor, shake and stir for 100 minutes for your passport filled with fun. You are a passenger in this entertaining theater of illusion. Embark on a magical journey with Roland Sarlot and Susan Eyed. Tempe Center for the Arts, 700 W. Rio Salado Parkway, Tempe, 480.359.SHOW, carnivalofillusion.com, times vary, $45 to $60.

“Celebrate Hip-Hop”

JANUARY 18 AND JANUARY 19 Kick off the New Year with musical performances, live-painted street art and break dancing at MIM’s new event celebrating this popular genre. While at the MIM, explore the world’s only global musical instrument museum. Musical Instrument Museum, 4725 E. Mayo Boulevard, Phoenix, 480.478.6000, themim.org, 9 a.m. to 5 p.m., free to $20.

“The Marvelous Wonderettes” JANUARY 24 TO JANUARY 27 This smash off-Broadway hit takes you to the 1958 Springfield High School prom where we meet Betty Jean, Cindy Lou, Missy and Suzy, four girls with hopes and dreams as big as their crinoline skirts! As we learn about their lives and loves, the girls serenade us with classic ’50s hits including “Lollipop,” “Dream Lover,” “Stupid Cupid,” and “Lipstick on Your Collar.” Queen Creek Performing Arts Center, 22149 E. Ocotillo Road,

JANUARY 31 Classically trained string players Wil B. (viola) and Kev Marcus (violin) will be joined onstage by DJ SPS and drummer Nat Stokes. The band uses its unique blend of classical and hiphop music, often described as “classical boom,” to overcome stereotypes and encourage people of all ages, races and economic backgrounds to come together to break down cultural barriers. Chandler Center for the Arts, 250 N. Arizona Avenue, Chandler, 480.782.2680, chandlercenter.org, 7:30 p.m., $36-$56.

Anne-Sophie Mutter, Violin and Lambert Orkis, Piano JANUARY 28 For more than 40 years, fourtime Grammy Award-winning violinist Anne-Sophie Mutter has been a fixture on the world’s most prestigious stages. She’ll be joined by pianist Lambert Orkis, with whom she has appeared for 30 years. Program details: Beethoven Sonata for Piano and Violin Nos. 4, 5, 9. Scottsdale Center for the Performing Arts, 7380 E. Second Street, Scottsdale, Scottsdale, 480.499.8587, scottsdaleperformingarts. org, 7:30 p.m., $65-$155.

Jacob Jonas The Company with Special Guest Okaidja Afroso JANUARY 31 Jacob Jonas The Company (JJTC) has burst onto the California and West Coast dance scenes with its fresh take on contemporary ballet, breakdancing and acrobatic movement. From the piers of Santa Monica to the Kennedy Center, JJTC brings new light to contemporary dance. Scottsdale Center for the Performing Arts, 7380 E. Second Street, Scottsdale, Scottsdale, 480.499.8587, scottsdaleperformingarts. org, 8 p.m., $18-$45.

TOWN OF CAVE CREEK ANNOUNCES INAUGURAL CAVE CREEK CRAFT BEER FESTIVAL

Feb. 29, 2020 Stagecoach Village (7100 East Cave Creek Rd., Cave Creek, AZ 85331)

1-5 p.m.

Great craft breweries all in one location. Pub Food (for purchase) Live Music by Lindsey Vogt

General admission $45.00

(General entry gets you a cool sampling mug and 20 drink tickets so you can try your favorite beers as well as some new brews)

VIP tickets are $60

(Available online for pre-sale only. Early access at noon plus a cool mug to remember the event and sample your brews in. A $7.00 food voucher to purchase some pub grub and 5 extra drink tickets.)

Tickets available online only at www.eventbrite.com, hurry and get your VIP ticket now before its too late. For more information or to participate as a vendor or brewery visit: Cavecreekcraftbeerfestival.com, or Call Adam Stein at 480-488-6636.

uide to The Insider ’s G

nment

Arizona Entertai

.com

entertainermag

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BIG DREAMS ‘Americano!’ is this year’s buzz-worthy show Bridgette Redman >> The Entertainer!

“

Americano!” is a story so powerful that The Phoenix Theatre is staging it as part of its 100th anniversary season. Just how powerful? It’s already being advertised on billboards in Times Square. It could be one of the most ambitious and important new works of 2020. “Americano!” is a musical based on the life of Camelback High School graduate Tony Valdovinos, who was so inspired by the events of 9/11 at age 11 that he told himself he would join the Marines. At age 18, he visited a Marine recruiter’s office and then learned he was not a U.S. citizen. He was brought from Mexico by his parents when he was 2 years old. Valdovinos was the first Dreamer to work at Phoenix City Hall and founded La Machine Operations, which supports candidates to office. He’s helped to elect three Marines and many women. He says it’s moving to watch his story in “Americano!” “It’s hard to explain what it is like to listen to music and watch these professional actors portray some of the toughest moments of my life,” Valdovinos says. “I believe in the importance of it being told, but I’m definitely keeping my head down and continuously doing my work in the political fields.” The musical has received bigtime support, including a $250,000 donation from public relations executive Jason Rose, the brainchild behind the idea. He brought in Ken Davenport to helm the production. Davenport is well known in Broadway circles as the producer of “Kinky Boots.” The cast is 85% Latino, including Texan singer-songwriter Carrie Rodriguez, who composed tunes for “Americano!” on the recommendation of Michael Barnard, the Phoenix Theater’s artistic director, and Jonathan Rosenberg, the musical’s co-writer. “I had no previous history with musical theater,” Rodriguez says. “I think my music spoke to them. Obviously, they were looking for something out of the box in terms of musical theater. It was one of those opportunities that come to you in life that you cannot say no to. Tony’s story was so inspiring. His story was one ENTERTAINERMAG.COM

I felt really compelled to help tell. It was a real privilege to be handed this assignment, no matter how scary it was.” When Rodriguez began her work, it was scary for Valdovinos. He talks about how powerful the songs are and how much they capture his life and his emotions in ways he didn’t expect. “I cannot tell you what it is like to listen to a song that brings you back to 110% of what it felt like to want to join the Marines,” Valdovinos says. “You just get rushed back into time to the essence of what that feeling was. It was really scary to almost see the reality of the art. I just couldn’t believe it was 20 actors playing my dad, playing me, playing my girlfriend at the time who did join the Marines.” Valdovinos says has never enjoyed theater or had an interest in it, but listening to “Americano!” and its music “punched through my chest and pulled out some real memories and experiences. “It’s beyond powerful for me to hear a song about what it felt like to want to join the Marines,” he adds. “It’s very emotional for me to hear a song where my dad portrays the responsibility of his fatherhood. I think it is the music that is the real success in this entire effort in my mind and heart. It’s just so beautiful. I feel honored for the writers, but also for the singers.” Arizona native and Calexico member Sergio Mendoza arranged the music. Rodriguez says he brought out the Arizona sound in a significant manner as most of her music is TexMex. Mendoza has helped to make it Arizona-Mex. “In the workshops, I’ve changed a million lines and words,” Rodriguez says. “When I hear them coming out of the actor’s mouth, it is different than coming out of mine. I’ve probably written 30 to 35 songs at this point for this musical and in the end, we’ll be using no more than 18 or 19.” Rodriguez was chosen for the project because the producers wanted something different. “I tried to keep that in mind, especially in the beginning when the self-doubt would creep in,” Rodriguez says. “Usually when I write a song, I perform it a few times. I feel what is right or not, I record it and I move on. But this is such a collaboration. Not only are we collaborating with our two writers, but with our producer,

our musical arranger, with the choreographer, with Tony, and with the lead actor.” Ultimately, she says the songs for “Americano!” don’t sound that different than the songs she writes for herself, but she stayed true to the Mexican-American feel. “I’m always finding new ways to play what I call Ameri-Chicano music,” she says. “It’s Americana, but I’m a Chicano. I wanted the music to feel like it is coming from my neighborhood in Austin, a predominantly Mexican-American neighborhood. I wanted it to feel like you are in a real place and the setting is very much telling us who the people are.” For Valdovinos, it is important that “Americano!” help people understand who the Dreamers are and why citizenship is so important. His parents left Mexico when he was 2 and his brother was 3. They were starving and

malnourished. His mother, at age 24, left everything she knew to become invisible for her two children’s health. “The courage our parents had is unmatched,” Valdovinos says. “I honor that deeply. As for me, I grew up in the United States. I was brought here as a toddler. I pledged allegiance to the flag in Head Start, first grade, all the way to 12th grade. I still have a flag in my home. No one can ever rob you of being an American. It’s an oath, it’s a feeling, a pledge of allegiance.”

“Americano”

The Phoenix Theatre Company’s Mainstage Theatre, 1825 N. Central Avenue, Phoenix, phoenixtheatre.com, 7:30 p.m. Wednesdays to Saturdays, 2 p.m. Saturdays and Sundays January 29 to February 23, ticket start at $41.

Global Masters Series Concert

JUAN DE MARCOS AND THE AFROCUBAN ALL STARS

Tue. & Wed., January 14 & 15 | 7 & 9 p.m. $33.50–$54.50 The founder of the Buena Vista Social Club leads a sensational showcase for Cuba’s most prodigious young musicians. “Juan de Marcos González has probably done more than any other person to bring traditional Cuban music to audiences outside the island.” —Miami Herald

Upcoming Concerts Atom String Quartet January 12 Cheikh Lô January 16 Victor Wooten with Steve Bailey and Gregg Bissonette: “Bass Extremes” January 22 Legends: Keola Beamer and Henry Kapono with Moanalani Beamer January 28 Vieux Farka Touré January 29 Tanya Tagaq: Retribution February 2 And many more!

2020 Concert Series sponsored by

MIM.org | 480.478.6000 | 4725 E. Mayo Blvd., Phoenix, AZ

PERFECTLY MARVELOUS Pat McMahon inspires ‘Cabaret’s’ David Kelly Bridgette Redman >> The Entertainer!

hen “Cabaret” comes to Phoenix on January 4, the cast will include a member of a deeply rooted Arizona theater family. The show features David Kelly as Herr Schultz, an elderly fruit-shop owner who lives in the same boarding house as Cliff (Brandon Espinoza), the American writer visiting Berlin. “Cabaret” takes place at the end of the Weimar Republic in Germany when the Nazis are coming to power. Schultz, a proud German, is also a Jew and faces discrimination and violence from his neighbors but is convinced that this will pass because others will recognize that he is German. Other stars include Madison Micucci as Sally Bowles and Sean Patrick Doyle as the Emcee. Kelly comes to Arizona by way of Oregon, and married into one of the area’s best-known actor families. His wife is Terri McMahon, an actress who has performed all around the country and his father-in-law is Pat McMahon, a member of the long-running local children’s television show, “Wallace and Ladmo.” Pat McMahon’s parents were vaudeville performers who traveled the country throughout his childhood. Kelly met Terri McMahon in Oregon where they were both performing in “Henry VI, Part 1” at

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the Oregon Shakespeare Festival in Ashland. Kelly says it is one of his favorite stories for the symbolism. His job at the Oregon Shakespeare Festival was a dream, as he had been going there since he was 11 years old. “Henry VI, Part 1” was his first effort with the festival, and McMahon was playing Joan of Arc, who in the Shakespeare play, is the villain sent from the devil to beleaguer England. They met on stage as her character was being burned at the stake. “The stage directions are for four demons to come out of hell and drag her down,” Kelly says. “I was one of the demons that dragged Terri McMahon to hell. We started dating six years later and the rest is history.” Since then, they’ve spent 18 years together at the festival, buying a house nearby and raising their daughter, Taylor, who is studying the technical side of filmmaking. “We’ve been through four different artistic directors,” says Terri McMahon. “When we adopted our daughter, we thought if we could be there for two years, it would be great. We got to be there for 18 years—her whole childhood was in one place.” While his wife grew up in show business, Kelly was the son of a professional ball player. He had many opportunities to follow in his father’s footsteps, but he says he lost interest in baseball very early and switched to music and acting. He found a proclivity for hamming it up in grade school in talent shows and the plays that teachers put on in their

classrooms. “That was a place to get a lot of attention and I was naturally good,” Kelly says. “My mom was very excited because she had wanted to be an actor. I was getting attention and it was a way to meet people of the opposite sex.” He shares an initial start in athletics with his wife. McMahon says she was an athlete as a child and it wasn’t until she was a junior in high school that she started to show an interest in performing. She attended University of Southern California to train as an actress. Her dad recalls the change. “She was an athlete, she was the jock in the family,” says Pat McMahon. “She was this lightning-fast sprinter. She never gave any indication there was any desire to sing, dance or anything until halfway through her high school career. One of her electives was a drama class…the second play she was in was from the movie ‘David and Lisa.’ It is lovely and romantic and gut wrenching. It was a really serious drama and she came home and said, by the way, I’m Lisa.” Now Kelly does Shakespeare, musicals and new plays equally. He doesn’t classify himself as a great singer, but he says he can carry a tune well. This is his first time performing at Arizona Theatre Company, though he watched his wife perform there shortly after they married. There were two major draws to being in “Cabaret,” which opened in Tucson on November 30. He worked many times with

the director, Sara Bruner, and the choreographer, Jaclyn Miller, who were both at the Oregon Shakespeare Festival and are friends of him and McMahon. He had done a staged reading of “Cabaret” with them two summers ago as an AIDS benefit and was delighted when Bruner called him and asked if he’d reprise his role as Schultz. “A very close second was the chance to be close to Pat (McMahon) and his wife Duffy,” Kelly says. “I haven’t been able to spend much time with them over the years. The last time I was in Phoenix was maybe nine years ago.” Kelly says he enjoys the opportunity to spend time with his father-in-law. “He’s so awesome, I love that guy so much,” Kelly says. “He’s so curious and eager to learn, even at his age. He remembers everything. He asks me about stuff I did 20 years ago. There are two people in Cabaret who live in Phoenix and when I mentioned him, they just lit up. One is in her 30s and the other in his 50s. They knew who he was immediately. He’s quite the celebrity.” The admiration is mutual. Pat McMahon refers to Kelly as gifted and professional. He says he’s marvelously versatile performer. He was especially impressed with “Cabaret,” which he attended on opening night in Tucson. “I’ve seen it onstage twice before and I’ve seen the movie several times,” he said the afternoon after the show opened. “Last night was a very different look at ‘Cabaret.’ It was deeply moving with a lot of plot lines

THE ENTERTAINER! MAGAZINE JANUARY 2020 JoAnne Meeker

na Entertainmen

that involve the human experience, not the least of which was David,” Pat McMahon says. “He had a deep understanding with his character of what it was like to be rejected as a Jew, even though he took enormous pride in being a German. Herr Schultz continued to remind everyone that he was a German, and that’s why he stayed in Germany, even with all the trials as they were going on. “I’ve never seen the character played better than David played him last night. I say that from the bottom of my heart. It’s a wonderful cast and the choreography and the voices are so extraordinary that I can’t wait to see it again when it comes to the Herberger.” McMahon says when his daughter was young, he and his wife whispered to her while she was sleeping the type of person they wanted her to marry—fund manager, neurosurgeon, executive of a Fortune 500 company. “What does she do?” he asks. “She marries an actor. But she didn’t marry just any actor. She married a guy who is this wonderful human being. He’s a great husband and dad. I’ve seen him in musicals, in straight plays, in Shakespeare, in Marx Brothers, and in Moliere. And last night, I saw him in this delicate, sensitive performance as the older Jewish man as all of Germany and the world was plummeting into the control of the Nazis.” While “Cabaret” has been a classic since its release in 1966, performances of it have been on the rise, something

Kelly feels is happening because personal rights, including religious, racial and sexual, are being jeopardized. “Even though this play is about the Weimar Republic and the oncoming Nazi threat, I feel like there are similarities in our time with fear and hatred,” Kelly says. “The play is about love trying to survive and in this place—spoiler alert—love doesn’t survive. The play is also about personal responsibility. How much responsibility do we have to the onslaught of things we are afraid of? If we think things are coming on to make life difficult for some people, how much do we stand by and watch that happen?” In addition to “Cabaret’s” relevance, Kelly encourages people to come to the Herberger because it’s well performed. “They are seeing a group of 15 incredibly skilled performers,” Kelly says. “We have performers who are phenomenal, and the choreography and the band are terrific. It is all Arizona band members and they cook. (The show) does pack a punch and is really political, but it is also really entertaining and beautiful.”

