NU-ARCH // TONI-OLIVIA MARTIN
MEET THE DESIGNER//
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//
THE SITE
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// THE
AREA
TONI-OLIVIA MARTIN INTERIOR ENVIRONMENTAL DESIGNER DUNCAN OF JORDANSTONE COLLEGE OF ART AND DESIGN, BDes Hons
CONTACT : MOBILE - 07949809817 EMAIL - toni-olivia@hotmail.co.uk INSTAGRAM- TO.IED
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//
CONCEPT
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7 4
//
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// ARCHES
// FORECASTLE
DESIGN THEMES
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8
// GLASGOW
KILNS
//
// EXHIBIT
TRADERS TAVERN
42 BAIN STREET, CALTON, GLASGOW - STANDS AN ORNATELY DESIGNED, RENAISSANCE STYLE DESIGN BY ARCHITECT MATTHEW FORSYTH. ONCE USED AS A CLAY PIPE FACTORY.
16000 per day.
FA
C
D
TO
HA
RY
M
A D
E
upwards of
900 workers at any
// THE SITE
AT ITS PEAK
18
76
18
80
18
90
THE
one time.
19
00
WILLIAM WHITE AND SONS
LATE 18TH CENTURY MORE
GLASGOW CONSIDERED
PEAK IN INDUSTRY GLASGOW
FACTORY WAS MADE UP OF 3
THAN HALF OF THE
SECOND CITY OF THE EMPIRE.
RAPIDLY BECAME ONE OF THE
BUILDINGS WITH 3 LONG
BRITISH TOBACCO TRADE WAS
INDUSTRY EXPANDED AND
WORLDS PRE-EMINET CITIES OF
CHIMNEYS TO SUPPORT THE
CONCENTRATED ON
POPULATION INCREASED.
EXPORT, ENGINEERING, MOST
FACTORIES 6 GIANT KILNS.
GLASGOW’S RIVER CLYDE.
NOTABLY SHIP BUILDINING.
KNOW TODAY AS ‘THE PIPE FACTORY’
AN ARCHWAY ENTRANCE ALLOWED HORSES AND CARTS TO BRING IN THE MATERIALS USED FOR PRODUCTION. THESE SAME VEHICLES WOULD TRANSPORT THE CLAY PIPES, FRESH-
A 30 YEAR LEASE IN PLACE,
LY PRODUCED AND PACKAGED, STRAIGHT TO THE NEAR-
AND A NEW PROGRAMMING
BY GOVAN DOCKS TO BE SHIPPED OUT TO THE REST OF THE
COMMITTEE WAS ESTABLISHED IN
WORLD.
NOVEMBER 2016. HELD BY ‘THE PIPE FACTORY’.
19 10
19
30
19 40
19 50
20
15
OUT BREAK OF THE FIRST WORLD
GREAT DEPRESSION - DECLINE
TABACCO BECOMES MORE
DOWNFALL OF CLAY PIPE DE-
NEW LEASE OF LIFE. ARTISIT
WAR. GLASGOW BECAME
IN INDUSTRY LEAD TO HIGH UN-
ACCESSABLE. HOLLYWOOD
MAND WORLDWIDE. THE FAC-
OCCUPY 1ST FLOOR AS STUDIO
CENTRE OF MASS OUTPUT AND
EMPLOYMENT LEVELS. INCREAS-
ICONS PROPELLED THE CON-
TORY CLOSED IN 1950. A FIRE
AND EXHIBITON SPACE. ONLY
WORKFORCE WAS UNDER
ING SOCIAL PROBLEMS AND
SUPTION OF THE ROLLED CIGA-
LED TO THE THREE FACTORY
OPEN TO THE PUBLIC DURING
EXTREME PRESSURE.
ECONOMIC DECLINE.
RETTE.
BUILDINGS BEING
EVENTS.
SEPARATED PERMANENTLY.
THEN
PLACE TO GO FOR A BARGAIN. IN ITS PRIME THE STREETS WHERE FILLED WITH TRADERS, BUYERS AND STREET PERFORMERS.
‘BARRAS QUEEN’- MAGGIE MCIVER.
