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INTRODUCTION I-CQ9I# K%K1.A%ó>#BQ ->I ><'/<!E&ô>% (4(A05. ;,*/5636.@ (990=,:

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KITCHEN TRENDS

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SICAM %3=! //-L%#D /< =& 0556=(;065 (; ,=,9@ 3,=,3

MAISON & OBJET 2

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MILAN DESIGN

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ECOLOGY

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INTRODUCTION

4

AMAZING TECHNOLOGY ARRIVES I-CQ9I# K%K1.A%ó>#BQ ->I ><'/<!E&ô>%

71>. %/Eõ 6B .@ % A ' /A > = & %3= ! //-1RV > .D #AQ I # K%K1.A I õ > ->-A &#&>#-> BR% -AI7!D(1 AO -> ->.#AQ&õ>%L%.DK/' 3/-A ¨ÓÌßÈ 1V>K* 6=Q >/ õ3.I6A. #V> >%M õ/>3 =&I'û%6-> @ 9A %7%BQ L% /9& /=3 6ô3%L% >% ªÖÓÖÎÕÌ °ÕÛÌÙÕÈÛÐÖÕÈÓ ­ÈÐÙ /=R 1ô>6D ¨Ü×ÐÕÎ M õI'ë !=3I /CQ9 ô3. >/%9% @R%L7-ô#AQ%ô>#BQ J ô(Eõ - %=Q% C9 7Dô%.%!ø ô3. >/%9%71=& ºÖÔÕÖß -A1= 5 < 1õ>.7-9%#AQ V>19 >/7>.L 9 -%D5.øJ1<'1ô9.I6A. #AQ#V>L7õ/Eõ6 B (ô9% 1>. 99 J&& ->I*C9Q ô3.L7õ %%9%71=&M õ A %RB 9A %3=! //-7%B Q #AMQ /õ &= 3>-6%L M-ô.@Q 7.ô9%M' 3ô> =% C9 ¶³¬« 6->/ø##A3A391I'I'9/ø ² 9 0U[LYS IRL %> %@R3 &> I*A. -@11@I-!/ 7%õ> 9 ±ÖÙÌÓ »½ ½ÐÚÐÖÕ BQ I-CQ9'ë >/#V> >% < EM-ô99 I1.3ô>I'û% 9K#/#=4%ø 4HU` HYL KLSPNO[LK H[ [OL HYYP]HS VM TVYL [LJOUPJHS PUUV]H[PVU HUK [OLYL HYL NVVK YLHZVUZ MVY [OL HKVW[PVU VM º(SL_H» PU[V ,\YVWLHU OVTLZ ¶ H ]VPJL JVU[YVSSLK ZLY]PJL SV\KZWLHRLY ¶ [OH[ M\UJ[PVUZ HSTVZ[ HZ HUV[OLY YLZPKLU[ ([ [OL YLJLU[ *VSVNUL 0U[LYUH[PVUHS -\YUP[\YL -HPY (\WPUN SH\UJOLK H UL^ ILKMLSSV^ Z\YWYPZPUN ]PZP[VYZ ^P[O [OL º:VTUV_» ZSLLW YVIV[ ;OPZ WPSSV^ SPRL KL]PJL ZPT\SH[LZ O\THU YLZWPYH[PVU HUK LTP[Z JHSTPUN ZV\UKZ ;OL \UP[ NLULYH[LK H SV[ VM PU[LYLZ[ VU [OL JVTWHU`»Z *VSVNUL Z[HUK HUK PZ PU[LUKLK [V OLSW [OL \ZLY ZSLLW IL[[LY 6M UV SLZZ PU[LYLZ[ ^HZ 0U[LYS IRL»Z MV\Y TPSSPTL[YL \S[YH [OPU PUJO :THY[ 2 >HSSWHWLY 63,+ ;= VWLYH[PUN H[ [OL MYVU[ LUK VM [OL 1VYLS ;= =PZPVU Z`Z[LT >OLU Z^P[JOLK VMM [OL \UP[ KVLZ UV[ OH]L [OL HWWLHYHUJL VM H [LSL]PZPVU ZL[

%AQ C9%3=! //-6-&E/ ÷J&& K#/#=4%÷#AQ-A/E'1= 5 ÷'/<7%BQ &>%!EôI P& 9 ô3.I# K%K1.A °ÕØËÒ º¼ ¼ÏÙÏÕÔ BQ J#ô /@ J1ô3 P C97%ô> 9K#/#=4%÷ #AQ&> I A.&%=Q%I9 ,>*'/< 9& ¯ÔÚËØÒÛÈÑË This is a complete innovation: when switched off, a television with the appearance of a cabinet door. In reality the Jorel TV Vision is an ultra-thin television screen. Photo: Interlübke.

&#%V> NEUE FORM

INTRODUCTION

5

(EôL ô6>->/"9Dô-7Dó%.%!÷ ó3. 1ó9- §ÛÖÏÔÍ M ô/>3 =&9Dô-I P %ô9.M3ôL%9ô9- 9 %9 > %AR.= 6ó I6A. I*1 19M'M ô9A ô3. ,>*'/< 9& ­ÛÏÊÕ ¹ÉÎÔÏËÌËØ The user can cradle Auping’s sleep robot just like a baby on the arm. It can also play music. Photo: Guido Schiefer

9@--÷ K K1s%÷ IMM COLOGNE

FLEXIBLE SHELVES AND GRACEFUL FRONTS =R%#AQ.C 7.Dó%J1< +/9%#÷#AQ6 ó> >6ô3%(6-9=%#/ D ô>¡ 'ù D&=% 3>-%@.- 9 !1> L% >/! J!ô õ3.*CR%(@3M-õ$//- >!@ E @&O %=R%1 %õ9.1 9.ô> I7P%M õ = J1< 1=&"E 6M!1øJ&&%@3K&:AI-A.% @ I õ>-> ô3 @ 3>-6%L 3õ . >%99 J&&J1<3=6 #D AQ 6E ô> >-.@ Q B%R 9A #= R >/I1C9 L õ6 A IP 'û%6@ Q 6V> =s I*/><6AI A.3 +ð> J1<#9 #AIQ 1C9 L õ%%=R P6>V =sM-ô%9õ .M' 3ô> 6AK#%/õ9%9.ô> 6A6-õ 9/=1 7/C96AI71C9 9-%V>R !>1 6ô3%!E1õ %@R = %=%R != R 9.E&ô % >!E1õ 3 1>.1<I-A. 1<M- 6V>7/=&I#/% #ø LAQ õ &= &õ>%%=%R >/I1C9 L õ %@R >%#AMQ -ô >V I > M-ô"B J1<'/=&I'1AQ.%M õ!>-!õ9 >/ = I ô% >/I*@Q-1= 5 <I *><!=3L7õ =&*CR%(@36=-(=6 9 @R% >%#V>L7õ7%õ>&>% E-A%ô>!CQ%I!õ%-> BR% L% <#AQ!Eõ1@R% = #/ 6E %=R% 1>.I'û%'/<7%BQ (1 >%4@1'< 7%õ>&>%(@3 /< L7õ 3>-/Eõ6B 9 6=-(=6L7-ô I @ I'û% 3>-71> 71>. 9 6A#AQI'1AQ.%M' #=R 9&9Dô% J333>3 #AQI @ > >/!= =% 9 6A V>J1<I @% =HS\HISL JVTIPUH[PVUZ! ;OLYL PZ UV^ H JSLHY THYRL[ KLJSPUL PU WYLMLYLUJL MVY H UH[\YHS ÄUPZO VM YV\NO ^VVK ^OPJO OHZ ILLU KPZSVKNLK I` HU PU[LYLZ[ PU H UL^ )VOLTPHU JOPJ ^P[O TVYL NYHJLM\S TH[LYPHSZ HUK KLZPNU ;OL JOVPJL VM JVSV\Y PZ PTWVY[HU[ ^P[O NYLLU IS\L HUK NVSK ILPUN Q\Z[ HZ PTWVY[HU[ HZ JVYHS VY VJOYL `LSSV^ *OLZ[Z VM KYH^LYZ Z[HUK VU ÄSPNYLL MLL[ -VY [OL OVTL [OLYL PZ SV[Z VM PU[LYLZ[ PU \U\Z\HS PUJPKLU[HS P[LTZ HUK ÅL_PIPSP[`" SPRL^PZL Z\YMHJL [HJ[PSL JOHYHJ[LYPZ[PJZ ;OL MYVU[Z WYLZLU[ HU L_JP[PUN YLSPLM ^OPSL JOLZ[Z VM KYH^LYZ HUK OPNOIVHYKZ ILJVTL VIQL[Z K»HY[ 4PYYVYLK KVVYZ SLUK H UL^ HJJLU[ :\YMHJLZ JVTL PU H ZWLJ[HJ\SHY ]HYPL[` VM JVSV\YZ YHUNPUN MYVT H ^HYT ZOPTTLYPUN NVSK [V JVU[YHZ[PUN JVTIPUH[PVUZ VM ISHJR KV[Z HUK ZPS]LY

>/ =& Eó#AQ%ó>71 L71 9 J6 I >J1<I >6<#ô9% > /< ´ËÞ ­ÒÇÓÕÛØ > ¶ÏÛØË ,>*'/< 9& ¶ÏÛØË

NEUE FORM

A fascinating duet between reflections and mirror-effects: ‘Nex Glamour’ from Piure. Photo: Piure.

6

I&CR9 71= ²Ă?Ă’Ă› > ÂŻĂ”ĂšĂ‹Ă˜Ă’Ă›ĂˆĂ‘Ă‹ %AR C9 D =R%3> !=R > #AQ!@ I Ă´> =&(%= #AQL PM Ă´L%&Ă´>% 3>-1=&9.EĂł#AQ =R%3> !=R > 6>J&&!Ăł> =%99 M' 6>->/"L Ă´ D #AQI Ă´> =%7/C9!=R 3> !V>J7%Ăł L7-ĂłM Ă´!>-!Ă´9 >/ K .M-Ăł!Ă´9 L Ă´9D' / áL O Ăł3. ,>*'/< 9& InterlĂźbke Behind InterlĂźbke’s ‘Lilu’ is an angled shelf system that can be ďŹ tted to walls in any part of the home. The secret rests with the three different basic angled units that may be combined with each other and repositioned as required without the need for tools. Photo: InterlĂźbke.

NEUE FORM

IMM

7

ÂąĂ‹ĂšĂšĂ”Ă‡Ă‘Ă‹Ă˜ I'ĂŞ !=3 91I1 =Q%*@I45#AQ-A CQ93Ăł> šĂ•Ă“Ç 7%Ă´>&>%!@ =&#D Ă´>%K .L Ă´I6Ă´%6>. 9 K / I71P #V>L7Ă´'/<!EJ1<6@Q #AQ9.EĂł/9&O -A/E'1= 5 áI7-C9%,>* />+ĂŞ ,>*'/< 9& ­Ă›Ă?ĂŠĂ• šĂ‰ĂŽĂ”Ă?Ă‹ĂŒĂ‹Ă˜ Kettnaker has launched a limited run of the special-edition ‘Soma’. The fronts are deďŹ ned on all sides by ďŹ ligree grooves, lending the doors and surroundings a graphical appearance. Photo: Guido Schiefer.

1

1

!E Ă´ ÂąÂ—Âœ > MĂźller MĂśbelfabrikation 6>->/"L Ă´ &= >9<1E-I@ %A.-7/C9!@ 9.E Ăł &= (%= K .M-Ăł!9Ă´ L Ă´ > PM Ă´ 6@Q #AQJ'1 !>#AQ6D P C9K / I71P #AQ'/< 9&I'Ăş%'/<!EI1CQ9% ,>*'/< 9& MĂźller MĂśbelfabrikation The K16 sideboard from MĂźller MĂśbelfabrikation can stand either on aluminium legs, or be attached to the wall without legs. Most unusual is the metal structure of the sliding doors. Photo: MĂźller MĂśbelfabrikation.

2

M-Ăł3Ăł> <I'Ăş%!EĂ´J 3% M á&9/á !EĂ´1@R% = I /CQ9 &D/9 !Ăł> O ,>5> 9 /E'#/ %=R%/V>Q /3. Ă´3.I6Ă´% K Ă´ I6Ă´%I3Ă´> ²Ă?Ă?ÔË ¸Ă•Ă™Ă‹Ăš J1< ÂŤĂ˜Ă?É °Ă•Ă›Ă˜ĂŠĂ‡Ă” 6// á6/Ă´> A/AQ6á ÂśĂ•Ă™ĂšĂ“Ă•ĂŠĂ‹Ă˜Ă”Ă‹ BR% Ă´3.13 1>.#AQ 1<I9A. 9Ăł9% B Q /3-"B >/I1C9 L Ă´36= D I Ăł%M-Ă´ /< 7@%J/Ăł = B%R I >#ALQ 7Ă´1 D 9 7@%9Ăł9%6A >V -=%3>3 ,>*'/< 9& ²Ă?Ă?ÔË ¸Ă•Ă™Ă‹Ăš Whether it is a cupboard, sideboard, chest of drawers or upholstery – the form language of the moment is rich in curves. For Ligne Roset, Éric Jourdan created his ‘Postmoderne’ series with reďŹ ned details. This includes the choice of materials: wood, glass and polished minerals in high-gloss black marble look. Photo: Ligne Roset.

3

3>- 1- 1C%,>.L%&Ă´>% #=R (%= &D =R%3> !@ (%= #Ăľ9'I >%áI!9/á 7Ă´9 %VR> 7/C9I+9/á%@I 9/á I1P %Ă´9.!Ăł> O ´Ă‹Ă•Ă’Ă?ÚÎ 6>->/"99 J&&M Ă´/>3 =&3Ăł>#D 6@Q 71Ăł999 -> > *@-*áI A.3 =% J-Ă´ /<#=Q *C%R 'E1>.M-Ă´ P#>V ->3=6 #D IAQ 'Ăş% /<I&C9R I 1C9& #AQ IE 7-C9% /@ %%Ăł>#B Q ,>*'/< 9& mĂśbel kultur. Harmony in the home: whether wall panelling, shelves, worktops, bathrooms or incidental furniture: Neolith can design anything to look as if is all from the same mould. Even the wood-patterned oor coverings are made from a porcelain ceramic compacted material, and look remarkably genuine. Photo: mĂśbel kultur.

NEUE FORM

3

8

IMM

2

9

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9@--á K K1s%á IMM COLOGNE

CONVENIENCE AND COMFORT THROUGHOUT

NEUE FORM

6< 3 6&>.L%#D -@!@

10

I!A. %AR-AM3Ă´%9%I#Ăł>%=R%7/C9 AM 6I%9/á šĂ‹ĂˆĂ‡Ă™ĂšĂ?ÇÓ ÂŽĂ‹Ă˜Ă‘Ă”Ă‹Ă˜ .= -9 I7P%3Ăł>I!A. I'Ăş%M Ă´#=R #AQ9Ăł>%7%= 6C9-D-#V> >% J1<K!Ăľ<9>7>/I Ă´> I >.= -DĂł -=Q%#AQ <#V>L7Ă´-=% -9& 3>-6&>.L7Ă´-> #AQ6D I#Ăł>#AQ <I'Ăş%M'M Ă´ ¾ÔÕ BQ I'Ăş% >% AM %á 9 I > L7Ă´J Ăł šĂ‰ĂŽĂ˜Ă‡Ă“Ă“ %=R% -AI&><&D%3-*@ 6&>.I*CQ9 3>-(Ăł9% 1>.I!P- =R% ,>*'/< 9& šĂ‰ĂŽĂ˜Ă‡Ă“Ă“ Is a bed just for sleeping? Designer Sebastian Herkner also sees bed as a place for reading, working or breakfast, and is determined to make it as comfortable as possible. His ‘Ono’ design for Schramm has comfortably upholstered cushions for maximum relaxation. Photo: Schramm.

IMM

&// >1L Ă´3.$//- >!@ D I+9/á%@I 9/á Ÿ“ŸÇĂ?ÇÔÚÕ > ŸÕĂ?Ă’Ă‡Ă›Ă‹Ă˜ 91I1 =Q%%AR'/< 9& Ă´3.I!A. I AQ.3 '/< =& Ă´3. >% 7=!" //--C9 Ă´3./>.1<I9A. 9 ,>5>99 J&&9=%!/< >/!> ,>*'/< 9& ŸĂ•Ă?Ă’Ă‡Ă›Ă‹Ă˜ Inspired by nature: the V-Vaganto from Voglauer. This range has a free standing bed with many hand-crafted details in an extravagant design language. Photo:Voglauer.

#AQK K1s%á K % ²Ă‹Ăš Ă™ ĂˆĂ‹ šĂ“Ă‡Ă˜Ăš K+ =6#AQI/CQ9 9 I# K%K1.A >/I CQ9-!Ăł9 %9 > = J6 &Ă´>%#AQI CQ9-K. I /C9 Ăł>. I Ă´> =& >/ 3& D-(Ăł>%J9'J1Ă´3 K %%AR.= = J6 M9I A.L7-Ăł#AQJ6% <71= J71- I Ăł% ÂłĂ&#x;Ă?ÊÇÒ K71J Ă´3 BQ K -M+ J 3%6V>7/=&'1E !Ă´%M-Ă´ BQ J!Ăł1<K71I @ I'Ăş%/<&&%@I34#AQ V>/ 9.EĂłM Ă´ Ă´3.!%I9 ,>*'/< 9& ­Ă›Ă?ĂŠĂ• šĂ‰ĂŽĂ?Ă‹ĂŒĂ‹Ă˜

/=3J1<*CR%#AQ#>%9>7>/M þ 1>.I'Ý%7þ9 %=Q I1ô%L7-ôI6A.J1þ3 'Ú D&=%I#/% ø%ARM þ/=&I6A. !9&/=&I'Ý% 9.ô> A = #AQM þI7P% > >/ = J6 #AQK K1s%ø (ô>% D I+9/ø%@I 9/ø6V>7/=&/=&'/<#>%9>7>/L7-ô1ô>6D I þ>9ARJ6%6&>. ô3.-9&'Ú =. 3>-/Eþ6B AJ ô#D %#AQ/>.1þ9-K!Ü<%=R% K!Ü<.>3 ô3.I*@Q-*CR%#AQ#AQ V>I'Ý%J ô >/L þ >% K!Ü<M-þ#AQJ P J /ô þ3.K / 6/þ> #AQJ P J/ ô3.%V>6>.!> I6/@- þ3.I />-@ #AQL7þ 3>-/Eþ6B #=%6-=. I ô%I .A 3 =&I+9/ø%I@ 9/ø,>.L%7þ9 %9%#AIQ %þ% 3>-6&>. I*/><7þ9 %9%M-ôM "þ E L þI'Ý%I*A. #AQ 6V>7/=&%9%9A !ô9M' 7> J!ôI'Ý%6">%#AQ6V>7/=& >/(ô9% 1>. BQ %=%Q 7->. 3>-3ô>I!A. 6M!1øK-I @/ø%%AR !þ9 '/< 9& þ3.(%= *@ 4A/5<#AQ&D%3-9.ô> A J1<*CR%#AQ6V>7/=&3> 6@Q 1<9=%*=%1<%þ9. %9 > %A R /<J6 3>-!þ9 >/L%I# K%K1.A9= /@.<%=R%I*@Q--> BR% BQ <%AR*/þ9-L7þ(Eþ&/@K, I'Ý%I þ> 9 6->/ø#K:- L%/> >#AQ =&!þ9 M þ-> .@Q BR% ;OL RP[JOLU HUK KPUPUN HYLHZ OH]L ILJVTL [OL UL^ SP]PUN YVVT ;OL [YLUK PZ UV^ ^LSS LZ[HISPZOLK œ HZ HSZV ZLLU PU *VSVNUL I` [OL SH[LZ[ KPUPUN M\YUP[\YL *VTMVY[HISL JOHPYZ

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At Cologne, the ‘Let’s be Smart’ zone focused on connectivity. In addition to the networked home and App controls the zone also featured intelligent new ideas – such as ‘Mygdal’ hanging plant lamp-asks, each a fully self-contained eco-system. Photo: Guido Schiefer.

