CONCEPT
{PORTFOLIO} The articulation of shared ideas, process, and work samples.
COMMUNICATING ARCHITECTURE
EDUCATION
{WHERE I AM COMING FROM} Oklahoma State University: located in a small town in central Oklahoma.
TONY HAMMONTREE
QUALITIES
{WHERE I STAND} I am a passionate, diligent, and team oriented individual with a positive attitude.
GRADUATING DECEMBER OF 2014
AIAS FORUM 2014
I FIND THAT THE BEST CONVERSATIONS HAPPEN WALKING AIMLESSLY WITH FRIENDS
EXPERIENCE
TONY
MAY 2014 - AUGUST 2014 | TULSA, OK Worked on all process of design in the field of architecture under the supervision of a project manager. Phases included client meetings, program research, schematic design, design development, construction documents, and site visits.
HAMMONTREE PRO BONO
CONTACT
GH2 ARCHITECTS | Intern Architect
PARK PLAZA | Community Outreach SUMMER OF 2013 | PORTLAND, OR Focused on landscaping and the building of a playground among other service projects around the city.
TONY.HAMMONTREE@OKSTATE.EDU 918.704.5852 126 SOUTH WEST STREET STILLWATER, OKLAHOMA 74074
SUMMER OF 2011 | OKLAHOMA CITY, OK In charge of planning and coordination with a Non-Profit organization called The Refuge. SUMMER OF 2009 | PUERTO PLATO, DR Laying down basic infrastructure using traditional building methods to slum conditioned neighborhoods.
EDUCATION
SUMMER OF 2008 | NEW ORLEANS, LA Focused on supplying ADA Accessibility on preconditioned homes and the building and repairing of homes from the aftermath of Katrina.
OKLAHOMA STATE UNIVERSITY STILLWATER, OKLAHOMA BACHELOR OF ARCHITECTURE ANTICIPATED DECEMBER 2014
SKILLS
DESIGN
Research, Synthesis, Prototyping and Evaluation. Digital Photography Infographing
SUMMER OF 2007 | TEGUCIGALPA, HONDURAS Worked on the building of homes made out of simple wood construction for families previously living in shacks.
ACTIVITIES
AIAS Big and Little Program , AIAS Freshman Recruitment Officer, AIAS Member. AIAS NATIONAL FORUM: Attended in 2014, located in Chicago, to represent our school to learn, grow, explore and lead. HABITAT FOR HUMANITY VOLUNTEER: Helped with the building and rebuilding of a number of selected homes in Tulsa, Oklahoma and Stillwater, Oklahoma.
SOFTWARE
Photoshop | Illustrator Indesign | Suite CS6 Rhino | Sketchup Revit | Autocad
JOHN 3:16 MISSIONS: Interacted with and served the Tulsa homeless population every second Sunday.
