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A Look Ahead... 12 14 16 24 28 30 36 42 50 56 58 70
On the Set of a Stylist The Lasting Legacy of Edith Head The Designs that Made Us Breakfast at IHOP The Romance of the 1960s Documenting Icons Fashion Makes the Friendship Wine n’ Dine In I’ve Got Hollywood in My Closet Overalls Aren’t Over at All Rocky Horror Fashion Show Don’t You (Forget About These Trends)
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From The Screens Photographers: Braden Devine, Zoe Zhou
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EDITOR-IN-CHIEF Leah Pentecost
PUBLISHER
Madeline Sterling
COPY EDITOR Hannah Tucker
BLOG EDITOR
WRITERS Jennave Traore Maddi Villines Olivia Harless Sophie Vox
Meesh Strauss
Brendan Prendergast Desha Hurst Emily Daugherty Emma Hodge Jade Wilson
FASHION DIRECTOR
PHOTOGRAPHERS
Maggy McDonel
PHOTO EDITOR Kait Kline
CREATIVE DIRECTOR Brittany Fletcher
MARKETING DIRECTOR Cullen Lewis
SOCIAL MEDIA COORDINATOR Paige Robinson
WEB EDITOR Jade Wilson
EVENT PLANNING COORDINATOR
Alison Sun Braden DeVine Britt Ichinose Celine Doute Gabrielle Barrera Elizabeth Carrigan Juliana Yip-Ono
STYLISTS Annabel Steenrod Annmarie Fornatto Ashley Phillips Cameryn Blake Cassidy Poske Desha Hurst Draven Pena Eleanor Fermann
Jordan Tedesco
DESIGNERS
TREASURER
Ali Perry Amanda Casey Cameryn Blake Emma Sulfsted Maddie Pridemore
Jen Stiene
ADVISOR
Jenny Wohlfarth
Jade Wilson Juliana Yip-Ono Kelsie Jones Laura Su Paige Robinson Samantha Iverson Tara Prabhu
Maddi Villines Maggie Caulfield Mariel Lustig Milly Turner Rachel Haines
MARKETING Alyssa West Angelica Genise Emily Wheeler
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Kelsie Jones Matthew Hogan Nick Flesch Shelbi Arens Sophie Cahill Zoe Zhou
Emily Daugherty Jennave Traore Madison Wilz
Letter from the Dear Readers, When I was little, I wanted nothing more than to dress like Cinderella (after the fairy godmother of course) or really any princess who dawned a gorgeous ball gown. Years later, I obsessed over Carrie Bradshaw’s urban-glamour in “Sex and the City” and Cher Horowitz’s retro looks in “Clueless.” Still today, I find myself subconsciously making fashion tips in my mind while watching movies and TV shows, and I know for sure that I’m not the only one. On a production set, directors may hire costume designers, wardrobe technicians, fashion coordinators and a number of other workers whose job is to ensure the outfits on set appear perfect for filming. Why? Because fashion is gold on the silver screen. This issue, our theme is From the Screens, paying tribute to the inspiration and creativity that derives from film. Learn about Judianna Makovsky, in Desha Hurst’s “On the Set of a Stylist,” a phenomenal costume designer who worked on famous film sets, on page 12. Find a blast from the past on page 50 with Brendan Prendergast’s “I’ve Got Hollywood in My Closet”, where he recalls fashion trends that sparked from a few oldies-but-goodies, like “The Great Gatsby”and “Grease.” Flip to page 58 to read about an experience unlike any other in Maggy McDonel’s “Rocky Horror Fashion Show” as she explores the unique shadow cast performances of “The Rocky Horror Picture Show” at The Esquire Theater. Her writing paired with Zoe Zhou and Braden DeVine’s photographs will have you mesmerized.
but it is time for me to pass the torch. Despite my heartache, I feel deeply comforted leaving the future of TITLE in the hands of Madeline Sterling, as the incoming editor-in-chief, along with the rest of our new executive board. I know you all will thrive in your positions and take this magazine to the next level. Thank you to all our readers, and every single person who has contributed to TITLE. You have made this the most rewarding experience, and there is undoubtedly, no way I could have done this without you. For the last time, TITLE’s best wishes, Leah Pentecost Editor-in-Chief ** I want to especially thank our graduating officer, Brittany Fletcher. Your passion for design and countless hours dedicated to TITLE is what truly brought this issue to life. Thank you so much for absolutely everything!