NP]L H OPNO MLLS NVVK MHJ[VY HYV\UK [OL [HISL ^P[O SVUN [HISLZ WYV]PKPUN [OL ULJLZZHY` ZWHJL :VSPK ^VVK [HISLZ VM Z[V\[ JVUZ[Y\J[PVU Z[PSS SLHK [OL ^H` Z\WWSLTLU[LK I` TVKLYU JLYHTPJZ 3PRL^PZL ILKYVVT M\YUP[\YL W\[Z [OL LTWOHZPZ VU JVTMVY[HISL ZVS\[PVUZ )LKYVVTZ HYL UV SVUNLY \ZLK VUS` MVY ZSLLWPUN I\[ HSZV MVY YLSH_H[PVU TLHUPUN [OH[ H TVKLYU ILK ULLKZ HU \WOVSZ[LYLK OLHKIVHYK HUK ZVTL^OLYL [V W\[ [OPUNZ KV^U ;OLYL PZ HSZV TVYL KLTHUK MVY PU[LSSPNLU[ [LJOUVSVN` UV^ HSZV PUJYLHZPUNS` H]HPSHISL H[ JVUZ\TLY LU[Y` SL]LS WYPJLZ MVY [OL Âş:THY[ /VTLÂť

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IMM

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¸Ă•Ă™Ă‹Ă”ÚÎÇÒ I1C9 ,>5>I6Ă´%6>.K Ă´ I3Ă´> 6V>7/=&K!Ăľ<M-Ă´ ÛÙÉÇ J1<I Ă´>9AR ¨Ă•Ă’ĂˆĂ• #=R 69 @R%%AR99 J&&K . ºÎÕÓÇÙ ÂŹĂ‹Ă?Ă‰ĂŽĂšĂ‹Ă˜ I Ă´>9AR ¨Ă•Ă’ĂˆĂ• 69 !=37/C9-> 3Ăł> %=R% 6>->/" =& EĂł =%L7Ă´ 1>.I'Ăş%-Ă´>%=Q M Ă´ ,>*'/< 9& ¸Ă•Ă™Ă‹Ă”ÚÎÇÒ Rosenthal chose a curved form language for the solid wood ‘Fusca’ table and ‘Bolbo’ chair, both designed by Thomas Feichter. Two or more Bolbo chairs may be coupled to form a bench. Photo: Rosenthal.

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šĂšĂ˜Ă‹Ă™Ă™Ă’ËÙÙ ÂŞĂ?Ă”Ă?Ă”Ă? 9 ÂŤĂ‘Ă•Ă˜Ă”Ă‹Ă™ #AQ6>->/"'/=& I'1AQ.%M Ă´ '/< 9& Ă´3./<&& ¨Ă‡Ă’ÇÔÉ˓§ĂŠĂ‡Ă–Ăš #AQ-A 6@#$@&!= /I *>< 6>->/"'/=&/< &= *%= *@ J1<I&><%= Q L7Ă´ 69 1Ă´9 =&6/A/<(EĂ´%=Q !>-!Ă´9 >/M Ă´K .9=!K%-=!@ ,>*'/< 9& mĂśbel kultur Ekornes ‘Stressless Dining’ adjustable chairs have a patented ‘Balance-Adapt’ system that automatically synchronises and repositions the backrest and seat as needed by the occupant’s posture. Photo: mĂśbel kultur.

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K!Ăľ<M-Ă´ %> L7sĂł-*A %CR (@3 /D /<!>-I6Ă´%6>.1>.M-Ă´. = I'Ăş%#AQ!Ă´9 >/9.Ăł> -> šĂ‰ĂŽĂ•Ă’ĂšĂ?ÙÙËÑ I1C9 #AQ < '1Ăł9./9.'/@J! J1<71D-!>-$//- >!@L7Ă´'/> = I %J1<I 1C9& 3Ă´ .I/ @%Q 9< /@1 @ ,>*'/< 9& ­Ă›Ă?ĂŠĂ• šĂ‰ĂŽĂ?Ă‹ĂŒĂ‹Ă˜ Large wooden tables with a striking grain remain very much in demand. Scholtissek decided to leave natural ďŹ ssures and knotholes clearly visible, shielded by transparent acrylic resin. Photo: Guido Schiefer.

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I#/% ÷7ô9 %RV> BATH DESIGN TRENDS

LUXURY SPA FOR THE HOME

7ô9 %VR> BATH

6< 3 6&>.L%#D -@!@ /<J6I'1AQ.%J'1 %V>M'6EôI#/% ø7õ9 %VR>'ù D&=%I%õ%M'#AQ Eô(6-#AQ"E V> = M3õJ ô >/L õ6A#9 Eô =&I />-@ L7õ E-A/< =& BQ EJ1õ3%ô> <I.AQ.-.9 J!ô 1=&L7õ 3>/Eõ6B V>I I6A.-> 3ô> 'ù D&=%%AR-A*CR%(@37õ9 %VR>-> ->.L7õI1C9 6// !=R J!ô6AI71C9 J1<K/6K 1 ø M' %"B 6AK /-J1<6A V> 9.ô> #AQ/Eõ =%3ô>&/@5=#(Eõ(1@!6>->/" 6/õ> (1@!,= øI*CQ9!9&6%9 #D /6%@.- M-ô3ô> <*CR%(@31>. = 7/C9 BR%I > AM %øI71ô>%ARI!P-M' õ3. 3>-1<I9A. 1<99J1<*@"A*@"=% I ô%I A.3 =% 9ô> 1õ> 7%õ>#AQ M-ôK 99 > ,>*/3-J1<I/A.& ô>. #ô>- 1> &//.> >4J&&-@%@-91 #AQ EI7%C9 =R%I-CQ9"E />.1õ9- õ3.6D ,= ø9CQ%O 7/C9(6-(6>% =&K17<6AI õ- K ./3J1õ3 I#/% ø7õ9 %VR>%=R% E-A&//.> >4#AQ9&9Dô%-> BR% !õ9 9& D >/%V>1>.M-õJ1<K#%6A)Dï%->'/=&L õ ;OL J\YYLU[ ZOPM[ [V^HYKZ S\_\Y` IH[OYVVTZ PZ OPNOSPNO[LK I` [OL YLZ[YHPULK JVTIPUH[PVU VM NVSKLU JVSV\YZ HUK JSHZZ` JLYHTPJZ ;OL` SVVR THNUPÄJLU[ I\[ ^P[OV\[ ILPUN VZ[LU[H[PV\Z ;OLYL PZ H ^PKL ]HYPL[` VM Z\YMHJL ÄUPZO MVY IH[OYVVT Ä[[PUNZ YHUNPUN MYVT `LSSV^ HUK YVZt NVSK [V JOYVTL HUK ISHJR (Z H Y\SL THU\MHJ[\YLYZ JHU THRL WYVK\J[Z [V ZH[PZM` HSTVZ[ HU` [HZ[L ¶ PYYLZWLJ[P]L VM ^OL[OLY IY\ZOLK VY NSVZZ` ÄUPZO ;OL KLZPNU [LUKZ [V IL ÄSPNYLL HUK W\YPZ[ 3PRL^PZL ^HZOIHZPUZ HYL \UVI[Y\ZP]L HUK SV^ RL` ¶ ^P[O TPUPTHSPZ[ YHKPP ^OPJO SVVRZ [VW UV[JO ^OLU \ZLK PU H ^HZOIHZPU Z\YYV\UK VY JVTIPULK ^P[O KHYR TL[HS .LULYHSS` IH[OYVVTZ UV^ SVVR TVYL OVTLS` [OHURZ [V [OL \ZL VM ^VVKLU WH[[LYUZ HUK WV^KLY` JVSV\Y [VULZ

AM I%9/÷ >3I %->/÷ ©ËÉÏÒÏË ³ÇÔà 99 J&& 91I1 =Q% ²ÛÜ L7ô =& ªÛØÇÜÏÚ BQ I(.L7ôI7P% 3>-I/A.& ó>.#AQ I'ú%I6%ó7÷6M!1÷6J % @I%I3A.,>*'/< 9& ªÛØÇÜÏÚ

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Danish designer Cecilie Manz produced the ‘Luv’ series for Duravit, revealing simple Scandinavian charm. Photo: Duravit.

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> >/6/Ă´> 6// á/Ăł3- =& ¸Ă•Ă™Ă‹Ă”ÚÎÇÒ #> œÕÓÊ Ă•Ă˜ = J6 91I1 =%L7-Ăł ÂŤĂ—Ă›Ă?Ă’Ă?ĂˆĂ˜Ă?ÛÓ #AQ'/< 9& Ă´3. />.1<I9A. /<I&CR9 *9/á I1%9=%#/ D Ăł> ,>*'/< 9& mĂśbel kultur. In cooperation with Rosenthal, Pomd’or exhibited the new ‘Equilibrium’ collection with high-value porcelain details. Photo: mĂśbel kultur.

AM %á#AQI!P-M' Ă´3. ‘ 3>-1<I9A . 9Ăł9% J1< 3>-*@"A*@"=%

The design tends to be ďŹ li-

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gree and purist.

ÂŹĂ?Ă”Ă?Ă•Ă” (1 >% 9 ÂźĂ?Ă’Ă’Ă‹Ă˜Ă•Ă&#x; ÂŒ ¨Ă•Ă‰ĂŽ ,>5> 9 /E'#/ =R%6E %AR I'Ăş%(1-> > >/I1C9 L Ă´3=6 D J1<I9+I+Ăş !á 9 J6 ,>*'/< 9& ŸÂŒ¨ The high-class form language is the result of selection of materials and lighting effects: the ‘Finion’ from Villeroy & Boch. Photo: V&B.

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3>-*@"A*@"=%9=%6-&E/ áJ&& 91I1 =Q% ÔÕ (1 >% 9 §ĂžĂ•Ă˜ %=R%I/A.& Ăł>. 9.Ăł> = I % 9=%I'Ăş%(1 > >/L Ă´6A9.Ăł> -A '/<6@#$@,>* = >/!= Ă´3.6A#9 I Ăł%%AR ,>*'/< 9& §ĂžĂ•Ă˜ Perfect purism: Axor’s ‘Uno’ range that is radically simple, with the result that the colours are even more effective, such as this gold-coloured variant. Photo: Axor.

3Ă´ . 3>-I C9Q L% !@ Ă’Ă?ĂœĂ‹ ĂˆĂ‡ĂšĂŽĂ˜Ă•Ă•Ă“ ĂŠĂ?ĂŒĂ‹Ă˜Ă‹Ă”ĂšĂ’Ă&#x; 7/C9 L Ă´79Ă´ %V>R L7Ă´!>Ăł M' > I -@ ³ÛÚ 6!E K@ 999 J&& CQ9 = B M Ă´6/Ă´> 6// á/<&&K- E1>/á6>V 7/=&J 3%I /CQ9 9>&%V>R L7Ă´ =&J&/% á 9@!>1A9.Ăł> Þ”Ú” AM %á%AR6>->/"/9 /=& /< 7/C9,> %< %> I1P M Ă´ ,>*'/< 9& ³Ă›Ăš Adopting the motto ‘live the bathroom differently’, the famous Mut design studio created a modular system with hanging bathroom elements for the Italian brand Ex.t. These can support mirrors or small containers. Photo: Mut.

­Ă‹ĂˆĂ‹Ă˜Ă?Ăš .>. 91I1 =Q%6D ,= á9=!K%-=!@/DĂł% §Ă—ÛÇŠĂ’ËÇÔ I*@Q- BR%I'Ăş% §Ă—ÛǓ ŠĂ’ËÇÔ ºÛÓÇ #AQ E63. >-#%#>% 6@Q #AQ >s 1> 9 -=% C9I# K%K1.A6@#$@&=!/9.Ăł> ½ĂŽĂ?Ă˜Ă’šĂ–Ă˜Ă‡Ă&#x; B Q /3-I9>/<&&#Ăł9 A %V>R J1<1-I'ĂŽ>I Ă´>M3Ă´ 3Ă´ . =% 6>->/" 3& D-M Ă´ 3Ă´ . /AK-#J1<'DĂŽ- #AQ(%= ,>*'/< 9& ­Ă‹ĂˆĂ‹Ă˜Ă?Ăš

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Geberit has extended its ‘AquaClean’ douche toilet range with the ďŹ ligree AquaClean Tuma. The clever bit is the patented ‘WhirlSpray’ douche technology. This combines a water jet with dynamic air injection. It is available with remote control and wall operating panel. Photo: Geberit.

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7Ă´9 %VR> BATH

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I#/% á7ô9 %RV> BATH DESIGN TRENDS

MORE CONVENIENCE WITH DIGITAL FEATURES

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6< 3 6&>..@Q BR% Ă´3.I# K%K1.A @ @!91

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L /3Ăł>I/> M-Ăł6>->/"6/Ă´> 6D ,= á#AQ-A 3>-.C 7.DĂł%%Ă´9.J1<I7-><6V>7/=&#D %M Ă´&Ă´> ÂĽ ¨Ă›Ă˜Ă?ĂˆĂ‡ĂŠ I*@Q I'ĂŞ !=3/<&& '/=&M Ă´!>- 3>-!Ă´9 >/J!Ăł1<&D 1#AQI/A. 3Ăł> ÂŹĂ’Ă‹Ăž M'M-Ăł%>%->%AR J1<-=%6>->/"!9&K #.á 3>-!Ă´9 >/L O P!>-#AQ1E Ă´>'/>/"%> ,>*'/< 9& ¨Ă›Ă˜Ă?ĂˆĂ‡ĂŠ Who says it’s possible to make bathroom products of unlimited exibility and suitable for anyone? Burgbad, which recently launched the ‘Flex’ individualisation system, and can meet any conceivable customer requirement. Photo: Burgbad

L / P7.D M-Ă´9.EĂ´ÂĄ &Ăľ>%.D %ARI'1AQ.%(Ă´>%M'6EĂ´/<&& @ @!91#AQ Ă´3.I*@Q- 3>-6< 3 6&>.J1<!9&K #.ø 3>-!Ăľ9 >/6Ă´3%&D 1 M ĂľI'Ăť%9.Ă´> A (1@!,= ø9= /@.<!Ă´> O Ă´3.I*@Q-+Ăš ø =%L7-Ă´O L7ĂľJ Ă´7Ăľ9 %VR> J1< Ă´3.. /< =&6">%<7Ăľ9 %VR> BQ BR% CQ93Ă´>I'Ăť% 7Ăľ9 K'/ 9 >3.DK/'L7Ăľ 1>.I'Ăť% 9-+9/ø#K % 9 *3 I > 9.> M Ăľ#AQ >/ø J&!K#/4=*#ø7/C9ÂŚ M-Ă´-A'Ăšs7> M-Ă´3Ă´> <I'Ăť% 7Ăľ9 %VR>3= 9D 7,E-@M Ăľ /CQ%/-.øL%9Ă´> 9>&%VR>J6%(Ă´9% 1>. %> 6V>7/=& ™ % M-Ă´3Ă´> <I!@-I!P-6D ,>* >.L J&&L PI'Ăť%M' M Ăľ#=R 6@R% 'Ăš D&=%*CR%#AQ9>&%VR> %> L7sĂ´-A*CR%/<%>&I A.3 =&*CR%K ./9&%=R%M Ăľ/=& 3>-%@.-9.Ă´> J*/Ă´71>. = I Ă´% ­Ă“Ă–Ă–Ă™ ÂşĂ?Ă‹ĂŒ (1 >% 9 ŠĂŒĂ›Ă›ĂŒ -A %> *C%R #A Q #A Q 3Ăľ> 3Ă´>*C%R #A9Q >&%V>R #=3Q M' K .99 J&&L7Ăľ/> /<&>.%V>R 9.E/Ă´ <73Ă´> *C%R J1<(%= 9.Ă´> J%&I%A.% I Ă´%I A.3 =& ÂŞĂŒĂ™Ăˆ­Ă“Ă–Ă–Ă™ ¡ĂœĂ™ĂŒ J1< ÂŞĂŒĂ™ĂˆžĂˆĂ“Ă“ ¡ĂœĂ™ĂŒ > ÂŤĂˆĂ“Ă“Ă”ĂŒĂ™ #AQ)ĂŹ-C9 AM %ø =R% A%=R% Ă´3.L7Ăľ >/#V> 3>6<9> Ă´>. >. BR% 7> -9 L%J Ă´6D 9%>-=. K"6D ,= ø/<&&9=!K%-=!@%=R% V>1= I/@Q-M Ăľ/=& 3>-%@.-I*@Q--> BR% #=R I#9<#< %Ăľ9.1 J1<K Ăľ7/E.@Q BR% 3Ă´>#AQI . <UZ[VWWHISL! [OL UL^ OVTL PZ KPNP[HS ^P[O HKKLK JVU]LUPLUJL HUK PUKP]PK\HSP[` 0U[LSSPNLU[ WYVK\J[Z WYV]PKL \WKH[LZ PU [OL IH[OYVVT HUK OH]L YHPZLK [OL ,\YVWLHUÂťZ MH]V\YP[L YVVT [V [OL Z[H[\Z VM H JVTMVY[

BATH

aVUL *OHYNL WVPU[ MVY [OL TVIPSL WOVUL& 5V WYVISLT 4LHZ\YL [OL YVVT [LTWLYH[\YL" LUQV` H YLSH_PUN IH[O MVY [^V" HU` ^LSSULZZ ^PZO `V\ TPNO[ ^PZO" HSS WVZZPISL ;OLYL OHZ ILLU NLULYHS HKVW[PVU VM SHYNL ZOV^LY JLSSZ ^OVZL IHZL PZ SL]LS ^P[O [OL Z\YYV\UKPUN Ă…VVY ;OL SHYNL Âş-SVVY :PKLÂť ZOV^LY MYVT )L[[L OHZ HIV]L H]LYHNL KPTLUZPVUZ ^P[O [OL KYHPU V\[SL[Z SVJH[LK KPZJYL[LS` IL[^LLU [OL Ă…VVY HUK ZPKL^HSSZ ;OL Âş*LYH-SVVY 7\YLÂť HUK Âş*LYH>HSS 7\YLÂť MYVT +HSSTLY JVTIPUL NYLH[ KLZPNU ^P[O LHZ` JSLHUPUN 6U [OL ZHUP[HY` ZPKL KV\JOL [VPSL[Z HYL NHPUPUN PU WVW\SHYP[` UV^ ZSPTTLY HUK TVYL LSLNHU[ [OHU L]LY

I-CQ9 ­Ă˜Ă•ĂŽĂ‹ šĂ‹Ă”ÙË J1< ­Ă˜Ă•ĂŽĂ‹ šĂ‹Ă”ÙË ­Ă›Ă‡Ă˜ĂŠ (%3 V>1= =%I @ I'Ăş% /<&&9= /@.</E'J&&L7-Ăł6V>7/=&6->/á#K:- /<&&I P%I 9/á7. %V>R Ăł3.3= 3>- C%R !/3 =&J1<J Ă´ I!C9%I Ă´> 9 &Ă´>%I-C9Q -A%>VR /=3Q B-7/C9I @ 'øs7>I A.Q 3 =&/<&&'/<'>,>.L%&Ă´>% /<&&!/3 69&%AR6>->/" Ăł3.I!C9%J1<'ĂŻ9 =% %VR> Ă´> J P 7/C9#Ăł9J! M Ă´ ,>*'/< 9& ­Ă˜Ă•ĂŽĂ‹ Together, Grohe’s ‘Grohe Sense’ and ‘Grohe Sense Guard’ provide new intelligent solutions for the ‘Smart Home’. The water sensor monitors humidity, detects leaks and notiďŹ es the householder if a water-related problem should occur. The monitoring unit can warn of and prevent pending frost damage or pipe breaks. Photos: Grohe

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7Ă´BATH 9 %VR>

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7Ă´9 %VR> D < E 3Ă´> 3Ăł>I @- 7> *CR% 9 6Ăł3% 9>&%VR>9.EĂłL%/<%>&I A.3 =&*CR%7Ă´9 %VR>K . /9&J1<6= - (= 6 M Ă´ "B 3>-L6Ăł L L% >/ 99 J&& J-Ă´3Ăł>*CR%#AQ%=R% <I1P I*A. L ¨Ă‹ĂšÂ“ ĂšĂ‹ÂŹĂ’Ă•Ă•Ă˜ šĂ?ĂŠĂ‹ *CR%#AQ"E 99 J&&M Ă´9.Ăł> 63. >- > ¨Ă‹ĂšĂšĂ‹ #AQ#V> > K17< M#I#I%A.I 1C9&I >%=R%6>->/"-9&-D--9 #AQ 3Ă´> 3> BR%M Ă´9.Ăł> -> ,>*'/< 9& ¨Ă‹ĂšĂšĂ‹ The bathroom looks bigger if the shower oor is at the same level as the surrounding bathroom and introduces that ‘design feeling’, even into the smallest wet cell. Bette’s good-looking ‘BetteFloor Side’ in glazed titanium-steel is very generously dimensioned. Photo: Bette.