AWARDS
Parmen Foundation Scholarship, 2014 Pella Fellowship Prize Nominee for Comprehensive Design, 2014 Endowment for Excellence Urban USA Scholarship, 2013 Endowment for Excellence AIAS/AEI Travel Stipend, 2013 Oklahoma State University Regent District Transfer, 2010 - 2011
TONY
CONTACT
HAMMONTREE
TONY.HAMMONTREE@OKSTATE.EDU 918.704.5852 126 SOUTH WEST STREET STILLWATER, OKLAHOMA 74074
REFERENCE LIST
PROFESSIONAL: BOSS AND SUPERVISOR MICHAEL HALL Owner of GH2 Architects mrh@gh2 320 South Boston, Suite 1600 Tulsa, OK 74103 Office: 918.587.6158, EXT. 221
EDUCATION: PROFESSOR MOH’D BILBEISI Professor at Oklahoma State Univeristy mohd.bilbeisi@okstate.edu 101 Architecture Bldg Stillwater, OK 74078 Office: 405.744.6043
EDUCATION: PROFESSOR JEFFREY WILLIAMS Professor at Oklahoma State University jeffrey.williams@okstate.edu 101 Architecture Bldg Stillwater, OK 74078 Office: 405.744.6043
COMMUNICATING ARCHITECTURE
TABLE OF CONTENTS
6
Where My Passions Began Community Outreach
8
Hand Media Journaling and Sketching
14
Collaboration Timber in the City
22
Community and Sustainability Eco Village
30
Phenomenology The Terme St Didier
40
Comprehensive Study Oklahoma State University Museum of Art
WHERE MY PASSION BEGAN
COMMUNITY OUTREACH DOMINICAN REPUBLIC SUMMER OF 2009
THIS TRIP WAS FOCUSED ON THE REBUILDING OF EXISTING HOMES AND ADDITIONAL BUILDING METHODS, TO HELP IMPROVE A FEW FAMILIES COMFORT. THE SITES IN WHICH WE VISITED WERE OUT OF REACH TO MODERN CONVENIENCES AND NATURAL RESOURCES. THE FAMILIES HAD TO WALK FAR DISTANCES FOR BASIC NEEDS LIKE WATER, WHICH ARE COMMON CHARACTERISTICS TO VILLAGES AROUND THE GLOBE. I SAW THE IMPACT THE BUILT ENVIRONMENT HAD ON THOSE FAMILIES AND WITNESSED THEIR GRATITUDE TOWARDS OUR SERVICES. SERVICES LIKE BASIC BUILT INFRASTRUCTURE, PAINTING, AND POURING AND MIXING CONCRETE. A WITNESS TO THE THIRD WORLD ENVIRONMENT IN COMBINATION WITH GENUINELY JOYFUL PEOPLE BROUGHT PASSION TO MY HEART. THIS IS WHY I AM CURRENTLY STUDYING ARCHITECTURE.
6
HAND MEDIA
JOURNALING AND SKETCHING WASHINGTON D.C. AND NEW YORK CITY SUMMER OF 2014
A NINE WEEK TRIP FOCUSED ON THE STUDIES OF THE BUILT ENVIRONMENT THROUGH JOURNALING. THE CLASS WAS GUIDED BY FOUR PROFESSORS WHO ARE JOURNAL ENTHUSIASTS; THEY WERE THERE TO CRITIQUE AND GUIDE OUR STUDIES. THIS SKILL IS NOW A DAILY ROUTINE IN MY LIFE; STUDYING THE ENVIRONMENT WHEREVER I AM AT.
8
COLLABORATION
TIMBER IN THE CITY RED HOOK, BROOKLYN SPRING OF 2013
GARAGE DOOR TYPE
PIVOTTING TYPE
SLIDING TYPE
A Development that rose from historical elements to create order within chaos. An event that evolved from a broken foundation within Red Hook. The research revealed the importance of Red Hook’s history. Which leads us to a photograph of a Hoover-ville in Red Hook that inspires deeply. THE PHOTOGRAPH DEPICTS THE CHAOTIC NATURE OF THE HOOVER-VILLE WHICH INFLUENCED THE ORGANIZATION AND SOCIAL ASPECTS OF THE ENTIRE PROJECT.
FINISHED MODULAR SYSTEM
FLOOR SYSTEM: CROSS LAMINATED TIMBER
WALL SYSTEM: CROSS LAMINATED TIMBER
WOOD SLAT SKIN SYSTEM
14
WALL SYSTEM: CROSS LAMINATED TIMBER
Team
Curtis Freeman, Tony Hammontree, and Chad Sebring
STEEL BOX TRUSS
As the future arises upon Red Hook, many businesses and people are striving to better the community. The recent addition of the Red Hook community garden demonstrates the willingness to come together to better the area. THE DESIGN PROPOSAL HELPS ILLUSTRATE WHERE PEOPLE OF RED HOOK ONCE WERE, ENSURING THAT THE HISTORY IS NEVER FORGOTTEN.
