THE PERCIVALS
GLENCORE PERCIVAL PORTRAIT PAINTING PRIZE
DUO MAGAZINE PERCIVAL PHOTOGRAPHIC PORTRAIT PRIZE
Publication Sponsor
PUBLISHER
Gallery Services, Townsville City Council PO Box 1268
Townsville Queensland, 4810 Australia
prtg@townsville.qld.gov.au
+61 7 47279011
©Gallery Services, Townsville City Council and the authors 2014
ISBN: 9780949461001
ORGANISED BY
GALLERY SERVICES
Shane Fitzgerald Manager Gallery Services
Eric Nash Curator
Sarah Welch Exhibitions and Collection Coordinator
Michael Pope Education and Programs Coordinator
Rob Donaldson Digital Media and Exhibition Design Coordinator
Jo Stacey Team Leader Administration Gallery Services
Holly Grech-Fitzgerald Collections Management Officer
Carly Sheil Digital Media and Exhibition Design Officer
Alex Shapley Exhibitions Officer
Louise George Education and Programs Officer
Nic Horton Education and Programs Assistant
Tegan Ollett Education and Programs Assistant
Danielle Berry Arts Officer
Wendy Bainbridge Administration Officer
Gillian Ribbins Administration Officer
Breanna Capell Gallery Assistant
Michelle Littman Gallery Assistant
Published
THE PERCIVALS
9 MAY - 13 JULY 2014
PROJECT MANAGER
Shane Fitzgerald
EXHIBITION CURATORS
Eric Nash / Shane Fitzgerald
PUBLICATION DESIGN AND DEVELOPMENT
Rob Donaldson / Shane Fitzgerald / Eric Nash
ACKNOWLEDGEMENTS
Gallery Services would like to acknowledge the generous support and assistance of Avril Plath, Daniel Christie, Scott Morrison, Stacey Morrison, Professor Peter Murphy, Vicki Salisbury, Angus Trumble, Suzanne Buljan, Pamela Royal, Shanelle Buchanan, Chris Morris, Michelle Johnson, Meghan Peters, Darren Clarke, Tom Hautaniemi, Susi Muddiman, Glencore, DUO Magazine, Cox Rayner Architects, Telstra Stores Townsville, and Townsville City Council.
Perc Tucker Regional Gallery
Cnr. Denham and Flinders Streets
Townsville QLD 4810
Mon - Fri: 10am - 5pm
Sat - Sun: 10am - 2pm
Pinnacles Gallery
Riverway Arts Centre 20 Village Boulevard
Townsville QLD 4817
Tues - Sun: 10am - 5pm
(07) 4727 9011
ptrg@townsville.qld.gov.au
www.townsville.qld.gov.au
@TCC_PercTucker
PercTuckerTCC
(07) 4773 8871
pinnacles@townsville.qld.gov.au
www.townsville.qld.gov.au
@TCC_Pinnacles
PinnaclesTCC
PORTRAITS OF PEOPLE, NOT LIKE THEM
Artists, sitters and viewers alike have almost always been enamoured by a good portrait. From the funeral portraits of Egypt, to the Renaissance works of masters such as Raphael and da Vinci; from group portraits during the Baroque and Rococo periods, to the emergence of the French impressionists Monet, Degas and Renoir; a period which gave way to the postimpressionists such as van Gogh and Gauguin.
Finally came the fast-paced 20th century, where changes in popular style were the order of the day, and Matisse, Picasso, Beckman, Kokoschka, and Bacon were masters of their craft. In the middle of the 20th century the popularity of portraiture waned slightly, mostly due to an increased interest in abstraction and non-figurative art. However, the art form was resurgent in the late 20th and early 21st centuries, in no small part due to artists such as Warhol, Freud and Close.
With this brief history in mind it’s evident that portraiture is timeless, and that the act of painting heads has always had the power to turn heads. But how has a simple picture of a person managed to move the masses so consistently? The reason was probably best outlined by the philosopher Arthur Schopenhauer in 1856 when he stated:
“…that the portrait should not be a reflection in a mirror, a daguerreotype produces that far better. The portrait must be a lyric poem, through which a whole personality, with all its thoughts, feelings and desires, speaks.”
What Schopenhauer has articulated is that the best portraits capture an identity, not an image. They allow us to know people we’ll never truly know, if only through inferences we make about their personality on viewing their portrait. What Schopenhauer couldn’t know is that advances in technology and the shifting attitude of photographers, who now utilise their cameras to produce artworks and not simply record images, enabled photographers to produce equally stunning portraits that capture not only a likeness, but an essence of a person.
