“APPEARANCE IS THE OPPOSITE OF REALITY”
IS S U E O NE
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Masthead
EDITORS IN CHIEF H+M CREATIVE DIRECTOR HAZE YAMA EDITORIAL DIRECTOR MICHAEL STUART DALEY FASHION DIRECTOR LAURENT RICHER EDITORS LETTER EDITOR-AT-LARGE PARISS SLOAN FASHION WRITER ELEONORA GIAMMELLO ART DIRECTOR ADAMA SAMBOU
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COVERS
DAISY LOWE
IRINA LAZAREANU
PHOTOGRAPHER - ALESSANDRO VASAPOLLI STYLIST - SARAH ADIANA BUTLER MAKE UP - LINA DAHLBECK @ MANDY COAKLEY USING MAC HAIR STYLIST - HARUHIDE ISHIZAKI DRESS - JEFFREY MICHAEL
PHOTOGRAPHER - ALESSANDRO VASAPOLLI STYLIST - GINGER CLARK | ASSISTANT STYLIST - LISA GALESLOOT MAKE UP - LINA DAHLBECK @MANDY COAKLEY USING MAC HAIR STYLIST - HARUHIDE ISHIZAKI WAISTCOAT - ACNE
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Contributors
PHOTOGRAPHERS AKIO ALESSANDRO VASAPOLLI CARLOTTA BERTELLI ELEONORA GIAMELLO GIANNI DILIBERTO HANNAH AND JAKOB HAZE H+M KYOKO MUNAKATA MARNIX POSTMA MICHAEL STUART DALEY MORTEN QVALE THE LAROACHE BROTHERS ARTISTS ALEXANDER AZIZ CHRISTINA SKY DIEM CHAU JONNY BURT
Thanks to
Sutajio Jōzō LTD | Kelly O’Keeffe (KOKO Management) | Helena O’Keeffe | Sering Sambou | HZV Studios | David Clarke (Malarkes Management) | Richrene Taylor | “Mum Grace Amma” | Sarah Sarr | Peter Adler (Pebble London) | Atsuko, Kathryn, Clare, Simon, Alison (Atsuko Kudo) | Sofia Haque, Dee Vesali, Lucie Palmer (Dee Vesali PR) | Florence Storey, Bert Bagnall, Phillip Bodenham (Spring-London) | Becca Myers, Harriet Elsey (Blow PR) | Claire Gallagher (Linda Farrow) | Martin Allpress | Dean Goodman | Lucy Quick, Paul Hodgson (Select Model Management) | Patrick (AMCK Models) | Emily (Nevs Models) | Sammie, Lauren (Profile Models) | Phill, Christian (The Welly) | Andy Hounslow (Comag Specialist) | Daisy Lowe | Tess Management Irina Lazareanu | Select Special Bookings | Patricia Armocida (Galleria Patricia Armocida, Milano) | Corrado Musmeci (Fontegrafica) | Eugenio Re Rebaudengo | Alessandra Baldeschi (Hotel Principe di Savoia) | All Contributors
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Editors Note
“You need to take it all in your stride and stay grounded, and not be an asshole” – Daisy Lowe First of all, we’d like to wish you all a Happy New Year!! As you dance between all the new years resolutions you have made and not quite managed to adhere to – (Chocolate was made to be indulged, not to be given up!) – take a deep breath, pat yourself on the back and relax, for a new year means you survived the highs and lows of the last! This doctor has for the first time taken his own medicine. Not that we’ll admit to any kind of procrastination of course, however over here at Tirade HQ there’s no nail biting of any kind – Stress does not exist in our team, it’s not good for the atmosphere… we’re all keen supporters of saving our planet and what not. Now we’ll have you know that this is solely down to the wonderful and pleasurable task we had of curating the debut issue of Tirade – it really shouldn’t be allowed to be this fun. The joy we had in building the mountainous Boost & Cola sculpture that artistically sits atop of the small stainless-steel bin in the office is somewhat legendary around these parts. Not that we could let Daisy Lowe or Irina Lazareanu see such art! First impressions count for a great deal today, and we are pleased to say that Daisy and Irina reached our every expectation and more. Having two incredible faces front Issue ONE is completely awesome, however it was the impression of their vivacious personalities that will linger long after the pictures fade. They both individually, and very differently, embody the carefree, free spirit that is Tirade Magazine. You’ll soon have the pleasure of getting to know Miss Lowe a little better once you read our interview and first interaction with the siren, written by our energetic (and over-worked! – Don’t tell her that of course) Chief Writer and Editor-At-Large, Pariss Sloan. The piece accompanies our icy dream shot by the awesome talent that is Alessandro Vasapolli who also shot Irina and we’re sure you’ll fall in love with the dark and romantic story they both entwined for your viewing pleasure. This issue will also introduce you to the coolest art deco celebrity hangout in the land: The Wellington. You’ll even get to read a few choice words about the guy that runs the eclectic haunt! We also explore two great artists, Eleonora Giamello with her “Next Wave of Exceptional Italian Female Designers” and Diem Chau’s “The Delicacy of Tiny Things”. Along with stunning editorials from some of the coolest and freshest artists across the globe, we will be showcasing art, fashion, beauty and culture like no one could imagine. We hope you experience Issue ONE with the same enjoyment and vigor that we possessed when putting it all together. Until the next issue, LOVE AND LIGHT Editors in Chief H+M
Index
WORDS
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EDITORIAL
MASTHEAD AVA WOMAN IN THE DUNE CONTRIBUTORS SUITE007 EDITOR’S LETTER PAINT IT BLACK NEXT EXCEPTIONAL WAVE OF DAISY ITALIAN FEMALE DESIGNERS DAME OF WELLINGTON DAISY LOWE H+M = X LINDA P—2
P—42 HANNAH + JAKOB
P—54 AKIO
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P—66 MORTEN QVALE
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P—28 ARTICLE
P—78 THE LAROACHE BROTHERS
P—92 ALESSANDRO VASAPOLLI
P—92/100 ARTICLE/INTERVIEW
P—108 H+M
P—120 H+M
FARROW PROJECTS
FUCK: THE WELLY THE COMPOSITION OF LOVE GANG OF THREE IRINA LAZAREANU IRINA STOCKIST SERAPHIM MONOCHROME MOONLIGHT BEAUTIFUL MOLDOVA POST-RAPHAELITE SWEETEST TOUCH TRIBAL QUEEN
P—106 ARTICLE
P—136 KYOKO MUNAKATA
P—144 MICHAEL STUART DALEY
P—160/172 INTERVIEW/ARTICLE
P—160 ALESSANDRO VASAPOLLI
P—155
P—178 THE LAROACHE BROTHERS
P—190 HAZE
P—202 H+M
P—212 MARNIX POSTMA
P—222 GIANNI DILIBERTO
P—230 HAZE
P—234 TAKUO ITAYAMA
ART
THE DELICACY OF TINY THINGS: DIEM CHAU
P—10 GALLERIA PATRICIA ARMOCIDA
IN HIS SHOES MONSTERSINK HARSH REALITIES
P—18 CARLOTTA BERTELLI
P—242 CHRISTINA SKY
P—250 JONNY BURT
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Art
THE DELICACY OF TINY THINGS: DIEM CHAU
Words — Pariss Sloan
Diem Chau and Kappao have recently collaborated on an exhibition that features some of the most intricate and delicate detailing of artwork the art world has seen. The exhibition was featured in Milan at the Galleria Patricia Armocida, 18th September - 30th November 2012, which for the first time showcased a collection of Diem Chau’s exclusive prints available for purchase. Her work is quite unlike any other, and with an underlying message and moral behind each piece it’s difficult not to be intoxicated by her work. A particular favourite is ‘The Last Elephant’, developed in reaction to Diem Chau’s love of animals and a strong will to raise awareness of the need to stop animal cruelty. She shares on her blog a wild distaste for those that harm endangered animals, and found herself provoked to develop the piece in reaction to the issue of slaughtering elephants on African Safari’s. The detailing of the pieces are extremely impressive, when one pays particular attention to the smaller details like the shadow placement and symmetry in the design, it really does leave you short for words. ‘The Last Bear’ is another incredible piece, detailing every significant line and characteristic to the upmost. She explores the lines and expressions of both animals and people, and creates a characteristically similar response to the onlooker. Diem creates, or perhaps underlines, a link between the nature and vulnerability between people and animals, and it shines inherently through in the carvings. With the use of shadows in the depiction of the animals, she highlights a certain vulnerability that is mirrored in the arm placement of the human characters sculpted from the Crayola Crayons. It’s difficult to believe that something of such complexity was completed on such a small scale. Visitors of the gallery relied on the use of magnifying tools to appreciate the artistry for what it is. Each carving finds its root in an ordinary day-to-day object – a pencil, or a crayon. Diem Chau makes use of those quite often taken for granted products and highlights not only the quality in her designs, but also in the tools that she uses. Lead fulfils an impressive role in the development of these carvings, highlighting the intensity of the texture and ability to be manipulated.
Photographs courtesy Galleria Patricia Armocida, Milano.
TThe Raven & The Sun (Orange Pencil), 2012 [13,2 x 2 x 0,6 cm] Carved Carpenter's Pencilhant
The Last Bear, 2012 [13,3 x 2 x 0,6 cm] Carved Carpenter's Pencil
The Last Elephant, 2012 [13,3 x 0,6 x 0,6 cm] Carved Carpenter's Pencil
Strand, 2012 [5,7 x 12,7 x 4,5 cm] Porcelain Cup, Organza & Thread
Legacy, 2012 [30 x30 x2 cm] Porcelain Plate, Organza & Thread
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Art
IN H IS S H O E S
A move can be an opportunity to revisit memories and discover a world of forgotten things: little treasures hidden in drawers that seem to have never been opened, stories from a past unknown which share the same dusty and ethereal look of dreams. So take a look at these shoes, which I have found in my dad's drawer on a rainy sunday afternoon, and suddenly began to wonder about all the different kind of men who could have owned them... With shoes of imagination I stepped into the life of things, like the elephant and snake in the little prince's hat, and photographed the invisible though the visible.
