RATIO NA L RATIONA WON DE R Tina Niu
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RATIONAL WONDER Tin a Niu
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001
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“WONDER, CONNECTED WITH A PRINCIPLE OF RATIONAL CURIOSITY, IS THE SOURCE OF ALL KNOWLEDGE AND DISCOVERY, AND IT IS A PRINCIPLE EVEN OF PIETY.”
04
— S A M UEL H O R SLE Y 05
I w a n t t o live in a st at e o f 06
c o n st a n t w o n d er a n d t o st a y c u rio u s a b o u t w h at e c st asy is t o m er e ple asu r e. T h e d u ratio n o f m y w o n d er
07
is lim it e d o nly by m y p o w er t o r e m ain o p e n. D e sig n h elp s m e t o o p e n m yself t o w o n d er-fille d w orld all
08
t h e tim e.
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ACADEMY OF ART UNIVERISTY, SCHOOL OF GRAPHIC DESIGN TIN A NIU 01 02 03 04 05
In s tr u c t or: M ar y S c o tt 06
© 2014 All rig h t s r e ser ve d. N o p ar t o f t his p u blic atio n c a n 07
b e r e p or d u c e d w it h o u t e x pr e ss p er m issio n fr o m Tin a Niu.
08
B o o k Bin d er y T HE K E Y BIN DIN G C O M PA N Y 10 0
09
HILLTOP D R IVE, BER K ELE Y, C A 9 4710
TIN A NIU, LUIS A BE TA N C O UR T Title O f B o o k R ATIO N AL W O N D ER C over St o c k B U CK R A M B O O KCLOT H, W AL N U T W O O D Prin tin g PLOT NE T. FIN C H FINE, 10 0 L B. Fo n t s LE T TER G OT HIC M EDIU M / CITIZEN LIG H T S o f t w ar e A D O BE CR E ATIVE S UITE CLO U D
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Ph o t o gra p h y
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TABLE OF WONDER
01 02 03 04 05
0 6 M A K E C O M PLE X T HIN G S SIM PLER
Book
Visu al D e sig n Sys t e m
/
D e sig n
&
Bin din g
006
06
01 SPACE TIM E R E A DIN G
/ 124
07
07 VOLPINI
Photography
D eli
/
Package
020
Bran din g
&
D e sig n
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02 AVED O N P O R TR AIT
/ 136 09
0 3 KO HL’S Group
0 8 U BER
Project &
Package
D e sig n /
Rid e sharin g Bran din g /
S e r v ic e
D e sig n
154
030
0 4 EQ UIP M EN T
0 9 R AINFO R E S T M A ZE
R e t ail
Game
Store
D e sig n
Id e n tity & Bra n din g
Package
/
/
096
05 FER OZ
168
10 E S SEN CE
Win e Bran din g &
B o t tle
Package
Package
/
110
&
D e sig n
D e sig n
/
182
water D e sig n
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Bran din g
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SPACE TIME
R E A DIN G
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007
01 02
“WONDER IS LIKE A GRACEFUL DIMENSION, IN THAT IT’S NOT A CONDITION WE GRASP; IT GRASPS US.”
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03
— D avid Ja m e s D u n c a n 04 05
b ase d o n t h e t h e m e: S p ac e + Tim e
06
A b o o k [Jo u r n al] d e sig n pr o je c t + R e a din g.