Townsville’s own fascination with portraiture is just as enduring. Historically significant paintings of prominent figures – such as Dorothy Elaine Vicaji’s 1933 painting John Melton Black – and more recent contemporary portraits are among the finest works in the City of Townsville Art Collection .
The city’s fascination extended beyond the confines of the Collection storage when the first Percival Portrait Award was displayed at Perc Tucker Regional Gallery in 2007. At this inaugural event, the major prize was taken out by Barbara Cheshire for her portrait Jack , which depicted at-the-time Councillor Jack Wilson.
The stunning success of the exhibition prompted a second instalment in 2008, and from this point it was obvious the exhibition would be an enduring feature in the Townsville arts calendar, becoming a biennial acquisitive prize from 2010.
Consistently evolving, the exhibition has now become one of the nation’s richest portrait prizes. To meet this billing, the exhibition has further evolved in a number of significant ways in 2014; among them the preselection of works by a panel of industry figures, and the production of this beautiful catalogue of selected works.
The continued growth of this exhibition would of course not be possible without the vision of Townsville City Council in investing so heavily in the prize, and the generosity of the exhibition’s corporate sponsors; Glencore for their continued backing of the $40,000 acquisitive Glencore Percival Portrait Painting Prize, COX Rayner Architects for the provision of funds to produce this catalogue, and Telstra Stores Townsville for enabling a $2000 People’s Choice Award.
Pleasingly, sponsorship from DUO Magazine has enabled The Percivals to become a more holistic celebration of portraiture in the city; our beloved painting prize now has a sister exhibition in the form of the inaugural DUO Magazine Percival Photographic Portrait Prize.
To be displayed at Pinnacles Gallery, the DUO Magazine Percival Photographic Portrait Prize offers a major $10,000 prize, and showcases that portraits by skilled photographers are no longer simply “reflections in a mirror” as those produced by the daguerreotypes Schopenhauer described.
Of course, all of this sector support would be for nought without the passion of our artists, both locally and nationally. In 2014 we have been overwhelmed by the number of entries we have received; more than 170 for the Glencore Percival Portrait Painting Prize, and over 160 for the DUO Magazine Percival Photographic Portrait Prize. Combined, these entries - which came from as far as the United Kingdom, United States, Indonesia and Germany - ensured pre-selection was a very difficult task for our selection panel.
I would like to personally thank our judges, Angus Trumble, Director National Portrait Gallery, and Suzanne Buljan, Director Australian Centre for Photography.
Yours is a role I do not envy, particularly considering the quality and diversity of entries that we have received for The Percivals in 2014.
Thank you to all of those who have made The Percivals the huge success it is, and I trust you will all enjoy The Percivals in 2014.
Shane Fitzgerald Manager Gallery ServicesIt is with great pleasure that Glencore is once again partnering with Perc Tucker Regional Gallery and Townsville City Council to deliver the Glencore Percival Portrait Painting Prize – one of the nation’s leading portrait prizes, and an undoubted highlight in northern Australia’s arts and cultural calendar.
Our organisation has been the major sponsor of this biennial exhibition through the Community Program North Queensland since 2008. In that time, the exhibition has gone from strength to strength, with the community embracing The Percivals as their own. Through hard work and the enduring passion of the artists, the exhibition has grown from humble beginnings to become a revered competition offering a $40,000 acquisitive prize.
The positive impacts for our region engendered by the exhibition are many; positioning Townsville as a leading arts and cultural regional centre, raising the profile of our artists, attracting works by nationally and internationally regarded artists to our doorstep, generating cultural tourism, and of course helping to build the City of Townsville Art Collection through one significant acquisition. The Glencore Community Program North Queensland (GCPNQ), formerly known as the Xstrata Community Program North Queensland, demonstrates our commitment to north Queensland and our belief that communities should benefit from our operations, both in the short and long term.
The delivery of the Glencore Percival Portrait Painting Prize significantly contributes to achieving those goals.
I trust you will all enjoy the exhibition.
SCOTT MORRISON
PUBLISHER AND CREATIVE DIRECTOR DUO MAGAZINEWe decided to sponsor the DUO Magazine Percival Photographic Portrait Prize to encourage photographers to go beyond what is comfortable and take on the challenge of capturing an image that reveals the ‘inner person’ of the subject.
Photography plays a significant part in magazines and especially portrait photography in DUO Magazine. Just as we write about the person in our profile pieces and interviews, our aim when shooting their portrait for the story is to capture an image that reveals something we didn’t know or expect, as if you can ‘read’ their story from looking at their portrait.
