Tobias Grumstrup Lund Øhrstrøm - portfolio 2015

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2015 MAA ARCHITECT // Tobias GRUMSTRUP LUND ØHRSTRØM

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CV - Curriculum Vitae EDUCATION

RELEVANT WORK Exp erience

2013-15 Master in Advanced Architecture IAAC - Institute of Advanced Architecture Catalonia

2015

With an Excellence in individual Master thesis IAAC 2015

2014 CLOUD 9 Enric Ruiz-Geli Project for FAB10

2006-10

Bachelor Architectural Engineering Danish Technical University DTU

2004-05 Photograph- and film manuscript Technical School in Tårnby 2001-04 High school Mathematics line Herlev Gymnasium

Tobias Grumstrup Lund Øhrstrøm MAA Architect Carrer del Bou de Sant pere 5, 2-1 08003 Barcelona Spain tlf.: +34 722 505 159

S.O.L.C.O (Italian NGO) Waterproject in Guinea Bissau Assembly in september 2015

2009 - 2014 Tøgern Arkitekter ApS Full-time job as an Architect www.togern.dk Contact Rasmus Tøgern Phone: +45 39310580 togern@togern.dk 2009 Anders Jensen Industrial Designers Part time job 3D-renderings 2008 EE-Architects Fulltime internship Contact Lotte Elkiær Phone: +45 40 88 31 29 lotte@ee-arkitekter.dk 2004-06 NNEPHARMAPLAN A/S Full-time Job as an a Project Assistant


Competency profile

PROFESSIONAL PROJECTS

AWARDS & PUBLICATIONS

Drawing and visualisation

Examples of project skills: 2015 LLUM 2015 Light-installations for LLUM 2015, Barcelona Main concepts and fabrication Visualizations

Awards

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AutoCAD Revit (BIM) Rhino Grasshopper Keyshot

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Adobe Adobe Adobe Adobe Adobe Adobe

Illustrator Photoshop InDesign After Effect Premiere Dreamweaver

Environmental analysis - Ecotect - IESVE - daylight simulations - Ladybug (grasshopper) Project experience All stages of executing a project as: - Sketching - Main projects. Detailing a project - Building site managing - Descriptive offer/tender lists - EU Public Procurement / public contracts - Workshops users Language skills -

English - good written and spoken English Spanish - moderate German - beginner Swedish - beginner

2012 Preservation and transformation - Danish brick house from 1955 Lead Architect Sketches and visualisations Main-project Descriptive offer/tender lists Economy Building site managing 2009-2011 New healthcare center Main-projects and EU Public Procurement Designing furnitures and furnishing the whole building New penthouse apartments Sketches and visualisations Main project Building site managing 2010 Urban sports activities at a parking area Sketches and visualisations Main project Building site managing 2008 New housing L-houses Sketches and visualisations Main project

BIO-CONCRETION Excellence in individual master thesis IAAC 2015 Assigned by Dr. Marcos Cruz, Bartlett UCL Publications NUBULAR STEDEBOUW & ARCHITECTUUR Magazine from Netherlands Innovatiecatalogus 2015, page 74-77 written by J.B. da Conceicao van Nieuwenhuizen



IAAC PROJECTS

2013-2015


BIO-CONCRETION

project name BIO-CONCRETION done at IAAC 2015 - INDIVIUEL Master thesis Tutor Dr. Marcos Cruz Bartlett UCL interfaces Grasshopper Rhino ECOTECT Keyshot

New interpretation of concretion with seagrass

The buildings are responsible for the biggest global emissions of greenhouse gasses . This partially because the building sector is based on static dead materials, which are accumulation greenhouse gases instead of absorbing them as the living nature can. The thesis deal with how the present architecture fully can be a host for the nature using organic materials resulting in a living architecture. The research is based on the organic material seagrass, which has been used as a traditional roof material at the small island LÌsø in Denmark for over 300 years. The ancient seagrass roofs are based on manual work and have no noticeable connection to our contemporary digital age. The project will use computational design tools together with logics from bio-mimicry to introduce a new sustainable way to construct living roofs with seagrass which can host the nature. The seagrass serve several functions for the existing roofs; insulation, weather protection and as fertilizer for growing plants. The result is a heavy massive roof which has its own living ecology. This

timeline of grace

1 GRACE CHANGING THE ORIGINAL DESIGN LANGUAGE A study in hairstyles has grounded the existing type of design language for the 300 years old tradition of building with seagrass in Denmark. A new language is proposed. A new more complex and environmental, parametric and light.

