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a portfolio of works as of 2014 STRUCTURAL CORE
DOWN ROUTE HELIX
UP ROUTE HELIX
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pg ..............cyborg urbanism final project w/ urs bette
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TIM SIEBERT
tsiebert89@gmail.com timsiebertproduce@blogspot.com
pg
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...........kakadu learning cntr 4th yr studio w/ dr veronica soebarto
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........rah botanic tower 5th yr studio w/ dr peter scriver
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12 pg
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....science of art labs 4th yr studio w/ urs bette
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(a chromatograph)
.molochâ&#x20AC;&#x2122;s harvest 3rd yr studio w/ damien chwalisz
(+61) 0437 627 597
design ... architecture ...
a portfolio of works as of 2014
CYBORG URBANISM, RUNDLE ST ADELAIDE AUGUST - DECEMBER 2013 5TH YR STUDIO W/ URS BETTE idea
2
vibe
design
My architectural masters project set out to explore future potential of the relationship between cars and architecture and about the roles of cars in the urban space. This culminated in Cyborg Urbanism, a multilayered and deeply rich experiment that challenged preconceived ideals in a serious and thought provoking manner.
“Object and environment coexisting”
CAR EXIT RU ND LE S
CAR ENTRY T O FR
ME
RD
“Cars plug into buildings and buildings plug into the site”
Cyborg Urbanism was an attempt to explore the hybridization of old and new in an urban context by fragmenting the pre-existing environment with new objects and attempting to resolve the resulting situation. The inserted object’s role (architecture/infrastructure), like that of a machine implant in a cyborg, was to aid in some way the physiological functioning of the recipient (site) and thus theoretically permitting it’s inherit intrusiveness.
grown solar energy as a currency and barter with willing markets in the city. The improved capability of electric cars leads citizens to carry their energy with them (in car batteries) to exchange for goods and services.
=>
Drive-in Theatre
BATHROOM
COOKING
APPLIANCE CHARGED BY CAR NEIGHBOURHOOD CIRCUIT
GARAGE ENTRANCE
I illustrated this idea of architecture as mechanical implants with a proposal for a series of buildings on busy Rundle St, Adelaide which plug into the site. The concept was a scenario in which the buildings are powered by the patrons that occupy them, using the energy in their car batteries.
LIGHTS
RESTING
LOOK AT CAR & OUTDOORS
REACTIVE WINDOW / SHADING ELECTRIC DRIVE COMPACT SMART CAR
GLASS DOORS TO VIEW CAR
GARAGE
The project thus necessitated a supporting scenario, to which the architectural resolution attempted to address and in turn demonstrate the idea of cyborg urbanism. The scenario presents a future society which emphasises a responsibility of one’s own energy use. Suburban citizens are able to use their home
RES
1. CHARGE CAR WITH RENEWABLE ENERGY (FARM)
2. TRAVEL TO DESTINATION (CONSERVE)
3. EXCHANGE ENERGY FOR GOODS + SERVICES
4. RETURN AND RECHARGE
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Drive-thru Restaurant
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Motor Hotel (Motel)
Three iconic buildings from car culture’s history were reinvented into a supercharged drive-in tower form to demonstrate the operability of car-powered architecture. A drive-in theatre, a drive-thru restaurant and a motel are plugged in to an subdermal road which weaves between the site, allowing patrons access to the towers. A scab is grown around the infrastructure as a chance to experiment with the intersection of the opposing domains: car space (now in buildings) and pedestrian space (now on the street). The result is a pulsating, bleeding and potentially symbiotic representation of cyborg urbanism.