Now, for the hardest part of this letter, saying goodbye. I’m grateful to say that I not only created TITLE Magazine, but that I also produced three incredible issues. I’ve thoroughly enjoyed leading a new staff each semester, and meeting such incredible people,
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dear readers, As the Publisher of TITLE Magazine this semester, I’ve been given the pleasure of meeting some of the most talented students and creatives ever. The ability that the staff of TITLE has to work as a team in order to publish engaging, trend-following and aesthetically oriented material is unbelievable. There is no small role within the magazine - every designer, writer, stylist, etc., has something to say and the perfect platform to say it on. TITLE Magazine has given artistic minds alike the ideal space to create and collaborate. This issues’ theme, From The Screens, is the perfect opportunity for our staff to really dive into their creative abilities. From directors such as Scorsese, to Wes Anderson, there are ample inspirations to draw from. The aesthetics drawn from film culture are expansive and always evolving - something that I think our team did an excellent job of capturing. I am both humbled and honored to see the progress we’ve made in such a small amount of time. So, with that, I hope you enjoy this semester’s issue of TITLE, and find inspiration from film as we did! TITLE’s best wishes, Madeline Sterling
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On The Set of
a Stylist Desha Hurst
STYLE. CREATE. INFLUENCE. When we see magazines and photos from a red carpet, watch movies and music videos,and view runways, we are often fascinated with the glitz and glam. The models are dressed perfectly, carrying a unique aesthetic. Celebrities always look up to date on the latest trends.Whether these looks are great or a complete flop, there is a unique job behind all these creations. This unique job has the potential to make or break a celebrity or models look. This job also has the potential to start new trends from celebrities influence. This is the job of a stylist. Having the ability to constantly create amazing looks is a talent. That is why people hire stylists. Stylists work for fashion brands,
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fashion houses, and certain individuals. The main job of a stylist is to keep up with current trends for photo shoots, video shoots, movies, and individuals. Many stylists may also have to travel for this job. Stylists have to prepare props, monitor shoots and select or advise appropriate pieces for individuals or shoots. Being on set if you love what you do, can be amazing. One stylist, I am inspired by and constantly works on movie sets is Judianna Makovsky. After graduating from The Art Institute of Chicago and Yale Drama School and assisting a couple designers, she became the accredited costume designer for the movies
“Gardens of Stone” and “Big.” This later led her to become the costume designer for 21st Century films such as “Great Expectations,” “Pleasantville”, “The Legend of Bagger Vance,” “X-Men: The Last Stand,” “Harry Potter and the Sorcerer’s Stone” and “The Hunger Games” series. Makovsky’s most diverse and interesting costume work is in The Hunger Games films. Her process for picking costumes for the movie series The Hunger Games was really impressive. The variations of design based on class and working conditions made the movie feel less futuristic and more realistic to the present time.
In an article with Vogue, she said she viewed coal mines from the 1950s for inspiration for the District 12 of The Hunger Games. If you’ve seen the movie, you know the people of the capitol are hauntingly over the top. Makovsky insisted that these people be bright and colorful but without eyebrows to capture a sinister yet high fashion look. She drew inspiration for the capitol looks from the 1930s and 18th Century aesthetic. Her incredible genius made this film exciting to watch and relatable to the viewers. She is a perfect example of how a stylist can make or break a film or anything else that requires styling.
Photographer: Sophie Cahill Stylist: Desha Hurst Models: Desha Hurst, Ferrari Jones, Lanay Thorpe
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Photographer: Braden DeVine Stylists: Annemarie Fornatto, Juliana Yip-Ono Models: Elie Fermann, Ellie Greenberg, Alli Shears
THE LASTING LEGACY of Edith Head By: Emma Hodge
With a career spanning over 50 years – and a client list to match even the most extravagant modern atelier– Edith Head is easily one of the most prolific costume designers of the 20th century. Her work was truly emblematic of the mid 20th century’s aesthetic for women; structured, clean, and highly feminine. Though in fashion Head bent to conservative values, she was a trailblazer for the career woman. A sly businesswoman, Head understood that to advance she needed to be an assetand a woman has no greater asset than a friend. So, she became beloved by the Hollywood elite actresses; Mae West, Grace Kelly, Audrey Hepburn, and more. Head valued time with her clients, and in turn, they valued her. She had a knack for creating designs
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that not only fit the films, but that flattered her leading ladies and made them feel comfortable. She wanted them to shine. This work ethic made her a fan favorite and a trusted asset in the industry. Soon, actresses and directors alike began requesting Head by name. She had become Hollywood’s golden girl, in a beige suit. By her death in 1981 Edith Head had cemented herself in history. She was the first female head of a major picture studios’ costume department. The recipient of 35 Oscar nominations, and winner of best costume design eight times- a record yet to be beaten. She was a magnificent artist whose work is still being referenced in contemporary fashion and film. She is a Hollywood legend.
