Architecture Graduate Portfolio - University of Maryland by timothy.shook

ARCHITECTURE PORTFOLIO Timothy Shook

crafting memories from stories

M. Arch Candidate

crafting stories from memories

Projects Poet Laureate Residence Bethesda, Maryland

Elkhorn Village Center Columbia, Maryland

Long Take Film Analysis Gravity by Alfonso Cuaron

Reflection Pavilion Kenilworth Aquatic Gardens, Washington, D.C.

Adaptation Case Study SCAD Museum of Art, Savannah, Georgia

Paper Streets Takoma Park, Maryland

Poet Laureate Residence Bethesda, Maryland

This is a new location for the Poet Laureate of Maryland adjacent to the existing Writerâ&#x20AC;&#x2122;s Center in Bethesda, Md. Shima Art Museum - Shima, Japan Design tactics includes the study of boundary, cap, and reveal and its relation to enclosure and the site context. Boundary

Cap

I BL PU C

Enclosure

I PR

Poet Laureate Residence - Bethesda, MD

. ST

Reveal

AL W

Reveal

. ST

Cap

Enclosure

AL W

Boundary

Reveal

TE VA

H ST

46T

Precedent Relationship

H ST

46T

. ST

T.. SST

TEE VAAT RIIV PPR

HHSTST 4466TT

AL W

H LSSH AAL WW

HHSTST 4466TT

N BA T. S

ICC LLI UBB PPU

PA RK

PRECEDENT RELATIONSHIP

H ST

46T

RES

IDE

46T

NTIA

PPA ARRK K

Spacial Organization T.. SST

T.. SST

H LSSH AAL WW

A BBA

R UUR HHSTST 4466TT

RREESS IDIDEE NNTTIAIA LL

Floor Plans

HHSTST 4466TT

Site Plan

Poet Laureate Residence - Details

The study of boundary, cap, and reveal and its relation to enclosure and spatial organizations is revealed in not only the main ideas, but within the details embedded.

Wall Section: library/residence

South Bay Plan Detail

South Bay Elevation

South Elevation: urban entry

Building Section: reading room

East Elevation: residence entry

Building Section: lobby

North Elevation: park entry

Building Section: library/residence

West Elevation: service entry

Elkhorn Village Center Columbia, Maryland

ELKHORN VILLAGE CENTER COMMUNITY REVITALIZATION THROUGH URBAN AGRICULTURE [Conceptual Redevelopment of Owen Brown Village Center]

What we designed is a proposal for a community that is connected through agriculture. Columbia, Maryland is rich in its history of agriculture. Under this village sits the Dasher Farm,

1,620,000 TOTAL AREA (SF)

MIXED-USE RETAIL + RESIDENTIAL

1,085

ON-SITE PARKING

Elkhorn Village Center: phase 2

Dasher Pavilion

Orchard Park

Elkhorn Village Center: phase 3

Dasher Pavilion Dasher Pavilion Dasher

Pavilion: connecting the community

Elkhorn Village Center: phase 1

Orchard Park OrchardRun Park Orchard Park: Elkhorn Under Bridge

transforming back-of-house

Dasher GardensDasher

Farms: agricultural urbanism

Long Take Film Analysis Gravity by Alfonso Cuaron

Architecture & Cinema: Place & Film - Long Take Analysis Opening Scene: 12:30 minutes