7Ă´BATH 9 %VR> BATH

J-Ă´ Ăł9 /<&>.%VR>.= J6 L7Ă´I7P%"B >% 99 J&& =%R  A ÂśĂ›Ă˜Ă‹ > ÂŞĂ‡Ă’Ă’Ă“Ă‹Ă˜ -A ->!/ >% 3>- >-#AQ6E ,>*'/< 9& ªĂ‡Ă’Ă’Ă“Ă‹Ă˜

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Good design carries right through to the shower drainage channel; Dallmer’s ‘Pure’ has a high aesthetic standard. Photo: Dallmer.

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ÂŞĂ•Ă˜Ă”ĂˆĂ˜Ă‡Ă‰ĂŽĂš I @s%= 99 J&& > #==Q3K1 ->/Ăł3-99 J&& ÂşĂ˜Ă‡Ă”Ă™Ă?ĂšĂ?ÕÔÇÒ šĂšĂ&#x;Ă’Ă‹ L7-Ăł ,>.L!Ă´J: J#P Â‰Ă‰Ă˜Ă‹Ă‡ĂšĂ‹Ă”Ă‹Ă?ĂˆĂ‡Ă’Ă‡Ă”Ă‰Ă‹ BQ 6>->/" -(1 >%M Ă´#AQI* I+6&DĂľ 9 &/@5=# %AQ C9 91I1 =Q% ŸÇĂ?Ç ,>*'/< 9& ªĂ•Ă˜Ă”ĂˆĂ˜Ă‡Ă‰ĂŽĂš Dornbracht invited designers from around the world to redesign their ‘Transitional Style’ under the hashtag #createnewbalance. The results can be seen on the company’s Facebook page. Here, the ‘Vaia’ series. Photo: Dornbracht.

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I#/% á7ô9 /=3 KITCHEN TRENDS

EXTRAVAGANT HIGHLIGHTS M:M1#á!/< >/!> M-ô!9þ 6 6=.I1.3ô>I#/% ø >/99 J&&&þ>%#A Q >V 1= ->L%!9%%A R 9C >/!A 3>-7þ9 /=3L7þI'Ý%I6-C9% 7þ9 %= Q I1ô%/E'J&&L7-ô 6V>7/=&#D % I7P%M þ > >/I/@Q--A!=3I1C9 71> 71>.6M!1ø-> BR% -A >/'/=&L þ'/= s> :D < �'/= s> 9 >3I %->/ø #AQ6CQ9"B A3@!#AQ9&9Dô%J1<9@Q9 9@Q-L � =&#AQ9.Eô9>4=. K .L þK#%6A#B& I6/@- 3>-63ô> 6 L6 þ3. >/I1C9 L þM1#ø!@R D !>--D-!ô> O L%*CR%#AQ /=3#AQ-A1= 5 <I'Í 3þ> %=R%I CQ9-!ô9 =&*CR%#AQ6ô3%9CQ%M þ9.ô> M/þ/9.!ô9 J!ôI%þ% þ3.M:&9/ø !Eþ /< J 3%19. J1<I /CQ9 '/< =&! J!ô !ô> O >/(6-(6>%9.ô> 6-&E/ øJ&& C9 D 6V> =s 9 >/6/þ> &//.> >4K-I /@ %ø 9-+9/ø#L7þ &= &þ>% I6þ%6>.L% >/99 J&&J1<3=6 #D LAQ þ# =R ,>.L%J1<,>.%9 ô3.L7þ-A 3>- 1- 1C% M-ô3ô> <I'Ý%6M!1ø9@% =6I!/A.1 K-I @/ø% =%#/A L þ+/9%#ø 9ô> 1þ> >% 7/C9I >%øI!9/ø#AQ#>6AI/A.& ô>. (Eþ(1@! *.>.>-#A Q <!9&6%9 #D 3>-!þ9 >/ 9 (E&þ /@K, #AJQ ! !ô> =%M' M-ô3>ô </E'#/ 7/C9/> > >. B Q 1>.I'Ý%'Ú =.6V> =sL% >/J ô =% L%!1> ;OL \UKV\I[LK J\YYLU[ KLZPNU TLNH[YLUK PU [OL OVTL PZ MVY [OL RP[JOLU [V ILJVTL [OL ºUL^ SP]PUN YVVT ^P[O H YLZ\S[PUN ZOPM[ [V^HYKZ TVYL JOVPJL VM MYVU[Z 4VYL º/`NNL +HUPZO! ºJVZ` PU[PTHJ` HUK JVU[LU[TLU[ HYV\UK [OL OLHY[O HUK OVTL JYLH[LK I` KHYRLY [VULZ IYPNO[LULK OLYL HUK [OLYL I` NSHTV\Y LMMLJ[Z HUK PUKP]PK\HS SPNO[PUN JOVPJLZ 0U H NLULYV\Z VWLU WSHU HYLH HYL MV\UK ZLHTSLZZS` PU[LNYH[LK I\[ HJJLU[\H[LK OPNO IVHYKZ NSHZZ JHIPUL[Z HUK HJJLZZVYPLZ 7LYMLJ[ PU[LNYH[PVU PZ [OL RL` [V TVKLYU JVTMVY[ PU [OL OVTL (SS [OL KLZPNU SPULZ HUK TH[LYPHSZ IV[O PUZPKL HUK V\[ MVYT H OHYTVUPZLK LU[P[`" ^OL[OLY PU PUK\Z[YPHS Z[`SL TVKLYU JV\U[Y` SVVR ZPTWSL WHPU[LK MYVU[ RP[JOLU ZPUR VY ^VYR[VW ;OL THU\MHJ[\YLYZ WYVTPZL PZ [V ZH[PZM` HU` PUKP]PK\HS ^PZO œ ^OL[OLY [OPZ IL MVY ZOHWL VY

NEUE FORM

WYPJL IYHJRL[ Âś OHZ ILJVTL H RL` JVTWL[P[P]L MHJ[VY PU [OL ZHSLZ WYVWVZP[PVU

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ŠĂ•Ă”Ă‰Ă˜Ă‹ĂšĂ‹ (%= 6M!1á9@% =6I!/A.1 #AQ-A D 6-&=!@I'Ăş%J-ĂłI71P J1< A I A.%M Ă´ Ăł3.L7Ă´ 3>-/EĂ´6B I'Ăş% /=3J&&19+#á 1D 6D *@I45%AR'ĂŞ #Ă´>. Ă´3.-C9 =&#/ I71AQ.- D 1@R% = L7-Ăł*/Ă´9-9D' / á#V> > M-Ă´391%=#(6-9<1E-@I%A.-J1< /9&#AQ.@Q I1I 9/áK1K Ă´ ,>*'/< 9& ½Ă‡Ă˜Ă‹Ă”ĂŠĂ•Ă˜ĂŒ Warendorf’s industrial style ‘Concrete’ conjures-up the magnetic and writeable wall panel to give ďŹ nishing touch to the loftkitchen. The exclusive look is rounded off by an angled grip-strip, a new drawer system with aluminium-walnut ďŹ ttings and a frame with laser-applied logo. Photo: Warendorf.

7Ă´9 /=3

KITCHEN

¨Ă‡Ă’Ă’Ă‹Ă˜Ă?ÔÇ = J6 7%Ă´>&>%L7-Ăł-> 3Ăł> Â&#x;› J&& J-Ă´3Ăł> <M-ĂłL Ăł6A#AQ99 ->L7-Ăł J!Ăł P6>->/"%V>->(6-(6>% I'Ăş% D 6AL7-ĂłM Ă´ B Q -AL7Ă´I1C9 != R J!Ăł6 A >3+9%9<I ! 6A >V />M+#á J1<6AJ 6 #AQ6>->/"%V>->L Ă´ =& ÂŞĂ?Ă˜Ă‹Ă‰Ăš ²Ă‡Ă‰Ă‘ BQ I'Ăş%*CR%(@3#AQ =%/9.I'Ă­Ăź9%M Ă´ M-Ăł3Ăł> < > 9>7>/7/C9I /CQ9 CQ- #%!Ăł9/9. A Ăł3%I&>O /9.%@R3-C9 J1<-A9>.D >/L Ă´ >%.>3%>% ,>*'/< 9& mĂśbel kultur

NEUE FORM

Ballerina exhibited no less than 95 new fronts; the colours are not new, but newly combined: ranging from von agate white through graphite black and signal red, for example with ‘Direct Lack’. The no-stain surface is unaffected by food and drink spillages, resists small scratches, ďŹ ngerprints and has a long service life. Photo: mĂśbel kultur.

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*CR%(@3 ³ÕÛÔÚÇĂ?Ă” ²Ă‡Ă˜Ă‰ĂŽ §Ă”ĂšĂŽĂ˜Ă‡Ă‰Ă?ÚË #AQ99 ->L7-Ăł Ăł3.'/< 9&I'Ăş%J&&I *><!=3 9 D /=3 ²Ă‡Ă”Ă• > ¸Ă‡ĂšĂ?ÕÔÇÒË I-CQ9/3- =&!EĂ´ /< #AQ EI&>J1<63. >- 6>->/"I*@Q--D--9 #AQI'Ăş% >% AM %áI-CQ99.EĂł/3- =&I /CQ9 /=39CQ%O ,>*'/< 9& mĂśbel kultur The new ‘Mountain Larch Anthracite’ surface gives Rationale’s ‘Lano’ kitchen its very own look. Combined with glass cupboards it looks aesthetically light, and can be used as a design feature with a range of products. Photo: mĂśbel kultur.

6@Q #AQJ6 "B >/99 J&&6= 6Ăł3% /=3J&&L7-Ăł J1< 9%I P'!á AM %á#AQI'Ăş%1= 5 <I *>< 9 91I1 =Q% ÂśĂ›Ă˜Ă‹ > šĂ?ËÓÇÚĂ?É 1= 5 <I Ăł% 9.Ăł> 7%BQ C9I6Ă´% 9&&> %> ˜ -” /9&9 á '/< 9& 9 7Ă´9 /=3 I'Ăş% /9&#AQ Ăł3.6/Ă´> 6= 6Ăł3%J1<J&Ăł *CR%#AQL% >/ = 3> (= J1< >/ 99 J&& /=39.Ăł> 71> 71>. ,>*'/< 9& mĂśbel kultur One interpretation of the new kitchen geometry and the associated exclusive design concept from Siematic’s ‘Pure’ range. One particular feature is the slim 2 cm frame around the kitchen elements: the frame design creates a clear boundary and space for a wide range of arrangements and designs. Photo: mĂśbel kultur.

ŠĂ‡Ă“ĂˆĂ˜Ă?ĂŠĂ?Ă‹ > ¨Ă‡Ă›ĂŒĂ•Ă˜Ă“ÇÚ -AL7Ă´I1C9 "B —š 6A L%6M!1á Ă›Ă˜ĂˆĂ‡Ă” Ă‰Ă•Ă›Ă”ĂšĂ˜Ă&#x; J&&6A Ă´>% ,>*'/< 9& mĂśbel kultur

NEUE FORM

The ‘Cambridge’ from Bauformat is available in 14 different ‘urban country look’ matt paint ďŹ nishes. Photo: mĂśbel kultur.

7Ă´9 /=3

KITCHEN 24

!@* %á 9 ¨Ă˜Ă?Ă?Ă?ÚÚË ÂąĂ?ÚÉÎËÔÙ C9 #D /=3L7-ĂłI6-9 /=3 9 ¨Ă˜Ă?Ă?Ă?ÚÚË ÂąĂ?ÚÉÎËÔÙ -A ™ $A-71= O BQ -A >/%V>I6%99.Ăł> 7/E7/>J1<-A >/ = 3> #AQI!<!> K .7%BQ L%%=R% C9&>%!EĂ´+91á. ™ -@!@ 6A6I!%I16-A 1@Q%9>.J&& ÂąĂ‡Ă˜Ă• 9.Ăł> = I % ,>*'/< 9& mĂśbel kultur The Brigitte kitchens motto is ‘every kitchen is new’. The company has three main themes using elegant presentations and attractive collages. Amongst these is the expressive ‘Karo’ accented front in stainless steel-coloured 3D-foil. Photo: mĂśbel kultur.

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NEUE FORM

7ô9 /=3

KITCHEN

I#/% ÷7ô9 /=3 NEUE FORM

KITCHEN TRENDS

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BEAUTY IN IMPERFECTION: CONCRETE CREATES URBAN INDUSTRIAL CHIC >-L% 3>-M-ó6-&E/ ÷ 6/õ> 6M!1øI99/ø&=% @ õ3. 9% /A!

#> 99 6V>7/=&7Ă´9 /=3J&&(= I'ĂŞ #A/Q 3- 3>-J! !Ăł> 69 =3R M3Ă´ 3Ă´ . =% %=Q% C9I >%áI!9/á 1> 7Ă´9 #AQ(6-(6>% >%M-Ă´#AQL7Ă´ 3>-/EĂ´6B 9&9DĂł%I Ă´> =& 9% /A!#AQL7Ă´ 3>-/EĂ´6B I.C9 I.P% m ²Ă?ĂœĂ?Ă”Ă?ÂąĂ?ÚÉÎËԕº§³Â? A high-contrast solution for the open-plan living kitchen: an island featuring warm wood and cool concrete. Š LivingKitchen/TEAM7

Minimalist and clean: Concrete combined with transparent plastic Š shutterstock

I*CQ9(6-(6>%6M!1á9@% =6I!/A.1I Ă´> =& >%M-Ă´ §¸§´ (EĂ´(1@!I+9/á%@I 9/á /=3 B L Ă´6A#>*CR%(@3#AQL7Ă´-D--9 I7-C9% 9% /A! m ²Ă?ĂœĂ?Ă”Ă?ÂąĂ?ÚÉÎËԕ§¸§´ To combine an industrial style with the properties of wood, kitchen manufacturer Aran supplies a concrete-look paint ďŹ nish. Š LivingKitchen/ARAN

3>-7.>&J1< @& 9 9% /A! Ă´3.J'1 /=3$//- >O L7Ăľ 1>.I'Ăť%I99/ø&=%19+!ø6I' Â?ĂœĂ™Ă‰ĂˆĂ• Ă“Ă–Ă?Ă› ĂšĂ—ĂˆĂŠĂŒÂ? #AQ EI#Ă´7øM Ăľ I-CQ9/3- =& D 6-&=!@#AQ-A 3>-#%#>%'Ă°9 =%/9. A Ă´3%J1< 3>-/Ăľ9% 3Ăľ .J1Ăľ3 I#/% 6ø 3.J /Ă´ %A#R >V L7Ăľ 9% /A!I'Ăť%3=6 6D >V 7/=& >% /=3 IA %Ă´ J7Ă´ .D #AI .A 3 9% /A!K .!=3 9 -=%I9 6>->/"'/< 9&I Ăľ> =&3=6 D9CQ%6/Ăľ> 1D #AQM-Ă´ RV>L /M Ăľ I-CQ9%V>->L Ăľ/Ă´3- =&M-Ăľ 9% /A!6>->/"6/Ăľ> &D 1@ #AQ E/Ă´3-6-=.J!Ă´L7Ăľ 3>-/EĂľ6B 9&9DĂ´%M ĂľI'Ăť%9.Ă´> A J1<7> L Ăľ/Ă´3- =& /< 7/C9K17< P <I'1AQ.%-D--9 L7Ăľ E-A/< =&J1<-@%@-91 9.Ă´> M/ P!>- Ăľ3.%VR>7%= 9 9% /A! I+9/ø%I@ 9/ø 9% /A!9> M-Ă´I7-><L%#D #A Q J!Ă´I/> P. = 6>->/"6/Ăľ> -D--9 I#Ă´7Oø 6M!1ø9%@ 6= I!/A.1M Ăľ 3Ăľ .#P9' 9% /A! 7/C9 >/I*@-Q 9% /A!I Ăľ>M' L%3=6 DM-Ăľ I />-@ 7/C9*1>6!@ PM ĂľI Ă´% =%

NEUE FORM

%Ă´9.J1<6<9> !> >/(6-(6>%/<73Ăł> K!Ăľ< 9% /A! =&I Ă´>9AR*1>6!@ L6 m Ă™ĂŽĂ›ĂšĂšĂ‹Ă˜Ă™ĂšĂ•Ă‰Ă‘

>P[O P[Z YV\NO \UĂ„UPZOLK SVVR JVUJYL[L [\YUZ HU` RP[JOLU PU[V HU \YIHU SVM[ ZWHJL ^P[O H[[P[\KL ;VNL[OLY ^P[O P[Z [V\NO N\` ZJYH[JOWYVVM HUK OLH[WYVVM X\HSP[PLZ [OL [YLUK MVY H NYP[[` NSHTV\Y OHZ THKL JVUJYL[L [OL \UKPZW\[LK RP[JOLU TH[LYPHS K\ QV\Y <ZLK HSVUL P[ SLH]LZ ZJVWL MVY JVTIPUH[PVU [V JYLH[L H [V[HSS` \UPX\L SVVR ;VNL[OLY ^P[O ^VVK JVUJYL[L [HRLZ VU H JVU[LTWVYHY` I\[ JVZ` JOHYHJ[LY ^OPSL ^P[O NSHZZ VY TL[HS P[ JVTLZ V]LY HZ ZVWOPZ[PJH[LK HUK TPUPTHSPZ[ 0[Z OPNO ^LPNO[ TLHUZ [OH[ JVUJYL[L M\YUP[\YL PZ UV[ Z\P[HISL L]LY`^OLYL )\[ PUK\Z[YPHS JVUJYL[L JOPJ JHU Z[PSS IL HJOPL]LK \ZPUN Q\Z[ VJJHZPVUHS ^VYR[VWZ VY HJJLZZVYPLZ Âś VY I` PUZ[HSSPUN JVUJYL[L SVVR WHULSZ PU ^VVK JLYHTPJ VY WSHZ[PJ

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Sachsen-KĂźchen (EĂ´(1@!I+9/á%@I 9/á /=3M Ă´ = J6 >%#AQ6<#Ă´9% !@ M1+ò 6M!1á#AQ @ ->9.Ăł> *@"A*@"=% ,>.L% 9*>/á#I-%!áI AQ.3 %> Â&#x;– !/”-” I+9/á%@I 9/á /=3 D %AR99 J&&I*CQ9!9& 6%9 1DĂł-(EĂ´&/@K, 3=.I/@Q-#V> >%J1< I'Ăş% >/%V>I+9/á%I@ 9/áI .AQ 371>.71>. @R%->L Ă´/Ăł3- =% K .M:M1#á9.EĂł#AQ&/@I3 '/D 9>7>/ #AQ99 J&&L7Ă´/=& =&6/A/<(EĂ´ L Ă´ >%J1<*CR%#AQL Ă´ >%I*@Q-I!@- 3Ă´> "B Â&#x;– -”

Under the motto ‘Thought-through lifestyle’, kitchen manufacturer Sachsen-KĂźchen exhibited a 90 square metre single-apartment. This lifestyle grouping was designed for the younger adult market and makes use of several standalone items. The highlight is a concealed cooking niche with an ergonomic depression and a supplementary 90 cm-wide work surface. Photo: mĂśbel kultur

šĂ’Ă?Ă?ĂŽĂš²Ă?ĂŒĂš > Häcker I'Ăş% D I /CQ9 /=3#AQ/3-!EĂ´J 3%/< =&6>.!>J1< =R% 3> 9 I9>M3Ă´ Ă´3. =% 3@$AI'ĂŞ !EĂ´ I1CQ9% &>%!EĂ´ Ă´>%1Ăł> BR%M' Ă´9%M3Ă´ Ă´>%71= &>%&% > %=R% B <6>->/"*=&. 7%Ă´>&>%#=R 69 BR%M Ă´I*CQ9I'ĂŞ Ăł9 I P& 9 >Ă´ %&% ,>*'/< 9& mĂśbel kultur Häcker’s ‘SlightLift’ is a combined eye-level cabinet and shelf unit. To open, ďŹ rst the lower front lifts vertically behind the upper front. Next, both fronts hinge up and out, providing access to another compartment. Photo: mĂśbel kultur.