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by: Maddie Villines
The Designs That Made Us
The influence of television on young children has been a controversial topic for years. Normally, the conversation circles around violence and the negative impacts, but rarely considered are the positives. Competition reality shows are an increasingly popular genre that reaches a wide demographic. Project Runway and America’s Next Top Model shed light on what being a designer or model truly entails. The insight they provide into these industries could inspire young children into pursuing a career path they had never considered. I interviewed two DAAP Fashion Design students, Alexis Piascik, and Shaunessey DeRosa, about their experiences growing up with television. “What TV shows and movies inspire you in regards to fashion?” Alexis: When I was little I used to binge watch reality competition shows with my mom. Our favorite ones were Project Runway and America’s Next Top Model. Shaunessey: I loved any fashion TV show growing up. When it comes to Project Runway, I think that it shaped my passion for the industry from a young age. However, it became less of an aspiration to be just like the contestants as I got older. “Do shows like Project Runway accurately portray the fashion industry?” Alexis: I don’t think the show does the best job of accurately portraying the industry. I haven’t spent much time in the industry personally, but I feel that there is less restriction and pressure. Designers have more time to ideate, edit, and perfect a design to their liking. The show implies that the first thing you think of is what must be created, and everyone automatically knows how to do it perfectly.
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Shaunessey: Project Runway seems very controlled, and I think that all the challenges and judging can be very far from how the actual industry works. But, I can also see the parallels in different areas, for example, the concept definitely relates to how cutthroat and competitive the industry is. “What influence do you think TV and movies have on people when they are developing interests?” Alexis: TV and movie have a huge influence in developing interests. What you grow up watching is what you’re comfortable with, and desire to dedicate your time to. Shaunessey: We are so heavily saturated by the media, it is hard not to be influenced by the entertainment industry. In a way, we are all creatives working to get our art out there. I think that designers should use TV and movies as influences to see what inspires those creators and to allow themselves to get inspired. Photographer: Maddi Villines Stylist: Ashley Phillips Model: Emily Vaughn
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Photographer: Meesh Strauss Stylist: Draven Pena Models: Eric Kirner, Paige Robinson
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BREAKFAST AT
IHOP By: Jade Wilson
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Photographer: Shelbi Arens Stylist: Jade Wilson Models: Megan Huffman, Grace Weir, Maryam Nayha
Old Hollywood a period of celebration,
sophistication, and glamour. A time when Marilyn Monroe wrote love letters, Audrey Hepburn had her breakfast at Tiffany’s, and Grace Kelly became a princess. People idolized the Hollywood stars for their superior taste and unfathomable beauty. While the Hollywood icons had their scandals, they always remained classy in front of the cameras. That was a different time, it was a time without smartphones or social media, it was a time over half a century ago. When WWII came to an end, people wanted to rejoice. Families became more affluent and Hollywood became a scene of exquisite indulgence. Stars wore pearls or diamonds, Christian Doir dresses, and fur shawls. Their beauty regime consisted of a cat eye eyeliner,
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red lipstick, and a spritz of Chanel No. 5 perfume. Most American women wanted to be just like the celebrities, they copied their hair and makeup and wore dresses that highlighted their feminine form. Everyone wanted to be as refined as the princess of Monaco. The stars that emulated 1950s Hollywood glamour are remembered by their black and white photos and iconic on-screen characters, but the unglamorous side of their private lives was always hidden. Now in a social media-driven age, there is unlimited access to the lives of celebrities. Celebrities have the ability to be their own paparazzi, and they can share their own secrets and struggles if they choose too. Take a star like Bella Thorne, she is an excellent example of a millennial who is has utilized
Instagram to build her public image. While Grace Kelly would be appalled at Thorne’s Instagram feed, her use of social media exemplifies how modern stars don’t have to be perfect to be famous. It’s hard to pinpoint a specific style for modern Hollywood stars, since many celebrities strive to be different and start new trends. That said, athleisure has become a popular streetwear trend, but it lacks sophistication in comparison to pearls and a little black dress. In today’s world, there is no social standard to leave the house well dressed, so people leave the house in their pajamas.
like Elizabeth Taylor never had a bad day; considering she only showed herself to the public all dolled up, but surely there were times she didn’t feel as glamorous as she looked. Maybe today’s celebrities are a little more honest, they dress down because they don’t need to put on a fake face for the public. There is no way to determine if the demise of Old Hollywood glamour is for better or worse, but one thing is for sure; breakfast at Tiffany’s would cost at least grand or two. IHOP, on the other hand, has a 2x2x2 value meal with two pancakes, two eggs, plus bacon for just $6.97, and that’s some real glamour.