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T h e w h ole pr o je c t in clu d e s: a ty p e se ttin g w it h o n e c o n c e p t,
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in for m atio n d e sig n for t h e b o o k t h e m e, p h o t o g ra p h y a b o u t t h e ty p e, dig it al c o m p a nio n it e m s
09
a n d a w e b sit e. Pr o je c t
C at e g or y B O O K DE SIG N C o u r se T YP O G R A P H Y: C O M PLE X HIER A R C H Y In str u c t or C A R OLIN A DE B A R TOLO Clie n t PU BLIC B O O K S e m e s t er FALL 2013
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SPACE TIM E R E A DIN G
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SPACE
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01 02 03 04 05 06 07 08 09 10
3 am burg nnes Joha nbul Ista t na ien Oslo V Beiru e lle is r m i a Cairo P Ro oldv lm erlin p thens o A o H Le ockh ls B en nki C Hellsin m I St usse hag e a n W n t s r ru le B ope fur k am Je ascus EN ndo in C n E a m a r d l F ter a D R G Lo ub non s n D an rid Am rcelo a d h n B S a o w M isb o L asg ar l G Dak
a
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D Ca elh lcu i tta
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8 a am
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Tokyo k Okinawa O n
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1
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H anks Fairrb age or Anch
ncisc L o o s A ng l s Ketch ele ik k a n V a n c ouve r Po r t la n June d au Seatt le
MIDNIGHT
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Sa lt L a De ke C Ph nver ity o Tu enix cso M ex n N Ch ico ew ic . D a . H G ou Orl go F. ua s ea t em ton ns ala
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of
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Azor es
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M o Re nrov y ia Ke kjavi fla k vik
WONDER
Buenos n Aires A z Rio de Janeiro R n o La Pa n ua Recife R e San J go a ork Montevideo n i o Santia w Y on a t d u Ne ng Berm shi n Gander Wa osto it B tro De ma Li ana v Ha iami M
R ATIO N AL NIU
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SPACE
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01 02 03 04 05 06 07 08 09 10
TIME READING
HOME
FROM BOOKS TO TEXTS
GATHERING UP CHARACTERS
CONTENTS
INFOGRAPHICS
ABOUT THE BOOK
Andrew Blauvelt Curator of Architecture and Design at the Walker Art Center, Minneapolis
•
It took about 300 years for the codex (the book as a set of bound pages) to rival the popularity of scrolls and another 300 years to replace it completely. This easy to read, efficient, durable, compact, portable, and randomly–accessible format multiplied with the invention of . . .
Arie Altena Writes about art and new media; he works for V2_ in Rotterdam and co-curates the Sonic Acts Festival
•
Reading behavior changes, also because of the influence of technology. Empirical research has shown that a screen–based reading behavior has arisen because we are online so much and read from the screen. A characteristic of this reading behavior is that more time is spent on browsing, scanning, and identifying key words. Reading is selective, things are not read more than once, and it is generally non–linear. It is said to be at the expense of concentrated
•
and in-depth reading. That’s probably right. Readers in the richer countries read more and more from the screen. The developments of the past twenty–five years have been just as radical as those following the invention of book printing. With the transition from printed material to digital text, there was, to a certain degree, a shift from ‘owning text’ to ‘accessing text’; from a book or magazine that you hold in your hand, to access to text in the ‘cloud’–the Internet–via an appliance. (I write ‘to a certain degree’ because in the past the ‘access’ to text
•
was primarily for professional readers: you had to be in the library.) How, then, will we read in the future? No different than in the past–at least as long as it’s about converting word images into something with linguistic meaning. That people are reading more from the screen doesn’t, of course, mean that concentrated reading is a thing of the past, or that nobody ever reads out loud. When reading selectively, scanning, the word image is converted into meaning. After seventeen to eighteen years of screen reading, the question of how you ensure a concentrated reading experience in the current–and
TINA NIU
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SPACE TIME READING HOME TINA NIU
CONTENTS
INFOGRAPHICS
ABOUT THE BOOK
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01
“WHAT A WONDERFUL THOUGHT IT IS THAT SOME OF THE BEST DAYS OF OUR LIVES HAVEN’T HAPPENED YET.”