I#/% á7ô9 /=3 NEUE FORM

KITCHEN TRENDS

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LOTS OF CLEVER STORAGE SPACE I P& 9 M Ă´-> ->.9.Ăł> > M-Ăł"B

7ô9 /=3

KITCHEN

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NEUE FORM

Pronorm makes a range of pharmacy dispenser pull-out shelves with enormous storage capacity. Photo: möbel kultur.

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7Ă´9 /=3

KITCHEN

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SchĂźller

SchĂźller has discovered the utility room and intended as an extension of the kitchen. The goal is to boost retail sales, while saving space for the consumer with a presentable solution for laundry, cleaning, storage and recycling. Photo: mĂśbel kultur.

NEUE FORM

I*CQ9L7Ă´M Ă´*CR%#AQ#V> >%6E Â&#x;— -” "E !Ă´9 !>-71= 6/A/4>6!/á ¸Ă•ĂšÂ“ ÖÛÔÑÚ M Ă´I*@Q-*CR%#AQ Ă´>%&%I Ă´>M' BQ Ăł3.I'1AQ.%L7Ă´ 3>-6E %=R%*9 @& *9 A BR%->#=%#A ,>*'/< 9& mĂśbel kultur.

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To get an ergonomically correct working surface height of 91 cm, Rotpunkt has added another unit on top; this variant is now immediately available. Photo: mĂśbel kultur.

StÜrmer I'ê !=3 91I1 =Q%7%ô>&>%I+9/á%@I 9/á /=3J1<*CR%#AQI P& 9 I'ú% =R%#AQ9.Eó ô>% ô> -A*CR%(@3#AQ#%!ó9 3>-/ô9%J1</9. A ó3% =%%VR>J1</9. %@R3-C9M ô9A ô3. ,>*'/< 9& mÜbel kultur

Resistant to heat and scratches, water repellent and with an antiďŹ ngerprint ďŹ nish: StĂśrmer showed a new range of kitchen fronts and storage arrangements with side-mounted shelves. Photo: mĂśbel kultur.

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NEUE FORM

#A Q >%J6 6@% Ă´> ÂŹĂ˜Ă‡Ă”Ă‘ĂŒĂ›Ă˜Ăš §Ă”ĂˆĂ?ËÔÚË %= 99 J&&9D!6>7 //- ¸Ă•ĂˆĂ‹Ă˜Ăš ¨Ă˜Ă•Ă”Ă?Ă‡Ă™Ă™Ă‹Ă˜ J6 (1 >%!EĂ´!@ (%= I'Ăş% Ăł9 #AQ-A AM %á!Ăł> O L7Ă´I1C9 6// ,>*'/< 9& mĂśbel kultur.

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At the Frankfurt Ambiente trade fair, Industrial designer Robert Bronwasser exhibited a cellular wall packed with design choices. Photo: mĂśbel kultur.

&/@&#L7-ó %ó>!CQ%!>!CQ%L #=R L%6M!1á-@%@-91J1<6A6=% 6 L6 A NEW AND SURPRISING

D I /CQ9 /=3 ¨¹ ŠĂ•Ă•Ă‘Ă?Ă‡Ă˜Ă‹ 91I1 =Q% ÂŞĂ?Ă”Ă?Ă”Ă? 6Ăł !/ > I!>9&/Ă´9%O L% I-C9 ÂŞĂ‹Ă’ĂŒĂš #AQ-A CQ9I6A. Ă´>%I />-@ 6EĂłK!Ăľ<9>7>/ 9 D L7Ă´ 3>-/EĂ´6B -A 1>6 /< =&/> 6V>%= 91I1 =Q%%AR'/< 9& Ă´3.7-Ă´96I!%I16J1<)>'ĂŞ ,>*'/< 9& ¨¹ ŠĂ•Ă•Ă‘Ă?Ă‡Ă˜Ă‹ The BK Cookware ‘Dining’ range from the famous ceramics city of Delft transfers direct from the oven to the dining table with that special royal radiance. The collection includes stainless steel pots and Cocottes. Photo: BK Cookware.

CONTEXT IN BOTH MINIMALIST AND CHEERFUL COLOURS

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J9-I&AR.% AMBIENTE

ORANGE CAME TO FRANKFURT I-CQ9 µ¸§´­« ->I.AQ.-I.A.%J+/ ÷I+ê/÷! >%J6 6@% õ> ­ÙÈÕÒÍÜÙÛ ¨ÔÉÐÌÕÛÌ 'ì%AR %V>I6%9(1 >% > '/<I#4I%I$9/øJ1% ø(EõM õ/=&I1C9 I'û%'/<I#4 *>/ø!I%9/ø >% /=R %AR B /=&I9>J%3 @ «Ö «ÜÛÊÏ ->I'û%$A-K .'/@.>. I'û% /=R J/ #AQ(1 >% D ¶ÙÈÕÎÌ 9 I%I$9/øJ1% øM õ/=& >/ = J6 ®ÈÓÓÌÙÐÈ BQ I'û%*CR%#AQK1ô 63ô> #AQ B E (Eõ -L7õ6V>/3 3= %$//- 3>-I'û%!=3!% 9 I%I$9/øJ1% ø J1<I õ>"B >/99 J&&(1@!,= ø 9 I > ¹ÖÉÌÙÛ ©ÙÖÕÞÈÚÚÌÙ %= 99 J&& 9D!6>7 //-J1<,= >/= 5øL% >/J6 (1 >% /=R %AR M õ = J6 6@% õ>9D'K, &/@K, 9 I%I$9/øJ1% øL% &/@&#L7-ôJ1<%ô>!C%Q !>!C%Q L 3õ .6M!1ø-%@ -@ 91J1< >/L õ66A %= 6 L6 %9 > %A.R = -A(1@!,= ø%>V 6-=.#AIQ õ> =& ô3 I31>!ô> O > I%I$9/øJ1% ø/>.9CQ%O L%7õ9 J6 6@% õ>!ô> O 9A õ3. />. >/(1@!,= ø#AQ = J6 .= /3- D I /C9Q /=3 /<I&C9R I 1C9&*/õ9-)>6M!1ø/> 6V>%= > «ÌÓÍÛ (õ>#9-C9,>.L%'/<I#46AI A.3I !ô> O M' %"B ,> %< >% >-6A%VR>I @%.9 %@.;OPZ `LHY»Z -YHURM\Y[ (TIPLU[L JVUZ\TLY NVVKZ [YHKL MHPY MLH[\YLK [OL 5L[OLYSHUKZ HZ P[Z JOVZLU WHY[ULY JV\U[Y` ZV UH[\YHSS` HKVW[LK º+V +\[JO» MVY [OL MHPY TV[[V -VY [OL ÄYZ[ [PTL [OL º6YHUNL» 5L[OLYSHUKZ WYLZLU[H[PVUZ ^LYL SVJH[LK PU .HSSLYPH ;OLPY PUJVYWVYH[PVU PU [OL SPNO[ ÄSSLK SVJH[PVU KYL^ [OL ]PZP[VY [V L_WSVYL [OL JOHYHJ[LYPZ[PJ 5L[OLYSHUKZ J\S[\YL HUK HWWYVHJO [V WYVK\J[ KLZPNU 0UK\Z[YPHS KLZPNULY HUK *\YH[VY 9VILY[ )YVU^HZZLY W\[ [OL RPUNKVT»Z JVUZ\TLY NVVKZ PU H UL^ HUK Z\YWYPZPUN JVU[L_[ PU IV[O TPUPTHSPZ[ HUK JOLLYM\S JVSV\YZ 4VYL 5L[OLYSHUKZ L_OPIP[VYZ ^LYL [V IL MV\UK PU V[OLY OHSSZ ZOV^PUN TVKLYU WYVK\J[Z PU [\UL ^P[O [OL [PTLZ ;OL YLWLY[VPYL L_[LUKLK MYVT 9V`HS JVVRPUN \[LUZPSZ ^P[O +LSM[ WVYJLSHPU SPKZ [OYV\NO OHUK THKL KVTLZ[PJ [L_[PSLZ PU ZOHKLZ VM NYLLU [V Z[`SPZO [HISL^HYL PU [YLUK` IS\L

NEUE FORM

AMBIENTE

K!õ < ¬ÕÒÊ -A -D - K ô -%J1< A M %÷ 1 <-D % 1<M- (1@!,= ÷ > ¨ÇÙ ¼ËÒÒËÑÕÕÖ ÌÕØ ¶ÛÏÑ ,>*'/< 9& ¶ÛÏÑ This ‘Fold’ table has rounded corners and a harmonic design from Bas Vellekoop for Puik. Photo: Puik.

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7-9%9@ I P#*@I45 > ŠĂ’ÇÛÊĂ? Ă?Ă” Ă€Ă?ÇÇĂ? L Ă´(Ă´>I%CR9 A 63. >- 6AI Ă´> =% = J6 #AQK % ²Ă?ĂœĂ?Ă”Ă? L% >% §Ă“ĂˆĂ?ËÔÚË These exclusive cushions from Claudi in Zwaag use the ďŹ nest colour-matched fabrics and were on show in the Ambiente ‘Living’-zone. Photo: Claudi

ÂťĂ“ĂˆĂ˜Ă‡ J&/% á > I-C9 §Ă’Ă“Ă‹Ă˜Ă‹ (1@!I+9/á%@I 9/á 9 '/< =&! J!Ăł J1<(1@!,= á6V>7/=&&Ă´>%#AQ-A6A6=% 6 L6 . /< =& 9 L Ă´$//- >L% A3@!'/< V>3=% L7Ă´ 1>.I'Ăş%(1@!,= á#AQ-A6M!1á ,>*'/< 9& Ă“ĂˆĂ˜Ă‡ Based in Almere, Umbra produces colourful furniture, accessories and household products; everyday items that are lifted to become lifestyle products. Photo: Umbra.

NEUE FORM

AMBIENTE

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> I-C9 ¨Ă‹Ă’ĂŒĂ‹Ă’ĂŠ I%I$9/áJ1% á 91I1 =Q%L7-Ăł ²Ă?Ă?ĂŽĂš ÂŒ ²Ă?ĂœĂ?Ă”Ă? '/< 9& Ă´3.I /CQ9 J Ă´3 9% /A! K17< J1<M-Ă´ 6V>7/=&6M!1á! J!Ăł ,>.L%J&&9@% =6I!/A.1#AQ EJ P J/ ,>*'/< 9& ²Ă?Ă?ĂŽĂš ÂŒ ²Ă?ĂœĂ?Ă”Ă? From Belfeld in the Netherlands, the new Light & Living collection uses glass, concrete, metal and wood for a robust, industrial interior style. Photo: Light & Living.

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NEUE FORM

ÇÙĂ&#x; šĂšĂ•Ă˜Ă‡Ă?Ă‹ ŠĂ‡ĂˆĂ?ÔËÚ ÂŹĂ?ÚÚĂ?Ă”Ă?Ă™ > I:I+I1Ăł L Ă´/<&& Ă™Ă?Ă”Ă?Ă’Ă‹Â“Ă™Ă•Ă›Ă˜Ă‰Ă‹ 1Ă´3%O K .L Ă´ @R%6Ăł3%!=3I CQ9-'/< 9&!EĂ´ 9.Ăł> Ăł>. Ăł3.1 I31>L% >/'/< 9&M Ă´"B /BQ 7%BQ > 3@$A' !@#AQL Ă´M 3 '/< 9& ,>*'/< 9& I:I+I1Ăł

NEUE FORM

Häfele’s ‘Easy Storage Cabinet Fittings’ consist of a complete single-source system. The easy storage connector ďŹ tting reduces assembly time to half that required by conventional screw ďŹ ttings. Photo: Häfele

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MA %á 9 ¯ÑÇÚ > J&/% á §Ă’Ă–Ă? M /Ă´ &= >/99 J&&K . ÂśĂ?Ă‹Ă˜Ă• ²Ă?ÙÙÕÔĂ? ,>*'/< 9& §Ă’Ă–Ă? The design for Alpi’s ‘Ikat’ was provided by Piero Lissoni. Photo: Alpi

SICAM

¹¯©§³ %@#//4 >/6ó3%'/< 9& J1<9D' / ÷'/< =&! J!ó L% 9D!6>7 //-I+9/÷%@I 9/÷%>%> >!@ SICAM: INTERNATIONAL EXHIBITION OF COMPONENTS AND ACCESSORIES FOR THE FURNITURE INDUSTRY

INNOVATION AT EVERY LEVEL I'û%9A /=R #AQ >%J6 6@% õ> ºÐÊÈÔ I%õ%.VR>"B 3>-6V> =s 9 >%3ô>I'û%I3#A6V>7/=&(Eõ(1@!L%9D!6>7 //-I+9/ø%@I 9/ø J-õ3ô> >% °ÕÛÌÙáÜÔ < CQ9 I6A. L% >%<(Eõ%V>J7ô >%J6 6@% õ>I+9/ø%@I 9/ø/< =&K1 P!>- J!ô&// >1E õ> P.= -Dô 7%õ>M'.= I-C9 ·ÖÙËÌÕÖÕÌ #> !9%I7%C9 9 9@!>1A I*CQ9 -(1 >% > (Eõ = J6 "B />. õ3. =% 7%BQ L%%=R% C9&/@5=#I:I+I1ô BQ -9 3ô> ºÐÊÈÔ %=R%I'û%7%BQ L% >%J6 6@% õ>#AQ6V> =s#AQ6D BQ >% %ARM õ = J6 (1 >%#AQ6<#õ9%"B !@ 9 J&/% ø#AQ3ô> ÔÖÙÌ ÓÐÍÌ ×ÌÙ ÚØÜÈÙÌ ÔÌÛÙÌ õ3.J%3 @ J1<(1 >%#AQ69 1õ9 M' =&I- >I#/% øL%I/CQ9 ÔÐÊÙÖ ÓÐÝÐÕÎ >%M-õ ¨Ó×Ð M õ/=& 3>-6%L 9.ô> -> õ3. 91I1 =Q% «ÌÚÐÎÕÌÙ ªÖÓÓÌÊÛÐÖÕ I ô%I A.3 =& >%M-õ3AI%A./ø °ÒÈÛ #AQ-A13 1>. J&&(õ>#9!<3=%99 71>.(1@!,= ø#AQM õ/=&J/ &=% >1L > >/99 J&&9D!6>7 //- PM õ/=& 3>-6%L -> I ô% =% -A >/L õ1E I1ô% 9 >/ = J6 71> 71>./E'J&& I ô% (1 >% 9 ¬ÓÌÒÛÙÈ #AQ(6-(6>%6M!1ø-@%@-91I õ> =& >/99 J&&I+9/ø%@I 9/ø 6UJL TVYL [OL YLJLU[ º:PJHT» [YHKL MHPY \UKLYSPULK P[Z PTWVY[HUJL HZ H MVY\T MVY Z\WWSPLYZ [V [OL M\YUP[\YL PUK\Z[Y`" L]LU [OV\NO 0U[LYa\T M\SS` SP]LK \W [V P[Z YLW\[H[PVU HZ [OL ^VYSK»Z SLHKPUN MHPY PU [OPZ ZLJ[VY [YHKL I\`LYZ ^LYL UL]LY[OLSLZZ KYH^U [V 7VYKLUVUL PU 5VY[OLYU 0[HS` I` L_OPIP[VYZ ^P[O WSLU[` VM UL^ WYVK\J[Z [V ZLL (TVUNZ[ [OLT ^HZ /pMLSL ^OPJO OHZ [YHKP[PVUHSS` YLNHYKLK :PJHT HZ VUL VM P[Z TVZ[ PTWVY[HU[ [YHKL MHPYZ HUK ^OLYL P[ ^HZ RLLU [V KLTVUZ[YH[L P[Z TV[[V VM ºTVYL SPML WLY ZX\HYL TL[YL» ^P[O L_JP[PUN ZVS\[PVUZ PU SPUL ^P[O [OL ºTPJYV SP]PUN» TLNH [YLUK (SWP NHPULK T\JO H[[LU[PVU ^P[O P[Z º+LZPNULY *VSSLJ[PVU »" SPRL^PZL º0RH[» ]LULLYZ IHZLK VU VYPLU[HS [L_[PSL WH[[LYUZ 7YVK\J[Z PUZWPYLK I` PUK\Z[YPHS KLZPNU ^LYL HSZV T\JO PU L]PKLUJL ;OLYL ^LYL H ]HYPL[` VM SPNO[PUN HWWSPJH[PVUZ [V IL ZLLU MVY L_HTWSL MYVT ,SLR[YH ^P[O TPUPTHSPZ[ PU[LNYH[PVU ^P[OPU [OL M\YUP[\YL

NEUE FORM

%3=! //-L%#D /< =&

37

SICAM

¨¨ ¨Ă‹Ă™Ă‰ĂŽĂ’ÇĂ?ÚËÉÎÔĂ?Ă‘ = J6 D =R%'/< 9& 63. 6 Ăł>#AQ-A CQ93Ăł> ¾ÔË J1< ÂşĂ?Ă• D ¾ÔË -A+ø á =% L Ă´ >%#AQ71> 71>. J1<I 1C9&6A Ă´>% D ,>* =R% A 7/C99<1E-@I%A.-I 1C9&6I!%I16 J1<-A'/<I,# >/L Ă´ >%L7Ă´I1C9 -> ->. ,>*'/< 9& ¨¨ EBB Beschlagtechnik exhibited the elegant ‘One’ and ‘Two’ shelf systems. The modular ‘One’ system is fully multifunctional, with a highquality matt ďŹ nish, or in stainless steel-coated aluminium and with a wide range of applications. Photo: EBB.

(E ô I AQ . 3 >sL% >/(1@ ! @R % 6ó 3 % 9D' / á'/< 9&I+9/á%@I 9/áM-ôJ1<K17< ,>*'/< 9& KessebÜhmer

KessebĂśhmer

NEUE FORM

KessebĂśhmer is expert in the manufacture of ďŹ ttings combining wood and metal. Photo: mĂśbelfertigung.

ÂŤĂ’Ă‹Ă‘ĂšĂ˜Ă‡ -DĂł I%Ă´%M'#AQ >/.Ăł9 %> L7Ă´ <#= /= 9 (1@!,= á 9.Ăł> I Ăł%K M+I7%C9 =%R 7/C9 /< I > %9 > %=%R .= -A(1@!,= áI6/@-I Ăś O 9A -> ->. ,>*'/< 9& mĂśbelfertigung.

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-C9 =&#AQ99 J&&K . ÔĂ?Ă•Ă” ÂąĂ”Ă•Ă–ĂŒ ÂŽ§Ă’Ă› ŠĂ•Ă“ÖËÚËÔÉË > SchĂźcoÂ? I'Ăş%6Ăł3%(6-/<73Ăł> 9@% =6I!/A.16M!1á =& >/L Ă´ >%M Ă´ AI.AQ.- ,>*'/< 9& SchĂźco This designer ďŹ nger grip from Union Knopf (SchĂźco Alu competence) is an optical combination of the industrial style with great versatility of use. Photo: SchĂźco.

Elektra placed the focus on product miniaturisation, for example shelf-top lamps or mirrors. In addition, they had a number of clever plug-in products. Photo: mĂśbelfertigung.

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NEUE FORM

I- 9P9&I #÷

MAISON & OBJET

COLOURFUL IMPRESSIONS !/B L L%6A6=%

>/(6-(6>%/<73ó> 6A6=%J1</E'#/ #AQL7ô 3>-6%D 6%>% I ó% §ØÉÕ > ®ÕÛÚÏ×ÛË ,>*'/< 9& §ØÉÕ

NEUE FORM

A cheerful interplay of colour and shape: the ‘Arco’ from Houtique. Photo: Arco.