It’s an art and a skill that is difficult to achieve. As a team of designers, photographers and writers we are always striving to push the boundaries and create a magazine that our readers appreciate.
We’re extremely grateful to have had the opportunity to sponsor the DUO Magazine Percival Photographic Portrait Prize. We’ve been overwhelmed with the quantity and quality of the entries this inaugural competition has attracted and we’re very keen to sponsor the event in 2016.
We’d like to thank all the outstanding photographers who entered and the Townsville City Council staff for their excellent organisation of the competition and exhibition.
ANGUS TRUMBLE DIRECTOR
NATIONAL PORTRAIT GALLERY
Angus Trumble was born and educated in Melbourne, Australia. He studied Fine Arts and History at the University of Melbourne, graduating BA (Hons) in 1986. In summer 1987, he was an intern at the Peggy Guggenheim Collection in Venice. He studied for a year at the Bibliotheca Hertziana in Rome, graduating MA (University of Melbourne) in 1993. From 1987 to 1991 he served as aide to Dr Davis McCaughey, A.C., Governor of Victoria.
In 1994 Angus won a Fulbright Scholarship for further study at the Institute of Fine Arts at New York University. He graduated MA (IFA/NYU) in January 1998. In January 1996 Angus was appointed Curator of European Art at the Art Gallery of South Australia in Adelaide. He curated and wrote the catalogue of a number of exhibitions, including Bohemian London: Camden Town and Bloomsbury Paintings in Adelaide and Love & Death: Art in the Age of Queen Victoria , which toured to Sydney, Brisbane, and Auckland, New Zealand, in 2002.
Angus was appointed Senior Curator of Paintings and Sculpture at the Yale Center for British Art in May 2003, and served in that capacity until January 2014. He took up the position of Director of the National Portrait Gallery of Australia in February 2014.
His latest exhibition and book Edwardian Opulence: British Art at the Dawn of the Twentieth Century was shortlisted for the 2013 Spears Book Awards in London. He is a regular contributor to The Times Literary Supplement, The Burlington Magazine, the Paris Review, Esopus Magazine, and the Australian Book Review.
SUZANNE BULJAN
DIRECTORAUSTRALIAN CENTRE FOR PHOTOGRAPHY
Australian Centre for Photography Director, Suzanne Buljan is a practicing artist in Photomedia installation and holds first class Master of Fine Arts and Bachelor of Fine Arts (Photomedia) qualifications from the College of Fine Art (UNSW).
Suzanne has extensive experience as a lecturer and guest lecturer in Digital Media, Film, Photomedia and Communications (specialising in creative and cultural industries) at key educational institutions including the College of Fine Arts, University of Technology Sydney, Metro Screen and Tainan National College of the Arts, AFTRS and the Australian Centre for Photography.
Suzanne has previously held the positions of Creative Director and Head of Design, leading teams on projects for screen, exhibition, visual identity, marketing, publication and digital projects for organisations including Ubasoma, Taronga Zoo, News Limited and the City of Sydney.
Suzanne has a long list of television and film credits including The Sapphires , Superman Returns , The Knowing, Burning Man , Camp, Don’t Be Afraid of the Dark , Matrix Reloaded and Revolutions . She also has an extensive list of TV advertising credits working on brand campaigns for Qantas, Budweiser, Pure Blonde, CUB, Gatorade, Allianz and Capital One.