Has self-expression and the power of social media destroyed modern Hollywood, or was the glamour a facade all along? It may seem
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The Romance of the
1960s
by: Hannah Tucker
It’s heating up! Metaphorically of course. As the temperatures drop a little colder, there’s only one question on everyone’s mind“Be My Baby?” Contrary to the beautiful innocence of the 1964 song, the 1960s was an era of desire. Gone are the days of slow, woozy, romances. The tightness of the 1950s raised a rebellious teen, and the films of the decade reflected the same. Heating up the big screens: Movies such as “Valley of the Dolls,” “Bonnie and Clyde,” and “The Graduate.” These aren’t the soft, gooey, romances of the 1950s. They are tough, enthralling, vivid imagery about times a’changing. In “Valley of the Dolls,” a gritty romance about love and drugs in New York City. The female-centered cast gave us inspiration a la mode. It’s racy nature evoked by, not only the content but the short skirts and skin-baring silhouettes. In another bad-mannered romance, “Bonnie
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and Clyde,” we saw the audience’s desire for disruption. A modern day Romeo and Juliet, “Bonnie and Clyde” was exceptionally more sinister. The movie conveyed the real world story in a beautiful and telling way, perhaps inspiring couples in a don’t-try-thisat-home sort of way. Bonnie and Clyde are unassuming fashion icons. Indicative of the 1960s lower class, you won’t find gowns and prim pastel collars. It’s the 1960sdeconstructed.
And finally, in perhaps the gooiest of 1960s romances, “The Graduate.” Even with ups and ultimately downs, it’s an epic tale of love and lust. Stylistically, the film is a beautiful composition that perfectly encapsulates the 1960s (backed by an excellent soundtrack- Simon and Garfunkel). An upper-class society insinuating materialism, and its main character’s fight against them, prove well for our inspiration. It isn’t a film about socialites, which we’ve already addressed, it is perhaps the most ‘normal’ life evoked in the time. Interestingly enough, this normal life isn’t incredibly different from ours today (wardrobe included). The generation that brought heat to the movie screen, still impacts us today, as we embark on the romances of college. Ah. Young love.
Photographer: Gabi Barrera Stylist: Annabel Steenrod Models: Madilyn Shea, Rachel Mark
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DOCUMENTING ICONS by: olivia harless
Where can we easily access the world of fashion and designers in this day in time? The answerdocumentaries. There are tons of fashion-focused films capturing the reality of the fashion community. The difference between most movies and documentaries is that documentaries have the ability hone in on the authenticity and unique ways of fashion and the designers in the real world community. Take time to watch a documentary and you will realize there’s a lot to learn from these people, not just pertaining to fashion. Where there’s fashion there is Iris Apfel: Businesswoman, interior designer, and above allfashion icon. With her involvement in the fashion community, she developed an eclectic style for herself in which she paved the way to becoming the icon she is. If there’s anything to take away from her documentary “Iris”, it’s that there’s a difference between fashion and style. Iris expresses, “Fashion you can buy, but style- you possess. The key to style is learning who you are, which takes years. There’s no how-to roadmap to style. It’s about self-expression and, above all, attitude” (Apfel, 2014). This woman radiates originality. Very evidently throughout the documentary, she establishes a distinct image for herself through her use of eccentric colors, patterns, and high fashion.
Photographer: Matthew Hogan Stylist: Eleanor Fermann Model: Hayley Graham
Iris is an inspirational and engaging example of the intersection between fashion and art. Many other icons and influences in the fashion community show this to be relevant for themselves as well, and there is proof of this through documentaries. Aside from “Iris,” documentaries that dive into the minds and lives of famous fashion designers, include “The September Issue,” “Valentino: The Last Emperor,” and “Jeremy Scott: The People’s Designer.” Do yourself a favor and watch a fashion documentary or two. Get inspired, and begin your journey to finding yourself through style and self-expression.
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MATRIXANA
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Photographer: Elizabeth Carrigan Stylist: Paige Robinson Model: Liz Kurass
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FASHION MAKES THE FRIENDSHIP
By: Hannah Tucker
Throughout generations, it’s been clear that we love to watch friends interact on camera. So much so, that there is quite literally a show called “Friends.” Everyone knows and loves the show, awarding it a ten season runtime. If we break down the characters, it is a pretty eclectic mix. While Rachel did a whole lot of growing throughout the series, her style remained pretty consistent as a fashionable New Yorker working for Ralph Lauren. Her in and out (and ultimately in) partner Ross, was the opposite of Rachel. Ross was a smart paleontologist, often unlucky, and forever dateless until Rachel came into the picture. He was often seen in brown sweaters or jackets, further implementing his unlucky and often overlooked demeanor. If Ross had been styled like his friend Joey, it would’ve been a much less convincing character. Joey was an aspiring actor, had a regular rotation of female friends, and was a lovable goofball. His catchphrase: ‘How you doin?’ wouldn’t have attained so many overnight guests had he not been a good-looking, charismatic, guy. Joey was the most well-dressed male of the show, after all, he had gigs to land. Joey’s Roommate and castcomedian was Chandler. He spent the series exchanging witty banter and self-deprecating jokes. Chandler is regularly seen in dorky vests and shirts that were too big for him. When Chandler and Monica became a couple, his confidence improved significantly. Monica is always well put together. Her slight OCD patterns are reflected in her simple well-tailored wardrobe. And lastly, Phoebe is Monica’s polar opposite. Quirky and freespirited, Phoebe is a fun loving coffeehouse singer. Her style matches her personality: often wacky hairdos and admittedly strange color combinations.