>%J6 6@% õ> ´ÈÐÚÖÕ ¶ÉÑÌÛ '>/A6 'ì%AR B E (Eõ = J6 M-ô%õ9. 3ô> />. BQ I'û%!=3J#% 9 J&/% ø "B J&/% ø /< >. = J6 L%7õ9 K" %@#//4 >/"B 7õ9 K" õ3. =% >%9AI3%!ø#AQ = BR%L%I C9%- /> %AIR 'û%I6-C9%I3#A %> L7sô#LAQ 7õJ/ &=% >1L J ô3 >/I+9/ø%I@ 9/øJ1<! J!ô ,>.L% (1 >%6ô3%-> L õ6JA K#%9D%ô 71> 71>.I != R J!ôI#9/ø/> 9!!> M' %"B 6AJ %@ I(>J1<&9/ø K ø /3-M'"B 6A%>VR I @%I õ- %9 > %A.R = *&I7P% 6AM3%øK/I ô71> 71>.I 9A 3õ . &// >I /C9Q L õ6>V 7/=&K!ö<9>7>/ "> K!ö<*=& J1<7-9%9@ -A >/L õ13 1>. >/ '/< &= ! J!ô J&&6A%>VR 9.ô> I!P-#A Q J1<I'û%9A /= R #AMQ *õ &I7P%I+9/ø%I@ 9/ø >J/ I!9/øK I %ô -> ->. B Q 7%B Q L%%=%R -A!Eõ P9 I#11@-@I!P 9@ @ =Q%9.ô> ¨Ó×ÈÎÈ > °ÉÙÐËÌ !=R 9.Eô71= -ô>%.>3 /D. />.6AI õ-1B 1=& ;OPZ `LHY»Z 4HPZVU 6IQL[ [YHKL MHPY PU 7HYPZ H[[YHJ[LK UV ML^LY [OHU L_OPIP[VYZ YLWYLZLU[PUN )YHUKZ ¶ ZWYLHK [OYV\NOV\[ LPNO[ ]LY` I\Z` L_OPIP[PVU OHSSZ ;OL 1HU\HY` L]LU[ ^HZ H O\NL WSH[MVYT ^P[O PUZWPYH[PVU MVY [OL SH[LZ[ PU M\YUP[\YL HUK PU[LYPVY KLJVYH[PVU 4HU` L_OPIP[VYZ \ZLK

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^HYTLY ]HYPHU[Z VM YLK ¶ MYVT ;LYYHJV[[H [V [PSL YLK HUK )VYKLH\_ ¶ HSZV KHYR IS\L (SZV T\JO PU L]PKLUJL ^LYL KPMMLYLU[ ZOHKLZ VM 9VZt ;HISL^HYL [YH`Z PUJPKLU[HS [HISLZ HUK J\ZOPVUZ THKL T\JO \ZL VM HY[PZ[PJ ^H[LYJVSV\Y WH[[LYUZ HUK VYUHTLU[HS MLH[\YLZ 6UJL HNHPU H U\TILY VM ºZ[H[LTLU[» M\YUP[\YL P[LTZ ^LYL [V IL ZLLU H[ 4HPZVU 6IQL[ (TVUNZ[ [OLZL ^LYL [OL SPTP[LK LKP[PVU º(SWHNH» JVJR[HPS JHIPUL[ MYVT 0IYPKL ILOPUK H T`Z[LYPV\Z SVUN KHYR MYH`LK ZJYLLU

MAISON & OBJET

ÛÙÉÇ 91I1 =Q%J =% (1 >% > J/ &=% >1L 9 ŠĂ•Ă”ÙÚÇÔÉË ­Ă›Ă?ÙÙËÚ #AQ99 J&&L7Ă´J ĂłJ&/% á ¨Ă•Ă™Ă‡ ,>*'/< 9& ¨Ă•Ă™Ă‡

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ÙÚÇÚËÓËÔÚ ĂŒĂ›Ă˜Ă”Ă?ĂšĂ›Ă˜Ă‹ #AQ99 ->L7Ă´ ‘statement’ furniture items were to be seen

!EĂ´ P9 I#1 §Ă’ÖÇĂ?Ç 9=%J6%1B 1=& > ÂŻĂˆĂ˜Ă?ĂŠĂ‹ ,>*'/< 9& ¯ĂˆĂ˜Ă?ĂŠĂ‹ The mysterious ‘Alpaga’ cocktail cabinet from Ibride. Photo: Ibride.

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The ‘Fusca’ is an organically-inspired range of vases from Constance Guisset for Bosa. Photo: Bosa.

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HEIMTEXTIL-TRENDS 2018/19

THE FUTURE IS URBAN

M:-øI#P ø#@1”I#/% ø ™—˜Â&#x;–˜ 9%> ! %I-C9 HEIMTEXTIL

ºÎËÓË ÂśĂ‡Ă˜Ă‘ L% >% ÂŽĂ‹Ă?ÓÚËÞÚĂ?Ă’ #AQ = BR%L%I C9%- /> - ˜–—ž %AR 9= J%Ăł%M' Ă´3.M9I A.J1<6@Q #A Q %Ăł>6%L -> ->. I-CQ9'1>.I C9%6@ 7> -#AQ(Ăł>%-> M Ă´-A >/%V>I6%9I#/% áL7-Ăł1Ăł>6D J Ăł6CQ9-31 % > #=Q3K1 (Ăł>%M1+ò6!/A- J%3 @ L% >% /=R %AR C9 ºÎË ĂŒĂ›ĂšĂ›Ă˜Ă‹ Ă?Ă™ Ă›Ă˜ĂˆĂ‡Ă” J1<7.@&. I/CQ9 I#/% á >/ .>.!=3 9 I-C9 ÂŽÂťĂ˜ĂˆĂ‡Ă”Ă?ÙÇÚĂ?Ă•Ă”Â? > #=Q3#D -D-K1 ->%V>I6%9 The Theme Park at the forthcoming Heimtextil in January 2018 has been packed with new ideas and surprises. At the end of last August the latest trends were presented to an international press audience via live-stream. The motto was ‘The future is urban’ and picks up the worldwide trend to urbanisation.

I-CQ93=%#AQ š— 6@ 7> -#AQ(Ă´>%-> (EĂľ = >% ­Ă™ĂˆĂ•Ă’Ă?ĂœĂ™Ă› ÂŻĂŒĂ?Ă”Ă›ĂŒĂ&#x;Ă›Ă?Ă“ I(."B I#/% ø 6V>7/=&0 E >1'ĂŹ ™—˜Â&#x;–˜ (Ă´>%M1+Ăł6!/A- K .-A ÂśĂ“ĂˆĂ? ºÊĂ?Ă”Ă?Ă‹Ă› (E&Ăľ /@7>/ 9 >% J6 6@% Ăľ> ÂŻĂŒĂ?Ă”Ă›ĂŒĂ&#x;Ă›Ă?Ă“ J1< ÂťĂ?Ă?ÔÖ ºÊĂ?ĂžĂŒĂ•ĂĄĂ?ĂŒĂ?ĂŒĂ™ 7=37%Ăľ>)ĂŻ>.6C9Q 6>/ >/!1> I'Ăť%(EĂľ/=&(@ 9&L% >/ = >% /=R %AR I >M Ăľ9$@&>.J1<J J "B › I#/% ø71= 6V>7/=& >% ÂŻĂŒĂ?Ă”Ă›ĂŒĂ&#x;Ă›Ă?Ă“ ÂťĂ?ĂŒĂ”ĂŒ ¡ĂˆĂ™Ă’ #A Q >V 1= <->"B L%I 9C %- /> - ™—˜Â&#x; ,>. L!Ăľ$A- 9 ÂťĂ?ĂŒ Ă?ĂœĂ›ĂœĂ™ĂŒ Ă?Ăš ĂœĂ™Ă‰ĂˆĂ• BQ I'Ăť%'/> >/ ø#AQI @ BR%J1<*&M Ăľ#=Q3M' BQ $A-%ARM Ăľ E'/<I P%71= #AQI @ BR%L%.D 9 I/>%=Q% C9I/CQ9 9 >/ .>.!=3 9 I-C9 3Ă´> /B Q 7%B Q 9 '/< > /K1 <%A-R A 3A !@ 9>4=.9.ELĂ´ %I-C9 I1P L7sĂ´ J1<-A J%3K%Ăľ-#AQ <I*@Q--> BR%9.Ă´> !Ă´9I%CQ9 L% >/%V>I6%9 /=R %=R% ²ĂˆĂ›ĂŒ ­Ă™ĂˆĂ•Ă’Ă“Ă?Ă• 1Ă´>33Ă´> %=Q%7->. 3>-3Ă´>(EĂľ % <9>4=.9.EĂ´L%&Ăľ>%#AQ-A %> I1P 1 J1<I*CQ9L7Ăľ !9& 3>-!Ăľ9 >/ 9 %I/>-> #AQ6D &Ăľ>% <!Ăľ9 6>->/"L Ăľ >%M Ăľ.C 7.DĂ´% -> 3Ă´>#AQI .I'Ăť% L% <I A.3 =% *3 I/>#AQI'Ăť%I7-C9% %I(Ă´>I/Ă´/Ă´9%.D L7-Ă´ Â?Ă”Ă–Ă‹ĂŒĂ™Ă• Ă•Ă–Ă”ĂˆĂ‹Â? <L ĂľI31>L%&Ăľ>%%Ăľ9.1 I/CQ9.O %= 99 J&& 6">'%@ J1< %= 3> (= I-C9 <!Ăľ9 7>#> 99 L7-Ă´I*CQ9!9&K #.ø3@"AL7-Ă´L% >/L Ăľ >%*CR%#AQ &Ăľ>% Â?I#/% ø *CR%#AQ#AQ.C 7.DĂ´% Â? 6Ă´3%I#/% ø"= M' C9 *CR%#AQI6/@-6/Ăľ> 6D ,>*

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As the pace of urbanisation increases, the area of oor space provided in the average at reduces. At the same time, the modern nomad moves home more frequently. So designers and architects are urged to ďŹ nd exible new solutions suitable for short-term residency.

.@ Q I/>L Ă´I31>L%&Ă´>%-> I#Ăł>M7/Ăł P. @Q '/>/"%>#A Q <99 M'6=-(=6K1 Ă´> %9 J1< 1=&M'6E$Ăł //- >!@-> B%R I#Ăł>%=%R B Q %A Q 9C 6>I7!D3>Ăł #V>M- 3>-!Ă´9 >/!Ă´%M-Ă´'/< &= ,>.L%&Ă´>% B I'Ăş%#A%Q .@ --> B%R M-ĂłI*A. !Ă´%M-Ă´ < Ăł3.L7Ă´6,>*9> >4,>.L%&Ă´>% A BR% .= Ăł3.L7Ă´(EĂ´9>4=./EĂ´6B 6 CQ% /< DĂł- /< 3.-> BR% Ă´3. = %=R%#D 6@Q #D 9.Ăł> #AQ Ăł3.6/Ă´> I6/@-6D ,>* >.L J1< D ,>* A3@!1Ă´3%I'Ăş%6@Q #AQ %I/> .@% A!9&/=&#=R 6@R% The more time we spend indoors, the greater is our desire to get outside and back to nature, which is why there is a boom in demand for indoor plants. Not only do these help to main a healthy climate inside, but they can also greatly increase productivity. Anything and everything that promotes health and well-being is welcome.

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¸Ă‹Â“³ÇÊË šĂ–ÇÉË 7/C9 &Ă´>%L7-Ăł > 3=6 DI Ăł> %=R% Ăł3.1 .<#AQ-AJ%3K%Ă´-I*@Q--> BR%I/CQ9.O 3=6 DI71C9L Ă´#AQ 1>.I'Ăş% .< > &Ă´>%7/C9$D/ @ L O 6>->/"L Ă´I'Ăş%3=!"D @& I*CQ96/Ă´> 6// á6@Q J'1 L7-ĂłM Ă´ K .L Ă´ /<&3% >//AM I @1J1</A.E6/Ăł3- =& 3>- @ 6/Ă´> 6// á6/Ă´> K9 >6L7Ă´I @ M9I A.I Ăś O M Ă´-> ->.I Ăł%%AR I'Ăş% >/#Ă´>#>.L7Ă´I-C9 I @ @!6V>%B J1< @ L Ă´'/<K. %á > 9 .<#AQ-> ->.-7>4>1 ‘Re-Made Space’ mitigates the trend towards refuse and waste. aterials that have been waste for one home or business can be used as raw materials for something new and exciting: recycling and re-use in combination with creativity creates opportunities for clever ideas. Likewise, cities are challenged to recognise and exploit the potential of their mountains of waste.

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This small revolution has since turned into a mega-trend: do-it-yourself: sewing, knitting, carpentry – DIY instructions, open-source, 3D printers and downloadable designs make it possible for anyone to design and develop personal products.

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HEIMTEXTIL

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ÂŹĂ˜Ă‡Ă“Ă‹ #AQ99 J&&K . ³ÇÙÙĂ?Ă“Ă• ¯ÕÙÇ ­ĂŽĂ?Ă”Ă? L7Ă´ =& šĂ”ÇĂ?ĂŠĂ‹Ă˜Ă• Ăł3.6/Ă´> &//.> >4J&& ´Ă‹Ă• ŠĂŽĂ?É #AQ6=-(=6M Ă´9.Ăł> = I % ,>*'/< 9& šĂ”ÇĂ?ĂŠĂ‹Ă˜Ă• With ‘Frame’, Massimo Iosa Ghini for Snaidero makes a clear Neo Chic statement. Photo: Snaidero.

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MILAN DESIGN

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HAND-CRAFTED STATEMENTS K I Ăł% Ă´3. >%)ĂŤ-C9

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MILAN

>%9AI3õ%#ø =R%I.AQ.--= '/<I-@%(1M õ ô9% >%I/@Q- #=R >% ´ÐÓÈÕ ­ÜÙÕÐÛÜÙÌ ­ÈÐÙ J1< ¬ÜÙÖÊÜÊÐÕÈ 6>->/" B E 3>6%L 1ô3 7%õ>M -õ > ->. 3õ . V>-=%Q 6=ss>#A Q <%V>I6%9(1 >% MA %øK I %ô %ô>'/<#=&L >%J+/ø# =R 69 %A6R // ø6/õ> J%3 @ L%I/CQ9 3>-I'û%9.Eô 9>7>/ >/ @% J1<*CR%#AQ /=3M õ9.ô> %ô>!CQ%!>!CQ%L õ3. >/(6>% >%99 J&& =R%I.AQ.I õ> =& >%)ì-C9 . !=39.ô> I ô% !Eõ @ (%= »ÙÈ×ÌáÐÖ 9 ¬ÔÔÌÔÖÉÐÓÐ #V> > M-õI%CR97.>&)ù #9 I71C9 99 -> I'û% >%#A#Q / D ô> #> >õ % ¨ÓÐÈÚ -A %=R 7%= 6C9#A(Q 6-(6>%I õ> =&I õ>9A R % 1>.I'û% ©ÖÖÒÊÏÈÐÙ >õ %9D!6>7 // /=39@!>1A >V 1= # 19 L õ36= #D -AQ A 3>-7%>!ô> O =%M' J1<-D-7%B Q I'û% >% MA %ø#JAQ 6 3>- 1= Q M 1õ6M!1ø 1>66@ L% <#AQ9A -D-I'û% >%6M!1ø9@% =6I!/A.11õ3%O .YLH[ L]LU[Z JHZ[ [OLPY ZOHKV^Z ILMVYL [OLT! IV[O [OL 4PSHU M\YUP[\YL MHPY HUK ,\YVJ\JPUH KYH^ H[[LU[PVU ^LSS PU HK]HUJL ^P[O [OLPY WYVTPZL VM PTWYLZZP]L KLZPNUZ THRPUN H YLHS Z[H[LTLU[ )V[O [OLZL [YHKL MHPYZ WYVK\JLK L_[YH]HNHU[ JVUJLW[Z MVY SP]PUN LH[PUN HUK RP[JOLU HYLHZ JVTIPUPUN NYLH[ KLZPNU SHUN\HNL ^P[O ^VYRTHUZOPW -VY L_HTWSL PU P[Z º;YHWLaPV» ZPKLIVHYK ,TTLTVIPSP OHZ ^VVK NYHPU ^P[O IYHZZ PUSH` HUK [OL YLZ\S[ PZ HU HIZVS\[L NLT (SPHZ OHZ H IVVRZOLSM ^P[O HU PU[LNYHS JOHPY ^OPJO P[ JHSSZ [OL º)VVRJOHPY» ;OL 0[HSPHU RP[JOLU PUK\Z[Y` PZ L_WLYPTLU[PUN ^P[O TH[LYPHSZ VM KPMMLYLU[ [OPJRULZZ HUK VU [OL VUL ZPKL OHZ YLKPZJV]LYLK H SV]L VM JSHZZPJ KLZPNU ^OPSL VU [OL V[OLY KLZPNU \ZLZ [OL W\YPZ[ PUK\Z[YPHS SVVR

=R%7%= #AQ6C9 ó9% 3>-I 9/÷M*/6÷9.EóL% /E'1= 5 ÷ 9 I ô>9AR#AQI P&I ô>M'L%!EôM ô%AR CQ93ó> ¨ÕÕÑÉÎÇÏØ 99 J&&K . ¹ÕÛ ¬ÛÐÏÓÕÚÕ L7ô =& §ÒÏÇÙ ,>*'/< 9& §ÒÏÇÙ

M-ó-AL /-9 ô>-!Eô)ø #9 I71C9 I1A.% J&&13 1>.M-ô 9 ºØÇÖËàÏÕ > «ÓÓËÓÕÈÏÒÏ #AQI'ú%I7-C9%9=s- A 1VR> ó>M'M ôJ%ó%9% ,>*'/< 9& «ÓÓËÓÕÈÏÒÏ Nobody can fail to notice the brass inlay simulating wood grain on Emmemobili’s ‘Trapezio’ sideboard; an absolute gem. Photo: Emmemobili.

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This bookshelf houses a real surprise in the form of a retractable chair: the ‘Bookchair’ from Sou Fujimoto for Alias. Photo: Alias.

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D I+9/á%@I 9/á /=3 > ÂźĂ?ÔÉËÔÚ ŸÇÔ ÂŞĂ›Ă&#x;ÙËÔ %AR'/>4 > -C9 =& J!ĂłI'ĂŞ !EĂ´K .9>4=. %> 9 &>%!EĂ´ =&!=3!EĂ´#AQJ! !Ăł> =%I1P %Ă´9.J1<#Ăľ9'I >%áI!9/á #AQ-A 9&7%>1> 1 -> > 9Ăł> 1Ă´> >% ,>*'/< 9& ³Ă•Ă’ÚËÔĂ? The Vincent Van Duysen kitchen has no ďŹ nger grips, instead using a contrasting slight difference in thickness between side- and endelements, and thicker integrating worktops whose straight lines are broken by a sink front apron. Photo: Molteni.

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The latest variant of the ‘Origami’ table from Bonaldo has an octagonal planform. It was designed by Gino Carollo and inspired by the Japanese paperfolding art form. Photo: Bonaldo.

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=R%7%= 6C9M9 9%/DĂł% ¸Ă‡Ă”ĂŠĂ•Ă“ > ³ª %ARJ6 L7Ă´ I7P % "B 6A 6= % #AQ 7 1> 71>. BQ V > 1= I'Ăş % #AQ %@ . -L%I71Ăł > AM I%9/á9@!>I1A.% ,>*'/< 9& ³ª The iconic ‘Random’ shelves from MDF, show the range of colours currently in vogue with Italian designers. Photo: MDF.

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THE NEW ECO-MATERIALS 3=6 D/= 5÷K1 J&&L7-ó

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The ‘Beleaf’ chair from Simon Kern consists of a mix of tree leaves and bio-resin. Photo: Simon Kern.

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%@I34 3@#.> ECOLOGY

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The ‘Ultra Bloom’ sneaker from Vivobarefoot is made of 53 % Algae. Photo: Vivobarefoot

The base-material of this shoe is a mineral stone, made from Nat-2 in cooperation with Roxxlyn. Photo: Nat-2.

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Another natural material is derived from pine tree needles. These are crushed, soaked soft and pressed to become unusual furniture and carpets to the requirements of Netherlands designer Tamara Orjola. Photo: Tamara Orjola.