1960


ancient construction method has four main disadvantages I will focus on: 1) Aesthetic. Harsh and subjective “ugly” looking appearance. • I will study how the seagrass can be used in a different manner to get a more appealing appearance in a contemporary context. This part will be based on computational form finding, but will also look into morphogenesis, geometrical patterns and physical prototyping as a tool to find appropriate shapes and forms. Theory from scientific papers and theory in bio-materials will ground the proposals, which are suitable for the properties of the material. 2) Material usage and limited inclinations. A big quantity of seagrass is used to make the roof water proof and the existing roofs only work with an inclination between 30-45 degrees. • Research and theory based on bio-mimicry and environmental analysis will be the base to de-

1980

sign a system to make a more efficient section of a new roof typology for seagrass, which also can be functional in different inclinations. 3) Inhabitable spaces. The roof structure is 100% closed and for example no daylight enters so the attic only serves as an inhabitable space. • I will aim to change the function of the roof-system to be a habitable space. 4) Unintended ecology. The small ecology of plants grown on the roofs are not controlled or optimized. • For a seagrass roof to be a even more appealing sustainable alternative to traditional structures, the ability to grow vegetation in the material needs to be more present in the design. These are the main challenges and drivers, as I will call strategies for Grace, Concretion, Habitat and Ecology to design an alternative to conventional static building materials.

1990

PrESENT VISION


2 Concretion Optimizing the material FOR A NEW DESIGN LANGUAGE

To find a new language for the seagrass there has been a parallel track of digital modelling and physical tests. The physical test to show the limits of the material and the digital to challenge the material in new ways based on digital fabrication rather than slow manual labour as the traditional houses. The first months of the research has been based on material and digital testing. The research showed that there where 5 different behaviours how to deal with the seagrass: Compressing interlocking Weaving Binding Glueing These different way to control the seagrass has each different characters and benefits. To conclude the investigation a catalogue has been made. This catalogue is the base, how to layering the seagrass into a new system.

Physical tests


Digital tests


3 ecology DESIGNING A NEW ROOF SYSTEM BASED ON THE FUR OF THE SEA OTTER

To optimize the distribution of the fibers of the seagrass different systems from the nature has been researched. The sea otter has a quite interesting fur, because the animal keeps the fur dry even in water. The fur is based on 3 layers; Guard hair, underfur and blubber. The guard hair leads the water in local direction while the underfur is so dense, so it traps air inside the fibers and leads the water away in the fastest direction. The blubbers is the last insulation.


SOUTH

NORTH

LOCAL DIRECTION

SOUTH

NORTH

LOCAL DIRECTION

GLOBAL DIRECTION GLOBAL DIRECTION

Ventilation

DRAIN with concretion Ventilation

STATIC STATIC

SEAGRASS FUR

OTTER FUR CLICK HERE WATCH VIDEO CLICK HERE TOTO WATCH VIDEO

water flow

low density

high density

1800 mm

water flow

LAYERS

FIBER DIRECTIONS

PROTOTYPE 1200 mm


N

1

New terminal

4 habitat APPLYING THE LANGUAGE in a traditional context

4 Boat community

2 3

5

Ferry

The local resource of seagrass is important to find out, where the system can be applied.

is a Bogø, which is a small island i the middle of the land.

In Spain the seagrass is regulated by law and all usage of the material is illegal caused by the decreasing amount of the material.

A new proposal is made for a new terminal for the local ferry at Bogø. The building as well serves as a café and dock office.

In the northern part of europe the seagrass is much more present and are increasing in growth. That is a sign of a healthy sea.

The language of the house is a mix of traditional danish contemporary harbor wood architecture and a more complex and organic language learned from the nature.

Boat bridge

Therefor it is obvious to bring the tradition of seagrass back to Denmark, but now with a new language. The best area for harvesting the seagrass

The building is growing from the sea and into a new landscape. The roof of the house has three different important layers: Guard, undefur and blubber.

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Industry

en

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1 traditional house

2 difference in heights

3 cantilevering

4 opening for wind

5 creating ports

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bo


solar radiation

nd

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wind

1

GUARD LAYER Guided layer of loose seagrass and molted seagrass. Drain path according to slope angle and solar radiation.

2

UNDERFUR LAYER High density of molted seagrass. Drain path according to the fastest way to the gutter.

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3

BLUBBER LAYER Insulation pillows serves as the visible sealing.