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entertainermag

“Cabaret”

Herberger Theater Center, 222 E. Monroe Street, Phoenix, arizonatheatre.org, various times Saturday, January 4, to Sunday, January 26, tickets start at $50. ENTERTAINERMAG.COM

HOT ‘SUMMER’ Disco Queen’s story shines on the ASU Gammage stage

Bridgette Redman >> The Entertainer!

s a student at a performing arts high school, Dan’yelle Williamson was told she’d never make it as an artist. It was too hard to make a living that way. “I finally said screw all those people,” says Williamson, whose other choice was to run cross country. “I love a challenge and I’ve always loved a challenge. It just added fuel to my fire. My family wanted me to take whatever route would make me the happiest.” So, she went to the prestigious Boston Conservatory and really started focusing on singing, dancing and theater. It was a career choice that served her well as she has performed in a long line of musicals. Now, she’s coming to ASU Gammage Tuesday, January 7, to Sunday, January 12, as part of “Summer: The Donna Summer Musical.” She’ll play “Diva Donna,” one of three portrayals of Summer in the

musical: “Duckling Donna,” the singer in her preteens as she starts out her career in Boston; “Disco Donna,” the singer in her late teens and 20s as she experiences her initial success; and “Diva Donna” who is in her 50s and at the top of her career. In the industry for 14 years, Williamson was turned on to Broadway when she was “Brooklyn” on the Great White Way. “There were so many other shows out there that were popular, but I wanted to see this nuanced, unconventional piece,” Williamson says. “I fell in love with New York. The energy was pulling me, and I knew that I had to be here, I have to figure out a way to be here.” Many years later, she stepped onto Broadway’s stage as a performer in the original cast of “Memphis.” “It was so thrilling and a very fullcircle moment,” Williamson says. “To finally make it to Broadway, that is one of the achievements as an actor in your career. Everyone wants to go to Broadway. To have done it with such a special group of people, people who look like me, was really incredible and

truly memorable. I will never forget it. I still have connections with those cast members and we’re still very close.” While she knew of Summer’s music, Williamson says she didn’t know much about the disco queen’s life until she became a part of the show. Williamson worked with a New York City entertainment company that sourced artists for weddings and wedding receptions and guests would often request Summer’s songs like “Last Dance” or “Bad Girls.” “It was exciting to learn about her and her as a mother, as a performer, a wife, a daughter and a sister,” Williamson says. “I was fascinated to learn she spent a significant amount of time in Europe. She struggled with separating her personal and performance lives. She had to balance a lot as a mother and to fight for her music. She was being taken advantage of as a woman and as a woman of color.” Williamson says Summer also had interesting relationships, including an unpleasant experience with her church pastor when she was young, followed by unhealthy relationships with men prior to her marriage. “She was a fighter and an incredible woman, artist, mother, wife and sister,” Williamson says. “She was so many things and she’s truly a legend. She

(with others) really introduced a new sound and a new instrument that we still use today.” Summer—then known as LaDonna Adrian Gaines—dropped out of high school just shy of graduating to head to New York and audition for musicals. She landed a role in “Hair” as Sheila in Munich, Germany, and her parents reluctantly gave her permission to go. She started her career there, became fluent in German and performed in many musicals. Williamson feels a lot of people don’t know Summer’s story because disco isn’t popular right now. “Disco was the cousin of music,” Williamson says. “If you’re not familiar with disco, I think it is important to highlight it. She was the only one that was doing it actively and successfully at that time. There were other people who tried, but she was the only woman doing it successfully and it is important to honor that legacy.” Williamson portrays the Summer in her 50s, even though she is only 35. However, she says her life experiences have prepared her to capture that period of the diva’s life. “I am a mature young lady,” Williamson says. “I’ve lived a lot of life in 35 years. I have had some hard times and I’ve gone through some of the challenges that she faced—not being recognized and wanting to be seen for roles I wouldn’t be seen for or considered for in this theater business. I think that I just have a natural maturity about me that comes across.” Williamson enjoys not only Summer’s contributions to music and musical history, but the Summer’s personal story. “I enjoy portraying the love she emits,” Williamson says. “She was a very loving, nurturing woman. Outside of her being this megastar and really coming into a legendary status, she was a mother and I really identify with that. I’m not a mother yet, but I have nurturing qualities. I love to tap into that every night and the love she used to share with so many.”

“Summer: The Donna Summer Musical”

ASU Gammage, 1200 S. Forest Avenue, Tempe, asugammage. com, various times Tuesday, January 7, to Sunday, January 12, tickets start at $30. ENTERTAINERMAG.COM

DINING

EAT » EXPERIENCE » INDULGE » SAVOR » DEVOUR » NOSH

DINING

CALENDAR Octavio Serrano >> The Entertainer!

Nutrition Class: Food, Fun and Friends

JANUARY 8 Join Julie Rake when she discusses nutrition, health and food. She’ll also showcase superfoods, products and recipes. Guests can learn about the best food items in a comfortable and energetic environment. AZ Integrative Medicine and Spa, 11648 E. Shea Boulevard, Suite 115, Scottsdale, 480.837.1000, bit.ly/2ZjBOwK, 11 a.m. to noon, $20.

Winemaker’s Dinner

JANUARY 8 Keeler’s Neighborhood Steakhouse hosts a five-course winemaker’s dinner featuring pairings from Bevan Cellars. Each course features dishes developed by Chef Anthony Apolinar. On the menu is, first course, steelhead crudo and Dry Stack Vineyard Sauvignon Blanc, Sonoma County; second course, pan-seared monkfish with Ritchie Vineyard Chardonnay, Russian River Valley; grilled duroc pork chop with Petaluma Gap Pinot Noir, Sonoma Coast; fourth course, prime petit filet with adobo marinade and Tench Vineyard Cabernet Sauvignon, Oakville; and fifth course, berries and cream with Ontogeny Red Wine, Napa Valley. Keeler’s Neighborhood Steakhouse, 7212 E. Ho Hum Road, Carefree, 602.374.4784, keelerssteakhouse.com, 6:30 p.m., tickets start at $125.

Feeding the Future 2020: School Lunch-Inspired Bites and Beverages JANUARY 11 For the third year, this event unites top Phoenix chefs and high school students to create a new vision for school food.

Hosted by the Blue Watermelon Project, teams of high school students craft meals that adhere to the nutritional and budgetary restriction of the National School Lunch Program. Each team worked to understand the challenges school kitchens face and how the program brings nutritious and affordable lunches for students. In addition, judges will select teams for scholarships up to $5,000. The Farm at South Mountain, 6106 S. 32nd Street, Phoenix, 602.276.6360, bit.ly/2SmT7M7, 1 to 4 p.m., $20-$100.

Pizza Throwdown

JANUARY 11 Join the first pizza throwdown of 2020. This free event features multiple vendors as well as a full bar with beer, wine and mixed drinks. Kids’ activities round out this event. Peoria Sports Complex, 16101 N. 83rd Avenue, Peoria, 623.773.8700, bit. ly/2Mso4ur, 5 to 9 p.m., free.

National Hot Pastrami Sandwich Day

JANUARY 14 Pastrami sandwiches are $10 on National Hot Pastrami Sandwich Day at Miracle Mile Deli. The deal includes fries and a pickle. Miracle Mile Deli is a New York-style restaurant that has been serving awardwinning pastrami sandwiches, brisket of beef sandwiches, corned beef sandwiches and other East Coast delicacies for lunch and dinner since 1949. Miracle Mile Deli, 4433 N. 16th Street, Phoenix, 602.776.0992, 10:30 a.m. to 8 p.m., $10.

Charlie Balogh Tribute Dinner JANUARY 18 Organ Stop Pizza will remember late organist Charlie Balogh with a special dinner featuring his friends

Lew Williams, Brett Valliant, Donna Parker, Ron Rhode, Jonas Nordwall, Jelani Eddington and Ken Double. All proceeds from the lunch will be donated to Balogh’s wife to help pay her husband’s ICU expenses. Organ Stop Pizza, 1149 E. Southern Avenue, Mesa, 480813-5700, organstoppizza. com, 11 a.m. to 1 p.m., $12.50. Advance tickets required.

Bistronomique Dinner

JANUARY 19 Voila French Bistro hosts a Bistronomique Dinner with crab served over leeks with a curry sauce; salmon, tuna and dorade; scallops and Granny Smith apple; duck breast porcini duck leg confit tart; warm breaded goat cheese; and pistachio, chocolate and raspberry entremet. All dishes are served with paired wine. Voila French Bistro, Mercado del Rancho, 10135 E. Via Linda, Scottsdale, 480.614.5600, voilafrenchbistro.com, 5:30 p.m., $150.

Food Fest

JANUARY 19 Vendors will sell elotes, bublle waffles, beignets, steamed buns, shaved ice and tempura dishes. In addition, cocktails will be available for purchase at Sidecar Social Club. Ocotillo Restaurant and Bar, 3243 N. Third Street, Phoenix, 602.687.9080, bit. ly/2MoDxf0, 4 to 9 p.m., free.

Arizona Nom Nom Noodles Festival

JANUARY 18 The first Nom Nom Noodles Festival in Downtown Phoenix will feature more than 12 local noodle and pasta businesses. They’ll showcase a wide variety of dishes, including ramen, chow mein and alfredo. The Pressroom, 441 W. Madison Street, Phoenix, 602.396.7136, bit.ly/2ruqpxS, 6 to 11 p.m., $8 adults, $4 ages 7 to 12, free for kids 6 and younger.

Food for Thought: Healthy Eating in the New Year

JANUARY 18 This cooking demo helps guests digest bites and knowledge

with an informative experience. Guests will join renowned Executive Chef Charles Wiley as he showcases how to prepare a recipe that guests can take home and try for themselves. Mountain Shadows Resort Scottsdale, 5445 E. Lincoln Drive, Paradise Valley, 480.624.5400, mountainshadows. com, 3 p.m., $36.

Tapeo – Spanish Wine and Tapas Tasting

JANUARY 23 A chef puts an eclectic spin on classic tapas and pairs it with Spain’s best wines. Guests will learn about the history and origins of the dishes. House of Tricks, 114 E. Seventh Street, Tempe, 480.968.1114, bit. ly/375zSdZ, 6:30 to 8 p.m., $60.

Scottsdale Cheesy Food Event JANUARY 24 This special edition of Scottsdale Food Street brings together roughly five to 10 local food businesses showcasing their signature cheesy dish. Commons on Shea, 6451 E. Shea Boulevard, Scottsdale, bit. ly/2slt9xV, 5:30 to 8:30 p.m., free, reservation required.

Food Truck Frenzy

JANUARY 25 This free event celebrates the Year of the Rat with a food truck frenzy. Local vendors will sell food during lion dance performances. Arizona International Marketplace, 1920 W. Broadway Road, Mesa, 602.633.6296, bit. ly/2Qc2qM8, 6 to 10 p.m., free.

Tacolandia Phoenix

JANUARY 25 This 21-and-over event is an outdoor taco sampling festival that will feature some of the best of Phoenix’s taquerias. This event will have different styles, from urban contemporary to authentic street style. Live music and cash bars are a part of the fun. Margaret T. Hance Park, 1202 N. Third Street, Phoenix, bit.ly/395M0h7, 1 to 5 p.m., $30-$50.

INTIMATE NIGHT

Acclaimed chef Jared Lupin opens Phoenix’s ﬁrst hand roll bar Christopher Boan >> The Entertainer!

hef Jared Lupin was exposed to the world of ramen and sushi during a U.S. Army tour more than a decade ago. Born in Torrance, California, Lupin was raised throughout Arizona, playing youth hockey and living what he calls the “hockey punk” lifestyle. He found his life’s calling in Korea, where he studied culinary arts after completing his tour of duty. That calling allowed Lupin to take a crash course in the various forms of ramen, a hearty soup usually consisting of marrow stock and various meats and vegetables. Lupin also learned the art of creating numerous types of sushi rolls, which helped him launch a career as a chef in

ENTERTAINERMAG.COM

the Valley upon returning stateside in 2005. His latest endeavor might be his boldest, as Lupin embarks on the state’s first “hand roll” sushi restaurant—Dori Hand Roll Bar. Hand rolls are just as they sound: sushi rolls customized to the diner’s tastes and made to order, featuring an assortment of meats and fillers. The concept is bold, as it invites guests to sit at a bar with their own hand roll chef. When Dori Hand Roll Bar opens in January, the restaurant will be located at Camelback Colonnade, near 20th Street and Camelback Road in Phoenix. It will feature an assortment of specialty cocktails and drinks, including alcohol-infused teas. The concept is the collaboration between Los Angeles-based Ahi Mahi Group and Arizona’s Wade Foster Hospitality, with Lupin designing the menu and culinary touches. Lupin’s pedigree is as long as it is impressive, having been the ramen chef at Republic Ramen, Umami Ramen and Shady Park, where he won “Best Ramen in Phoenix” in 2019. The longtime chef sees an opportunity to establish noodles and hand roll sushi as Phoenix’s next culinary calling card. “It’s always pizza, tacos, sushi and burritos. But I’m thinking that noodles are one of those things that people really jump into,” Lupin says. “So, just the relatability of what people knew here, which was just packaged ramen. “Dori’s kind of my chance to show people what I want to do with ramen and to showcase my style.” Lupin’s decision to focus his menu around hand rolls stemmed from a desire to make eating more of a social experience. He wants diners at Dori to have an “aha” moment toward

the culinary style he presents, where they actively enjoy the food, the drinks and the intrapersonal aspect of having a personal chef at guests’ table, catering to their tastes and culinary preferences. “But really, the hand roll is the push that I always felt was more intimate than sushi,” Lupin says. “People gravitate toward sushi and umami and sashimi, but I think hand rolls are underestimated, is that personal moment where I’m making that there. The rice is there, the fish is there, we talked about it, you ate it, it’s that moment.” The 38-year-old chef expects Dori to shatter people’s preconceived notions about Asian food, harkening back to his days roaming the streets of Seoul and Kyoto as an aspiring chef. “It’s more of that style where you’re walking around those cities and you hit a vendor and there’s a little stall, and you think, ‘Oh, what’s this?’” Lupin says. “And you try all the little bits and you move on. And that’s really what it is, amid a food setting I feel.” Lupin wants to transport people to those culinary settings that he got to know so well during his time in Asia, allowing them to explore their culinary horizons while having a great experience at the same time. “It’s a good chunk of stuff that reminded me of when I’d hit the street and go eat spareribs when I was in Korea,” Lupin says. “I would go find the tempura guy, and that guy would just have a tray of it and would fry everything, put it in the bag and you’d walk out. We want those little things too. We want you to get that in more of a dining setting. But, I think just

putting people in that place and that moment is going to kind of unfold on its own. Whatever that moment is, everything’s going to push it and amplify it a bit more. That’s what our goal is really.” He expects Dori to embody the aspects of dining establishments that he frequented, inviting customers to get lost in the moment and enjoy a culinary setting unlike anything they’ve experienced. Lupin believes the authenticity and socially centered setup will allow diners to shirk any reservations they’d have about expanding their culinary palette, making it a one-of-a-kind experience for all involved. “We’re using banana leaves. We’re using bamboo. We’re using a lot of little things in a style where we’re making it dark but we’re also elevating these art aspects, such as maybe a graﬃti style,” Lupin says. “We want to create that environment where you step into your little booth and there’s a little curtain and you’re there and your server kind of explains things, and from then on it’s all about the experience.”