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PROJECTOR ROOM
PROJECTION OPENING ROOF OPENING
SHELF BAY (VACANT)
NORTH WING (BATHROOMS) AUDIENCE SHELVES
CAR IN VERTICAL ELEVATOR TRANSIT
GLASS FENESTRATION
SOUTH WING CIRCULATION (FOR PEOPLE)
MAIN CAR LOAD SUPPORTS
POPCORN ATTATCHEMENT (KITCHEN)
SOUTH WING
ELEVATOR LOADING BAYS
THEATRE ENTRY ROUTE
THEATRE EXIT ROUTE
WING ACCESS MAIN LOAD TRANSFER SLAB LOAD TRANSFER TO CORE
PARK (SCAB)
UPPER ROAD TIER UNDER-PARK MAINTANENCE CHANNEL RETAIL LEVEL 2 AMALFI'S + OFFICE
EXISTING RETAIL
TO UPPER ROAD TIER
GROUND ROAD TIER TICKETING & INFORMATION TO FROME EXIT
CENTRAL ELEVATOR & SERVICES CORE
EMERGENCY STAIR
STRUCTURAL CORE
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RR
RT
RT MT
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T1
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L3
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L2
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G
WOMEN'S MEN'S
WEATHER BLOCK
CHARGING APPARATUS + AUDIO
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VIEWING BAYS
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STOP
GLOBE APARTMENTS
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DOWN
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FROME ST CARPARK
UP TO WING
WING ABOVE
GOODMAN GERARD BUILDING
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DISABLED WOMEN'S MEN'S
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BINS
STAFF
WAITING DELIVERIES
COUNTER WASHING PREP
PLANT FARM AIR STACK
COOKING FRYER CORRIDOOR PANTRY
FROZEN
FRIDGE
ORDERING BATHROOM
OFFICE
PLANT FARM + AIR CIRC STAFF
UP TO WING
CLEANING
UP
TARGET BUILDING
RT DRIVE THROUGH RESTAURANT TYPICAL PLAN 1:200 N
T1 DRIVE-IN THEATRE LEVEL 1 PLAN 1:200
N
UNILODGE
UP
TO MOTEL
ECKERSLEYS
FROME ST CAR PARK
FROME RD CAFE/RETAIL
UP
DROP OFF / PICK UP
TO RESTAURANT
DROP OFF / PICK UP
TARGET CAR PARK
AMPITHEATRE
TO THEATRE
UP
OVERPASS
EXISTING RETAIL
LUNCH PLACE
EXISTING RETAIL
RUNDLE ST
L2 LEVEL 2 PLAN 1:200
N
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KAKADU LEARNING CENTRE KAKADU NATIONAL PARK, N.T. AUGUST - NOVEMBER 2012 4TH YR STUDIO W/ DR VERONICA SOEBARTO
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The brief was to design a camp-house for a busload of tourists visiting the beautiful wetlands of Ubirr in Kadadu National Park. The design goal was to appeal to the child-like element within tourists who want to stay up late, sleep in treehouses and tell ghost stories. This lead to the design of an auditorium of sleeping pods that curls inwards so as to encourage a sense of nesting. The goal was to evoke the dual atmosphere of cosiness and roughness that is only ever achieved when camping outdoors. The structure is a polar arrangement of a-frames, to which the sleeping bays are slotted into, five bays high. Beneath the iron sheet cladding is a series of catwalks that take you from the communal space on the ground up in to the tight claustrophillic spaces in the apex of the frame. There is something very attractive to climbing up in to a dark little hole and popping out on the other side to your private space with your bed and a book and a spanning view. The design was personalised with mechanical features. Large retractable external walls/doors are operated by hand using a system of cogs and gears. At night, sliding metal rooves cover the sleeping bays and the dwelling suddenly resembles a roman military regiment in tortoise battle formation. The building thus takes on a modal operating system: rooves retracted in fine weather, and closed up when stormy. The sections show these two modes in action and demonstrates the variable uses of the space by the inhabitants.
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DESIGN OF A SKIN
sketch
draft
test
model
construct
trial
RAH BOTANIC TOWER, NORTH TERRACE, ADELAIDE MARCH - JULY 2013 5TH YR STUDIO W/ PRF PETER SCRIVER
visualize
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This project was to replace the easternmost cancer-ward building at the Royal Adelaide Hospital, whilst acknowledging the uncertain future of the site as a whole. The brief was pragmatic-focussed, encouraging a mixed use multistorey design that was feasible in every sense. The challenge then was to think about how, amongst a sea of external forces (economical, cultural, political), a design can appease all stakeholders involved and be realised.
smooth exterior
Day
crunchy centre
The buildingâ&#x20AC;&#x2122;s design has a gradation of transparency from ground floor to roof which reflected a gradation of privacy. This allows a freeflowing ground lobby floor that revealed access and views into the botanic gardens, with residence and student residence on the floors above. It was culturally important that the building had some important governmental institution on its North Terrace face therefore open plan offices for parkland/ environmental body administration were designed. To increase surface area and bring light into the residential area, the buildingâ&#x20AC;&#x2122;s centre was shattered like a canyon and internal walkways made rooms accessible to the cores on either wing. Attention was paid specifically to the facade construction. Drawings show operable casement windows that affect the facade and bring the building to life.