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NUBULAR

New typology for lightweight structures with fabric

project name done at interfaces

NUBULAR IAAC 2014 - group Grasshopper/Rhino

SOFT MATERIAL AS STRUCTURAL TRUSSSYSTEM. The Nubular lightweight structure is an exploration into an injection-based architecture. A homogeneous building material, in this case a perforated PVC skin, is used to create tubes of custom lengths and angles, which are then filled with one’s material of choice depending on the chosen tube’s position within the overall structure. Given that the material filling is a key parameter in the behavior of the elements, several tests were carried out to identify the optimal fillings and member lengths to avoid buckling. The bottom most members are filled with a soil and sawdust combination while the top is composed of lighter foam balls. Each tube length is split into 3 with a maximum part length of around 800mm and allowing for 50mm flat connection gaps in between and on the ends. The overall shape was designed in Grasshopper using the Hoopsnake plug-in. A original tetrahedron shape is drawn and hence follows the path of an arched curve, turning and repositioning itself in the process from the start of the path to the end. After this process, the geometry was manually pulled to the ground plane and specific 3-piece curves were extracted and drawn to ensure they stay under the 800mm limit. Each of these curves was separated as a layer and with lengths fed into another definition to directly produce laser cut files which included labels and welding line engravings.

CLICK HERE TO WATCH VIDEO

The fabrication process took about 3 full days. 78 custom lengths were laser cut, welded, filled, and holed at the junctions for connections with zip-ties. Construction took around 10 hours, as we constantly referred to the digital model to identify exact angles and connections of each length to the next. Ultimately the structure was a success and we learned a lot about the structural capabilities during the construction process. In parts where our soil/sawdust combination was weaker or poorly packed we noticed much more buckling, while the foam was stable for the most part given its very low weight. Future constructions could benefit from digital structural analyses to clearly identify weight/strength ratios of different materials in different locations of the structure and to remove redundant members while adding ones where needed most. The implications for such architectural systems are vast, however; as the tube skin can accommodate for any desired material injection, dependant on one’s exact design.


FAMILIES

JOINT SOIL

+ SE EDS

FAMILY DISTRIBUTION

FAMILIES IN HEIGHT

WEIGHT

PLANTS

SAW

DUST

STYR

OFO AM B ALLS


KATA PROJECT

project name KATA PROJECT done at IAAC 2014 - group Selfsufficient buildings TUTOR Enric ruiz-geli interfaces Grasshopper/Rhino

Retrofitting Mongolia and farming methane

A deep layer of frozen biomass, permafrost, has been releasing unimaginably large quantities of methane gas into the atmosphere predominantly in the northern hemisphere. The immediate consequences are: air poisoning and diminishing biodiversity. While this issue has started getting attention in the Arctic circle of Siberia with a perspective on the melting glaciers, there are territories far more south where methane gas has been having a drastic effect on the lives of nomads - Mongolia. If addressed immediately, this problem might be alleviated and furthermore, turned into an endless source of renewable energy. Leaving the potent Methane Bomb unresolved, may lead to the repeated historical events - cataclysmic extinctions that scoured Earth 200 million years ago. Kata project _The Game of Methane - a comprehensive response to the methane crises currently riveting Mongolian lands.

methane airport city methane research CLICK HERE TO WATCH VIDEO trailer

CLICK HERE TO WATCH VIDEO model


The main pillars of the project are: Methane extraction_using trees instead of man-made machinery and pipes to extract the gas from the depths of permafrost. Mongolian lands are home to biologically preconditioned methane digestive trees, which absorb the gas through their roots and pass it into the atmosphere. Trapping methane_methane particles have a tendency to repel from each other and only attach to metal molecules due to the high volatility factor of the gas. Nanofabric is an extremely lightweight aluminum alloy based material, enriched with zeolites, that will allow methane molecules to attach to its surface. The chemical process is called ‘gas packing’. Once methane is translated into a mere layer of particles on a provided surface, it can also be rearranged into a different

chemical formula. Enriched with zeolites, methane obtains an additional atomic mass, thus becoming a finite sand-like substance that is too heavy to travel into the atmosphere. In such a way an unpredictable gas becomes tangible and easy to store and transport.

3) shape memory polymer, enriched with zeolites, is poured into the newly formed cavity. This injection-based construction technique is allowing for safe gas storage for prolonged periods of time, as well as serving as structural reinforcement of the unstable porous soils.

Transporting methane_methane collecting b-drones are a part of the transportation system of KATA. Several drone typologies have been designed to collect, relocate to storage facilities and to deliver collected gas to the research and development centres.