PHOTOGRAPHS AND WORDS BY CARLOTTA BERTELLI
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Fashion
Photography and words by Eleonora Giammello
NEXT EXCEPTIONAL WAVE OF ITALIAN FEMALE DESIGNERS When we consider Italian fashion designers our first thoughts unconsciously shoot to the notorious names in the industry, remembering the likes of Versace, Armani, Valentino, Dolce & Gabbana and Prada, to name just a few. We have fallen into the habit of making the assumption that our new ‘up-and-coming’ designers all derive from the north of Europe, growing creatively from the branches of the most prestigious educational authorities, like that of Central Saint Martin’s and the Royal Academy of Fine Arts of Antwerp. My career in the fashion world began some years ago, as a fellow Italian stylist and talent coordinator. I found myself searching for new talents to showcase and enhance consumer and creative interest through several industry platforms. During this time I’ve learnt to love and appreciate new Italian creative minds, and what is most striking is the fact that there are more young creative individuals in Italy than anyone actually realises. My passion for the development of new talent came from my observation of the designers and artists first-hand. It is extremely refreshing to witness such an adamant will for these young designers to preserve the Italian manufacturing tradition and yet have the ability to combine such a tradition with the evolution of contemporary style and unique projects. I have gathered a collection of some of the finest young and new talent that Italy has to offer, and hope that someday in the near future Italian fashion will find the progression it needs to shake off the dust of the past, and be represented by a new wave of creativity and talent.
GARMENTS
MILLINERY
BAGS
SHOES
JEWELLERY
GLASSES
CATERINA GATTA Caterina graduated in “Scienze della moda e del costume�, the science of fashion and costume, at La Sapienza University in Rome. 2008 marked the birth of her brand and first collection, with a strong hand in the management of every aspect of the productive process. The selection of fabrics set her designs apart from other young female designers, they are both unique and ahead of the times. Each particular fabric chosen is collected from the historic archive of the iconic fashion brands that we recognize worldwide - Gianni Versace, Yves Saint Laurent, Fausto Sarli, Pierre Cardin, Lancetti, Irene Galitzine, Givenchy, Valentino, Clara Centinaro, and more. Fabric is essential to her work and her very character; gathering elements of fashion that once belonged to the past and bringing it forward into the present. Reigniting a love for the classics and adding a touch of modernity to her designs.
ILARIUSSS Ilaria Soncini has had an intimate relationship with Italy her whole life, and it is inherent in her work. Born and raised in Italy, it has become the very essence of her. In the development of her career in the millinery business Ilaria finds herself living between both Milan and Berlin, and it is in Berlin that she captures the secrets of the millinery world and works as milliner in a haute couture atelier. In 2010 ILARIUSSS was born. Completely enticed by a love for dressing up and the eclecticism of millinery, Ilaria found herself creating a collection that fuses retro ideas in an avant-garde style.
MONICA ALBANESE Throughout her childhood Monica Albanese was completely enchanted by fashion. She began her career as an assistant to the Japanese label TRUSSARDI. It was through her travels and her experience within the company that led her to the development of her own brand. Monica began to design a bag collection that focused on clean lines and simple, wearable shapes. Each bag has a multitude of uses and styling potential. Each design is a variation of another, highlighting a signature that became solely her own. Reflecting a cosmopolitan fashion taste, her collection has two significant strands and influences. One engulfing large African eclectic influence and the other characterised by a minimalist movement, featuring strong colour blocking and classic cut fabrics.
GIULIA GOBBI Born and raised in Tuscany, Giulia grew within a family with a strong fashion led background in haute couture shoes. She would admire the work of her grandfather Giuliano Gobbi, who had an extraordinary career designing shoes in the ‘50s for the likes of household names such as Christian Dior and Salvatore Ferregamo. She began her journey in the fashion world with one of the greatest privileges, as shoe designer for Valentino’s 45th anniversary in Rome. Her involvement in the project was an absolute accomplishment in itself, and one that promised an exciting and prosperous career in the competitive industry. Her newest collection presents a strong relationship and inspiration sought from the 1970’s and 1980’s. Drawing upon nappa leather, varnish and fabrics mixed with multi-stripe silks in the production of her shoes implements a feminine yet edgy influence.
COLIAC Martina Grasselli, designer of COLIAC, studied Architecture and Interior Design. Highlights of her career are found in her work for Stella McCartney, Angelo Figus, Breil Milano, Jean Paul Gaultier and Christian Louboutin. Her creative input was happily sought in the designs of accessory collections. COLIAC was founded in 2009 and provides the market with a unique costume jewellery collection, developed using various different blends of materials. The brand is characterised by an ironic and yet surreal tone, whilst enforcing elements of contemporary sophistication. The collection, in its third season, has by popular demand been extended to include small leather pieces including gloves and belts.
KUBORAUM Dreamed in Berlin & Handmade in Italy. KUBORAUM found life in the minds of Livio Grazziottin and Sergio Eusebi. More than simply a collection of glasses, the designs give life to fantasies and dreams – each one a mask, not to hide one’s identity, but to recreate and accentuate a personality.
AVA
PHOTOGRAPHY — JAKOB AND HANNAH | STYLIST — DANA ROSKI @ NUDE AGENCY ASSISTANT STYLIST — LISA RENNEFAHRT | HAIR & MAKE UP — AENNIKIN MODEL — AVA @ IZAIO MODELS SPECIAL THANKS TO INDOOR BEACH CENTRE BERLIN
AVA WEARS BLOUSE, ISSEVER BAHRI JUMPER, HUBERT TROUSERS, MALAIKA RAISS BACKPACK, FJALLRÄVEN EARRINGS, STYLIST OWN
JACKET, SKIRT, ISSEVER BAHRI T-SHIRT, COS SOCKS, FALKE NECKLACE, H&M SHOES, STYLIST OWN
JACKET, VLADIMIR KARALEEV T-SHIRT, COS SHORTS, AMERICAN APPAREL EARRINGS, WALD BERLIN
BLOUSE, CUSTOMMADE
TROUSERS, LEATHER JACKET, MICHAEL SONTAG BLOUSE, ISSEVER BAHRI RING, EARRINGS, WALD BERLIN SHOES, STYLIST OWN
JACKET, MALAIKA RAISS BLOUSE, VLADIMIR KARALEEV SHIRT, COS COLLAR, ASOS EARRINGS, ACCESSORIZE SOCKS, STYLIST OWN
BLOUSE, SHORTS, VLADIMIR KARALEEV TURTLENECK, WOLFORD BRACELET, FENDI EARRINGS, LEGGINGS, STYLIST OWN
JACKET, SCHMIDTTAKAHASHI SHIRT, THONE NEGRÓN RINGS, MARIA BLACK
‘Suna No Onna’
WOMAN IN THE DUNE Lensed by Akio
STYLIST — MASHA MOMBELLI | HAIR-MAKEUP — SATORU YANAGAWA MODEL — EMILIA FENTON @PREMIER | DANCER/CHOREOGRAPHER — JUNYA ISHII PHOTOGRAPHER ASSISTANTS — KASEM JANYAWORAWONG | SILLAPAT TANGSUKNIRUNDORN STYLIST ASSISTANTS — SANDRA NAVARRO | DIONNE WALKER | IVAN ANDRIETS
SPECIAL THANKS TO BOWL AT SILWEX HOUSE (BENEDICT RADCLIFFE)
EMILIA WEARS DRESS, COAT, JEAN PAUL GAULTIER JUNYA WEARS, CAPE JOHN ROCHA SHIRT, JUST CAVALLI BOOTS, KTZ
EMILIA WEARS TOP, SKIRT, BOOTS, MALENE ODDERSHEDE BACH SCARF, KTZ JUNYA WEARS PANTS, KTZ
JACKET, TOP, YOHJI YAMAMOTO NECKLACE WORN ON HEAD, CHARLOTTE VALKENIERS
