Gwyn Hanssen Pigott

b. 1935, Ballarat, Victoria d. 2013, London, United Kingdom

Gwyn Hanssen Pigott is one of Australia’s most distinguished potters whose career extends over more than five decades in Australia, England and France. Hanssen Pigott is most famous for her ‘still life’ arrangements, exhibiting her porcelain vessels in tightly prescribed groupings, influenced by Twentieth Century painter Giorgio Morandi. She believed that grouping her wares offered them room for dialogue and allowed them to transcend the limits of function. Her formative years achieved her the reputation as one of the finest potters of her generation, whose work allies technical expertise and virtuosity with aesthetic ambition, refinement and beauty. In 1989 Hanssen Pigott moved to Netherdale, Mackay, the sugar cane country of North Queensland. In 2002, she moved her studio to Ipswich and it was here that she was awarded the medal of the Order of Australia. This was followed by a retrospective at the National Gallery of Victoria where, fifty years earlier, she had first fallen in love with ceramics.

Gwen Hanssen Pigott

Untitled [Teapot] (nd)

Wheel-thrown stoneware with bamboo handle

18 x 15 x 11 cm

Gift of Vincent Ray, Townsville 1995

City of Townsville Art Collection

Ray Harrison

b. 1937, Cairns, North Queensland

A graduate of Shepparton Technical College and of Toorak Technical Teachers College, potter Ray Harrison moved to Queensland in 1969, setting up a studio near Cairns and teaching at Cherbourg. In 1972, Harrison was appointed the first teacher and manager at Yarrabah Pottery at the Yarrabah Mission (now the Yarrabah Aboriginal Community), 30km south-east of Cairns. Like the Barambah Pottery at Cherbourg founded in 1969, it was an initiative of the Queensland government to provide sustainable employment opportunities for mission residents. Harrison’s taught for many years, including a lengthy stint at James Cook University, and in High Schools around Townsville. Harrison, or ‘Harro’, as many know him as, brings the same irreverence and humour he is known for to his three Trolls (1977), exhibited in Utopia Tropicae for the first time in some years. Trolls, of course, have taken on new meaning in the digital world, but these three seem to hark to the original folkloric meaning of the term.

Jane Hawkins

b. 1958, Ayr, Queensland

Jane Hawkins is a Townsville based sculptor. Having attained teaching qualifications in 1979 after studying sculpture under Len Shillam, Hawkins taught drawing and sculpture at TAFE and later lectured in visual arts at James Cook University. Her personal practice in her early years was largely informed by her interest in the human form and psyche. Hawkins’ recent works focus on her observation of and interaction with her environment, using collected materials, drawings and photographs from various sites visited during an extended journey south for the summer, prompting her to create smaller, and more portable works in response to place. Her long-held love of the earthiness of clay, the rich colour of terracotta, and the seductiveness of simple raku firing, combined with the tendency to collect things along the way, naturally led to the creation of a new, intimate body of work shown in this exhibition. The first group of works (terracotta and found objects) is from a series inspired by a lifetime of beachcombing at Cape Upstart, near Home Hill, Hawkins’ home town. The second group (raku and found objects) is from a series created after a recent trip to North West Queensland, where the artist found the geological formations most fascinating, hence the focus on collecting was on small rocks (with the odd not-sosmall rock secretly stashed in the back of the ute!)

Jane Hawkins

Front:

Rock Lid 2017 Raku, rock 9 x 8 x 8 cm

Terracotta Driftwood 2 2017 Terracotta, driftwood 12 x 11 x 9 cm

Terracotta Driftwood 1 2017 Terracotta, driftwood 11 x 10 x 9 cm

Back:

Cross Stitched Rock 2 2017 Raku, rock, waxed string 9 x 9 x 8 cm

Cross Stitched Rock 7 2017 Raku, rock, waxed string 10 x 11 x 10 cm

Large Terracotta Rusty Sail 2017 Terracotta, rust 24 x 13 x 11 cm

Large Terracotta Rusty Spiral 2017 Terracotta, rust 14 x 12 x 10 cm

All courtesy of the Artist

Craig Hoy

b. 1971, Port Macquarie, New South Wales

Craig Hoy is a ceramicist based in Cairns, Far North Queensland and his works largely feature raku fired forms. He is drawn to the immediacy of the results of raku and the element of chance that the heat, flame and smoke of the raku process produces through marks on each piece. The moldability of the clay as well as the transformational qualities of the raku firing lend well to the powerful human experiences Hoy seeks to illustrate in his work. It is these experiences that continually inspire him, often drawn to hardships and stories of endurance, suffering and loss, and how we carry these experiences. Hoy’s subjects are usually people he has come in contact with, and whose stories have inspired him in some way.