THE FINALISTS
Melissa ANDERSON
Eyes Wide Open 1 Pigment print 80 x 80 cm
TUCKER REGIONAL GALLERY
89 x 44.5 cm
Perspicacious
“Winners and Losers” actress Melissa Bergland
Acrylic on canvas
120 x 180 cm
Chanel BARAN
Wakan Tanka
Digital print
59 x 84 cm
Jon after swimming
Digital print
50 x 70 cm
Mixed media
152 x 90 cm
PERC TUCKER REGIONAL GALLERY
Voices in the Embers
Oil on linen
180 x 240 cm
Jo BERTINI
Explorers - Peter & Jhumpa
(The best legs in the desert)
Oil on canvas
122 x 112 cm
102 x 76 cm
Keith BETTS
The Prophet -
Roland Peelman
Charcoal
104 x 88 cm
TUCKER REGIONAL GALLERY
Kelly BIANCHI
Working Class
Oil on canvas
153 x 101 cm
Remember the fallen Inkjet print on Rag Matte 30 x 30 cm
Slumber
Digital Photograph 50 x 66 cm
John BRADSHAW
One Who Does 35mm film
59 x 42 cm
Jane
Archival Pigment Ink print
120 x 93 cm
62 x 48 cm
Don’t wake me, who do you think you are Acrylic on canvas
40 x 55 cm
Barbara CHESHIRE
The Acupuncturist
Acrylic on canvas
166 x 113 cm
Glencore Percival Portrait Painting Prize
Conradus, Graf Von HohenzollernSelf Portrait
Oil on linen
205 x 170 cm
Tanya CHILDS
The Tattooist Oil on canvas
80 x 60 cm
Kerry-Ann COLLINS
A Series of Insoluble Problems
Digital print
29.36 x 85.9 cm
Kath CORNWALL
I watched Star Wars when I was seven and that was it
Oil on canvas
99 x 79 cm
Michael CORRIDORE
Mr Rush Pigment print
63 x 42 cm
60.5
Sinead DAVIES
Divine Light
Oil on canvas
90 x 122 cm
GALLERY
Raimond
Generation Alpha
Anh DO
Ronnie Oil on canvas
152 x 122 cm
Zavros and the Cowboy
Acrylic on canvas
40.5 x 30.5 cm
Skeleton People
Type C Photograph
100 x 240 cm
Odette ENGLAND
IX, From the Series ‘Self Diagnosis”
Archival Pigment print
21.6 x 27.9 cm
Gatwick Private Hotel, Basement
Archival Pigment print
90 X 90 cm
George FETTING
John Waters Actor
Digital print
120 x 80 cm
George FETTING
Lee Lin Caressing Blade
Digital print
87 x 120 cm
Tony FITZSIMMONS
One Day in the Gallery
Oil on canvas board
41 x 31 cm
Timeless Explosions
Oil on canvas
102 x 102 cm
REGIONAL GALLERY
Dark Allure II
Photographic print
84.1 x 59.4 cm
Matthew GIANOULIS
Imperial Lace
Photographic print
84.1 x 59.4 cm
Beth GIBBESON
She will rise
Type C Photograph
81 x 55 cm
Mertim GOKALP
Billie Brown in a Turkish Bath
Oil on canvas
120 x 185 cm
Glencore Percival Portrait Painting Prize
Mertim GOKALP
Mama Keeps me Warm Oil on linen
120 x 90 cm
Debra GOLDSMITH
Barry Tuckwell at home in Taradale
Charcoal, pen, dry pastel, acrylic on rag paper 77 x 55 cm
Archival Inkjet Pigment Print on Hahnemuhle Rag
41.5 x 30 cm
The Mysteries: 88 Years in the River
Digital Photograph on Cotton Rag paper
105 x 140 cm
Seppo HAUTANIEMI
Contemplative Moment Oil
70 x 60 cm
Sahlan HAYES
Landon and Breah
Digital print
80 x 100 cm
Watercolour
97 x 128 cm
Boys Fishing. Mombasa
Kodak Tri-X 400 Photograph
40 x 60 cm
Ian HITCHCOCK
Baby Whisperer
Digital print
33 x 49.5 cm
The People’s Friend
Acrylic
190 x 100 cm
Rod HUNT
Xristi Kali Fox
Digital print
47 x 57 cm
Behold the Man: Bishop Michael Putney Oil on canvas
100 x 200 cm
Self Portrait with the last Huia Oil on linen
140 x 290 cm
Alun Rhys JONES
Erika Wears Wool and Angora-Blond Shift Dress
Oil on linen
184 x 184 cm
The book of John Photographic paper 100 x 70 cm
Soyoun KIM
Easter Picnic, Hope
Lamda Photo print
51 x 76 cm
Self Portrait in
The Girl got Balls
Type C Photograph
50 x 50 cm
Acrylic
Paint for your Life
Brushed oil on canvas
100 x 70 cm
Letters Oil 84 x 66 cm
Fiona LOWRY
I Love Him, though I do not know him
Acrylic on board
76 x 56 cm
Monty Silver Gelatin Photographic giclee print
40 x 50 cm
Glencore Percival Portrait Painting Prize
Self Portrait - The Unvarnished Truth Oil
61 x 50.8 cm
Chrissy MAGUIRE
Sue Hackett - Strong-Thoughtful
Archival Photo Rag paper
68.3 x 52.9 cm
Two eggs, two hearts - siblings
Archival Fine Art Photo Rag paper
68.3 x 52.9 cm
Effie MANDALOS
Georgia Oil on canvas
40.5 x 40.5 cm
GALLERY
Selfie
Mixed media 10 x 10 cm
TUCKER REGIONAL GALLERY
Matt R MARTIN
Jules
Oil on board
18 x 13 cm
Roderick McNICOL
The Late Blossoming of Jack Charles
Archival Digital print
80 x 65 cm
Doorway to the Soul: Alfred
The Perfectionist Oil on canvas
Alex Hunyor and Alex Hunyor-retinal surgeons
Oil on canvas
76 x 122 cm
Vital Signs
Oil on canvas
46 x 61 cm
Stu Larsen, Vagabond
43 x 35 cm
Soul on ice #2
Type C print
104 x 143 cm
An Aboriginal Anglo Saxonised Couple Sit Archival Digital print 100 x 100 cm
Zorica PURLIJA
Four Eyes
Fine art print
85 x 116 cm
In Search of Gaps
Irene RAE
Caroline Oil on canvas
60 x 46 cm
Sarah RHODES
Sophie, 2013
Pure pigment archival print on Cotton Rag paper
80 x 80 cm
Cynocephalus Inseparabilis
Digital print
59.4 x 42 cm
Self Portrait
Oil on linen
66 x 76 cm
Kate ROSS
Temptation
Digital print
46 x 45 cm
Fieldsy
Oil on linen
220 x 200 cm
W.W.