CHANGING MARKETS ¿
THE BARRAS MARKET WAS FOUND BY JAMES AND MARGARET MCIVER. IN RESPONSE TO LOCAL COPORATIONS WISHING TO STOP THE ACT OF STREET TRADING. MAGGIE HIRED 300 BARROWS FOR LOCAL HAWKERS TO CONTINUE TRADING FROM
TODAY THE MARKET IS QUIET AND SOME STALLS ARE SHUT BEFORE MID DAY. A FRACTION OF WHAT IT ONCE WAS.
NOW
// THE AREA
HER YARD IN MARSHALLS LANE, GLASGOW.
NO LONGER BUY GOODS AND SELL ON FOR PROFIT MENTALITY. FEWER PEOPLE CONTINUING FAMILY TRADIATIONS OF STALL HOLDING. ACCESSIBILITY OF ONLINE STORES
THEN
24th
EVERY DECEMBER MAGGIE MCIVER WOULD THROUGH A CHRISTMAS EVE PARTY FOR HAWKERS AND THEIR FAMILIES. ONE YEAR WHEN MCIVER WAS UNABLE TO HIRE A HALL, SHE DECIDED TO BUILD HER OWN - THE FAMOUS BARROWLAND
A MAJOR CONCERT VENUE
OPENED
1934
KNOWN FOR ITS ACOUSTICS AND SPRUNG DANCE FLOOR. REBUILT IN
1960
AFTER DAMAGE BY THE BARROWLAND HAS
A FIRE. HOSTING GIGS FOR EVERY SUB
LONG BEEN A LEGENDARY VENUE FOR VISITING BANDS AND IS ONE OF THE MUST PLAY VENUES IN THE UK.
NOW
HAWKER - A VENDOR OF MERCHANDISE THAT CAN BE EASILY TRANSPORTED.
CULTURE AND MUSIC GENRE.
BALLROOM.
W
N
SUN STUDY
ยบ
28
ยบ
28
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28
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// SITE ANALYSIS
S W
KEY CONCEPTUAL ZONING AND POTEINTAL THEMES MODEL.
SUN PATH
SUN RAISE
WINTER
SUN SET
SUMMER
MID DAY
E
E
1.
BAaD 54 CALTON ENTRY- EVENTS VENUE, CREATIVE STUDIO AND
2.
RETAIL SPACE.
St Luke’s 17 BAIN ST. CONVERTED GRADE-B CHURCH NOW GIG VENUE AND
6.
RESTAURANT.
4. 7. 5.
AREA AIMS & NEW CREATIVE ANCHOR POINTS. CREATIVE ANCHOR POINTS
3.
GLASGOW COLLECTIVE 15 E CAMPBELL ST. CO WORKING SPACE HOME TO 36 DIFFERENT BUSINESS, A REAL CROSS DISCIPLINARY SOCIAL ENTERPRISE.
1. BAaD 2. ST LUKES 3. GLASGOW COLLECTIVE
AREA AIMS 4. IMPROVE CONNECTION WITH CITY CENTRE. 5. OVERALL MAINTENANCE, LIGHTING, SHOP FRONTS, STREETS AND ROADS. 6. BENEFITS FOR LOCAL RESIDENTS AND TRADERS. 7. REDEVELOP VACANT LAND.
THE AMOUNT OF ARTISTS MOVING AND SETTING UP NEW CREATIVE BASED GAL
BUSINESSES INCREASES IN THE LOW
BARRAS AREA.
GAT
E
THIS EVIDENCE COULD PROVIDE AN OPPORTUNITY FOR THE
SITE ST.
BARRAS TO BECOME THE CULTURAL AND CREATIVE DISTRICT BA IN
VACANT LAND
OF GLASGOW. MAKING THE AREA A DESTINATION ONCE AGAIN. WITH A MASS REGENERATION PLAN IN PROGRESS FOR THE
N
LO
BARRAS AND WIDER AREA COULD A NEW UNION BETWEEN N
O
D
TRADERS AND ARTISTS PROTECT THIS ICONIC GLASGOW
TRADERS
MEATPACKING DISTRICT, NEW YORK.
// POTENTIAL
.
RD
INSTITUTION AND BRING IT BACK TO LIFE.
ARTISTS
DOES REGENERATION LEAD TO GENTRIFICATION? IMPORTANT TO RETAIN BARRAS CHARACTER AND RAWNESS. ENCHANCE AND IMPORVE WHAT IS ALREADY PRESENT. BENEFITING LOCAL COMMUNITY AND POTENITAL GROWTH OF AREA. CASE STUDIES OF GENTRIFICATION
SHOREDITCH, LONDON.