“The technology was never the motivation for making the film. We wanted to tell a story and it was about developing the technology that was the only way that this story could be told.” -David Heyman, Producer “The camera is always moving. There’s no up and there’s no down. There’s no right, there’s no left.” -Alfonso Cuaron, Director The opening take of the 2013 film Gravity sets the stage for both the wonder and the fear of outer space. The camera movement, the mise-en-scene, and the acting establish the trajectory for the rest of the film with constant, fluid camera movement, the anti-gravitational sensation portrayed by the camera and the actors, and by the chiaroscuro effect cast by light from the sun and reflected from Earth. The camera has ceaseless motion, sometimes slow and sometimes fast, sometimes holding steady as it passively observes a space ship disintegrate and sometimes spinning violently as it actively tracks an astronaut hurtling violently through space. The first 7:30 of the film follows the three on-screen astronauts as they go about routine work on a satellite. The astronauts learn that debris from a detonation gone wrong is coming their way and at that moment, the camera movement increases its pace—shifting its focus more frequently—and the auditory levels increase— adding a fast pulsating musical track to the diegetic sounds of radio static and heavy breathing. The visual effects of Gravity rely on technological innovation in order to manufacture sensations that cannot be captured on earth. The director, cinematographers, lighting designers, and the special effects designers all made use of the light box in order to animate the actors,objects, and camera as well as to mimic anti-gravity and capture lighting angles from the sun and earth. Three pieces of technology achieve this: the robotic camera, the light box, and the tilt rig. The robotic camera enables the camera to move independent of the laws of gravity by rotating 360°, and it enables the camera to simulate the motions of the actor floating into space. The light box projects images onto a five-sided box that enables the actor to respond to something more real than blackness, and it helped to more naturally light the actors since the earth took up 140° of vision which cannot be replicated by conventional lamps. Lastly, the tilt rig helped the actors achieve the sensation of anti-gravity as well as the sensation that their actions were out of their control. Together, these elements provide a virtual window for not just the audience, but also the actors. The virtual window of Gravity is like a panopticon for the actor; there is no framed view, instead all views, for 360° around them are their view. The audience, though their view is limited by the framing of the screen, experience this orbital perspective as well by the free motion of the camera.

Robotic Arm

Light Box

Tilt Rig

Virtual Window

Reflection Pavilion

Kenilworth Aquatic Gardens, Washington, D.C.

Reflection Pavilion

Kenilworth Aquatic Gardens, Washington, D.C.

The Reflection Pavilion is a cafe located at the Kenilworth Aquatic Gardens in Washington, D.C. The concept developed as a reflection of the existing reflecting pools and takes advantage of the overall inspiration of ground, water, and sky. The pavilion is raised on pillars to allow for minimum ground disturbance. The central exterior porch area balances the overall composition by including a central pool that is open to the sky.

Parti

Axiality

Circulation

Structure

Section Perspective

W.C. Cafe Interior Seating

Exterior Seating

Site Plan

Floor Plan

Ext. Porch

W.C.

Adaptation Case Study

SCAD Museum of Art, Savannah, Georgia

Case Study | SCAD Museum of Art

Savannah, Georgia

This is a study of an adaptive re-use project, with special attention to architectonic expression and the response of the building to the surrounding context. The architectonic expression is how the architectural “identity” and public presence of the existing building HISTORIC CENTRAL OF GEORGIA RAILROAD DEPOT GROUNDS is modified by the intervention. For this project, the identity of the new and old is physically present. The underlying concept of the project is the dialogue between the existing freight warehouse and the new museum, essentially telling a story of the past and the future. This transformation included different phases of Savannah College Of Art And Design transformation: subtraction, preservation, and addition. Savannah CollegeContextual Of Art And DesignStudy SCAD MUSEUM OF ART

SCAD SCHOOL OF ARCHITECTURE

TURNER HOUSE

SCAD MUSEUM OF ART

SCAD SCHOOL OF ARCHITECTURE

TURNER HOUSE

SAVANNAH VISITOR’S CENTER

HISTORIC CENTRAL OF GEORGIA RAILROAD DEPOT GROUNDS

TRAIN MUSEUM

KIDS MUSEUM

Existing 2003

Transformation Through Transformation Through TimeTime

Phase 1: Subtraction 2009

Phase 2: Subtraction/Preservation 2010

Phase 3: Addition 2011

Sketches/Collages

Photos - www.scad.edu

Elevation Study

NORTH ELEVATION SCALE: 1” = 60’

Case Study | SCAD Museum of Art Savannah, Georgia

SAVANNAH COLLEGE OF ART AND DESIGN

SCAD Museum of Art

Brandon Bridge Timothy Shook

SAVANNAH COLLEGE OF ART AND DESIGN

SCAD Museum of Art

Brandon Bridge Timothy Shook

EVENT BALCONY

EVENT TERRACE

ADMINISTRATIVE OFFICES

THEATER

EVENT BALCONY LANTERN

ART STUDY SUITE

EVENT TERRACE

ADMINISTRATIVE OFFICES

SECOND FLOOR

THEATER

SCALE: 1” = 60’ Plan Second Floor

ART STUDY SUITE

LANTERN

All New (orange)

SECOND FLOOR SCALE: 1” = 60’

MARTIN LUTHERMARTIN KING JR.LUTHER BLVD. KING JR. BLVD.