Methane research_if methane is of 60% purity, it can be used as energy instantaneously or stored for later applications at the methane airport. If the gas contains more than 40% of other volatile particles, it will be transported to the research centre, where research in purification technologies will be conducted.

Storage of methane_from the b-drone’s trunk to the energy collector - airport. The assembly of the airport predefines its form: 1) methane pockets are located in the upper layers of soil. 2) porous rubber-based material is injected into the ground, fully encapsulating floating gas.

Methane as energy_Locally extracted clean burning gas will be delivered to the nomadic settlements and to numerous energy deprived Mongolian towns by the b-drones

trapped methane

methane transport methane farming

nomadic shelter

nomadic community

nomads spreading system

methane in permafrost


Trapping methane_methane particles have a tendency to repel from each other and only attach to metal molecules due to the high volatility factor of the gas. Nanofabric is an extremely lightweight aluminium alloy based material, enriched with zeolites, that will allow methane molecules to attach to its surface. The chemical process is called ‘gas packing’. Once methane is translat-

ed into a mere layer of particles on a provided surface, it can also be rearranged into a different chemical formula. Enriched with zeolites, methane obtains an additional atomic mass, thus becoming a finite sand-like substance that is too heavy to travel into the atmosphere. In such a way an unpredictable gas becomes tangible and easy to store and transport.

Methane extraction_using trees instead of man-made machinery and pipes to extract the gas from the depths of permafrost. Mongolian lands are home to biologically preconditioned methane digestive trees, which absorb the gas through their roots and pass it into the atmosphere.



Methane research_if methane is of 60% purity, it can be used as energy instantaneously or stored for later applications at the methane airport. If the gas contains more than 40% of other volatile particles, it will be transported to the research centre, where research in purification technologies will be conducted.


LEVEL 00 Research

EDUCATION

LEVEL 01

LABoratory


Transporting methane_methane collecting b-drones are a part of the transportation system of KATA. Several drone typologies have been designed to collect, relocate to storage facilities and to deliver collected gas to the research and development centres.


Storage of methane_from the b-drone’s trunk to the energy collector - airport. The assembly of the airport predefines its form: 1) methane pockets are located in the upper layers of soil. 2) porous rubber-based material is injected into the ground, fully encapsulating floating gas. 3) shape memory polymer, enriched with zeolites, is poured into the newly formed cavity. This injection-based construction technique is allowing for safe gas storage for prolonged periods of time, as well as serving as structural reinforcement of the unstable porous soils.


VIBRATION FORREST

project name done at interfaces

Vibration pavilion for Santiago de Compostela

FOREST PAVILION IAAC 2014 - group Grasshopper/Rhino

VIBRATION ARCHITECTURE The Forest Vibrations pavilion is based on a few key concepts related to physics, geometry, and space. There are two main outputs from the resulting proposal; first is the translation and amplification of everyday sounds of the city of Santiago de Compostela, and second is the visualization of audible sounds through their vibration within materials. The result is an instrument which outputs a sensory experience to its users through he use of an articulated roof structure. As frequencies are translated from the city, the dynamic space changes both through the disrupted perspectives of its users as well as the physical properties which are exhibited in materials when they undergo stress from vibration. ’If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.’ - Nikolas Tesla From the outside, the pavilion is an alien. It is at odds with the environment in both its materiality and immaterial exhibited properties. The gridded distribution of vertical members inside the space simultaneously offer porosity and density depending on the viewer’s perspective, and conceptually reflect the behavior of a ‘cloud’ or forest. The material mirrors its surroundings, creating an oneiric ‘dreamscape’ through a distortion of the sky, the forest and the horizon

110 hz 95 hz 75 hz 55 hz 35 hz

CLICK HERE TO WATCH VIDEO

5 DIFFERENT LENGHTS DEFINED BY ROOF


test model 1:5

EMPTY PAVILION

MOVEMENTS ABSORBED IN FLOOR


ATMO #01

1st prize in competition for a Selfsufficient house for Torré Baró, Barcelona

project name ATMO done at IAAC 2014 - group interfaces Grasshopper Rhino ECOTECT

SELF-SUFFICIENT BREATHING SKIN ARCHITECTURE The initial design decisions started from the limitation of the site, defined both by urban legislation and by natural existing elements. These limitations composed the “negative space” - the surface in the 3d space that the future building does not touch. After several solar analysis, the most shaded areas were added to the negative space. The spatial evolution of the design followed the parameters of light, heat and efficient space distribution, as well as minimal surface touching the ground. The skin followed the same logics but in parallel it suffered optimizations for improved solar gain. The skin split into one passive protective skin that follows the logics and activities of the house and one active skin that follows the sun path. The result is an atmospheric house which can change during the season with the passive textile skin and the active energy producing skin. During the summer the skin expands releasing a greater ventilation. During the the building is contracting to decrease heated area and keep the wamth inside. The active skin is shading during the summer and producing electricity through flexible PV-panels. In winter the skin is anglered to let passive sun heat reach the passive skin to heat the house up.