EMILIA WEARS BRA, MARLIES DEKKERS BELT, JOHN ROCHA ARM CUFFS, KTZ FUR SKIRT, KARL BY KARL LAGERFELD SKIRT, FYODOR GOLAN JUNYA WEARS DRESS, MIHARAYASUHIRO
EMILIA WEARS DRESS, SKIRT WORN AS A HAT, JOHN ROCHA JUNYA WEARS SKIRT, JOHN ROCHA COAT, MARIA GRACHVOGELÂ
EMILIA WEARS DRESS, KTZ SCARF, Y'S YOHJI YAMAMOTO FUR COLLAR, MICHAELA BUERGER JUNYA WEARS PANTS, Y'S YOHJI YAMAMOTO CASHMERE SWEATER, JOHN ROCHA
EMILIA WEARS JACKET, SKIRT, MIHARAYASUHIROÂ HEAD PIECE, LITTLE SHILPA JUNYA WEARS FUR CAPE, KTZ
EMILIA WEARS DRESS, SKIRT WORN AS SCARF, MARIA GRACHVOGEL NECKLACES, AESA JUNYA WEARS DRESS, LIMI FEU HEAD SCARF, ZUZUNAGA
EMILIA WEARS SHIRT, LIMI FEU SKIRT, MANGO SCARF, JOHN ROCHA LEGGINGS, SWASH BELT, Y'S YOHJI YAMAMOTO HAT, KTZ JUNYA WEARING PANTS, Y'S YOHJI YAMAMOTO SILK SCARF, ZUZUNAGA
PHOTOGRAPHER — MORTEN QVALE | PHOTOGRAPHER ASSISTANTS — CATO AURTUN, CARL ERIK HAGEN STYLIST — MICHAEL DYE | ASSISTANT STYLIST — LUIGI GABALLO HAIR — CAROLYN O'NEILL USING BUMBLE & BUMBLE AT FACE TO FACE AGENCY | MAKE UP — CRISTINE DU-PUYS USING MAC @ FACETOFACE AGENCY MANICURE — MARIAROSARIA.DESIMONE@LIVE.COM | MODEL — MAXIME VAN DER HEIJDEN @ MONSTER MANAGEMENT
SPECIAL THANKS TO HOTEL PRINCIPE DI SAVOIA MILANO
MAXIME WEARS JACKET,TOP, TROUSERS, SHOES, ERMANNO SCERVINO HEADPIECE, FEDERICA MORETTI
DRESS, CALVIN KLEIN JACKET, COSTUME NATIONAL BELT, CALVIN KLEIN TURBAN, FEDERICA MORETTI BAG, VALEXTRA
CAPE, MILA SCHON BODY, WOLFORD SHOES, CALVIN KLEIN BAG, VALEXTRA TURBAN, STYLIST OWN
FUR JACKET, BALLANTYNE TURBAN, FEDERICA MORETTI
SHIRT, ELENACHA SKIRT, MARCO DE VINCENZO SHOES, CALVIN KLEIN SUNGLASSES, MAX MARA TURBAN, STYLIST'S OWN
SHIRT, NORMALUISA TROUSERS, BYBLOS TURBAN, STYLIST'S OWN
JACKET, AL SKIRT, MILLY SHOES, GIORDANO TORRESI TURBAN, STYLIST'S OWN
CAPE, N*21 BY ALESSANDRO DELL'ACQUA SUNGLASSES, MAX MARA TURBAN, FEDERICA MORETTI
DRESS,GLOVES, DSQUARED2 HEADPIECE, FEDERICA MORETTI SUNGLASSES, VANNI
PAINT IT BLACK PHOTOGRAPHY — THE LAROACHE BROTHERS @ REPRESENTED BY VANDER&CO PHOTOGRAPHY ASSISTANT — CHIARA CECI | STYLIST — MIKE ADLER | ASSISTANT STYLIST — MELODIE BRIGHT HAIR AND MAKE UP — BETH ALDERSON @ CAROL HAYES MANAGEMENT USING MAC COSMETICS & BUMBLE AND BUMBLE TALENT — JACK2 @ AMCK | RICKI @ NEVS MEN | INGA @ PREMIER | GIGI @ NEXT MODELS
JACK WEARS JACKET, SHIRT, VEST, BOW TIE, OZWALD BOATENG LAPEL PIN, HALO JONES RICKI WEARS JACKET, SHIRT, BOW TIE, OZWALD BOATENG EARRING, MAWI BROOCH, HALO JONES
JACK WEARS JACKET, SHIRT, TROUSERS, BILLIONAIRE COUTURE BOW TIE, OZWALD BOATENG LAPEL PIN, CUFF LINKS, MAWI HAT, BRONTE RINGS MODELS OWN
RICKI WEARS JACKET, SHIRT, KARL LAGERFELD PARIS VEST, OZWALD BOATENG POCKET SQUARE, BILLIONAIRE COUTURE
GIGI WEARS BLOUSE, CORRIE NIELSEN TROUSERS, ATIS ARTEMJEVS EARRING, BRACELET, MAWI
GIGI WEARS DRESS, ALPANA NEERAJ BRACELET, EARRINGS, MAWI JACK WEARS JACKET, SHIRT, TROUSERS, KARL LAGERFELD PARIS TIE, OZWALD BOATENG POCKET SQUARE, SHOE, BILLIONAIRE COUTURE RINGS MODELS OWN
RICKI WEARS JACKET, SHIRT, KARL LAGERFELD PARIS EARRINGS, MAWI RING, ODETTE BRACELET, HALO JONES INGA WEARS SHIRT, CORRIE NIELSEN JACKET, ATIS ARTEMJEVS EARRINGS, MAWI
INGA WEARS JACKET, SHIRT, TROUSERS, POCKET SQUARE, BILLIONAIRE COUTURE COLLAR, SORAPOL EARRING, RING, LAPEL PIN, MAWI
RICKI WEARS JACKET, SHIRT, TROUSERS, KARL LAGERFELD PARIS VEST, OZWALD BOATENG POCKET SQUARE, BILLIONAIRE COUTURE BRACELET, MAWI RING, HALO JONES
INGA WEARS SHIRT, CORRIE NIELSEN JACKET, SKIRT, ATIS ARTEMJEVS BELT, AIGNER EARRINGS, MAWI STILETTOS, GIANMARCO LORENZI RICKI WEARS TROUSERS, OZWALD BOATENG EARRINGS, MAWI BRACELET, HALO JONES RING, ODETTE SHOES, BILLIONAIRE COUTURE
RICKI WEARS HAT, OLIVER SANDER TROUSERS, KARL LAGERFELD PARIS EARRINGS, BRACELET, MAWI
THIS PAGE AND OPPOSITE TROUSERS, JACKET, SHIRT, BILLIONAIRE COUTURE RING, HALO JONES LAPEL PIN, MAWI
WORDS — PARISS SLOAN
Forget the word celebrity for just a minute. Let’s take a look at a young woman that has become much more than a household name. Feeling oddly anxious about my interview with Daisy Lowe, I couldn’t shake off the anticipated intimidation. This incredible woman, at 23 years old, has achieved much more in her lifetime than some of us ordinary folk ever do.
Photography
Alessandro Vasapolli |
Stylist
Sarah Adiana Butler
MAKE UP — LINA DAHLBECK @ MANDY COAKLEY USING MAC | HAIR STYLIST — HARUHIDE ISHIZAKI TALENT — DAISY LOWE @ TESS MANAGEMENT
SPECIAL THANKS TO TESS MANAGEMENT
DAISY WEARS JACKET, TROUSERS, SASS & BIDE BRACELET, MARIA PIANA
DRESS, PPQ SHOES, WALTER STEIGER
So there she was, barefaced and in the process of having her hair dried. She is one of the most naturally beautiful women I have ever had the grace to meet. What struck me most was just how beautiful her smile was. A genuine, friendly and settling smile that allowed me to shake off the nerves and enjoy what resulted in a very easy, and entertaining chat. There isn’t much I love more than to see a young woman with a strong, intelligent head on her shoulders. It is however, a pleasant surprise when that woman happens to be a professional model, amongst many other talents and ventures. Daisy Lowe exceeded my expectations with the very small effort of being herself; forthcoming and yet guarded, this woman was one that I could instantly respect and become quite fond of. She surprised me with an incredibly sexy, gravelly tone of voice that I could listen to all day. There is an element to her that I found to be way beyond her years; perhaps it was just how self aware and mature in nature she appeared to be. After living so many years in the public eye Daisy has learned the art of press control – the art being that if one does not wish to be in the media, a low-key lifestyle is the way to go about it. A humble woman, and self confessed ‘home-body’ does not make the headlines in the celebrity-obsessed realm of tabloid media. “I don’t need to let my ego control me” she proclaims as we discuss the idea of looking herself up on Google. I respect that Daisy is a woman after my own heart; it soon became clear as we discussed our preference of the Twilight books over the movies and her keen love of baking. Okay fair play to her, I don’t bake, but I sure like to eat cake. This is why she’s the jaw-dropping model and I’m the girl with the notepad and pen. Daisy is a little more than just a model however, after spending the day on her photo shoot for Tirade’s cover I was able to observe just how natural modelling came to her. It wasn’t just in her choices of facial expression and body shaping, but also in her ability to offer direction and suggest alternative ideas to the one’s being provided – “this doesn’t feel natural, how about if I…” was a phrase I heard on several occasions. Despite how incredible it was to watch this woman switch in and out of character, it was the ‘real Daisy’ that I was most interested in getting to know. Just watching her interact and socialise with the team that she didn’t know so well was enough to tell me that although guarded, this woman takes no individual for granted. In between shots I would catch her busting a quick move to ’99 problems’ and wrapping her arms around her publicists waist in pure, unguarded affection. With little interest in gossip and celebrity spats, it was extremely rewarding to be able to sit down and get to know the woman behind the designer campaigns and camera masses. It was an even sweeter delight to meet Monty, her adorable and playful Maltese Terrier. As she smoulders in and between shots, Monty decides to mark his territory in more ways than one – as we all laugh and attempt to capture his attention for longer than five minutes whilst chasing him around the studio, Daisy, the professional that she is, continues unfazed and undistracted.