STUDY MODEL
GARAGE DOOR TYPE
SLIDING TYPE
PIVOTTING TYPE
STEEL BOX TRUSS
WALL SYSTEM: CROSS LAMINATED TIMB
FLOOR SYSTEM: CROSS LAMIN
WALL SYSTEM: CROSS
WOOD SLAT
Revit was used for the model and Photoshop was used to for editing
The module is proportioned to the shipping container and is inspired by the container ports that are located across the street.
Each module is made up of Cross Laminated Timber that is structural for three stories and encased in a steel truss.
Revit was used for the model and Photoshop was used to for editing
Revit was used for the model and Photoshop was used to for editing
The Chaotic nature of the hooverville influenced the circulation and social aspects.
COMMUNITY AND SUSTAINABILITY
ECO VILLAGE OSU STILLWATER OKLAHOMA FALL OF 2013
When residents learn a community based earth friendly lifestyle early on, it is more easily sustained throughout their life. THROUGH THE USE OF MICRO-MACRO DESIGN THROUGHOUT THE SITE, COMMUNITY IS PROPELLED ONTO THE RESIDENTS. From a wing of residents sharing a bathroom and laundry, to a floor sharing a living room and kitchen facility, to a building sharing a patio, to the whole residency sharing the entire site and amenities, there are many opportunities for various groups to come together. The planning is to encourage community within an earth-friendly environment. Team
Alex Bell, Meagan Cope, Tony Hammontree, Miku Suzuki, and Monica Concienne (Land scape Architect)
22
Revit was used for the model and Photoshop was used to for editing
The planning of the campus is a Neo-Georgian style Architecture with grand axis and small to large scale spaces.
The Plaza in between the greenhouses bring in the community to the site. A modular grid is proportional to buildings on campus and creates uniformity within the design.
Revit was used for the model and Photoshop was used to for editing
The greenhouses are covered by several large umbrella-like structures that collect rainwater. The rainwater that is collected is used for irrigation of the plants.
Revit was used for the model and Photoshop was used to for editing
A burm is designed in between the housing structures and filters water run-off from the buildings. Water from washers, sinks, and showers are also connected to the burm to be filtered.
Revit was used for the model and Photoshop was used to for editing
PHENOMENOLOGY
THE TERME IN PRE ST. DIDIER PRE ST. DIDIER, AOSTA, ITALY FALL OF 2013
The site is located (16 Alle Des Termes) on a valley so that the topography gently descends towards the river Ayasse which is mainly Biancos Glacie. Studying Phenomenology and Baroque architecture (found throughout Aosta) the concept of the spa is inspired by Carravagio and his painting titled The Narcissus. With the use of material, light, water, and the natural context, the spa becomes a place to think, meditate, relax, and reflect on ones life. The experience is a haptic one; an architectural theory of phenomenology, where all senses are activated.
30
Plywood, cardboard, and acetate were cut using a lazer cutter
Throughout this spa, water guides as a reflection of the body. The water guides the user to the river Ayasse, in freezing temperatures, where the finish sauna is found. This activates the sense of hearing and touch.
Revit was used for the model and Photoshop was used to for editing
Revit was used for the model and Photoshop was used to for editing
The reflection starts with a pool of water at the entry. The water funnels and guides the user inside the spa.
Revit was used for the model and Photoshop was used to for editing
Views are limited and are planned strategically. Walls that are found on the East side of the building block views of the town leaving impeccable views of Monte Blanc.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
A detail section model was crafted to understand space, detail, and coordination.
Revit and Cad was used to draft
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
COMPREHENSIVE STUDIO
OSUMA OSU STILLWATER OKLAHOMA SPRING OF 2014
Educating students how a museum functions is an innovative approach to a museum experience. THE OSUMA’S TEACHING MUSEUM EDUCATES BY BEING TRANSPARENT WITH THE WAY ART IS CURATED, PRESERVED AND CARED FOR. The ground floor is fully transparent to allow a visually interaction between people inside and outside. Curving walls guide the circulation for the short term and long term user. Once the user moves up into the second floor gallery, the spaces changes; a contrast from the ground level. By creating an ambient environment that is pure form, the atmosphere naturally becomes one of solitude. This is to allow the users to think and focus on the art.