// VOLUNTEERING LAY UNUSED FOR THE PAST FOUR YEARS DURING THIS TIME THE COURTHOUSE COMMUNITY TRUST WAS
NATURAL SELECTION
FORMED TO SECURE AN ASSET TRANSFER FOR THE
BY ANDY AND PETER HOLDEN.
COMMUNITY. OBJECTIVES ARE TO STIMULATE ENTERPRISE,
BRINGS A STORY OF BIRDLIFE TO ARBROATH AND
GENERATE COMMUNITY ENGAGEMENT AND
IS THE FIRST IN A PROGRAMME LED BY HOSPITALFIELD
PROMOTE ARTS AND CULTURAL ACTIVITY, BUILDING
FOR THE ANGUS PLACE PARTNERSHIP.
ON THE EXISITNG STRENGTH OF THE SURROUNDING COMMUNITY.
THE ARBROATH COURTHOUSE, 88 HIGH STREET
NATURAL SELECTION IS THE FIRST PUBLIC AND
// INTERVIEWS
CULTURAL USE OF THE BUILDING.
KIRSTEN WILSON - HOSPITALFIELD
MARC KILKENNY - MK-
LEONTIOS TOUMPOURIS - VISUAL ARTIST AND
“CREATING AN IDENTTY IS IMPORTANT AS
“GLASGOW CREATIVE SCENCE
“THE PIPE FACTORY OFFERS 9 ARTISTS
HOSPITALFIELD GROWS AND BECOMES EVER
IS AN ECOURAGING OPERATION
A UNQIE STUDIO SPACE TO CREATE,
MORE PUBLIC FACING A KEY ROLE IS, ENSUR-
THROUGH THE CITY. WHEN UNDER-
PRODUCE AND DEMONSTRATE IDEAS
ING THAT WE ARE IN CONSTANT DIALOGUE
TAKING A MORE OPEN ACCESS
THROUGH A STUDIO BASED PRACTISE.
WITH OUR AUDIENCES; WITH FAMILIES,
INTO THE LIFE OF ARTISTS, THERESH-
CLOSE SETTING TO THE BARRAS THE LOCA-
SCHOOLS, YOUNG PEOPLE, ARTISTS AND
OLDS ARE CRUCIAL. A HEALTHY
TION HAS A POOL OF HISTORY AND IM-
MORE. HAVING THE OLD COURT HOUSE AS
WORKSPACES FOR ARTIST MAKE FOR
AGERY, FOR ARTIST TO SPARK RESEARCH.”
A PUBLIC EXTENTION OF OUR MAIN AIMS.”
HEALTHY SCENCE.”
ENGAGEMENT & VOLUNTEER PROGRAMME MANAGER.
ARCHITECTS.
BUILDING MANAGER OF THE PIPE FACTORY.
DESIGN PROPOSAL THE PIPE FACTORY AIMS TO BE A SHORT-TERM ARTIST RESIDENCY LOCATED NEXT TO THE ICONIC ‘BARRA’S MARKET’ IN GLASGOW. THE PROJECT SEEKS TO REMOVE BARRIERS, ENCOURAGE ENGAGEMENT AND FOSTER CREATIVE WAYS OF EXPERIENCING ART. ALLOWING FOR A MORE OPEN ACCESS RELATIONSHIP BETWEEN THE ARTIST AND LOCALS. WITH ARTISTS ADOPTING A ‘PAY IT BACK’ MENTALITY BY OFFERING WORKSHOPS FOR CURIOUS LOCALS AND CREATIVES ALIKE. CREATING AN INCUBATOR FOR EMERGING TALENT AND THE EXCHANGE OF IDEAS. THE PROJECT BRINGS TOGETHER TWO ONGOING ISSUES, AIMING FOR ONE TO HELP ADDRESS THE OTHER. PROVIDING INEXPENSIVE FLEXIBLE STUDIO SPACE FOR 6 ARTISTS, PLACING THEM SQUARELY WITHIN THE COMMUNITY. HIGHLIGHTING THE ONGOING REGENERATION OF THE AREA WITH THE INTENTION OF RETAINING THE RICH HISTORY AND HERITAGE OF THE BARRAS. STITCHING THE MARKET BACK INTO THE FABRIC OF THE CITY.