02
— A N NE FR A N K 03 04 05
A p or trait u r e p h o t o g ra p h y pr o je c t 06
b ase d o n Ric h ar d Ave d o n’s style. A m eric a n p h o t o g ra p h er Ric h ar d
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Ave d o n w as b e st k n o w n for his w ork in t h e fashio n w orld a n d for his m inim alis t, lar g e-sc ale, c h arac t er-
08
r eve alin g p or trait s. For t his pr o je c t, I c h o se se nior s as m y m o d els a n d w a n t e d t o sh o w t h eir in divid u al
09
c h aris m a in Ric h ar d Ave d o n’s blac k a n d w hit e p or trait style.
AVED O N P O R TR AIT C at e g or y PH OTO G R A PH C o u r se P H OTO G R A P H Y FO R D E SIG NER S In str u c t or R OSE H O D G E S S e m e s t er SPR IN G 2011
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BRAND
PACK AGING
TEAM
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A S SIG N M E N T
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031
“LIFE DOESN’T HAVE TO BE PERFECT TO BE WONDERFUL.” 01 02
— A N NE T TE F U NICELLO
03 04 05
A gr o u p p ac k ag in g d e sig n pr o je c t 06
for Ko hl’s. To b e t h e le a din g fa m ily-fo c u se d,
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valu e-orie n t e d sp e cialty d e p ar t m e n t st or e o fferin g q u ality e xclu sive a n d n atio n al bra n d m er c h a n dise
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t o t h e c u st o m er in a n e nvir o n m e n t t h at is c o nve nie n t, frie n dly a n d e xcitin g.
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Pr o je c t
C at e g or y PACK AGIN G C o u r se 3 D C OLL A B O R ATIVE PR O JEC T In str u c t or T H O M A S M CN ULT Y Clie n t KO HL’S D EPA R T M EN T S TO R E S e m e s t er S U M M ER 2014
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BR A N D PACK AGIN G TE A M A S SIG N M EN T
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Bit e s C afe (C afe)
N ova (Kit c h e n & Fo o d)
Fu n/Illu s trative/Frie n dly/S p e cial
Cle a n/In d u str u al/M o d e n/B asic
Pr o d u c t lin e: S o f t D rin k &
Pr o d u c t lin e: C o o k w ar e &
To G o M e al
A p plia n c e s
SPORTS
S oi (B at h & B o d y)
G o S p or t s (S p or t s)
F loral/S o f t/Fr e sh/Cle a n
U nise x /B old/C olor ful/Po w er ful
Pr o d u c t lin e: Per so n al B at h &
Pr o d u c t lin e: S p or t s Eq uip m e n t
B o d y C ar e
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032
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033
01 02
O b je c tive To cr e at e a bra n din g solu tio n for
03
K o hl’s in-h o u se bra n d, K o hl’s, as w ell as d evelo p privat e bra n d s d e p ar t m e n t s t or e s.
04
for sale w it hin t h eir n atio n-w id e
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Tar g e t au die n c e
G e o m e tric/Brig h t/C olor ful
O u r t ar g e t au die n c e is fo c u se d o n
Pr o d u c t lin e: R o o m Str o g e &
e x t e n din g t h e c u rr e n t K o hl’s au die n c e
Te x tile s
o f 35–6 0 ye ar old s t o in clu d e a 07
yo u n g er au die n c e s, d o w n t o 25 ye ar
06
Vit a Liv in g (Liv in g)
old n e wly w e d s a n d n e w h o m e o w n er s. 08
D e sig n strat e g y 09
To cr e at e in h o u se bra n d s, K o hl’s e n d or se d bra n d s, h o u se o f bra n d s, c olle c tive e x ploratio n.
Lil’ Pe a n u t s (Kid s’ A p p ar el)
Pric e p oin t ra n g e
U nise x /D a p p er/Str e e t Style/Hip s t er
K o hl’s pric e p oin t r e m ain e d lo w t o
Pr o d u c t lin e: Kid It e m s
m e diu m-lo w, w hile o u r privat e bra n d s ra n g e d fr o m m e diu m t o hig h-e n d, d e p e n din g o n t h e c at e g or y.
