2025 Portfolio_Kendall(SHIKE) YIN

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Never Fall

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The Parallel Imperative Atypical Industrial Park

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01.Live or Life

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2022 Fall

Studio project

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Instructor: Prof. Zhang Jingang

Individual

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Site: Hangzhou, China

Live+Mall

18000 ㎡

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With the rise of internet technology, numerous emerging industries have sprung up, but they have also brought about many contradictions.

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After 2010, the live streaming e-commerce industry took root and flourished in Hangzhou. Subsequently, it almost became a symbol of the city's industry. Unlike any previous methods, whether it be television direct sales or offline physical marketing, the live streaming e-commerce industry is impacting people's traditional production and lifestyle with its high efficiency and universality. However, as a large number of offline physical stores face closure, the traditional balance of supply and demand between traditional retailers and the original producers is disrupted

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The design concept for this project began with the conflict between the virtual and the real in things, aiming to trigger people's critical thinking at the climax of this conflict. Firstly, it starts by mapping the characteristics of the industry onto architectural space. Secondly, the combination of different spaces makes consumers aware of the usually concealed production areas: live streaming spaces.

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MAPPING OF MODERN HANGZHOU

ANALYSIS OF FOUR LIVE STREAMING TYPES

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Hangzhou, once acclaimed as a paradise on earth, has been a tourist city. With the development of the live streaming industry and internet technology, the traditional urban structure is rapidly dissolving, leading to a more tightly interwoven industrial layout in terms of space.

The traditional live streaming e-commerce industry primarily consists of three types, each with its own distinct advantages in the elements of the supply chain, policies, professionalism, and the market. The fourth type, which is the focus of this design study, is developed based on these considerations.

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"This

"The

"Almost

"It's

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PHILOSOPHICAL METHOD

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Influenced by Slavoj Žižek and Harman's object-oriented ontology, I perceive architecture as a form of universally regarded object-building. Following this, I used "comparison" as a structural method to visualize the commercial conflicts occurring online and offline in reality, originally considered invisible forms.

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Subsequently, I attempt to construct commercial-relations-as-objects from the perspectives of functional research assumptions, extreme spatial functionality, and architectural form, which compares oppressive and monotonous live broadcast room composed of a closed wall and column system with the dynamic commercial space mapped by a free column network system.

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Based on this, when the live streaming sales space symbolizing online commerce collides with the physical commercial space, this live mall constitutes a conflicting contradiction, which triggers people's reflection on the rapidly developing sales anchor industry.

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Ground Floor Plan

The Third Floor Plan

The Second Floor Plan

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RENDERING 1

RENDERING 2

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Worker's Live

Customer's Life

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The design of the architectural walls aims to strengthen these repressive features. The characteristics of efficient work demand that workers and broadcasters maintain an intense schedule, with many broadcasters even needing to work continuously for up to 12 hours. Therefore, despite facing a world of virtual freedom, the physical bodies of these workers are confined within invisible cages. At the same time, the constraints of the physical world echo and contrast with the virtual hustle and bustle.

In contrast, there is probably a frenzy of physical shopping. In the offline world, although people may lack the interactive pleasures of virtual experiences, the rare instances of real and tangible experiences prompt individuals to reconsider the impact of the live commerce industry on their lives. In this context, the expansive open spaces of the architectural structure provide people with opportunities for free-flowing movement, thereby generating a conflict with the physical realm in the reverse direction.

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02.Wenzhou, Never Fall

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2023 Spring

Studio project

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Instructor: Chen liyi

Individual

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Site: Wenzhou, China

Antique market & Museum 15100 ㎡

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This renovation project focuses on my hometown: Wenzhou City.

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In the 1980s, when China was about to emerge from material poverty, Wenzhou, as a pioneer in reform and opening up, set a fast track for the country. A bottom-up market economy is rapidly blooming in Wenzhou.

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The project selected a declining antique market in the old city of Wenzhou, and attempted to continue its main function of selling antiques, fill the gaps in local cultural exhibitions, and become a comprehensive antique display space.

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THE LOST "WENZHOU FEDERATION"

THE LOST MIAOGUOSI MARKET

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Wenzhou is a region with a highly developed county-level economy. In the early stages of reform and opening up, Wenzhou witnessed the rise of numerous wholesale markets from the grassroots level, and the Miao Guo Temple Antique Market located in the city center was one of them. However, with the rapid development of the economy and the upgrading of power structures, the flourishing grassroots economy quickly declined, leaving behind many abandoned market spaces.

The Miaoguosi Antique Market emerged in the early 1990s and was one of the most representative bottom-up trading markets in Wenzhou at that time. Unfortunately, after a millennium in which China's economy has integrated into globalization, Wenzhou's grassroots economy has been forgotten by mainstream society, and this outdated market has also declined. Fortunately, its space has been preserved intact.