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In another unlikely friendship, we look to “Glee.” Today, we don’t necessarily still have the stereotypical archetyping portrayed in “The Breakfast Club.” “Glee” looks at how these groups can weave together, becoming one to achieve a goal. Sound familiar? The show regularly changed characters, but consistently there was the jocks (Finn, Sam, Puck), a goth girl (Tina, and Quinn for a brief period), the cheerleaders (Santana, Quinn, Brittany), the artsy kids (Rachel and Kurt) and many more subgroups within. Much like how “Friends” characterized their cast, “Glee” did the same (with a slightly younger cast). The jocks wore varsity jackets, the cheerleaders their uniforms, the artsy kids a variety of colorful clothing-including far too many scarves. As the show goes on, its characterizing becomes far more diluted and the audience begins to see everyone as equals. However, the plotline had to be enforced in the beginning through the styling of its cast, in order to make its point.
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Photographer: Juliana Miwa Stylist: Laura Su Models: Maggie Caulfield, Rachel Haines, Nate Schuman, Laura Yoder
Last but certainly not least, the ultimate girl gang: “Sex and the City.” Set in Manhattan, the series follows four women in life and love. The leader of the pack, Carrie Bradshaw is a columnist writing about her romantic endeavors. The series is so much more, addressing pertinent topics of womanhood. Without their differences, the show just wouldn’t be the same. Carrie is always dressed well, through night out after night in her stylish outfits set her apart from the rest. Samantha, A PR shark, and selfproclaimed badass is always dressed in tightfitting clothing. She is the epitome of confidence and is always dressed as such. Charlotte comes from a well to do family, she is prim and proper, always the most naive. She’s never seen with a dress above the knee and wears her pearls like they’re attached to her neck. Miranda is a high profile lawyer, who lacks confidence and is frequently unlucky. If she isn’t wearing a brown suit (ergo Ross Geller) she is often seen in sweatpants. This diverse makeup is cause for a pretty dynamic girl gang. Our love for the group lasted 6 seasons, 2 movies, and a spinoff - ”The Carrie Diaries.” Even in a stereotype-busting society, we haven’t done away with the characterizing of
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actors on tv. For the audience to understand a plotline, the character must dress the part. Let’s face it, your favorite girl gang, or on-screen crew, wouldn’t be the same without the closets that come with them.
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Writers Stylists Designers Marketing Photographers Check out our website for spring applications. titlefashionmag.com/apply titlefashionmag.com • Fall 2018 • 41
WINE N’ DINE IN By: Jennave Traore
IT’S FRIDAY EVENING,
she slams her keys on the counter and kicks off her shoes in the middle of the living room floor. In one fluid movement, she leans back on the sofa with her feet propped up on the coffee table and the television remote in hand. She hits play on her favorite 90’s film, “House Party” and within seconds, she receives a phone call. She lets out an exhausted groan and lets the line ring for a few seconds before picking up. It’s Friday
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evening, and that means the university’s night scene is soon approaching. She sneaks a peek at her head to toe thrifted outfit that she wore to class. ‘If only I could pull this off,’ she ponders. Little does she know that with a swap of a few pieces, she can. Why change an entire outfit when it can simply be dressed up with a pair of white platforms or a choker? It’s possible to transition a 90’s outfit from daytime to nightlife in a classy way.
“ALL DRESSED UP AND NO PLACE TO GO.”
Photographer: Alison Sun Stylist: Cameryn Blake Models: Preeti Patel, Troy Brewer, Lauryn Baker, Cameron Calmeise
This look can even be achieved for staying in the house with a group of friends. Always dress as if you’re going somewhere better later. Call it “All Dressed Up and No Place to Go.” Going out of the house isn’t the only way to have a good time. There is such a thing as being a homebody and having the time of your life. That way, you can have a ‘dress up’ party by having a group of friends bring a variety of their favorite 90’s pieces.
Such as crop tops, overalls, and bodysuits. Once everyone is dressed to the nines in their best 90’s attire, you can set up a scene and snap photos. Show, don’t tell the story of how everyone broke it down in an epic dance battle.