Night
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THE SCIENCE OF ART GALLERY + LABS, PT ADELAIDE HARTâ&#x20AC;&#x2122;S MILL (PT 1) MARCH - JUNE 2012 4TH YR STUDIO W/ URS BETTE
An addition to an abandoned flour mill in Port Adelaide was aproached with an open mind and experimental attitude. Graphite and ink imprints taken from the site were made three-dimensional through a series of operations using paper models and computer modelling programs. Part art and part science, the form began to massage into shape. Through attempting to interpret the result, a series of strong architectural ideas were produced which were then distilled and purified.
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+ =
x x
This eventuated into the Science Of Art Laboratory + Gallery: a research space that explores the principles of aesthetics and art at the level of the brain. This approach to architectural design of taking minimal ingredients and then letting them bubble and multiply was implemented as way to circumvent unoriginality or designerâ&#x20AC;&#x2122;s block. At this stage, the project is bubbling over with confusion, but in the next pages it is reduced down into a simple identifiable palate. These images show an assortment of different directions that the form manipulations took, sometimes cutting from a previous iteration, but eventually settling on the idea of a fold seen left (and continued next page)
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spill
section
sculpt
space
shell
sense
shadow
specify
x
= sum
split structure
sketch shade
simplify
shape
THE SCIENCE OF ART GALLERY + LABS, PT ADELAIDE HARTâ&#x20AC;&#x2122;S MILL (PT 2) JUNE-JULY 2012 4TH YR STUDIO W/ URS BETTE The Science Of Art Laboratory + Gallery, as the title suggests, has two main functions with one unified goal. There is a gallery and artist studio which is open to the public, and a laboratory who monitors artists and art-viewers alike for brain patterns. The role then of the architecture was to demonstrates this circular logic of form following function following form ad infinitum. Through the expression of key architectural moves, the design adapts upon previous iterations to amplify certain aspects of its beauty in the way that a sculptor might exaggerate the curves of a woman. The role of the architecture is to reflect the buildings purpose, that of a scientific approach to understanding beauty and aesthetics. The theory goes that if a baby bird can find a bright orange object more attractive than its own motherâ&#x20AC;&#x2122;s beak, perhaps by amplifying certain architectural elements (from previous conceptual iterations) the building can become more beautiful, whilst ultimately reflecting the going-ons inside. Imbuing architecture with meaning elevates it from a building into art.
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EAST SECTION 1:200
NORTH SECTION 1:200
4, 5 - ART STUDIO
server farm + art materials on higher factory floors 4, 5
storage + cleaning
theatre (lvl 3)
tech office
open office
experimental
3 - A.I. COMPUTER SCIENCE
research office
staff lounge + meetings
art studio (lvl 3)
interviews
film operation + admin
theatre (lvl 2)
staff bathroom
staff room +kitchen
2 - NUEROLOGY + PSYCHOLOGY
wet lab - research research office
observation room +fMRI
gallery extra + bar
research office
film operation + art curator theatre (lvl 1)
main gallery
1 - GALLERY
mezzanine
gallery admin
art storage
outdoor court / underpass
0 - GROUND
cafè / store
public bathroom
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MOLOCH’S HARVEST, UNI OF ADELAIDE AUGUST - DECEMBER 2011 3rd YR STUDIO W/ DAMIEN CHWALISZ This design for a gym on The University Of Adelaide’s North Terrace campus was designed as part temple part machine. The building provides a range of programs and facilities including a 25 laned swimming pool, a basketball court, gym workout rooms, martial arts/yoga rooms, and an integrated system of cardio rooms. Here in the cardio rooms energy is harvested from cycling and rowing machines to power the rest of the building. Because of this self-powered motif, the architecture looks to the unique forms produced by computer heat-sinks to inform its architectural shape and material quality. Radiating metal fins span the western circumference of the building, upon which the “cardio-cells” are situated facing the large atrium space. A structural skeleton consists of 5 “arms” which are radiated in an arc of 90 degrees around a central pivot point. At this point the arms intersect, dictating the relationship of the entire building, and in particular the primary visual feature of the grill facade, seen from street level. Natural light filters into the building in the afternoon which paints the internal void space a soft striated pattern.
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The building borrows itâ&#x20AC;&#x2122;s name from Moloch, the machine overlord from the 1927 film Metropolis to which the working humans are sacrificed. The name draws an analogy to the devotion of gym-goers sweating it out at the treadmill.
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