Dori Hand Roll Bar

Camelback Colonnade, 1919 E. Camelback Road, Phoenix, dorihandrollandramen.com.

FRESH START

THE ENTERTAINER! MAGAZINE JANUARY 2020

The Maggiores open their doors to families at Tomaso’s Italian Kitchen Rachel Howard >> The Entertainer!

hen life hits, you hit back harder. When life floods your restaurant, if you’re celebrity chefs Tomaso and Joey Maggiore, you take the opportunity to create a whole new dining experience. Tomaso’s Italian Kitchen, formerly Tomaso’s When in Rome, reopened last fall with a colorful, casual take on the famed chefs’ quality-centered brand. The new kitchen boasts Tomaso’s classic dishes paired with fresh seafood and pasta made from scratch daily. There’s no $39 veal chop Caprese like at the original Tomaso’s, but it’s not fast food either. Guest can find pasta sharing boards ($7/person), creamy spaghetti rapini ($15) and Tomaso’s classic seafood stew cioppino ($29). In addition to classic recipes, all the new kitchen’s pasta is made from scratch daily. “We say, ‘It’s made over here, but it tastes like over there,’” says the effervescent Joey. “We’re going to make this pasta as identical as possible to how they do it in Italy.” Along with handcrafted pasta, Tomaso’s Italian Kitchen features a full-service bar with a focus on Italian wines and cocktails and an all-day happy hour. When in Rome opened in 2017 as a spin-off of the original Tomaso’s on Camelback Road and 32nd Street in Phoenix. It offered a Roman-inspired, high-end experience, but was more suited for special occasions than everyday dining, Joey says. Now, the formal, Roman-style decor has been replaced with yellow and blue pastels, a nod to the colorful towns of Italy’s Amalfi Coast. “We just wanted to bring a fresh and younger, fun vibe to the Tomaso’s brand,” Joey says. Tomaso opened his original restaurant in 1977 and has since created dozens of concepts in the Valley, San Diego and New York with

his children. “We’ve been raised in that location, that business, and we’ve kind of branched out,” Joey says. “It’s really doing what he does and trying to build on it.” Joey, who co-founded the Maggiore Group with his father and his wife, Cristina, had just sold concepts of his own in the San Diego area when his father suggested he rejoin him in Phoenix. That reunion led to new restaurants like Hash Kitchen and the Sicilian Butcher, offering creative takes on Italian tradition. “It brought the family back together. We love what we do, and being together doing it is more memorable,” Joey says. When they aren’t busy running Hash Kitchen and Sicilian Butcher, Joey and Cristina help Tomaso keep his concepts up to his high standards. “He still works out of Tomaso’s every day, but as a family, we have a friendly competition and we try to outdo each other,” Joey says. “At the end of the day, it’s all about family.” As much as he loves the high-end dining of the Tomaso’s brand, as a father himself, Joey hopes for Tomaso’s Italian Kitchen to reach a more casual crowd. “For me, I have three kids, so when we go out to dinner, it’s more of a casual, you know, on-the-whim-style dining,” Joey says. “But that doesn’t mean the food quality changes. It’s just your attire changes. So, on Friday nights we’d go to Tomaso’s on 32nd Street, but then the rest of the week, we’d hang out at Tomaso’s Italian Kitchen.” The Maggiores like the response to the brand’s newest addition and plan to expand it in the Valley, Joey says. “We wanted to make a place where you can go every day of the week and have spectacular food, but at a nice price point,” Joey says. “We’re still giving the pace, the love that Tomaso’s gives, but we put it in a more casual setting.”

Tomaso’s Italian Kitchen

23655 N. Scottsdale Road, Suite 120, Scottsdale, 480.404.6085, tomasos.com/tomasos-italiankitchen.

$300 Off Move In when you mention Entertainer Magazine!

Offer valid through January 31, 2020. Restrictions apply, contact property for details.

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BEER AND WINE

SIP » BREW » RELAX » EXPERIMENT » REFRESH » TOAST

BEER AND WINE

CALENDAR Christopher Boan >> The Entertainer!

All Night Happy Hour

SUNDAYS IN JANUARY Valley Bar is helping those 21 and older shake off stress associated with the New Year with a Sunday happy hour menu running from 6 p.m. to close. The deal from the basement bar and concert venue includes $3 Coors 16-ounce drafts, $1 off all draft beer, $5 Slow & Low Old-Fashioneds, $4 wine and well cocktails. Valley Bar’s Rose Room, 130 N. Central Avenue, Phoenix, valleybarphx. com. 6 p.m. to 2 a.m.

“Paint Your Pet” Painting & Vino Event

JANUARY 7 We all know our four-legged friend of-choice is the best-looking boy or girl and should be treated as such. Well, the fine folks at O.H.S.O. Brewing now let you, dear dog/ cat/etc. owner, do just that, with a paint party allowing you to create your own “pet portrait.” Interested painters should email their pets’ photo to the hosts so they can blow it up in size. Paintings are 11 inches by 14 inches, or 12 inches by 12 inches, depending on the best layout for your particular pet. O.H.S.O. Brewing, 10810 N. Tatum Boulevard, Suite 126, Phoenix, 602.900.9003, ohsobrewing. com, 6 to 9 p.m., $50.

Surprise Fine Art & Wine Festival

JANUARY 10 TO JANUARY 12 Wine fans of all ages can rejoice at this West Valley festival, which boasts a truly unique selection of wines, ranging from European to African and Native American varietals. Organized by Thunderbird Artists, the event features a host of pottery, photography, hand-crafted ENTERTAINERMAG.COM

jewelry and assorted craftwork. Mark Coronado Park, 15850 N. Bullard Avenue, Surprise, thunderbirdartists. com, 10 a.m. to 5 p.m., $3, $10 for souvenir glass.

New Year New Knowledge Stem Wine Tasting

JANUARY 16 Stem Wine Bar is hosting a wine tasting featuring four, 3-ounce pours of nongrocery store wines, with complimentary charcuterie boards, all served family style. Wine fans will get to gain knowledge of the grapes that go into their wine from Stem Wine owner Ricky Young, giving valuable insights and knowledge to anyone who attends. Irene’s Tap Room, 1227 E. Northern Avenue, Phoenix, 602.449.7870, irenestaproom. com, 6:30 to 8 p.m., $20.

Winter Carefree Fine Art & Wine Festival

Paint Nite: The Glass is Half Full…

JANUARY 11 Wine fans, who happen to also be on the artsy side, can check out this event at La Bocca Wine Bar in High Street, where prospective artists are encouraged to paint whatever comes to mind over a glass of vino. The two-hour course is open to anyone 18 and older, as wine is not provided by the hosts. La Bocca Wine Bar, 5415 E. High Street, Suite 127, North Phoenix, 480.840.1799, yaymaker. com, noon to 2 p.m., $35.

Free Art/Wine Class for Family Caregivers

JANUARY 15 P.O.P. Art is hosting its free monthly art and wine class aimed at family caregivers. The event, which is held at Quail Park at Morrison Ranch in Gilbert, is meant to give a momentary oasis of solitude to caregivers, with all supplies (and wine/ beverages) included for free to anyone who attends. Quail Park at Morrison Ranch, 3333 E. Morrison Ranch Parkway, Gilbert, 480.793.7000, evensi. us, 6 to 7:30 p.m., free.

JANUARY 17 TO JANUARY 20 This year’s featured artist, Brent Flory, will be joined by more than 150 juried fine artists, musicians, cooks and assorted baking experts. Downtown Carefree, between Ho Hum and Easy streets, 480.837.5637, thunderbirdartists.com, 10 a.m. to 5 p.m., $3, $10 for souvenir glass.

Scottsdale White Claw Crawl JANUARY 18 Fans of the sparkling beverage that’s become synonymous with Millennial debauchery can tour the bars of Scottsdale. The bar crawl, which costs $20, includes admission to bars, as well as three 1-cent drink vouchers valid for hard seltzer and more. There will be free rides and food for all participants, as well as photo contests to see who can be the king/queen of the claw. Old Town Scottsdale, 602.432.6719, localwineevents. com, 2 to 8 p.m., $20.

Paint Nite: Winter Birch Glasses

JANUARY 19 Prospective painters can attend this event and have a literal blank canvas to create whatever comes to mind, though participants are encouraged to paint something related to mountains tucked beneath the Aurora Borealis, or Northern Lights. This two-hourlong course kicks off at 12:30 p.m., giving painters plenty of time to

dream up the perfect image. La Bocca Pizzeria Tempe, 699 S. Mill Avenue, Tempe, yaymaker. com, 12:30 to 2:30 p.m., $35.

The Arizona Wine Festival

JANUARY 23 Fans of Grand Canyon State wines can rejoice at this three-day wine festival, which features the largest gathering of Arizona wineries and live entertainment to boot. Heritage Square, 113 N. Sixth Street, Phoenix, eventbrite. com, 6 to 9 p.m., $20-$25.

Belgium Classic Ale Styles

JANUARY 24 Total Beverage in Phoenix is hosting a night to commemorate the best Belgian-style ales, toasting a (small) glass to the fruity, wheat-filled beverages that put the small European nation on the beer map. Total Wine, 1670 E. Camelback Road, Phoenix, totalwine. com, 6:30 to 8:30 p.m., $10.

AZVA Symposium and Grand Tasting

JANUARY 25 The Arizona Vignerons Alliance is holding its fourth annual winetasting event at the Farm at South Mountain in late January, featuring 100% Arizona grown and produced wines, poured by the winemakers themselves. The event features wine lots to be auctioned off by Todd Venture and two symposiums featuring local winemakers on the state of the industry. The Farm at South Mountain, 6106 S. 32nd Street, Phoenix, eventbrite.com, 9 a.m. to 5 p.m., $45-$125.

Gilbert Art of Chocolate A’Fair “It’s All About Romance” JANUARY 31 Fans of chocolate in all its forms will want to attend this annual festival, held at Gilbert Town Hall’s Great Lawn. There will be a bountiful selection of artisan desserts and confections on sale from local shops and creators at the event, as well as live entertainment and assorted gifts. Gilbert Town Hall’s Great Lawn, 50 E. Civic Center Drive, Gilbert, carefreeazfestivals.com, 10 a.m. to 5 p.m., free admission.

GREAT BEER PAIRINGS

THE ENTERTAINER! MAGAZINE JANUARY 2020

DISTRICT BURGER BAR BEER

Alison Bailin Batz >> The Entertainer!

“Since our inception in 2015, our aim is to bring gourmet burgers to the masses in a fun and casual environment. Our food and drinks are a little bit rock ’n’ roll, just like the venue itself, which sits in the heart of the Old Town Scottsdale entertainment district. Astute menu readers will quickly notice all of our burgers are named after and partially inspired by songs. We’ve got a Harlem Shake, for example, as well Welcome to the Jungle and Walking in Memphis. We have this Californication option and is a clear homage to the Red Hot Chili Peppers (who hail from California as does their famous song), hence the avocado and actual peppers on top. As most burgers are, each is also developed with beer pairings in mind. Even our sandwiches and wraps

BREWERY: FIRESTONE WALKER BREWING COMPANY STYLE: BLOND ALE NAME: 805 About the beer: It is light and refreshing made in what is quickly becoming California’s signature style. There is subtle malt sweetness, but it is balanced by hops, providing a clean and crisp finish.

DISH

were developed to pair with a brew or two, in fact.” —Nolan Odal, District Burger Bar

The District Burger Bar

7333 E. Indian Plaza, Scottsdale, 480.664.0356, districtbaraz.com

DISH: CALIFORNICATION BURGER COST: $16 This 8-ounce premium Angus beef burger is cooked to order based on guest preference before being sandwiched between a toasted shine bun, which is shiny due to being lightly brushed with butter during the baking process. It is then piled high with melty pepper jack cheese, fire-roasted red peppers, avocado slices, arugula, house aioli, pickles and a confit made from tomatoes. Given patios are enjoyed even in the winter months in the Valley, the pairing of this Californiainspired burger with an actual California beer, especially one that enhances the sweetness of the confit, is inspired. It is often enjoyed on the District patio, even in the “coldest” of winter months. The hops in it also play well with the juiciness of the burger and zest of the pepper jack. The burger also comes with French fries, which honestly pair with anything.

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RE! EXPO IS HE G IN N N U LONGEST-R ARIZONA’S

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‘YOUR NEIGHBORHOOD BEER AND WINE BAR’

The Whining Pig is growing its presence around the Valley Connor Dziawura >> The Entertainer!

omeone once called The Whining Pig “the kind of place where you walk in by yourself and leave with 10 friends.” Owner/operator Daniel Caprario considers it to be one of his favorite reviews. “To me, that’s basically what we want to do,” says Caprario, whose establishment is rapidly expanding throughout the Valley. “Nobody thinks they want human interaction, but they all really do want it.” Since the 2013 launch of a 16th Street and Bethany Home Road location— nicknamed “Baby Pig” due to its small size—The Whining Pig has grown to seven locations throughout the Valley, including in Ahwatukee, Arcadia, Gilbert and Scottsdale. Caprario hopes to bring the concept to the West Valley, too. That concept is simple, he says: “to create a place where it’s almost like you’re drinking at a friend’s house.” The atmosphere is warm and inviting, with a U-shape bar Caprario says promotes customer interaction, not only with the bartenders but between each other. It also allows the company to keep the staff small and familiar.