CASE STUDIES
HERZOG & DE MEURON CAIXAFORUM, MADRID
// CONCEPT
ADAPTIVE REUSE PROJECT
OLAFUR ELIASSON FJORDENHUS, HEADQUARTERS OF KIRK KAPITAL.
PALIMPSEST
59 RIVOLI PARIS, FRANCE
SHOW CASING A COLLECTIVE MEMORY OF THE BUILDINGS PAST LIFE BY EXPOSING TRACES OF THEIR PREVIOUS PROPOSE.
ARTIST STUDIOS // POWER STATIONS
// DESIGN THEMES
PLACES OF PROCESS
EXHIBITON FLOOR.
FORECASTLE // SALIORS SLEEPING QUATERS AND SCOTTISH BOTHIES.
BAR //ARCHITECTURAL DETAILS OF MULTIPLE ARCHES FOUND IN BUILDINGS ARCHITECTURE.
TRADERS TAVERN // GLASGOW CRANES AND PUB INTERIORS.
EXHIBITON FLOOR.
THE GLASGOW KILNS// THE 6 ORIGINAL KILNS THAT ONCE STOOD BETWEEN THE TWO BUILDINGS.
THE ARCHES BAR OFFERS LOCALS AND VISITORS ALIKE
TRACES OF THE BUILDINGS PAST LIVES CAN BE
A SPACE TO DRINK AND SOCIALISE. CROSSING PATHS
SEEN THROUGH THE LAYERS OF PAINT AND
AND SHARING STORIES WITH UNLIKELY GROUPS.
EXPOSED BRICK.
CONNECTIONS.
NUANCE- A SUBTLE DIFFERENCE IN OR SHADE OF MEANING, EXPRESSION, OR SOUND.
‘STORYTELLING’
Develius sofa, 1938 Designed by Edward van Vliet Manufactured by andtradition
// THE ARCHES
9.
IRON WORK FROM ORIGINAL LIFT USED AS A FEATURE BAR
‘MAKE CONNECTIONS’
FRONT.
8. 6. 4.
N
7.
5. 4.
KEY
1
2.
1.BAR WITH BAR SEATING. 2.DOME SEATING. 3.ARCHES.
2.
4.VAULTED WALL SEAT.
11.
5.FEMALE WC. 6.MALE WC.
3
7.DISABLED WC. 8.LIFT.
10.
9.EXTERNAL STAIRS. 10.INTERNAL PRIVATE STAIRS FOR ARTIST. 11.COURTYARD.
SCALE 1.100
BAIN ST.
‘HISTORY’ VIEWS OF THE BARRAS, BILLS TOOL
DESIGN INSPIRATION PULLED FOR THE MANY ARCHES
SHOP AND NEWLY REFURBISHED SAINT
FOUND IN THE BUILDINGS ELEVATION. DESIGNED
LUKES CAN BE SEEN.
WITH BRUTALIST ARCHITECTURE FOUND AROUND GLASGOW.
‘PLACEMAKING’ ‘UNLIKELY FRIENDSHIPS’ STAIRCASE INVESTIGATION. Chic Blotch Rug Musturd Designed by TimorousBeasties Product code:DIGI/ CHIC/1297/03
Pacha lounge chair Designed by Pierre Paulin Manufactured by Gubi Product code: GUB-10014*
‘POPULISM’
ST PETER’S SEMINARY VAULTED ARCHES. IC F1 floor special edition, 2018 Designed by Michael Anastassiades Manufactured by Flos Product code: MIC-FS002828
Clara wall/ceiling light, 2015 Designed by Piero Lissoni Manufactured by Flos Product code: MIC-F157*
TERRAZZO offers long term durability while giving exceptional opportunity to select colour variance.
In Between stool Designed by Sami Kallio Manufactured by andtradition Product code: ANDT-82030
A PERMANENT FEATURE WILL BE THREE GIANT KILN INSTALLATIONS, SPANNING ACROSS TWO FLOORS. ACCESSIBLE FROM THE GROUND FLOOR WITH A VIEWING PLATFORM ON THE
//THE GLASGOW KILNS
SECOND.