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a n d bra n d e d h o u se solu tio n s for o u r
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“ALWAYS BE ON THE LOOKOUT FOR THE PRESENCE OF WONDER.” — E.B. W HITE 01 02 03 04 05 06
A r e t ail a n d pr o d u c t id e n tity pr o g ra m d e sig n.
07
I c h o se EQ UIPM ENT Fe m m e for t his pr o je c t a n d r e d e sig n e d t h eir e n tir e pr o d u c t im ag e a n d
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id e n tity syst e m. I w a n t e d it b e c o m e t o a u niq u e a n d hig h-e n d t h e ‘M o d er n W o m a n Life Style’
09
fashio n c o m p a n y. I fo c u se d o n sellin g p oin t in t h e m arke t a n d sys t e m for t his c o m p a n y. Pr o je c t EQ UIP M EN T C at e g or y ID EN TIT Y C o u r se S TR ATEGIE S FO R BR A N DIN G In str u c t or T H O M A S M CN ULT Y Clie n t EQ UIP M EN T FE M M E S e m e s t er SPR IN G 2014
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d e sig n e d a p o w er ful id e n tity
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EQ UIP M EN T
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NIU
01 02
“I WOULD RATHER HAVE A MIND OPENED BY WONDER THAN CLOSED BY BELIEF.”
03
— G ER RY SPEN CE 04 05
for Bra zil w in er y Feroz.
fe elin g in t o t his pr o je c t. T h e
07
I w a n t e d t o brin g a Bra zilia n ju n gle
06
T h e pr o je c t is a p ac k ag in g d e sig n
fir s t t hin g t h at cr o sse d m y m in d 08
w as w ild a nim als. T h e tig er, g orilla a n d py t h o n ar e ty pic al Bra zilia n w ild a nim als. W o o d grain e d p a p er
09
plu s g old p a p er also a d d e d a str o n g e ffe c t for t h e la b el d e sig n.
FER OZ C at e g or y PACK AGIN G C o u r se A DVA N CED 3 D BR A N DIN G In str u c t or C H R IS TINE G EO R G E Clie n t FER OZ WINERY S e m e s t er SPR IN G 2014
10
Pr o je c t
Project
|
FEROZ
110
|
111
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
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FEROZ
112
|
113
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
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FEROZ
114
|
115
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
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FEROZ
116
|
117
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
|
FEROZ
118
|
119
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
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FEROZ
120
|
121
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
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P o r t f olio o f T IN A NIU
Project
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FEROZ
122
|
123
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
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P o r t f olio o f T IN A NIU
Project
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MAKE
COMPLEX
T HING S
124
SIMPLER
125
01 02 03
“THERE ARE NO GREAT LIMITS TO GROWTH BECAUSE THERE ARE NO LIMITS OF HUMAN INTELLIGENCE, IMAGINATION, AND WONDER.”
|
04
— R O N AL D R E AG A N 05
T h e pr o je c t is a b o u t a visu al 06
d e sig n o f a n n o n-pr o fit or g a niz atio n Cre ative Co m m o ns.