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PANTONE COLOUR OF THE YEAR 2018 ULTRA VIOLET ¶§´ºµ´« 6A'/< V>'ë -ó3 9=1!/>M3K9I1P! #D O 'ì ·ÈÕÛÖÕÌ ªÖÓÖÜÙ °ÕÚÛÐÛÜÛÌ <#V> >/ = I1C9 6AJ7ô 'ì J1<'ì %AR(EõI AQ.3 >s õ>%6AM õI1C9 6A-ô3 I õ- õ%-A-%!ø 1= L7õI'û%6AJ7ô 'ì 6A -ô3 #AQ '1D I/õ>I.õ>.3% %ARJ6 "B >//@I/@Q-9<M/L7-ôO 3>- @ #AQ I'ìü.- õ3. @%!%> >/J1<3@6=.#=4%ø &/@5=#6=s >!@9I-/@ =%3ô>M3õ 9.ô> %=R% 6AI %AR.= L7õ&//.> >4J'1 L7-ôL%&õ>% 6/õ> D I ô%#/ *1= 7> %V>M'L õI'û%6A(%= 7õ9 7/C96A 9 !Eõ @ (%= I /CQ9 I/C9% J1< 9 '/< =&! J!ô 6V>7/=&(Eõ#AQ 9&6M!1ø%Dô-%31 3ô>%AR 9> L õ6A-ô3 6 =& 9 ! J!ô &> @R% 9.ô> !Eõ6A >3#AQ-A1@R% = 6A-ô3 6 63ô> 6A-ô3 M3K9I1P!%AR < EK-I @/ø% BR%I-CQ99.Eô =&I 6AI/A.&63ô> I ô% >37/C9I#> 7/C97> L õ(6- =&6AL%!/< E1-ô3 õ3. =% 9.ô> I ô% -ô3 1>I3%I 9/ø -ô3 -9+ P <6/õ> A3@! A3>L7õ =&7õ9

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JVSV\YM\S Z[Y\J[\YL [V H YVVT

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M-ó3ó> <I'ú%9>/÷-J /÷ (ô> 1D-K +> 7/C9 9 '/< =&! J!ó !ó> O #AQ-A6A-ó3 M3K9I1P! 1ô3% ó3.I*@Q 3>--A6A6=%L7ô =&7ô9 © shutterstock Whether as an armchair, couch cover or accessories, Ultra Violet adds colour to your four walls. © shutterstock

6V>7/=&'ĂŤ ˜–—ž œÇÔÚÕÔË ŠĂ•Ă’Ă•Ă›Ă˜ ¯ÔÙÚĂ?ÚÛÚË M Ă´I1C9 6A-Ăł3 9=1!/>M3K9I1P! I'Ăş%6AJ7Ăł 'ĂŤ J#%6AI A.3 /A%I%9/AQ 6AJ7Ăł 'ĂŤ#AQJ1Ă´3 For 2018, the Pantone Colour Institute selected “Ultra Violetâ€? as the new colour of the year, replacing its predecessor “Greeneryâ€?. Š shutterstock

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The blue-based purple adds strong, vivid tones as a kitchen or wall colour. Š shutterstock

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(1 >% 9 ªÇÙÎ۞™ “ ÂŹĂ˜Ă‹Ă‹Ă–Ă?єÉÕÓ Created by Dashu83 - Freepik.com

MEDITERRANEAN OPULENCE 7/E7/>-=Q =Q J&& &=&I- @I!9/÷I/I%A.% «ÊËÔ ¸ÕÉ ®ÕÚËÒ J6%7/EL% §ÙÉÕÔÇ M ôJ!ô-!ó9 > -%!÷I6%ó7÷ 9 #<I1I- @I!9/÷I/I%A.%&3 =&#=4%A.,>*1VR>I1@4/@#<I16>& ³ÇÍÍÏÕØË .@ Q M' 3ó>%=%R K/ J/-I'ê !=39.ó> 91= >/ 3ô . >%! J!ó ,>.L%7/E7/>K .)ë-9C 9 ©ÇØÒÕ ¸ÇÓÖÇààÏ L /#AQ9.> M'6=-(=6-%!÷ 1= 9 >%99 J&&,>.L%%ARI'ú% >/6ó3%!=3 6>->/"#V>M ô ô3.J*P I ØËÒÇÞÇÚÏÕÔ ÖÇÉÑÇÍË #AQ*ó3 -> =& >/I ô> -%@#//4 >/ >%! J!ó ,>.L% ¹ÇÒÕÔË ÊËÒ ³ÕÈÏÒË #AQ < = BR%#AQ ³ÏÒÇÔ /=R 7%ô> The luxury Eden Roc Hotel in Ascona gets added points for its combination of Mediterranean charm and the fabulous location on the banks of Lake Maggiore. This premier establishment has been given an even greater boost by the opulence of the interior design by Carlo Rampazzi. Anyone wishing to sample Rampazzi’s magical design world in person could do so with one of the after-fair ‘relaxation packages’ following the next Salone del Mobile in Milan.

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The Eden Roc Hotel in Ascona is located on the banks of Lake Maggiore and belongs to the Tschuggen Hotel Group. Amongst other things, Carlo Rampazzi redesigned the 2,000 square metre spa zone and numerous luxury suites. A team of mostly North Italian carpenters makes his furniture. When travelling along the NorthSouth route from Milan towards Germany after the Salone del Mobile, visitors can experience Rampazzi’s creations in person, using the after fair relaxation packages at the Eden Roc (www.edenroc.ch).

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So should he be defined as a ‘creator of dreams’, or the Dali of interior design? Carlo Rampazzi has been given many titles and is all of them, except ‘conventional’. He likes to be provocative, and amongst other things he has been highly successful with the interior design of luxury hotels

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LIGHTING TRAIL-GUIDE THROUGH THE VISUAL SENSES 6/ô> 6=-(=6L7-ó ô3. ²¯­Žº¯´­

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B%R /E'M 9Ă´ .Ăł> 6-&E/ áJ&& 91I1 =%Q ¨Ă‡Ă’Ă’Ă•Ă•Ă” > ¨Ă˜Ă•Ă‘Ă?Ă™ 9>4=.#= 5<I'ĂŽ>J Ă´3 =& >% MA %á1>VR O /Ăł3-6/Ă´> 6// áK . ªÇÔ ÂżĂ‹ĂŒĂŒĂ‹Ăš perfectly shaped: the Brokis ‘Balloon’ collection combines the skill of the glass blower with a modern appearance. Created in cooperation with Dan Yeffet.

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The ‘Wave’ stool for Haymann Editions is a ecorative seat

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#AQ >% ÂłĂ?ÒÇÔ šĂ‡Ă’ÕÔË J&/% á ¨Ă˜Ă•Ă‘Ă?Ă™ = J6 (1 >%I/Ă´>L 9.Ăł> K -M+J Ă´3 ÂłĂ‡Ă‰Ă‡Ă˜Ă•Ă” At the Milan Salone. Brokis exhibited the sensual ‘Macaron’ glass lamp.

²Ă›Ă‰Ă?Ă‹ L7Ă´ 3>-I7P%!Ăł9 ŠĂ‡Ă–ÙÛÒÇ (1 >%#AQ I$999 J&&L7Ă´J Ăł ¨Ă˜Ă•Ă‘Ă?Ă™ 3Ăł> =%9.> 99 J&&K -M+#AQ1VR>J1<6/Ă´> 6// á Commenting on her Capsula design for Brokis, Lucie said: “I wanted to design an innovative creative lamp.â€?

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Lucie’s elegant ‘Bella’ lamp stand (below) from Per/Use was inspired by a bell tower. The copper-coloured lampshade spreads a touch of glamour. ReďŹ ned lightweight: the ‘Corques’ sofa (below) for Per/Use is made in cork.

K!Ăľ<I A.%7%= 6C9 ÂąĂ˜Ă‹ĂŽĂ‘Ă&#x; I'Ăş%J(Ăł%M-Ă´69 J(Ăł%3> Ă´9% =%K .-A 9Ăł 3Ăł> /<73Ăł> J(Ăł%M-Ă´ I'Ăş% Ăł9 I P& 9 The Krehky writing desk has wo panels forming a concealed compartment.

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Koldova is well known for her beautiful lamps, where she focuses less on form than the “Energy dispensed by light into the home. I want to tell the story of the ideal home, not with words, but with very different types of light.”

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²Ă›Ă‰Ă?Ă‹ ÂąĂ•Ă’ĂŠĂ•ĂœĂ‡ 9= A *1= L7Ă´ =& >%J6 ªÇÙ ŽÇÛÙ

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Lucie Koldova injects energy into ‘Das Haus’

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“LIKE MY CLOSEST FRIENDSâ€? >/I %@ #> #Ăł9 I#A.Q 3 Ăł3.I'ĂŞ -D--9 L7-ĂłO B I'Ăş%J/ =&L7Ă´ MA I%9/á >3'>/A6 ÂłĂ‡Ă˜Ă?Ă‹ ŠĂŽĂ˜Ă?ÙÚĂ?ÔË ÂŞĂ•Ă˜Ă”Ă‹Ă˜ != 6@%L #@R &Ă´>%6= /<.<7%BQ I*CQ97>'/<6& >/ á >% AM %áL7-ĂłO /< =&%>%> >!@#AQ K!I A.3J1<19% 9% I-CQ9 1=&->.= )/=Q I46 I$9M Ă´%V> 3>-'/<#=&L L7-ĂłO J1< >/I'1AQ.%-D-9 L% >% MA %á 1=&-> 3Ă´ . ->!/ >%6E 1@3Q #AIQ $9!= R L7Ă´ &= >% 9 !=3I9 %=%R I7-C9% =&->!/> >% >/I1C9 &I*CQ9%6%@#6D AR 9 I$9 Travel broadens the mind, and this was the driving factor behind Parisian designer Marie Christine Dorner’s decision to leave home for a while and gain international design experience at ďŹ rst hand in Tokyo and London. On return to France, she brought with her a new appreciation of and permanently renewed approach to design; and the very high standards she sets for her creations are not unlike those she sets for her very closest friends.

1=&6EĂł/E'1= 5 á#AQI/A.& Ăł>. ¹Ă•ĂšĂ•Ă˜Ă? 9 ! J!Ăł &Ă´>%/E'% ÂŽ ÂąĂ•ĂšĂ•Ă˜Ă? 7->."B % !=3I1P L%,>5> sAQ'DĂŽ%Â? L Ă´"C9 1>.I /A. #V> > M-Ă´ 9/á J1< I'1C9 391%=!/AM I @1 Reduced to minimalist form: these decorative ‘Kotori’ bird ďŹ gurines (‘Kotori’: small bird, Japanese) hand-held stress-relievers are made of either recycled cork or solid walnut.

%= 99 J&&

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DESIGNER

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K -M+ /@6!=1 ²Ă‡Ă”ĂšĂ‹Ă˜Ă”Ă‹Ă™ ³ÇĂ?Ă?×ÛËÙ D %AR ³Ç“ Ă˜Ă?Ă‹ 99 J&&L7Ă´ =& šĂ‡Ă?ÔÚ ²Ă•Ă›Ă?Ă™ >% 9 -=% 3% %B "B Ă´>%J Ă´3M3%áM: 1>6 These ‘Lanternes Magiques’ crystal lamps for Saint Louis have a ground ďŹ nish reminiscent of high-class wine glasses on a stem.

->/A /@6#A% 9/÷I%9/÷ MARIE CHRISTINE DORNER

³ÇØÏË ©ÎØÏÙÚÏÔË ªÕØÔËØ '/<6& 3>-6V>I/P 9.ó> -> > (1 >%K +> CQ9 ©ÕÜËØ #A9Q 9 J&& L7ô &= ²ÏÍÔË ¸ÕÙËÚ C9Q %AIR 9>-> > 1= 5 < 9 (ô> 1DK +>#AQI'ú% 3@1#÷J1<"9 M ô Marie Christine Dorner’ gained a major success with her sofa ‘Cover’ designed for Ligne Roset. The name is the giveaway for a removable quilted sofa cover.

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³ÇØÏË .= M ô99 J&& 9>/÷-J /÷ §ÓËÊËË #AQ63.6 ó>J6%6&>. L7ô =& ²ÏÍÔË ¸ÕÙËÚ I'ú%9>/÷-J /÷#AQ-A I6ô%6>.%Dó-%31 I&><&D%3- 3@1#÷ Also designed for Ligne Roset is the elegant and comfortable ‘Amedee’ armchair, featuring soft lines and a quilted centre section.

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I` [OL 3PNUL 9VZL[ Z[HUK JV\SK UV[ MHPS [V ZLL [OL ZTHY[ ZVMH º*V]LY»

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%= 99 J&& DESIGNER

K!Ăľ<7=3I!A. Entrèves EĂł%AR ÂłĂ‡Ă˜Ă?Ă‹ 99 J&&L7Ă´ =& ²Ă?Ă?ÔË ¸Ă•Ă™Ă‹Ăš 6>->/"%V>->3> !Ăł9 =%I'Ăş%!EĂ´1@R% = M Ă´ 7/C93> '/< 9&M Ă´ 71>./E'J&& Ă´3.

¾ÔË šĂŽĂ‡Ă–Ă‹ ÂŽ²Ă?Ă?ÔË ¸Ă•Ă™Ă‹ĂšÂ? K!Ăľ<#AQ 6>->/"(1@! Ă´3.3=6 D!Ăł> O =%M Ă´ I Ăł% M-Ă´ I />-@

The pair of ‘Entrèves’ bedside tables for Ligne Roset can also serve as a chest of drawers by putting them sideby-side. They can be placed in several arrangements.

The ‘One Shape’ tables (Ligne Roset) can be made in a variety of different materials such as wood and ceramics.

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3>-*@I45 9 K!Ăľ<I A.%7%= 6C9 ¾ÙĂ? ¨Ă˜Ă?ĂŠĂ?Ă‹ #AQ ÂłĂ‡Ă˜Ă?Ă‹ 99 J&&L7Ă´ =& ²Ă?Ă?ÔË ¸Ă•Ă™Ă‹Ăš 9.EĂł#AQL6Ăł Ăł9 I P& 9 1=&71= The unusual feature of the ‘Osi Bridge’ writing desk for Ligne Roset is the concealed compartments on the rear face.

I A.& - K!Ăľ<I!AR. ¸Ă•Ă“Ç ÂłĂ‡Ă˜Ă?Ă‹ 99 J&&L7Ă´ =& ÀËÛÙ ! J!Ăł Ă´3.#P9' /< #/ 1- (6-(6>% =&K / I6Ă´%K17< Clever: the ‘Roma’ low tables for Zeus, which have decorated circular glass tops, combined with a ďŹ ligree metal frame.

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¸Š¸ §Ă˜Ă—Ă›Ă?ÚËÉÚËÙ 6/Ă´> 6// á(1 >% AM %á -> ->.!=R J!Ăł&Ă´>%M' %"B M/Ăł9 DĂł%J1<K/ I/A.% 9%D&>1 1DĂł-6">'%@ 6>- %'/< 9& Ă´3. ¸Ă‡Â“ ĂŒĂ‡Ă‹Ă’ §Ă˜Ă‡Ă”Êǒ ŠĂ‡Ă˜Ă“Ă‹ ÂśĂ?Ă?Ă‹Ă“ J1< ¸Ă‡Ă“Ă•Ă” ÂźĂ?ÒÇÒÚÇ ÂŽ > Ă´>.M' 3>Â? RCR Arquitectes has produced a wide range of designs, ranging from houses, to vineyards and kindergartens.The Spanish architectural trio: Rafael Aranda, Carme Pigem and Ramon Vilalta (left to right)

%= 99 J&& DESIGNER 63%9 DĂł% ¨Ă‹Ă’ғ²Ă’ÕÉ #AQ PalamĂłsÂ’ ­Ă?Ă˜Ă•Ă”Ă‡Â’ šĂ–ÇĂ?Ă” Bell-Lloc vineyard in PalamĂłs, Girona, Spain

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PRITZKER-PRIZE WINNERS RCR ARQUITECTES

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ENIGMATIC CULINARY TEMPLE-MAZE 3 !'/@4%>J7ó 4>6!/á9>7>/

7Ă´9 6-D °Ă•Ă‡Ă”“¾ÒĂ?ĂœĂ‹Ă˜ #AQ ¨Ă‡Ă˜Ă‰Ă‹Ă’ÕÔǓšĂ‡Ă”Ăš §Ă”ÚÕÔĂ? 6I'% ,>*'/< 9& ŽĂ?ÙÇÕ šĂ›Ă ÛÑĂ? The Joan-Oliver library in Barcelona-Sant Antoni, Spain photo: Hisao Suzuki

*@*@$,= á šĂ•Ă›Ă’Ă‡Ă?Ëٓ³ÛÙËÛÓ #AQ ¸Ă•ĂŠĂ‹Ă )/=Q I46 ,>*'/< 9& ŽĂ?ÙÇÕ šĂ›Ă ÛÑĂ? Soulages-Museum in Rodez, France photo: Hisao Suzuki.

El Petit Comte kindergarten in BesalĂş, Girona, Spain photos: Hisao Suzuki.

K/ 1< /I'ĂŞ ²Ă‡ ²Ă?Ă˜Ă‡ #AQ ¸Ă?Ă–Ă•Ă’Ă’Â’ ­Ă?Ă˜Ă•Ă”Ă‡ 6I'% La Lira theatre public open space, Ripoll, Girona, Spain.

/> 3=1 ÂśĂ˜Ă?ĂšĂ Ă‘Ă‹Ă˜ ÂśĂ˜Ă?Ă Ă‹ 'ĂŤ#(AQ >Ăł %->I'Ăş% 9 6>-6">'%@ (E-Ă´ %=Q !Ăł9 3>-I'Ăş% >!>K1I%A.%/> I7 Ă´> 9 *3 I > >/%V>->(6(6>%I Ă´> =&/E'J&&#AQI'Ăş%6> 1J1<-A#A-I3@/á #AQI7%A.3J%Ăł% 1>.I'Ăş% D #AQ < //- >/!= 6@%L7Ă´*3 I >M Ă´/=&/> 3=1 I/> 9%V>I6%9(1 >%J&& &=&6I'% I'Ăş% AM %áL7-Ăł1Ăł>6D J1<I'Ăş% (1 >%%Ăł>'/<#=&L #AQ6D 9 6>-6">'%@ %=Q% C9,=!!> >/ ÂŤĂ”Ă?Ă?ÓÇ #AQ EJ1K .I + CQ9 = BQ -A 3>-I *><!=36E 9.Ăł> ÂŹĂ‹Ă˜Ă˜Ă‡Ă” J1< Albert AdriĂ (11=*$á#AQ99 -> B I'Ăş%(1 >% &//I @ ,=!!> >/7Ăł97DĂ´- Ă´3.7@% ´Ă‹Ă•Ă’Ă?ÚÎ I C9&#=R 7-

Last year’s Pritzker Prize has been awarded to three architects who have remained loyal to their Catalonian roots. This they couple with a cosmopolitan outlook and intensive teamwork that was the deciding factor in the jury’s decision. Here, we present their Spanish practice and one of their newest, most impressive designs: the Enigma restaurant operated by the well-known and highly unusual chefs Ferran and Albert Adrià . The result is a dreamlike development making much use of Neolith cladding materials.

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K/ I/A.%9%D&>1 ÂŤĂ’ œËÚĂ?Ăš ŠĂ•Ă“ÚË #AQ BesalĂş 6I'% ,>*'/< 9& ŽĂ?ÙÇÕ šĂ›Ă ÛÑĂ?

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D Ăľ 9 ,=!!> >/ ÂŤĂ”Ă?Ă?ÓÇ '/D (1 >% 9 *3 I >L% /=3#AQ M-ĂłI7-C9%7Ă´9 J1P&J&& /=3#=Q3M' 9%I P'!á1B 1=&6>->/" *&I7P%M Ă´#D -D-#=Q3,=!!> >/ 6">'%@ !=R L L7Ă´1E Ă´>M Ă´ /=& '/<6& >/ áL%/69>7>/J1< 3>-/EĂ´6B 6=-(=6#AQ%Ăł>*B *9L >/! J!Ăł ,>.L%%=%R I7P%M 3Ă´ >Ăł ! J!Ăł 7Ăł97D-Ă´ M' 3Ă´ . 3=6 D ´Ă‹Ă•Ă’Ă?ÚÎ Enigma cooks produce their creations in a kitchen not unlike a test laboratory. The enigmatic concept is found through the entire restaurant. The architects aimed for guests to be “transported into a culinary and sensory experience.â€? The interior design was realised with Neolith interior cladding materials.

