OVERVIEW

2015 was the eighth Strand Ephemera; an event that began in 2001 and then became a biennial exhibition from that time. The event has grown over the years to be loved not only locally, but to be an outdoor sculpture exhibition of state and national significance.

The impetus for Strand Ephemera was twofold. Firstly, the exhibition was to provide Townsville City Council, developers, and the broader Townsville public with possibilities in the public art arena. Permanent public art pieces in Townsville up to this point had not engendered broad public support. A temporary exhibition was seen to have greater potential to present ideas and concepts for public feedback.

Strand Ephemera presents a spectrum of work from the popular to the conceptually demanding. Townsville City Council has previously selected a number of works from the exhibition for permanent display and the exhibition has provided a reference for developing public art in Townsville. Such permanent works include Bruce Anderson’s Landboat and Gavin Ryan’s Lyin’ Fish.

The second impetus was to provide opportunities for regionally-based artists. The Queensland Government had announced a 2% for public art program creating massive funding opportunities, with regionally-based artists expressing interest in improving their competitiveness.

Strand Ephemera provided the opportunity for these artists to hone their skills and compare and contrast their work within a national context at a local venue. The focus on works being “ephemeral” encouraged artists to use inexpensive materials, for a “short-lived” exhibition of around 10 days.

The exhibition has attracted national and international entries, but it continues to provide the possibility for regional participants to prepare and present works in the public arena.

A number of local artists have developed their public art profile and been commissioned as a result of their involvement in the exhibition. Townsvillebased artists have also noted that the networking and skills development as a result of the exhibition and its programs have proved worthwhile. A Public Art Symposium is also staged as part of the event, and this is the opportunity to discuss current trends and ideas in public art with relevant speakers sourced.

Numerous models were investigated in developing this exhibition, including Sculpture by the Sea and the Mildura Palimpsest. The exhibition has also been informed by the Sydney Biennale and the Munster Sculpture Triennial, and continues to evolve.

The exhibition has grown from within the community, with the support of a range of collaborating partners, and consistently offers developmental opportunities for the artists and public who participate.