07
For t his or g a niz atio n, I w a n t e d t o t ell a n e m o tio n ally e n g ag in g st or y acr o ss a ra n g e o f m e diu m s. T hr o u g h
08
a b o o kle t, p o st er s a n d dig it al c o m p a nio n it e m s, I u se d a str o n g
09
w a y t o c o nve y t h eir m ain g o al. Pr o je c t
C at e g or y N A R R ATIVE, P OS TER, W E B SIT C o u r se VIS UAL S YS TE M S 2 In str u c t or SE A N M CG UIR E Clie n t CR E ATIVE C O M M O N S S e m e s t er Fall 2014
10
M A K E C O M PLE X T HIN G S SIM PLER
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
MAKE
COMPLEX
T HING S
SIMPLER
126
|
127
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
MAKE
COMPLEX
T HING S
SIMPLER
128
|
129
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
MAKE
COMPLEX
T HING S
SIMPLER
132
|
133
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
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P o r t f olio
of
TIN A
NIU
Project
|
MAKE
COMPLEX
T HING S
SIMPLER
134
|
135
01 02 03 04 05 06 07 08 09 10
R ATIO N AL W O N D ER
||
f io o lio f o T fIN TI AIU NIU PoP ro tr ft ol AN N
Project
|
VOL PINI
136
|
137
“WONDER IS THE FOUNDATION OF ALL PHILOSOPHY, INQUIRY THE PROGRESS, IGNORANCE THE END.” 01
— MIC HEL DE M O N TAIG NE 02 03 04 05
T h e pr o je c t is p ac k ag in g d e sig n 06
for Volpini Italia n D eli. I m a d e a n e w p ac k ag in g syst e m
07
for t h e bra n d Volpini a n d le t it h ave m or e It alia n fe at u r e s a n d a fa m ily-o w n e d style. Also I
08
fo c u se d o n t h e hig h q u ality b u t a little old w orld d e sig n in t h e d eli m arke t. A classic a n d
09
tra ditio n al fe elin g is sellin g p oin t for t his c o m p a n y.
VOLPINI C at e g or y PACK AGIN G, BR A N DIN G C o u r se E XEC U TIN G 3 D D E SIG N In str u c t or C H R IS TINE G EO R G E Clie n t VOLPINI ITALIA N D ELI S e m e s t er FALL 2013
10
Pr o je c t
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
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VOL PINI
138
139
SINCE 1900 SINCE 1900
ITALIAN DELI 01
ITALIAN DELI
02 03 04
1.4
2.25
05
.75
06 07 08 09 10
5
|
1.6
1.6
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04 05 06 07 08 09 10
Project
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VOL PINI
14 0
|
141
R ATIO N AL
WONDER
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P o r t f olio o f T IN A NIU
Project
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VOL PINI
14 2
|
143
01 02 03 04 05 06 07 08 09 10
R ATIO N AL W O N D ER
||
oo lio fo f P oP ro tr ft of li TIT NI AN A NIN UIU
Project
|
VOL PINI
14 4
|
145
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
|
VOL PINI
14 6
|
147
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
|
VOL PINI
14 8
|
149
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04 05 06 07 08 09 10
Project
|
VOL PINI
150
|
151
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
VOL PINI
152
|
153
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
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||
oo li o fo f P oP r ot rf t of li T IT NI AN A NIN UIU
Project
|
UBER
154
|
155
“IT IS A HAPPINESS TO WONDER; IT IS HAPPINESS TO DREAM.” 01
— ED G A R ALL A N P OE
02 03 04 05
T h e pr o je c t is a n id e n tity 06
d e sig n for a tra n sp or t atio n n e t w ork c o m p a n y U b er.
07
I r e cr e at e d U b er bra n d a n d le t it b e c o m e a u niq u e a n d hig h-e n d tra n sp or t atio n n e t w ork c o m p a n y.
08
At t h e sa m e tim e, I fo c u se d o n t h e privat e ser vic e sellin g p oin t in t h e m arke t a n d d e sig n e d a suit a ble
09
a n d p o w er ful id e n tity syst e m for t his c o m p a n y.