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[V WYVK\JL H \UPX\L YLZ\S[ I` JVU]LY[PUN ZX\HYL TL[YLZ VM Ă…VVY ZWHJL PU[V HU HYLH ^P[O H T\S[P[\KL VM ^H[LYSPUL JVSV\YZ 0[ ^HZ H WSLHZ\YL [V ^VYR ^P[O [OLPY [LJOUPJHS [LHT š ;OL JOHSSLUNL ^HZ Ă„YZ[ [V [YHUZMLY HU HIZ[YHJ[ JVSV\Y KLZPNU MYVT WHWLY VU[V [OL Z\YMHJL JSHKKPUN TH[LYPHSZ ;OPZ [\YULK V\[ [V IL H THQVY JOHSSLUNL *HYSVZ .HYJPH PZ WYVK\J[ KLZPNULY MVY 5LVSP[O I` ;OL:PaL ¸-PYZ[ ^L OHK [V THNUPM` [OL VYPNPUHS KLZPNU ^P[O TPUPT\T SVZZ VM X\HSP[` HUK YLZVS\[PVU >OLU [OH[ ^HZ KVUL [OL UL_[ [HZR ^HZ [V LUZ\YL L_HJ[ JVSV\Y TH[JOPUN H[ [OL PU[LYMHJLZ -\Y[OLY [OL JVSV\Y PU[LUZP[` OHK [V ISLUK ^P[O [OH[ VM HSS [OL V[OLY TH[LYPHSZ HUK PU[LYPVY M\YUPZOPUNZ PU [OL YLZWLJ[P]L aVUL >L ^HU[LK [V JYLH[L H JVUZPZ[LU[ HTIPLUJL HUK Z\YYV\UKPUN PU[V ^OLYL [OL N\LZ[ ^V\SK IL Z\ITLYNLK PU H Z\YYLHS LU]PYVUTLU[ š ;OL YLZ\S[ PZ H KYLHT SPRL SHUKZJHWL ;OL HYJOP[LJ[Z KLZJYPIL P[ HZ ¸HU LUNHNPUN aVUL [OH[ ZLLTZ [V TLS[ HUK KPZHWWLHY ILMVYL VULÂťZ ]LY` L`LZ JYLH[PUN H ]PZ\HS THaL š .\LZ[Z KPUPUN H[ [OL ,UPNTH YLZ[H\YHU[ HYL PU MVY HU \U\Z\HS L_WLYPLUJL PU L]LY` YLZWLJ[ UV[ Q\Z[ ^P[O YLZWLJ[ [V [OLPY [HZ[L I\KZ I\[ HSS Ă„]L ZLUZLZ ;OVZL ^OV THUHNL [V NL[ H YLZLY]H[PVU JHU JV\U[ [OLTZLS]LZ S\JR` MVY ,UPNTH JHU VUS` ZLH[ J\Z[VTLYZ HUK WSHJLZ HYL \Z\HSS`

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AM %á!Ă´% &=&#AQ9.EĂł&% /< >5 ÂŽ,>*&%Â? "E "Ăł>.#9 M'9.EĂł&%3=6 D71> 71>. 6">'%@ > ¸Š¸ =&6">'%@ œÇÛ ²Ă’Ă?ÓÕÔÇ ÂŽ Ă´>% 3>Â? The original design on paper (above) was transferred to a variety of surface materials. RCR architects with architect Pau Llimona (right)

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FABIAN VON FERRARI

MODULAR ARCHITECTURE FOR ALL

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$D/ @ 71= 9 ÂŹĂ‡ĂˆĂ?ÇÔ ĂœĂ•Ă” ÂŹĂ‹Ă˜Ă˜Ă‡Ă˜Ă? #AQ!=R >%9.EĂłL% ¨Ă‹Ă˜Ă’Ă?Ă” C9 >% 6">'ø!. //- EM Ă´ > >%99 J&&(1@!,= á!Ă´%J&& 9 I > I7P%M Ă´ 3Ăł > -A >/%V> >%6">'ø! //-I Ă´>->L Ă´L% >% AM %á I'Ăş%/<&& >/ 99 J&&#AQ >s 1> #AQ9> <%V>M''/=&L Ă´ =& >%99 J&&/E'J&&!Ăł> O M Ă´9.Ăł> 71> 71>. Based in Berlin, Fabian von Ferrari’s main business is architecture. One can see from his prototype product designs, that these also take an architectural approach. They are ingenious modular systems that may be adapted to a range of different spatial contexts.

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>/3> (= ! J!Ăł /Ă´>% ÂśĂ‡Ă–Ă‹Ă˜ ÂŒ ºËÇ J&/% á(1@!,= áM1+ò6M!1áL% ¨Ă‹Ă˜Ă’Ă?Ă” #AQ!Ă´9 >/I Ă´>"B 1E Ă´> Ă´3.1D #AQL7Ă´6=-(=61<I9A. 9Ăł9%

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Shop ďŹ ttings layout for Berlin’s lifestyle-label Paper & Tea, where the retailer seeks to reach out with sensory perceptions.

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K!Ăľ< ÂłĂ‹Ă˜Ă’Ă?Ă” -AK / I6Ă´%L!Ă´K!Ăľ<#AQ/3-9.EĂł!/ 1> #V>L7Ă´-A*CR%#AQ3> >I*@Q- BR% The Merlin table rests on a ďŹ ligree frame, whose members join under the centre, giving maximum leg-space.

¨ÛÊ C9I6>J 3%I6C9R (ô>#V> > AIR "ô> L ôI I&@1I6ô%&> O 7ô9.M3ô #V>L7ô E I7-C9%19.9.Eó 1> 7ô9 Bud is an upright clothes stand, also in ash. It is suspended by a thin steel cable, and looks to be hovering in the room.

I @ I#A.% ³´§ #V> > ARI"ô>9= J P The MNA candleholder is made of solid ash.

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302, 4(5@ (9*/0;,*;: -HIPHU ]VU -LYYHYP [HRLZ H JVTWYLOLUZP]L HWWYVHJO [V KLZPNU" VUL [OH[ PUJS\KLZ [OL PU[LYPVY HUK NVLZ HSTVZ[ ^P[OV\[ ZH`PUN MVY H WYVMLZZPVUHS (M[LY HSS H KLZPNU JVUJLW[ PZ TVZ[ JVU]PUJPUN PM [OL L_[LYPVY HUK PU[LYPVY [VNL[OLY MVYT H ^LSS YV\UKLK WPLJL VM ^VYR /PZ WYVK\J[ KLZPNUZ HYVZL MYVT OPZ HYJOP[LJ[\YHS WYHJ[PJL" X\HZP HZ H ZTHSS L_[LUZPVU VM ZWH[PHS PU[LYPVY KLZPNU 0U OL KLJPKLK [V ZL[ \W +LZPNUZ[\KPV - - PU .LYTHU`»Z JHWP[HS JP[` )LYSPU HZ H Z\IZPKPHY` VM OPZ THPU HYJOP[LJ[\YHS WYHJ[PJL (SS OPZ KLZPNUZ [HRL H JVUZ[Y\J[PVUHS HWWYVHJO PU ^OPJO OL WSHJLZ LTWOHZPZ WYPTHYPS` VU TVK\SHY Z`Z[LTZ ;OL WYVK\J[Z HYL THKL PU VY ULHY )LYSPU ;OL` HYL KLZPNULK [V IL ÅL_PISL JHU IL JOHUNLK SH[LY H[ HU` [PTL VY L_[LUKLK I` HKKP[PVUHS LSLTLU[Z /PZ KLZPNUZ HYL Z\P[HISL MVY \ZL PU IV[O PU OVTLZ HUK VMÄJLZ 6UL L_HTWSL PZ [OL : ZOLSM Z`Z[LT THKL ^P[O HJJ\YH[LS` TPSSLK PU[LYMHJLZ" JVTWVULU[Z JHU IL HZZLTISLK [V MVYT HSTVZ[ HU`[OPUN MYVT H ZPTWSL ZOLSM [V ^HSS Z[VYHNL Z`Z[LTZ -HIPHU ]VU -LYYHYP YLNHYKZ OPZ M\YUP[\YL HUK HJJLZZVYPLZ HZ T\JO TVYL [OHU TLYL KLZPNU VIQLJ[Z 9H[OLY OL WYV]PKLZ [OL \ZLY ^P[O [OL HIPSP[` [V PUKP]PK\HSPZL HUK HKHW[ H WYVK\J[ [V OPZ V^U ZWH[PHS HUK

D =R% ¹ 6>->/"%V>->'/< 9& =%L7ô I'ú% 9 #AQ71> 71>. !=R J!ó+9/÷%@I 9/÷ I AQ.3M' %"B D I P& 9 !@ (%= The S25 shelf system components can be assembled into a wide range of items, ranging from an individual piece of furniture up to complete wall storage units.

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9%> ! 9 I3@/á P9' >%99 J&& FUTURE DESIGN WORKSHOP

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6V>%= >% OFFICE

Until not so long ago, the furniture trade had of two main streams: domestic and office. But of recent years the boundaries between the two have become increasingly blurred, resulting in the demand for new, compatible interior solutions. Based at Rheda-WiedenbrĂźck in Germany, Cor is a specialist manufacturer of quality seats, and decided to set up a new ‘Cor Lab’. The object was to recruit and work with young designers who would develop a new generation of products to the match creative changes now underway in the home and workplace.

1. Leo LĂźbke I Ă´> 9 ŠĂ•Ă˜ /@I/@Q-K'/I P # 19 ŠĂ•Ă˜ ²Ă‡Ăˆ BR%->K .-DĂł 73= L7Ă´I @ >/6/Ă´> 6// áI+9/á%@I 9/áJ%3L7-Ăł6V>7/=& 6">%#AQ#V> >%L%9%> !

EĂł7E EK9 ÂłĂ?Ă˜Ă?ÇÓ §Ă›Ă™Ăš J1< šĂ‹ĂˆĂ‡Ă™ĂšĂ?ÇÔ §Ă““ ËÒÛÔĂ? 99 J&& D I+9/á%@I 9/á ¨Ă•Ă”ĂŠ Ž˜’ ™ ‘ šÂ? #AQ'/< 9& Ă´3./"I P% K!Ăľ<#V> >%#AQ'/=& /< =& 3>-6E M Ă´ K!Ăľ<I1P /E'3 1- J1< K!Ăľ< >J+I!AR. ÂłĂ?Ă˜Ă?ÇÓ 1Ăł>33Ăł> /E'+9/áI *>< 9 D I+9/á%@I 9/á 9 I/>I'Ăş%1>. I6Ă´%#AQ 3%%B "B M9 9%/E'J&&I/A.& Ăł>.

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Partners Miriam Aust and Sebastian Amelung designed the ďŹ ligree ‘Bond’ family (2, 3 + 4), consisting of a trolley, a height-adjustable work-table, a round incidental table and a low coffee table. Miriam said: “The form language of our peripheral furniture is graphic, the lines reminiscent of simple icons.â€?

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1. Leo LĂźbke, the proprietor of Cor initiated the experimental ‘Cor Lab’ project with the aim of creating a new furniture generation for the workspace of the future.

5

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7

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›”’ œ”’ Â?” ‘ ž” I+9/á%@I 9/á#AQ V>I'Ăş%6V>7/=&6V>%= >%6-=.L7-Ăł J1<.= L Ă´#AQ&Ă´>%M Ă´9A Ă´3. #AQ%=Q I1> á I7-><6V>7/=&L Ă´'/< D-7/C9#V> >%#AQ!Ă´9 L Ă´6->$@ D K +> ÂŹĂ’Ă•Ă‡ĂšĂ‹Ă˜ J6%6&>. ÂŽÂ?Â? 99 J&& K . œÇÛÒĂ?ÔË ÂŞĂ‹Ă’ĂšĂ•Ă›Ă˜ ÂŽÂ?Â? K .L Ă´6A6=%J1<3=6 D#AQ Ă‰Ă•Ă”ĂšĂ˜Ă‡Ă™Ăš =% Ăł3.6/Ă´> &//.> >4 3%I @s J Ăł7Ă´9 -AL7Ă´I1C9 71>. %> J1<6A -A/E'J&&!Ăł> O =% I Ăł% I'Ăş%9>/á-J /áI AQ.3 Ž›Â? 7/C9K +> 6V>7/=& ˜“™ %%=Q 5., 6., 7. + 8. Essential in a modern ofďŹ ce – and a gain at home: work-lounges as a retreat for small meetings or concentrated work. The very comfortable ‘Floater’ (7) was designed by Pauline Deltour (7) and uses contrasting colours and materials, forming a ‘teaser’ within the room. It is available in different sizes and ďŹ nish – as an individual armchair (5), or as a sofa for two or three persons.

'Ăš D&=% A3@! 9 I/>!Ăľ9 I 1CQ9%#AQ!19 I31>#=R #AQ&Ăľ>%J1<#AQ#V> >% I6Ăľ%J&Ă´ /<73Ă´> 69 #AQI/@Q-I&>&> 1 I/CQ9.O *= %> >/L%I/CQ9 %AR D '/< >.L7Ăľ 3LV 3Â…IRL I Ăľ> 9 &/@5=# ÂŞĂ–Ă™ @ "B 9%> !J1< Ă´9!=R ÂŞĂ–Ă™ ÂłĂˆĂ‰ BR%->/Ă´3- =& %= 99 J&& ÂźĂžĂŒ ­Ă?ÚÊĂ?ĂŒĂ™ 3=!"D'/<6 øJ/ 9 *3 I > C9!= R #A-%= 99 J&& › #A-I*CQ9*= %> >/99 J&&6">%#AQ#V> >%J7Ă´ 9%> ! 3=!"D'/<6 ø"= -> C9-9 7> 1DĂ´-%= 99 J&&/DĂ´%L7-Ă´#AQ-A 3>- @ 6/Ăľ> 6// ø (EĂľ-A 3>-)Ăš%#AQ < 6/Ăľ> $D/ @ 99 J&& 9 !%I9 <I A.3 =% P->6/Ăľ> (1@!,= ø&Ăľ>%J1< 6V>%= >%J7Ă´ 9%> !#AQ!9&K #.ø ÂŞĂ–Ă™ I C9%-A%> - ™—˜Â? ÂŞĂ–Ă™ M Ăľ = I1C9 #A-#AQ*3 I >!Ăľ9 >/->*= %> >/99 J&&#AQ%=Q #AQ-A-E1 Ă´>6E 9 &/@5=# I Ă´% ÂźĂžĂŒ ­Ă?ÚÊĂ?ĂŒĂ™ > J+/ øI+ĂŤ/ø! -A'/<6& >/ øL%$D/ @ I+9/ø%@I 9/ø-> .>3%>% &#&># 9 I > C9#V> >/ D '/< >. 99 J&& I'Ăť%I-%#9/ø J1<(EĂľ V> =& >% >%%A-R 6A !E K@ 999 J&&9@6/< š J7Ă´ #A6Q %L ->I Ăľ>/Ă´3- M JĂľ Ă´ ¨ĂœĂšĂ› Â? ¨Ă”ĂŒĂ“ĂœĂ•ĂŽ Â?´Ă?Ă™Ă?ĂˆĂ” ¨ĂœĂšĂ› J1< ÂşĂŒĂ‰ĂˆĂšĂ›Ă?ĂˆĂ• ¨Ă”ĂŒĂ“ĂœĂ•ĂŽÂ? > 2HZZLS" 9LS]qV 2LSSLYTHUU (UH 9LS]qV J1< .LYOHYK[ 2LSSLYTHUU > ´ĂœĂ•Ă?ĂŠĂ? J1< ¡ĂˆĂœÂ” Ă“Ă?Ă•ĂŒ ÂŤĂŒĂ“Ă›Ă–ĂœĂ™ > ¡ĂˆĂ™Ă?Ăš I'Ăť%6Ă´3%'/< 9&#A-#AQ1 !=3 I*/><-A(EĂľ >. š J1<(EĂľ 7s@ š > %=R%I'Ăť%I31>#AQ*3 I >I/A.%/EĂľ >%J1< Ă?ĂˆĂ“ĂœĂŒ 9 &/@5=#I6/P J1Ăľ3 B J. .Ăľ>. =%#V> >%99 J&&I+9/ø%@I 9/øJ%3L7-Ă´K .9@6/< 3LV 3Â…IRL 1Ă´>33Ă´> %= 99 J&&J!Ă´1< %-AJ%3#> ,>5> #Ă´>#> L% >/99 J&&I'Ăť% 9 !%I9 6Ă´3%7%BQ 9 >/# 19 %AR C9!Ăľ9 >/ E3>Ă´ I'Ăť%M'M ĂľM7-#AQ <(6(6>% 3>-I Ă´ 9 J!Ă´1< %I Ăľ> Ăľ3. =%L% >/#V> >%9.Ă´> I A.3 =%

6\Y SP]LZ OH]L ILJVTL PUJYLHZPUNS` TVIPSL IV[O H[ OVTL HUK ^VYR HUK [OL IV\UKHY` IL[^LLU [OL [^V OHZ ILJVTL IS\YYLK ;OPZ KL]LSVWTLU[ [YPNNLYLK *VY WYVWYPL[VY 3LV 3Â…IRL [V [OPUR HIV\[ [OL M\[\YL HUK ZL[ \W [OL ZV JHSSLK Âş*VY 3HIÂť ^P[O KLZPNULY <^L -PZJOLY ;OLPY Ă„YZ[ VIQLJ[P]L ^HZ [V HZZLTISL MV\Y KLZPNU [LHTZ [V YLKLZPNU M\[\YL ^VYRZWHJL 5L_[ ^HZ [V SVVR MVY H NYV\W VM JYLH[P]L `V\UN KLZPNULYZ ^OV ^OPSL JVU[PU\PUN [V W\YZ\L [OLPY V^U KLZPNU I\ZPULZZ ^V\SK HSZV JYLH[L UL^ WYVK\J[Z [OH[ ^V\SK ZH[PZM` *VY HPTZ MVY [OL OVTL HUK VMĂ„JL )` 4HYJO *VY OHK ZLSLJ[LK [OL [LHTZ [OL` ULLKLK [V JVU[PU\L KL]LSVWTLU[ VM [OL JVTWHU`ÂťZ OPNO ]HS\L ZLH[PUN! <^L -PZJOLY -YHURM\Y[ OHZ SVUN L_WLYPLUJL VM JVU[YHJ[ M\YUP[\YL HUK OPZ YVSL ^HZ [V PUZWPYL KLZPNU HJ[ HZ TLU[VY HUK TVKLYH[VY /L ^HZ QVPULK I` [OYLL PUKLWLUKLU[ KLZPNU Z[\KPVZ! (\Z[ (TLS\UN 4PYPHT (\Z[ HUK :LIHZ[PHU (TLS\UN 2HZZLS" 9LS]qV 2LSSLYTHUU (UH 9LS]qV HUK .LYOHYK[ 2LSSLYTHUU 4\UPJO" HSZV 7H\SPUL +LS[V\Y MYVT 7HYPZ ;OL UL^ SPUL \W JVUZPZ[LK VM H ^LSS IHSHUJLK [LHT VM [OYLL TLU HUK [OYLL ^VTLU ^OV [OLU ZWLU[ [PTL SLHYUPUN HIV\[ [OL JVTWHU`ÂťZ ]HS\LZ HUK ZRPSSZ ;OLU ^VYRPUN PUKLWLUKLU[S` [OL` ZL[ HIV\[ KLZPNUPUN UL^ M\YUP[\YL YHUNLZ 3LV 3Â…IRL ZHPK! ¸,HJO KLZPNULY OHZ OPZ V^U WLYZVUHS KLZPNU SHUN\HNL HUK WVZ[\YL 7HY[ VM [OL L_WLYPTLU[ ^HZ [V ZLL PM P[ ^HZ WVZZPISL [V JVTIPUL [OLZL PUKP]PK\HS [HSLU[Z ^P[OPU H ZPUNSL ^VYRZOVW š

M-Ăł-A9<M/ < 1> M' 3Ăł> *>/á# @ %Q= ŠĂŽĂ‡Ă˜Ăš 9A J1Ă´3 §Ă”Ç ¸Ă‹Ă’ĂœĂ‡Ă• J1< ­Ă‹Ă˜ĂŽĂ‡Ă˜ĂŠĂš ÂąĂ‹Ă’Ă’Ă‹Ă˜Ă“Ă‡Ă”Ă” I/A. -=%3Ăł> %= = 7Ă´9 I*/><3Ăł>-=%6>->/" *=&#&I*CQ9'/=&7/C9 I'1AQ.%/E'J&& >/ = 7Ă´9 I6A.L7-ĂłM Ă´

Â&#x;” ÂŞĂ˜Ă•Ă– I Ă´>9A6R !E1#A Q 9Ă´ % =% 99 J&&K . œÇÛÒĂ?ÔË ªËғ ĂšĂ•Ă›Ă˜ -AL7Ă´I1C9 71> 71>.I39/á =Q%/3-"B J&&1Ă´9I1CQ9% —–” L%J&P />3 á C9*>/á#@ =Q% =R%7Ă´9 ŠĂŽĂ‡Ă˜Ăš 9. ‘Drop’ is a stacking stool designed by Pauline Deltour and available in different versions; also with castors. 10. In the background: the ‘Chart’ room partition 9

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No less clever is the ‘Chart’ partition. Ana RelvĂŁo and Gerhardt Kellermann call it the ‘Room-Organizer’, because it may be repeatedly shifted about to redeďŹ ne and change the room arrangement.