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On deck are more than 125 craft beers as well as a large wine selection, much of which rotates regularly. Happy hour runs daily from 1 to 8 p.m. “Those taps and bottles and cans are rotating every single day,” Caprario

explains. “There’s some obvious changes you’ll see. In the wintertime, you might see more stout options (to be) weather appropriate. It’s hard to drink an 11% stout in 110-degree weather, but when it’s nice and crisp outside you’ll start to see more of that. Obviously, on the wine side you’ll see more of your red wines, not so many of your white wines and rosés.” Though beer and wine is the focus, a few food selections are available—just enough to get customers by. Five grilled cheese sandwiches ($8/$7 happy hour) using Noble Bread stock the menu: The Heart with fig spread, prosciutto and goat cheese; The Peace Sign with pesto, sun-dried tomato and mozzarella; The Ying Yang with cream, American and Swiss cheeses; The Hash Tag with smoked ham and American cheese; and The Star with pepperoni, Sriracha, Italian cheese and cherry peppers. Occasionally there may be seasonal sandwiches, Caprario says. Meat-and-cheese platters ($14/$13hh) with crackers, apricots, nuts and olives are available, too. However, customers can still bring outside food. “We always wanted to be a beer and

wine bar, but at the same time just having elements of food allows people to stay longer, or just while you’re drinking it’s somewhat responsible as well to have a food option.” To keep guests interacting and to avoid awkward silences, retro games like Rock’em Sock’em Robots line the bar, taking the focus away from the TVs on the walls. This, Caprario says, makes it perfect for a group of friends or even a first date. “With the games around the bar and everything, it’s just more style—just light, easygoing,” he says. “Plus, salty meats and cheeses are never bad at a bar.”

A HIDDEN GEM The Whining Pig’s Desert Ridge Marketplace location, in a basement east of Dave and Buster’s, is complemented by a hidden cocktail bar called Pigtails, which opened earlier this year. A second, standalone Pigtails is slated to open in Downtown Phoenix’s CityScape sometime in midto late-January, Caprario says. “When we were coming up with the concept of Pigtails, we knew we wanted to craft cocktails with a little

THE ENTERTAINER! MAGAZINE JANUARY 2020

bit more of a menu but we wanted The Whining Pig to still be the inspiration of it,” he explains. Modeled as a speakeasy, also with a U-shape bar, Pigtails features dim lighting and plant-adorned walls, as well as an exit hidden behind a bookshelf. To get to Pigtails, customers pass through a small hallway in the back of The Whining Pig. “We put in nicer leather booths and just upped the ante on everything and create an awesome craft cocktail menu with the awesome bartenders and mixologists we have there,” Caprario says. Caprario calls it an “elevated experience.” He and his colleagues have partnered with a local chef on a more expansive menu at the existing and future Pigtails locations. The menu includes fresh oysters at market price, Cajun shrimp cocktails ($3 each), roasted crab dip ($15), smoked salmón rillette ($14), tuna poke nachos ($15), avocado bruschetta ($9), a cheese flight ($12), a cured meats platter ($13), a chef’s charcuterie board ($22), candied bacon flatbread ($14) and wild mushroom flatbread ($15). Chef’s specials are posted weekly and seasonal changes are possible, Caprario says. “We tried to make it a little bit more chef-driven on that side as opposed to just a single element,” he says. A new cocktail menu will launch in January. “It’ll be all-new cocktail creations from us, and then what moving forward we’ll do two to three times a year is revamp our cocktail list,” he says. “We actually have all of our bartenders and mixologists come in and present beverages to us, and from there we taste and work on them all together in terms of presentations and slight adjustments to the beverage and then we, between the managers and the district manager and the owners, choose what drinks we want to hit the

next menu.” The upcoming CityScape location, on Central Avenue beneath a Bank of America, is hidden, too, Caprario says. Patrons will have to pass through a kitchen to get to it. “I’m from Jersey, so it’s more like that East Coast vibe, where you walk into one place and there’s another place behind it,” he says. “Just giving Downtown Phoenix a big-city vibe that really doesn’t exist yet.”

POISED FOR GROWTH Caprario feels positive reception is what has allowed The Whining Pig to so quickly boost its presence in the Valley. He says communities have responded favorably with each new opening. “When we opened in Gilbert it just took off, and we had such a warm reception from the community and the people just saying how much they were excited to have a place like this,” he recalls. “It didn’t feel cookie cutter. It didn’t feel like another chain just coming in. It was just a couple of local guys opening fun little beer and wine bars with great happy hour and awesome offerings.” They try to stay in the outskirts and suburbs rather than downtowns, Caprario says. “We’ve tried to be that neighborhood pub for everybody, from your 21st birthday to your 80th birthday, and give everybody the same service and respect and have fun with everybody,” he notes. “There’s an old English saying that says, ‘Check your degree at the door,’ meaning anybody who walks in here we treat the same and try not to make somebody feel more comfortable than anybody else.” Caprario is secretive about another new concept he and his colleagues are preparing beyond Pigtails’ CityScape location. But once it’s ready, he clarifies, they will return their attention to The Whining Pig, with

the West Valley in their sights. “We really want to move out into the West Valley,” Caprario says. “When we first went to Gilbert, like I said earlier, people were so excited to just have a place that wasn’t a chain, a place that had a little bit more feeling and vibe to it. “In our trips out to the West

Ahwatukee

5030 E. Ray Road 480.248.6969 thewhiningpig.com Arcadia 3730 E. Indian School Road 602.795.9910 CityScape (Pigtails; opening January) Near Central Avenue and Thomas Road, beneath Bank of America Desert Ridge (w/Pigtails) 21001 N. Tatum Boulevard, Suites 46-1405, Phoenix 480.500.5358

Valley—anywhere from Peoria, Glendale, Surprise—all those places just are rapidly growing with not a lot out there to do. So we’d love the opportunity, and we’ll be focusing on that in the next couple of years.” For more information, visit thewhiningpig.com or facebook.com/ pigtailsdesertridge.

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201 E. Washington Street, Unit 104, Phoenix 602.795.9910 Gilbert 2512 S. Val Vista Drive, Gilbert 480.696.4004 McDowell Mountain 10121 E. Bell Road, Suite 110, Scottsdale 480.361.6890 Phoenix 1612 E. Bethany Home Road, Phoenix 602.633.2134 ENTERTAINERMAG.COM

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Paperback Writer: Beatles Tribute

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Rhythm Edition

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AZ Blacktop Band

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Walkens Trio

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Cher and Bill Medley Tribute

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Rose Royce and Evelyn Champagne King

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J5 Band

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Aeromyth: A Tribute to Aerosmith

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Thaddeus Rose

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Zone Road

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Precaucion Nortena

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Strange Days: A Tribute to the Doors Casino Arizona, casinoarizona.com

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Saturday Night Fever: Bee Gees Tribute

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Spank

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Suerte Musical

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Heartbreak Alley

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Marble Heart

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The Temptation

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Aaron Nelson Project

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Cameron Degurski

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Mick Adams & the Stones

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Soundwave

Jukebox 6

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Natajja

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AZ Blacktop Band

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Tina Turner Tribute

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Journey Tribute

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Priminition

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XO Band

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Don’t Look Back: The Boston Experience

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Jamie Vidal and Street Talk Band

The Walkens

People Who Could Fly

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Boomtown

The Chippendales

Strange Days: A Tribute to the Doors

Heat Stroke

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Backroads

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JANUARY 26 XO Band

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Queen Nation pays tribute to the legendary rockers

One of These Nights

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Freddie Duran

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JANUARY 27 Soundwave

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AC/DC Tribute

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Monarras Del Norte

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El Regreso Band

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Pat Benatar Experience

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ike McManus remembers the night that changed his life. He was 15 and saw Brian May playing guitar for Queen in 1980. “I saw ‘The Game Tour’ when I was growing up in Boston,” says McManus, who also attended a concert in 1982. “I was with my dad and it changed my life. I looked at Brian May walking to the front of the stage doing a guitar solo, and all the light and smoke that hit him. I thought, ‘Oh yeah, I want to do that.’ My dad looked over at me and the thought of me going to law school or medical school went right out the door.” McManus now plays the May part in Queen Nation, a tribute to the legendary English band. The group comes to Wild Horse Pass Hotel and Casino at 8 p.m. Saturday, February 8. He has fond memories of playing in Arizona. “We have been coming there for 10 years,” he says. “It started 10 years ago when Terry and Anne Davies owned Skye in Peoria. Since then, we’ve come to Casino Arizona and Talking Stick and, in fact, we were the very, very first

band to play on the outside pool at Talking Stick.” Queen Nation shows, McManus says, take fans back to 1980, when Queen was at the height of its popularity in America. “That’s what we emulate,” he says. “‘Bohemian Rhapsody’ is the most challenging song, but I’ve read articles with Brian May and, after even years and years of playing it, there are still parts of that song that are pretty intricate. He would dread them coming up. “But it’s also the most fun to play. We let the audience sing the operatic part—whether or not they’re in key, as long as they sing from their hearts.” McManus says his 15-year-old self

would be thrilled at his career choice. “I know now I would have been pretty psyched,” he says. “We’ve been doing this now for 15 years. We’ve met the nicest people you could ever imagine. It’s bittersweet, though. We go to places like Ohio, Wisconsin and Canada and we meet some of the nicest people you’d ever want to meet, but there’s a good chance we’ll never see them again.”

Queen Nation

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SAVING GRACE

Jerry Riopelle’s friends and family come together to celebrate his songs Christina Fuoco-Karasinski >> The Entertainer!

ike most Phoenicians, Jesse Valenzuela’s childhood soundtrack was the music of Jerry Riopelle. “His music was everywhere when I was a kid,” says Valenzuela, the Gin Blossoms’ longtime guitarist. “I met him a lot through the years at events in town.” Riopelle was an Arizona legend before he died Christmas Eve 2018. His mix of rock, country, jazz and R&B paved the way for his induction into the Arizona Music and Entertainment Hall of Fame. His family and friends will remember Riopelle during a tribute show at 8 p.m. Friday, February 7, at Talking Stick Resort’s The Showroom. Riopelle was booked to play Talking Stick Resort shortly after Christmas 2018. “He had to cancel the shows because they found out his cancer had gotten very aggressive,” says Jerry’s son Paul, who lives in Goodyear. “He had to start chemo right away. They thought it was going to help, but then he just didn’t wake up on Christmas Eve. We knew he was ill, but we weren’t expecting it to be quite like that.” The show will feature Valenzuela, the Jerry Riopelle Band (David Plenn, Llory McDonald, Paul Riopelle, Tara Austin, David Goodstein and Lloyd Moffitt), Walt Richardson, Ray Herndon, Francine Reed, Michael Nitro, Lawrence Zubia and Chuck E. Baby. “It seemed like a terrific thing to do,” Valenzuela says. “I’ve been learning the songs. I’ve always known them, but never really played them before.

They’re just really beautifully crafted. “I actually cracked open the song yesterday. We’re going to have a nice rehearsal and get together with all the fellas and some musicians I know pretty well will be involved.” Musicians held a similar show in Los Angeles and decided to revive the show for Phoenicians. “It’s been a rough year and this is going to be bittersweet, but I’m honored to have all these different musicians who are willing to take part and honor him,” Paul says. When Paul’s father was a superstar, he was only “a little kid.” He called the experiences of the 1970s and 1980s “surreal.” “We all lived in L.A. and he had this thing he would do,” he says. “The recognition he got in Arizona, it was amazing. We’d go from L.A. to Arizona and he was a superstar. “In Amsterdam it was like Arizona. Phoenix was convenient. He was able to build on that. It was easy to come back to build on that recognition with the attention he was getting.” Paul says he and his father bonded over music, and he would follow him incessantly. “I wanted to go anywhere I could with him—whether he was doing music, performing, going into the recording studio or rehearsal,” Paul says with a laugh. “Our thing wasn’t going to a ballgame or fishing. It was always music. That’s how we bonded. It was something I loved to do. Of course, I miss him terribly, but my dad was always very supportive of my music and any endeavor I took on.” In Jerry’s band, Plenn was the “baby of the group,” joining when he was in his late teens. He calls the concert

bittersweet as well. “It’s a little sobering,” says Plenn, who worked as a songwriter, penning “Easy Driver” for Kenny Loggins. He now owns the toy store The Dinosaur Farm in South Pasadena. “We did a little preview of this in L.A. We put together a band and played some of the songs. It’s a celebration. It was a little more joyous than I expected it to be. The songs are up and alive again. They’re great songs.

I heard the songs again and I thought, ‘This should be out, not locked in a little box and tucked away in the back of the closet.’ We should be enjoying these.”

Music of Jerry Riopelle

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SPORTS

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Arizona Coyotes vs. Anaheim Ducks

JANUARY 2 The Coyotes host nearby rival Anaheim in Arizona’s first home game of 2020. The Coyotes defeated the Ducks in their last matchup, beating them 4-3 with an overtime shootout on November 27. Gila River Arena, 9400 W. Maryland Avenue, Glendale, 480.563.PUCK, nhl.com/coyotes, 7 p.m., tickets start at $16.

E. Jefferson Street, Phoenix, 602.379.7867, nba.com/suns, 7 p.m., tickets start at $14.

ASU Women’s Basketball vs. Oregon Ducks JANUARY 10 Facing Oregon, ASU is in the midst of a season it hopes will lead the Sun Devils to the postseason. The Ducks are one of the top teams in the NCAA, and even defeated the USA National Team earlier in the preseason in a tremendous contest. Desert Financial Arena, 600 E. Veterans Way, Tempe, 480.727.0000, ticketmaster. com, 6 p.m., tickets start at $15.

Crosby and the Penguins, who won the Eastern Conference last season before falling to the St. Louis Blues in the Stanley Cup Final. Gila River Arena, 9400 W. Maryland Avenue, Glendale, 480.563.PUCK, nhl.com/coyotes, 4 p.m., tickets start at $58.

Phoenix Suns vs. Charlotte Hornets

JANUARY 12 The Suns take on Charlotte for the two teams’ only home matchup in the 2019-20 season. The Hornets are the former team of new Sun Frank Kaminsky, who has made an immediate impact for Phoenix in a bounce-back season. Talking Stick Resort Arena, 201 E. Jefferson Street, Phoenix, 602.379.7867, nba.com/suns, 6 p.m., tickets start at $8.

E. Jefferson Street, Phoenix, 602.379.7867, nba.com/suns, 7 p.m., tickets start at $8.

ASU Men’s Basketball vs. University of Arizona

JANUARY 25 The Sun Devils host the Wildcats in an in-state rivalry game. The Wildcats are led by standout freshman guard Nico Mannion, who won back-to-back state championships for Pinnacle High School in Phoenix the past two years before heading to college. Desert Financial Arena, 600 E. Veterans Way, Tempe, 480.727.0000, thesundevils. com, 7 p.m., tickets start at $50.