40
Revit was used for the model and Photoshop was used to for editing
Sketching and modeling to study the program, space, and form.
Revit was used for the model and Photoshop was used to for editing
Kolumba brick is a hand made and fire roasted brick. It clads the second story whereas glass surrounds the first floor. Brick was chosen to have an impression that is surreal. Inspired by the surrealist painter Doel Reed, who is native to Oklahoma.
Revit was used for the model and Photoshop was used to for editing
Revit was used for the model and rendering and Photoshop was used to for editing
Transition spaces are placed simultaneously throughout the museum to bring in light and rest to the user.
Revit was used for the model and rendering and Photoshop was used to for editing
The museum is an open and flexible space for the changing exhibits.
0' - 2"
In the design development phase we chose a focus space to study light, space and detail. The detail section helps further our knowledge and understanding of how a building is put together.
0' - 2"
4' - 2 3/32"
0' - 2"
1/4" FINISHED PINE
0' - 11 3/16"
2"X4" WOOD LUMBER
0' - 11 5/16"
3' - 8 31/32" 0' - 11"
0' - 1 5/8"
0' - 0 1/4"
0' - 0 1/4"
0' - 2"
0' - 2 1/8"
3' - 5 3/4"
0' - 11 3/16"
0' - 2 1/8"
0' - 1 1/2" 1' - 4 5/8"
4' - 2 3/32"
0' - 2"
3' - 5 3/4"
0' - 2 1/8"
0' - 1 1/2" 0' - 6 1/8"
0' - 1 1/2"
1' - 4 5/8"
0' - 1 1/2"
1' - 4 5/8"
0' - 6 1/8"
0' - 2"
3' - 10"
1 /32" ROUGH LIME MORTAR FINISH
1 /32" ROUGH LIME MORTAR FINISH
1 /32" ROUGH LIME MORTAR FINISH 1/4" FINISHED
1/64"SMOOTH LIME MORTAR FINISH 1 1/2" METAL BRACING METAL NOSING
PINE TREAD
2"X4" WOOD LUMBER
ROUGH PINE MORTAR
FORMED CONCRETE
" 8.76°
2' - 0" 4' - 0" 4' - 4"
3' - 7 5/8"
0' - 6 1/8"
8' - 6"
7' - 5"
1' - 4 5/8"
O STAI
"
2 5/8
CONCRETE 2
CONCRETE 2
Project number Date Drawn by Checked by
A Scale
"
5/8
CONCRETE 2
2 A11.1
1 /32" ROUGH LIME MORTAR FINISH
No.
1/4" FINISHED PINE
Description
Date
1/8" WALNUT NAIL
2' - 0" 4' - 0" 4' - 4"
4' - 2 3/32"
0' - 2"
0' - 2"
15' - 7"
15' - 5"
0' - 2"
3' - 10"
1 /32" ROUGH LIME MORTAR FINISH
---
1/64"SMOOTH LIME MORTAR FINISH
Revit was used for the detail drawings
0' - 11"
Project number Date
Checked by
4216 5/2/14 TONY HAMMONTREE HOMER
A11.1 As indicated
Scale
0' - 2 1/8"
0' - 3 1/2"
4' - 1 3/4"
0' - 1 5/8"
LED LAMP FORMED CONCRETE
Drawn by
0' - 0 1/4"
2"X4" WOOD LUMBER
5/2/2014 4:38:35 PM
CONCRETE 2
0' - 0 1/4"
1/4" FINISHED PINE
Owner OSUMA STAIR DETAILS
0' - 11 3/16"
2 A11.1
1/4" DRY WALL 1 1/2" METAL BRACING
0' - 11 5/16"
"
2 5/8
0' - 11 1/8"
1' -
3' - 8 31/32"