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Photographer: Gabi Barrera Stylist: Tara Prabhu Models: Maria Beltsos, Griffin Christensen, Annie Concannon, Spencer Hersh
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I’VE GOT HOLLYWOOD IN MY CLOSET By: Brendan Prendergast
We gaze into our immensely filled closets but are continually convinced that we “We have nothing to wear. So, what do we do? We look for inspiration. Believe it “We or not, many of our fashion trends come from our favorite movies. We peep at what our favorite actors or actresses are wearing on screen and think to ourselves ‘I want that.’ No one knows what the next big fashion trend will be, or where it will come from; they come naturally on their own without being forced. We see it, we like it, we wear it. The same theory is true for what not to wear.
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look for look for
inspiration” inspiration”
A classic example of a time a movie influenced fashion trends is in the 1934 film “It Happened One Night” with Clark Gable and Claudette Colbert. At the time, it was socially unaccepted for men and women to stay overnight in the same bedroom if they were not married. In a particular scene, Gable and Colbert have to stay the night together in a hotel room. Gable hangs an ineffective divider in the middle of the room and then goes on a tangent about how men undress. While doing so, he gets undressed; starting with his sweater, then his tie and eventually taking off his white button-down shirt. At the time, it was very common for men to wear plain white shirts under their button-down shirts. When filming, Gable’s white undershirt kept getting in the way of his performance. So, he got rid of it. Viewers saw the cool, mysterious, and highly influential Clark Gable not wearing an undershirt, and it became the new fad. White t-shirt sales plummeted. After the bear-chested scene of Clark Gable, undershirt sales dropped 75 percent, according to newspapers in the 1930s.
We see it, we like it, we wear it. We see it, we like it, we wear it.
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“It reminded us of
s o m e t h i n g g r e a t. ”
“It reminded us of
s o m e t h i n g g r e a t. ”
“It reminded us of
s o m e t h i n g g r e a t. ”
“It reminded us of
s o m e t h i n g g r e a t. ”
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Moving forward to 1974, “The Great Gatsby” was released. Jim Amatulli, screenwriter, producer, director, and film professor at the University of Cincinnati, said the film took us back to the 1920s. The men wore loosely fitted suits while the women kept their hair short. If you go back and look at the 1970s style that was influenced by the film you will see men wearing baggy suit pants with wide legs and platform shoes, said Amatulli. Men would also wear wide lapels and wide ties with their professional attire. “It [was] the most ridiculous look you have ever seen,” he said. At the time, Amatulli was working in a corporation doing marketing and training and he noticed that men would wear 1920s influenced suits after the release of “The Great Gatsby.” “It was unbelievable to see these guys who wore Brooks Brothers suits with these outrageously wild clothes,” he said. Four years later another highly influential movie came out, “Grease.” “Grease,” starring John Travolta and Olivia Newton-John, is one of the most well-known musicals. Many of the fashion choices in the film bring back the 1950s American high school style. Throughout the film, we see tight fitted black t-shirts, rolled up blue jeans, leather pants, and bomber jackets. These clothes were popular during the 50s and were brought back to life in this 1978 musical film. Many of these fashion choices are still seen today on men and will most likely continue to inspire. “Grease” wiped the dust off the young American 50’s look and put it back on display for us. It reminded us of something great.
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Jumping towards the 1980s, Tom Cruise significantly saved Ray-Ban sunglasses from going out of business. Ray-Ban is a sunglasses company that was created in 1937 and did well for themselves until they suffered from a massive drop in sales around the 70’s. Ray-Ban was originally most known for their plastic Wayfarer frames but in the 1970s many people were wearing metal circle framed glasses because of John Lennon. In a last-minute attempt to save the business, Ray-Ban signed a product placement deal to get their product on the screen. In 1983, Cruise wore the Ray-Ban Wayfarers in “Risky Business” and sales shot up 50 percent, according to CBC radio. In 1986, Cruise appeared in another classic movie, “Top Gun,” wearing Aviator frames and sales increased an additional 40 percent, according to CBC radio. Lastly, in 1988, Cruise was often seen wearing Ray-Bans in his famous movie, “Rain Man.” It is safe to
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say that Tom Cruise was a highly influential film star who helped define the sunglasses fashion trend. People are constantly looking for new sparks to fire up their wardrobe. Film is a perfect media platform for people of all ages to seek inspiration. The only question is: what film will influence us next?