Sun Devil Duals

Phoenix Suns vs. New York Knicks

JANUARY 3 The Suns also celebrate the New Year with their first home game early in January. They face the Knicks, who boast standout rookie RJ Barrett, for the only time in the 2019-20 season. Talking Stick Resort Arena, 201

JANUARY 11 The wrestling event features ASU vs. Harvard and Iowa State vs. Campbell at 11 a.m., session one; ASU vs. Campbell and Iowa State vs. Harvard at 1 p.m., session one; Campbell vs. Harvard at 5 p.m., session two; and ASU vs. Iowa State at 7 p.m., session two. The mat will be set up behind home plate on the field with seating in the lower bowl and specialized seating matside. Chase Field, 401 E. Jefferson Street, Phoenix, dbacksevents. com, 11 a.m., $15 general admission for session one; $20 for session two; $30 for all sessions. Upgrades are available for $60 to sit matside.

Arizona Coyotes vs. Pittsburgh Penguins

JANUARY 12 The Coyotes host superstar Sidney

ASU Men’s Basketball vs. Colorado

JANUARY 16 The Sun Devils wait more than two weeks to host their first home game of 2020. The matchup against the Buffalos is also their first Pac-12 home game of the 2019-20 season. Desert Financial Arena, 600 E. Veterans Way, Tempe, 480.727.0000, thesundevils. com, 7 p.m., tickets start at $8.

Phoenix Suns vs. San Antonio Spurs

JANUARY 20 Celebrate Martin Luther King Jr. Day with basketball in Phoenix. Phoenix battled the Spurs in their latest matchup, taking the game to overtime before falling 121-119 on December 14. Talking Stick Resort Arena, 201

Waste Management Phoenix Open

JANUARY 27 TO FEBRUARY 2 Celebrate the biggest party in golf at TPC Scottsdale. Food and drinks will be flowing, while many of the world’s best golfers enjoy the beautiful Arizona weather in the winter. Events include practice rounds, the celebrity tournament, and the official tournament for the PGA pros. TPC Scottsdale Champions Course, 8243 E. Bell Road, Scottsdale, 480.585.4334, wmphoenixopen.com, various times, ticket prices vary by day.

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‘The Greatest Show on Grass’

Waste Management Phoenix Open returns with great fanfare Christopher Boan >> The Entertainer!

he Phoenix Open launched 87 years ago as the brainchild of Bob Goldwater Sr., offering a $500 prize to the event’s

champion. Fast-forward 10 decades and the Waste Management Phoenix Open has become one of the mainstays on the Professional Golfers Association tour. Last year’s tournament, which was won by Rickie Fowler, raised an event record $13.2 million for local charities while bringing $389 million in economic impact to the local economy, according to Arizona State University’s W.P. Carey School of Business. The tournament, which has taken on the motto, “The People’s Open,” thanks to its outsized, stadium-style galleries and hedonistic bravado, is a labor of love for members of the Thunderbirds, a local nonprofit putting on the event. Few understand this labor like Tim Woods, who serves as the tournament director for the 2020 tournament, which will once again be held at TPC Scottsdale from Monday, January 27, to Sunday, February 2. Woods pointed out a few new features at this year’s tournament, such as a 36,000-square-foot pavilion, dubbed the Ridge, where general admission patrons can relax and enjoy panoramic views of several holes on the course. “We’ve really tried to focus on how we can increase the access to the course for the general public,” Woods says. “We really wanted to elevate the

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experience in those venues, and to balance the hospitality side of what we do out on the course, with making sure we maintain some really cool spots for the fans.” This sense of hospitality extends beyond the tournament itself, with the Coors Light Birds Nest concert series including acts like Miranda Lambert, G-Eazy, Dierks Bentley and Kygo spread out through the week. (See related story.) Woods’ task is to make the event a can’t-miss occasion for golfing aficionados and the general public.

The result is a golf tournament unlike any other, with a boisterous, stadium-like grandstand on most holes. The centerpiece of this year’s tournament, as in past years, is the 162-yard 16th hole, which is enclosed by grandstands. This par-3 hole took on a life of its own through the years, thanks to the beer-fueled noise from the peanut gallery, which sits quite close to the action on all sides. “Every year, it seems to kind of take on more life,” Woods says.

“I’ll tell you with a bunch of pride, the Thunderbirds are a special organization. We are out attracting top talent, which is why we exist ultimately. “We try to take care of caddies and golfers and their families, and what we have created is an environment and a culture that really makes us unique.” Perhaps the biggest storyline heading into the 2020 event is more focused on a local favorite who won’t be in the field (Phil Mickelson), as it is on those preparing to tee-up in Scottsdale. Woods addressed Mickelson’s decision, saying the ASU alum’s decision in no way generates an ill will from the event or its organizers. “Phil needs to take care of Phil and the Mickelson family,” Woods says. “He’s been a great ambassador for the tournament. He’s been a friend of the tournament. He’s a friend of the Thunderbirds. He’s going to do what he’s got to do, and things change. “Will he be back? I have a sneaking suspicion he will. I don’t think we’ve seen the last of him.” Woods believes the Waste Management Phoenix Open will carry on, regardless of who is and is not in the playing field, thanks to the influx of support they’ve received over the past few decades. “I’ve been asked the question a lot, of whether it’ll hurt,” Woods says of Mickelson’s decision. “And we go out and break another record and

THE ENTERTAINER! MAGAZINE JANUARY 202

give more to charity. I don’t say it flippantly, I don’t take it for granted we have the field we have, but we’ve created something more than any other golf tournament is able to create.” Woods’ sentiments surrounding the 2020 tournament are shared by Scott Bradley, who serves as Waste Management’s area vice president for the Four Corners region. Bradley notes Waste Management, through its 11-year relationship with the Phoenix Open, has been able to build great bonds within the community, thanks to the charity outreach from the company and the Thunderbirds as a whole. Bradley and Woods share a vision of shirking the buttoned-down mentality shared by most professional golf tournaments, creating a unique atmosphere welcoming to everyone. “Together with The Thunderbirds, we are very proud of what we’ve accomplished for the benefit of the community and the environment,” Bradley says. “Many see the Waste Management Phoenix Open as a bucket-list sporting event. Waste Management sees the tournament as an unparalleled opportunity to take action; to push the envelope and demonstrate what’s possible when everyone invests in making a difference. As North America’s largest environmental services company, we’re working for a sustainable tomorrow and use the Waste Management Phoenix Open as evidence that zero waste and recycling initiatives can and do work.” Woods highlighted the social aspect of the tournament as being a major draw, as locals and tourists alike feel a draw to the Scottsdale course, because of what they’ve seen on television or on social media in years past. That draw allows people of all walks of life to convene during the first weekend of February, under the bright skies of the Valley, to enjoy a week of great golf and greater company. “It’s just something for everyone,” Woods says. “Whether you’re a CEO of a company or the receptionist, there’s something out there for everyone. And that’s what we’ve done a really good job of creating, and that’s why you want to come out to the Phoenix Open. You’re going to see some great golf, while also having an unbelievable social experience out there.”

Waste Management Phoenix Open

TPC Scottsdale, 17020 N. Hayden Road, Scottsdale, wmphoenixopen.com, times and ticket prices vary by day

Flying High Again The Birds Nest returns with hometown heroes Christina Fuoco-Karasinski >> The Entertainer!

hen Austin Burke was a child, he remembers his parents not allowing him to go to the Birds Nest. An established national anthem singer by elementary school, Burke instead stayed at home while his parents attended the Phoenix Open-sponsored concerts. This year, he jokes, he’s getting a babysitter for his parents so he can open for Dierks Bentley on Friday, January 31, at the Coors Light Birds Nest. “It’s a dream come true for me,” Burke says. “It’s my first-ever hometown show. I know I played Country Thunder, but I never played my hometown of Scottsdale, Arizona. It’s really surreal for me. “Obviously, I grew up going to the Waste Management Phoenix Open and spent so much time there as a kid watching the golfers.” Bentley and Burke are on the bill along with Miranda Lambert and Cody Johnson on Wednesday, January 29; G-Eazy and special guest on Thursday, January 30; and Kygo and special guest on Saturday, February 1. “There’s a lot of pride around our event,” says David Baum, Birds Nest chairman. “To be able to see these acts like Dierks, Kygo, G-Eazy and Miranda Lambert in a small, intimate setting is incredible. “The acts are attracted to that, too, because sometimes they don’t have

the opportunity to play to these smaller venues.” Baum has attended the Birds Nest for 20 years and watched the event evolve. “On the tournament side, it’s a bigger and better venue,” he says, “The Birds Nest is right there with that. In the last five years, we’ve grown even more with the large, national-scale acts performing.” This year, the VIP experience upgraded, according to Baum. The main tent will be split in half—one for general admission and the other for VIP. “It will no longer have a platform viewing the performance,” he says. “There’s a lot more surface area and an upgraded bar area and food experience for the guests in VIP. Additionally, we’ve added cabanas over the VIP section. We’ve traveled around and taken best practices from other concert venues and other festivals around the country to incorporate what we can do.” Now living in Nashville, Burke is looking forward to opening for Bentley, who helped him propose to his then-girlfriend, Lexi. The couple married on New Year’s Eve in Tennessee. On the day of the show, Burke will release his new single “Desert Child.” “I’ve really just come to terms with the fact that I’m not from the south,” Burke says. “I’m not a country boy from the south. I’m a country boy from Arizona. “I want to stand out and be different.

I take a lot of pride in being from Arizona. I’ve been writing a lot of songs about my home state. I want to own that West Coast influence that made me who I am as an artist.” Another new song will make its way on the setlist, “Young Love,” which was written by Thomas Rhett. The country star coproduced the song. “He’s been super involved in the process and the fact that he wants me to sing it is so special,” he says. “I’ll be singing that song and just lots of new songs I sang in Gilbert the night before Thanksgiving.” The songs include “Roots,” his spin on “Friends in Low Places” and “Blame It on My Roots.” “Everyone in Arizona loved it when I played it in Gilbert,” Burke says. “I’m really owning being from Arizona. I’m a fifth-generation native. I will always have a special place in my heart for Arizona, and to get to go back and play it with Dierks is going to be so special.”

Coors Light Birds Nest

Miranda Lambert and Cody Johnson on Wednesday, January 29; G-Eazy and special guest on Thursday, January 30; Dierks Bentley and Austin Burke on Friday, January 31; and Kygo with special guest on Saturday, February 1. Gates open at 3:30 p.m. daily; headliners take the stage at 8:30. The venue is across from the Waste Management Phoenix Open Tournament entrance at 82nd Street and Bell Road. Tickets start at $75; coorslightbirdsnest.com ENTERTAINERMAG.COM

Rock ‘n’ Roll Marathon promotes a community of ﬁtness Octavio Serrano >> The Entertainer!

unners fear they may not finish a race, but at the 2019 Humana Rock ‘n’ Roll Arizona Marathon & 1/2 Marathon, they’re encouraged by the sound of music. The 17th annual Rock ‘n’ Roll Marathon kicks off Saturday, January 18, and brings the running community together. There’s something for every skill level, ranging from full marathons to a 5K. More than 16,000 athletes are expected to participate. “It’s a musical journey,” says Judy Stowers, Rock ‘n’ Roll Marathon race director. “We have more than 40 bands who are along the courses and those

2019 HUMANA ROCK ‘N’ ROLL ARIZONA MARATHON & 1/2 MARATHON ENTERTAINERMAG.COM

courses consist of a full marathon, a half marathon, a 10K, a 5K and a kids’ run.” Stowers says the event maintains a high energy level and finds a way to make every runner feel comfortable. “It’s just a super fun high-energy event,” Stowers says. “Whether you are a runner or not, there are lots of opportunities to volunteer. Whether you’re on the volunteer side of things or you’re actually racing, it is really a Valleywide event that just helps bring some unity between these communities and between runners.” The race distances have themes like the ’70s, ’80s, ’90s and current music, Stowers says. The runners will have the opportunity to listen to songs performed by local bands. “Sometimes when you’re in these

FRIDAY, JANUARY 17 Noon to 7 p.m.: Health & Fitness Expo Day 1 – Phoenix Convention Center, North Hall A and West Halls A to D SATURDAY, JANUARY 18 8 a.m. to Noon: Rock ‘n’ Roll 5K presented by Brooks and KiDS ROCK! – Start Mill Avenue at Rio

different distances, some miles are harder than others and the opportunity to have music along the way to encourage you is super helpful in getting to that finish line,” Stowers says. This year, the Tempe-born Gin Blossoms will headline a free, public concert at Tempe Beach Park. In addition, there will be a Health and Fitness Expo on Friday, January 19, where athletes and running enthusiasts can shop from among 50 vendors, Stowers says. Stowers says multiple cities came together to coordinate the marathon, as it cuts through Tempe, Phoenix and Scottsdale. “There’s a lot of local support for the event, so when we’re combining three jurisdictions with Phoenix, Scottsdale and Tempe, there’s a lot of collaboration that happens between the communities and brings a large international field,” she says.

Although Stowers hasn’t run the race, she says she enjoys watching the runners’ enthusiasm for the views. “From a visual standpoint, we’re so lucky in the Valley to have the mountains and the cacti and different parks to be able to run past and through that just give it a really nice desert feel but in the middle of the city,” she says. “My favorite is when runners are running up through Papago Park. There’s drumming group that is at the turnaround and it’s very fun and they’re very high energy.” The goal of the Rock ‘n’ Roll Marathon is to bring together likeminded individuals. “The purpose is to bring people into health and fitness at various levels as well as to provide with a really unique environment in which people can run and enjoy live music along the marathon,” Stowers says. “It’s inspiring and motivating for people.”

Salado Parkway, Tempe, and ends at Rio Salado Parkway at Ash 9 a.m. to 5 p.m.: Health & Fitness Expo Day 2 – Phoenix Convention Center, North Hall A and West Halls A to D

Salado Parkway at Ash, Tempe, 7:50 a.m. to 3 p.m.: Marathon – Start Arizona Center – Van Buren Street and Second Street, Phoenix, and finish at Rio Salado Parkway at Ash, Tempe 7:50 a.m. to 3 p.m.: Start University Avenue at College, Tempe, and finish at Rio Salado Parkway at Ash, Tempe

SUNDAY, JANUARY 19 7:50 a.m. to 4 p.m.: Half Marathon – Start University Drive and College Avenue, Tempe, and finish at Rio

INFO: RUNROCKNROLL.COM

THE ENTERTAINER! MAGAZINE JANUARY 2020

FAMILY

FROLIC » DISCOVER » IMAGINE » FAMILY » FUN » CONNECT

FAMILY

CALENDAR Christopher Boan >> The Entertainer!