DRESS, ALPANA AND NEERAJ
DRESS, ISSA LONDON BRACELET, MARIA PIANA
PS: With such an incredible career at just the age of 23, do you get much time to relax and just chill out with friends? DL: Yeah I do. That’s why it was really important for me to move back to London, I get to be around my best mates again and feel young. I get dragged out to dance my ass off in to the early hours, and you know that doesn’t get to happen too often - not as often as I’d like it to, but it happens when I really desperately need it. I’m like ‘come on girls’. But other than that I’m a real homebody, so I like to stay in with my friends, make a big dinner and sit around and talk filthy shit. And laugh loads. PS: What is your favourite pastime when not at work? DL: Baking. I’m a big baker. A friend of mine is having a baby, and yesterday we were out and she said ‘I’m obsessed with The Great British Bake Off and I just can’t do it’. I was like ‘I promise I will teach you how to bake, we will bake the best cake ever’. I had a window of two hours yesterday and was like, ‘come on quick, come over’ after my shoot and before DJing, and we made the best victoria sponge ever. It was amazing. PS: Are there any elements of the industry that you wish were possible to change? DL: Obviously the aesthetic of being slim is very beautiful, but I think there’s a lot more room for curvy girls and all of us in there. Women that buy clothes are all different shapes and sizes, and there isn’t enough emphasis on how beautiful a woman can look without being a stick. So it would be nice. Some people are just naturally thin, and I think that is beautiful. When it’s natural. But I also just really think that some of my friends that aren’t nearly that tiny are the most beautiful things in the world. And they’ve got more curves, a healthy size 12/14 and I look at them and think ‘fuck I want your body’. PS: Have there been any points in which you wished you had taken another route in life? DL: I never planned on being a model at all; I was doing my A levels in Chemistry, Maths, Economics and Art. I think my ideal thing would have been to go to university and study Chemistry mixed with Psychology. I wanted to go and be a psychotherapist. But, I think it is really important to have no regrets. So if it’s meant to be one day, then it will be. PS: How do you deal with the probing eyes of the media? DL: You just have to take it in your stride and stay grounded, and not be an asshole (she laughs at this point at her honesty). It’s difficult for some people right? I only find it difficult when I’m really tired! (She laughs again) PS: You seem so down to earth, and really quite humble! How do you get yourself ready to do a sensual/seductive shoot? Is it something that Comes naturally to you? DL: If I was to go onto a shoot and be Daisy, the real Daisy, little
old me, I’d never be able to do it – ever! So I kind of end up always putting on a character, and just go in as someone else. (One eyebrow rises as she mocks her ‘characters’) I just kind of go with the whole ‘Daisy Lowe idea’ as opposed to little old me. If I was to do an underwear shoot as I am, you know before I actually get my game face on, I’d be completely screwed. But I just kind of go… ‘Right, I’m going to be her today, and I’m going to be a lot more confident than I naturally am’. I think it means that I get to have a lot more fun with it. PS: Do you have a key beauty and fitness regime? DL: Yeah, I go to an amazing Gym called Equus and it’s a personal training gym. Only three people are allowed in at a time and everyone in there has a personal trainer. I just find it easier. If I were to go to the gym on my own I’d never do it. All their trainers are hilarious and they make the gym really fun – they just rip the shit out of you the whole time. I’m sure they work out those people that want the piss being taken out of them, and for me it just really keeps me going. I try and do that three times a week when work permits. I walk Monty everyday as well, to kind of get my blood pumping! (She giggles at this point) I went through this stage when I was I think twenty, or twenty-one, when my skin just went completely nuts and so I had to do something about it. I ended up starting to see this facialist, called Arezoo Kaviani and she’s amazing. She’s based in Knightsbridge and she’s the only woman in London who I’ve come across that sells these amazing products called Ayramedics. The products are incredible and the results are amazing, and I’d highly recommend it to anyone that has trouble with their skin. It’s so hard because you present your face to the rest of the world, and it’s always so much worse in your head than it ever really is. PS: In several interviews you have expressed a keen interest in art, what makes art such an important part of your life? DL: It’s just about creativity and expressing yourself. I love beauty and I love feeling inspired – and art does all of that for me. PS: Do you have a favourite artist, or particular movement that you find yourself drawn to? DL: I’ve started a small collection. (She beams with mock pride) But only a little one, and actually I’m rubbish as my three favourite pieces I can’t even remember the name! But I love, love, love Tom Beard’s work. Have you ever seen his photography? It’s amazing. He really captures life like no one else I know. He does amazing art photography, and he also shot Florence and the Machine’s album cover. He did loads of album covers and they’re all really iconic. He just did his first gallery show and it’s incredible. It’s called ‘What the cat dragged in’ – he is such a cool artist. I love Matthew Stone as well. You can’t really tell whether his pictures are paintings or photographs. I’m a big fan of surrealism. And I love the obvious ones, like Polly Morgan. Whenever I’m not feeling in the greatest mood I’ll always put on Salvador Dali’s ‘Disney’, or look through this amazing book of his – it’s an interview with his moustache. (We giggle) It’s genius! So yeah, art makes me smile a lot.
PS: What would be your ultimate dream in regards to your modelling? Are there any design houses that you hope to work with? DL: I’d love to work with Dior. I’ve always loved their aesthetics completely, and Yves Saint Laurent. The last season of theirs is amazing with those giant hats! All I want is to wear those giant hats (Daisy becomes very animated at this point). I have serious brim envy! PS: How do you decide which job you should accept and which design house to work with? DL: It’s just a case of what feels good I think. If a job comes to the table and I have a good feeling about it I’m like ‘yeah that’ll be fun’.
ing twenty-one day meditation challenge and that seems to keep me bright and balanced. I try to do them in the evenings. Its really nice to come home and say ‘right, I have fifteen minutes to just be quiet, listen and breathe’. That gives me some good inspiration. PS: What motivates you? DL: It’s the love of it. I just love creativity. As a model you have someone else’s creativity put onto you and you kind of have to embody it and take its form. But that’s definitely what keeps me going, to have a finished product. I’m like ‘ah cool I did that, let’s do another one!’.
PS: Have you had to turn down campaigns in the past? Why? DL: Yeah. I mean daily we have to say no to something that just doesn’t fit. When I work I love to put my heart and soul into it, otherwise there’s no point right? So it’s okay to say ‘actually, I’m not that passionate about that idea’. It usually comes down to a creative point of view; you know ‘actually it’s not reaching the market that I’d quite like it to’. [Sometimes] I put my time and energy into things that actually pay a lot less, but I get a lot more out of it. PS: What has been your most memorable job to date? Why? DL: (She struggles). Erm, Well… one of my favourite jobs ever was actually one I did – God! – Almost six years ago, working with Steven Klein. The first job I did with him was my first big, real shoot. I was like ‘I’m shooting Italian Vogue with Steven Klein, oh my god!!’. And when I got there the hair and makeup was so intense and so heavy, and we were trying to shoot all day. I’d been there since eight in the morning, it was five or six at night and we’d only done a few shots and I was really panicking. This was the biggest thing I’d ever done and what if I’d just messed it all up?! He turned around and said ‘this isn’t working, you need to wash all the makeup off, you looked so much better when you walked through the door. I want to take off all your makeup and wash your hair – lets just start again’. I did it, took off all my makeup, rewashed the hair and just had minimal makeup and tousled, just fucked hair, and we got it all done in an hour. The shoot was brilliant, and I kind of looked like Miss Spider from James and the Giant Peach. It was a fun day. PS: Are there any fields in the business that you would like to branch out to? DL: There’s always stuff that I want to do! I’m a big believer that wherever I’m supposed to go, I will go. I’ve been so lucky in my career that I’ve been able to put my finger in so many pies. I’ve always been into fashion. I did my first feature film in February and March, and to just be able to have a pop at all of it has just been so much fun. I don’t ever want to stop creating and doing that. PS: Where do you seek your daily inspiration? DL: Music’s a real help. Also, Deepak Chopra does this really amaz-
Iparticularly t takes a great skill to be able to channel the creativity of another, when you are required to completely embody those
expectations and convey an image in a selection of photographs. Daisy manages to do this with a finesse that I am mesmerised by. When she spoke of her ‘game face’ I wasn’t quite sure if that would be as much use in a shoot as she had described, however the moment she stood before the camera she was suddenly another woman altogether. She looked like that woman off the TV and in the magazines. The vibrant and cheeky grin was replaced with a smouldering eye and a subtle and yet sensual pout. I saw her transform from the girl-next-door – ‘I don’t think you can beat a good cup of English Breakfast Tea’ - into a siren within minutes, and it really hit home just how effective a ‘game face’ was in the industry. I learned a great deal from Daisy on the shoot, she even happily confided that her greatest guilty pleasure is ‘Geordie Shore. It’s amazing. It’s like the best program on telly’ – I can’t say we have too much in common there! What I will say is that Daisy is a woman that is still able to touch upon her youth once in a while, describing the last book she read she giggles: ‘The last book that I read is really funny. A booked called ‘A Discovery of Witches’, about witches and vampires and stuff’. Having the pleasure of getting to meet ‘Daisy off the TV’ and ‘The real Daisy’ was an eye opener to say the least – she has so much more to her than one would originally imagine. Daisy’s game-face is one that resembles many in the industry; guarded, confident, sexy and in control, whilst the real Daisy is just as dazzling. In my opinion, even with her guard down, Daisy is one fierce individual. Not someone who could be easily manipulated, Daisy appears to have control over her life and her image. Guiding the shoot in some respects, she illustrated confidence and focus throughout the day with a genuine want for the best possible outcome photographically and creatively. Watching her transform and adapt to the styling of the shoot was educative, she used her face and her body to it’s full artistic potential and was the perfect candidate to kick-start the beginning of an exciting run with Tirade Magazine. Fierce, strong, independent and intelligent – a serious icon in the making.
DRESS, TATA NAKA NECKLACE, ELSA SMITH
DRESS, BARBARA ALAN
DRESS, JASPER GARVIDA
DRESS, JEFFREY MICHAEL
P—106
WORDS — PARISS SLOAN
My thoughts exactly. The art of not knowing where to begin is something that can be appreciated in many of circumstances. When one enters a bar in Knightsbridge however, this particular experience is not one many would struggle with; the bar is always a great place to start. I found myself wishing I had all the time in the world to stalk the corridors, linger in both the male and female washrooms and climb the walls to stroke the ceilings. Oddly enough, these are not the remarks of an insane person – despite what my friends might say. The Wellington is like no other; putting nightlife aside, the club embraces elements of art that you would never imagine possible to find in one location. From the moment you walk through the doors you enter a world so far from the conformism of Knightsbridge, that you feel as if you are sharing a dirty little secret with the rest of the lucky few that have had the opportunity to gain entrance into the members-only haunt. As you step into the bar a gothic red bleeds down the black walls, drawing your eyes immediately to the bullet-ridden mirrors and enticing you to be seduced by the sensual and yet heart wrenching theme of death. “Is Mr Death in?” screams through the Louboutin inspired decor. Although hugely eclectic, a great deal of precision was exercised when decorating the club in some of the finest art in London. The club is forever evolving, with regular contributions being designed and perfected. With an overwhelming theme of death haunting the club, the mind works overtime attempting to take in all the sights.
