In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
CURS 1.2 ELEMENTE
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei spatiul fizic:
+ subsolul (pivnita) camara alimente, umezeala, intunecat, rece, aflat in pamant + etajul (etajele) (locuinta) spatiu protejat, aflat intre pamant si cer + podul (spatiul acoperisului) depozit obiecte vechi, uscat, luminos,cald, aflata sub cer
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei spatiul simbolic:
+ subsolul (pivnita) spatiu dionisiac (zeul vinului si al teatrului) + podul (spatiul acoperisului) spatiu apolinic (zeul luminii, al poeziei si muzicii)
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei spatiul simbolic: G. Bachelard – Poetica spatiului casa onirica – casa care ocroteste visarea - casa este o fiinta verticala, verticalitatea sa fiind asigurata de polaritatea pivnita-pod (opozitia dintre irationalitetea pivnitei, ca fiinta obscura si rationalitatea acoperisului, care ofera adapost).
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
Peter Zumthor's Studio
elementele locuintei
studio Delordinaire
Pezo von Ellrichshausen
elementele locuintei
KWK promes
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
+ traditionale stabileste o serie de relatii profunde (spirituale) de raportare la elementele naturale (pamantul, cerul, soarele, etc.) - tectonica cladirii jucand un rol important + moderne (moderniste) relatiile cu elementele naturale sunt de o alta factura (concreta), mai degraba superficiale fata de semnificatiile profunde ale acestora.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
+sub-solul - constituie o componenta mai putin remarcata in cadrul constructiei. - putem surprinde doua directii de gandire: prima se refera la relatia cu topografia terenului iar cea de-a doua se refara la modul prin care participa la structurarea spatiala a cladirii si modurile in care genereaza spatiul interior.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
uneori structura superioara nu lasa sa se ghiceasca dimensiunea si forma subsolului.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
elementele locuintei
+ sub-solul - inertia termica oferita de straturile terenului natural au constituit un avantaj speculat din cele mai vechi timpuri. - locuinta - ghetarie (Sibiu) - pivnita pentru alimente - crama
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
de cele mai multe ori in cazul structurilor moderne, subsolul isi pierde rolul oniric, principal pe care il joaca in locuinta traditionala (vezi G.Bachelard) dar capata o dimensiune si o importanta fuctionala semnificativa, determinand structura superioara prin prezenta stalpilor si sustinand functionarea prin acomodarea parcarilor si a spatiilor tehnice.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
Vlad ARSENE – ambasada Canadei Bucuresti
subsolul
Iulius Town
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
- in momentul in care o se realizeaza fundatiile unei locuinte trebuie sapata o groapa pana la straturile terenului care corespund din punctul de vedere al stabilitatii si coeziunii. - sapatura poate sa constituie unul dintre elementele definitorii in relatia constructiei noi cu terenul (cu topografia acestuia): - groapa sapata ramane deschisa in jurul constructiei - pamantul sapat este adaugat pentru a forma un zid de incinta - cladirea este ingropata
1
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
relatia subsolului cu suprastructura poate fi si ea divers configurata:
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
- relatii interior - exterior - relatii exterior/suprateran – interior/subteran - element central
subsolul buncar UN Studio – Villa Wilbrink
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
EDUARDO SOUTO DE MOURA HOUSE IN MOLEDO
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
subsolul
- de obicei, atunci cand ne gandim la spatii subtarane, ne vin in minte locuri intunecoase, unghere insalubre dar, acest lucru nu este valabil intr-o constructie moderna - chiar daca sunt aflate sub cota terenului acestea pot fi pline de lumina si se relationeaza divers cu elementele constructiei sau cele ale naturii.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
sunt
spatii (locuite) care speculeaza prezenta sau imita elementele topografiei naturale a terenului din zonele in care se afla pentru o integrare in contextul natural.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ pestera este
unul dintre primele spatii locuite, un spatiu natural, acomodat nevoilor umane.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ depresiunea: forma naturala a terenului, ea a constituit adapost in forma sa primara sau a acomodat in jurul ei spatii de locuit asemenea unei curti scufundate. Aceasta tipologie este specifica in special zonelor aride si deosebit de cade ale Globului. - amfiteatrul grecesc
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ depresiunea: forma naturala a terenului, ea a constituit adapost in forma sa primara sau a acomodat in jurul ei spatii de locuit asemenea unei curti scufundate.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ depresiunea forma naturala a terenului, ea a constituit adapost in forma sa primara sau a acomodat in jurul ei spatii de locuit asemenea unei curti scufundate. Aceasta tipologie este specifica in special zonelor aride si deosebit de cade ale Globului.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana -elementele din care este construita o fac sa se integreze in contextul natural -
terenul natural o acopera, o camufleaza in contextul natural si ii ofera protectie
- doar doua fatade raman vizibile, distincte in acest context
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana Cladirea se integreaza prin forma, imitand unduirea naturala a terenului- devine topografie.