ZooLights: Glow Wild

TO JANUARY 19 The Phoenix Zoo’s iconic yearly holiday light show is on until January 19, allowing families one (or more) opportunities to enjoy the city’s zoo, with the illumination of millions of lights giving an added dimension to the festivities. The yearly fixture also includes a 200-foot polar slide, with photo opportunities with St. Nick and lakeside music-in-motion shows. ZooLights: Glow Wild, 455 N. Galvin Parkway, Phoenix, 602.286.3800, phoenixzoo. org, 5:30 to 10:30 p.m., $11.95$17.95 members, $13.95$19.95 general admission.

with food and other offerings for sale at the event. The festival runs from noon to 4 p.m., giving families a chance to frolic in the cool temperatures of winter, while enjoying the sights at Scottsdale’s aquarium at the same time. OdySea in the Desert, 9500 E. Via de Ventura, Scottsdale, 480.951.2100, odyseainthedesert.com, noon to 4 p.m., free.

Downtown Mesa Festival of the Arts

JANUARY 4 AND JANUARY 18 The Downtown Mesa Festival of the Arts features the work of established and emerging artists, including those who create woodwork, metal crafts, food items, jewelry, art, photography, handmade soaps and gifts. Macdonald is closed to traffic, but parking is available throughout Downtown Mesa. Festivals are the first and third Saturdays of the month from October to April. On Macdonald, off of Main Street in Downtown Mesa, dtmesafest.com, 10 a.m. to 4 p.m., free admission.

Family Fun Winterfest

JANUARY 4 OdySea Aquarium in the Desert is hosting the third annual Family Fun Winterfest in its Desert Courtyard, featuring real snow for the kids to play in. This free event features everything from bounce houses to rides, games, snowflake crafts and face painting—to go with various booths set up by local vendors,

Music and Butterflies

JANUARY 12 Butterfly Wonderland is hosting a free music experience, featuring a performance by classical violinist Jonathan Levingston. The event is sure to allow patrons of all ages to enjoy the conservatory in all its glory, with a wonderful backdrop of classical music to boost your attention to the minute details of the enclosure. Butterfly Wonderland, 9500 E. Via de Ventura, Scottsdale, 480.800.3000, butterflywonderland. com, 11 a.m. to 3 p.m., free with admission.

Youth Fine Arts Courses

JANUARY 18 TO MARCH 7 Mesa Arts Center is hosting an eight-week youth arts course on Saturdays, from January 18 to March 7. The class, which aims to teach artistic skills and knowledge through fun and challenging art classes, allows students to use a wide variety of art materials,

including painting, drawings, paintmaking, mixed media and sculpture, ensuring a mentally stimulating session for all. Mesa Art Center, 1 E. Main Street, Mesa. 480.644.6560, mesaartscenter.com, 8 to 9:30 a.m., $93.

Dogs’ Day in the Garden

JANUARY 18 The Desert Botanical Garden is hosting a family-friendly event for all members of your collective— two- and four-legged—with digital portraits with your dog, as well as an agility hurdle and dog yoga courses. The annual event is a great chance for your family to meet other dog lovers, with the admission fees benefitting the Arizona Humane Society. There will be educational opportunities to learn about Arizona-based dog nonprofits and even dog-centric shopping opportunities, in the appropriately named Barketplace. Desert Botanical Gardens, 1201 N. Galvin Parkway, Phoenix, 480.941.1225, dbg.org, 8 a.m. to 2 p.m., $4 per dog, with admission benefitting the Arizona Humane Society.

Brownie Race Car Design Badge Workshop

JANUARY 25 The Arizona Science Center is inviting Arizonans in second and third grade to design and build their own race cars, giving children an up-close and personal lesson on how engineering design processes work. Members of the Girls Scouts of America get discounted entrance to the event, which runs from 10 a.m. to noon. Arizona Science Center, 600 E. Washington Street, Phoenix, 602.716.2000, azscience.org, 10 a.m. to noon, $17 Brownie, Girl Scout, $5 chaperones.

Elephant & Piggie’s “We are in a Play!”

JANUARY 26 TO MARCH 1 The Herberger Theater is hosting a children’s series on its stage west, focused around Gerald the Elephant and Piggie. The two, who are best friends, have a lot of fun together, but face a series of comically difficult questions, including whether they should share their favorite ice cream, or if they are willing and able to play with just one toy. The play, which debuts on January 26 and runs weekends through March 1, is an hour-long and is intended for ages 3 and older. The run time on the play is one hour, with a post-show Q&A session following the performance. Herberger Theater, 222 E. Monroe Street, Phoenix. 602.252.8497, herbergertheater.org. 1 p.m. and 4 p.m., $12-35.

Friendly Pines Camp Information Nights

JANUARY 28, JANUARY 29, FEBRUARY 4 Friendly Pines Camp in Prescott is holding information nights about its sleepaway camp. Parents and children are invited to attend and learn about the experience. They’re open to all new and returning campers. The featured speakers will be camp directors Kevin Nissen and Megan May, who will offer a fun, informative presentation and discuss the emotional and physical benefits that children experience when they attend a camp like this. A raffle features a $500 discount on camp tuition. Homewood Suites by Hilton Tucson/St. Philip’s Plaza, 4250 N. Campbell Avenue, Tucson, 928.445.2128, friendlypines. com, 7 to 8:30 p.m.,January 28, free; Courtyard Marriott Salt River, 5201 N. Pima Road, Scottsdale, 928.445.2128, friendlypines.com, 7 to 8:30 p.m. January 29, free; Cambria Hotel Phoenix ChandlerFashion Center, 3165 W. Frye Road, Chandler, 928.445.2128, friendlypines.com, 7 to 8:30 p.m. February 4, free.

ENTERTAINERMAG.COM

SpongeBob and friends face a natural disaster Christina Fuoco-Karasinski >> The Entertainer!

C Tickets Start at $15! Restrictions, exclusions and additional charges may apply. Subject to availability. Tickets at market pricing. Purchase tickets at venue box office or ticketmaster.com.

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ody Cooley understands the attraction to SpongeBob SquarePants—the jokes (“What’s better than 24? 25!”), the brightly colored sea life and the strong friendship between SpongeBob and Squidward. When Cooley auditioned for Squidward for “The SpongeBob Musical,” he knew he had to land it. “I saw the show on Broadway in March 2018,” he says. “I admit I wasn’t so optimistic, but I loved it. I wanted to be a part of it.” Cooley was acting in Arizona Broadway Theatre’s “Guys and Dolls,” but quickly sent in tapes. “They asked me if I wanted to do it and I said, ‘Absolutely,’” he says. “I absolutely wanted to do it.” Staging at the Orpheum Theatre Friday, January 31, to Sunday, February 2, “The SpongeBob Musical” features songs by the likes of Steven Tyler and Joe Perry of Aerosmith, Sara Bareilles, The Flaming Lips, Lady Antebellum, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants and David Bowie. The storyline shares impending doom during the 2-hour and 15-minute show, without intermission. “It’s based on the things you know from the show, but they created an original storyline where in the first 5 minutes of the show a natural disaster is about to happen,” Cooley says. “It shares how the characters deal with it, and how the different groups of people blame each other, how the community comes together and how things can fall apart. It’s interesting seeing how people react to this impending doom.” “It’s definitely a show that kids will love because there’s so much color and so much choreography,” says Cooley, who appeared in ABT’s “American in Paris,” “Catch Me If You Can” and “Showboat” as well. “The characters are reminiscent of

what they are on the screen. It’s not like an amusement park musical, but the characters are based on what you see on the TV show.” “SpongeBob SquarePants” launched on July 17, 1999, and has reigned as the No. 1 kids’ animated series on TV for the last 17 years, generating a universe of characters, catchphrases and memes. SpongeBob SquarePants is seen in more than 208 countries and territories, translated in 55-plus languages, and averaging more than 100 million viewers every quarter. The character-driven cartoon chronicles the nautical and sometimes nonsensical adventures of SpongeBob, an incurable optimist and earnest sea sponge, and his undersea friends. The show appeals to adults as well, thanks to its clever humor. Kids and adults alike get a kick out of Cooley’s number when he tap dances with four legs. “That’s very alluring for an actor— doing something I wouldn’t normally do or ever do again,” Cooley says. “It was challenging, but honestly, we did it so much I quickly had my sea legs.” Cooley says the biggest challenge is balancing realism and the flavor of the cartoon. The actors take bits from the cartoon and mesh those traits with their own personality. “That’s where the humanity comes out, the realism comes out,” he says. “I hope people get joy out of this show. That’s our mission—to spread as much joy as possible. I think the show really does that. “That’s what we hear from the responses from the people at the stage door or the people we see on the street. There’s a lot of joy and I hope kids and adults gain a love of theater.”

“The SpongeBob Musical”

The Orpheum, 203 W. Adams Street, Phoenix, 602.262.7272, broadwayorpheum.com, 8 p.m. Friday, January 31, 2 p.m. and 8 p.m. Saturday, February 1, 1 p.m. and 6:30 p.m. Sunday, February 2, tickets start at $42.25.

THE ENTERTAINER! MAGAZINE JANUARY 2020

MUSIC

LISTEN » JAM » INNOVATE » EVOLVE » ROCK » SING

LIVE MUSIC

CALENDAR Connor Dziawura >> The Entertainer!

JANUARY 1 HAPPY NEW YEAR

JANUARY 2

A Tribute to Chet Baker

Johnny Burgin

The Rhythm Room, 8 p.m., $10

Southwest Gospel Festival

Geocentric

Mesa Arts Center’s Ikeda Theater, various times, $13-$207, or free for children 2 and younger sitting in laps

Holiday Hangover: An ’80s Tribute Festival

JANUARY 8

Jimmy Webb

Musical Instrument Museum, 7 p.m., $48.50-$53.50

The Van Buren, 8 p.m., $15

Musical Instrument Museum, 7:30 p.m., $43.50-$53.50

JANUARY 4 Jimmy Nistico & Jazz Express The Nash, 7:30 p.m., $6-$29

Booker T. Jones Good Riddance

The Rebel Lounge, 8 p.m., $24-$26

Nick Schnebelen

The Rhythm Room, 8 p.m., $10

Southwest Gospel Festival

Musical Instrument Museum, 7:30 p.m., $43.50-$53.50

Mesa Arts Center’s Ikeda Theater, various times, $13-$207, or free for children 2 and younger sitting in laps

Kyle Smith

JANUARY 9

Jimmy Webb

Last Exit Live, 9 p.m., $10

Rainy Days

The Rebel Lounge, 6 p.m., $10-$12

Rhythm Room House Rent Party w/Sugaray Rayford, Francine Reed, Andy Gonzales, George Bowman, Jimi “Primetime” Smith, Dave Riley/Bob Corritore Juke Joint Blues Band, Cold Shott & The Hurricane Horns, Soul Power Band, Smokestack Lightning, Gypsy Wild at Harp, Shannon Trotter The Rhythm Room, 6:30 p.m., $15

Booker T. Jones

Deadspawn

Club Red’s West Theater, 7 p.m., $10-$13

Johnny A.

Musical Instrument Museum, 7:30 p.m., $33.50-$38.50

Motionless in White w/Beartooth

Marquee Theatre, 8 p.m., $29.50-$59.50

Pool Chasers

The Rebel Lounge, 4:30 p.m., free

Styx

Celebrity Theatre, 8 p.m., $40-$349

The Sugar Thieves

JANUARY 5

Guitar Shorty

Musical Instrument Museum, 7 p.m. and 9 p.m., $38.50-$53.50 The Rhythm Room, 8 p.m., $14

Ike Ramalho

The Rhythm Room, 7:30 p.m., $10

JANUARY 14 Juan de Marcos and the Afro-Cuban All Stars

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$54.50

Mississippi Nova w/ Cheeseburger Picnic, The Maybe Next Years, Maddi Ryan, Christof Rochel and the Wine Soaked Goliards The Rhythm Room, 7:30 p.m., $10

JANUARY 15 Cadillac Angels

The Rhythm Room, 8 p.m., $7

West by Northwest

JANUARY 12

Mandy Patinkin

The Nash, 7:30 p.m., $10-$31

Pub Rock Live, 8 p.m., $20-$100 The Rebel Lounge, 8 p.m., $10-$12 Musical Instrument Museum, 7:30 p.m., $43.50-$53.50

Creosote (Gabriel Hall-Rodrigues)

Crescent Ballroom, 8 p.m., $12

Musical Instrument Museum, 7 p.m., $33.50-$43.50

Juan de Marcos and the Afro-Cuban All Stars

The Rhythm Room, 8 p.m., $10

JANUARY 10

David Sanborn Quartet

The Rhythm Room, 6 p.m., $8

Tempe Center for the Arts, 7 p.m., $50-$60

Rex Orange County

Stevie Stone

Elvis Presley Annual Birthday Bash!

The Shaky Calls w/Drug Thirsty Mule, In Reversal, Draem Taem

Cher, Elton, Streisand & More: Las Vegas Edwards Twins

Bodie w/Alec King, Reagan Capaci, DJ Yellawave

Club Red’s West Theater, 7 p.m., free

Cher, Elton, Streisand & More: Las Vegas Edwards Twins

Atom String Quartet

The Van Buren, 8 p.m., sold out

Tempe Center for the Arts, 7 p.m., $50-$60

Dar Williams

Club Red’s East Theater, 6 p.m., $12-$14

James Armstrong Band Valley Bar, 8 p.m., $22-$25

The Rebel Lounge, 8 p.m., $15-$18

96 Bitter Beings

Adventurer

Sonoran Violence (Day 2) w/ Infest, Iron Lung, Sex Prisoner The Nile, 11 p.m., $20

Cher, Elton, Streisand & More: Las Vegas Edwards Twins

Brewfish

The King Khan & BBQ Show

JANUARY 13

Subtronics

Celebrity Theatre, 8 p.m., $40-$349

Acme

The Rhythm Room, 8 p.m., $10

Scottsdale Civic Center Mall, noon to 4 p.m., free

8 Kalacas

Musical Instrument Museum, 7 p.m., $48.50-$53.50 Last Exit Live, 8:30 p.m., $8-$10

Sunday A’Fair w/Whitney Jones, Miguel Melgoza

Styx

JANUARY 11

JANUARY 7

The Nash, 7:30 p.m., free

Club Red’s West Theater, 7 p.m., $10-$13

JANUARY 6

JANUARY 3 The Rebel Lounge, 8 p.m., $15-$18

Portrayal of Guilt w/Street Sects

The Van Buren, 9 p.m., $15-$35

The Rhythm Room, 7 p.m., $10

Cash’d Out

Marquee Theatre, 8 p.m., $30.75-$45.75

The Nash, 3 p.m., $6-$21

Mesa Arts Center’s Ikeda Theater, various times, $13-$207, or free for lap children 2 and younger

Grant Ferguson w/JAMF

Pink Floyd Laser Spectacular

Tempe Center for the Arts, 7 p.m., $50-$60 The Nash, 3 p.m., $6-$26

GB Leighton

The Rhythm Room, 6 p.m., $15

MusicaNova Orchestra: Rhineland Muses—Journeys in Romantic Music

Musical Instrument Museum, 2 p.m., $36.50-$41.50

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$54.50 Mesa Arts Center’s Ikeda Theater, 7:30 p.m., $45-$85