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Wenzhou

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SECTION: The Sacred Historical Significance of the Octagonal Tower

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SECTION OF PODIUM BUILDING

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The project focuses on updating and optimizing the spatial characteristics of the original antique market. Starting from the transformation of the atrium space of the most representative octagonal building, to the retention of the old structure of the podium and the insertion of new corridors, the project maintained the original spatial pattern as much as possible. At the junction of the new corridor and the old structure, a continuous sense of separation is created through the lifting of the top, allowing a better view of the market's treasures and cultural relics.

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03.Hidden and Show

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2022 Spring

Studio project

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Instructor: Chen liyi

Individual

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Site: Ningbo, China

Museum+Library

6000 ㎡

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Traditional Chinese architecture is rooted in considerations of hierarchical order, which has led to the establishment of numerous boundaries and axes, thereby emphasizing the obedience and subservient relationships within the populace. As a result, the tightly regulated traditional urban life lacks sufficient spaces for civic interaction, consequently diminishing the utility of various types of public edifices.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

The deeply ingrained influence of tradition is manifested in the contemporary urban development of the old city area of Ningbo, inevitably reflecting characteristics of fragmented and enclosed spatial zones.

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SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

MAPPING OF HIDDEN LIFE

SHIKE(KENDALL)YIN

METHODS OF CONNECTION

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

The eastern sector encompasses the renowned Tianyi Pavilion scenic area, historically acclaimed for its bibliophilic significance. The southern extent accommodates the entrance plaza to the scenic attractions. Upon analysis of both the project requisites and the existing site conditions, it becomes evident that the site parcels exhibit a disjointed and fragmented configuration, thereby lacking a museum space that adequately embodies the essence of traditional bibliophilic functions, alongside a communal interaction space catering to the residents' public engagement activities.

With the aim of reconstructing and reinstating the nexus between civic life and the bibliophilic museum, this project endeavors to discern perceptual cues of the historic Ningbo urban river on the fringes of the disjointed site fabric. Consequently, it establishes an oblique intersecting spatial framework, facilitated by a circuitous procession, to link the eastern and western extremities of the site. This architectural intervention, progressing from the inward to the outward, from enclosure to openness, thereby furnishes the city with the prospect of such intermediation.

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Most of the buildings on the other side of the moat are office buildings, forming a floating population that uses the surrounding sites.

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Tianyi Pavilion is a classic scenic spot that combines gardens and exhibitions. Due to its age, the existing warehouse can no longer meet the needs of book collection and display.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

Most of the residential areas were built in the 1980s and 1990s, with brick-concrete structures.

Fan Qin

He is the man who is famous for setting up the TianYi Pavilion during the Ming Dynasty in China.

TianYi Pavilion

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SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

MAPPING OF HIDDEN LIFE

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

With the aim of reconstructing and reinstating the nexus between civic life and the bibliophilic museum, this project endeavors to discern perceptual cues of the historic Ningbo urban river on the fringes of the disjointed site fabric. Consequently, it establishes an oblique intersecting spatial framework, facilitated by a circuitous procession, to link the eastern and western extremities of the site. This architectural intervention, progressing from the inward to the outward, from enclosure to openness, thereby furnishes the city with the prospect of such intermediation.Through strategically positioned entrances, it draws external foot traffic inward, permeating into public squares. Simultaneously, the design maintains the unified integrity of the facade, responding to the classical and dignified atmosphere of the collection.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

Rendering of the outside facade view

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

PERCEPTION

PARTICIPATION

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

The exhibition area and display cases serve as the central components for spatial presentation, rendering a multi-dimensional portrayal of the entire process of showcasing the collection to the public from both the perspectives of exhibited and non-exhibited items. This endeavor serves to enhance comprehension and perception of bibliophilic culture among the audience.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Collection&Show Box

SHIKE(KENDALL)YIN

Functioning primarily to serve the neighboring residents, the reading area not only offers the citizens a purposeful space for reading and communication but also extends the usability and significance of the bibliophilic museum. This extension, from a utilitarian standpoint, enriches the experiential integration of bibliophilic culture into everyday life.

Collection&Show Box

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Rendering

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

04.The Inner Garden

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

2021 Fall

Studio project

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Instructor: Jin Wu&Chen Liyi

Individual

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Site: Ningbo, China

Kindergarten

3000 ㎡

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

The relationship between parents and children in China is no longer a psychologically subordinate relationship in the past. It has gradually evolved into a parallel independent relationship. Children crave more independence that current designs ignore. Therefore, the design focuses on how to protect the children's unit space through assembled plug-ins based on building parallel relationships.

SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Space Order

Body Structure

Urbanization

Children Scale

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

Children Scale

Body Structure

Urbanization

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

The spatial order is orderly divided into clustered spaces. By dividing the fragmented space into smaller spaces suitable for children's activities.In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

The spatial order is orderly divided into clustered spaces. By dividing the fragmented space into smaller spaces suitable for children's activities.Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN

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SHIKE(KENDALL)YIN

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

SPACE ORDER

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

CHILDREN SCALE

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN SHIKE(KENDALL)YIN

BODY STRUCTURE

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In the conventional kindergarten design, the physical dimensions of children are often not taken seriously, and the oversized buildings can be built from the perspective of adults. Starting from the sense of scale, rethink the structures and materials that children can touch and perceive.

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URBANIZATION

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The surrounding of the building site is in a disordered space state, which is not conducive to children's growth space. Therefore, it is relatively an introverted space system to choose to build a space suitable for children from the internal system. The complete construction of the internal space can be completed from the introversion of the space system and the means of resolution

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05.The Parallel Imperative

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2022 Fall

Studio project

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Instructor: Prof. Zhang Jingang

Individual

Site: Shanghai, China

Apartment renovation

7500 ㎡

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In the past one hundred years of Chinese society, the society has undergone many social changes, and family relationships have also changed accordingly. From the initial closed and stable big family, it evolved to the small family that was forcibly integrated into the large group during the Red Special Period, and to today, the relationships within the family have also changed.

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The relationship between parents and children in China is no longer a psychologically subordinate relationship in the past. It has gradually evolved into a parallel independent relationship. Children crave more independence that current designs ignore. Therefore, the design focuses on how to protect the children's unit space through assembled plug-ins based on building parallel relationships.

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COLLAGE & ANALYSIS :

Evolution of Chinese family living life

AXOMOMETRIC : Composition of the child's unit

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The existing Ruihua Apartment is located in Shanghai. Its building plan has an L-shaped layout along Changshu Road and Yanqing Road. There are two entrances to the east and south around the garden, with a total of four units.

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METHOD OF PLUG-INS

Rendering of the children's joint room

Rendering of the parents' room

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This is a hypothetical transformation: an experimental design that uses existing apartment layouts to adapt to the changes in psychological relationships among contemporary Chinese families.

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The design mainly focuses on the children's unit space, and the entire unit is installed in the form of replaceable prefabricated plug-ins. The sloped corners are embedded into the interior of the room to create a semi-wrapped feeling in the interior space. When in use, the two sets of "slopes" correspond to the relationship between open and closed respectively, implying different states of use. In addition, when facing different ages and needs, plug-ins with different slopes can be changed accordingly.

Ground floor plan

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to form a new definition of parents'

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Rendering of the children independent unit

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interchangeable

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This is the space between a children's unit and is completely separate from the family unit.

Children's individual units are conceived as

assembly spaces. Plug-ins can be adapted to children of different ages and need

The traditional master bedroom and living room are combined

living room.

06.Atypical Industrial Park

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In this project, strongly inspired by the productive spatial landscape, the author intends to highlight and emphasize the industrial characteristics of the production sequence while also attempting to combine the multi-dimensional landscape features of the new retail format. Especially in the design of facades and profiles, we mainly focus on the production convenience and environmental sustainability brought by standardization.

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Ground Floor plan & other plans

Physical model

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Site: Ningbo, China Garment industrial park 22000 ㎡ Axis side scene

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INDUSTRY CONVERGENCE

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As a productive landscape in the fashion industry, it not only serves as an industrial production space, but also blends with more formats to derive more green space system functions.It can also bring more services to the development of humanity and the entire area, such as increasing workers' economic income and helping them obtain more land additional rights.

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In the design vocabulary, special attention has been paid to the basic principles of unifying the proportion and order of the facade, but specific division and segmentation changes have been made in different types of buildings.

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Rendering of facade

2023 Spring Final design project

Instructor: Prof. Zhang Jingang Individual

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One day, as I sat in a small art gallery in the city run by my friend Jt, he expressed to me the need for a bookshelf installation. His request was simple: a stylish display unit for showcasing books and surrounding products. I quickly identified the missing element in the space he described.

Subsequently, through efficient communication, we gradually clarified the materials, dimensions, and location for the bookshelf. Additionally, in this design, the tilt of the bookshelf was intended for presenting the display surface, and the elevated axis provided the possibility of hanging products.

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Other Works

Typology Photography of Downstairs

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Staircases are ubiquitous in architecture, existing across various types of spaces. Through photography, I aim to document and study the transitional relationships between interior and exterior spaces, as well as the social dynamics that emerge in the interaction between architecture and nature. By capturing fleeting moments of people moving through staircases, I seek to explore how these structures connect different spaces and shape

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Other Works

Ordered Photography of Architecture

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2024 in China, Japan, United States, Taiwan

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Ordered Photography is a photographic approach I have developed through long-term architectural practice and travel. Admittedly, I have long been inspired by Edward Yang’s films, New Topographics photography, and typological photography. I strive to capture a sense of balanced order—between the artificial and the natural, between architectural form and social context. These images primarily explore how the dynamics of resistance and conformity unfold in every corner as architecture integrates into society and nature.

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