3' - 7 5/8"
CONCRETE 2 CONCRETE 1
0' - 7 11/16"
"
7 1/4
7' - 5"
0' -
0' - 1 11/32"
ø 17
2' - 0"
"
-0
0' - 6 7/8" 0' - 6 7/8" 0' - 6 7/8"
0' - 2"
0' - 2 1/8"
0' - 2"
3' - 7 5/8"
2' - 0" 4' - 0" 4' - 4"
R
4'
8' - 6"
2' - 0" 0' - 2"
0' - 7 1/4"
1' - 2 5/8"
' - 0"
8' - 6"
D
8.76°
1' - 2 5/8"
R
8'
-0
"
ROUGH PINE MORTAR
0' - 7 1/4"
LED LAMP
PINE TREAD
0' - 2"
0' - 2 1/8"
3' - 7 5/8"
3' - 7 5/8"
1' -
CONCRETE 1
METAL NOSING
0' - 7 1/4
8.76°
0' - 7 1/4"
8' - 6"
"
0' - 2"
2' - 0"
15' - 7"
15' - 5"
0' - 3 1/2"
8' - 6" 0' - 1 5/8"
0' - 0 1/4"
1' - 2 5/8
1' - 2 5/8"
- 0" 8' R
0' - 1 1/2"
15' - 7"
0' - 7 1/4"
- 0" 4' - 4"
3' - 7 5/8"
0' - 6 7/8"
2' - 0" 0' - 2 1/8" 4'
0' - 2"
8' - 6"
"
7 1/4
7' - 5"
0' -
2' - 0"
0' - 1 1/2"
1' - 4 5/8"
"
7 1/4
0' -
0' - 2 1/8"
0' - 2"
D
3' - 5 3/4"
0' - 1 1/2" 0' - 6 1/8"
A11.1
0' - 4 7/8" 0' - 1"
0' - 0 1/4"
' - 0"
0' - 1 11/32"
0' - 11 1/8"
0' - 2 1/8"
CONCRETE 1
2
Ground Floor 1 0' - 1"
No.
LAMP
D
4' - 1 3/4"
CONCRETE 2
---
0' - 1 1/4"
- 0"
---
0' - 7 11/16"
4'
" -0
0' - 2"
R
4'
15' - 5"
3' - 8 31/32"
"
-0
8' R 1' - 2 5/8"
R
2' - 0" 4' - 0" 4' - 4"
0' - 6 7/8" 0' - 6 7/8" 0' - 6 7/8"
0' - 2"
ø 17
' - 0" 2' - 0" 4' - 0" 4' - 4"
0' - 7 1/4"
1' - 2 5/8"
2' - 0" 0' - 2"
2' - 10 3/4"
3' - 5 7/8"
2' - 0" 0' - 2"
0' - 11 3/16"
ROUGH PINE MORTAR
D
D
LED LAMP LED
PINE TREAD
LED LAMP
13' 13' - 0"
PINE
1/8" WALNUT NAIL
1/8" WALNUT NAIL
1/4" FINISHED PINE
0' - 11 5/16"
0' - 8 7/8"
METAL NOSING
1/4" FINISHED PINE
0' - 11"
1/4" DRY WALL
ø 17
0' - 2 1/8"
0' - 2 1/8"
3' - 5 3/4"
2 1' -
D
0' - 6 1/8"
0' - 3 1/2"
0' - 0 1/4"
3' - 8 31/32"
0' - 11 1/8"
0' - 1 11/32"
0' - 6 7/8" 0' - 6 7/8" 0' - 6 7/8"
0' - 1 1/4" 2' - 10 3/4"
3' - 5 7/8"
0' - 1 1/2"
Ground Floor 1 0' - 1"
0' - 4 7/8" 0' - 1"
0' - 6 7/8"
1' - 4 5/8"
4' - 1 3/4"
0' - 2 1/8"
0' - 7 11/16"
0' - 1 1/4" 2' - 10 3/4"
Ground Floor 1 0' - 1"
0' - 11 5/16"
LED LAMP
FORMED CONCRETE
0' - 1 1/2"
0' - 6 1/8"
0' - 1 5/8"
0' - 6 7/8" 0' - 6 7/8" 0' - 6 7/8"
1/4" FINISHED PINE
2"X4" WOOD LUMBER
13' 13' - 0"
0' - 6 7/8"
3' - 10"
0' - 7 11/16"
0' - 2 1/8"
1/4" DRY WALL
1 1/2" METAL BRACING
0' - 8 7/8"
0' - 11"
1 /32" ROUGH LIME MORTAR FINISH
1/64"SMOOTH LIME MORTAR FINISH
0' - 4 7/8" 0' - 1"
0' -0'5-0' 7/8" 6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'63'-7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 6 7/8" - 5 7/8"
0' - 2 1/8"
0' - 1 11/32"
0' - 2"
3' - 5 3/4"
4' - 2 3/32"
In the construction document phase we put together sheets for c.d.’s. In that phase we were assigned to detail a second component to our building, in which I chose the stair.