JANUARY 16 Cheikh Lô

Musical Instrument Museum, 7:30 p.m., $43.50-$63.50

Iann Dior

Club Red’s West Theater, 7 p.m., $22.50-$25

Machine Head

The Van Buren, 8 p.m., $31-$35

Neil Hamburger

Crescent Ballroom, 8 p.m., $20

Netherfriends

The Rebel Lounge, 8 p.m., $12-$15

The Noodles

The Rhythm Room, 8 p.m., $7

Reverend Horton Heat

Marquee Theatre, 7:30 p.m., $15-$55

The Nash, 7:30 p.m., $6-$21 ENTERTAINERMAG.COM

Performing Arts, 7:30 p.m., sold out

The Rebel Lounge, 8 p.m., $18-$20

Struggle Jennings

Roddy Ricch

Last Exit Live, 8 p.m., $15-$75

JANUARY 17 Coco Montoya

The Van Buren, 8 p.m., $25-$28

Sunday A’Fair w/Darryl Tonemah, HopiToWa

The Van Buren, 8 p.m., $22.50-$25

The Fab Four

Mesa Arts Center’s Ikeda Theater, 8 p.m., $29.50-$62.50

Herb Alpert and Lani Hall

The Rhythm Room, 8 p.m., $18

Scottsdale Civic Center Mall, noon to 4 p.m., free

Fifth Density

Weiss

Juliana Hatfield

JANUARY 20

Tony Danza

Club Red’s West Theater, 6 p.m., $10-$13

Jarabe Mexicano

Chandler Center for the Arts, 7:30 p.m., $28-$38

Stanley Clarke Band

Mesa Arts Center’s Piper Repertory Theater, 7:30 p.m., $50

The Temptations w/The Four Tops Comerica Theatre, 8 p.m., $49.50-$259

Theatre Kids: Jarabe Mexicano Chandler Center for the Arts, 10 a.m., $2

Zeppelin USA

The Van Buren, 8 p.m., $23-$42

JANUARY 18 32 Leaves

Last Exit Live, 9 p.m., $12-$20

Coco Montoya

The Rhythm Room, 8 p.m., $18

Judy Roberts and Rebecca Kilgore The Nash, 7:30 p.m., $6-$49

Merkules

Club Red’s West Theater, 7 p.m., $22-$82

Nascar Aloe

Pub Rock Live, 7 p.m., $13-$15

Shady Park, 3 p.m., $10-$20

Glen Burtnik’s Summer of Love Concert

Highlands Church, 7:30 p.m., $26-$69

Kronos Quartet

Musical Instrument Museum, 7 p.m., $53.50-$78.50

Highlands Church, 7:30 p.m., $34-$79

Wrath Upon Eden

Club Red’s West Theater, 5:30 p.m., $10-$13

JANUARY 25 Herb Alpert and Lani Hall

JANUARY 21

New West Guitar Group

The Rhythm Room, 8 p.m., $10

John Underwood and His Horny Friends w/Tina Bailey, AJ Odenal The Rhythm Room, 7:30 p.m., $10

The Paranoyds w/Surfbort Valley Bar, 8 p.m., $15

Radical Face

Crescent Ballroom, 8 p.m., $23

Steve Gadd Band

Musical Instrument Museum, 7 p.m. and 9 p.m., $28.50-$48.50

Tony MacAlpine

Club Red’s West Theater, 7 p.m., $20

Trey Anastasio Band

The Van Buren, 8 p.m., sold out

JANUARY 22 Chris Duarte

Tool

Motion City Soundtrack

Gila River Arena, 7:30 p.m., $175-$239

Crescent Ballroom, 8 p.m., $20

Whole Milk w/Bulletproof Backpacks

Stateline

Club Red’s East Theater, 8 p.m., $10

Musical Instrument Museum, 7:30 p.m., $64.50-$80.50

The Rhythm Room, 8 p.m., $12 The Van Buren, 8 p.m., $32.50-$35

Musical Instrument Museum, 7:30 p.m., $64.50-$80.50 Tempe Center for the Arts, 7:30 p.m., $35

Randy Napoleon

The Nash, 7:30 p.m., $6-$40

Raphael Saadiq

The Van Buren, 8 p.m., $35-$175

Ska Parade 25-Year Anniversary Show w/Los Kung Fu Monkeys, Monkey, The Holophonics, Hans Gruber and the Diehards, Joker’s Republic Pub Rock Live, 7:30 p.m., $17

Soul Power Band

The Rhythm Room, 9 p.m., $10

The Texas Tenors

Chandler Center for the Arts, 7:30 p.m., $38-$68

Theo Katzman

Crescent Ballroom, 8 p.m., $20

JANUARY 26

Under the Streetlamp

Nada Surf

The Almost

Crescent Ballroom, 8 p.m., $22-$32

The Rebel Lounge, 7 p.m., $18-$20

JANUARY 19

Victor Wooten w/Steve Bailey and Gregg Bissonette: “Bass Extremes”

JTM3

Last Exit Live, 7 p.m., $15

Highlands Church, 7:30 p.m., $34-$79

AZ Blues Hall of Fame Fundraiser & Induction Ceremony

The Rhythm Room, noon, $10

Chance the Rapper

Gila River Arena, 7 p.m., $54.75-$203.06

Danielle Nicole

The Rhythm Room, 8 p.m., $15

Darlin’ Companion: A Tribute to Johnny Cash and June Carter Cash

Chandler Center for the Arts, 3 p.m., $30-$40

Francine Reed

The Nash, 3 p.m., $16-$36

Frankie Moreno

Del E. Webb Center for the Performing Arts, 3 p.m., $55-$65 ENTERTAINERMAG.COM

Musical Instrument Museum, 7 p.m. and 9 p.m., $33.50-$54.50

JANUARY 23 Eric Johnson

Crescent Ballroom, 7:30 p.m., $38-$43

The Smokin’ Blue Band w/ Mississippi Nova, UVC

The Rhythm Room, 7:30 p.m., $10

YBN Cordae

Pub Rock Live, 7 p.m., $22-$78

JANUARY 28 Legends: Keola Beamer and Henry Kapono w/Moanalani Beamer

Musical Instrument Museum, 7 p.m., $44.50-$49.50

Marty O’Reilly & the Old Soul Orchestra The Rebel Lounge, 8 p.m., $10-$13

Queensrÿche

Marquee Theatre, 6:30 p.m., $30-$60

Slow Hollows

Valley Bar, 8 p.m., $13-$15

JANUARY 29 Kingdom Come

Marquee Theatre, 7 p.m., $25-$40

King Princess

The Van Buren, 8 p.m., $27.50

Vieux Farka Touré

Musical Instrument Museum, 7 p.m., $38.50-$44.50

Voice Recital from the Studio of Stephanie Weiss

Musical Instrument Museum, 10:30 a.m., $7, or included with paid museum admission

Wildermiss

Last Exit Live, 8:30 p.m., $10-$12

JANUARY 30 Cursive

Crescent Ballroom, 8 p.m., $25-$35

Cycles

Valley Bar, 8 p.m., $14-$16

John Mayall

Musical Instrument Museum, 7:30 p.m., $44.50-$54.50

Wood and Fire

The Rhythm Room, 8 p.m., $10

JANUARY 31 American Authors w/Magic Giant The Van Buren, 8 p.m., $25-$28

Black Violin

The Marcus King Band

Chandler Center for the Arts, 7:30 p.m., $36-$56

Patrick Watson

The Rebel Lounge, 8 p.m., $16-$18

Marquee Theatre, 8 p.m., $25-$75 Crescent Ballroom, 8 p.m., $25

Sunday A’Fair w/Scattered Melodies, Holly Pyle Trio Scottsdale Civic Center Mall, noon to 4 p.m., free

Young Musicians Winter Concert

Caspian

Chris Botti

Highlands Church, 7:30 p.m., sold out

The Dead of Winterfest 2020 Club Red, 6 p.m., $15-$25

Mustard Plug w/The Toasters Pub Rock Live, 7:30 p.m., $15

Musical Instrument Museum, 2 p.m., $23.50

New Guard Big Band w/Dennis Rowland

Musical Instrument Museum, 7 p.m., $54.50-$74.50

JANUARY 27

Theatre Kids: Black Violin

JANUARY 24

The Rhythm Room, 8 p.m., $10

Victor Wooten w/Steve Bailey and Gregg Bissonette: “Bass Extremes”

Alistair

Pub Rock Live, 7 p.m., $10

Carrissa Jones

John Pizzarelli Trio: 100 Year Salute to Nat King Cole

Highlands Church, 7:30 p.m., $34-$79

The Nash, 7 p.m. and 9 p.m., $10-$45 Chandler Center for the Arts, 10 a.m., $2

Simplicity is Beautiful THE ENTERTAINER! MAGAZINE JANUARY 2020

Juliana Hatfield puts her spin on The Police

Ron Wade >> The Entertainer!

uliana Hatfield has been one of the most prolific singersongwriters in indie-rock. Her discography includes dozens of albums, EPs and soundtrack appearances since her 1992 debut solo record, “Hey Babe.” Recently, Hatfield switched gears and is revisiting the catalogs of her favorite artists from her youth and recorded their songs with her signature style. After the success of 2018’s “Juliana Hatfield Sings Olivia Newton-John,” she has released “Juliana Hatfield Sings

The Police,” which she’ll promote at the Crescent Ballroom in Phoenix on Friday, January 24. “The Police (record) was a little bit easier and I felt more comfortable with the material,” she says, comparing the process of deconstructing and recording songs by the Police and Newton-John. “It’s more like my style in a way. The way Sting sings feels really natural to me, not that it’s easy. It takes a lot of energy and effort, but (the melodies), I know them so well. It’s like second nature singing them. “The Olivia Newton-John songs were much more challenging technically.

The songwriting was a little more complicated and the vocalizing was a little more complicated. The Olivia Newton-John thing was like trying to figure out math problems a little bit. Ultimately, it was really gratifying and fulfilling. I love her and the songs so much, but it was not easy.” Her 2019 version of “Every Breath You Take” is not the first time she’s covered it on an album. Her 2002 release “Gold Stars 1992–2002: The Juliana Hatfield Collection” featured the classic song in a completely different arrangement. “I had an urge to try it again with my 2019 brain, which has evolved from my 2002 brain,” Hatfield says. “My 2002 brain was immersed in grunge and I was playing a Les Paul guitar through Marshall stacks, so it was kind of the sound I was into then. But today I’m more into a ‘cruddy’ sound with just something small. I’m playing some smaller amplifiers, Fenders and Ampegs. It’s just a different aesthetic now that I like. So, I came at it from a different angle. I wanted it to be a little ‘cruddier’ and a little more rhythmic. That chugging baseline I started with, I came up with that and it really made the song feel different, I think.” Hatfield says there were other songs recorded not making the album. “We recorded a version of ‘Truth Hits Everybody,’ which I left off the album because I felt like I just didn’t do anything very interesting with it,” Hatfield says. “It was just a very straight-ahead, faithful version of the song, and I felt it was kind of blah. I set it aside and, but then I just listened to it the other day and it’s actually pretty good. I kind of regret not putting it on the album.” She says she was contemplating doing “Driven to Tears,” but her engineer, who was younger than her, never heard The Police’s version. “(He) told me he knew (it) from seeing Pearl Jam do it,” she recalls. “My engineer dialed it up for me from YouTube and I saw Pearl Jam doing it and they did a pretty note-fornote faithful version. I just thought if Pearl Jam has the definitive cover of ‘Driven to Tears,’ then I don’t really need to do it. I let Pearl Jam have that one.” The Police tribute comes on the heels of “Weird,” a personal album released earlier this year. The Newton-John record followed “Pussycat,” the 2017 powerful anti-Trump album written in the aftermath of the 2016 presidential election.

The collections aren’t part of a “serious record/cover record” cycle. “No, I don’t really strategize or plan very well,” Hatfield says. “I just do. I just play it by ear all the time. I guess making the covers albums, maybe they both inspired me to want to write more of my own songs. ‘Pussycat’ came before Olivia Newton-John, but yeah, ‘Pussycat’ was a pretty dark, angry record and I felt after I needed to go toward something beautiful and light and gorgeous, which was Olivia Newton-John. And then after, I went back into the darkness with ‘Weird.’ I think it’s just a balance. Part of what makes “Juliana Hatfield Sings The Police” “light and gorgeous” is the album artwork by Boston’s Nicole Anguish. Hatfield says she was chosen specifically for her style for the Newton-John and The Police albums. “She does these illustrations of faces don’t have all the features drawn in, so I thought that would work really well because she could evoke me and Olivia Newton-John without being too specific about it. “I didn’t want to use a really detailed image of Olivia’s face because it felt like theft or something. I didn’t want to exploit her image. I think Nicole made it work in a really respectful way, evoking Olivia Newton-John by putting her next to me—her with the blonde hair and me with the brown hair. She did the same thing with The Police in a really cool way. She subtly used the colors from ‘Synchronicity’— the yellow, blue, and red—and she used those colors in the album cover to evoke The Police in a really subtle way.” With two fantastic albums of covers and a 30-year discography to draw on, what songs can fans expect on this tour? Hatfield doesn’t know for sure. “It’s hard, it complicated. I want to do some from the last four albums— the two covers albums and the two original albums and then go back to the very beginning,” Hatfield says. “I want to do a couple from my first album, ‘Hey Babe,’ and then a couple from the first Atlantic album, ‘Become What You Are,’ and then a few in between from other albums.”

Juliana Hatfield

Crescent Ballroom, 308 N. Second Avenue, Phoenix, crescentphx.com, 7 p.m. Friday, January 24, $20 in advance, $25 day of show. ENTERTAINERMAG.COM

An Authentic Experience Irish singer Dermot Kennedy heads out on biggest tour yet Taylor O’Connor >> The Entertainer!

rish singer-songwriter Dermot Kennedy wants to write songs with a purpose. Every detail in the artist’s career—from shows to lyrics to album structure—all have a deeper meaning than what is seen at first glance. The purpose behind all the details: true emotion and vivid imagery. “I want my fans to feel something real for a certain amount of time, to take a step out of everyday life and feel something authentic and real and deep,” Kennedy says. “I think that’s what my favorite music has done for me and I’d like to do that for them.” Released in October, his debut fulllength album, “Without Fear,” has sent the singer on his longest and biggest tour, with more than 30 dates in North America performing in historic venues like Radio City Music Hall in New York City and The Wiltern in Los Angeles. “Some of them are so beautiful,” Kennedy says. “Stuff like that is just a massive deal. It’s very important to me. I don’t want to take anything for granted.” As for Phoenix, Kennedy is set to perform at 7 p.m. Saturday, February 8, at the Comerica Theatre. “What people often expect is just me and a guitar or me and a keyboard in a venue that’s super intimate and quiet,” Kennedy says. “That’s not it. It’s the four of us on stage now and the production has gone up a gear completely and it’s quite a big show. “A really important thing for me is trying to paint a picture with my lyrics and have really vivid imagery in my songwriting and I want it to come across in my show.” Kennedy’s imagery is apparent in

“Without Fear,” which he considers much more than a collection of songs he wrote. “I wanted the album to have a narrative. I wanted to have a very strong story,” he says. “The album almost runs in parts. The first part is the beginning of falling in love and then the second part deals with loss and grief and toward the end is like a renewal. It’s someone who’s been thrown an awful lot of good and an awful lot of bad.” Fans can store this away, but Kennedy doesn’t get into too much detail about what the songs mean to him. “I don’t necessarily want to go into too much detail in describing what the album is about because I don’t want to get in the way of what people feel and what people take from it,” he says. With such a specific goal for the album, Kennedy says he had to be very selective with his songs. “You’ve got certain songs you love and sounded good in the studio, but they didn’t necessarily fit in the story. I was working off of 80, 90 song ideas. I wanted the story to make sense within the album,” he says. “I was really determined not to have a compilation of songs listed in this way for no good reason. I wanted it to be a project as opposed to a compilation of songs that were listed in no particular order.” “Without Fear” closes with the title track, a song very close to Kennedy. Now 27, the songwriter wrote this tune years before any he had any recognition as an artist. “It was the song I had ready to go from when I was younger,” Kennedy says. “The song changed over time, but I wanted to run with it. Now, it’s our favorite song to play live and it’s one of the most precious songs on the album.”