Photographer: Matthew Hogan Stylist: Matthew Hogan Model: Sam Thurman
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Overalls aren’t over By: Emily Daugherty The 90’s were a time for goth inspired choker necklaces, high top sneakers, and of course, all the denim your heart desires. Overalls seem to be back from the dead, whether you feel they’re back to haunt or inspire you. Some of the most popular 90’s TV show characters have participated in this trend, yet the evolution of overalls has grown tremendously in the past 30 years. Take a trip down memory lane and reflect on how this nostalgic trend has inspired some of today’s most fashion-forward looks. You may remember seeing Cher Horowitz in the TV show “Clueless” wearing baby pink overalls, paired with equally as pink sunglasses and a matching vintage neck scarf, or even Kelly Kapowski in “Saved by the Bell” in colorful, floral, one strapped overalls with all white sneakers. Remember Rachel from
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at all “Friends” in her classic denim overalls? And last but not least, Carrie Bradshaw in “Sex and the City” always looking fashion forward in her long pant overalls paired with a chic undershirt. When you look through magazines at the current trends, it’s clear to see that 90’s fashion has come full circle. Are you someone who finds themselves wearing your Mom’s clothes from ‘back in the day?’ Seeing as overalls are continually growing in popularity, they continue to evolve in regards to color, print, length, and the ways in which we style them. One way you can easily spice up your overalls is by pairing them with a belt. A stylish belt will definitely make your overalls stand out from the crowd. Another way to enhance your overall look is by accessorizing. You can never over accessorize, so throw on a few bracelets or
even a choker to complete your look. Or even take a risk and pair it with a short vintage neck scarf to help tie your outfit together. Another way to ensure you’re looking your best in overalls is by wearing the right shoes. Because overalls can be worn in various seasons, wearing the right shoes is crucial to
completing your look. Mules are fashionable yet comfortable for the fall and perfect for day or night. All white sneakers are also on trend and perfect for this season’s indecisive weather.
Photographer: Kelsie Jones Stylist: Kelsie Jones Model: Hanna Dus
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By: Maggy Mcdonel
Photographers: Zoe Zhou, Braden DeVine Stylist: Sam Iverson Models: Braden DeVine, Henry Lunn, Sydney Hansen, Cam Wanke, Juliette Wean
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Exhilarating energy erupts throughout The Esquire Theater as everyone-from the sequined-clad cast members to the nervous high schoolers-stand in the audience up and dances the Time Warp. The large light from the back is entirely blocked by people standing in the aisle and doing the pelvic thrust with complete strangers. Meanwhile, noisemakers shriek, toilet paper flies between the rows, and little regard is given to what is playing on the screen, as it is almost guaranteed every person in the audience knows the movie by heart. The local theater group, The Denton Affair has been performing shadow cast shows for “The Rocky Horror Picture Show” in Cincinnati since 1979, according to Anjali Alm-Basu, program coordinator, MC, and the actress that plays Columbia. Shadow casts perform a pantomimed version of the film in front of the screen, the style is relaxed, yet it is obvious the actors have put considerable work into these performances. The show has been performed every other Saturday at The Esquire Theater since the late 90’s, according
to Diane Janicki Operations manager for The Theater Management Corp, although at first, she could not think of when “Rocky” began showing at The Esquire stating, “we’ve been doing it so long we don’t even remember when it started.” Shows like the one at The Esquire have prolonged the popularity of the cult film that was initially released in 1975. A movie that still permeates the culture four decades after its release must be something extraordinary. “The Rocky Horror Picture Show” revolves around actor Tim Curry’s character Doctor Frank-N-Furter, a scientist, transvestite, alien from the planet Transylvania. The film is full of both wacky and “normal” characters, playing on the dichotomy of common culture versus counterculture. Although much of the movie makes little sense, unless considering it allegorically, the main focus is sex, singing, and straight-up strangeness. “The Rocky Horror Picture Show,” or “Rocky” as it is often referred to by the cast, gets its namesake from the character Rocky, a Frankensteins monster type character created by Dr. Frank-N-Furter. In the shadow cast Rocky, who in the film is a golden boy with
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mussels for brains, is played by a woman who prefers to be known as Jensen. Although she is a cis woman, Jensen plays up her femme side with golden spandex shorts and a sparkling golden bra. The atmosphere with the cast is relaxed but eager before the audience arrives. They exchange small talk and discuss which members will be missing because of a trip to New York for Comic-Con, or who is out for family emergencies. “I have been up since 5:15 in the morning because that’s when the kids go off the high school,” says the man who is known by Peter who plays Dr. Everett V. Scott. He is tall and has a big smile, and you can see how excited he is for the performance. He is wearing a t-shirt and jean but later on will be happily dancing up and down
the isles in fishnet stockings and underwear. “It’s our anniversary tonight,” says stagehand Andrew, who has been a part of the crew for three years. He gestures towards his wife, she smiles, happy to be a part of the festivities. The 30-minute preshow begins at 11:55 p.m. and people start to file in decked out in everything from bustiers, to laced-up corsets to t-shirts and jeans. “We’ve been here almost every other weekend since we started dating,” confesses a couple with matching bleach-blonde hair sitting in the front row, they have been dating for a year. In the front left corner, a group of terrified looking high schoolers is sporting rainbow flags and gay pride shirts, many are here supporting their virgin friends who are easily spotted by the bright red V’s on their foreheads.