CLICK HERE TO WATCH VIDEO





ATMO #02

1st prize in competition for a Selfsufficient house for Torr茅 Bar贸, Barcelona

project name ATMO done at IAAC 2014 - group interfaces Grasshopper Rhino ECOTECT

The use of local materials for its construction, considering local materials the ones coming from Colllserola park (wool, woods and local plats), Barcelona and Catalonia). The energetic self sufficiency, based on one side on the reduction of the electric consumption (thanks to passive systems or more efficient strategies) and on the other side on the self production of the energy needed. The social activation, proposing the development of activities and environments that are able to offer a service to the community as well as to enhance its identity. The whole of the the self sufficient house is thought out with locality in mind, from structure to skin to necessary resources. The structure of the building is made out of local wood from the nearby Colserolla park, processed with the help of the Valdaura Fablab. Colserolla is also rich in wool from the sheep herding in the area, wool that becomes part of the building by taking the role of the insulation layer, not only in the outer skin, but also in the separating walls of the living units. Its mission is not only to insulate, but due to its texture, it also allows translucency, thus not only keeping the comfort levels within range, but also allowing light inside without the sacrifice of privacy

CLICK HERE TO WATCH VIDEO


Wooden structure

Light Weight Boxes

ACTIVE SKIN

Organic photovoltaics Effiencency 12%

Solarheating pipes ø8

Panels: 23 Area: 155sqm Effiency: 12% Production: 21626 kWh/year

Woolen Skin

Active Skin

House


chronology

10-27 Mariendalsvej 38 10-28 Hornevej 7 - 9 10-29 Stolpegårdsvej 2009 Lanterne housene 2009 Bæredygtig byplanlægning 10-29 Charlottenlundvej 10-29 Broholmsalle Ryomgaard 10-30 Søgårdsskolen 2009 Metropolzonen 10-31 Stengade 18 10-32 Refshaleøen Beach Volley 10-33 Bachersmindevej 5 B TØGERN ARKITEKTER 10-34 Ny Adelgade 3 10-35 Strandgade 4 A 09-08 Indertoften 10 10-36 Lærkevænget 5 09-11 Global Connect 10-38 Landskronagade 74 09-13 Nørrebrohallen, solceller 10-39 Nørrebrohallen, hal 3 09-14 KBS Valby, ombygning 10-40 Nørrebrogade 120 09-17 Lille Strandstræde 20, 4.tv Kronprinsensgade 7 10-01 ARI Gammel Køge Landevej 10-41 10-42 Hambros Allé 4 10-05 H.A. Clausensvej 7 10-45 Falkonergaardens 10-07 Munkebjergvej 114 10-48 Kildevældsskolen 10-09 Kultorvet 15 11-01 Vesterbrogade 81 10-10 Bplus 11-02 Nørrebrohallen, hal 1 10-12 Flyvestation Aalborg 11-13 Boldfællederne, omklædning 10-13 Nørre Allé 7 11-15 Ørseunds Allé 55 10-14 Center for Borgerservice 11-16 Gulborgvej 25 - 27 10-16 Rammeaftale KK 11-17 Dronningens Tværgade 8 10-19 Jons Kapelvej 2 11-19 KBS Sundby 10-21 Grøndal Centret P-plads 11-20 Bregnerødgård 10-22 Sundby Kajakklub 11-21 Sky Roller 10-23 Mariakirken, knæfald 11-23 Bag Elefanterne 10-25 Frederiksborggade 38 11-28 Stormgade 5 10-26 Herredsåsen EE-ARCHITECTS