U BER C at e g or y ID EN TIT Y C o u r se S TR ATEGIE S FO R BR A N DIN G In str u c t or T H O M A S M CN ULT Y Clie n t U BER C O M PA N Y S e m e s t er SPR IN G 2014
10
Pr o je c t
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
157 | 156 UBER | Project
01
02
03
04
05
06
07
08
09
10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
UBER
158
|
159
01 02 03 04
UBER
05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04 05 06 07 08 09 10
Project
|
UBER
160
|
161
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
163 | 162 UBER | Project
01
02
03
04
05
06
07
08
09
10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
UBER
16 4
|
165
01 02 03 04 05 06 07 08 09 10
UBER
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
167 | 166 UBER | Project
01
02
03
04
05
06
07
08
09
10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01
“MYSTERY CREATES WONDER AND WONDER IS THE BASIS OF MAN’S DESIRE TO UNDERSTAND.”\
02 03
— NEIL A R M S TR O N G
04 05
T h e pr o je c t is a g a m e d e sig n w it h 06
rain for e s t t h e m e. T h e rain for e s t is a n e xcitin g a n d
07
m ys t erio u s plac e for k id s. I p u t t his c o n c e p t in t o m y g a m e d e sig n a n d c as t five differ e n t w ild a nim als fr o m
08
t h e rain for e s t as g a m e c h arac t er s. It is a n e n t er t ainin g m a ze g a m e for yo u n g k id s.
09
Pr o je c t
C at e g or y PACK AGIN G C o u r se A DVA N CED 3 D BR A N DIN G In str u c t or C HR IS TINE G EO R G E Clie n t BR AVO G A M E S T U DIO S e m e s t er SPR IN G 2014
10
R AINFO R E S T M A ZE
Project
|
R AINFOREST
MAZE
16 8
|
169
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
R AINFOREST
MAZE
170
|
171
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04 05 06 07 08 09 10
Project
|
R AINFOREST
MAZE
172
|
173
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
R AINFOREST
MAZE
174
|
175
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
R AINFOREST
MAZE
176
|
177
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
R AINFOREST
MAZE
178
|
179
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
R AINFOREST
MAZE
180
|
181
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02
“WONDER IS NOT A POLLYANNA STANCE, NOT A DENIAL OF REALITY; [IT] IS AN ACKNOWLEDGMENT OF THE POWER OF THE MIND TO TRANSFORM.”
03
— C H R IS TIN A B AL D WIN 04 05
A p o w er ful a n d bra n din g a n d p ac k ag in g 06
d e sig n for Esse n c e Bottle Water.
T h e E sse n c e B o ttle d Wat er C o m p a n y 07
is lo c at e d in Chin a. T h e y e x trac t t h e e sse n c e o f f lo w er s t o m ake f lavor e d w at er, w hic h is t h e fo c u s
08
o f m y sellin g p oin t. Pr o je c t
09
E S SEN CE C at e g or y
C o u r se E XEC U TIN G 3 D D E SIG N In str u c t or C HR IS TINE G EO R G E Clie n t E S SEN CE W ATER S e m e s t er FALL 2013
10
PACK AGIN G
Project
|
ESSENCE
182
|
183
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
ESSENCE
184
|
185
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
Project
|
ESSENCE
186
|
187
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio o f T IN A NIU
Project
|
ESSENCE
188
|
189
01 02 03 04 05 06 07 08 09 10
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04 05 06 07 08 09 10
Project
|
ESSENCE
190
|
191
R ATIO N AL
WONDER
|
P o r t f olio
of
TIN A
NIU
01 02 03 04
THANK YOU SO MUCH
05
T h a n k yo u t o M u m a n d D a d for 06
t e ac hin g m e ever y t hin g I k n o w. Yo u h ave alw a ys b e e n t h er e a n d su p p or t m e sin c e t h e b e g inin g.
07
T h a n k yo u t o m y in str u c t or s: M ar y S c o tt, T h o m as M c N ulty, 08
Chris tin e G e or g e, Ariel G r e y, C ar olin a D e B ar t olo, R ola n d a n d Yid o n g Zh a o.
St ac y H er n a n d e z. TIN A NIU Tele p h o n e 415-351-973 8 A d dr e ss 620 J O NE S S TR EE T, S A N FR A N CIS C O, C A 9 4102 E m ail TIN A N B W @ G M AIL.C O M W e b sit e NIU BIW EI.C O M
10
T h a n k yo u t o m y E SL su p p or t er
09
Yo u n g, D av id H ake, Xin g y u H o n g
192
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193
R ATIO N AL
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NIU