ALEX TOWNSEND GRAND COURTYARD

PAMELA ELAINE POETTER GALLERY

ALEX TOWNSEND GRAND COURTYARD ADMINISTRATIVE OFFICES

GALLERY 1

GALLERY 3

GALLERY 5

EAST LOBBY

WALTER O. EVANS CENTER FOR AFRICAN AMERICAN STUDIES

GALLERY 2

GALLERY 4

ART STORAGE

CONSERVATION STUDIO

THEATER

MAIN LOBBY

TAD CAFÉ AND RETAIL

ANDRÉ LEON TALLEY GALLERY

THEATER LOBBY

PAMELA ELAINE POETTER GALLERY

ADMINISTRATIVE OFFICES

GALLERY 1

GALLERY 3

GALLERY 5

TURNER STREET

EAST LOBBY

GALLERY 2

GALLERY 4

ART STORAGE

CONSERVATION STUDIO

ANDRÉ LEON TALLEY GALLERY

FIRST FLOOR SCALE: 1” = 60’

First Floor Plan

Old (black) vs. New (orange)

TURNER STREET

WALTER O. EVANS CENTER FOR AFRICAN AMERICAN STUDIES

THEATER

MAIN LOBBY

TAD CAFÉ AND RETAIL

THEATER LOBBY

TRANSVERSE SECTION

Transverse Section at Gallery 1

SCALE: 1” = 10’

Old (black) vs. New (orange)

TRANSVERSE SECTION Transverse Section at Main Lobby

Old (black) vs. New (orange)

SCALE: 1” = 10’

Paper Streets

Takoma Park, Maryland

268 Ft 0

165

330

495

660

990

0 20

2640

150

3960

245

150

200

150

155

00’

70’x4

200

235

155

108 00’

70’x4

200

235

108

15 15

0 15

TOPOGRAPHY/HYDROLOGY: Water Flow of the Separated Hillsides Arch 460 Site Analysis and255 Design Professor VanderGoot Timothy Shook 12/12/2016 - Final Draft

TOPOGRAPHY/HYDROLOGY: Water Flow of the Separated Hillsides

Arch 460 Site Analysis and Design Q = ( CVanderGoot x I x 28000) / 96.23 Professor Timothy Shook in gallons/minute, C= run-off coefficient, I= rainfall intensity in inches/hour, and A= drainage area in square feet Q = run-off 12/12/2016 - Final Draft

Southern Hillside C Q == 0.353 ( C x I x 28000) / 96.23 = run-off 4 QI = in gallons/minute, C= run-off coefficient, I= rainfall intensity in inches/hour, and A= drainage area in square feet A = 70’ x 400’ = 28000 sq. ft. Southern Hillside (C0.353 x 4 x 28000 ) / 96.23 = 0.353 I = 4 Q = 70’ 410.84 gallons A= x 400’ = 28000 sq. ft. per minute in a 100 year storm event Northern ( 0.353 x 4Hillside x 28000 ) / 96.23 C = 0.245 IQ = 4 = 410.84 gallons per minute in a 100 year storm event A = 30’ x 400’ = 12000 sq. ft.

Site Photo: closed path

150

200

255

Arch 460 Site Analysis and Design Professor VanderGoot Timothy Shook 12/12/2016 - Final Draft

150

SITE PHOTOGRAPH 3: Entrance To The Paper Street

200

Located in Takoma park is a series of paper streets, which are streets once planned to be built but have not due to various obstacles. Located in green, the separation of path at the stream, between the divided shorelines, was what was sought to be the obstacle in this location . However, the opportunity can be successful by connecting the separation by a bridge, as emulated from a near by tree that had fallen to create that exact connection. Due to the complexity of the stream that carves through the site, my design agenda includes an elevated path to allow water to flow beneath, as well as a bridge to connect the divided shoreline and to complete the separated path.