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“Rocky Horror Picture Show” virgins are those who have yet to experience the show, and before the movie begins, they have to be “devirginized.” By this, they all get in a line at the front of the theater, turn around, bend over, and get spanked by Alm-Basu with a rubber chicken. Tonight, there is a special spanking for Andrew and his wife. As the film and performance begin and audience members explode in a ferocious deluge of callbacks and perfectly timed jokes, it is obvious that many audience participants know every single word of the movie. “Rocky” establishes its avant-garde style not only in the crazy plot and music but especially in the costume design. Although the shadow cast doesn’t have the budget of a Hollywood movie, they make do. Some of the costumes are easy to thrift but there are other pieces, like the character Columbia’s gold tailcoat cost at least $200 so the coat is shared among the cast members. Most of the cast at one point or another wears a corset, Alm-Basu, says that most of the cast buys cheap corsets from eBay and modifies them. The cast often gets together to help each other with their costumes because, as Alm-Basu says while some of the members are experienced seamstresses, others can barely glue on sequins. One of the most memorable looks in the
movie is Columbia’s blueand-white striped pajama set accessorized with Mickie Mouse-ear and heels. Alm-Basu pulls off this look perfectly. In 2004 she was a freshman fine arts major at U.C., and her roommate convinced her to join the Rocky cast, ever since she has been able to get out of her fashion comfort zone. Now when she contemplates wearing something that might be considered too “out there,” she says, “A lot of people in this city who I don’t know personally have seen me in my underwear, so I might as well wear this.” She now loves to experiment with fashion in any way she can. “When the Time Warp comes on, everyone get up and dance and if you don’t know the dance... well the movie tells you,” she says, knowing full well everyone unquestionably knows what to do.
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Photographer: Nicholas Flesch Stylists: Annemarie Fornatto, Juliana Yip-Ono Models: David Chang, Albert Oberst, Jennave Paris Traore
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Don’t You
(forget about these trends)
By Sophie Viox
Photographer: Celine Doute Stylist: Cassidy Poske Models: Emma Beck, Jackson Barnes, Ryan Shepherd, Sophie Viox, Jamie Moizzi, Jake Burgard
Photographer: Celine Doute Stylist: Cassidy Poske Models: Emma Beck
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Unless you live under a rock or didn’t have a childhood, then you’ve definitely seen the 1985 John Hughes classic “The Breakfast Club.” This movie is not only a cinematic masterpiece and an American classic, but it’s also given inspiration to many iconic trends that are still ubiquitous in men’s and women’s fashion today. “The Criminal” — John John, the film’s bad boy persona, whose unique style exemplifies countless trends we see everywhere in men’s fashion. Some of the character’s more noteworthy staples of includes combat boots, wide-legged pants, a plaid buttonup, topped with a distressed denim jacket. These pieces were beginning to pop up on the mainstream, but after the film’s debut, they became crucial an achieving that “I don’t care” look. “The Athlete” — Andrew Oversized letter jacket and dad jeans aside, Andrew is probably the least trendy of the bunch. Despite the basicness, he still managed to bring an iconic piece into the limelight — the white sneaker. I don’t care who you are, I know for a fact you, yourself own a pair. Boys and girls alike, this is a timeless addition to any outfit. “The Basketcase” — Allison I have one word for you: BLACK! The character’s strict mix of dark neutral colors and incorporation of oversized-everything is a trend that has lasted throughout the decades. While these trends have adapted since the movie’s release, you can thank Allison for popularizing your all-black look. Call it emo, goth, alternative, whatever; Allison is the OG inspiration. “The Princess” — Claire Arguably the film’s most renowned character, Claire introduces us to a trend that has absolutely exploded in recent years: a.k.a., the wrap skirt. Its certainly gotten a lot shorter over the years, definitely a far cry from Claire’s original below-the-knee look. Paired with a statement belt, this look is everything you need to be a “princess” in 2018. “The Brain” — Brian When I think of Brian, I think of one thing: the classic, black, wayfarer style sunglasses. And don’t tell me you don’t own a pair, because I know you do! Even though we’ve mostly strayed from the matte look, the wayfarer is an immortal sunglass essential. “The Breakfast Club” is a cult-classic, and its fashion has inspired and founded trends for 33 years and counting. So, the next time you slip on your immaculate (or probably grimy) white sneakers, or your favorite wayfarers, remember to thank your favorite detention-goers. Does that answer your question? Sincerely yours, TITLE Magazine.
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