SECTION 2
INSPIRED BY THE 6 KILNS THAT
1.50 SCALE
ONCE STOOD BETWEEN THE TWO BUILDINGS.
EXTERNAL STAIRCASE PROVIDES ACCESS TO EACH FLOOR, INCREASING CIRCULATION SPACE INSIDE.
‘INFORMATION’
MODELS EXPERIMENTING WITH 3D PRINT MOULD AND HAND MOULDING KILN SHAPE.
C
N
O
M
UR
.
ST
MATERIALS AND COLUOR MIMIC THE PROCESS USED TO MOULD EACH CLAY PIPE BY HAND.
‘HOTSPOT’
N
4.
BA IN
KEY
.
ST
1.
1.INTERNAL LIFT 2.BAIN STREET ENTRANCE/EXIT
6.
3.ARCHES ENTRANCE 4.EXTERNAL STAIRCASE
3.
5.KILN 7.
5.
6.KILN 7.KILN
s-2 SCALE: 1.100
2.
INFORMATION IS RELAYED THROUGH AUDIO AND VISUAL DISPLAY ONCE INSIDE EACH KILN. A COMPLETELY IMMERSIVE EXPERIENCE. VISITORS WILL LEARN ABOUT -
KILN 1- THE HISTORY AND HERITAGE OF THE BARRAS.
KILN 2 INFORMATION ON WHAT IS HAPPENING AROUND GLASGOW. A HOTSPOT FOR WHATS NEW AROUND THE CITY.
“You could buy anything from a NEEDLE to an ANCHOR at the Barras”
KILN 3 THE PIPE FACTORY’S ORIGINAL PROPOSE ALONG WITH AN ARCHIVE OF CURRENT, PAST AND FUTURE ARTISTS, EXHIBITIONS AND EVENTS.
THE RESIDENTIAL AREA CONSISTS OF INDIVIDUAL SLEEPING QUARTERS AND TOLIET, SHARED KITCHEN AND
DESIGN MENTALITY OF BOTHY OF ‘CLYDE BUILT’ SHIPS.
DINING AREA, OFFERED AS PART OF THE ARTIST RESIDENCY.
X DESIGN AESTHETIC
A COMMUNAL LIVING ARRANGEMENT TO ENCOURAGE COMMUNICATION AND EXCHANGE OF IDEAS BETWEEN ARTISTS. PULLING INSPIRATION FROM THE LIVING QUARTERS SHARED BY SAILORS ON OLD SHIPS.
BOTHY CODE
LOCAL GATHERING POINT
‘CHANCE ENCOUNTER’ OPEN ARCHITECTURE IMAGE A FUTURE HOME THAT SUPPORTS
/ THE FORECASTLE
HUMAN LIFE ON MARS.
N 2.
4. KEY
3.
1. INTERNAL PRIVATE STAIRS 2. EXTERNAL STAIRS AND BALCONY 3. INDIVIDUAL SLEEPING
1500MM
1.
1.
1.
ACCOMMODATION 4. COMMUNAL LIVING SPACE
EACH STRUCTURE PLACED IN FRONT OF SOUTH FACING WINDOW.
PUSHED TO LEAVE WALKWAY OF 1500MM FOR CIRCULATION.
ARRANGED IN IRREGULAR STREET LIKE ORIENTATION TOWARDS DIRECTION OF WINDOWS. ROTATED TO AVOID PILLARS.
‘AERO HOUSE’ BY RICHARD HORDEN
FORECASTLE UPPER DECK OF A SAILING SHIP FORWARD OF THE FOREMAST, WITH THE SAILORS’ LIVING QUARTERS.
‘EXPERINCE’
HUMAN ERGONOMICS AND SCALE WAS USED TO DESIGN INDIVIDUAL STRUCTURES.
A BERTH IS A BED OR SLEEPING ACCOMMODATION ON VEHICLES.
‘SHARE IDEAS’ EACH ARTIST HAS THEIR OWN BED, STORAGE AND TOLIET CONTAINED TO INDIVIDUAL SLEEPING QUARTERS.
A PORTAL WINDOW THAT CAN BE ACCESSED BY EXTERNAL LADDERS.