Death is not the only element that shines through the Knightsbridge bar, there are many themes expressed through the art. Sex, peace and love are also inherent in the works that hang from the walls; from the consistent and romantic references to Baz Luhrmann’s Romeo and Juliet, to the lace ceilings and a latex bed decorated with wall manacles. Baz Luhrmann’s modern interpretation of Romeo and Juliet engages several themes that run through the veins of The Wellington, from the iconic red crucifix that stands in the backdrop of the tragic death of Mercutio, which can be seen hanging from the wall in tribute in the DJ booth, to the quotes that encircle the ceilings and the walls. The intensity of the décor just further solidifies the enchantment with the art, there is no wonder that the club needs very little introduction – the art does a great job of speaking for itself. The Wellington has many to thank for the growing eclectic collection of rebellious art, with artists lining up to contribute to the galleries that have developed in every room and corridor. Graffiti across the bathrooms and halls are symbolic tributes to the atmosphere of the club, with an aptly named room ‘The Room of Rourke’ used to celebrate the endless nights spent in The Wellington enjoying the mood and atmosphere that cannot be found in any other venue. Rourke visits so often when he’s in town that it only made sense for the club owners to name a room after him. Celebrity presence is not unheard of in the bar, with the likes of Leonardo Dicaprio, Will.I.Am and even those you wouldn’t expect, like Kylie Minogue and Nicole Kidman have even made the trip after being enticed into the bar. Although a pleasure to house some rather incredible celebrity names, The Wellington is an entity unto itself and finds more pleasure in the art that makes the club the original entity that it is. The club has seen many attempt to replicate it’s personality and unique approach to décor, but none with as much success as seen here. There are particular elements that just cannot be successfully copied, like that of a personality. Sitting on the upper level of the club, beside me hanging from the large gothic windows is a black shower curtain – very little competition could pull off such a thing and make it work. The Wellington has a staple style and personality that runs deeper than the décor and the art – it runs through the veins of the owners. Contributions have been made by legends in the industry. One of the greatest household names would be that of Damien Hirst, collecting and creating art that spans over 25 years, his art lives and breathes controversy and rebellion. For The Wellington, Damien has contributed a great deal. He created the large mirrored skull that currently resides in the centre of the bar, drawing eyes from every angle - the skull is a centrepiece in more ways than one. The gothic theme is further enhanced by the seductive and yet deathly element of the skull, with a dazzling
glass touch that glamorises the image further. Damien Hirst is also responsible for the encrypted question, ‘Is Mr Death in?’ which is actually an anagram of his name. Not one to take himself too seriously, quite like the club, Damien embodies the character of The Wellington effortlessly. A particular favourite for several reasons is the contribution made by Bran Symondson, a man commissioned by The Sunday Times to return to Afghanistan with a camera to capture the relationship between the British soldiers and the Afghan National Police. The first time he visited Afghanistan he was a serving soldier; a man that had experienced the grit and the violence, but also saw a little more than that. He was able to see the artistic and expressive beauty that the circumstances exuded and found himself ready to take the next steps within photography. A great deal of his work could not be displayed due to the sensitive elements of the current political climate, but the pieces that Bran could share with London were massively insightful and thought provoking. One of his most noted pieces that hangs in full glory in the bar, Piece Within His Grasp, an image of an Afghan Police Officer’s hand clasping a gun, with painted nails; a large provocative image that hangs proudly in the lower floor of the bar. Other images of his include the provocative shot of an Afghan Police Officer sitting in a bed of beautiful flowers, holding one of the world’s most deadly weapons. Responsible for the iconic red crucifix that stands behind the DJ booth in the bar and the ‘FUCK’ sign that hangs proudly on the wall, is no other than Chris Bracey. A man that has been creating neon and light art for over 35 years, and over those years he has created art for the likes of Stanley Kubrick and Tim Burton for films including Batman, Tomb Raider, Judge Dredd and Eyes Wide Shut. Just the discussion of the world of celebrity highlights the imprint that the club has made on the industry, for the likes of Chris Bracey to want to contribute to the collection of incredible art showcased in The Wellington further highlights that the building itself is a work of art - A work of art that artists feel drawn to and want to be a part of. The owners of The Wellington cringe at the thought of self promotion and advertising, because it is not the club that they wish to predominantly share with London, but the art of some of the most talented people in the industry – both established and not. A name does not get you very far in the world of art within The Wellington; it is instead the intensity of the message that you present through your pieces. The passion for art seeps through the pours of the club and the people within.
‘If only the walls could talk…’ – They do. Listen in.
P—108
D AM E O F W EL L I N G TO N
PHOTOGRAPHY — H+M @ KOKO MANAGEMENT | FASHION DIRECTOR — LAURENT RICHER @ KOKO MANAGEMENT HAIR — ATSUSHI TAKITA USING BUMBLE & BUMBLE | MAKE UP — JOEY CHOY USING MAC POST PRODUCTION — AARON FORD | MODEL — MICHAELA @ PROFILE
SPECIAL THANKS TO THE WELLY
MICHAELA WEARS BRA, NICHOLE DE CARLE LONDON NECKPIECE, BJØRG JEWELLERY LATEX BERET, ATSUKO KUDO
BRA & THONG, NICHOLE DE CARLE LONDON RING, BJØRG JEWELLERY LATEX COLLAR & THIGH GARTERS, ATSUKO KUDO SHOES, GIANMARCO LORENZI
THIS PAGE AND NEXT BRA & KNICKERS, MADE BY NIKI NECKLACE, BJØRG JEWELLERY SHOES, GIANMARCO LORENZI
THIS PAGE AND OPPOSITE TOP & HIGH-WAISTED KNICKERS, YES MASTER LATEX HAT, ATSUKO KUDO
DRESS, BORDELLE LATEX HAT, ATSUKO KUDO SHOES, GIANMARCO LORENZI
BRA & THONG, YES MASTER LATEX HAT, ATSUKO KUDO BRACELET, RING & PENDANT, GINA MELOSI
CUT OUT BODY, MADE BY NIKI LATEX MASK, ATSUKO KUDO HELMET, GINA MELOSI SHOES, GIANMARCO LORENZI
P—120
H+M = X Linda Farrow Projects PHOTOGRAPHY — H+M @ KOKO MANAGEMENT | FASHION DIRECTOR — LAURENT RICHER @ KOKO MANAGEMENT HAIR — AKIRA YAMADA USING BUMBLE AND BUMBLE | MAKE UP — ZANA MOSES USING MAC POST PRODUCTION — WALTER OLIO | PHOTO ASSISTANT — ANDREW TULLOCH-FOLEY MODEL — VALERIYA PLANIDINA @ PROFILE
OPPOSITE PAGE VALERIYA WEARS‘SMILE’, JEREMY SCOTT X LINDA FARROW PROJECTS THIS PAGE ‘ORIGINAL MICKEY’S’, JEREMY SCOTT X LINDA FARROW PROJECTS
‘WINGS’, JEREMY SCOTT X LINDA FARROW PROJECTS
‘EMOTICON’, JEREMY SCOTT X LINDA FARROW PROJECTS
FOOTBALL HELMET SUNGLASSES – KTZ I, KTZ X LINDA FARROW PROJECTS
OVERSIZE ANGULAR SUNGLASSES, TODD LYNN X LINDA FARROW PROJECTS
‘PERFORATED OVALS SUNGLASSES’, TODD LYNN X LINDA FARROW PROJECTS
‘METALLIC GRILL GLASSES’, BORIS BIDJAN SABERI X LINDA FARROW PROJECTS
‘X-RAY VISION’, JEREMY SCOTT X LINDA FARROW PROJECTS
‘SQUARE TV EYES’, JEREMY SCOTT X LINDA FARROW PROJECTS
‘HANDS WRAPAROUNDS’, JEREMY SCOTT X LINDA FARROW PROJECTS
THIS PAGE AND OPPOSITE ‘LARGE CROSSES’, JEREMY SCOTT X LINDA FARROW PROJECTS
P—136
THE COMPOSITION OF LOVE
PHOTOGRAPHER — KYOKO MUNAKATA | STYLIST — KARINA TANABE JONES HAIR — NORIKO TAKAYAMA | HAIR ASSISTANT — SUZE SMETHURST | MAKE UP — YUKA HIRATA USING COSMETICS A LA CARTE MODELS — DANIELLE FOSTER & KUMRU KODAMANOGLU @ ELITE
OPPOSITE PAGE DANIELLE WEARS LATEX BLOUSE, ATSUKO KUDO EARRINGS, CHRISTOPHER ST JAMES THIS PAGE KUMRU WEARS BLUE TOP, PAPER LONDON RED DRESS, BORA AKSU NECKLACE, PEBBLE LONDON LATEX GLOVES, ATSUKO KUDO
TOP, PANKAJ AND NIDHI LATEX COLLAR & HEAD PIECE, ATSUKO KUDO LATEX STOCKINGS, KIM WEST LEATHER GLOVES, EMMANUEL KATSAROS SHOES, LITTLE SHILPA RINGS, PEBBLE LONDON BLACK SHEER TOP, STYLISTS OWN
DRESS, SOPHIA KAH FAUX FUR JACKET, MONKI LEATHER FINGERLESS GLOVES, EMMANUEL KATSAROS MIRROR HEADPIECE, LITTLE SHILPA
TOP, PAPER LONDON TROUSERS, ANDREW MAJTENYI NECK PIECE WORN AS HAT, BJØRG JEWELLERY NECKLACE, PEBBLE LONDON BELT, TAMZIN LILLYWHITE LATEX GLOVES, ATSUKO KUDO
LATEX HAT, BODY, ATSUKO KUDO COAT, INBAR SPECTOR THIGH HIGH BOOTS, CAMILLA SKOVGAARD EARRINGS, MERLE O'GRADY BANGLES, PEBBLE LONDON
LEATHER TOP, QUILT LEATHER DETAILED JACKET, HEMYCA LATEX SKIRT, KIM WEST CORSET, I.D. SARRIERI NECKLACE, KATIE EARY EARRINGS, MERLE O'GRADY BANGLES, PEBBLE LONDON
LACE DRESS, GESTUZ EARRINGS, NOVA CHIU BANGLES, PEBBLE LONDON
HARRISON WEARS SHIRT, SHOES, MATTHEW MILLER TROUSERS, SAND
P—145
PHOTOGRAPHS BY MICHAEL STUART DALEY
STARRING DIDYER @ AMCK AS RICO SUAVE | HARRISON @AMCK AS DANNY BREAKER | GEORGE TARRANT @ NEVS AS TRIGGER HARRIS
STYLIST — SASHA SAUSHKINA | HAIR STYLIST — ATSUSHI USING BUMBLE AND BUMBLE | HAIR ASSISTANT — JYUN TAKAGI GROOMING — YOKO NAKATA USING MAC COSMETICS | PHOTO ASSISTANT — SIAN DAVIS
DIDYER WEARS JACKET, T.LIPOP SHIRT, TRINE LINDEGAARD WATCH, TRIWA
HARRISON WEARS SHIRT, BREAKS TROUSERS, GABICCI COAT, BODYBOUND
GEORGE WEARS JACKET, SAND RED CARPET TROUSERS, SHIRT, SAND HARRISON WEARS JACKET, TROUSERS, QASIMI SHIRT, PINTOO DIDYER WEARS SHIRT, BODYBOUND TROUSERS, QASIMI
SHIRT, EMPIRE'S UNION TROUSERS, SHOES, T.LIPOP SOCKS, GABICCI WATCHE, TRIWA
THIS PAGE AND OPPOSITE JACKET, TROUSERS, QASIMI SHIRT, BREAKS VEST, BODYBOUND WATCH, FOLLI FOLLIE SHOES, AIGLE
JACKET, TIM LABENDA TROUSERS, BEN SHERMAN SHIRT, PAUL & SHARK
SHIRT, PINTOO TROUSERS, T.LIPOP
SHIRT, BREAKS WATCH, FOLLI FOLLIE
JACKET, TROUSERS, DENT DE MAN SHIRT, T.LIPOP SHOES, CLAE
DIDYER WEARS JACKET, MATTHEW MILLER SHIRT, PINTOO SUNGLASSES, DRIES VAN NOTEN X LINDA FARROW PROJECTS GEORGE WEARS JACKET, DKNY SHIRT, PINTOO SUNGLASSES, LINDA FARROW LUXE HARRISON WEARS JACKET, DKNY SHIRT, PINTOO SUNGLASSES, THE ROW X LINDA FARROW PROJECTS
WORDS - PARISS SLOAN
When it comes to setting the bar high for aspiring models, there is no one quite like Irina Lazareanu. At 30 years old this woman has had some incredible experiences within the fashion world, not one to shy away from the spotlight or a challenge, and yet not one to take herself too seriously – a rare combination in such an overwhelming and fast paced world. Irina is a woman that many can look to in envy, or for inspiration. Funny, smart, unconventionally beautiful and with a strong head on her shoulders, Irina has an infectious personality that no one can quite get enough of.