3 A11.1
4' - 1 3/4" 0' - 2 1/8"
4' - 1 3/4"
0' - 11 1/8"
0' - 2"
0' - 0 1/4"
0' - 2"
0' - 3 1/2"
LED LAMP FORMED CONCRETE
13' 13' - 0"
3 A11.1
4' - 1 3/4"
0' - 11"
0' - 11"
1/4" DRY WALL 1 1/2" METAL BRACING
0' - 2"
0' - 2 1/8"
0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0' -0'5-0' 7/8" 6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 6 7/8"
0' - 2"
3' - 10"
1/64"SMOOTH LIME MORTAR FINISH
0' - 2 1/8"
0' - 2 1/8"
0' - 8 7/8"
0' - 11"
0' -0'5-0' 7/8" 6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 0'6 -7/8" 6 7/8" 0' - 2"
3' - 5 3/4"
1 /32" ROUGH LIME MORTAR FINISH
3 A11.1
4' - 1 3/4" 0' - 2 1/8"
3' - 5 3/4"
0' - 1 1/2" 0' - 6 1/8"
1' - 4 5/8"
0' - 2 1/8"
0' - 1 1/2" 0' - 1 1/2"
1' - 4 5/8"
0' - 6 1/8"
1
?1 1/4" BRICK TILE 2" ENGINEERED SOIL ? 1 1/2" PRE CAST?CONCRET SLABS 3 3/4" SEPERATION LAYER ? 1 3/4" ?DRAINAGE LAYER 1/16" ? VAPOR BARRIER 2" ? RIGID INSULATION 5" CONCRETE SLAB ON ? METAL DECKING 1/4" GDK METAL ? FABRIC CEILING
ROOF LEVEL 41' - 10" 3 5/8" ? BRICK CLADDING
top of structure 40' - 8"
1--A9.4
1" AIR? GAP 1/16" ? VAPOR BARRIER 8" METAL STUD ? 6" POLYURETHANE INULSATION ?
-2 --A9.4
3/4" SHEATHING ? 1/2" DRYWALL ?
LEVEL 2 20' - 0"
2 1/4" WOOD RAISED FLOOR FOR ?BREATHING FLOOR 2 3/4" TALL GRIDDED METAL SUBSTRUCTURE ?
3" CONCRETE SLAB?ON METAL DECKING 1/2" EXTERIOR GYPSUM SOFFIT BOARD ? 3/4" PILKINGTON OPTIFLOAT STOREFRONT ?
Slab 1 15' - 0"
GROUND LEVEL 13' - 0" 3 --A9.4
4--A9.4
3" ON GRADE CONCRETE SLAB W/ ? SILKAFILM FINISHING 1 1/2" STEEL PROFILE EDGE ?
1 1/8" LAYER OF? CRUSHED GRANITE 2' INTO THE GROUND ? CONCRETE FOUNDATION
Ground Floor 1 0' - 0"
4--S8.0
Rhino 3d was used for the model and Photoshop was used to for editing