11-29 Hovedgaden 22 11-32 Skrænte-sødalen 11-32 Mosegårdsvej 11-35 Jemtelandsgade 3 11-36 Jernbanegade 1 11-37 Jernbanegade 2 C 11-38 Genforeningspladsen 11-41 Niels Bohrs Vej 19 11-42 Ørstedsvej 11-43 Lille Strandstræde 20 11-44 Kultorvet 13C 11-45 Skoleholdervej 93 12-02 Poppel Alle 20 12-03 Øbro-Hallen 12-07 Rismosevej 10B 12-08 Christian Richardtsvej 6 12-09 Stolpegårdsvej 21-43 12-11 MURO 12-12 Hørskætten 5, hal 11 12-12 GlobalConnect 12-13 Strandlodsvej 67 12-14 Lundehusskolen 12-22 Reception 12-23 Sankt Annæ Plads 12-24 Jobcentre 12-25 Lille Istedgade 2 12-26 Maglegårds Allé 11 12-27 Lille Strandstræde 20 12-29 Svanemøllehallen 12-31 Søvænget 5

12-32 12-39 13-07 13-42 13-45 14-06 14-13

Søndre Tangvej Hornevej 7 - 9 Klarahus Ibstrup Rideskole Mimersgade 43-49 A.P. Møllers Allé 39 Global Connect

TOBIAS LUND ØHRSTRØM 2012 Poppel Allé 20, renovation 2014 Poppel Allé 20, extension 2015 Rollercoaster, Bakken 2015 Daylight, Environmental analysis for factory in Romania IAAC 2014 2015

BCN Reset - pavilion Second phase Torre Baró

CLOUD9 2014

Cloud for FAB10


SELECTED PROFESSIONAL PROJECTS 2009-2015



INSTALLATIONS

2010-2015


Luminescent rain Aurelias endless tears, LLUM barcelona 2015

project name done at interfaces

LLUM IAAC 2015 - group Grasshopper/Rhino

LIGHT INSTALLATION The intimacy of the existing courtyard, located at Carrer de Santa Llúcia, 1, its distinctive elements, among which the lovers palm tree and fountain, as well as the well-known tale of the Saint Eulalia, together fed the concept of Pluja de Llum. The concept of the installation follows a mixture of the elements of the tale of Santa Eulalia, in particular her tears, transforming these into a conceptual rain. A luminescent rain, a rain of light, emanating from one of the protagonists of the courtyard, the palm tree. When entering the courtyard, the visitor is not fully made aware of the scenography that the courtyard beholds. The internal patio area is seamed off, leaving the visitor to meander through the porch of the courtyard, and being able to perceive, through a series of small holes in the sealing of the interior patio, or snapshots, what is in fact happening: the luminescent rain falling from the central palm. The visitor is then called upon reach up to the superior level of the patio, through a sound interaction system, defining the intensity of the light, and finally opening them to the infinite rain of the courtyard. The visitors look down upon the luminescent rain, into an apparently infinite well – reminiscing the existing fountain -, the courtyard itself, transformed through the implementation of a reflective surface – water flooding the ground floor of the patio – making the patio finally seem never ending through the infinite reflection, as the rain of light itself. Hence Pluja de Llum – or luminescent rain – proposes itself as the dialogue between the intimacy of the existing courtyard, as the tears of a young girl, and the proposed infinity that emerges, reflecting the perseverance of the tale of Santa Eulalia, and finally the festivities invoked by the BCN Llum 2015 festival.

CLICK HERE TO WATCH VIDEO


SCREAM amplifIES light // PAIN AMPLIFIES TEARS


reMOVE

Light installations for Roskilde festival and Co2penhagen 2009

project name done at interfaces

remove dtu 2009 - group autocad

A student project done for the Co2penhagen 2009. The task was to make sculptures/ structures which could mark the entrances and the information area at the first co2 neutral music festival in the world. It was important that the sculptures would make a clear sustainable statement. The project then focused on transportation and reusing of building materials and entire building structures. Building materials are today transported across the world and large amounts become garbage after use. The structures should represents a vision of sustainable life for buildings before and after use. In the future different transport demands could be integrated in the infrastructure, so that one day building materials and pupils could take the bus together in the morning. Concept Rules for the sculptures: 1. Moveable with bus 2. Flexible building system 3. constructed by unprofessional 3. Light, strong, sustainable materials 4. implementing textiles and lights 5. Big volume and less materials




PRESERVATION & TRANSFORMATION

2010-2015


KVARTERHUSET, ENTRANCE Tøgern Arkitekter ApS, 2011, Denmark

project name JEMTELANDSGADE done at TØGERN ARKITEKT 2010 interfaces autocad rEVIT The studio has outlined, designed and led construction management for a new entrance building to famous library “Kvarterhuset” in Sundby, Copenhagen. Due to lack of visibility of the existing entrance and bad working environment drafts caused by wind, users and employees found it necessary to replace the existing entrance. The new entrance fits into the existing rhythm in the south facade. The new entrance is formally a bay window which is extended out on the path. The entrance will be covered with expanded metal - anodized aluminum. This should give entrance a robustness and visibility, which has been a major need from the clients side. The metals glow is complementing the larch tree. The expanded metal gives a surden texture and detail that will change the character of the entrance the closer you approach the entrance from Jemtelandsgade.