Photography
Alessandro Vasapolli | Stylist Ginger Clark
MAKE UP - LINA DAHLBECK @ MANDY COAKLEY USING MAC | HAIR STYLIST - HARUHIDE ISHIZAKI | ASSISTANT STYLIST - LISA GALESLOOT
TALENT - IRINA LAZAREANU @ SELECT MODEL MANAGEMENT
SPECIAL THANKS TO SELECT SPECIAL BOOKINGS
IRINA WEARS TOP, EUDON CHOI TROUSERS, JOHN ROCHA SHOES, JIMMY CHOO
DRESS, JANE BOWLER
THIS PAGE AND OPPOSITE DRESS, VICTORIA BECKHAM
Irina Lazareanu is a far cry from many in the public eye, an interesting character who makes more of a habit of joking at her own expense than of taking offense to claims that slim models like herself lead an unhealthy lifestyle. Describing her relationship with modelling, she responds “A long-term, long distance, love-hate relationship”. Irina finds the scrutiny of slim models a farce that she cannot comprehend, in a number of interviews and clips she jokes that she hardly ever allows herself to eat – she eyes the camera provocatively and raises a questioning eyebrow. When asked what she believes the industry currently needs to keep up with the changing face of fashion, she simply replied “More heart, less money”. It’s impossible not to be “Team Irina” in sight of her obvious disregard for press allegations and exaggerations. It is particularly interesting to note that when doing research online a great number of the links lead to interviews on YouTube. It appears that Irina is a comical public figure - a fact that has been shared throughout various forums on many occasions. There’s no doubt she has an eccentric and interesting character, but how much do we really know about her that she hasn’t already shown us in her sarcasm and wit? With such an intense image and modelling career it’s only natural to want to know more about Irina – this incredible beauty with a hilariously kooky sense of humour. Romanian born Irina moved to Canada at 5 years old with her family, and it was at 13 years old that she moved to London to study ballet. A young talent that already had dreams and ambitions that some of us may never comprehend at such a young age. Sadly a ballet career was not to be after a knee injury made the decision for her. It would have been a great shame to not have her grace some of the most iconic fashion spreads of the era, so perhaps there is something in this whole ‘Karma’ lark. We could be optimistic in approach and thank the incident for the forward thinking, positive individual that is Irina Lazareanu. It is from such an experience that she has learned to trust that life will lead her along a path that is right for her. Not one to be too idealistic, she is more than aware of the effort needed in order to be successful in any area of life. There is no mistaking the level of work that has been implemented in order to get herself exactly where she is today – able to act out more than one dream at a time.
DRESS, PLEATS PLEASE ISSEY MIYAKE
Irina began her modelling career at the age of 17 - it wasn’t long before she began to turn heads with her kooky style and personality. Although enticed into the fashion world, Irina makes no secret of the fact that the way she dresses is largely influenced by her moods and what she’s up to at that point in her life. When discussing what changes she would like made to the modelling and fashion industry, she replied jovially “Bring back the freaks! All the characters and weirdos were the people that inspired creativity and style in the fashion industry. They were the real trendsetters – who weren’t afraid to take a chance. Bring back the freaks!” In a number of interviews she has shared her love for the androgynous look that very few get right. The fascination lies within the effortless cool that exudes from the sharp lines and tailored, yet oversized cuts – she illustrates a love for Saint Laurent designs and explains, “I am so excited to see what else Hedi Slimane has in store”. Fashion appears very fluent in her movement and nature, and therefore most days Irina isn’t even aware of her fashion icon status.
Capturing the public with her refreshing sense of humour, it wasn’t long before she had the fashion world watching her every move too. Kate Moss was one of the first to see the potential of her modelling career, selecting her to model for the December/January issue of Vogue that she guest edited. At this point there was no mistaking the fact that Irina was going to take the fashion world by storm, and take the world by storm she did. Recognised now for breaking the record for the most runway appearances in one season, she became a name that lingered on the lips of adoration. Working with the likes of Chanel, McQueen, Anna Sui, Shiatzy Chen, Lanvin and Versace, she fulfilled every models dream and more. What more does a model in the industry hope to achieve after walking for and representing the greatest in the industry? When asked if she had any exciting new projects in the pipelines for 2013 she swooned “I’m getting married to a fine specimen of a man”. Although her career is a very important aspect of her life, Irina’s private life is one she values a great deal more. In 2007 Kate Moss selected Irina once again for one of her personal projects, to front the Topshop collection she had carefully selected and designed. Irina has an unwittingly strong female attitude that instantly enhanced the high-street collection, inspiring teenagers and young women to explore their sexuality in a subtle, individual and mature way. Kate Moss, aside from being an incredible talent herself, has a great eye for beauty and for modern fashion. Selecting Irina for such a high profile campaign allowed her to reach a new audience of young people, and in that audience she was able to entrust her vivacious personality. Not that Irina is particularly aware of just how strong an impact she has on young women, as when the discussion of personal legacy’s came up she was quite happy to laugh and joke about the fact that “My fringe of course” will be the one thing that she hopes to leave behind for women across the globe. No longer a stranger to large and diverse audiences Irina was asked in 2009 to be a guest judge and coach for Canada’s Next Top Model – an incredible honour and tribute to the model she had become. She also took the step into a new realm of creativity in 2004 - the music industry. Although not completely able to find the link between modelling and music, when one hears Irina’s work it suddenly makes sense – “When I’m modelling I’m playing a role, when I’m playing music or writing, it’s a lot more personal”. Her music is hugely expressive and touches upon those more vulnerable elements to her character that do not convey in her image and public personality. Her music envelopes her femininity, whilst capturing those carefree elements of her persona that one cannot help but find endearing.
TOP, ALBERTA FERRETTI TROUSERS, PLEATS PLEASE ISSEY MIYAKE
THIS PAGE AND NEXT DRESS, ALBERTA FERRETTI SHOES, JIMMY CHOO
Irina takes a great deal of pride in her music and her song writing. With musical influences including Pete Doherty, whom she toured with at the beginning of her music career, Irina has found a unique and enticing sound of her own. Her debut folk album, Some Place Along The Way, is written in a way that tells a story, and each song represents and marks a chapter. Music represents a different element to Irina that cannot be found in her modelling portfolio – here we see an honest and unbound young woman expressing herself in a very personal manner. Although a fan of modern sounds, she still adores and seeks inspiration from some of the greatest musical legends, including Bob Dylan, Neil Young, Leonard Cohen and Joan Baez. A challenge in itself is the risk of not being what people want, or expect, but for Irina none of that matters. As an artist, she seeks inspiration and motivation from various areas of life, she describes: “Each day is different. My interaction with a city, the people in it and around me, what I’m reading, what musician I’m listening to, and mostly, love.” At several moments in her career Irina has made a point to mention that her music is never written to convey popular musical trends, but to instead express elements of herself and her thoughts. Music, like it does for many others, allows her to exert the energy and emotions that cannot be released through her modelling. Irina does however make a point in stating “They both come naturally to me, because I’ve been doing them since the dawn of time”. As an intelligent and forward thinking realist, Irina understands the need to be creative in several outlets within the industry. Modelling paved the way to what developed into an incredible career that currently appears to have no finale in the near future. Asked if she believes she’ll ever reach a point in which she would like to take a step back from one, or both of the industries, she replied “You have to take a step back in order to move forward”. Irina is still very much in high demand, and with some of the ‘greats’ behind her there really is no saying what she will be up to next. There is an insatiable smoking intensity that burns in Irina’s eyes, which tells you all you need to know about this woman – there is no end to her will power or her ability to fulfil her own dreams – a woman very much in charge of her personal life and her career. Irina’s personality and strength of character is infectious and of course, we must not forget that killer fringe of hers. Her final advice to aspiring models attempting to face the competitive industry captures her approach to life perfectly. “Grow some balls – stay true to yourself and don’t do drugs”.