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I-CQ9M9I A. AO 6V> =sI @%3ó> <I6A.I31>M' =& >/'/< D- I*CQ9L7ôI @ &//.> >46/ô> 6// ÷L% >/'/< D- »ÝË ¬ÏÙÉÎËØ B 99 J&&K!õ< ²ËÜ ËÒ #A6Q >->/"'/=&/< &= 3>-6E M ô J1< ¨ØÏÊÍË -ô>%= Q &D%3- K!õ<%A'R /< 9& 3ô .#P9'J1<K / I6/@-#A Q >ó .!ó9 >/'/< 9&7/C9 /CR9I P& -AJ 1-'ò#AQ6>->/"'/=&/< =& 3>-6E !VQ> I P%!@I-!/M ô9.ó> ó>. >. #=R 7- /3-I'ú% 91I1 =Q%#AQ-A#=R I+9/÷%@I 9/÷L7só I1P I ô>-D- #/ 1- 6>->/"'/=& 3>-6E L7ôK!õ< ²ËÜËÒ 1>.I'ú%K!õ<%=Q Eó =&6!E1M ôI ó% =% Where good ideas are more important than minutes of the meeting: for meetings in a creative atmosphere Uwe Fischer (11) designed the height-adjustable ‘Level’ table (11 + 12) and ‘Bridge’ upholstered bench (11 + 12). The table consists of a worktop and a sub-frame that are easily put up or disassembled. There is a quick-clamp giving height-adjustment of +/-4 centimetres. The result was an entire series of large, small, cornered and circular variants (10). ‘Level’ can also be supplied as a height-adjustable poser table.

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11

12

6D #ô>. -ô>%=Q ¨ØÏÊÍË !ô9 9& D I&><&D%3-#AQ#V>L7ô%=Q %>%M ô9.ó> 6&>. 99 J&&K . »ÝË ¬ÏÙÉÎËØ I*CQ9L ô/ó3 =&K!õ< ²ËÜËÒ J1<I7->< =& >/*E D.I'ú% 1Dó-J&&M-óI'ú%#> >/ K .I *>< I ó% L%99++ê4 1P9&&AR K/ J/- 7/C9 *CR%#AQ/=&'/<#>%9>7>/ 1> 3=% At last a bench on which, thanks to its comfortable upholstery, one can stay comfortably seated for a long time. ‘Bridge’ was designed by Uwe Fischer to be used in conjunction with the ‘Level’ table (11 + 12), and is particularly suitable for an informal discussion group; for example in the office, hotel lobby or at lunch.

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7Ă´9 %> L7sĂłI* >%6E #AQ 3& D-I6A. M-ĂłM Ă´ 6>->/"'/=& L7Ă´ A BR%M Ă´ Ă´3.)ĂŻ>I* >%M-Ă´J1<J(Ăł%&D(%= ²Ă?Ă?ÔÕ §Ă‘ÛÙÚĂ?Ă‘ Ă’Ă?Ă?ĂŽĂš > ²Ă?Ă?Ă”Ă•ĂšĂ˜Ă‹Ă”ĂŠ !=39.Ăł> L%,>*I Ăł%6/<3Ăł>.%V>R L%/Ăł- ÂŞĂ‹ ¯°Ă™Ă™Ă‹Ă’ÙÒÇĂ? #AQ ÀÛÚÖÎËÔ The poor acoustic characteristics of large, high rooms can be improved by ďŹ tting ‘Ligno Akustik light’ wooden ceilings and wall panels from Lignotrend, seen here at the ‘De IJsselslag’ indoor swimming pool in Zutphen.

SPATIAL ACOUSTICS

Nice and quiet 6DĂ´-I6A. J7Ăł 3>-6 & *%= >%99++ĂŞ46Ăł3%L7sĂłL Ă´I31> — L% ™ 9 A3@!9.EĂł#AQ#V> >% J!ĂłL%#AQ#V> >% I6A. %Ăł>/V> >sI*A. I1P %Ă´9.6>->/" Ăł9L7Ă´I @ 3>-I /A. J1<1 '/<6@#$@,>* >/#V> >%M Ă´ J!Ăł9> M-ĂłI'Ăş%I Ăł%%=R%I6-9M' I*/><-A#> I1C9 > >%99 J&& -> ->.#AQ Ăł3.1 7/C9 = I6A. #AQ%Ăł>/V> >s%=R%M Ă´ BQ M-ĂłI*A. J ĂłL Ă´ >%M Ă´ A I#Ăł>%=R% J!Ăł.= E A Ă´3. Most ofďŹ ce workers spend roughly one third of their life at work. However, even a relatively small amount of unwanted noise can cause stress and depress performance on the job. But this is quite unnecessary, because there are plenty of design options to reduce or eliminate unwanted noise. Not only do these options work; they also look good.

¸Ă‡Ă›ĂœĂ•Ă’Ă‹Ăš ÇÉÕÛÙÚĂ?ɓÒĂ?ÔË ¸Ă‹ĂŽĂ‡Ă› M Ă´I1C9 J'1%7Ă´9 I'Ăş%J&&I'ĂŞ 6V>7/=&6V>%= >%6-=.L7-Ăł 7%Ă´>&>%!EĂ´L Ă´ 3=6 D E =&I6A. #AQI/A. 3Ăł> ¸Ă‡Ă›ĂœĂ•Ă’Ă‹Ăš ÇÉÕÛÙÚĂ?ɓÒĂ?ÔË Rehau has chosen an open plan layout for its own modern ofďŹ ces: cabinet fronts are faced with noise attenuating ‘Rauvolet acoustic-line’.

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(%= ½Ă‹Ă’Ă’Ă‹ > ÂŽĂ‹Ă&#x;“šĂ?Ă?Ă” L Ă´J 3% I'Ăş%K!Ăľ< =R%K %I*CQ9&= 6>.!>J1< =%I6A. PM Ă´ Hey-Sign ‘Welle’ wall-, hanging- and table-modules sub-divide a room optically and acoustically into individual zones.

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ÂŽĂ‹Ă‡Ă˜ĂšĂŒĂ‹Ă’Ăš J( I* >% #V> > 6= 71> I#A.-#A#Q >V > 3=6 D/AM I @1 > ÂŽĂ›Ă”ĂšĂ‹Ă˜ ÂŞĂ•Ă›Ă?ÒÇÙ Made of sustainable polyester felt: the ‘Heartfelt’ linear ceiling panel from Hunter Douglas.

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Optimised acoustics but flexible, individual design: ‘Colour Fields’ textile panels from Acoustic Pearls.

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FEEL BETTER – MORE PRODUCTIVITY Ăł>3 A > >%6V>/3 9 ¯¨§ 7/C9 ÂŻĂ”ĂšĂ‹Ă˜Ă?Ă•Ă˜ ¨Ă›Ă™Ă?ÔËÙÙ §Ă™Ă™Ă•Ă‰Ă?ÇÚĂ?Ă•Ă” C9 I C9& ž– I'9/áI P%!á 9 %#V> >%*B *9L L%I /CQ9 L Ă´J1<9D' / áL%#AQ#V> >% J!Ăł7> -9 9A -D- I/> PM Ă´I7P%"B 3>-'/>"%>J1< 3>- > 73= #AQ*3 I >-A 7%BQ L%7Ă´> 9 (EĂ´/Ăł3-6V>/3 I'ĂŞ L 3Ăł>I Ă´>9AR#AQ*3 I >%=Q %=R%M-Ăł6&>.I9>I6A.I1. J1<99++ĂŞ46Ăł3%-> M-Ăł-AK %I A.&L7Ă´ *3 I >M Ă´(Ăł9% 1>. I Ăł%I A.3 =&#AQM-Ăł-A6@#$@UJ6 3>- @ I7P%L% >/I1C9 I+9/á%@I 9/á

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First, the good news: nearly 80 percent of ofďŹ ce workers are satisďŹ ed with their furniture and equipment at work. That is one result from a brand new survey by IBA; Interior Business Association. But: in some respects, reality trails well behind employee needs and expectations. One ďŹ fth of those asked do not have a comfortable ofďŹ ce chair, and most ofďŹ ces have no quiet retreat zone; nor are workers entitled to affect the selection of furniture.

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Importance of various factors for well-being in the workplace compared to current circumstances

98%

82%

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comfortable ofďŹ ce chair

96%

62%

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78%

93% -A9D' / øI# %@ D ,>*6E technical equipment of high quality

90%

88%

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89%

57%

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low noise level

83%

85%

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81%

43%

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retreat areas for focused working

72%

85%

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working area at a window/with window view

67%

48%

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pleasing/comfortable areas for communication and breaks

63%

56%

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working area with a visual cover/privacy shield

46%

72%

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working area with visual contact to colleagues

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is important to me

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prerequisites are actually given

For many years the Hamburg trend expert Birgit Gebhardt has studied developments in the world of work and has so far produced three ‘New Work Order’ reports in cooperation with the IBA. In an interview with the IBA, she summarised her impressions of a visit to Silicon Valley.

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Mrs Gebhard, you made a research visit to Silicon Valley last year. What most impressed you? “There were several things. One was the presence of an ‘Artist in Residence’. A business invites an artist to come and work in-house. It provides the artist with a range of facilities ranging from water laser ranging to a 3D printer, and encourages them to experiment to the limits of their abilities. I saw this in action at Autodesk in San Francisco. This business programmes software and so the operation is very interesting for the business to watch and consider: what else have we not yet thought of? What ideas have the artist triggered we might use? How could we improve our product? Another thing I found very interesting arose from a discussion I had with a Google man, who told me that when a new employee joins up he is put in the ‘driving seat’ almost from the ďŹ rst day. He or she is immediately required to be part of the action and make an effective contribution, but has complete freedom to implement his or her own ideas without having to ask for permission from on high. The only thing that counts is that, at the end of the day, the work ethic has brought them all closer to the common goal.â€?

NEUE FORM

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INTERVIEW WITH KARL SCHWITZKE

“STORES MUST CREATE PICTURES” /ô>%!ô9 6/ô> @%!,>*

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Rather than high-tech, Schwitzke’s Euroshop stand featured a huge sand table, prompting visitors to do a ‘reality check’, rather than just wiping a finger over a screen.

82

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L%.D #AQI7P% /<J6 9 >/I'1AQ.%M' CR9 >.#> 9@%I#9/÷I%P! 9 J&/% ÷ =R%%V> #V>L7ô/ô>% ô>'1A !ô9 !=R V>">- =&!=3I9 3ó> !ô9 '/=&K -M'9.ó> M/I*CQ9 <J%óL M ô3ó>.= I'ú%#AQ!ô9 >/ 9 1E ô>9.Eó >/ ô%7> V>!9&#V> %9 %ARM ôI ô>->"B ¹ÉÎÝÏÚàÑË (EôI AQ.3 >s ô>%/ô>% ô>'1A /< =&K1 BQ I'ú%&/@5=##AQ/=&6/ô> 6// ÷/ô>% ô>'1A !>- 3>-!ô9 >/ 9 1E ô> I/>K.% V>">-%AR L7ô ±ÇØÒ ¹ÉÎÝÏÚàÑË A9AK9 9 ¹ÉÎÝÏÚàÑË J1<">-3ó>&/@ >/ 9 I > < ó3.6%9 !9&!ó9#> 99 = 1ó>3M ô9.ó> M/ In an era which has seen a major switch to internet shopping conventional high street and shopping centre retailers must ask themselves, what face they should show to the world to ensure that they stay relevant to customers. Those looking for answers frequently approach the international retailing experts at Schwitzke, who on request will help in the creation of a comprehensive approach. We asked the chief executive Karl Schwitzke how this might look, and the range of services his business can provide to this end.

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/V^ PTWVY[HU[ HYL PU[LYUH[PVUHS [YHKL MHPYZ SPRL ,\YV:OVW MVY `V\Y 83 I\ZPULZZ& )LJH\ZL [OLYL PZ H ]LY` OPNO KLNYLL VM PU[LYUH[PVUHS [YHKL ]PZP[VYZ P[ PZ ]LY` \ZLM\S" PU JVTWSL[L JVU[YHZ[ [V .SVIHSZOVW PU 3HZ =LNHZ ^OPJO PU ZWP[L VM P[Z UHTL PZ ]LY` (TLYPJHU PU VYPLU[H[PVU ,\YVZOVW»Z [OYLL `LHY J`JSL PZ HSZV WVZP[P]L ;OLYL HYL HS^H`Z NLU\PULS` UL^ [OPUNZ H[ ,\YV:OVW

K / >/ PROJECT

>%3@ =. 3>-'/>/"%> 9 (EôL ô USER WISHES STUDY

74% WANT A SMART HOME '/>/"%> ¹³§¸º ®µ³« %AQ C9I#/% ÷#AQ7.D M-ó9.Eó I# K%K1.A ¹ÓÇØÚ ®ÕÓË V>1= ô>3I ô>-> J-ô3ó> <.= -A V>">-I AQ.3 =& >//= 5> 3>'19 ,=.7/C9 ô9-E16ó3%&D 19.E ó J!ó(&ôE /@K, >3I.9/-=%-A#4= % !@I A.Q 3 =& ¯ÔÚËØÔËÚ ÕÌ ºÎÏÔÍÙ 9.ó> M/%<7/C9 >%3@ =.1ó>6D %AR-A V>!9&L7ô D The trend is unstoppable. Smart-Home technologies are on the march, even though there are still many questions remaining relating to security and data protection. But what is the attitude taken by German consumers with respect to the Internet of Things? A recent study offers some answers.

NEUE FORM

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84

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AM %á7Ă´9 9 ¨Ă‹Ă” ĂœĂ‡Ă” ¨Ă‹Ă˜Ă‘Ă‹Ă’ -A /< J&&K 3á/E- %> L7sĂł#AQ =R%1Ăł> J1</<I&A. #AQ-A6= 6Ăł3%I7-><I ><&/@I3 =R%&%(6-(6>% =& +> > #AQ-A AM %á#AQ%Ăł>!CQ%I!Ă´%J1<M %>-@ #=R 7- /3- =% Ăł3.#V>L7Ă´I @ /E'1= 5 á#AQI *><!=3 The Ben van Berkel design has large ground oor showroom windows and nicely proportioned balconies on the upper oors, integrated within exciting, dynamic facades, all combining to create an individual appearance.

*CR%#AQ7Ă´9 %=Q I1Ăł%J&&M7%#AQ D )ø%9.> <1 #D%L% šĂ“Ă‡Ă˜Ăš ÂŽĂ•Ă“Ă‹ FOR WHICH LIVING AREAS COULD YOU IMAGINE TO INVEST IN SMART HOME SOLUTIONS?

/<&& 3>-'19 ,=. /<&&'/<7.= *1= >% security

energy conservation

6=ss> J Ăľ I7!D > (EĂľ *= 9>4=. warning of the residents

>/I7P%#=4%A.,>* observation

3>-6< 3 6&>. comfort

AAL

I /CQ9 L ĂľM++Ă°> consumer electronics

/<&&'/<7.= I31> time saving

/<&&%VR>L%63% garden irrigation

/<&&I'ĂŤ 'ĂŤ '/<!E /<&&!/3 69&&D 1 door opener

attendance detector

M-Ă´6%L CR9 do not invest

total men women generation Y

'/< > /#AQI @ /<73Ă´> •4•˜ Â&#x;—”™——— Ă´3.6/Ăľ> D ,>* A3@! millenial, people who were born between 1980 and 2000)

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NEUE FORM

ambient assisted living

85

ô9 V> = 9 ¹ÓÇØÚ ®ÕÓËÙ RESERVATIONS ABOUT SMART HOMES

K / >/ PROJECT

J* I @%M'

>/J:P õ9-E1

BR%9.Eô =&9@%I#9/øI%P!

>/'ð9 =% õ9-E1

too expensive

hacker attacks

pendence on the internet

data protection

ÎÈËÎÌÛ M-ô-A'/<K. %ø useless gadget

.Dô .> I @%M' too complex

3& D-M-ôM õM-ôI'û%

K'/J /- >/L õ >%J. 6ô3%

loss of control

isolated application

/E'1= 5 ø look

total men women generation Y

D <7> ô9-E1M ô > #AQL 9.ó> M/ WHERE FROM AND HOW WOULD YOU GATHER INFORMATION?

õ% > 9@%I#9/øI%P!

/õ>% õ>I *>< õ>%

internet research

specialised shops

ô> 7/C93@43 /M++ð> craft: electricians and electrical engineers

(Eõ-A'/<6& >/ øL%J3 3 I*CQ9%7/C9 %L% /9& /=3 experts from circle of friends or family

3@43 //<&& building systems engineers

4E%.øL7õ V>J%<%V>(Eõ&/@K, consumer advice center

ô> /<&&#V> 3>-/õ9% 7õ9 %VR> >/ 3& D-9D 7,E-@ craft: heating/bath/climate

6-> -6">'%@ $%> >/#AQL7õ6@%I CQ9&õ>% building society home loan bank

total men women

NEUE FORM

generation Y

86

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87

NEUE FORM

K / >/ PROJECT

LET’S MOVE TO THE COUNTRY

NEUE FORM

M'9.Eó %&# =%I"9<

88

%I/>-= 9.> <L Ă´ A3@!L%#AQ#AQJ3 1Ă´9- Ă´3.!Ă´%M-Ă´L& 7sĂ´>L% %&#&Ă´>% ˜– 71= #AQ-A AM %á!Ăł> O =%M' > >/99 J&& 9 6">'%@ ˜– %%ARM-ĂłL Ăł&Ă´>%7/EJ!Ăł 9.Ăł> L I'Ăş%&Ă´>%I1P O 6V>7/=& /9& /=3 % =R% 1> I1P O J!Ăł1<71= P-AI1.áI9>!á#AQ%Ăł>!CQ%!>!CQ%L BQ J6 L7Ă´I7P%3Ăł>%3=! //-M-Ăł V>I'Ăş%!Ă´9 L Ă´ =&*CR%#AQL%I-C9 L% %&#6">'%@ P6>->/"7>9<M/I7-><O #AQ#V>L7Ă´K I Ăł%M Ă´I Ăł% =% This is how we want to live: surrounded by green and in the countryside. Even so, these 20 designs (here a small selection) from 20 architectural practices are anything but petty bourgeois. Each has an exciting layout, showing that innovative projects need not be conďŹ ned to an urban location. Out in the country, architects often ďŹ nd ideal conditions for something different.

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57 Soi Sukhumvit 64, Sukhumvit Rd.,

Opposite outlet Mall, 140/89 Moo 11,

15/84 Hua Hin 29, Petchkasem Rd.,

Phrakanong Tai, Phrakanong, Bangkok 10260

Nongprue, Banglamung,

Hua Hin, Hua Hin,

Telephone: (02) 741-7171 (02) 768-7171

Chonburi 20150

Prachuapkirikhan 77110

Fax: (02) 741-7272

Telephone: (038) 332-485 Fax: (038) 332-489

Telephone: (032) 547-704 Fax: (032) 547-705

E-mail: info@hafele.co.th

E-mail: info@hafele.co.th

E-mail: info@hafele.co.th

Häfele Design Studio Phuket

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Häfele Design Studio Pattaya

Häfele Design Studio Chiang Mai

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Opposite Big C, 81 Moo5,

498 Chiang Mai-Lampang Rd.,

Chalermprakiet Ror-9 Rd.,

Thasala, Muang Chiang Mai,

Vichit, Muang, Phuket 83000

Chiang Mai 50000

Telephone: (076) 304-460 Fax: (076) 304-468

Telephone: (053) 240-300

E-mail: info@hafele.co.th

E-mail: info@hafele.co.th

Häfele Design Studio Hua Hin

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Häfele Design Studio Bangkok

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