Cirio Lineal, 2010 Designed by Antoni Arola Manufactured by Santa & Cole Product code: ULM-CIL05+CIF02+5 CIP
‘COLLABORATION’
‘NETWORK’
Modular seating by Luigi Colani
BOOKABLE EXHIBITON SPACE IS AVALIBLE FOR TOURING ARTISTS AND EXHIBITIONS TO PRESENT IN GLASGOW’S UP AND COMING CREATIVE DISTRICT .ARTIST TAKING PART IN THE RESIDENCY PROGRAMME ARE FREE TO USE THE SPACE DURING THERE STAY. CAN ALSO BE USED FOR INTIMATE MUSIC AND THEATRE PERFORMANCES.
‘COUNTER CULTURE’
// EXHIBITION SPACE
FRANZ WEST BROUGHT A PUNK AESTHETIC INTO THE PRISTINE SPACES OF ART GALLERIES. HIS ABSTRACT SCULPTURES, FURNITURE, COLLAGES AND LARGE-SCALE WORKS ARE DIRECT, CRUDE AND UNPRETENTIOUS.
‘MULTIFUNCTIONAL’
3.
5.
‘OPEN ACCESS’ 1.
6.
2.
KEY
4.
1. LIFT 2. LIFT 3.WC/STORAGE
FRANZ WEST WORK SHOWS SOME INFLUENCE OF POP ART.
7.
4. WC/STORAGE 5.EXHIBITION SPACE 1 6.EXHIBITION WALKWAY 7.EXHIBITION SPACE 2 SPACE COULD BE USED FOR COMMUNITY SOCIAL EVENTS.
‘UNDEFINED’
THE GEORGE V OR TYNE BRIDGE BETWEEN 1925 AND 1928
THE EXHIBITION BRIDGE IS MADE UP OF SHAPES AND FORMS FOUND IN THE ICONIC BARRAS ENTRANCE SIGN. THE BRIDGE PHYSICALLY AND METAPHORICALLY ‘BRIDGES’ THE GAP BETWEEN THE TWO BUILDINGS, RECLAIMING THE SPACE BETWEEN AS A COURT YARD PLAZA. ‘EXPERINCE ART’
FEATURES OF WHERE IT BEGAN, WOODEN BARROWS.
THE TRADERS TAVERN OFFERS A PLACE TO REMINISCE, SHARE STORIES BUT MOST IMPORTANTLY PLAN FOR THE FUTURE OF THE BARRAS MARKET.
TRADING WAS OFTEN DONE OUT OF NEAR BY PUBS WHICH WAS THE INTERIOR INSPIRATION FOR THIS SPACE. PULLING FROM GLASGOWS INDUSTRIAL HERITAGE, CEILING TRUSSES
// TRADERS TAVERN
REPRESENT THE CRANES OF THE CITY.
PRIVATE MEMBERS’ CLUB ‘LIBRARY’ A COMPENDIUM OF CREATIVITY IN LONDON’S WEST END.
‘REMINISCE’
A330 pendant light, 1954 Designed by Alvar Aalto Manufactured by Artek Product code: ARE29100201
‘FUTURE PLANNING’
Pavilion barstool, 2018 Designed by Anderssen & Voll Manufactured by andtradition Product code: ANDT500*
A SPACE FOR TRADERS AND LOCALS TO HOLD
‘OPPORTUNITY’
Osso chair , 2011 Designed by Ronan & Erwan Bouroullec Manufactured by Mattiazzi Product code: MATT-OSSO
SOCIAL EVENTS, MEETINGS AND WORKSHOPS. A MEZZANINE LEVEL ALLOWS FOR CO WORKING AND A STAGE TO PRESENT IDEAS.
GROUPS SUCH AS BARRAS FUTURES, CALTON AREA ASSOCIATION, BARRAS TRUST AND BARRAS SHOPKEEPERS GROUP WOULD BENEFIT FROM THIS SPACE.
‘SENSE OF BELONGING’
KEY ‘PERFORMANCE’
2.
1.
1. LIFT 2. BAR 3. STAGE 4. FLOOR SEATING
5.
5. AMPHITHEATRE SEATING
4. 3
SCALE 1.100
N
TRADING AT THE BARRAS WAS ABOUT MORE THAN BUYING AND SELLING. IT WAS A SOCIAL GATHERING FULL OF PERFORMANCE AND ENTERTAINMENT.