DRESS, ANDREW MAJTENYI
DRESS, ARMANI
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PHOTOGRAPHY — THE LAROACHE BROTHERS @ VANDER&CO STYLIST — DARREN KNIGHT USING PROPS FROM THE NATIONAL THEATRE LONDON HAIR — SUK RAM | MAKE UP AND BODY MAKE UP — NATASHA BLOOM MODELS — SAVILLE DORFMAN @ NEXT | TEREZA @ MODELS 1 | TENISHIA @ MODELS 1 | MITCH @ PREMIER
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LENSED BY HAZE | ASSISTANT — NICOLE LOUISE PELTIER
BACKGROUND ART — ALEXANDER AZIZ | STYLIST — NISHA GREWAL | STYLIST ASSISTANT — HANNAGH ROSE HAIR — AKIRA YAMADA USING BUMBLE & BUMBLE | MAKE UP — HILA KARMAND USING COSMETICS A LA CARTE NAIL TECHNICIAN — PEBBLES AIKENS USING CIATE | MODEL — COCO @ SELECT
SPECIAL THANKS ALEXANDER AZIZ
COCO WEARS VEST AND TROUSERS, SHAKUHACHI BANGLES, PRETAPORTOBELLO.COM SHOES, MARGARET HOWELL
BODY SUIT AND SHORTS, SHAKUHACHI NECKLACE, MARIA FRANCESCA PEPE BOOTS, ILSE JACOBSEN
DRESS, JAMES LAKELAND BRACELETS, PRETAPORTOBELLO.COM
THIS PAGE AND OPPOSITE TOP, SHAKUHACHI SHORTS, VILLAGE BICYCLE EARRINGS, BLINGDEENIE @MYFLASHTRASH.COM BOOTS, PENELOPE CHILVERSzzz
LACE TOP, REBECCA TAYLOR SKIRT, JAMES LAKELAND SHOES, SHELLYS
VEST, EMILIO CAVALLINI SKIRT, SHAKUHACHI BOOTS, KAT MACONIE NECKLACE, MARIA FRANCESCA PEPE GOLD BAR NECKLACE, STYLISTS OWN
SWIMMING COSTUME, VINTAGE SILVER CUFF, MISSOMA LEATHER BRACELET, MOXHAM EARRINGS, GINA STEWART COX SHOES, ZOE JORDAN
THIS PAGE AND OPPOSITE TOP, SHAKUHACHI JEANS, APRIL MAY BOOTS, KAT MACONIE SUNGLASSES, FINEST SEVEN X FELDER FELDER EARRINGS, GINA STEWART COX CUFF, LOLA ROSE
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PHOTOGRAPHS — H+M @ KOKO MANAGEMENT
FASHION DIRECTOR — LAURENT RICHER @ KOKO MANAGEMENT HAIR — ATSUSHI TAKITA USING BUMBLE & BUMBLE | HAIR ASSISTANT — JYUN TAKAGI MAKE UP — NORA NONA USING NARS MODEL — SAMARA DONDA @ NOLOGO MANAGEMENT MILAN POST PRODUCTION — AARON FORD
SAMARA WEARS DRESS, ATIS ARTEMJEVS CUFF, DOMINIQUE LUCAS @ 59STRINGS.COM
DRESS, ALEXIS BARRELL BELT, HERVE LEGER CUFFS, JOUBI
DRESS, ALPANA & NEERAJ
DRESS, NINA NAUSTDAL GOLD NECKLACE, CLAIRE ENGLISH @ 59STRINGS.COM
DRESS, ALPANA & NEERAJ
DRESS AND CAPE, LOUIS HEAL
DRESS, LOUIS HEAL
DRESS, ALPANA & NEERAJ
DRESS & BELT, HERVE LEGER NECKLACE, LOUIS HEAL
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PHOTOGRAPHY — MARNIX POSTMA | PRODUCTION — GALYA GISCA STYLISTS — LIRFON'S & VALENTINA VIDRASCU | HAIR & MAKE UP — DANIELA COSNICEANU MODELS — ALEXANDRINA & TANEA @ MANDARINA MODELS ROMANIA
TANEA WEARS DRESS, DIXI SCARF, LIRFON'S
ALL GARMENTS, LIRFON'S
HAT, JACKETS, DRESS, ACCESSORIES, LIRFON'S T-SHIRT, IRENE SANDALOVIC
ALEXANDRINA WEARS SWEATER, IRENE SANDALOVIC HAT, PANTS, BELT, LIRFON'S
DRESS, DIXI
DRESS, VALENTINA VIDRASCU SHOES, MODELS OWN
DRESSES, HATS, LIRFON'S
HAT, SWEATER, ACCESSORIES, LIRFON'S T-SHIRT, IRENE SANDALOVIC
DRESS, DIXI
BLOUSE, PANTS, VALENTINA VIDRASCU
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POST-RAPHAELITE
PHOTOGRAPHER — GIANNI DILIBERTO @ KOKO MANAGEMENT FASHION DIRECTOR — LAURENT RICHER @ KOKO MANAGEMENT | PRODUCTION — MYRA GONZALEZ HAIR & MAKE UP — CAROLINE PIASECKI USING NARS | ASSISTANTS — FREDDIE AND LILLY MODEL — IRENE BAGACH @ ELITE
OPPOSITE PAGE IRENE WEARS FUR COAT, HOCKLEY HEADPIECE, PEBBLE LONDON THIS PAGE CARDIGAN, ALEXIS BARRELL FUR JUMPER, HOCKLEY TROUSER, DOM & RUBY BOOTS, MUKS
DRESS, SHAKUHACHI FUR SCARF, CHARLOTTE & LISA BANGLES, PEBBLE LONDON
FUR COAT, HOCKLEY CUT OUT SWIMSUIT, HERVE LEGER SKIRT, ALEXIS BARRELL BOOTS, MUKS
TOP, HERVE LEGER RINGS, PEBBLE LONDON
LEATHER JACKET, HALSTON HERITAGE DRESS, HERVE LEGER NECKLACE, PEBBLE LONDON
FUR COAT, HOCKLEY SKIRT, HALSTON HERITAGE RINGS, PEBBLE LONDON SHOES, AIGNER TIGHTS, STYLIST OWN
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SWEETEST TOUCH photographs by Haze STYLIST — NISHA GREWAL | STYLIST ASSISTANT — HANNAGH ROSE HAIR — AKIRA YAMADA USING BUMBLE & BUMBLE | MAKE UP — HILA KARMAND USING COSMETICS A LA CARTE NAIL TECHNICIAN — PEBBLES AIKENS USING CIATE | MODEL — CAITLIN @ SELECT
POST PRODUCTION — STEPHANIE WINGER PURETOUCH
CAITLIN WEARS JUMPSUIT, WONDERLAND NECKLACE, MAWI TRIPLE STONE RING, MISSOMA FLOWER RING, LOLA ROSE
TOP, DISAYA EARRINGS, MERLE O’GRADY RING, LOLA ROSE
FAUX FUR JACKET, MARY LING RINGS, DOMINIQUE LUCAS @ 59STRINGS.COM
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TRIBAL QUEEN PHOTOGRAPHER — TAKUO ITAYAMA | STYLIST & ART DIRECTOR — OTTO VOLQUARDSEN HAIR — KOJI ICHIKAWA | MAKE UP — NATSUKA @ A.K.A. MANAGEMENT INC MODEL — LISA BUUR @ DONNA MODELS JAPAN | POST PRODUCTION — KEITA KOIZUMI
LISA WEARS SKIRT, COMME DES GARÇONS
TOP, BODICE, SWANZI
UNDERWEAR, TOSHIRO SUZUKI NECK ACCESSORY, STYLISTS OWN
CHOKER, TOSHIRO SUZUKI ACCESSORIES, STYLISTS OWN
ACCESSORIES, UNDERWEAR, TOSHIRO SUZUKI JACKET, MICHIKO KOSHINO
NECKLACE, HUSSEIN CHALAYAN BELT, TOSHIRO SUZUKI ONE-PIECE, PRADA
JACKET, ACCESSORIES, TOSHIRO SUZUKI SKIRT, JANG YOUNGHEE
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MONSTERSINK PHOTOGRAPHY — H+M @ KOKO MANAGEMENT | ILLUSTRATIONS — CHRISTINA SKY FASHION DIRECTOR — LAURENT RICHER @ KOKO MANAGEMENT | ASSISTANT — JESSE OK'R HAIR — ATSUSHI TAKITA USING BUMBLE & BUMBLE | MAKE UP — JOEY CHOY USING MAC POST PRODUCTION — WALTER OLIO | MODEL — APRIL @ PROFILE
SPECIAL THANKS TO CHRISTINA SKY
THIS PAGE APRIL WEARS SHIRT & SKIRT, FAM IRVOLL BRACELET, ASSAD MOUNSER TIGHTS, STYLIST OWN OPPOSITE PAGE DRESS, MARYME-JIMMYPAUL
BODY, AMERICAN APPAREL SKIRT, FAM IRVOLL NECKLACE & BRACELET, ASSAD MOUNSER SHOES, UNDERGROUND X FAM IRVOLL TIGHTS, STYLIST OWN
JUMPER & TROUSER, DANS LA VIE BAG, FAM IRVOLL BOOTS, HUNTER
SHIRT, FAM IRVOLL SHOES, SHARA HAYZ TIGHTS, STYLIST OWN
DRESS, SKIRT, FAM IRVOLL TIGHTS, STYLIST OWN
COAT, TROUSER, DANS LA VIE BODY, AMERICAN APPAREL BAG, FAM IRVOLL
DRESS, MARYME-JIMMYPAUL BAGS, FAM IRVOLL SHOES, UNDERGROUND X FAM IRVOLL TIGHTS, STYLIST OWN
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Artist Feature
HARSH REALITIES ARTWORK BY JONNY BURT
PASTEL, ACRYLIC, OIL ON PAPER
PASTEL, ACRYLIC, OIL ON PAPER
MIXED MEDIA ON PAPER
PASTEL, ACRYLIC, OIL ON PAPER
ART DIRECTION & GRAPHIC DESIGN OF TIRADE MAGAZINE HZVSTUDIOS WWW.HZVSTUDIOS.COM
Stockist
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AESA www.aesajewelry.com
CORRIE NIELSEN www.corrienielsen.com
HERVE LÉGER 020 7201 2590