Grønt tag TOGERN@TOGERN.DK

sagsnr

Strækmetal bukket rundt om hjørne

11-35 sagsnavn

Jemtelandsgade 3

4 mm Contenstålsplade Monteret på eks. træsøjle Med 40 mm udhæng ved bukket cortenstålsplade.

bygherre

MAIL

Kvarterhuset

2400

adresse

Jemtelandsgade 3

TLF 3931 0580

230

300

matrikel nr

1572 Sundbyøster

FAX 3931 0587

byg nr

Vindfang

Kant i cortenstål som eksisterende

fase

2730

1264 KØBENHAVN K

Hovedprojekt

udf af

STORE KONGENSGADE 75 B

TP udf dato

9. marts 2012 1000

1000

1000

rev udf af

TP Strækmetal

rev dato

MAA + DANSKE ARK

14. juni 2012 kontrol

mål

TØGERN ARKITEKTER APS

2700

Dørtryk 2400

3370

RT

1:100 format

Kant i cortenstål

165

300

165

A3 emne

Kant i cortenstål

OBS: Alle mål er vejledende. Entreprenør kontrollerer selv målene på stedet.

Opstalter

tegningsnr

1135-N-OPST-a

rev

A


PENTHOUSES

Tøgern Arkitekter ApS, 2010, Denmark

project name frederiksborgsgade done at TØGERN ARKITEKT 2010 interfaces autocad rEVIT On Frederiksborggade in Copenhagen three new modern penthouses are designed for Thylander properties and were finished in 2012. The design of the apartments are adapted to existing architecture and Penthouse Apartment appears with charming authentic spaces with exposed rafters and odd angles. Each apartment has access to its own private roof terrace via an internal steel staircase, which will appear as a sculptural room divider between the kitchen and dining area. Towards Frederiksborggade and Nørre Farimagsgade are 15 new kviste established in a new roof, to give the apartments a good daylight and views over Copenhagen. The apartments are also equipped with new skylights and special designed pyramids of glass that connects the apartment with roof terrace.


196

1070

Køkken 3

Bagtrappe B

299

Værelse 3

Lejlighed 3, 119 m ² 368

340

Ovenlysvinduer

150

Opholdsrum 3

510

Toilet/ bad 3 VM TT

372

Soveværelse 3 Entré 3

Lejlighed 3 Bruttoareal 119 m ² Lejlighed 3

450

Lejlighed 2

Lejlighed 2 Lejlighed 2 Bruttoareal 107 m ²

253

Hovedtrappe B

Lejlighed 3

Værelse 2

766 Lejlighed 2, 107 m ²

182

Entré 2

d 2

jlig

Køkken 2

d

he

240

Le

he

jlig

Le

290

649

1

1 12

Opholdsrum 2

44

0

12

1

VM T T

Entré 1

Soveværelse 2

3

Toilet/ bad 1

3

21

21

257

0

0 13

VM T T

0 44

300

13

170

Toilet/ bad 2

21 7

Bagtrappe A

Køkken 1

36

0

Hovedtrappe A

35 0

35

0

Lejlighed 1, 119 m ² 840

Soveværelse 1

Le he

jlig

7

2

d 1

Lejlighed 1 Bruttoareal 119 m ²

he

655

jlig

260

d

Le

21

490

0

36

Opholdsrum 1

Værelse 1

OBS:

Alle mål på tegningen er vejledende og kan afv

Anførte arealer er udført af landmåler efter ud

0

1m


MARIAKIRKEN Renovation and new furnitures

project name MARIAKIRKEN done at TĂ˜GERN ARKITEKT 2010 interfaces autocad rEVIT The old church of Mariakirken is dealing with different users from children, to criminals and to normal people coming to church every Sunday. To embrace this diversity the church has to be flexible. I have designed a new system of kneeling furnitures, which can adapt to the purpose of the ceremony. The project also dealt with a complete renovation of the choir and renovating existing furnitures. New tiles has been found to integrate with the old ones.