He chose to name the album “Without Fear,” because of his connection to the song. “To have a title that’s so personal … it’s a reminder of what I loved about music before I had a career. Then, it’s also a reminder to myself to live and try and create that way, to do everything I can to live and be an artist in that way,” Kennedy says. As Kennedy gains traction within the industry, it’s important for him to remain himself. “I’m just trying my best to hold on to what I truly am, to not change or fall into certain holes within the music industry,” he says. “There are so many ways to get big quick and to jump ahead of other artists. There’s so many gimmicks and so much trouble and so many people are crying out for something real and to actually feel something.” His authenticity and vulnerability are the reasons he has any fans. Leading up to the album release, Kennedy had more than 9 million monthly listeners on Spotify and 600 million streams across all platforms. “Without Fear,” landed at No. 18 on

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the Billboard Top 200 and debuted at No. 1 on the Official U.K. Album Chart. This growth follows two of the album’s singles, “Power Over Me” and “Outnumbered.” The songs reached the charts in France, Germany, Belgium, the Netherlands, Switzerland and Canada. Being authentic, Kennedy says, is a blessing. “I don’t have to pretend or put on a face when I go onstage. I don’t have to be something I’m not and that feels good. I want to continue down that path. “I want to make sure with all the touring I don’t lose the love of performing. I don’t want to become someone who just goes through the motions. I want my performances to be powerful every night.”

Dermot Kennedy

Comerica Theatre, 400 W. Washington Street, Phoenix, 602.379.2800, comericatheatre.com, 8 p.m. Saturday, February 8, tickets start at $29.50.

THE ENTERTAINER! MAGAZINE JANUARY 2020

Christina Fuoco-Karasinski >> The Entertainer!

lex Hwang of Run River North was tired of hearing how great his band is live. “We realize people say that about a lot of bands,” Hwang says. “I feel like there are certain markers they hit—keeping the energy up, everyone clapping their hands. “We want to disrupt that idea and have fun with the whole idea of the show. We’re tired of the same kind of thing. You go to the show and stand there. We wanted to have more crowd participation, but in a different way.” Instead, Hwang says, the crowd can choose its own destiny at Run River North shows. “I think the main challenge is we want to have people put their phone away and have fun—but not in a Jack White way,” says Hwang, of the rocker who requires fans lock up their phones during his shows. “I would like them to challenge us as a band.” Guitarist/vocalist Hwang—who’s joined in the band by guitarist/vocalist Daniel Chae and keyboardist/vocalist Sally Kang—didn’t want to give too many details so he doesn’t ruin the fun. The band’s latest single, “Wake Up,” marks a chapter of growth and is part

of the EP “Monsters Calling Home Vol. 2,” which hit stores on November 1. The title reflects the band’s former moniker. Hwang admits he was a tad nervous to release the song because it explores new territory for Run River North. Instead of its folksy roots, Run River North shoots for ambitious rock. “We took a whole year to transition and to see if our fans would move along with us was nail-biting,” he says with a laugh. “The response was really satisfying. I feel really accomplished. We could trust our fans and our friends to come along for the ride with us.” The year 2019 was just as fun for Run River North. “It was so much fun playing Seth Myers,” he says. “The placements and the things we had made us not feel too boxed in, in terms of what kind of band we’re supposed to be. “Our story reflects that. We learned not to be so fluid, but to move between genres and different soundscapes, based on what we’re going through at the moment—and not just with an acoustic guitar or electric guitar.”

MARCH

Run River North turns from folk to ambitious rock

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D-backs Home Game Rockies Home Game MLB4 Collegiate Baseball Tournament

All times subject to change. All times Arizona time.

Run River North w/Stox

Valley Bar, 130 N. Central Avenue, Phoenix, valleybarphx. com, 8 p.m., $12-$15. ENTERTAINERMAG.COM

Dazzling Effort

Saint Motel brings immersive concert experience to Phoenix Christopher Boan >> The Entertainer!

os Angeles-based quartet Saint Motel is hitting the road in January, with singer A.J. Jackson promising a show you won’t soon forget. The band, which is touring in support of the first part of its trilogy, “The Original Motion Picture Soundtrack, Part 1,” will bring an immersive concert experience to Phoenix in January. Jackson wouldn’t tip his hand when asked what that experience will entail but did give a few hints as to what might be up their collective sleeves. “Our new album is coming out in three parts,” Jackson says. “We’ve put out part one; part two’s going to come out kind of when the tour starts, and we wanted this first tour to kind of take that concept and drive it home.” Jackson promises their newest tour will be a spectacle that enthralls everyone in attendance, regardless of whether they’ve attended one of their shows in the past. It’s rather apropos that Jackson, who founded Saint Motel as a film school student in 2007, is putting so much energy and effort toward the cinematic ENTERTAINERMAG.COM

aspects of the act’s live performance. The driving question for Jackson and fellow bandmates, Aaron Sharp, Dak Lerdamornpong and Greg Erwin was how they could continue to reinvent the live act, so as to give fans a reason to keep coming out when Saint Motel comes to town. “The question we posed to ourselves was, ‘how do you feel like you’re inside of a movie?’” Jackson says. “And that’s what we’ve been exploring. Because we don’t want people to sit back and watch visuals, we want them to be an active part of the whole experience.” Saint Motel will tour through the Van Buren in Phoenix on Sunday, January 26. Jackson and his bandmates have found tricks that allow them to dazzle fans, without breaking the bank. He believes the collectives ability to present a one-of-a-kind concert-going experience is what sets them apart, explaining the band’s meteoric rise since its debut album, “ForPlay” came out in 2009. “There’s going to be a lot of kind of classical, tiny kind of theater tricks that you can do like that,” Jackson says. “But there’s a lot of really cool high-end visuals we’re doing and some cool productions. There’s a big element to the show that kind of, once you get

there, you’ll kind of right-off-the-bat understand how it works. But I can’t really say too much about it now.” It’s that abundance of energy and creativity that allowed Saint Motel to thrust its way near the top of the U.S. Adult Album Alternative, as well as Alternative rock and Rock charts in 2014, with the release of “My Type.” The horn-driven song catapulted Jackson and company into the forefront of the alternative rock scene. Jackson wasn’t complacent, however, as Saint Motel went back to the drawing board to continue its ascent. That effort paid off in full, with 2016 release “saintmotelevision” reaching the 62nd spot in the U.S. charts, with the lead single, “Move” topping out at the third spot in the U.S. AAA chart, the band’s best finish. Jackson attributes much of the success of “My Type” and “saintmotelevision” to the band’s decision to self-produce its albums. That decision allowed the act to have complete control over its sound, which gave Jackson and his bandmates the ability to experiment in ways that were previously impossible. Jackson recounted the struggles that came from having to find a producer and a label when “ForPlay” was

released a decade ago. He and his bandmates decided to form their own label after their debut work. That creative freedom extended to Saint Motel’s live shows, with the band finding ways to broaden its audience, through one-of-a-kind live music experiences. Jackson says the quartet’s mission is to do whatever it takes to make sure that everyone in attendance has a great time, from the opening song of its set to the encore. “We go the extra mile to try to take it to the next level,” Jackson says. “It’s never the same show, and we’re always trying to make it the most experiential, crazy thing that we can. So, if you’ve never seen a Saint Motel show and you just like the music, you’re going to be in for a treat. “And if you’ve seen a Saint Motel show and you want to come back, same kind of deal, because we don’t kind of do the same thing. We’re always trying to push the boundaries.”

Saint Motel

The Van Buren, 401 W. Van Buren Street, thevanburenphx. com, 8 p.m. Sunday, January 26, $26-$88.88.

NIGHTLIFE

SIP » UNLEASH » MIX » MINGLE » PULSE » SHAKE shadyparktempe.com, 9 p.m., tickets start at $15, 21 and older.

NIGHTLIFE

CALENDAR tickets start at $15, 18 and older.

Haley Lorenzen >> The Entertainer!

Afterglow 2020 ft. Fisher

JANUARY 1 After ringing in the New Year at Decadence Arizona, dance the rest of the night away at Afterglow, the festival’s official after-party. This year’s event will feature Australian DJ Fisher, who will spin his tech-house tracks until 6 a.m. Fisher’s viral hit “Losing It,” with over 140 million streams on Spotify, has become somewhat of an electro-house anthem. Don’t miss his high-energy, danceworthy set, with supporting acts that will be announced soon. Rawhide Event Center, 5700 W. North Loop Road, Chandler, 480.502.5600, rawhide.com, 3 a.m., tickets start at $40, 18 and older.

Subtronics

Moody Good

JANUARY 11 The release of Moody Good’s self-titled debut album landed him the Best Album award at the 2014 Bass Music Awards, and although the English music producer has remained largely off the radar since, his experimental electronica and trip-hop influenced work has cemented his admiration within the EDM community. Originally gaining recognition as half of the electronic music duo 16bit, Moody Good has since focused on his solo work, and has worked with artists such as Björk and Skrillex. Aura, 411 S. Mill Avenue, Suite 201, Tempe, 480.210.2872, auratempe.com, 9 p.m., tickets start at $15, 18 and older.

Attlas

JANUARY 10 This Philadelphia-born producer is bringing his robotic, mechanical take on dubstep to Phoenix in January. At only 24 years old, Subtronics has set himself apart from others in the heavy bass scene, with what he describes as “angry robot noises.” Subtronics’ sets have earned him heavy praise, with his loyal fanbase becoming known as the “Cyclops Army”. On the “Cyclops Invasion Tour”, catch Subtronics along with supporting acts He$h, Chee, Bommer and Level Up. The Van Buren, 401 W. Van Buren Street, Phoenix, 480.659.1641, thevanburenphx.com, 9 p.m.,

JANUARY 17 Before his true identity was known, many thought Attlas was a side project of deadmau5, due to their similarities, until it was revealed that this producer and DJ was actually Canadian classically trained musician, Jeff Hartford. With numerous singles and EPs released since 2015, Attlas has racked up millions of streams of his hypnotic, unique tracks. Unlike many DJs on the scene, who are more known for their bass drops and danceability, Attlas’tracks are known for their calmer, more emotive melodies. Shady Park, 26 E. University Drive, Tempe, 480.474.4222,

Shiverz

JANUARY 18 One of the newer names in the dubstep community, Shiverz A.K.A. dabutcher is bringing one of his high energy sets to Tempe on his “Shut Down & Shell” Tour. Hailing from Croydon, England, this DJ’s bass-heavy, intense beats have made him an upand-coming act. Shiverz has been racking up shows across the United States and Europe, bringing his unique blend of trap, riddim and reggaeton with him. Aura, 411 S. Mill Avenue, Suite 201, Tempe, 480.210.2872, auratempe.com, 9 p.m., tickets start at $10, 18 and older.

which are well-known for his use of vocal chop-ups. Moor is also known for his remixes for popular artists like Britney Spears, Tiësto and Brian Eno. Shady Park, 26 E. University Drive, Tempe, 480.474.4222, shadyparktempe.com, 9 p.m., tickets start at $15, 21 and older.

Prince Fox

Firebeatz

JANUARY 19 For over 10 years, this Dutch duo has been dropping hits in both the house music world as well as the mainstream music world, having worked with Rihanna, James Blunt and Sean Paul. Composed of Tim Benjamin Smulders and Jurre van Doeselaar, the pair have been producing hard-hitting beats and insanely danceable tracks since the two met at art school in The Netherlands in 2008. HiFi Scottsdale, 4420 N. Saddlebag Trail, Scottsdale, 480.970.5000, hifibars. com, 9 p.m., free entry with RSVP before 11 p.m.

Andy Moor

JANUARY 24 This Grammy-nominated DJ and producer is one of the most wellknown names in the trance music scene. After signing his first label release at only 19 years old, Andy Moor has spent the last 20 years racking up numerous accolades for his innovative, melodic tracks,

The Insider’s Guide to Arizona Entertainment

JANUARY 25 Although his debut studio album was only released seven months ago, Prince Fox has built quite the reputation in the electronic music world. Prince Fox was inspired to begin making music by John Mayer, which led to him learning how to play guitar. Eventually, he began producing electronica, and the rest is history. Having worked with artists such as Hoodie Allen, Hailee Steinfeld and YG, this New York-born DJ describes his combination of future bass and deep house as “pop that knocks.” Shady Park, 26 E. University Drive, Tempe, 480.474.4222, shadyparktempe.com, 9 p.m., tickets start at $15, 21 and older.

ARMNHMR

JANUARY 25 Hailing from Los Angeles, Joseph Chung & Joseph Abella make up the duo ARMNHMR. The duo’s emotionally charged, melodic bass tracks, often interwoven with vocals and hard-hitting drops, have made them one of the rising names in dance music. Although ARMNHMR hasn’t released its first full-length album yet, it has racked up quite the list of singles and EPs. Whenever their debut does drop, it’s sure to make waves in the EDM scene. Aura, 411 S. Mill Avenue, Suite 201, Tempe, 480.210.2872, auratempe.com, 9 p.m., tickets start at $15, 18 and older.

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Phoenix Festival of the Arts Photos by Chris Mortenson

Jackie and Char les Ni Nipper Metal Ar pper of t show off their artwork.

Morgan Blaloc k paints at the fe live stival.

he eighth annual Phoenix Festival of the Arts took over Hance Park from December 13 to December 15, with a weekend full of arts, music and culinary delights. Featuring more than 170 art vendors, and a full lineup of music and entertainment taking place on three stages, Phoenix Festival of the Arts is the perfect time to shop local, support the arts community and celebrate the season.

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THE PEOPLE’S OPEN JAN. 27 – FEB. 2, 2020 TPC SCOTTSDALE

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