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana Cladirea – topografie. UN Studio - Moebius house
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana cladirea foloseste denivelarea pentru a putea rezolva accesul si a-l izola si detasa de trafic
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Spatii topografice
+ elevatia locuinta supraterana Cladirea – topografie. SOUTO de MOURA - BAIAO house - zidul casei pare un zid se sustinere al dealului ce acopera casa - se pierde astfel limita dintre taluzul natural si spatiul construit
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Crearea spatiilor
+ geologia forma spatiului este determinata de consistenta straturilor si de gradul lor de modelare si stabilitate
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Crearea spatiilor
+ geologia forma spatiului este determinata de consistenta straturilor si de gradul lor de modelare si stabilitate
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
Crearea spatiilor
+ principii constructive presiunea terenului actioneaza permanent asupra substructurii: - sisteme autonome - sisteme complementare
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
terenul
terenul de fundare + trasarea constructiei + excavarea
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
terenul
terenul de fundare + trasarea constructiei + excavarea + fundatii
In the classical tripartite composition of the street facade, the ground floor and mezznine levels were expresse as the base; the first, second, and third floor levels as the main body; and the fourth and attic floor as the crown of the building. (Schoenauer, 2000, p.314)
terenul
tipuri de fundatii + radier + izolate + continue
Structura
+ structura interioara/izolare exterioara + probleme de continuitate a izolatiei la baza cladirii
Structura
+ structura exterioara / izolare interioara + probleme de continuitate a izolatiei la planseele superioare (primul caz)
soclul
+ regleaza relatia dintre teren si constructie + in general ne referim la soclu ca la un element care separa cladirea de teren
soclul
+ soclul deasupra terenlui - in acest caz soclul devine un spatiu care face trecerea de la teren la cladirea de desupra (chiar daca este un spatiu in sine si nu un element)
soclul
+ soclul subteran (demisolul) - rezultat in urma existentei unui spatiu subteran care trebuie ventilat si iluminat natural.
soclul + disparitia soclului - volumele sunt asezate pe teren, uneori sunt spatii temporare fara un strat/spatiu suport, alteori soclul /baza sunt aproape invizibile
soclul
+ disparitia soclului - volumele sunt asezate pe teren, uneori sunt spatii temporare fara un strat/spatiu suport, alteori soclul /baza sunt aproape invizibile (fie foarte mici, fie fara o diferenta vizibila fata de etaje)
TEĹť ARCHITEKCI
soclul
+ transformarea soclului - aparitia unui nivel atunci cand cota terenului coboara in preajma cladirii (curtea engleza)
soclul
+ transformarea soclului - aparitia unui nivel atunci cand cota terenului coboara in preajma cladirii (curtea engleza)
soclul
+ teren inclinat - prezenta plintei pe un teren inclinat devine mai evidenta - relatii diverse cu cladirea si structura supraterana
soclul
+ teren inclinat - prezenta plintei pe un teren inclinat devine mai evidenta - relatii diverse cu cladirea si structura supraterana
soclul ELEMENTAL – Alejandro Aravena
soclul ELEMENTAL – Alejandro Aravena
soclul ELEMENTAL – Alejandro Aravena
Bibliografie
Deplazes, Andrea Constructing Architecture