Forslag til mobile knæfald Planudsnit

Planudsnit

Planudsnit

Ved nadver

Ved nadver

Ved børnegudstjeneste

Ved vielser

TOGERN@TOGERN.DK

Planudsnit

sagsnr

10-23 sagsnavn

MAIL

Mariakirken Knæfald

TLF 3931 0580

bygherre

Mariakirken adresse

Istedgade 20

FAX 3931 0587

matrikel nr

byg nr

-

1264 KØBENHAVN K

fase

Dispositionsforslag

Ved børnegudstjeneste

Ved vielser

TP udf dato

03-09-10 rev udf af

TP rev dato

kontrol

MAA + DANSKE ARK

06-09-10

8

8

RT

mål

1:100

Håndliste/nadverbakke lakeret egetræ

format

A3 emne

Planudsnit - Mobilt knæfald

tegningsnr

rev

TØGERNARKITEKTER APS

Planudsnit

STORE KONGENSGADE 75 B

udf af

Planudsnit

320

60

40

A

1023-N-PLAN-KNÆFALD-a

Inkl. monterbar bolt.

880

Scepter fladstål 40x8 mm Lakeret i RAL 7010

sag

102

Vinkel beslag: Til montering på fastmonterede spændeskiver, så knæfaldene kan stå i vinkelret formation. Lakeret i RAL 7010

Alle kanter brækkes

600

Spændeskive Rustfri fastmonteret spændeskive Ø8

OBS: Alt synligt stål lakeres i RAL 7010 (ex. spændeskive)

sag

Ma

byg

Montering på knæfaldets bagside

Mar

adre

Hynde: Skum m. 320 nm hårdhed iht. aftale med Horsens Polstring tyndt vatlag under tekstil

Iste

mat

Tekstil: Kjellerup Væveri Gul Blans 01-110 Design Hanne Vedel

-

380

byg

Hov

40

40

Spændeskive Rustfri fastmonteret spændeskive Ø8

280

10

Lakeret i RAL 7010 stålplade under hynde

19

342

20

56

Hov 38

19

75

fase

udf

TP udf

18. Stilleskrue Fastgørelse i lakeret i RAL 7010 1000

Nedfræset bakke i ét helt stykke egetræ, lakeret

rev

Profil af håndliste og nadverbakke

Plan

23.

1:1

kon

100

80

32

60 r2/afbrækket

RT

8

r2

6

Håndliste/nadverbakke i lakeret egetræ

30

60

100

80

rev

TP 8

8

8

Side 2

8

Side 1

15

Nedfræset bakke i ét helt stykke egetræ.Kanter brækkes Montering af håndliste i bund af vinkelstål Håndliste/nadverbakke i lakeret egetræ Vinkelstål

mål

1:5

form

A3

emn

Knæ Septer

tegn

102



NEW & CONCEPTUAL

2010-2015


MULTI-PARKING SPACE Tøgern Arkitekter ApS, 2010 Denmark

project name GrøndALSCENRET done at TØGERN ARKITEKT 2010 interfaces autocad rEVIT A challenge to exploit the many empty spaces in the city. The parking lot of Grøndal center has been transformed into a new active parking lot where parkour and sports activities will make a contribution to the urban space in northwest Copenhagen. The studio has in cooperation with the city of Copenhagen developed a concept for empty and sometimes unused parking areas. The active park will in the daytime be used by the nearby institutions and the youngsters from the surrounding area. During major events in Grøndalscentret, the area will be used as parking lot, and cars will be parked next to fx a table-tennis table. The site is designed with motifs known from the traffic and parking lot: stripes, fences, signs, parking bays and pedestrian crossings. Each activity is as a parking space where something new is happening. The site is colorful and cheerful with graffiti and strong green color on the ground and on every activity.



L-HOUSES EE-Architects, Denmark

project name done at interfaces

TJĂ˜RNHOLMVEJ EE-Architects 2009 autocad

The terraced houses are staggered as L-forms on the site. Each L consists of a low and a high proportion, resulting in a shift in the roof surfaces. In this way each house is marked in the row. By using L-shape of the house floor plan provides the possibility for large surface areas both to the south, west and east, thereby creating an open and welcoming home. Another important parameter has been that giving each house utmost privacy, both in terms of access, but also on their terrace and in each garden. This created through the gap between the dwellings. To the east you arrive at the settlement as both walking and by car. In front of each house is a small courtyard, where the entrance is to the dwelling. The courtyard can be used for bicycles, as well as morning terrace, as there will be sun from early morning until approx. 12.00 depending on the time of year. This is also where the shed is located.




Tobias Grumstrup Lund Øhrstrøm MAA Architect Carrer del Bou de Sant pere 5, 2-1 08003 Barcelona Spain tlf.: +34 722 505 159


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