1980

268

0 20

Takoma Park, MD

1320

200

Paper Streets

Northern Hillside (C0.353 x 4 x 28000 ) / 96.23 = 0.245 I = 4 Q = 30’ 122.21 gallons A= x 400’ = 12000 sq. ft. per minute in a 100 year storm event ( 0.353 x 4 x 28000 ) / 96.23

0 15

120

160

240

320

480

640

960

15 0

Ft 0

150

Fallen Tree

Bridge

Entrance A

Entrance B

150 140

Ft 0 170 150 130

775

Path Elevations

10 20 Ft 0 Bridge Section

140 Bridge

Entrance A

Ft 0

Entrance B

120

DESIGN AGENDA: Bridging Seperation and Emulating Fallen Trees

160

Bridge Plan

Typ. Path Section

240

Design Build - Applause Cafe This design build project was in collaboration with The Clarice Performing Arts Center at the University of Maryland. With a group effort, our studio designed a transformation of an existing cafe with goals to connect the serving and seating area. With further development we also designed and built prototypes of furniture.

Approach From East

Approach From South

Eating Area

Floor Plan

5 5 A400 A400

11"" 1 2

1 1 12"" 1 52 2"

3' 3'

35 8"

1 1 " 32 1" 32 2

3FT TABLE PLAN SCALE:

1-1/2" = 1'-0"

5FT TABLE PLAN SCALE: SCALE:

1-1/2" 1-1/2" = = 1'-0" 1'-0"

1 1" 1'-8 1'-88

1 1 2'-08 "

3" 2'-5 2'-53 4 4"

2'-53 4"

S FLUSH W/ TOP

1" 92

1" 1'-12

3FT TABLE ELEVATION SCALE: SCALE:

1 1" 1 12 2"

1-1/2" 1-1/2" = = 1'-0" 1'-0"

Ø3' 1" 1'-28 8"

1" 32 2"

1" 32 3" 3"

113 4"

5FT TABLE ELEVATION SCALE: SCALE:

1-1/2" 1-1/2" = = 1'-0" 1'-0"

1 1" 1 12 2"

3FT TABLE EXPLODED AXON

3" 1'-0 1'-03 8 8"

3" 4 4 Ø1'-4"

3FT TABLE SECTION Table3 Details SCALE: 1-1/2" = 1'-0"

Ø1'-8"

5FT TABLE SECTION Table Photos 6 SCALE: 1-1/2" = 1'-0"

1 1" 52 5 2" 3" 3"

1 1" 2'-32 2'-3 2"

3" 4 4

Table Assembly

Ø5' Ø5' 1 1" 1'-68 1'-6 8"

113" 11 4

3" 1'-0 1'-08 8"

1 1" 2'-32 2'-3 2"

7 7"" 7 78 8

Exercise Frame - Ratio - Subject

My interests in film lead me to a study of various cinematic aspect ratios and how they relate to a frame. I took a series of photographs of around the University of Maryland and a project of my own to study how two different aspect ratios could change how a frame reacts to the viewers who experience the virtual window.

Photography

Traveling Water

Developed Land vs. Undeveloped Land

Photography

Between The Shadows

Aftermath

Resume Timothy Shook,

LEED Green Associate

Born in Bangor, PA Lives & works in Baltimore/Washington, D.C. shookt11138@gmail.com

Education

Skills

Fall 2018 - Master of Architecture University of Maryland

Software Autocad Revit Sketchup Vectorworks Rhino Photoshop Illustrator

InDesign Lightroom Microsoft Office Green Building Studio Sefaira Modeling Inventor BobCAD

Personal Growth/Interests USGBC Students: President GreenBuild Expo: Volunteer SkillsUSA: Participant Teaching Assistant

Digital Photography/Film Professional Magician Laser Cutting/3D Printing Model Making Hand Drawing Experience Design

Spring 2016 - B.S. Building Science & Sustainable Design Pennsylvania College of Technology Spring 2012 - Computer-aided Drafting & Design Career Institute of Technology Spring 2012 - High School Diploma Bangor Area High School

Experience Summer 2017 - Architectural Intern Wiedemann Architects - Bethesda, MD Summer 2016 - Architectural Intern J.R. Bernlohr Architects - Annapolis, MD Spring 2016 - Computer-aided Draftsman The James Wood Company - Williamsport, Pa

University of Maryland

Fall 2017