Jan Hynes

b. 1944, Meredin, Western Australia

Jan Hynes has been active in Townsville’s artistic community for many years, with her signature wit, humour and surreal takes on North Queensland iconography. Whether it be the massive cloud laden skies, the leafy suburbs or the characters that live underneath and within, Hynes fills her images with recognizable everyday events which verge on the sublime and the ridiculous, often simultaneously. Hynes, as an artist educator, is presently bringing her many skills to a group exhibition project for Umbrella Studio which investigates Post Traumatic Stress Disorder through artistic practice. A selection of Hynes’ dog sculptures (and yes, they all have names) have been selected for Utopia Tropicae, but like one of the narratives of her paintings, the dogs have actually continued to multiply; soon they may just take over. Nobody really knows where they keep coming from, other than the artist.

Jan Hynes

Front:

Toy Boy Dog 2015

Timber, paint

13 x 21 x 6 cm

Courtesy of the Artist

Hound Dog 2015 Timber, paint 10 x 45 x 16 cm

Courtesy of the Artist

Sitting Dog 2015

Timber, paint 29 x 46 x 13 cm

Courtesy of the Artist

Hug the Pug Timber, paint 19 x 22 x 12 cm

Courtesy of the Artist

Toy Dog 2015 Timber, paint 10 x 17 x 7 cm

Courtesy of the Artist

Back: Down Dog 2015 Timber, paint 40 x 50 x 11cm

Courtesy of the Artist

Dash the Dachshund 2015 Timber, paint 30 x 109 x 10 cm

Courtesy of the Artist

Gypsy 2015 Wood, paint 43 x 68 x 17.

Private Collection

Pink Poodle 2015 Timber, paint 62 x 52 x 20 cm

Courtesy of the Artist

Spot the Dog 2015 Wood, paint 45 x 75 x16

Courtesy of Alan Valentine

Black Dog 2015

Timber, paint 25 x 56 x 11 cm

Courtesy of the Artist

Connie Hoedt

b. 1939, Amersfoort, The Netherlands d. 2014, Townsville, Queensland

Connie Hoedt was born in the Netherlands in 1939, migrating to Australia in 1958, and then settling in Townsville in 1966. She first came into contact with clay whilst training as Montessori kindergarten teacher in The Hague, loving the art form so much that she decided to pursue it further. Originally self-taught, Hoedt completed a studio ceramics course at Townsville College of TAFE in 1975, and continued on at the TAFE as a teacher. In the 1980s Hoedt became active in the North Queensland Potters Association, serving as its President (1985-88) and Director of the association’s gallery (1987-89). In 1993 she joined the Queensland Art Gallery Board of Trustees. Through the auspices of the North Queensland Potters, Hoedt dedicated herself to promoting ceramics in North Queensland, while continuing to practice her craft and exhibit widely throughout Australia. Hoedt is one of North Queensland’s most significant and influential potters, specialising in fantasy pieces, and blue and white wheel-thrown porcelain influenced by antique Delftware. Her early non-functional and sculptural work of the 1970s and early 1980s constitute a unique response to her Dutch heritage and her surroundings in Far North Queensland, and give her an important place in the history and development of Australian ceramics. Hoedt will be the subject of a major retrospective at Perc Tucker Regional Gallery in 2019.

Connie Hoedt Microcosm 1 1985

Hand-built, hand-painted, glazed porcelain

18.1 x 18.1 x 18.1 cm

Purchased 1992

City of Townsville Art Collection

Microcosm 2 1985

Hand-built, hand-painted, glazed porcelain

18.4 x 18.4 x 18.4 cm

Purchased 1992

City of Townsville Art Collection

Microcosm 3 1985

Hand-built, hand-painted, glazed porcelain

20 x 20 x 20 cm

Gift of the Artist 1992

City of Townsville Art Collection

Gordon Hookey

Wallaroo 2015

Custom-printed linen

497 x 140 cm

Commissioned by Cairns Regional Gallery 2015 Cairns Regional Art Gallery Collection