MARCO DE VINCENZO www.marcodevincenzo.com
PRADA www.prada.com
ACCESSORIZE www.accessorize.com
COS www.cosstores.com
H&M www.hm.com
MARGARET HOWELL www.margarethowell.co.uk
PRETAPORTOBELLO.COM www.pretaportobello.com
AIGLE www.aigle.com
COSTUME NATIONAL www.costumenational.com
HOCKLEY www.hockleylondon.com
MARLIES DEKKERS www.marliesdekkers.com
QASIMI www.qasimi.com
AIGNER www.aignermunich.com
CUSTOMMADE www.custommade.dk
HUNTER www.hunter-boot.com
MARIA BLACK www.maria-black.com
REBECCA TAYLOR www.rebeccataylor.com
ALBERTA FERRETTI www.albertaferretti.com
DANS LA VIE www.danslavie.co.jp
HUSSEIN CHALAYAN www.husseinchalayan.com
MARIA FRANCESCA PEPE www.mfpepe.com
SASS & BIDE www.sassandbide.com
ALBERTO BIANI www.albertobiani.com
DENT DE MAN www.dentdeman.com
I.D. SARRIERI www.sarrieri.com
MARIA GRACHVOGEL www.mariagrachvogel.com
SAND www.sand-europe.com
ALEXIS BARRELL www.alexisbarrell.com
DISAYA www.disaya.com
ILARIUSSS www.ilariusss.com
MARIA PIANA www.mariapiana.com
SCHMIDTTAKAHASHI www.schmidttakahashi.de
ALPANA AND NEERAJ www.alpananeeraj.com
DIXI www.shopdixi.com
ILSE JACOBSEN www.ilsejacobsen.dk
MARY LING www.maryling.com
SHAKUHACHI www.shakuhachi.net
AMERICAN APPAREL www.americanapparel.net
DKNY www.dkny.com
INBAR SPECTOR www.inbarspector.com
MARYME-JIMMYPAUL www.maryme-jimmypaul.com
SHARA HAYZ www.sharahayz.com
ANDREW MAJTENYI www.andrewmajtenyi.com
DOMINQUE LUCAS www.59strings.com
IRENE SANDALOVIC www.sandalovic.blogspot.co.uk
MATTHEW MILLER www.matthewmillermenswear.com
SHELLYS www.shellys.com
APRIL MAY www.aprilmay.fr
DOM&RUBY www.domandruby.com
ISSA LONDON www.issalondon.com
MAX MARA www.maxmara.com
SOPHIA KAH www.sophiakah.co.uk
ARMANI www.armani.com
DRIES VAN NOTEN www.driesvannoten.be
ISSEVER BAHRI www.isseverbahri.com
MAWI www.mawi.co.uk
SORAPOL www.sorapol.co.uk
ASOS www.asos.com
DSQUARED2 www.dsquared2.com
JAMES LAKELAND www.jameslakeland.net
MERLE O’GRADY www.merleogrady.com
SWANZI www.swanzi-fashion.com
ASSAD MOUNSER www.assadmounser.com
ELSA SMITH www.elsasmith.com
JANE BOWLER www.janebowler.co.uk
MICHAELA BUERGER www.michaelabuerger.com
SWASH www.swash.co.uk
ATIS ARTEMJEVS www.atisartemjevs.com
EMILIO CAVALLINI www.emiliocavallini.com
JASPER GARVIDA www.jaspergarvida.com
MICHAEL SONTAG www.michaelsontag.com
TAMZIN LILLYWHITE www.tamzinlillywhite.co.uk
ATSUKO KUDO www.atsukokudo.com
EMMANUEL KATSAROS www.emmanuelkatsaros.com
JEAN PAUL GAULTIER www.jeanpaulgaultier.com
MICHIKO KOSHINO www.michikokoshino.co.uk
TATA NAKA www.tatanaka.com
BALLANTYNE www.ballantyne.it
EMPIRE'S UNION www.empiresunion.com
JEREMY SCOTT www.jeremyscott.com
MIHARAYASUHIRO www.miharayasuhiro.jp
THE ROW www.therow.com
BARBARA ALAN www.barbaraalan.com
ERMANNO SCERVINO www.ermannoscervino.it
JIMMY CHOO www.jimmychoo.com
MILA SCHON www.milaschon.com
THONE NEGRÓN www.thonenegron.com
BEN SHERMAN www.bensherman.com
EUDON CHOI www.eudonchoi.com
JOHN ROCHA www.johnrocha.ie
MILLY www.millyny.com
TIM LABENDA www.timlabenda.com
BILLIONAIRE COUTURE www.billionairecouture.com
FAM IRVOLL www.famirvoll.com
JOUBI www.joubi.co.uk
MISSOMA www.missoma.com
T.LIPOP www.tlipop.com
BJØRG JEWELLERY www.bjorgjewellery.com
FALKE www.falke.com
JUST CAVALLI www.justcavalli.com
MONKI www.monki.com
TODD LYNN www.toddlynn.com
BLINGDEENIE www.myflashtrash.com
FEDERICA MORETTI www.federicamorettihandmade.com
KARL LAGERFELD PARIS www.karl.com
MOXHAM www.moxhamstore.com
TRINE LINDEGAARD www.trinelindegaard.com
BODYBOUND www.bodybound.net
FELDER FELDER www.felderfelder.com
KARL BY KARL LAGERFELD www.karl.com
MUKS www.muklukstore.com
TRIWA www.triwa.com
BORA AKSU www.boraaksu.com
FENDI www.fendi.com
KATIE EARY www.katieeary.co.uk
N*21 BY ALESSANDRO DELL'ACQUA www.numeroventuno.com
UNDERGROUND www.underground-england.co.uk
BORDELLE www.bordelle.co.uk
FINEST SEVEN www.finestseven.com
KAT MACONIE www.katmaconie.com
NICHOLE DE CARLE LONDON www.nicholedecarlelondon.com
VALENTINA VIDRASCU www.valentinavidrascu.com
BORIS BIDJAN SABERI www.borisbidjansaberi.com
FJALLRÄVEN www.fjallraven.com
KIM WEST www.kimwest.co.uk
NINA NAUSTDAL www.nina-naustdal.com
VALEXTRA www.valextra.it
BRONTE www.brontehats.com
FOLLI FOLLIE www.follifollie.co.uk
KTZ www.kokontozai.co.uk
NORMALUISA www.normaluisa.com
VANNI www.vanniocchiali.com
BYBLOS www.byblos.it
FYODOR GOLAN www.fyodorgolan.co.uk
KUBORAUM www.kuboraum.com
NOVA CHIU nova-chiu.wix.com/home
VICTORIA BECKHAM www.victoriabeckham.com
CALVIN KLEIN www.calvinklein.com
GABICCI www.gabicci.com
LLIMI FEU www.limifeu.com
ODETTE www.odetteny.com
VILLAGE BICYCLE www.imavillagebicycle.com
CAMILLA SKOVGAARD www.camillaskovgaard.com
GESTUZ www.gestuz.com
LINDA FARROW www.us.lindafarrow.com
OLIVER SANDER www.hat-gallery.co.uk
VLADIMIR KARALEEV www.vladimirkaraleev.com
CATERINA GATTA www.caterinagatta.it
GIANMARCO LORENZI www.gianmarcolorenzi.com
LIRFON'S www.lirfons.com
OZWALD BOATENG www.ozwaldboateng.co.uk
WALD BERLIN www.wald-berlin.de
CHARLOTTE & LISA www.charlotteandlisa.com
GINA MELOSI www.ginamelosi.com
LITTLE SHILPA www.littleshilpa.com
PANKAJ AND NIDHI www.pankajnidhi.com
WALTER STEIGER www.waltersteiger.com
CHARLOTTE VALKENIERS www.charlottevalkeniers.com
GINA STEWART COX www.ginastewartcox.com
LOLA ROSE www.lolarose.co.uk
PAPER LONDON www.paperlondon.com
WOLFORD www.wolford.com
CHRISTOPHER ST JAMES 077 6854 8371
GIORDANO TORRESI www.giordanotorresi.com
LOUIS HEAL www.louisheal.com
PAUL & SHARK www.paulshark.it
YES MASTER www.yes-master.com
CLAE www.clae.eu
GIULIA GOBBI www.giuliagobbi.com
MADE BY NIKI www.madebyniki.co.uk
PEBBLE LONDON www.pebblelondon.com
YOHJI YAMAMOTO www.yohjiyamamoto.co.jp
CLAIRE ENGLISH www.59strings.com
HALO JONES www.halo-jones.com
MALAIKA RAISS www.malaikaraiss.com
PENELOPE CHILVERS www.penelopechilvers.com
Y'S YOHJI YAMAMOTO www.yohjiyamamoto.co.jp
COLIAC www.coliac.com
HALSTON HERITAGE www.halston.com
MALENE ODDERSHEDE BACH www.maleneoddershedebach.com
PLEATS PLEASE BY ISSEY MIYAKE www.pleatspleaseshop.com
ZOE JORDAN www.zoe-jordan.com
COMME DES GARÇONS www.comme-des-garcons.com
HEMYCA www.hemyca.com
MANGO www.mango.com
PPQ www.ppqclothing.com
ZUZUNAGA www.zuzunaga.com
ISSUE TWO AW 2013
PHOTOGRAPHERS | STYLIST | HAIR & MAKE UP
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TIRADE MAGAZINE PRINT | ONLINE | DEVICES
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