Giclee print
90 x 130 cm
Camille SERISIER
Ovid’s Medusa #14
Giclee print
78 x 115.1 cm
David - Eyes Forward
Oil on canvas
152 x 121 cm
PERC TUCKER REGIONAL GALLERY
Rawiri James SMITH
PC Oil on canvas
183 x 120.5 cm
Interrogating De Sade: Where Do I Draw the Lion?
Mixed media
120 x 180 cm
GALLERY
Brendon Earl SPARG
Momentous
Acrylic
91 x 61 cm
PERC TUCKER REGIONAL GALLERY
The Hidden Door
Mixed Media
56.5 x 40 cm
Janelle STRUSS
Watching You Watching Me
Digital print
60 x 60 cm
135 x 90 cm
Janet TAVENER
The Living Room
Archival Digital print
120 x 80 cm
Genevieve TOBIN
Aftermath
Mixed pastel on board
106 x 86 cm
Datsun TRAN
What Lies Beneath Oil on round board 50 x 50 cm
PERC TUCKER REGIONAL GALLERY
Mooroop
Oil on canvas
180 x 130 cm
Ange VENARDOS
The Man with the Boy Child in his Eyes
Watercolour/Gouache on Arches paper 80 x 60 cm
Contemplation
Photographic Digital print
51.98 x 60.96 cm
Charmaine WESTON
My Hair Goes Frizzy When Its HumidA Self Portrait
Acrylic & ink on Khadi paper
76 x 56 cm
Depicting Common Things
Type C Photographic print
51 x 76 cm
Lee WISE
Pure (Self Portrait)
Oil on board
56 x 76 cm
The Aesthetics of Breathing Digital print
67 x 100 cm
Christine WREST-SMITH
Portrait of Graeme Drendel
Oil on linen
190 x 99 cm
ANIMAL PORTRAITS
Coinciding with this year’s display of the Glencore Percival Portrait Painting Prize is Animal Portraits , a fun and frivolous exhibition that aims to share the spotlight and capture the personalities of our scaly, feathered, and furry friends.
The biennial exhibition, which offers one major prize of $1,000, was conceived by the exhibition’s major sponsor in 2010. It has continued to enjoy support from major sponsor Glencore, and is warmly received by Townsville residents.
Importantly, the exhibition also continues to encourage accomplished works that clearly illustrate the affection with which we view our pets and wildlife.
Tanya CHILDS
D-Fer (detail)
Oil on canvas
30 x 30 cm
Winner of Animal Portraits 2012
THE PEOPLE’S PERCIVAL
As part of the city-wide celebration of portraiture
The Percivals , Gallery Services has organised The PEOPLE’S Percival .
This exhibition of photographs, displayed on the Flinders Street banners in the city’s CBD, captures the true face of Townsville; the unsung heroes, the friends, family and neighbours, the everyday residents that make Townsville what it is.
Gallery Services invited residents to submit photographs of individuals they believed were deserving of recognition, and selected 60 images for inclusion.
The exhibition forms part of Gallery Services’ Creative Spaces program, which seeks to identify non-traditional gallery spaces which can be activated as exhibition spaces or locations for arts activity in order to engage a broader cross-section of the community.
EDUCATION & ACTIVITY BOOKS
To support The Percivals , Gallery Services is offering a developed public program, and series of educational activities for local schools and students.
Also available is a free children’s activity book to enable younger visitors to follow along with the exhibitions, learn about portrait painting and photography, and get some insight as to how to create their own portraits.